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DINNER AT AT STEAMERS STEAMERS MET METROGIVEAWAYS.COM ME ETTR ROG RO OGI GIV VEAW VEAW VEA AWAY AYS.CCOM OM OM Michael Mi h lB Borja j

DIY celebrity chef-style slow cooking at home p24 SJ’s Frontier Wives circles wagons for final show p46

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Since splitting off from 01SJ , SubZERO has staked its claim as the city’s pre-eminent fringe music and art festival p18

Zero In BY GARY SINGH

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THIS T HIS MODERN M WORLD WORLD D

9p T TOM OM TOMORROW TOMORROW

I SAW YOU

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Everlasting Job Stopper @jXnpfldpÓijk[XpXk nfibXe[@be\npfln\i\ k_\fe\Æk_\Jkfgg\i#k_\ [`]ÓZlckGi`dX;feeX%@]X gifa\ZkZXeY\X[mXeZ\[ fi[\cXp\[#pfln`cc[\cXp `k#[`jdXekc\`kfi[`jZflek `k%PflXi\k_\i\Xjfek_Xk ^fm\ied\eknfib\ijXi\ Zi`k`Z`q\[Xj`e\]ÓZ`\ekXe[ \og\ej`m\%PflXi\k_\]Xk k_Xke\\[jkfY\ki`dd\[%

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Park P ark Plan Plan Theree is a very Ther very simple way way to k eep all of our ou ur state state parks open open and keep ha ave enough funding to properly properly have maint ain all facilities: f maintain Buy an annual st ate parks pass. paass. state

Instead of sp spending ending mone moneyy on p o olitic al ccampaigns ampaigns to raise ttaxes, axes, political eevery very person person who h voted voted t d ffor o or the th st tate t state pa arks b ond needs to buy an annu ual parks bond annual pa ass. pass. In last yyear’s ear’s election, 4,19 0,7933 4,190,793 C aliffornia o vvoters oters vvoted oted Y ees on California Yes Pr rop. 21. Multiply that b nd Prop. byy $12 $1255 an and ou ur st ate parks ssystem ystem would gain n our state $5 523,849,125.00—money that go es $523,849,125.00—money goes di irectly into the St ate P arks ccoffers off ffeers e directly State Parks an nd ccannot annot b eallocated or mo ved and bee rreallocated moved to o other state state agencies g or to the ge eneral fund. Each and eevery very doll lar general dollar st tayys with our st ate parks stays state parks.. Buy yyour our pass to daay; it ’s the on nly today; it’s only su ure ﬁr ay to preserve preserve and pr ottect sure ﬁree w way protect ou ur valuable cultural and naturall our rresources. e esour ces. DAN YOUNG D AN Y OUNG | APTOS APTOS

Cluck of the Dr D Draw raw Challenges to a fr free eee pr press ess are are ground ound slowly gaining gr d in the fform o orm of Iowaa and Minnesotaa bills in Florida, Iow a Minnesot legislatures prohibit possession legislatur es to pr ohibiit p ossession display factoryy and displa ay of videos of factor farming.. F For dairyy and egg meatt, dair farming or the meat, industries pushing ffor bills,, the orr these bills o prohibition makes perfect sense.. pr ohibition mak es p erfeect sense A yyear ear ago, ago, undercover undercover investigators Cattle in vestigators eexposed xposed E6 C attle Company Castro County C ompany in C astro C ounty ((Texas) Texas) dairy tiny wood chaining h i i dair d i y ccalves alv l es in i tin i y wo od bludgeoning skulls crates and bludgeonin ng their sk ulls pickaxes. Last Cal-Cruz with pick axes. L ast JJune, un ne, C al- Cruz Santaa Cruz weree Hatcheries in Sant C wer suffocate livee ffound o ound to grind up and d suff ffo ocate liv chicks.. In A August, Iowa’s chicks ugust, Iow wa’s Hillandale County Farms and Wright Wright r C o ount y Eggs were were fforced o orced to rrecall ecall 550 million m eggs ffor o or

Salmonella contamination. Salmonella contamination. If I ran one of those tho ose operations, operations, I certainly certainly wouldn ’t want want people people with cameras cameras wouldn’t ywhere near my an my facilities. facilities. anywhere F ilthy conditions conditions o Filthy and cruel practices are a e likely ar likely to remain remain legal practices and commonplace comm monplace on U.S. U.S. factory factory farms d their operators operators will farms,, and ccontinue ontinue to t avoid avoid public exposure. exposure. Our only option, o consumers, is as consumers, to stop subsidizing sub bsidizing these conditions conditions and practices practiices at the checkout checkout ccounter ounter by by shifting to wholesome and cruelty-free crueltty--free vvegetables, egetables, fruits and grains s, as well as grain grain- and nut grains, nut-based substitutes subsstitutes for fo or meat and dairy, dairy, now available availa v able in every every supermarket. supermarket. LARRY ROGAWITZ LARR YR OGA AW WITZ | SANTA SANTA ROSA ROSA

CCORRECTIONS ORR RECTIONS In last w eeekk’’s dining dining review, review, the the name name ooff week’s F ahrenheit’s executive executive chef chef Christopher Christopher Fahrenheit’s G raze was was m isspelled. Also, Also, in in oour ur Summer Summer Graze misspelled. G uide, the the entry entry for for Shoreline Shoreline Wildlife Wildlif l fe Guide, R efuge e Ar reeaa had the wr roong price pricce for for o allRefuge Area wrong dday ay bboat oat rrentals entals at at SShoreline horeline Lake Lake A quatic Aquatic C eentter er. Please Pleasse go to to www.shorelinelake. www w..shorreelinelakke. Center. ccom om aand nd cclick lick oon nA quatic C enter ffor or tthe he ffull ull Aquatic Center iinformation nformation ooff rrental ental pprices. rices. M etro rregrets egrets Metro the err ror ors. errors.

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THEFLY FLY THE

SVNEWS

Figone to to Uncle Sam: ‘No ‘N No Thanks’ It’s It ’s not that DEBRA DEEBRA FIGONE doesn’t doesn’t trust councilil to spend money—it money—it’s the city counci ’s j that she doesn’t just d doesn ’t trust the city council to spen spend nd money wisely wisely.. Rather than let the co council ouncil decide whether should grant San Jose shou ld accept a ffederal ederal gr ant havee saved 53 police ofﬁcer that could hav potentially j jobs—and pot tentially put the city on it doesn’t the hook for for millions m doesn’t have— manager protect the city manag ger chose to pr otect the from itself. unilaterally council fr om it tself. She unilater ally chose only fraction grant, to apply pp y ffor or on nlyy a fr action of the ggr ant, telling “it’s essentially tell ing the council that “it ’s important to know know when to say when.” (And some councilmembers couuncilmembers need to be rreminded eminded of that thhat helpful pro-moderation pro-moderation campaign—ahem! campaign—ah hem! ASH ASH KALRA.) KALRA.) With

Bird Feed :?@:B<ECFM<IJ <E CFM<IJDXipG`kdXef]G`kdXe=Xd`cp=XidjXe[_\igif[lZk`fejlg\im`jfi#AX`d\:XYXcc\if# <E DXipG`kdX Xe f]G`kdXe =Xd`cp =Xidj Xe[ [ _\i gif[lZk`fe jlg\im`jfii##AX X`d\ :XYXcc\if f# \ Xe X fg\iXk`fen_\i\ Y`ii[j Xi\ iX`j\[ Xe[ b`cc\[ Xj _ldXe\cpXj gfjj`Yc\% fm\ij\\Xefg\iXk`fen_\i\Y`i[jXi\iX`j\[Xe[b`cc\[Xj_ldXe\cpXjgfjj`Yc\%

almost 300 cops cops potentially out of a job due to the budget buddget catastrof#*%, catastrof#*%, the already alr eady angry members of the police union rreacted eacted predictably predictably to news of the city manager’s managger ’s move. Then they

:_`Zb\egif[lZ\ij\ogcfi\e\nnXpj Zb\egif[lZ\ij\ogcfi\e\nnXpjj kfYiè^k_\ìgif[lZkjkf[èe\ikXYc\j Yiè^ k_\ì Y Yiè^ k_\ì giif[lZkj if[lZkj kf [èe\ \i kXYc\j \i BY NICOLAS COLAS GGRIZZLE RI ZZ LE &J &JOSH J OSH K KOEHN OEHN

wer weree shocked to find out that their boss, Chief CHRIS CHR RIS MOORE, MOORE, had signed off on Figone’s Figone’ss decision. The cops had appar apparently entlyy forgotten forgotten that Figone signs Moore’s Moore’s paycheck. Meanwhile, Councilmembe Councilmember er Pete Pete Constant, Constant who had just released releassed a detailed plan he said could savee 97 officers’ officers’ jobs, was left holding a memo m resembling resembling Swiss Swiss cheese—his plan p required required that the city apply for for the t full grant. grant. Constant ffollowed ollowed up byy asking Figone to apply ffor or an extensio extension on so the council could consider the matter. m matter . She decided to ignor ignoree that request reqquest entirely. entirely. The POA POA is now in contactt with U.S. Congressman Congressman Mike Honda’s Honda’s office, o which should result result action people in the kind of decisive d have come to expect out of Washington. Washington

8M<J:?8L9 8 M M< J:?8L9 le[\ijkXe[j k_Xk _`j le[\ijkXe[jk_Xk_`j Zljkfd\ij_Xm\e\m\i Zljkfd\ij _Xm\ e\m m\i Y\\eY\kk\iè]fid\[ Y\\e Y\kk\iè]fid\[ XYflkn_Xkk_\pÊi\glkkè^ n n_Xk k_\pÊi\ p g glkkè^ ^ _\ \ìYf[`\j% K_XkÊj èkfk_\ìYf[`\j%K_XkÊj n_pk_\]flik_$^\e\iXk`fe _\ ]flik_$^\e\iXk`fe e YlkZ_\iXe[fne\if] \iiXe[fne\if] JZ_XlYÊjD\Xk#=`j_Gflckip YÊj D\Xk# =`j_Gflckip èk_\JkXe]fi[J_fggè^ J JkXe]fi[ J_fggè^ :\ek\ijXpj_\ÊjY\\eYlpè^ i jXpj i j _\Êj Y\\e Ylpè^ G`kdXe=XidjÊZ_`Zb\e]fi e =XidjÊ Z_`Zb\e ]fi Xcdfjkk_i\\p\Xij% kk_i\\ p\Xij%

“The tthing h hing ab about out p people eople to today daay ery educ d ated d ab bout thei h ir i is they’ree vvery educated about their chaub sa ch ayys. “The y’re well food,” Schaub says. “They’re d and and tthey hey rread ead aand nd rresearch esearch traveled ff”” ff. ff this stuff. yyss h is m om-an nd-pop sshop hop He says his mom-and-pop arrs aappreciates ppreciates tthe he w ay tthe he of 23 years way baased cchicken b hicken p rocessing p lant Sanger-based processing plant in ngs g. does things.

“Theyy ha “The have ave a gr great eat rreputation eputation ffor or o the w way ay they they raise thei their ir animals animals,,” he sa says. ays y. Maryy Pitman ﬁdgetss when she Mar area off h her processing plant eenters nters tthe he ar rea o er p rocessing p lant where killed. She w here tthe he cchickens hickens aare re k illed. S he prefers p refers ““processed” processed” o orr eeven ven ““put put tto o ssleep”—anything leep”—an nything o ther tthan han naw ord other word rrelating elating to death. never way been ““I’ve I’ve n ever lliked iked tthe he w ay iit’s t’s b een done, d one,” says says the the owner owner and and namesake an namesake Farm ms, whose of Pitman Family Farms, pr oducts include Mar y s chickens, y’ chickens, products Mary’s turkeys turk eys and ducks. ducks. Herr ﬁdgeting is is,, iin n a way, way, part part of of what what has hass led led tthe he ccompany ompany to to invest invest millions millions of of dollars dollars in a PETA-endorsed PET TA-endorsed method m metho d for fo or ds’ lives. lives. ending the bir birds’ O n tthe he ssurface, urface, iitt may may seem seem strange stran nge On Ethical Treatment tthat hat People People ffor or tthe he E thical T reattment of Animals—which believes belie e ves the world’ population should sho ould refrain refrain world’ss population ffrom rom h arming animals animals in in any any way way aand nd harming only diets—would eeat at o nly vvegan egan nd iets—would advocate ad dvocate

method for for the the delivery delivery of of a living living a method animall to to a dinner dinner plate. plate. But, But, as as PETA PETA animal media media specialist specialist Ashley Ashley Gonzalez Gonzallez says, “We “We w an nt to to eliminate eliminate the the worst worst says, want suffering suff ffeering chickens chickens are are enduring right now. now w. The They’re y’re going to be be killed, and if we can can do d it in a less cruel way, way, companies companiess should be be doing it.” The process process Pitman will begin begin using next next month is the second second of its its kind kind in in the the United United States, States, and an nd the the first first west west of of the the Mississippi. Mississippi. The The Anglia Anglia Autoflow Autoflow CAS CAS (controlled (controlled atmosphere atmosphere stunning) stunning) procedure procedure is is as as far faarr a cry cry from from current current slaughter slaughter methods methods as as one one can can get get with with the the end end result result still being being a dead bird. bird. Currently, Currenttlyy, the most popular popular method method involves involves hanging hanging birds birds by by their on their feet feet o n hooks, hooks, which which carry carry them them by belt by conveyor con nveyor o b elt to an electrified water water bath, bath h, then individually prodding prodding each eacch bird bird (by (by hand) hand) with with a high-voltage barbecue ensuree high-voltagge barb ecue ffork o ork to ensur a lifeless liffeeless entry en ntry to the packaging packaging facility. facilitty. Even Even e then, according according to PETA, PET TA A, some some are arre still still alive alive when when their their throats throats are are slit. The The CAS CAS method method involves involves no no hanging, hanging, no n bath, no prodding. prodding. Birds Birds are are loaded loaded into into a large large crate crate and an nd taken tak ken by by conveyor conveyor iinto nto a “gas “gas tunnel, tunnel,” where where

demand, up with dem mand, he said. Currently, Currentlyy, ab about out a tho thousand ousand birds birds a week can can be be produced pr oduced for fo or sale using this method, method, but eexpansion xpansiion plans are are imminent. Mary’s If Mar y’s vision ccatches atches on—and the p popularity opularrity of the ccompany’s ompan nyy’s m ost h uman anely rraised aised ((and and most most most humanely eexpensive) xpensive) products products indicate indicate it’s it’s p ossible—the birds birds we we eat eat will will soon soon possible—the b eated more m e lik mor bee tr treated likee humans than ssome ome h ouse p ets. IIff iitt rremains emaiins a niche niche house pets. mark et, how wever, natural p oultry market, however, poultry pr oducers may may end up ﬁghting for ma for o producers mark et sha are. market share. Mar y’s Chick C en will so on b Mary’s Chicken soon bee the primar ption, and one of just primaryy op option, ttwo wo b rands o hicken aavailable vailable in in brands off cchicken C aliffo ornia Whole W Foods mark keets. California Foods markets.

Efk\m\ip E fk\m\ip f p ]]i\\$iXe^\ ]i\\$ $iXe^\ ^ g gifZ Z\jjè^ Z\jjè^ ` ^ gifZ\jjè^ g gcXe c ek`jfe k` gcXek`jfe Y YfXi i[n`k_ [ ` _ YfXi[n`k_ k_\G G<K K8$ 8 k_\G<K8$ \e[f fij\[ \e[fij\[ b`cc` e^ ^ b`ccè^ d\k_ k_ _f[ _ [ d\k_f[ “W We’re al ligning with smallersmaller“We’re aligning sscale cale California Callifornia producers producers as as a way way to secur an nd expand expand our supply y,” securee and supply, eexplains xplains Whole W F oods’ meat buyer buyer Foods’ Dan N euerrbrug. Neuerbrug. L ike M ary’s cchickens, hickens, b irds aatt Like Mary’s birds F ulton Valley Vaallley Farms are are given given Fulton o utdoor ac ccess, ffed ed a vvegetarian egetarian n outdoor access, diet and live livve in coops coops with enriched gr owing cconditions. onditions. growing The long g-term viability viability of Mar y’s long-term Mary’s chick ens will will rely rely upon upon consumer consumer chickens demand, which w oduct hinges on pr product qualit y. Slic ck mark eting and w arm, quality. Slick marketing warm, fuz zy ffeelings eeelin ngs only go so far in the fuzzy culinar orld, wher bottom culinaryy wo world, wheree the bottom line boils boils down d to taste. taste. If raising an animal wit h ccompassion ompassion mak es it with makes ttaste aste b etterr, it ’s a saf fe b et that those better, it’s safe bet in char ge of o the large large factory factory farms charge will ttake ake an nother look look at how things another ar aree done done.. ““Chefs Chefs o ut tthere here w an nt n othing b ut out want nothing but tthe he b est,” ssays ays G reen, w hose jjob ob iiss tto o best, Green, whose cconvince onvince chefs chefs to to spend spend a little little more more o nh is b irds. ““But But tthere here aare re ssome ome w ho on his birds. who b elieve chicken chicken iiss chicken chicken aand nd iit’s t’s not not believe wor th the pric p e.” worth price.

9 M E T R O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

oxygen carbon dioxide gas replaces carbon repllaces oxygen and puts p the bir ds to sle eep p in 6 0 to birds sleep 60 70 sec onds. “It’s “It’s far mor re humane seconds. more tthan han w hat h ap ppens tto ob irds n ow,” ssaid aid what happens birds now, G onzalez. “With “With these these n ew systems, systems, it it Gonzalez. new eeliminates liminates tthe he cchance han nce ffor or a cchicken hicken to to b alded to death.” bee sc scalded N ot eevery very fr ee-range pr ocessing Not free-range processing plant is on b oard with the t PET TAboard PETAmetho od. endorsed killing method. “Y You o ar th gases and “You aree messing wit with yyou ou h ave eemployees mployees exposed exposed to to that that have situation,” sa ays y Andr ew C arlson, CEO says Andrew Carlson, o ulton Valley Valley Farms Farms iin nS onoma. ““If If off F Fulton Sonoma. done p erfeectlyy, yyes, es, it ’s go ggood. od. But lik perfectly, it’s likee aany ny b usiness yyou ou h ave tto o ccalculate alculatte the the business have ’s not goingg to b times that it it’s bee done with p erfeection.” perfection. F ulton V aalley Farms Fulton Valley Farms,, which is d istributed iin nW hole F oods M arrkets distributed Whole Foods Markets u nder tthe he F ield tto oF amily llabel, abel, d oes under Field Family does gas its turkeys, turkeys, because because the size of the b ird ccan an m ake eelectrocution lectrocution aawkward wkwarrd bird make aand nd painful. painful. But But C arrlson ssays ays cchickens hickens Carlson aare re far faarr easier easier tto oh andle, m aking’s handle, making’s PET TA’s metho d mor b densome PETA’s method moree bur burdensome than nec essary. necessary. Y as asmin T yebjee, owner owner of of T op Yasmin Tyebjee, Top N osh Café Caffé in San JJose, ose, sa ssays ayys she isn ’t so Nosh isn’t cconcerned oncerned w ith p rocessing m ethods with processing methods aass llong ong aass tthe he cchicken hicken aand nd eeggs ggs ffor or h er her Britishsttyle y meat pies are a e free-range. ar free-range. British-style “I w anted a clean pr oduct and I wanted product w anted m t ha ave ffood ood wanted myy customers to have tthat hatt I would would eeat att o amily w ould orr m myy ffamily would eeat, at,” ssays ays T yebjee, whose whose p ies ar re also also Tyebjee, pies are sold b cal gr ocers such as byy small lo local grocers Andr onico’s, Lunardi’s Lunardi’s and a Zannato ’s. Andronico’s, Zannato’s. Lik ulton V aalley’s, Pitman Farms’ Likee F Fulton Valley’s, b irds aare re rraised aiised tto o aabove-required bove-required birds ggovernment overnment sstandards tan ndarrds ffor or ffree-range ree-ran nge cchickens. hickens. One One o itman’s ffarms arms iin n tthe he off P Pitman’s C entral V alle a y allows it ts bir ds to lea ave Central Valley its birds leave tthe he sspacious, pacious, temperature-regulated temperature-regulated ccoop oop aand nd h as b ranches o ucalyptus has branches off eeucalyptus h ung ffrom rom tthe he cceiling eiling to to jjust ust aabove bove hung tthe he b irds’ heads head ds aand nd h ay b alles ffor or birds’ hay bales them to play plaay on. The resulting resulting bird bird looks looks lik likee a n ormal cchicken—an hicken—an u nusual sight sight normal unusual in the poultry-processing poultry-processin ng business business.. M an ny cchickens, hickens, including including Petaluma Petalluma Many P oultry’s R ocky JJr., r., llack ack eenough nough Poultry’s Rocky ffeathers eathers tto o ssafely afely ggo oo utside tthe he ccoop oop outside b efore tthey hey aare re sslaughtered. lau ughtered. B irds before Birds aatt P itman’s ffarm arm ar re m ore ssparsely parsely Pitman’s are more ccovered overed tthan han an n aaverage verage b ird, b ut aare re bird, but still able to rroam oam fr ee. free. T he birds birds ar re iin n ssuch uch h igh The are high demand, sa ayys Geoff Gr e Pitman een, says Green, Farms mark eting sp eciaalist, that the marketing specialist, ccompany ompany sometimes sometimes h as tto o tturn urn aaway way has or ders. Despite their $6 6p er-pound orders. per-pound p rice ttag agg iin n sstores, tores, iit’s t’s ttough ough tto ok eep price keep

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sv 411.com visceral. If this is what visceral. what climate then change looks like, the en maybe Americans will be forced forced c to look at decisions about climate-related climate-related energy new ener gy policies in a n ew light.

Climate CChange Climate hange aand nd Scien ntific Literacy Literaccy Scientific TTHE HE AIR grows grows thick. Dark clouds churn churn like a pot of boiling booiling w water overhead. overhead. T colors of The rreality eality become becoome oversaturated— oversatur atted— greens gr eens too green, green, y yellow a sickly sicckly :CFL;:FDGLK@E> FL; :FDGLK@E E>;\k\idèè^k_\ZXl ;\k\idèè^k_\ZXlj\j j\j gold. This is is what :C f]k_\i\Z\ekgifc`]\iXk`fef]_lii`ZXe\ji\hlì\j f]k_\i\Z\ekgifc`]\ \iXk`fef]_lii`ZXe\ji\h hl` tornado weather weeather elXeZ\[i\Xjfeè^XY`c`k`\j% elXeZ\[i\Xjfeè^XY`c`k`\j% lookss like, and look a the United States States has been hit with a lot of it lately. lately. the past two months Make no mistake, m months don’t don’t just seem to be b particularlyy twister-laden. This isn’t isn’t one o of those situations situations wheree an iincreased awareness what’s w wher ncreased awar eness of wh hat’s happening outside outsidde our own home hoome states has made an average average number of tornadoes appear more more spectacular. spectacular. In I just five months, the thhe United States Stattes has experienced more more tornadoes than we often offte get in an entire e e year. entir year. And far, far, far far more morre people have died. the deadliest year for 2011 is already already e for tornadoes since 1953. 19533. Ass of May 23, 498 people have been killed. That That’s A ’s a big jump jum mp from normal. fr om norm al. I was born in 1981. In my m entire entire lifetime, lifetime, annual annuua tornado deaths deeaths in the United States States have only broken broken the 1 100-person n mark three three other years—1984, years— —1984, 1998, and 2008. 200 08. Clearly, this year. Clearly y, there there is something different different about a year. The question is, iss, “What?” When weather-related W weatther-related disasters happen, happpen, the first thing most moos people want wan nt to know is whether the disaster was caused by b global climate climate change. T These tornadoes tornad does have been painful. The destruction desttruction they’ve caused is

In a May 23 editorial ffor or the Washington W aashington P Post, ost, env environmentalist vironmentalist Americans Bill McKibben M Kibb took t k Am A mericans i to task ffor or rrefusing efusing to o make a connection between environmental e envir onmental disasters—including the 2011 climate tornadoes—and clim ate change. His basic message: All the these ese disasters and must be connected an nd only willful ignorance ignoree that. ignor ance allows us tto o ignor different I have a slightly diff errent heree perspective. What we have her communicate is not a ffailure ailure to com mmunicate obvious effects and accept the obviou us eff ects Instead, it’s of climate change. Ins stead, it ’s a communicate ffailure ailure to communica te and accept a critical point of how science s works, scientiﬁc literacy without which scienti ﬁc liter acy is meree talki talking rreduced educed to mer ng points. If we pump people full full of ffacts, acts, but about uncertainty, don’t teach them abo out uncertainty y, surprised then we can’t be surp prised when they dismiss anything g that isn’t 100 percent per p cent certain. This is about nuance and uncertainty, uncertainty y, and if thee American those public doesn’t get tho ose things, then we’ll never get climate c change.—MA —MAGGIE GGIE K KOERTH-BAKER, O T H-BAKER, OER BOINGBOING.COM

ncarp I think this gets to the heart of much of the ridiculousness riddiculousness of the ““culture culture wars” wars” by pointing poointing out that it’s it’ss not so much an issue issuue of presenting presenting the facts faacts (facts (ffaacts are are cheap...), cheaap...), but of our means of communicating communicatinng science. We’re We’re trouble if the public continues in serious trouble to follow education follow a model that science s is about “teaching controversies.” contrroversies.” tesselater This piece p of knowledge needs to be on the wall in front front of every science teacher’s teeacher ’s desk, at every science museum, and at every vote for for science funding. OldBrownSquirrel OldBr ownSquirrrel What strikes me is not so much the number n of tornadoes, but the num number ber of ffatalities atalities a and the apparent apparent geographic geogrraphic skew. skew w. Looking Looking at the tornado in Minneapolis (one dead) or the Comfrey-St. Comfrrey-St. Peter Peter outbreak outbreak in 1998 (two dead) d make me

ask why Southern Soouthern tornadoes are are so much more more deadly. deadlyy. Underenforcement Underenffor o cement of regulations might be a factor. factor a r. regulations

TThere here A Are re N Noo More Coms’ Mor ethher‘Dot Coms ’ Att least, there A e shouldn’t be. We’ve We’ve that era. passed tha at er a. Any business of scale and worthy of going public, as LinkedIn did d today in spectacular style, isn’t a dotcom. It’s It’s a rreal eal business, with w significant impact several in sever al important markets. In LinkedIn’s case, those markets include publishing, pu ublishing recruitment, ublishing, recruitment, ecruitment professional and pr ofesssional services. services. So what leveraged if they are are lever aged over a digital platform address? platf orm that that has a ““.com” .com” addr ess? At At this point, poiint, that’s that’s pretty pretty much the entiree US economy entir eeconomy, y, not to mention significant percentage a significa nt per centage of the ““rest rest of the world.” worrld.” tired I’m tir ed of o the easy comparisons to the dotcom dotccom bubble. They simply aren’t ar en’t accurate. accu urate.—JOHN BATTELLE, BATT ELLE, BATTELLEMEDIA.COM BA TT ELLE MEDIA.COM MEDIA COM

Elle Ferrer F rer I don’t Fer don’t think a lot people understand the overall u overall potential—they grasp potential— —they don’t don’t gr asp the concept that thaat these data-driven social technologies technologiees are are just in their creative creative beginnings,, there there is so much more more room room for for growth growth for for serving serving the needs of the information-hungry informationn-hungry consumer. consumerr. Crassus Cr rass a sus I don’t don’t think the reference reference too this being a second bubble has to do with w the fact faact that LinkedIn has a “.com” “.com m” addr address. ess. It It’s ’s that LinkedIn a social media mediia company, companyy, and social media is the new magic pixie dust. Michael Mich hael The “bubble” “bubble” rrefers efers to any compan ny or industry sector whose company valuations ffar aar exceed tr aditional norms, traditional only be justified through through an and can only phrase explanationn that involves the phrase the normal normaal rules don’t don’tt apply apply” or “this this “the differ e ent.” time is different.” John M This is why a lot of people see this as a bubble. I have no doubt Facebook and a Groupon Groupon ar aree valuable and profitable profitable businesses b but I can’t can’t see how they are are getting geetting higher valuations than

Google, a pr proven oven money machine, before beffoore even going public.

PayPal P ayPal SSues ues O Over ver ‘Wallet’ ‘W allet’ Secrets Seccrets Online payments giantt P PayPal ayPal has two of the sued Google, alleging that t search sear ch titan’s senior eexecutives xecutives who previously PayPal had pr eviously worked d at P ayPal violated their contracts, contracts, and in one conﬁdential case actually stole con nﬁdential PayPal P ayPal information information and and shar shared ed it with Google and otherr companies.

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The two executives in question, q Osama Bedier and Stephanie Step phanie Tilenius, Tilenius, now off G Google’s aare re n ow iin n ccharge harge o oogle’s mobile-payments initiative, initiaative, called Wallet, the search Google W allet, which th he sear ch giant press aannounced nnounced at at a p ress conference conference York Thursday. Although in New Y ork o on Thursda ayy. Al though the lawsuit does not refer ref e er to Google Wallet W allet by name, there there is i an extensive discussion of the nascent nasceent ““digital digital wallet”” market and of Bedier Bedier’s wallet B ’s work before hee iin n tthis his area area ffor or PayPal PayPal b efore h January. joined Google in Janua ryy.

“Despite th the he relatively relatively recent recent developme ent of the use of a development smartphone smartphon ne as a point-of-sale tr ansaction n device, P ayPal’s tr ade transaction PayPal’s trade secrets secr ets ar aree particularly valuable in this emer ging ar ea,” PayPal PayPal said in emerging area,” its lawsuit,, which was ﬁled in San Jose by thee company’s legal team, led by lege legendary endary Silicon V Valley alley ace counsel G. Hopkins (Hop) Guy, Guyy, III, of Orrick, Or rick,, Her Herrington, r g , & Sutcliffe. rington, Sutcliffe.

PayPal’s P ayPal’s lawsuit injects injectts a dose of acrimony into what is quickly fiercely becoming a fier cely competitive co ompetitive rrace ace ffor or advantage in the t rrapidly apidly expanding mobile-payments mobile-payyments market. Lar ge corpor ations, from from o Silicon Large corporations, V alley to Wall Wall Street, Street, are a e jockeying ar Valley ffor or position and PayPal’s PayPal’s a lawsuit appears pp intended, at le east in p part,, to least short-cir cuit Google’s ambitions in short-circuit this ar ena. arena. As usual with Google, the company’s As ambitions ar high-flyying. At At the aree high-flying. New Y ork launch, Goog gle said York Google it had lined up several several top-tier corpor ate partners to help roll roll corporate out Google Wallet, Wallet, which which is based technology, including on NFC technology y, inc cluding Citi, MasterCard, MasterC ard, First Data and Sprint on the technology side e, and Macy Macy’s, s, side, Subway, Walgreens Toys Subway y, W algreens and and T oys o “R” Us on the retail retail side. It’s It ’s clear that PayPal PayPal takes takes this extremely seriously, matter extr emely serio ouslyy, and brought it has br ought out the big guns ffor or what could be a long lon ng and battle. unpleasant legal battle e.

P ayPal alle eges that Bedier PayPal alleges trade ““misappropriated misapprop priated PayPal PayPal tr ade secrets secr ets by disclosing them within Google and d to major retailers,” retailers,” upon search joining thee sear ch titan. declined Google dec clined to comment beyond statement. its stateme ent.—S —SAM AM GUSTIN, WIRED.COM/EPICENTER/ W IRED.COM M/EPICENT ER/

frantaylor fr antaaylor y SSoo PPay aayy P Pal aal wants to have a mon monopoly opoly on oper operations ations wher wheree free people can engage in fr ee enterprise. Sounds Sounds like some sort of Stephen Stephen Wright Wrright joke to me. 8x10 IIff they signed a N NononCompetition Competitionn and CConﬁdentiality onﬁdentiality contract contract with P PayPal, aayP Paal,, then yeah, they ar aree liable. And And will have havve to pay. payy. Probably Probably big time. frantaylor fr antaaylor SSilicon ilicon V Valley aalley got big pr precisely ecisely be because ecause they D DON’T ON’T enf enforce foorce these contr contracts. a acts. Peter P eterr Chon TTell ell e me Google & eBay: how much m will you make selling our pur purchasing chasing habits h to advertisers? hm? lacertosus lacert tosus I wonder if Google will offer PayPal just off feer too buy P aayP Paal as a settlement!

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SanJoseInside.com An inside look at San Jose politics

Pyle Pushes ffor P or TTax aax CChange hhange Ass ccity A ity sstaff taff sstudies tudies a number number of of proposals pr roposals on how to fix San JJose’s ose’s budget one b udget ccrisis, risis, o ne iidea dea iin n particular particular ar iiss likely likely tto oh have ave ssome ome llocal ocal b business usiness owners arms.. C Councilmember ow wners up in arms ouncilmemb ber submitted N Nancy Pyle submit ted a memo that th hat rrecommends ecommends modifying modifyying the the business business ttax ax for for eestablishments stablishments tthat hat o offer ffeer ff sservices. ervices. T These hese b businesses usinesses aare re ttaxed axed b byy number off employees have tthe he n umber o employees tthey hey h ave rather ra ather than sales sales.. memo,, Pyle asks Cit City In her memo ty Manager M anager D Debra ebra F Figone igone tto o cconduct onduct polling p olling to to see see iiff there there w would ould b bee public support pu ublic supp ort for for o changing the business b usiness ttax ax tto oap percentage ercentage o off ggross ross rreceipts e eipts rather than the number ec number off eemployees. o mployees. A Any ny cchange han nge w would ould rrequire equire vvoter oter aapproval, pproval, an and nd Pyle Pyle wants w ants tto oh have ave a m measure easure o on n tthe he November N ovember ballot. Pyle P yle w writes rites tthat hatt a 1 percent percent business b usiness ttax ax w would ould b bee ““the the equivalent eq quivalent i l to the h amount the h Cit City Ci ty would normal w ould have have rreceived eceived iiff n ormall ssales alles ttaxes a axes weree ccollected” wer ollected” fr from om a busin business. ness. She S he iiss aalso lso as asking sking Figone’s Figone’s office office tto o cconduct onduct polling polling to to see see if if there there is is ssupport upport ffor or m making aking tthe he ttax axx rrates ates higher orr 2 p percent. Businesses h igher aatt 11.5 .5 o ercent. B usinesses would bee aff affected byy a cchange tthat hat w ould b ffeected b ff han nge in n ttaxation axation include beauty beautty salons, salons, educational services daycare. ed ducational ser vices and da aycare. —Josh Koehn — Joosh K oehn Add`^c\[dg Visualize LibertyyAdd`^c\[dg cZlgZkZcjZ^ci]ZaVcYd[iZci]djhVcY cZlgZkZcjZ^ci]ZaVcYd[iZci]djhVcY iVm"VcY"heZcY9ZbdXgViedaî^X^Vch^ha^`Z iVm"VcY"heZcY9ZbdXgViedaî^X^Vch^ha^`Z add`^c\[dgV\gZZcWaVYZd[\gVhhV[iZgV add`^c\[dgV\gZZcWaVYZd[\gVhhV[iZgV eaV\jZd[adXjhih#L]VilVhh]Zi]^c`^c\4 eaV\jZd[adXjhih#L]VilVhh]Zi]^c`^c\4 8djcXâbZbWZgCVVcXn W Watch aatch Dog g8djcXâbZbWZgCVcXn EnaZÉh^YZVid^beaZbZciV\gdhhgZXZêih E naZÉh^YZVid^beaZbZciV\gdhhgZXZêih iiVmlâaXZgiV^canhZcYXdbeVc^ZhW^\VcY VmlâaXZgiV^canhZcYXdbeVc^ZhW^\VcY hhbVaa]ZVY^c\idBâeîVhVcYHVciV8aVgV# bVaa]ZVY^c\idBâeîVhVcYHVciV8aVgV# >iadd`ha^`ZCVcXn Blair Whitney>iadd`ha^`ZCVcXn EnaZ^hh]dl^c\i]Z`^cYd[aZVYZgh]ê EnaZ^hh]dl^c\i]Z`^cYd[aZVYZgh]ê i]VibV`Zh]ZgV\gZViXVcY^YViZid\did i]VibV`Zh]ZgV\gZViXVcY^YViZid\did LVh]^c\idcdgHVXgVbZcid#=Zg]VcYh" L LVh]^c\idc dg HVXgVbZcid# =Zg ]VcYhh" dcVeegdVX]idÒm^c\higjXijgVaYZÒXîh dccVeegdVX]idÒm^c\higjXijgVaYZÒXîhh VcYjchjhiV^cVWaZZciîaZbZcieZch^dc VcYjchjhiV^cVWaZZciîaZbZcieZch^dc

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Stopping tthe Stopping he ‘Death CCity’s ity’s ‘Dea th SSpiral’ piral’ al San JJoseans San osean ns can can see see the the rresults esults o off the the sstructural tructural budget budget deficit deficit problem problem aall ll aaround round tthem, hem, from from the the p oor poor ccondition ondition o ity sstreets treets tto o tthe he off ccity ccancellation an ncellation o ublic events, events, tthe he off p public gr ounding of the p olicce helic opter grounding police helicopter aand nd the the cclosing losing o city p ark off city park rrestrooms. estrooms. Cuts to cit vices ccan an cityy ser services b een fi rsthand in in every every S an JJose ose bee sseen firsthand San neighb orhood. neighborhood. Ten T en yyears earrs aago, go, S San an JJose’s ose’s aannual nnual rretirement etirement ccosts osts wer weree ar around ound $63 million. m illion. T This his year, year, tthe he fi figure gure iiss $ $250 250 million! m illion! A Ass a rresult, esult, h hundreds undreds o off city city eemployees mployees w will ill llose ose ttheir heir jjobs, obs, aand nd will ccity ity rresidents esidents w ill eendure ndure yyet et aanother nother yyear ear of diminished ser service rvice le levels. vels. IIss tthe he C City ity o off S San an JJose ose h headed eaded ffor or bankruptcy? Councilmembers o Coun ncilmembers Madison M ad dison Nguyen Nguyen and an nd Rose Rose H Herrera errera ccontemplate ontemplate tthe he p possibility. ossibility. “In “In

CUBESOULS CU B E S OU LS L

ban bankruptcy nkruptcy ccourt, ourt, tthe he jjudge udge h has as tthe he power p ower to slash s pension pension b benefits enefits to keep k eep a city city out of insolvency—and insolvencyy—and — that’s that ’s eexactly xacttly what we we’re ’re working wouldn’t bee b better tto o avoid avoid ... ... w ouldn’t iitt b etter down tto o slow slow d own tthe he rate rate of of growth growth of of pensions than lay p ensions th han to la ay people people off ?” The City may T he C ity of of San San n JJose ose m ay not not bee b bankrupt, but b an nkrupt, b ut iitt iiss ccertainly ertainly broken. b roken. For For tthe he past past 12 12 years, yearrs, corrupt corrupt leadership,, an undedic undedicated press leadership ated pr ess and apathetic citizenryy ha have an apathet tic citizenr ave ruled day. Here live, the da ay. He ere we liv e, in one of the wealthiest w ealthiest rregions egions o off tthe he country, country, yet yet tthe he ccity ity government government cannot can nnot aafford ffo ff ord to to deliver deliv er eeven ven e basic cit cityy ser services. vices. —P Peette Campbell Caam mpbell —Pete I]Z8înd[HVc?dhZ Monaa LisaI]Z8înd[HVc?dhZ ]]VhWZZcbdgVaanWVc`gjei[dgVadc\i^bZ# VhWZZcbdgVaanWVc`gjei[dgVadc\i^bZ# II]ZdcZWaZhh^c\d[]Vk^c\i]Z8înYZXaVgZ ]ZdcZWaZhh^c\d[]Vk^c\i]Z8înYZXaVgZ WWVc`gjeiXn^hi]Viîlâa[dgXZi]Z8înid Vc`gjeiXn^hi]Viîlâa[dgXZi]Z8înid deZc deZcîhWdd`hVcYgZcZ\di^ViZVaa8în îh Wddd`h VcY gZcZ\di^ViZVaa 8în XXdcigVXih###^cXajY^c\i]ZhlZZi]ZVgiYZVah dcigVXih###^cXajY^c\i]ZhlZZi]ZVgiYZVah b bVYZlî]YdlcidlcYZkZadeZgh!adWWn^hih VYZlî]YdlcidlcYZkZadeZgh!adWWn^hih VVcYÆdjih^YZÇXdcigVXidghÅdi]Zgl^hZ cYÆdjih^YZÇXdcigVXidghÅdi]Zgl^hZ ``cdlcVhÆ<Zii^c\g^Yd[i]ZYZVYlddY#Ç cdlcVhÆ<Zii^c\g^Yd[i]ZYZVYlddY#Ç

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A San Jose Downtown Association Production June 2 Greg Kihn Band Classic Rock KFOX 98.5/102.1 June 9 The Original Stone City Band Funk/R&B / KBLX 102.9 FM June 16 Freddie McGregor Reggae / Alice@97.3 June 23 White Album Ensemble Beatles Tribute / 94.5 KBAY

Free Thursday Concerts 5:30 p.m. Plaza de Cesar Chavez Downtown San Jose 408.279.1775 sjdowntown.com facebook.com/ sjdowntown Visit Fahrenheit’s Restaurant and Lounge in the Park, serving creative sangria cocktails and award winning cuisine.

June 2 Greg Kihn Band Opener / The Houserockers

Supported in part by a Cultural Affairs grant from the City of San Jose Design: Liquid Agency / liquidagency.com

June 30 Natural Vibrations Reggae/Rock / LIVE 105 July 7 Led Zepagain Classic Rock KFOX 98.5/102.1 July 14 Special Artist TBA Online Power Pop / MIX 106.5 and SaveAlternative.com July 21 The English Beat Ska / SaveAlternative.com and Alice@97.3 July 28 Cracker Americana /Alternative Rock KFOG 97.7 SJ/104.5 SF and SaveAlternative.com

August 4 Dredg Alternative Rock / LIVE 105 August 11 Marcia Grifﬁths Reggae/Soul / 997 NOW August 18 Sergent Garcia Latin/Reggae / 93.3 La Raza August 25 Pete Escovedo Orchestra Latin Jazz / 98.1 KISS FM

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2011 Summer Concert Series

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SSubculture Subc cultuure Sho Shock ock

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IIt’s t’s n not ot po polarized larized h high igh ttech ech o orr ’s eeverything veerything in-b etween. low tech. It It’s in-between. Local L ocal designers designers,, painter painters, rs, fabric fabricators, ators, instigators onic musicians m instigators,, electr electronic musicians,, T-shirt T -shirt vvendors, endors, instrum instrument ment mak makers, ers, hack keers, side waalk p erformers o , video hackers, sidewalk performers, projectionists, p rojectionists, D DJs Js an and nd eeven ven po politicians litician ns sshow how u p. W hat ffuses uses eeverything veryything up. What together to gether is an indep independent end dent do do-it-ityyourself ourself aaesthetic esthetic aand—a nd—a d deﬁning eﬁning ffactor aacctor o off aany ny ccounterculture—that ounterculture—that o off cconstant onstant change change.. Two T wo sstages tages w will ill bookend bookend tthe he sstretch tretch off F o First irst Street Street ffrom rom tthe he C California alifornia Theatree to the San Jose Theatr Jose Institute of Contemporary C ontemporary Art. Art. Vendors Veendors and aartists rtists will will set set up up shop shop along allong the the

road road. d. C Creative reative ffood ood and and d drink rink o options ptions should satee the hungr hungryy masses masses.. Some ccomponents o onents of the event omp event will b stattionary, while others will bee stationary, bee more b more ﬂuid, ﬂ , but overall, overall,, SubZERO SubZER RO off ffeers a ttwisted w wisted bouillabaisse of offers bouillabaisse participative par ticipatiive opp opportunities. ortunities. If you’re you’re ype who w assumes ar the ttype artt only occupies o ccupies museums, m museums , yyou ou might fall victim to to,, um, u “SubCulture “SubCulture Shock.” Shock.”

Splinter Splint ter Mo Movement vement In one sen sense, nse, it’s it’s almost quasi-fractal quasi-fractal how SubZ SubZERO ZER RO evolved evolved to this point. p oint. Orig Originally ginally a component component of the much lar larger ger 01SJ Ar Artt Biennial,

19 M E T R O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

JLII<8CN?@DJ<P J LII< 8 CN?@DJ<PJlYQ<IFXkkiXZkjXcXi^\iXe^\f]Xik`jkj#èZcl[è^k_`j JlYQ<IF XkkiXZkj X cXi^\iXe^\f]Xik`jkjj# èZcl[è^ k_`j n\ n\\bÊjZfm\iXik`jk#D`Z_X\c9fiaXc\]k \\bÊ bÊj Zfm\i Xik`jk# k` k D`Z_X\c D` _ c 9fia 9 aX a c\]k c ]k ##n_fj\dò\[$d\[`XnfibÉ9XZbpXi[ n_fj\ _ dò\[$d\[`X ` [ [` nfib n b É9XZbpXi[ É9 b [ =`j =`j_Êi\Ô\Zkj_`jZ_`c[_ff[]XjZèXk`fen`k_XhlXi`ld[\e`q\ej2Xe[qè\$ j_Ê i\Ô\Zkj _`j Z_`c[_ff[ ]XjZè eXk`fe n`k_ XhlXi`ld [\e`q\e ej2 Xe[ qè\$ èÔ Ôl\eZ\[D`Z_X\c=fc\p p##n_fj\ \ gXèkè^É:Ê\jk CÊXdfliÊXYfm m\ kXb\jX kXb\j X èÔl\eZ\[D`Z_X\c=fc\p#n_fj\gXèkè^É:Ê\jkCÊXdfliÊXYfm\ jc`^ jc`^_kcpZpe`ZXcjkXeZ\kfnXi[k_\jì\eZXccf]cfm\% ^_kcp Zpe`ZXc jkXeZ\ kfnXi[ k_ _\jì\e ZXcc f]cfm\%

K_`jp\XiiÊjJlYQ<IF=\jk`mXcX`dj kf]lj\ Xn\Xck_ K_`jp\XiÊjJlYQ<IF=\jk`mXcX`djkf]lj\Xn\Xck_f];@P]iè^\ n f];@P ]iè^\ ] Xik`jkj è ekfXe \m\eè e^ f]_`^_$cfn jligi`j\jBBYY GAR Xik`jkjèkfXe\m\eè^f]_`^_$cfnjligi`j\j GARY Y SSINGH INGH which initially erupted d every every other summer,, SubZERO, summer SubZER RO, em emphasized mphasized the subcultures sub cultures lurking in the shadows of digital digital art art and ne new w media. m After the larger larger Biennial dec decided cided to migrate to September, September, SubZER SubZERO RO ccontinued ontinued to exist exist on its i own every every JJune, une, independent independent of and a splintering off fr from om the Biennial. This is a good good thing ffor or se o several veral rreasons, easons, mainly in thatt it actually makes mak es both both entities even even str stronger. onger. Anyy world-class An world- class festival—especially festiva e al— especially one exploring exploring digital digital art a t and culture ar culture wheree bifurcations wher bifurcations are are inher inherent ent to begin b egin with—eventually with— eventuallly evolves evolves to a point p oint wher wheree smaller su subfestivals ubffestivals e and

splinter groups groups o break br eak off to eexist xist on their own. It happens happens eeverywhere. verywhere. In my my opinion, op pinion, that pr process ocess doesn’t do esn’t weaken weaaken the lar larger, ger, allencompassing enc ompassing festival; festival; e rather rather,, it strengthens str engthen ns the original event, event, making it even even more more subst substantial. antial. In that sen sense, se, one can can perceive perceive the SubZERO SubZER RO Festival Festival as now having haaving v naturally br broken b oken aaway way on its own, sortt of like sor like an island just off the shoreline shor eline but b still connected connected deep under the surface. s face. sur Thus,, SubZERO Thus Su ubZER RO bifurcated bifurcated fr from om the lar larger ger mothership, m mothership , and now, now w, just a ffew ew years yearss later, later, there there already already eexist xist other bifur bifurcations rcations within SubZERO SubZER RO

itselff. The mor itself. moree one zo zooms oms in on o the whole thing thing,, the mor moree det details a ails emerge emer ge that wer weren’t en’t visible b before. effo ore. It’s It ’s cconstantly onstantly changing changing.. Traces T racces o off the the o original riginall 0 01SJ 1SJ B Biennial iennial still app appear ear her heree and ther there, e, but cclearly, learlyy, SubZERO SubZER RO is now its own continuously continu uously iterating top topography ograph hy of plateaus plateaus,, eevery very one o ne o off w which hich is is cconnected. onnected. The The rrole ole of of any an ny observer/participant, observer/parrticipant, iideally, deallly, iiss tto o discover disc over and embrac embracee the dynam dynamism mism eemerging merging ffrom rom aany ny o one ne o of,f, o orr aany ny number numb er of those cconnections. onnections.

Linking In Ass one na A navigates avvigates the link linkages, ages, her h heree

are a ffew are ew interesting interestingg no nodes des one might want want to pa pay ay at aattention tention to to.. Connoisseurs C onnoisseurs of subculture, sub bculture, st start art yyour our engines. engines. The plateaus p await. await. Considering C onsidering herself herseelf both both a performance p erformanc o e ar artist tist and a conceptual conceptual visual ar artist, tist, Trina Merry M y paints Merr on people’s people’s b bodies, odies, but b it’s it’s much moree than that. We’ve mor We’ve hear heard d of DJ mashups, mashups, but Merry Merry creates creates a diff ffeerent blend of mashup. m mashup . different Her H er ccreative reative tteam eam m ttransforms ransforms llocal ocal San JJose ose human mo odels into living models living,, breathing, br eathing, prancing works of art. art. A Att S ubZERO, sshe he w ill llaunch aunch a ccollective ollective SubZERO, will of body body paintings—“The paintings— —“The Ar Alive Artt Alive

20 M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U N E 1 -7, 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

SUBZERO SUB ZER O 19

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Gallery”—launching Gallery”—launching tthem hem on on the the street street aass models, mo dels, dancers, dancers, fire fire ttwirlers, wirlers, hula-hoop hula-hoop performers more. p erfo ormers and mor e. For F or this eevent, vent, she also o ccollaborates ollaborates with with Tahira: Tahira: Puree Dance Pur Dance Theater, Theater, modern a mo dern avant-garde avvantt--garde dancee company. danc compan ny. “Nothing “N othing thi llasts, lasts t ,” Mer M Merry rry writes writes.. “W “We We ar aree in a cconstant onstant st state ate of change, changge, no mat matter tter t how much w we rresist esist it. Bo Bodypainting dypainting rreminds eminds me of this—life this—life is shor short, t,, alw always ayys mo moving, ving, and a it it’s ’s imp important ortant to embr embrace race the b beauty eautty and p people eople in yyour our lif fe in that moment. momeent. life The b body ody paint will be be w ashed h d off ff, ff, the h p eople l washed off, people will mo move ve on, but that eelevated levated m oment aand nd moment cconnection, onnection,, a form form o of lo llove, ve, is what ’s wor th living for. for o .” what’s worth Speaking Sp eaking of mashup mashups, ps, CUBIIC is the latest innovative inno vative audio and >CFN@E>I<M@<NJ > CFN@E> I <M @<NJ :L :L9@@:`jZfeki`Ylkè^X L9@@: `j Zfeki`Ylkè^ X video-mixing video -mixing inter interface face m`[\f$dòè^èjkXccXk`fekfJlYQ<IF% m`[\f$dòè^èjkXccXk`fe kf JlYQ<IF% from Bay Area digital fr om Ba ay Ar ea digit al artists ar tists L Lyès yès Belho Belhocine cine Drew Detweiler. and d Dr ew Det weiler il . cymbals,, causing cymbals causing a the instruments Together, T ogether, the two two UC UC–Santa –Santa Cruz to rresonate. esonatee. grads designed and built bu uilt CUBIIC, CUBIIC, Also,, and Also and unbeknownst unbeknownst to some, some, which allows users to intuitiv intuitively ely mix San Jose Jose ac actually ctually boasts boasts a thriving flipping different audio and video by by fli ipping diff ffeerent subculture sub culture of custom bicycle bicycle Plexiglas cubes sides of Ple xiglas cub e and placing es enthusiasts enthusiast ts and cruisers cruisers.. POPS with surfaces them into ccontact ontact wit th sur faces and Fabric Fabrication, ation n, a world-r world-renowned enowned rreceptors. eceptors. A Attendees ttendees t and a passersby passersby San JJose–based ose–b based bicy bicycle cle design and aree enc encouraged walk ar ouraged to w allk up and take take fabric fabrication ation n house house,, will displa display ay partt in the mix. par bicy bicycles cles fr from o its 8 Series line as well om CUBIIC rrepresents epresents yyet et an another nother as intr introducing oducing the first POPS and instance inst ance of how ffolks o olks fr from om the worlds CLOUT BMX BM MX Bik Bike. e. off art o arrt an and nd m music usic ac academia cademia ccontinue ontinue These folks fo ollks specialize specialize in hand-made, hand-made, to inter intertwine tw wine with str street e sub eet subcultures, cultures, do-it-yourself, do -itt-yo ourseelff, structurally sound and a ccrossover rossover n nonexistent onexistent iin n tthis his ar area rea ttop-notch op-notch eengineered ngineered fframes, rames, all all of of 20 years years ago. ago. Again, Again,, a do-it-yourself d do-it-yourself which ar aree fillet fi brazed and TIG w welded elded mindset drives drivves e the cr crossover. ossso over. with all fab fabrication brication ccompleted ompleted inContinuing C ontinuing on thatt front: front: house house.. POP POPS PS rrepresents epresents a true instance instance Danishtaa Riv Danisht Rivero, ero, who o studied of shoppingg from from the gr ground ound up up,, ccomposition omposition with an emphasis in tthat hat iis, s, eengineering ngineering o oddball ddball bicycles bicycles electronic electr onic music and recording recording fr from om insidee out,, dep depending ending on the media at Mills College, Collegee, will gig par participant’s ticipantt’s wishes and cash cash flow flow. w. with her own “Hy “Hydrophonium,” drophonium,”” an hydrophones instrument made from from mh ydrophones submerged submer ged in glass jar jars rs filled with water. Matthew Goodheart t of the w ater. Mat thew Go odhear d Center C enter ffor or o N New ew Musicc and A Audio udio Eric E ric Fanali Fanali o off Grand Grand Fanali Fanali Presents Presents Technologies T eechnologies at UC-Berkeley, UC-Berkeley, will use booked b ooked the the m musical usical aacts cts for for tthe he MAX MAX/MSP /MSP softw software are to o pip pipee audio to 23 transducers transduc ers at attached tached to t gongs and

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PREPARE FOR A BETTER TOMORROW.

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SUBZERO SUB ZER O 20

smaller sstage, smaller tage, near near tthe he S San an JJose ose M Museum useum off Q Quilts believes o uilts and and Textiles. Textiles. He He b elieves SubZERO S ubZERO tto ob bee tthe he q quintessential uintessential S San an subcultural JJose ose sub cultural mélange. mélangee. “Last “L ast yyear, ear, it w was as my my favorite faavorite Fanali me.. “I night in San Jose,” Jose,” Fan ali tells me thought it was was the best bestt thing that happened happ ened to San JJose ose all a yyear. ear. I go to all the art art walks, walks, I go to o Cinequest, I like like Music in the Park Park k and things likee that, but this was lik was the t best best night wheree it all came wher came together.” togetther.” there’s And this time ther e’s even even beer. beer. Lagunitas Along with L agunitas Brewing Brewing Company, Peter C ompany, P eter Estaniel Estaniiel of the Better Blogg is sp sponsoring Bet ter Beer Blo o onsoring a craft brewing in the parking br ewing subfestival subffestival e First lot at F irst and San Salvador. Sallvador. He says sa ayys the do-it-yourself do -it-yourself nature n natur e of nonmainstream makes nonmainstr eam beer beer mak m es it a perfect p erfect e ﬁt ffor or o the SubZERO SubZ ZER RO Festival. Festival. they’re ““A A lot of the stuff th hey’re doing on the craft-b craft-beer eer le level, vel,, it still has a vvery ery do-it-yourself, do -it-yourselff, artisanal artiisanal kind of ffeel,” eel ” he said. eeel, said “A “A lot of the t batches aree still done by ar by hand. It It’s ’s not vvery ery automated like like some of o the bigger brewers br ewers are. are. There’s There’s a lot l of care care that goes go es into the recipe recipe fformulation. orrmulation. o It’’ s the w It way ay the they’re y’re eexpressing xp pressing themselves, themselv es, it it’s ’s a lit little tle more more eexperimental.” xperimental.” Amen.

So what we ha have ave her heree is is,, b both oth lliterally iterallly aand nd metaphorically, metaphoricallly, iiss a mosaic of lo local ocal identities. identities. There There is no need to t insist on one alleencompassing ncompassing San San n Jose Jose identity identity that thatt doesn’t anyway. do esn’t eeven ven eexist xist an yw way. Instead, it’s it’s am multiplicity ultiplicity o off sselves. elves. T The he iimportant mportant tthing hing iiss ggetting etting tthose hose sselves elves tto o cconnect onnect and and talk talk to to each each other, other, even even if if it’s level. it ’s on the subatomic s level. e “It’s likee the Quilt “It ’s kind d of lik says. patchwork Museum,”” Fanali F sa ayys. ““A A patch hw work subgenres.” of sub genres e .”

SSubZERO ubZER RO and SSouth outh First Fridays Friday, Fridayy, 6pm–midnight 6 South South First F Street, Street, San San Jose Jose The The event eveent includes live performances perf orm mances by Ben Henderson, Red CCorpus orpus CCallosum, allosum, JJhameel, hameel, the R ed Paintings moree on stages along P aintinggs and mor Mechanics, the street. street. e TThe he Jazz Jazz M echanics, presented pr esentted by SSan an Jose Jose JJazz, azz, will perform perf orm m at EEulipia ulipia Restaurant. Restaurant. The The area’s area e ’s art galleries will host rreceptions eceptioons and perf performances ormances all evening. evening g.

M E TR O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 1 -7, 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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The refrigerator refrigeerator was was arguably arguably the ﬁrst technology ﬁ technolo ogy to revolutionize revolutionize the kitchen. home kitchen n. Keeping Keeping things cold cold or frozen frozen opened opened e up a new new world of possibilities p ossibilities for for fo o the home chef. cheff. Then

came came a the micr microwave. owave. My family’ family’ss fir rst micr owave w as ab out the siz first microwave was about sizee of a small ccar, ar, but it seemed so mo dern modern an nd eexciting. xciting. I ccan an heat up w ater in and water 30 0 sec seconds? onds? Magic! Other Other culinar culinary ry te echnological mar vels ffollowed: o ollowed: the t technological marvels ffood ood pr ocessor, the br ead machin ne processor, bread machine an nd the immersion blender and blender.. In the 19 90s, with the rise 1990s, off molecular gastr onomy (the gastronomy application ap pplication of scientific techniques techniquees an nd to ols to ccooking), ooking), the and tools pr roffeessional i l ki kitchen h jjet ted d ahead h d professional jetted off the home kitchen. A gr owing growing nu umber of chefs now look look to the number laboratory la aboratory and scienc sciencee to rrender ender th heir culinary culinary cr eations. their creations. The curr ent darling of the current m molecular gastr gastronomists onomists is sous vi ide ccooking—slow ooking—slow cooking cooking ffood ood in vide

vacuum-sealed l d bags. bags b . The T technique Th t h i vacuum-sealed yields meat so wonderfully wonderrfully tender that mainstream mainstream chefs, chefs fs, not just the elite, elite, have haave embraced embraced it. itt. A sous sous vide vide machine machine is is essentially a glorified d water water bath. What’s What’s different diff ffeerent is is that that the the device device holds holds the the water water att a precise p re c i s e temperature temp erature for fo or longg periods p erio ds of time. The food fo o d is sealed sealled in foodfo o dtime. grade grade plastic plastic bags bags that that don’t don’t allow moisture moisture (and (and flavor) flavor) to to allow escape escap e and and prevents prevents water w ter from wa f ro m entering. The technique techniq que can can sound entering. somewhat somewhat absurd absurd (what’s (w what’s wrong wrong oven?), but the t results results are are with an oven?), remarkable. remarkable. Cooking Co oking low low and and slow slow pro duces meat that is is more more tender, tender, produces flavorful flavor ful and and juicy juicy than than that that o off more 20th-century 20th- cen ntur y cooking co oking other more techniques. techniques. Now the home cheff can can play plaay Now likes off Manresa’s Manresa’’s along with the likes Daavid v Kinch and Baume’s Baum me’s Bruno David produce ridiculously Chemel and produce tender, 72-hour spare spare ribs and tender, slow- cooked wonders. wo onders. The other slow-cooked SousV Vide i Supreme Supreme is the t first sous SousVide

ooker e targeted targeted for for o the home vide ccooker cook. Restaurant Rest e aurant quality quality machines q cook. for o the th he thousands of dollars, dollars, but sells for Vide i Supr eme checks in for fo or the Sous Vide Supreme $400 and looks looks no bigger than, well, $400 bread machine. maachine. a bread Those who who wa nt an an even even cheaper cheap er Those want solution solution can can rrig ig a rice rice cooker co oker with a temperature-controlling temp eratture- controlling with device. device. Hook Ho o ok the ttwo wo to together, gether, result e is a poor-man’s, p o or-man’s, and the result MacGyver-style MacGyver-style sous vide device. device. fo or consistency consistency o use, But for and ease of use, the SousVide SousV Vide i Supr Supreme eme (and the So ousV Viide Demi model) mo del) is smaller SousVide the way way to o go. go. got a chance chance recently recently tto o I got experience experience a SousVide SousV Viide machine in action. action. I’ve I’ve llong ong admired admired the the in L’Arpege-style L’A Arp ege-st s yle egg that Manresa Manresa Rest e auran nt ser ved to start start each Restaurant served meal. meal. The The single, single, soft-boiled soft-boiled egg egg is is delicately delicately seasoned seasoned with with sherry sherr y vinegar, vinegar, cream, cre r am, maple maple syrup syrup and and sea sea salt. salt. It’s It’s served served with with the the top top of of shell shell delicately delicately removed, removed, allowing allowing diners to spoon s oon out the runn sp runnyy deliciousness deliciousn ness and contrasting contrasting salty, salty, sweet sweet and rich flavors. flaavors. I never never thought t of making it at home, home, b because ecause a I didn’t didn’t think I ccould. ould. But eggs cooked cooked in the SousVide SousV Vide i Supreme Supreme ar aaree just as good, good,, just as supremely supremely creamy cream my and and rich. rich. I had had d eggs eggs cooked cooked at at 64°C 64°C ffor or 4 455 minutes minutes as as well well ass ones ones cooked cooked overnight overnight at 62°C 62°C (more (m more than 10 hours) that were were easilyy the best best soft-boiled soft-boiled eggs I’ve I’ve eever ver ttasted. asted. Add Add in in some some eggs eggs from from backyard backyard hens, hens, and and the the dish dish is is somethingg rreally eally special. special. Granted, Granted, 11-hour 11-hour eggs eggs aren’t aren’t something something o one ne is is going going to to make mak ke on on a regular regular ar basis, basis, but but because because the the sous sous vide vide ccooker ooker al allows llows home home chefs chefs to cook cook many maany eggs at once, once, it’s it’s a great great choice choice for for dinner dinner parties parrties or or a mother’s mother’s day daay brunch. And eggs are are only th the he b beginning. eginning. Sous vide cooking cooking really really e shines when done with thick cuts of o beef beef or lamb. lamb. Will Wiill thee SousVide SousV Viide Supreme Supreme find a place place on kitchen countertops countertops next next to toaster ovens ovens across across America? America? Not Not likely. likelyy. But for for o early-adopter, early-adopter, technophile technophiile home cooks cooks the SousVide SousV Viide Supreme S Supr eme is the coolest coolest thing since since the battery-powered battery--powered cheese grater. graater.

www.sousvidesupreme.com www .ssousvidesupreme.com

25 THE WORD ON THE STRE ET ...

WHY DID WE CLOSE FOR FOUR WEEKS? Simply S put, we had to. The surrounding prroject required a great deal of construction both above and around us. We did however make subsstantial progress on our interior i t i chan h nges... the th results lt off which hi h you will ill see mid id summer.

WHEN WILL THE NEW N B AR, PATIO AND PARKING A w be a great new LOT OPEN? Lookks like mid summer. The bar will space featuring a high h ceiling and more seating.

ARE WE GOING TO CONTINUE CURBSIDE PICKUP WHEN THE NEW PA ARK KING LOT OPENS? Yes. Your enthusiastic response along witth the added convenience, makke it a winner.

WILL THE FREE VALET A PA ARKING STILL BE E OFFERED? Yes, until the new parking p lot is complete. The NEW W Willow Streett Willow Glen... Getting Better All The Time. For full menu log on to willowstr w eet.com 1072 W illow Street, W illow Glen-S San JoseÊUÊ408. 971. 7080

WILL THERE BE A NEW MURAL? Absolutely. In fact, we’ve contacted the origiinal ar tist and he’s designing a new mural to celebrate our new look along with our 20th anniversary. We will follow the progresss and provide updates regularlyy on Facebook.

American Bistro Martini Bar & Fine Wines A CAPERS PLACE

Available for parties, weddings, graduations & banquets to 250 people Follow us on Facebook

Enjoy Open Rooftop Patio Dining Weekly Food & Drink Specials Happy Hour Monday-Friday Dancing Thurs., Fri.,& Sat. Nights Late Night Dining Pub Quiz Every Tuesday Nights

9900 S. SSecond e c o n d SSt., t ., Downtown D o w n t o w n San S a n Jose J o se 408.291.0677 408 .2 9 1. 0677

Live Live Music Music Friday Nights Nights Karaoke Karaoke Saturday Saturday Nights Nights Sunday Sunday Brunch Brunch

www.loftbarandbistro.com w w w.l o f tb a r an dbist r o.c o m

Food and Drink Specials Mon-Tues = 2 for 1 martinis Wed = 2 for 1 pasta Thurs = 2 for 1 margaritas

1710 W. Campbell Ave., Campbell, CA 95008 | 408.374.5777 74.5777 www.caperseatanddrink.com www.capersseatanddrink.com

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W illow Street--W illow Glen answers questionss about where we are and where we’re going from here.

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Alviso ¿book online at alviso.com

VAHL’S CONTINENTAL $$$. Since 1941, Vahl’s has served a wide variety of old-style favorites in warm Alviso comfort. Steaks, lobster and squab are specialties. Full Bar. Closed Mon and Tue. El Dorado and Taylor. 408.262.0731.

Campbell ¿book online at campbell.net

CAPERS Well-heeled sports bar and restaurant. $$$. Capers is a sophisticated restaurant that uses sports as its theme. Well-devised menu full of inventive recipes and delicious ﬁnger foods. 11am-10:30pm Mon-Thu, 11am-midnight Fri-Sat and 9:30am-10:30pm Sun. 1710 W. Campbell Ave. 408.374.5777.

LA PIZZERIA Italian. $$. La Pizzeria specializes in simple pizzas that stand on the strength of a few highquality ingredients, expertly prepared. Open for lunch and dinner daily. 11am-10pm SunTue, 11am-11pm Wed, 11ammidnight Thu-Sat. 373 E. Campbell Ave. 408.370.0826. MICHI Japanese. $$. Sushi standards are transformed into palate-awakening presentations; culinary boundaries are stretched. 11am-10pm daily. 2220 S. Winchester Blvd. 408.378.8000 or 378.0838.

NEGEEN Persian. $$. Mira ghasemi, grilled and puréed eggplant in a tomato sauce with scrambled eggs, and kashk-e-bademjan, puréed eggplant topped with mint

and a creamy yogurt sauce, are great, as are the kebabs. Don’t miss the excellent Persian ice cream. 11:30am10pm Mon-Thu, 11:30ammidnight Fri-Sat and 11:30am-9pm Sun. 801 W. Hamilton Ave. 408.866.6400.

PSYCHO DONUTS Donuts. $. Psycho Donuts has taken rings of fried dough into new territory with ﬂavors like apricot, the Cookie Monster (topped with Oreos) and Do-Nilla (sprinkled with bits of vanilla wafers) and the intimidating Psycho Donut, a maelstrom of marshmallow, pretzel and chile powder. 6am-5pm Mon-Thu, 6am11pm Fri, 7am-11pm Sat, 7am5pm Sun. 2006 S. Winchester Blvd #C. 408.378.4540.

RUSSIAN CAFÉ AND DELI

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¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

TWIST CAFE AND BISTRO French and American. $$$. Twist describes itself as “American food with a French twist,” but the menu includes Middle Eastern, Asian and Italian inﬂuences, too. Cafe 9am-3pm Tue-Sat, 9am-2:30pm Sun; Bistro 59pm Wed-Thu and 5-10pm Fri-Sat. 247 E. Campbell Ave. 408.374.8982.

Cupertino ¿book online at cupertino.com

ALEXANDER’S STEAKHOUSE American-

Russian. $$. This is a small Russian grocery store with a good little restaurant tucked in the corner. Borscht soup, pelmeni and solyankya sbornaya, a thick soup studded with chunks of mild pork sausage, black olives, pickles and barley all satisfy. 11am-8pm daily. 1712 S. Winchester Blvd. 408.379.6680.

Asian steakhouse. $$$$. Alexander’s is much more than a steakhouse. Add a 500-bottle wine list, multiple dining rooms and Asian-accented ambience and you’ve got a standout South Bay restaurant. Full bar. 5:30-10pm Mon-Thu, 5:30-11pm Fri-Sat and 59pm Sun. 10330 N. Wolfe Rd. 408.446.2222.

SUSHI ZONE Japanese.

CAFE TORRE New Italian. $$$. A gem tucked away in an unassuming little mall, with a sophisticated interior and congenial hosts. Even better is the great pasta and seafood. Beer, wine. 11:30am2pm and 5-9:30pm Mon-Thu and 5-10:30pm Fri-Sat. Closed Sun. 20343 Stevens Creek Blvd. 408.257.2383.

$$. Fun sushi meets fun surroundings in this zone. 11:30am-2:30pm and 5-9:30pm Sun-Thu and 11:30am-2:30pm and 5-10pm Fri-Sat. 75 S. San Tomas Aquino Rd #1. 408.866.1323.

TIGELLERIA. Italian. $$. Tigelleria’s menu centers on fine cheeses and Italian salumi paired with tigelle, free-flowing, piping hot flat-breads the size of mini pitas. The bread forms the addictive heart of the meal. Lunch 11:30am-2pm and dinner 5-10pm daily. 76 E. Campbell Ave. 408.884.3808.

CUPERTINO BAKERY Indian and bakery. $. Don’t be fooled by the name. Cupertino Bakery is really a great South Indian restaurant. Unlike many South Indian restaurants, Cupertino Bakery

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Back to the Future

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To ready a field for planting, he hooks up a gleaming plow and cuts neat furrows through the earth. The blade of the plow barely makes a sound and its cuts a clean, 18-inch furrow into the beautiful black, loamy soil. The number of people with these skills probably is in the low hundreds. Watching Decater glide the plow over the field, it would be easy to write off his animal-and-solar-powered farm as archaic, silly even. Isn’t that going backward? Decater does use a few tractors to bale hay and perform a few other tasks, but most work is performed by animals, i.e., live power. As for the competition part, he doesn’t compete at all. Long ago, Decater and his wife, Gloria, decided to opt out of the market economy and run Live Power as a community-supported farm. Community-supported agriculture (CSA) has become a fairly well-known term, but as California’s first CSA, Live Power takes the community part much more seriously than most. Stephen grows for a small community of supporters, about 200 families that do much more than buy his produce. They support him and his family, the animals on the farm and the cost of running the entire operation. The farm’s website puts it this way: “In order to have healthy agriculture, we have to have a healthy economic process. The real cost of food is actually based on the cost of taking care of the needs of the farmer and the land on a long-term sustainable basis, which is often not indicated by the current market economic ‘bottom line.’” “If you’re getting a good deal, but the farmer is out of business the next year or the earth is compromised, is that really sustainable?” Decater asks. His answer is clearly “no.” The website goes on, “The associative economic practices employed by community-based farming transform the economic process underlying agriculture from being directed by mechanistic “bottom line” self-interest economic forces to an economic process which is directed by the good of the community as a whole—oriented towards meeting the needs of the earth, the farmer, and the ‘eaters’, reflecting human values and long term stewardship.” Amen to that. Is that communism? No. Capitalism? Certainly not. How about communitarianism? “This is a completely different paradigm,” he says to me over his kitchen table. “My contention is that we won’t have sustainable agriculture until we have a sustainable economic system.” Industrial agriculture and mindless consumer capitalism have brought us to the brink. Continuing to go forward with a broken system means walking right off the cliff. Live Power may look like a throwback with its draft horses, solar power and hand tools, but with a badly broken food system and a world of finite oil resources, Live Power offers a view into the future. Check out www.livepower.org for more on associative economics. —Stett Holbrook

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LIVE FEED

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26 10123 N. Wolfe Rd #2001. 408.996.3444.

DYNASTY SEAFOOD RESTAURANT Hong Kong-

¿book online at gilroycalifornia.com

Gilroy/ Morgan Hill

style Chinese. $$$. Dynasty specializes in Hong Kongstyle seafood. The seafood is very fresh, especially the creatures swimming minutes before they arrive on your plate. Good dim sum, too. Full bar. 11am-2:30pm and 5-9:30pm Mon-Thu and 10am-3pm and 5-9:30pm Fri-Sat. 10123 N. Wolfe Rd. (in Cupertino Square). 408.996.1680.

Italian. $$. You don’t dine here for a quick upscale ﬁx, you dine here for downhome atmosphere. Tender vitello saltimbocca tops the menu. 11:30am-2pm and 59pm Mon-Thu, 11:30am-2pm and 5-10pm Fri and 5-10pm Sat. Closed Sun. 25 E. First St, Morgan Hill. 408.782.7550.

FLORENTINE RESTAURANT

RAGOOTS American. $$.

Italian. $. Bold ﬂavors, fresh ingredients and lavish portions. Casual to dressy. Beer, wine. 10257 S. De Anza Blvd. (plus six other locations, some with full bars). 11:30am-9pm Mon-Thu, 11:30am-10pm Fri-Sat and 49pm Sun. 408.253.6532.

FONTANA’S California/ Italian. $$$. A steady performer, Fontana’s rarely disappoints pasta lovers. Beer, wine. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 5-10pm Sat and 4:30-9pm Sun. 20840 Stevens Creek Blvd. 408.725.0188.

GOCHI Japanese. $$$. Gochi is a globally inspired izakaya (small plates) restaurant. Most of the food is straightup Japanese fare, but there are a few American, French and Korean twists. Highly recommended. 19980 Homestead Rd. 408.725.0542. LOON WAH Chinese. $. The kitchen produces good wokcentric dishes, but its main draw is fresh, hand-pulled noodles. Casual. Beer, wine. 11am-9:30pm Mon-Thu and 11am-10pm Fri-Sun. 1146 De Anza Blvd. 408.257.8877.

TODAI Japanese. $$. Billed as a Japanese seafood buffet, Todai doesn’t limit itself to Japanese dishes. Pan-Asian and just plain odd specialties rotate. 11:30am-2:30pm and 5:30-9pm Mon-Fri and 11:30am-3pm and 5:309:30pm Sat-Sun. Cupertino Square mall (near Sears),

MAURIZIO’S AUTHENTIC ITALIAN RISTORANTE

Ragoots offers a menu of recognizable favorites with a gourmet kick—salade niçoise with salmon instead of tuna; ﬂatiron steak with blue-cheese herb butter; smoked salmon and prosciutto fettuccini. 11:30am-9pm Tue-Sat.10am2pm Sun. 17305 Monterey Rd, Morgan Hill. 408.201.9200.

Los Altos ¿book online at losaltos.net

AKANE Japanese/sushi bar. $$. Nigiri and maki treasures are gracefully presented at this attractive restaurant. 11:30am-2pm Tue-Fri, 5-9pm Tue-Sat. Beer, wine. 250 Third St. 650.941.8150. ALDO LOS ALTOS Italian. $$. Downtown Los Altos is ghostly quiet after dark but Aldo has injected some life into this corner of town with its lively wine bar, friendly service and welcoming atmosphere. 11:30am-5pm, Mon-Fri. 5pm-close Sat-Sun. 388 Main St. 650.949.2300.

BEAUSÉJOUR Continental. $$$. Elegant seafood, meat and game dishes lean toward reducing fat without compromising taste. Call for reservations. Full bar. Lunch 11:30am-2pm Mon-Fri; 5-9pm daily. 170 State St. 650.948.1382. CHEF CHU’S Chinese. $$. Speedy service, superb preparation and the ability

to cater to varied tastes keep this landmark in business. Casual. Full bar. 11:30am-9:30pm Mon-Thu and 11:30-10pm Fri, noon10pm Sat, noon-9:30pm Sun. 1067 N. San Antonio Rd. 650.948.2696.

ESTRELLITA RESTAURANT Mexican. $$. Estrellita’s reverence for regional Mexican cooking distinguishes it from the enchilada-and-taco masses. The menu is full of MexicanAmerican standards, but the changing selection of specials make this restaurant a star. Full bar. 11am-2pm, 5-9pm Mon-Thu, 11am-2pm, 5-9:30pm Fri-Sat and 5-9pm Sun. 971 N. San Antonio Rd. 650.948.9865.

LOS ALTOS GRILL American. $$. The handsome Los Altos Grill celebrates big plates of grilled meat and fish with plenty of fixings on the side. Try the spit-roasted chicken, fresh fish and big burgers. The long, horseshoe-shaped bar is a big draw, too. Full bar. 4:30-9:30pm Sun-Mon and 4:30-10pm Tue-Sat. 233 Third St. 650.948.3524.

RESTAURANT ZITUNE Moroccan. $$$. Morocco was colonized by the French and has strong Mediterranean inﬂuences, so Moroccan food is familiar, but ingredients like preserved lemon, harissa and argan oil cast an exotic glow. Zitune takes the cuisine to new heights. Lunch 11:30am-2pm Mon-Fri; 5:3010pm Tue-Sun. 325 Main St. 650.947.0247.

SATURA CAKES FrenchJapanese bakery. $. Satura Cakes offers sweet treats for adult tastes. A Japanese take on a French patisserie, these confections are prepared fresh daily and meticulously crafted using the ﬁnest organic ingredients. 8am8pm Mon-Sun. 200 Main St. 650.948.3300. (Also 320 University Ave, Palo Alto. 650.326.3393.) SUMIKA. Japanese. $$. Sumika is a Japanese pub, but that doesn’t do it justice. It’s elegant, yet still a great place to drink beer and sake. The specialty is kushiyaki, small bites of grilled chicken,

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isn’t vegetarian. Good lunch buffet for $7.99. Don’t miss the dosa and utthappam. 11:30am-9:30pm daily, but weekdays kitchen closes 2:30-5:30pm. 102521 S. De Anza Blvd. 408.517.9000.

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SVDINING beef and vegetables cooked on bamboo skewers over charcoal. 11:30am-2pm, 610pm Tue-Fri, 11:30am-2pm, 5:30-11pm Sat and 5-9pm Sun. 236 Central Plaza. 650.917.1822.

Los Gatos ¿book online at losgatos.com

ALDO’S Italian. $$$. A warm and engaging atmosphere sets the scene for fullbodied ﬂavors and healthy ingredients. 11:30am-2:30pm Mon-Fri, 5-9pm Thu, 5-10pm Fri-Sat. 14109 Winchester Blvd. 408.374.1808.

CALIFORNIA CAFE New American. $$$. An innovative approach to Paciﬁc Rim staples makes for some lovely surprises. The ace service matches the smart setting. Full bar. 11:30am10pm Mon-Fri, 10:30am10:30pm Sat, 10:30am9:30pm Sun. 50 University Ave. 408.354.8118.

CIN-CIN Eclectic wine bar. $$$. The heart of Cin Cin’s menu is an eclectic mix of small plates, tapas-size dishes that partner well with a great wine list. 4-10pm Mon-Sat. 368 Village Way. 408.354.8006. .DIO DEKA Greek. $$$. Dio Deka is doing its part to elevate Greek food in Silicon Valley. There’s much to recommend at this handsome restaurant. Most starters are large so they’re best shared. 5:30-10pm Mon-Thu, 5-10pm Fri-Sat, 5-9pm Sun. 210 E. Main St. 408.354.7700.

FLEUR DE COCOA French bakery. $$. Almond croissant. Almond croissant. Almond croissant. Los Gatos’ Fleur de Cocoa is rightly known for its chocolate confections and pastries, but I can’t stop thinking about the little pastry shop’s spectacular almond croissants. There’s plenty of other good stuff and not all of it sweet, like the croque monsieur and the quiche. 7:30am-6pm Tue-Sat and 8am-4pm Sun. 39 N. Santa Cruz Ave. 408.354.3574.

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MetroGiveaways M etroGiveaways WIN FFREE R EE E SSTUFF! TUFF!

FORBES MILL STEAKHOUSE Steakhouse. $$$$. When Metro ﬁrst checked in with Forbes Mill in 2003, it was called “a big, burly brasserie equipped with style as well as substance.” It’s holding up well and still does things in a big way. Dinner 5-9pm Sun-Thu, 510pm Fri-Sat. 206 N. Santa Cruz Ave. 408.395.6434.

GREEN PAPAYA Vietnamese. $$. California cuisine meets Southeast Asia by way of Paris, with inventive updates of clay pot and ﬁve-spice authentica. 11am-3pm, 5-9:30pm Tue-Sun.. Beer, wine. 137 N. Santa Cruz Ave. 408.395.9115.

I GATTI New Italian. $$$. I Gatti ﬁts like a glove along peaceful Main Street. The chef understands the basics but isn’t afraid to create refreshing twists on traditional recipes. 11:30am2pm. 5-9:30pm Mon-Sat, 5-9pm Sun 25 E. Main St. 408.399.5180.

KAMAKURA SUSHI AND SAKE HOUSE Sushi bar classics. $$. In a smart setting, Kamakura showcases a procession of impeccable sushi and sashimi platters. 10:30am-2pm, 5:30-10pm daily. 135 N. Santa Cruz Ave. 408.395.6650.

LOS GATOS BREWING CO. Brewpub. $$$. Most brewpubs seem to be cooking from the same menu, but executive chef Jim Stump has created a diverse menu of upscale comfort food that goes well beyond burgers and grilled-chicken sandwiches. The handsome woodaccented interior and open kitchen with its wood-ﬁred pizza oven and rotisserie grill add to the restaurant’s appeal. Breakfast 10am-2pm Sat-Sun, lunch 11:30am-3pm and dinner 5pm to 9pm daily. 130 N. Santa Cruz Ave. 408.395.9929.

MAIN STREET BURGERS Burgers. $. Main Street Burgers offers fast food convenience, affordable prices and food made with ingredients that are higher quality and more healthful than what you’d ﬁnd at the golden arches. 11am-8:30pm

Mon-Thu, 9am-9pm Fri-Sat, 9am-8:30pm Sun. 20 S. Santa Cruz Ave. 408.354.1881.

MANRESA High concept. $$$$. Drawing from produce grown at his own farm, superstar chef David Kinch is blazing a trail of high caliber cuisine that’s as daring as it is delicious. Expensive but worth it. 320 Village Lane. 408.354.4330.

NICK’S ON MAIN American. $$$. Nick’s on Main is a relaxed but elegant bistro full of neighborly charm and is a showcase for owner Nick Difu’s decadent and deeply satisfying style of cooking. 11:30am-3pm and 5-9:30pm Tue-Sat. 35 E. Main St. 408.399.6457. PASTARIA & MARKET Italian. $$. Pastaria offers reasonably priced comfort food in an unpretentious but lively atmosphere. 5-9:30pm Mon-Thu, 5-10pm Fri-Sat and 5-10pm Sun. 49 E. Main St. 408.399.3477.

RESTAURANT JAMES RANDALL Californian. $$$. Chef and co-owner Ross Hanson takes his cues from the seasons and favors a simple, ingredient-driven approach that places it squarely in the California school of cooking. He favors big, robust ﬂavors and large serving sizes to create a kind of California comfort food. Dinner 5:30-11pm Tue-Sat. 303 N. Santa Cruz Ave. 408.395.4441.

STEAMER’S New American. $$$. Styling itself as a grill house, Steamer’s includes rotisserie meats and fragrant grilled chops in addition to fresh ﬁsh. Quality control and service are excellent. Full bar. 11:30am2:30pm, 5-9:30pm daily. 31 University Ave. 408.395.2722.

TANDOORI OVEN Indian. $. Tandoori Oven has quickly found its niche in Los Gatos among the burrito joints, sushi spots and upscale restaurants with its madeto-order curry dishes and spicy north Indian fare at good prices. 11:30am-9:30pm daily. 133 N. Santa Cruz Ave., Los Gatos, 408.395.1784; 1875 S. Bascom Ave., Campbell, 408.559.3885; and 109 S. First St., San Jose, 408.292.7222.

SSoul oul Asylum Asyluum Wi Winn tickets tickets to to see see SSoul oul Asylum As ylum at Montalvo Montallvo Arts Center Center on Junee 17 17.7.

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*thu GREG KIHN BAND Plaza de Caesar Chavez, San Jose Thu – 5:30pm; free “I feel like 2011’s going to be Greg Kihn’s best year,” Kihn himself told me a few months ago, when he was inducted into the Best of Silicon Valley Hall of Fame. I can’t imagine why, since the only things that he has going for him this year are the aforementioned award, a sevenfold increase in potential listeners to his KFOX morning show thanks to the addition of a 103.1FM simulcast, a new screenplay that TV networks have shown interest in developing as a series, a three-disc retrospective of his rock career called Kihnplete and a new grandchild. Oh, and now he’s kicking off the 2011 Music in the Park

series this week. OK, it sounds like a pretty good year. But still, can it beat battling zombies in the 1983 video for “Jeopardy?” (SP)

*fri

SUBZERO FESTIVAL

SoFA District, San Jose Fri – 6pm-midnight; free Here comes the SubZERO Festival again, and people aren’t even done talking about last year’s SubZERO yet. Jeff Evans from Campbell’s On the Corner Music said what we all were thinking afterward when he told me: “That’s how you do a street festival.” It’s true. From the fevered, quirky vision of Anno Domini/Two Fish Design’s Brian Eder and Cherri Lakey has come the uniquely

Silicon Valley event that we always needed, fusing high tech and notech, engineered design and artistic chaos, brilliance and absurdity (karaoke ice cream, anyone?). It all came together last year with the headlining collaboration between the Bangerz and San Jose Taiko— the 20 most exciting minutes of live performance that went down in the South Bay in 2010. Thankfully, San Jose Taiko is back again this year, with some new crazy project, along with scores of artists and vendors and music from Game-Boy-powered alt act Glowing Stars, orchestral art rockers the Red Paintings, singersongwriter Benjamin Henderson, the Emerald Hill and more. (SP)

FURTHUR Shoreline Amphitheatre, Mountain View Fri-Sat – 7:30pm; $31-$65.50 The names of the arenas get ever more corporate, and the audiences

get ever more rickety, but Phil Lesh, Bob Weir and Furthur vow to keep the long strange trip going. The group, a sort of Grateful Dead v. 2, is making a two-day stand at the Shoreline before soaking the Eastern Seaboard with classic and cult Dead, Dylan and Beatles. (RvB)

QUIET RIOT Avalon Nightclub, Santa Clara Fri – 8:30pm; $15 Quiet Riot initially had some reservations about covering “Cum on Feel the Noize.” They weren’t glam rock, and they didn’t even like Slade. They recorded it one take and forgot about it. Little did they know that that single would make 1983’s Metal Health the ﬁrst American heavy-metal debut album to ever reach No. 1 in the States, at a time when heavy metal was looked at as being obnoxious and decadent. Which—well, let’s face it —Quiet Riot was. Started in

1973 with Randy Rhodes on guitar and Kevin DuBrow on vocals, the band shufﬂed members, broke up, reformed and continually put out records throughout the ‘90s and 2000s. DuBrow unfortunately passed away in 2007 from a cocaine overdose. The band is touring again with Frankie Banali on drums, Chuck Wright on bass (both ﬁrst joined QR in 1982), Alex Grossi on guitar and new vocalist Mark Huff. (BD)

*sat PHAROAHE MONCH

Pagoda Lounge, San Jose Sat – 10pm; $15 A lot of rappers are known more for their lyrical content than how they deliver it, be it the over-the-

* concerts

PJAYZ SILICON VALLEY SYMPHONY SIL

THE STROKES

Jun 3 at 7:30pm, Holy Trinity Episcopal Church, M Menlo Park; Jun 4 at 7:30pm, St. Mar Mark’s Episcopal Church, Palo Alto

PA CHAMBER ORCHESTRA Jun 4 aat 8pm, Eagle Theater, Los Altos High Sc School; Jun 5 at 3pm, Dinkelspiel Auditorium, Stanford

REDWOOD SYMPHONY Mozart’s “Don Giovanni,” Jun 4 at 8pm, Mozart Cañada College Main Theatre, Redwood City

EL CA CAMINO YOUTH SYMPHONY JJun 5 at 7:30pm, Flint Center, Cupertino

MISSION CHAMBER ORCHESTRA MISSIO Music of Portugal concert, Jun 5 at Mus 3pm, Five Wounds Portuguese National Church, San Jose

VALLEY CHORALE Jun 5 at 4pm, Quinlan Community Center, Cupertino

VIVACE YOUTH CHORUS Jun 5 at 4pm, 4 Westminster Presbyterian Church, San Jose

CHANTICLEER Jun 7 at 8pm, Mission Santa Clara

TALKY TINA Jun 8 at 9pm, the Blank Club, San Jose

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Jun 9 at 8pm, Montalvo Arts Center, Saratoga

THE TUBES top chant-a-longs of 2 Live Crew, Crew the cerebral meanderings of Aesop Rock or the pop-culture references of MC Lars. But Pharoahe Monch’s rep comes from how he raps, with a delivery that uses complex and bizarre multisyllabic patterns. That isn’t to say he doesn’t string together some clever lyrics in the process. Kool Moe Dee mentioned Monch in his book, There’s a God on the Mic, ranking him as the 26th best MC of all time. He wrote that Pharoahe Monch was like “an eloquent linguistics professor moonlighting as a rhyme serial killer terrorist.” Can’t say it any better than that. (AC)

SYMPHONY SILICON VALLEY California Theatre, San Jose Sat – 8pm, Sun – 2:30pm; $39-$75 For its ﬁnal regular-season concert, the symphony presents a tasty program titled “Spices, Bandoneon

& Italy” Italy.” Guest conductor Carolyn Kuan will lead the orchestra in performances of Piazzolla’s Suite Punta del Este, Avner Dorman’s Spices, Perfumes, Toxins! and Mendelssohn’s Symphony no. 4, also known as Italian. The emphasis is on percussion, especially in the Dorman piece, which is scored for several keyboard percussion instruments. Soloists Galen Lemmon and Steve Hearn add the stick action, while Seth Asarnow plays the bandoneon on Piazzola’s tango. (MSG)

DIRTBAG DAN X Bar @ Homestead Lanes, Cupertino Sat – 8pm; $8 Dirtbag Dan had to ﬂy all over the world competing in YouTube battle raps before he got the credit he deserved in his hometown of San Jose. He quickly became one of the biggest names in battle rap, thanks to his polarizing persona. His critics

accuse him of being more of a joker than an MC, but anyone familiar with the local underground rap scene knows that Dan has been writing and performing quality rhymes for over a decade. The rest of the world doesn’t know that yet, but that’s changing. After he flew to the Philippines last December to be the first American to compete in their battle-rap league, Fliptop, he released a free mixtape. It’s some of his finest work, a smooth and brilliantly produced party album that shows off Dan’s skillful rapping styles. (AC)

*sun BFD 2011 Shoreline Amphitheatre, Mountain View Sun – 11am; $45.50-$65.50

Although there were some great

moments last year (Stanford cheerleaders onstage with Spoon, Courtney Love playing Big Star’s “Thirteen”), I’d say this year’s BFD lineup is even more promising. The main stage offers diversity in the most perverse sense of the word: Linkin Park, fresh off their nuclear-war album (they’re against it, by the way), the Strokes, Snoop Dogg and Cage the Elephant. Last year’s off-the-hook performance from Campbell’s Limousines in the Subsonic Tent got them promoted to the festival stage this year, with Bad Religion, Neon Trees, Airborne Toxic Event and Manchester Orchestra, among others. There’s also a kick-ass lineup of other Bay Area bands, from San Francisco’s up-andcoming rapgirl K. Flay to the South Bay’s own I Am Empire, Beta State and Them Rude Boyz. (SP)

Jun 11 aat 8pm, Montalvo Arts Center, Saratoga

JETHRO TULL Jun 14 at 7:30pm, Mountain Winery

BRITNEY SPEARS W/ Nicki Minaj. Jun 18 at 7pm, HP Pavilion

NEW KIDS ON THE BLOCK Jul 2 at 7:30pm, HP Pavilion, San Jose

REV. HORTON HEAT Jul 5 at 9pm, Avalon

SMASH MOUTH Jul 7 at 7:30pm, Montalvo Arts Center, Saratoga

METRO FOUNTAIN BLUES FEST The festival returns with Fountain Blues Festival AllStars Band and Tommy Castro, Jul 9, St. James Park, San Jose

EDDIE IZZARD Jul 16 at 8pm, Shoreline

BLUES TRAVELER Aug 4 at 7:30pm, Montalvo Arts Center, Saratoga

KATY PERRY Aug 12 at 7:30pm, HP Pavilion, San Jose

M E TR O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Jun 3 at Studio 8 San Jose

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metroactive ARTS

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She was famed as an eccentric, an oracle and sometimes a joke. It took years before she was celebrated as a writer for ﬁnding the pulse of a sentence, making music from

repetition just as Philip Glass does. Gertrude and her brother Leo were discerning art collectors. Their brother Michael and his wife, Sarah, later of Palo Alto, were key in introducing Henri Matisse to America, bringing some 125 Matisses to California in the 1930s. Gertrude is the subject of two shows this summer. The larger of the two, with photos and furniture, is SF MOMA’s The Steins Collect: Matisse, Picasso and the Parisian Avant-Garde. Leo and Gertrude had some 500 objets d’art in their ﬂat in the 6th Arrondissement. The show reunites that since-dispersed collection. Leo wanted to paint. He did paint with some skill. Sister-in-law Sarah Stein, who lived nearby, also painted. Her notes are the best account of

what it was like having Matisse for an art teacher. Leo and Gertrude went their separate ways around World War I; Gertrude’s lover, Alice B. Toklas, had moved in, and three was a crowd. Besides, Leo hated Picasso’s newest style: “cubico futuristic tommyrotting” was one dismissal, according to author Diana Souhami. Picasso’s cultural bomb Les Demoiselles d’Avignon took the closeness of brother and sister as collateral damage. The show features some wellknown works from the museum’s own collection, such as Matisse’s 1905 Woman With a Hat, the beloved 1908 Girl With Green Eyes and the curvy 1901 bronze Madeleine 1. In fauvist pieces from the early 1900s, Matisse is freeing himself from the spell of Cezanne. The planes of colors, sometimes combed with parallel lines, grow brighter and more unreal. Opposing the argument that Matisse knows nothing of angst is the 1913 graphite sketch Portrait of Harriet Levy, apparently done in hope

of a quick $100. The artist is in an angry mood, and he has a frowning, disenchanted patron for a model. From MOMA in New York comes the portrait of Gertrude by Picasso, a picture famous for giving Picasso trouble. “I can’t see you any longer when I look,” he complained to Gertrude. Finally, after some 90 attempts, he balanced the forces that made up Gertrude. Here she is, shrewd and plain, looking Spanish, monkish, surrounded by browns and turkey reds. “For me it is I,” Gertrude said of this painting. There’s a disturbingly erotic work by Félix Vallotton, with the nude in a more blatant version of the reclining, cache-sexed pose of Olympia and the Venus D’Urbino. She has a catlike look of satiation on her face, and the splay of her ﬁngers suggests how she’s been amusing herself. Matisse’s Blue Nude (1907), from the Baltimore Museum, returns after its centennial appearance in the Bay Area, at the Matisse: Painter as Sculptor show. Burned in effigy after it made its U.S. debut at the 1913 Armory Show, this twisting, startling ﬁgure seems ready to break out of two dimensions. At the Contemporary Jewish Museum nearby is Seeing Gertrude Stein: Five Stories. The show isn’t so much about the art of Stein but Stein as art, with modern tributes and numberless portraits. Most are done by the painters she hired after Matisse and Picasso grew too expensive to purchase. Looking at them in a row, you know how Picasso felt trying to sum up Stein. In her 50s, Stein sat for painter after painter. She was stout and berobed, with her hair cut short. She demonstrates an impassivity that made contemporaries think of Roman emperors, but might be more like Edward Curtis’ photographs of Indian chiefs. In all the pictures, one sees the faith Stein had in her judgment: It was a faith these two shows share and justify.

THE STEINS COLLECT Runs through Sept. 6, SF MOMA Seeing Gertrude Stein Runs through Sept. 6 at Contemporary Jewish Museum

More listings:

metroactive ARTS

METROACTIVE.COM

South FIRST FRIDAYS presents

Mission Chamber Orchestra Sunday, 3pm; Five Wounds Portuguese National Church, San Jose; $7–$22 Every year, Mission Chamber Orchestra sets up its instruments in the historic Five Wounds Church of San Jose for a program of music from Portugal. In addition to Luis de Freitas Branco’s Symphony no. 2 and Antonio Fragoso’s Nocturno, the afternoon also comes with a roster of arias and folk songs with guest artists soprano Elizabeth Medeiros Hogue, who hails from San Jose’s Portuguese-American community.

Focused on emerging and present subcultures thriving in our region, SubZERO is a diy, artistically bent, hi/lotechno mashup where street meets geek. Come downtown on June 3rd to San Jose's SoFA District from 6pm 'til midnight for an inspired evening of arts & culture. In addition to the South FIRST FRIDAYS monthly art walk you'll find outdoor stages of entertainment plus 100 artists, performers & musicians celebrating the indie creative spirit!

Tongue of a Bird May 27–June 19; Dragon Theatre, Palo Alto; $16–$30 Dragon Productions presents Tongue of a Bird, a moody drama about Maxine, who must go aloft for a doleful mission searching for a lost child in the Adirondacks. In her sleep, she is plagued by nightmares about her own troubled childhood. The show previews (pay what you can) Thursday and has its gala opening Friday.

THE RED PAINTINGS

Trina Merry x Tahira

Mamma Mia! June 7–12; San Jose Center for the Performing Arts; $20–$69

Mark Kitaoka

Apparently, audiences can’t get enough of Mamma Mia!, from the original play to the movie and now to a reprise of the musical. Broadway San Jose brings the high-spirited show based on the songbook of ABBA to town for a brief one-week run.

hosted by Better Beer Blog

[title of show] June 1–26; Mountain View Center for the Performing Arts; $24–$42 It’s not easy writing a hit musical, as the heroes of TheatreWorks’ newest production, [title of show], learn to great comic effect. This backstage tale of young artists working feverishly to ﬁnish a musical is a regional premiere for the company. The show previews Wednesday–Friday and opens this Saturday.

Dave Lepori

Better Brew Tasting Garden CUBIC

Avenue Q June 1–July 3; The Stage, San Jose; $25–$50 We’re not on Sesame Street anymore, Elmo. The popular Broadway musical about snarky puppets and their human counterparts in New York is the summer treat from San Jose Stage Company production. The show previews Wednesday–Friday; Saturday is the gala opening.

ArtCar Fest

Street Drum Corp

presents

BANG

First Friday June 3rd SoFA District from 6pm ’til midnight www.SubZEROfestival.com

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FEATURED LISTINGS

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metroactive ARTS

*stage Dance NEXUS New works in a variety of styles by High Release Dance. Fri-Sat, 8pm. $15/$20. Cubberley Theatre, Palo Alto.

Opera OPERA SAN JOSE Performers from the troupe appear in the Classical Music series. Sat, 6pm. Free. Downtown Redwood City.

Theater AVENUEQ

Montalvo Arts Center & Sobrato Arts Foundation present

The ARTTEC 2011 Summer Concert Series

Brian McKnight with Claude McKnight of Take 6 and BRKN RBTZ

June 9, 7:30pm Multi-platinum Grammynominated McKnight takes the stage in support of his hot new CD “Just Me!” Claude McKnight of Take 6 fame joins him for an unbelievable performance of vocal mastery. Starting at $54

An Evening with The Tubes

Soul Asylum with dada

June 11, 8pm

June 17, 7:30pm

The Tubes, featuring Fee Waybill, bring back their Underground Rock Show the way you remember them! Though their roots are steeped in the classic rock they’ve created, they continue to innovate, evolve and ignite, no matter where they go.

Multi-platinum Soul Asylum is best known for its Grammy Award winning single “Runaway Train,” but 20 years and nine CDs later, the band looks and sounds better than ever!

Starting at $45

Alt/rock dada exploded on the scene with their acclaimed debut release, Puzzle, and its hit single “Dizz Knee Land.”

Join us in the outdoor Lilian Fontaine Garden Theatre!

TICKETS ON SALE NOW! Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org

The popular Broadway musical about snarky puppets and people comes to town in a San Jose Stage Company production. Previews: Wed-Thu, 7:30pm, Fri, 8pm. Opens Sat, 8pm. Regular shows Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. Runs thru Jul 3. $25$50. The Stage, San Jose.

CALIFORNIATHEATRE CENTER For summer, the company mounts four productions in repertory. The ﬁrst presentation is “Around the World in 80 Days.” Thu-Sat, 7:30pm. The second play is “The Emperor’s New Clothes.” Sat, 3pm. The whole series runs thru July 24. $10-$25. Sunnyvale Community Center.

CURTAINS A theater-loving detective takes on a whodunit in this musical presented by South Valley Civic Theater. Fri-Sat, 8pm (Jun 3-4 and 10-11), Sun, 2:30pm (Jun 5). $35-$60. Morgan Hill Community Playhouse.

DISTRACTED City Lights’ ﬁfth show of the season is a comic drama by Lisa Loomer about a mother whose child is diagnosed with ADHD. Thu-Sat, 8pm, Sun, 2pm. Runs thru Jun 19. $15-$28. City Lights, San Jose.

HAYFEVER 15400 Montalvo Road Saratoga, CA 95070

A sophisticated Noel Coward

favorite in a Broadway West production. Thu-Sat, 8pm, Sun, 1pm. Runs thru Jun 11. $15/$23. Broadway West, Fremont.

LOVEINAMERICANTIMES Rick Lombardo directs Philip Kan Gotanda’s romantic comedy for San Jose Rep. Wed-Fri, 8pm, Sat, 3 and 8pm, Sun, 2pm, Tue, 7:30pm. Runs thru Jun 5. $25$69. The Rep, San Jose.

MACKANDMABEL A musical comedy based on the lives of silent-movie greats Mack Sennett and Mabel Normand; presented by South Bay Musical Theatre. Thu-Sat, 8pm. $15-$23. Runs thru Jun 4. Saratoga Civic Theater.

More listings:

METROACTIVE.COM

Comedy CLUBFOX Mon, 8pm: Comedy Monday hosted by Dan St. Paul, with Dave Burleigh, Larry Brown and more. $10. Redwood City.

COMEDYSPORTZ Fri, 9pm and Sat, 7 and 9pm: Live improv comedy. Fri, 11pm: The Midnight Show. Inside the Camera 3 building, San Jose.

ROOSTERT.FEATHERS Wed, 8pm: New Talent Showcase. $10. Fri-Sat, 8 and 10:30pm, Sun, 8pm: Jimmy Dore. $12-$18. Sunnyvale.

SANJOSEIMPROV MAMMA MIA! A hit musical based on ABBA hits, presented by Broadway San Jose. Runs Jun 7-12. Tue-Thu, 7:30pm, Fri, 8pm, Sat, 2 and 8pm, Sun, 1 and 6pm. $20-$69. San Jose Center for the Performing Arts.

MOONOVERBUFFALO Bus Barn Stage Company mounts a comedy by Ken Ludwig about backstage misadventures. Thu-Sat, 8pm, Sun, 3pm (Jun 5), or 7pm (Jun 12), Wed (Jun 1, 8 and 15, 7:30pm). $24-$30. Runs thru Jun 18. Bus Barn Theater, Los Altos.

MUCHADOABOUTNOTHING A Shakespeare comedy from Arclight Repertory Theatre of San Jose and its Shakespeare on the Square Festival. Regular shows: Thu-Fri, 8pm, Sat, 2 and 8pm, Sun, 2pm. Runs thru Jun 4. $15-$25. Theatre on San Pedro Square, San Jose.

[TITLE OF SHOW]

Wed, 8pm: Laugh Lounge. $10. Thu, 8pm: Sinful Summer Comedy Explosion. $12. Fri, 8 and 10pm, Sat, 7 and 9pm, Sun, 7pm: Norm MacDonald. $25. San Jose.

*art

Museums OPENING CANTORARTSCENTER “The Art of the Book.” A show about ﬁve ﬁne presses in the Bay Area. Jun 1-Aug. 28. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

CONTINUING ARTMUSEUMOFLOSGATOS “In the Abstract.” Abstract works by artists Paula Schales, Ewa Gavriellov and Neal Boor. Thru Jul 21. Los Gatos.

A new musical-within-amusical about two young songwriters, presented by TheatreWorks. Previews Wed-Fri, 8pm. Opens Sat, 8pm. Regular shows: Wed, 7:30pm, Thu-Fri, 8pm, Sat 2 and/or 8pm, Sun, 2 and/or 7pm. Runs through Jun 26. $24-$42. Mountain View Center for the Performing Arts.

CANTORARTSCENTER

TONGUEOFABIRD

DESAISSETMUSEUM

A search-and-rescue effort for a young girl prompts pilot Maxine to face fragments of her own past in this presentation by Dragon Productions Theatre Company. Thu-Sat, 8pm, Sun, 2pm. Runs thru Jun 19. $16-$25. Lucie Stern Theatre, Palo Alto.

“The Theater of Insects.” Photographs by Jo Whaley. “Life Cycle.” Photos of rare and endangered species by Susan Middleton. “Selections From the Smith Andersen Editions Archive.” Sample of works by

“Illustrated Title Pages: 15001900.” A show of 80 illustrated book pages from the museum’s collection. Thru Oct 16. “True Colors: Rediscovering Pigments of Greco-Roman Marble Sculpture.”Thru Aug 7. Wed-Sun, 11am-5pm, Thu, 11am-8pm. Stanford.

M E TR O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Felipe Buitrago

ART

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Branching Out ANYONE WHO’S visited the restaurants near San Jose State University on E. San Carlos Street recently may have noticed the metal koalas clinging to the eucalyptus trees in the median. The sculptures were quietly installed by the San Jose Downtown Association a few weeks ago. The idea came while Groundwerx crews cleaned and planted ﬂowers on the medians stretching between Second Street and Fourth streets. After the plants were laid down, the eucalyptus seemed a bit bare. “Hey, these are really great trees,” remembers thinking Eric Hon, the association’s operations manager. “What can we do to accentuate them?” Hon says San Jose Downtown Association executive director Scott Knies came up with the idea to ﬁnd koala ornaments and hang them from the trees. But that’s not as easy as it sounds. “You’d be surprised,” says Hon, a San Jose native. “No one makes a koala ornament that you can just buy and strap to a tree.”

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The association contacted local artists and sculptors, and even put up Craigslist ads, but nobody seemed too interested in the project. An artist who had had worked for Jim Henson offered to take on the assignment, but his fees were outside their budget. They ﬁnally found a company based in Half Moon Bay that makes metal lawn art. The Downtown Association bought four koalas at ﬁrst. About a dozen now cling to the trees with adjustable nylon straps that Hon says were suggested by the city’s arborist office. “Now people are noticing them, and they like them,” says Hon.

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Verdi:

Requiem

The koalas are just the latest in the SJDA’s beautiﬁcation efforts. After the historic Porter Stock building on First Street burned down in 2008, it was the SJDA that had the panda mural painted on the “green screen” and planted bamboo to cover up the damage. They have put up more artwork around downtown, including a rolling-landscape mural at the northbound San Antonio light rail station on First Street. After tenants left a building on the southwest corner of W. Santa Clara Street and S. Market streets, a homeless man started using the empty alcoves as a toilet. SJDA convinced the owner to erect plywood walls to block the alcoves, and then they found an artist to paint over them. “We want to improve downtown,” Hon says. “We want to make downtown a place to go, live, play and have a quality experience.” In the future, according to Hon, a mural will go up on the bare wall across the street form the soon-to-open Urban Market at the corner of W. St. John Street and N. Almaden Avenue. In the meantime, Hon hopes people will enjoy the koalas. Just don’t slip up and call them “bears.” “Actually, they’re marsupials, not bears,” Hon gently corrects. “That’s a common misconception.”—Ted Cox

Anthony Quartuccio, Music Director Milena Georgieva, soprano Wendy Hillhouse, mezzo soprano Pedro Betancourt, tenor Peter Tuff, bass

Get into the best bars, clubs and lounges. twitter.com/metronewspaper

Sat, June 4, 8PM McAfee Performing Arts Center 20300 Herriman Ave, Saratoga Tix: $20/15/10 408 995-3318 www.sanjosesymphonicchoir.org www.novavista.org

Discover the Arts www.svArts.org

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More listings:

metroactive ARTS 37 the ﬁne-art press in Palo Alto. “Father Hubbard: Trekking Through Alaska.” A historical exhibit about a Jesuit priest from SCU who explored Alaska in the early 20th century. “Paul Locatelli, S.J.: Photographs.” All run thru Jun 12. Santa Clara University.

EUPHRATMUSEUMOFART De Anza College Student Art Show. Thru Jun 14. De Anza College, San Jose.

HISTORYPARKSANJOSE “Nature’s Beloved Son: Rediscovering John Muir’s Botanical Legacy.” A show dedicated to the many biological specimens collected by the naturalist. Runs thru Sep 11 at Paciﬁc Hotel. “Celebrating Local Artists.”Thru Sep 18 at Pasetta House, History Park, San Jose.

Galleries

music this week for South First Friday. San Jose.

OPENING

SLGBOUTIKI

ANNODOMINI “Art of Zines 2011.” With many examples from the publishing undergrounds. Jun 1-25. For South First Friday and SubZERO, Yumi hosts a zine party. San Jose.

ARTARKGALLERY “If Only.” A solo sculpture exhibit by DIana Mihalakis. The artist will perform her poetry on Fri, 7:30pm, for the opening. (Call 408.691.5393 for viewing days and hours.) San Jose.

HIGHERFIRECLAYSPACE Clay vessels by Hsin-Chuen Lin. The artist will conduct a demonstration for South First Friday, 7-11pm. San Jose.

SANJOSEMUSEUMOFART

KALEIDGALLERY

“Laboratory.”The museum’s new Beta Space hosts experimental shows. First exhibit features installations by Kevin Appel and Ruben Ochoa. Runs thru Aug. 14. “Roots in the Air, Branches Below: Modern and Contemporary Art From India.”Thru Sep 4. “Robert Mapplethorpe: Portraits.” Thru Jun 5. “The Modern Photographer: Observation and Intention.”Thru Jul 3. Tue-Sun, 11am-5pm, closed Mon. San Jose.

“Layers of Age in Monster Land.” Installation and paintings by Sean and Steven Sczepanik. Jun 1-25. San Jose.

SANJOSEMUSEUMOFQUILTS &TEXTILES “Primary Structures.” A look at sculptural art knitting. “Southwestern Banded Blankets: Three Cultures, One Horizon.” Thru Aug 7. Tue-Sun, 10am-5pm. San Jose.

TECHMUSEUMOF INNOVATION Exhibits about science, technology and the world. Ongoing. Mon-Wed, 10am-5pm, Thu-Sun, 10am-8pm. San Jose.

TRITONMUSEUMOFART “Non-Traditional Landscapes.” Six artists display abstract images of landscape settings. Thru Jul 20. “Fire Strokes, in Memory of Won Choe.” Paintings by Mirang Woone.”Thru Jul 10. Tue-Wed and Fri-Sun, 11am5pm, Thu, 11am-9pm. Santa Clara.

METROACTIVE.COM

LOS GATOS PLEIN AIR ART SHOW

“The Punks of Steam Part One.” Pieces by local steampunk artists. Jun 1-30. For South First Friday, Jon Bruneau presents a video show in front, plus music by Quasimodal. San Jose.

WORKS/SAN JOSE “Out of State 2011.” The ﬁrst show at the gallery’s new space features pieces by SJSU BFA grads. Jun 1-18.

SOUTH FIRST BILLIARDS For South First Friday, the club hosts a night of art and music called “The Creative Flow,” with MESHCollective. San Jose

CONTINUING ANNODOMINI “What He Meant by the Self Was Simply Our Truest Nature, Our Natural State.” New works by self-taught New York artist Jeremiah Maddock. Thru Jun 18. San Jose.

AVENUE25GALLERY

The Plein Air artists collective shows works by its members, plus wine and live music. Sat, 11am-5pm. Los Gatos Town Plaza.

“Visions of Childhood.” A show of works by California women artists presented by Peninsula Chapter of the Women’s Caucus for Art. Thru Jul 9. Mon-Fri, 9am5pm. San Mateo.

MACLA

BRUNIGALLERY

“Navigations of the Fantastic.” A group show by Elizabeth Gomez, Betty Davis, Jose Arenas and Veronica Felix. Jun 3-Aug 13. The artist conduct a walk-through for South First Friday. Wed-Thu, noon-7pm, Fri-sat, noon5pm. San Jose.

CAFFETRIESTE

MAIN GALLERY “Mysterious.” A show by six local artists. Jun 1-Jul 3. Reception Jun 11, 6:30pm. Wed-Sun, 10am3pm. Redwood City.

METRO LOBBY “Lost San Jose: Signs of Exhaustion.” Photos by Josh Marcotte. Opens Jun 3. Metro, San Jose.

PHANTOMGALLERIES “Defragmentation 66.” An installation by MIchele Guieu. Jun 1-Jul 23. Storefront windows on South First Street, San Jose.

PHO69 The restaurant provides live

Jazz portraits by Bruni, plus sports art by Mark Gray. Thru Aug 31. Daily, 1-6pm. San Jose. “Barbarians and Beauties.” New works about the life conﬂicts of women by Sandi Billingsley. Runs thru Jun 24. Opera singers perform for South First Friday this week. San Jose.

DOWNTOWNYOGASHALA Call for info. San Jose.

FILOLI “Expressions in Watercolors.” Thru Jun 5. Tue-Sun, 10am-3pm, Sun, 11am-3pm. Woodside.

GOODKARMAVEGANCAFE “Alviso Slough.” Photographs by Josh Marcotte of the forgotten slice of Silicon Valley. Thru Jun 24. San Jose.

LOSGATOSCOMPANY “Variations, Different Faces of the Same Place.”Oil paintings of Los Gatos by Riki R. Nelson. Los Gatos.

“A Common Balance: Impossible Dream’n.” A sculptural installation in the Project Space Gallery in the form of a “grow lab” investigating biodiversity. Thru Jul 17. Thu-Sun, 11am-3pm. Saratoga.

PSYCHODONUTS Call for info. San Jose.

SANJOSEINSTITUTEOF CONTEMPORARYART “Size Matters.” A group show about concepts of scale. Thru Jun 18. “Powers of Ten.” A 1968 documentary short by Ray and Charles Ames. Thru Jun 11. “Urgency.” Large wooden installation by Mike Rathbun. Thru Jun 4. Tue-Fri, 10am-5pm, Sat, noon-5pm. San Jose.

SANTACLARACITYHALL Biennial “Indoor Sculpture Exhibition.”Thru Sep. Santa Clara.

STANFORDARTSPACES Paintings by Haiying Wang, digital art by Mark McAfee Brown, photography by Gabe Sheen. Thru Jul 23. Mon-Fri, 8:30am-5pm. Paul G. Allen Art Spaces Gallery, Stanford campus.

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*books

Tringali. Sun, 12:30-3:30pm. History Park San Jose.

A booksigning with the author of “The Great Night.” Wed, 7pm. Free. Kepler’s, Menlo Park.

Bay Area chefs show off their newest dishes in a culinary special event called “The Art of Dining.” Sun, 5:30-8:30pm. $175. Montalvo Arts Center.

EMMA DONOGHUE

GREEK FESTIVAL

CHRIS ADAMS

The author of the novel “Room” appears for a book event. Thu, 7pm. Free. Kepler’s, Menlo Park.

MELISSA MARR The children’s author talks about her scary new book for adults, “Graveminder.” Fri, 7pm. Free. Kepler’s, Menlo Park.

*events ARTS, CRAFTS & MUSIC FESTIVAL With handmade goods by area artisans, plus live entertainment. June 4–5, 9am–6pm. Free. Casa de Fruta, Hollister.

CELEBRATE JOHN MUIR A day for families to learn about the great naturalist. It features nature activities and music for children by Linda

FOOD & WINE CLASSIC

With authentic food, live music and arts and crafts. Fri, 5-10pm, Sat, 11am-10pm, Sun, 10am-9pm. Free. St. Nicholas Greek Orthodox Church, San Jose.

REDWOOD MOUNTAIN FAIRE A weekend of arts and crafts, live music and fun for kids with proceeds beneﬁting local nonproﬁt organizations. Sat-Sun, 11am–7pm. $13–$30; kids 10 and under, free. Roaring Camp Railroad, Felton.

ST. CLARE COMMUNITY FESTIVAL The school hosts its annual festival of family fun, including music, a rummage sale, carnival rides, arts and crafts and a barbecue. FriSun. Free. St. Clare School, Santa Clara.

ST. PIUS FESTIVAL The theme at this year’s annual family-fun weekend event is “Peace, Love, Festival!” Fri-Sun. St. Pius Church, Woodside.

SUNSET CELEBRATION WEEKEND Annual open house for the magazine, with demonstrations, food and entertainment. Sat-Sun, 10am–5pm. $12–$16; children 12 and under, free. Sunset Magazine, Menlo Park.

SUNNYVALE ART AND WINE FESTIVAL Wine tasting from regional wineries, beer, food and crafts booths and more. With lots of live music both days. Sat-Sun, 11am–6pm. Free. Washington and Sunnyvale avenues, downtown Sunnyvale

SWING INTO SUMMER A fundraiser for Valley Medical Clinic with big-band music by Full Spectrum, food from Parsley, Sage, Rosemary & Thyme and artisanal wines. Sat, 7:30-10pm. $100 (call 408.885.5299 for details). Lexus of Stevens Creek Rooftop, San Jose.

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U N E 1 -7, 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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Unforeseen events force the thirdborn “Third Master” (Aaron Kwok) to take over the family business. He’s

a playboy, first seen painting flowers on the back of a bathing courtesan. We learn the source of this wastrel’s heartbreak: the lover (Lao Hei) he can never have. Yao has been shepherding her film during some two prize-winning years on the festival circuit. Empire of Silver celebrates the kind of bankers marked as old-regime villains in most of the nation’s histories. Wasn’t this subject too thick for the Chinese government? I ask. She laughs: “China is the most capitalistic country in the world! The one advice they gave me was to be careful of the sex scene. They said, ‘We have 6-year-olds in the

audience, because we don’t have a rating system.’” A 2-minute sex scene was cut to 10 silent seconds. The American version is intact. Empire of Silver is based on a three-volume novel by Cheng Yi, written 15 years ago. The director says of the book, “Stylistically, it’s very traditional. It’s old-school social realism. The most important thing in the novel for us was the research about banking. When I first started on this film, I went to some scholars. They said, ‘You should deal with two aspects of these bankers: one is the system the bankers established, and the other is their ethics. If you don’t do both, don’t even touch the subject matter.’” Yao had made what she describes as “very short films” before, but nothing like this. She shot in four Chinese provinces and 13 cities. She tried to avoid the woodenness of the usual inexpensive Red Army extras by using local people instead, both local officials and farmers. Yao recalls that a village woman asked one of

the producers, “How do I look? I’ve never worn makeup before.” It seems like an easy economic decision to shoot in the desert, but this, too, was a struggle. The company recruited legions of camels: “They walked two nights and a day for one shoot, worked for one day, and then walked two nights and one day home.” The Gobi isn’t as pristine as it once was; people drive there to spin out their four-wheelers, just as they do in the Mojave. Replacing the sand over the tire tracks cost $20,000. “We could only do what we did because of the line producer Li Congxi. He was with the Army studio. He’d done a lot of big productions, and therefore he wasn’t afraid. All the other line producers I met said, ‘Three transfers, and no more than three.’ We did nine transfers, with 200 trucks, searching for the best scenery.” Ultimately, Yao put in a lot of mileage on her own car: “I checked my odometer when it was done, and I had enough mileage to have crossed China five times.” Yao came to America from Taiwan in 1973 to study. She earned a doctorate in Asian Theater at Stanford and also trained as an actor at San Francisco’s ACT. Her doctoral studies were on love drama: stories of star-crossed romances, written by Chinese scholars and bureaucrats as consolations for their own unhappiness. The love story in Empire of Silver is as important to her as the theme of business ethics: “Businesses worldwide, not just in China, are going off-track. The film deals with relations between men, between men and money, and between man and himself.” Yao doesn’t mention between men and women, though they shape the story in their absence. She says: “My own definition of true love is that it transforms you—you’re a different person when you come out. If you go in and come out the same way, you probably loved yourself more.”

EMPIRE OF SILVER Unrated; 112 min. Opens Friday at AMC Eastridge 14 in San Jose, AMC Cupertino 16 and AMC Mercado 20 in Santa Clara

metroactive FILM EMPIRE OF SILVER (Unrated; 113 min.) See review on page 40.

EVEN THE RAIN (2010) One of most interesting movies about Columbus Iâ€™ve seen. A disenchanted director (Gael GarcĂ a Bernal) is sent to Cochobamba to ďŹ lm a biopic about the conqueror. The locations donâ€™t look much like the Caribbean, but the producers are cheap, the locals are poor and, to the people in charge, an Indian is an Indian. When Boliviaâ€™s water wars heat up as a result of privatization, the underpaid cast and crew are caught in an insurrection. Director IcĂar BollaĂn shoots the resulting chaos with intensity worthy of Costa-Gavras. (Plays Jun 3 at 6:30pm at the San Jose Peace and Justice Center; sliding-scale food and quick lecture on the situation in Bolivia before ďŹ lm.) (RvB)

MY PERESTROIKA (Unrated; 88 min.) A documentary about Russians living through the collapse of the Soviet Union. (Opens Fri at Camera 3 in San Jose.)

X-MEN: FIRST CLASS

THE BIG BROADCAST OF 1938/ INTERNATIONAL HOUSE (1938/1933) The S.S. Gigantic and the S.S. Colossal race across the Atlantic to see which is the fastest. Unbeknownst to the Colossalâ€™s backers, the worldâ€™s unluckiest man, T. Frothingell Bellows (W.C. Fields), has been ordered to board the ship by the rival owners of the Gigantic. The Giganticâ€™s conniving owner is indeed Bellowsâ€™ own twin brother, S.B. Bellows (also Fields). Unfortunately, Frothingell goofs and boards the wrong ocean liner. This ploy is compounded when the Gigantic rescues, from a shipwrecked yacht, T.F. Bellowsâ€™ equally unlucky daughter, Martha Raye. See, they call these musical-comedy plots intricate when actually itâ€™s just a matter of summing them up right. BILLED WITH International House. Itâ€™s a race to China to be the ďŹ rst bidders on the amazing new invention: television. In the lead, Fields pilots his propeller-equipped automobile, The Spirit of South Brooklyn, into the lobby of the International House Hotel. This 70-minute stream-ofconsciousness comedy includes Rudy Vallee, Bela Lugosi (as a

Russian warlord), George Burns and since-forgotten radio comedian â€œColonel Stoopnagle.â€? (Plays Jun 8-10 in Palo Alto at the Stanford Theatre.) (RvB)

THE BLUES BROTHERS (1980) The opening ďŹ lm for this summerâ€™s Starlight Cinema. One still misses John Belushi, and maybe you have to have been stranded on the roadside many times by those lousy Detroit clunkers of the 1970s to truly appreciate the spectacle of their punishment: watching them get blown up, smashed and dropped. There is no forgiveness, however, for the underuse of John Lee Hooker, Aretha Franklin, Cab Calloway and James Brown, all of whom make Belushi and Dan Aykroydâ€™s silly but unbelievably popular tribute act look as minor as it was. The screening includes a Blues Brothers look-alike contest and music beforehand. (Plays Jun 8 at sundown in San Jose at San Pedro Square; free.) (RvB)

MEN IN BLACK/MEN IN BLACK II (1997/2002) Will Smith plays an NYPD ofďŹ cer who encounters K (Tommy Lee Jones) of the extraterrestrial monitoring secret

police the Men in Black: their quarry is a rogue alien (the hilarious Vincent Dâ€™Onofrio) in a borrowed, illďŹ tting human skin wrapped badly on his exoskeleton. BILLED WITH Men in Black II. An inexpensive syndicated TV true-life mystery show (hosted by Peter Graves) tells the backstory of a mysterious alien visitation, restaged with Ed Woodâ€“level effects. This sets up the rampage of a multitentacled extraterrestrial named Serleena (Lara Flynn Boyle). To combat this female alien menace, the team is reunited, together with a civilian witness to an alien murder, Laura (Rosario Dawson). (Plays June

3-5 in San Jose at the Retro Dome.) (RvB)

NILES FILM MUSEUM Jun 4: Charlie Chaplin days in Niles, meaning a retrospective of ďŹ lms by the most famous man who lived there. The Kid (1921) is simultaneously Chaplinâ€™s most sentimental and hard-edged silent ďŹ lm in which a slum-dwelling tramp cares for an abandoned child (Jackie Coogan). Plus The New Janitor (1914) and The Bank (1915). Judy Rosenberg at the piano. (Plays Jun 4 in Fremont at the Edison Theater.) (RvB)

â€œMARVELOUSLY ROMANTIC. A CREDIBLE BLEND OF WHIMSY AND WISDOM.â€? -A.O. Scott, THE NEW YORK TIMES

â€œA JOYOUS DELIGHT! IN THIS BEGUILING AND THEN BEDAZZLING NEW COMEDY, NOSTALGIA ISNâ€™T AT ALL WHAT IT USED TO BEâ€” ITâ€™S SMARTER, SWEETER, FIZZIER AND EVER SO MUCH FUNNIER.â€? -Joe Morgenstern, WALL STREET JOURNAL

â€œEXHILARATING! BRIMS OVER WITH BRACING HUMOR AND RAVISHING ROMANCEâ€“ INFUSED WITH SEDUCTIVE SECRETS. OWEN WILSON IS PITCH PERFECT. MARION COTILLARD IS SUPERB.â€? -Peter Travers, ROLLING STONE

!! ! !! ! !

â€œROMANCE, FANTASY, LAUGHS, AND A WHOLE LOT OF STARS!â€? -David Germain, ASSOCIATED PRESS

(PG-13) See review on page 42.

Revivals BABES IN ARMS/42ND STREET (1939/1933) Mickey Rooney and Judy Garland (in her ďŹ rst ďŹ lm after The Wizard of Oz) star as a pair of kids who decide to put on a show; numbers include â€œWhere Or When.â€? BILLED WITH 42nd Street. â€œSawyer, you listen to me and you listen hard. Two hundred people, 200 jobs, 200,000 dollars, ďŹ ve weeks of grind and blood and sweat depend on you. Youâ€™ve got to go on and got to give, and give and give! Theyâ€™ve got to like you, got to! You understand! Sawyer, youâ€™re going out a youngster, but youâ€™ve got to come back a star!â€? The focus on the hard work of musicalmaking was Warner Bros.â€™ province, and it ďŹ t in with the other socially conscious ďŹ lms they were creating at the studio. The theme worked so well that it was reprised a dozen times in different Warner Bros. ďŹ lmsâ€”powered with choreographer Busby Berkeleyâ€™s wheeling, marching and military drilling of chorus girls, and sweetened with the adorable but never cloying Ruby Keeler and her swain, Dick Powell. (Plays Jun 1-3 in Palo Alto at the Stanford Theatre.) (RvB)

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REVIEW

A STAR IS BORN (1954) The classic version of the story of the rising star vs. the falling star, with Judy Garland as the singer who is brought to fame by her husband, the harddrinking actor Norman Maine (James Mason). It’s Garland’s most interestingly high-strung role. Garland looks nearer to ruin than her co-star; she is as brittle as glass. Mason, on the other hand, looks as if he has years of coasting left in him. (Plays Jun 4-6 in Palo Alto at the Stanford Theatre.) (RvB)

Reviews BRIDESMAIDS

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Sixties Reset OVERLOADED and overcharactered, X-Men: First Class is a movie about the 1960s. Like all movies about the 1960s made past the year 1995, it assumes that every historical moment in that decade happened at the same time. James McAvoy plays the young professor Xavier, the world’s most powerful psychic; Michael Fassbender is Erik, later to be master of magnetism Magneto. The conﬂict of two worthy adversaries resembles, roughly, the Martin Luther King Jr./young Malcolm X dispute. Cold War paranoia and the Cuban Missile Crisis add historical resonance to the coexistence vs. destruction plot. CIA liaison Moira (Rose Byrne) and the mutant Raven, later Mystique (Jennifer Lawrence), add their personalities to the struggle.

clad psychic moll named Emma Frost (January Jones). This is, as it sounds, fun.

But there’s also a ’60s spy-movie motif, complete with split-screen techniques, miniskirts and Austin Powers pickup lines. Fassbender is very suave in black turtleneck or scuba suit as he goes on the trail of a powerful ex-Nazi. Appropriately for how well Fassbender carries himself as an international assassin, the ex-Nazi has become a Bond villain. He, Sebastian Shaw (Kevin Bacon) has a private nuclear submarine loaded with a serious collection of post-Impressionist art, a literally Satanic henchman (Jason Flemyng) and a lingerie-

Vaughn could have gotten more punch from less blather about healing and more news about the characters we came to see. We don’t get the sense that Xavier ever had childhood trouble because he read the wrong mind; we don’t see the two adversaries agree that people are often no good. And Xavier has no hothead tendencies even when he’s young. Lack of dramatic groundwork leads to the uninspiring ﬁnale: a moment of caped and cowled menace made dismayingly comic.—Richard von Busack

But it wasn’t enough. As per the title, someone also thought this movie should be a Harry Potter adventure—thus the dead-on-the-screen scenes of the students sharing Cokes, Oreos and “The Hippy Hippy Shake.” By the finale, director O$D\e1 Matthew Vaughn (Kick Ass) =ìjk:cXjj is lining up his mutants like PG-13, 132 min. a boy playing with action Opens Friday figures. Vaughn’s strength, not that I admire it, is to take cartoon violence and make it go too far; as when Erik hits the warpath, smashing up a room or using barbed wire to snake up Russian guards.

(R; 125 min.) Annie (Kristen Wiig) is a Milwaukee woman going downhill. Her ex-boyfriend (Jon Hamm) uses her for sex. Suddenly, Annie’s best pal, Lillian (Maya Rudolph), announces her impending marriage. Lillian also introduces a new gorgeous friend (Rose Byrne) who elbows Annie aside and takes charge of the wedding. The wedding planning becomes more pretentious, more expensive and ever more humiliating for Annie. Wiig is at her most comically nonchalant as the desperation seeps out of her pores. In her capacity to register degrees of comedic suffering, this actress suggests what happens when like when a movie is really loose down deep in its soul, and is not just wobbly and formulaic. But Judd Apatow was the executive producer, and Bridesmaids is shaped like an Apatow film: it’s a half-hour too long. Though it’s released as a chick-flick alternative, we still get the traditional pointless fight between Annie and her new man (Chris O’Dowd). (RvB)

CAVE OF FORGOTTEN DREAMS (Unrated; 90 min.) The material here probably never should have been stretched to feature length, but it is memorable. Werner Herzog (possessed of the satisfyingly angst-ridden “I only am escaped alone to tell thee” tones) narrates as he goes underground to the caves of Chauvet-Pont D’Arc in the Ardeche region of France. This trove of 30,000-year-old cave art has been sealed from the world for most of that time. Ofﬁcials limited his access in hopes of protecting these cave paintings from the kind of degradation that’s occurred at Altamira. Herzog wasn’t allowed to use anything but cold electronic

lights and small cameras. He ﬁlmed in 3-D to get the contours of the surfaces where the drawings are sealed under millennia of crystal deposits. They are perplexingly beautiful. The overlapping proﬁles of a quartet of horses seem like the birth of perspective in art, though Herzog himself forecasts cinema in the blur of their legs. Herzog’s enthusiasm and discursiveness will be too much for some, but the visit is one of a kind. (RvB)

THE DOUBLE HOUR (Unrated; 95 min.) Robert Redford once said that Americans dislike any movie that they can’t decipher within 10 minutes. First-time director Giuseppe Capotondi’s Italian neo-noir is then the most un-American and intriguingly plotted ﬁlm of the year, shifting unsettlingly from supernatural mystery to tragic romance to tight thriller. Seemingly disparate early scenes such as a hotel suicide and a maid’s airing of a red bedspread fold back into the ﬁlm. Chambermaid Sonia (Kseniya Rappoport) meets security guard Guido (Filippo Timi) speed-dating. They tentatively fall in love, until a botched robbery separates them. Although perhaps overly schematic with one plot twist too many, Double Hour’s rueful love story delivers a Memento with heart. (DH)

EVERYTHING MUST GO (Unrated; 100 min.) A loose version of Raymond Carver’s short story “Why Don’t You Dance?” Will Ferrell plays an alcoholic who decides to clean house by having the garage sale to end all garage sales. (RvB)

THE FIRST GRADER (PG-13; 103 min.) The story of a Kenyan teacher (Oliver Litondo), who used to ﬁght with the Mau Mau but now wants to help children. Based on a true story.

THE HANGOVER PART II (R; 102 min.) Maybe the saddest words in the movie, as the ensemble stirs from an evening of blackout debauchery in Bangkok: “I think it happened again.” The script takes far too much time to explain why Phil (Bradley Cooper), Stu (Ed Helms) and Alan (Zach Galifianakis) got back together in the first place. There’s a hostage this time (Mason Lee, Ang’s son, as a Stanford pre-med). And there’s no place for women. Look at Lee unveiled, and see the final destination of the bromance film. It’s hard to get into the spirit of things until Ken

HESHER (R; 102 min.) A nasty kid (Joseph Gordon-Levitt) insinuates himself into the garage, and then the home life, of a normal familyâ€” eventually, and weirdly, bringing them some form of enlightenment. Also stars Rainn Wilson, Piper Laurie and Natalie Portman.

INCENDIES (R; 130 min.) A dire melodrama of ďŹ‚abbergasting coincidence, based on the all-too-true history of how Lebanon tore itself apart in the 1980s. A morose, scarred woman, Nawal Marwan (Lubna Azabal), dies in Quebec. In her last testament, she asks her alienated twin children, Jeanne and Simon (MĂŠlissa DĂŠsormeaux-Poulin and Maxim Gaudette), to go to Lebanon and deliver a pair of letters. One is meant for their father, whom they never knew; the other is for the brother they never knew they had. The juicy horror of the ďŹ nal revelation is probably meant to refer to the tangled roots of Lebanonâ€™s fratricide; instead it seems like a creaky melodrama, a new version of Madame X. (RvB)

culture-vultureâ€™s version of Play It Again, Sam. Midnight in Paris is a harmless, gentle nothing, but itâ€™s also a moldy vision of the city during its era of artistic adventurousness. (RvB)

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES (PG-13; 137 min.) A three-way race for the fountain of youth tangles Jack Sparrow (Johnny Depp), an old girlfriend (PenĂŠlope Cruz) and the ever-rotting Barbossa. Geoffrey Rush takes over the ďŹ lm through sheer avidity; he has become a privateer, and his attempts to ape courtly manners are the funniest thing in a movie coming up short on comedy. The younger love interest is heavily Twilighted, with a chaste Christian meeting vampire mermaid. (RvB)

decoration, requiring no duties. None among them is ready for what sword-ďŹ ghting entails. Unfortunately, the shogunâ€™s brother, Lord Naritsugu (Goro Inagaki), is a Caligula type. Recruited to do something about the situation is Shinzaemon, played by Koji Yakusho, maybe the most stirring Japanese actor since Mifune. Itâ€™s a suicide mission; the rebels will be greatly outnumbered. The time honored mixed-bag group of ďŹ ghters is assembled: most ďŹ‚amboyant is Yusuke Iseya as a ragged, mosquito-bitten warrior who is lethal with a sling. The ďŹ lm

is capped with a war to end all samurai battles, and frankly you hope it does. (RvB)

THOR (PG-13, 130 min.) Cast to earth in rural New Mexico, the son of Odin (Anthony Hopkins) must redeem himselfâ€”even as his disposed brother Loki (Tom Hiddleston) schemes to keep him in exile forever. The part of Thor is a starmaking performance for Chris Hemsworthâ€”an Australian actor who remembers the old ways of movie heroism. Director Kenneth Branagh ďŹ nds the perfect tone

of nobility without too much loft. The movie has its Shakespearean side; itâ€™s as full of grand, ringing voices as it is of ďŹ ght scenes and ďŹ reworks. Natalie Portman is endearing as the scientist befuddled by the arrival of a god. She looks pleasingly discomďŹ ted to be close to someone who is betterlooking than she is. The witty script (co-written by former Metro staffer Zack Stentz) reďŹ‚ects 1950s ďŹ lms about the perplexity of scientists in the bomb-haunted New Mexican desert meeting a creature from another world. (RvB)

Kick off your summer with Judy Moody and join us for a special â€œPajama Partyâ€? screening on Saturday, June 4 in Santa Clara!

PRIEST (PG-13; 87 min.) An adaptation of a graphic novel series. In a futuristic world, a priest ďŹ ghts vampires. Stars Paul Bettany, Karl Urban, Cam Gigandet, Brad Dourif, Christopher Plummer (!?) and MĂ¤dchen Amick (forever beloved as Shelly Johnson on Twin Peaks). Showing in 3-D in some theaters.

13 ASSASSINS (R; 126 min.) Takashi Miikeâ€™s excitingly novel take on the samurai ďŹ lm. Itâ€™s the late 1800s; samurai are used to rank as a

JUMPING THE BROOM (PG-13) A comedy about two marriage ceremonies overlapping. Stars Angela Bassett and Paula Patton.

KING FU PANDA 2 (PG; 90 min.) A sequel to the popular animated ďŹ lm.

MIDNIGHT IN PARIS (PG-13, 94 min.) Whatever happens, one canâ€™t go wrong ďŹ lling up the screen with Paris. Woody Allenâ€™s newest includes some sweet vistas. Owen Wilson is Gil, a disenchanted Malibu screenwriter who wants to be a novelist. As a result, he gets midnight visitations by F. Scott Fitzgerald and Zelda. (The gilded couple is played by Tom Hiddleston, Loki in Thor, and Alison Pill.) The nights continue, and Gil meets the artistic and literary lights of the 1920s, magically reincarnated. One night, he meets a ďŹ‚apper (Marion Cotillard) with a similar yet drastically different taste for nostalgia. The not very pungent point is stretched into a

Send an email to SJPromos@Metronews.com and tell us what your favorite thing about summer is for a chance to win a pass.

For showtimes, advance tix and more, go to

cameracinemas.com

Best Theaters -- SJ Merc, Metro & Wave Readers All Shows Before 12 noon Now Only $5.00 Always Plenty of Free Validated Parking All Sites Seniors & Kids $6.75 / Students $7.50 â€˘ * = No Passes $7 b4 6pm M-F / 4pm S-S, Holidays â€˘ = Final Week â€˘ Pruneyard/Campbell 559-6900 = Presented in Sony 4K Digital (C7 â€˘only)

â€˘ Pruneyard/Campbell â€˘ 559-6900 Student Night Wednesdays -- $6 after 6pm *X-MEN: FIRST CLASS (PG-13) *MIDNIGHT IN PARIS (PG-13) BRIDESMAIDS (R) *KUNG FU PANDA 2 3D (PG)*HANGOVER 2 (R) CAVE OF FORGOTTEN DREAMS (in 2D) (G) PIRATES OF THE CARIBBEAN (in 2D) (PG-13) MAGIC FLUTE (HD Opera)--Sun 11am/Wed 7pm

Come in your pajamas and youâ€™ll be entered in a drawing to win a Judy Moody movie T-shirt!

â€˘ 41 N. Santa Cruz â€˘ 395-0203 *THE HANGOVER 2 (R) PIRATES OF THE CARIBBEAN (in 2D) (PG-13)

â€˘ 201 S. 2nd St, S.J. â€˘ 998-3300 Student Night Wednesdays -- $6 after 6pm *X-MEN: FIRST CLASS (PG-13) *HESHER (R) *THE HANGOVER 2 (R) BRIDESMAIDS (R) *KUNG FU PANDA 2 (in 2D and 3D) (PG) PIRATES OF THE CARIBBEAN (in 2D) (PG-13) THOR (in 2D) (PG-13) FAST FIVE (PG-13) EVERYTHING MUST GO (R) INCENDIES (R)

â€˘ 288 S. Second, S.J. â€˘ 998-3300 *MY PERESTROIKA (NR) 13 ASSASSINS (R) THE DOUBLE HOUR (NR) OPENS 6/10! SUPER 8 JUDY MOODY

DISCOUNT (10 Admits/$60) / GIFT CARDS PURCHASE AT THEATER BOX OFFICE OR ON-LINE

THEATER RENTALS -- CALL 395-6465

THIS FILM IS IS RATED PG. Please note: Passes received through this promotion do not guarantee you a seat at the theatre. Seating is on a first-come, first-served basis, except for members of the reviewing press. Theatre is overbooked to ensure a full house. No admittance once screening has begun. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket, and accepts any restrictions required by ticket provider. Relativity Media, Terry Hines & Associates, Metro Newspapers and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. NO PHONE CALLS!

Deadline for entries is Thursday, June 2, 2011 @ 4pm. Passes are limited and available while supplies last. Each pass admits two people. Limit one pass per person/household. Late and duplicate entries will not be considered. No exceptions.

Opens in theatres everywhere on Friday, June 10! www.JudyMoodyMovie.com Follow us on Facebook and Twitter: www.facebook.com/JudyMoodyMovie â€˘ twitter.com/JudyMoody_Movie â€˘ www.facebook.com/43KIXNorCal â€˘ twitter.com/43KIXNorCal

M E TR O S I L I C O N VA L L E Y | J U N E 1 -7, 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Jeongâ€™s profane Mr. Chow turns up; Jeong shows more talent in his, eh, little part, than the rest of the cast can prove (theyâ€™ve been rejiggered for the sequel as either too sleazy or too mushy). Runner-up for humor after Jeong is a spider monkey, who does a lot of things that the SPCA wouldnâ€™t like. (RvB)

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U N E 1 -7, 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

00 M E TR O S I L I C O N VA L L E Y | DAT E 0 0 - 0 0 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M