Serving S er ving Sonoma, Sonom ma, Napa Napa & Marin CountiesEFM<D9<I*$0#)'('Yf_\d`Xe%Zfd Counties EFM<D9<I*$0#)'('Yf_ _\d`Xe%Zfd
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THIS SEASON, LET US INSPIRE YOU WITH GREAT BOOKS AND FUN AUTHOR EVENTS! Just for kids! Bring in the chefs for the holidays! Tuesday, November 9, 7pm DR. JAMES C. DeVORE AND DEBRA A. SKINNER
White Coat Wrinkle: The Patient Power Guide to Getting the Best Care from Every Doctor, Every Visit MONTGOMERY VILLAGE
We’re launching the season of holiday cuisine with four incredible chefs appearing in four Copperfield’s locations—all on the same day. Yes, you’ll have to pick ONE and go.
JENNIFER HOLM Turtle in Paradise
Thursday, November 18, 7pm
Thursday, November 18, 7pm
TOM HUDGENS
Tuesday, November 9, 6:30am
Wednesday, November 17, 7pm
The Domaine Chandon Cookbook: recipes from ĂŠtoile restaurant NAPA
The Commonsense Kitchen: 500 Recipes + Lessons for a Hand-Crafted Life
Diary of a Wimpy Kid #5: The Ugly Truth
Mary Ann in Autumn: a Tales of the City Novel
Thursday, November 18, 7pm
MONTGOMERY VILLAGE
The Winemaker Cooks: Menus, Parties, and Pairings
JEFF MORGAN
ARMISTEAD MAUPIN
CHRISTINE HANNA
Tuesday, November 30, 7pm
HEALDSBURG
SARK
Glad No Matter What: Transforming Loss and Change Into Gift and Opportunity SEBASTOPOL
Tuesday, November 9, 9am, 11am, 4pm
Thursday, November 18, 7 pm VANESSA BARRINGTON DIY Delicious: Recipes and Ideas for Simple Food from Scratch
Doomed to Dance
MONTGOMERY VILLAGE
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For more tasty titles from Chronicle Books go to copperfieldsbooks.com or visit our stores!
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WIMPY KID RELEASE PARTY!
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ANNIE BARROWS
Wednesday, November 10, 11am, 1pm, 7pm
KATHY REICHS Virals
Wednesday, December 1, 10am, 12:30pm, 2pm
ANNA DEWDNEY
Llama Llama Holiday Drama
See our Calendar of Events for more info or copperfieldsbooks.com
BEGINNING 11/17 BUY BOOKS ONLINE AT: WWW.COPPERFIELDSBOOKS.COM
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11.03.10-11.09.10
THE BOHEMIAN
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01a^ZT]ATR^aS Why are solutions for the economy stuck on repeat?
By Art Kopecky
5
riends, here we are at the very apex of human thought and endeavor, yet public discussion on the economy sounds like a broken record. For instance: we’re waiting, hoping for the economy to “recover.� Maybe at some point, growth is not normal or possible, and we cannot recover by reverting to an unsustainable trajectory. Where do the size of our population and finite resources enter the equation? When people and animals mature, they reach a certain size and stop growing. Perhaps that’s the correct analogy. Is it so hard to imagine we have reached a mature economy? Maybe there are enough cities, freeways, suburbs and shopping malls. How often do you hear that? On the left, there’s the monotonous broken-record mantra that we must “stimulate� the economy, and the only solution imaginable is government action. It’s never suggested that the people themselves, with the greatest freedom and prosperity in all human history, can find a way to help besides being good consumers and shopping for their nuclear family. On the right, the only contribution to the debate seems to be cut taxes, even though deficits are too big. Then, the idea follows, we’ll “stimulate� the economy and huge growth will pay off the deficit and create millions of jobs. (Example: George W. Bush reduced taxes, and everything turned out fine.) For all our vaunted freedom, action on the part of the people is never suggested— except to vote and shop. So little imagination. Everyday we’re besieged by a litany of concerns. We’re urged to protest global warming, nuclear weapons, foreign wars and mega-corporations. There are daily reminders that we have 14 million Americans unemployed and not enough jobs for the 150,000 entering the job market each month. There are environmental concerns that development hurts the precious natural world. We need something positive in the mix, something new and exciting. So, you ask, what have I got? How about: bring on the Aquarian Age. Not through legislation, but through service and good works. Join or support “back to
the land� intentional communities. Create a culture of cooperation and generosity by sharing properties. Are we all just guinea pigs ruled by a constant diet of advertisements, or can some of us strike out and do something outrageously positive, helpful and generous? Forward-thinking people have greatly inf luenced our history in the past, starting with the very notion of a country run by the people and extending to the end of slavery, the rise of civil rights, of workers’ rights and women’s rights. So what’s next? I believe the intentional communities movement, already well incubated with a 50-year modern history, fits our need. I don’t think it can be avoided. Some of “the people� will have to pioneer advances in the culture (some are already doing it, but not nearly enough). If young people can dedicate themselves to war, giving up life and limb and comfort, then where are the young people who can build cooperative communities for mutual survival for all? Where are their elders who can encourage a nongovernment people’s movement, to demonstrate consideration and even brotherly love? If we are so advanced, so smart, why aren’t these ideas in the conversation? Are profit, greed and accumulation the high points of human consciousness? A few million people on beautiful farms, supportive of the “low money� people—is that such a crazy idea? Unemployment is here to stay, the cost of living is only getting more astronomical, and the government is way beyond broke. So help out by creating intentional communities instead of crying to be given jobs. Why are we avoiding it? Is it too hard, too creative, too original, too against human nature? Be a pioneer and prove them wrong. Our culture has already come a long, long way. Create a culture of conscious kinship? Whoa! Stop right there. Let’s get back to stuff we’re used to: “go shopping,� “cut taxes� and “stimulate the economy� so it can “grow� . . . Ah, that broken record is so comforting.
Maybe there are enough cities, freeways, suburbs and shopping malls.
Art Kopecky is the author of ‘New Buffalo: Journals from a Taos Commune’ and ‘Leaving New Buffalo Commune,’ UNM Press. He lives in Sebastopol, works as a contractor-carpenter and is active in the communities movement.
THE BOHEMIAN
11.03.10-11.09.10
05
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C74=867CC748=C4A=4C1;4FD? Thirty-one years I’ve been waiting for this, and I can’t believe it happened . . . seriously best day ever!!! Giants!!! Holy everything. My team won the World Series, my best friends are better than anyone / -thing, tomorrow is gonna suck . . . but I just don’t care. Go Giants. This is bananas! Catching my breath and wiping my tears of joy! They did it! Awesome times infinity! I still can’t believe this is happening.
My full-grown male neighbors are in a drunk dogpile in the middle of the street crying. This is better than Christmas. For about two minutes, Ad Hoc Restaurant stopped as everyone followed the last at-bat on their phones. Everyone cheered. Everyone hugged. It was beautiful. It smells like sweet victory blunts on my street!!!! Happy World Series, baby!!! Not only did the Giants win the WORLD SERIES!!!! but SAN FRANCISCO has just gained the world record for most simultaneous orgasms. I’m, like, crying, you guys. I was on edge, I was scared, I was happy, I was
enthralled . . . I laughed, I screamed, I cried. Thank you, Giants!!! Thank you. As we all honor Lincecum for his utter badassness, we must not forget that he uses the federally felonious performance-enhancing drug known as marijuana. WOOOOOOOOOOOOOOOOOOOOOHOOO OOOOOOOOOOOOOOOOOOOO!!!! SF really deserved this . . . makes the cold games at Candlestick worth it!!! Go Giants . . . and this from a lifelong Dodger fan! Weird. GIANTS = WORLD SERIES CHAMPIONS. WHAT NOW, ESPN????? The city is going nuts . . . we’re gonna drink a hundred-dollar bottle of wine!!! I CAN DIE HAPPY!!! I have lived a good life. 1954/2010!!! To everyone who had a childhood hero that was a loser. To everyone who has waited their entire lives for tonight’s win. To everyone who didn’t think it would ever happen. Cheers. I have waited my entire life to feel the way I feel tonight. Booyah!!!
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“And that’s a wrap. Stick around for the postgame show. Our next broadcast is WE DON’T CARE. The first pitch is at WE DON’T CARE. The Giants are the World Series champions.�
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06
11.03.10-11.09.10
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THE BOHEMIAN
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@ B>AC8=68C>DC Moskoff’s ‘anti-rules’ approach brings solid business practices to nonprofits.
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George Moskoff’s Minerva Project bails out sinking nonprofits By Anna Schuessler
F
hile others stood by wringing their hands at the financial crisis, George Moskoff thought of nonprofits. In the thick of 2009’s woes, Moskoff, a Sonoma County–based management consultant, saw an opportunity. His idea was simple: bring consultants looking for work together with nonprofits looking for a boost in performance. What he’s come up with is essentially a nonprofit for nonprofits. The Minerva Project is Moskoff ’s idea come to life, a loose collection of consultants in information technology, organizational development, finance and web design who use their talent and ambition to keep struggling nonprofits afloat. For Moskoff, it’s the benevolent nature of nonprofits that puts their success at peril,
especially from an administrative standpoint. “Because they are mission-driven, they don’t necessarily feel the need to be run like a business,� he says, speaking by phone from his Sebastopol home. “They might have a board of directors, but they don’t have any financial statements and they don’t really know where the money is coming from.� Issues with computing metrics for performance or creating a transparent way of delineating a nonprofits’ cash f low have become pressure points for 501c3s, which work even harder to legitimize their funding to donors. But measuring a nonprofit’s success is no easy task, and definitely not one that understaffed nonprofits can shoulder on their own. That’s where members of the Minerva Project step in. Just last January, Mentor Me Petaluma’s executive director Val Richman found her nonprofit in need of
some metrics. The group matches adults looking to be a positive inf luence in a young person’s life with students in need of academic assistance. Richman noticed that testimonials from students and tutors, while offering riveting accounts of the program’s positive impact, lacked the quantitative punch that some potential donors want to see before they invest. “Donors are increasingly asking for detailed information on outcomes,� Richman says. “[They’ll say], ‘You’ve got a great mission and we can see that. But is it really happening? Can you measure self-esteem?’� Richman turned to Merith Weisman, coordinator of Sonoma State University’s Center for Community Engagement, who promptly referred her to Moskoff ’s budding project. The two moved forward quickly, bringing members of Richman’s &%
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nonprofit in contact with IT professionals within the Minerva Project. Moskoff and his colleagues analyzed how one could measure the progress made by Mentor Me Petaluma with its young participants, meeting with both mentors and students to come up with a solution they called a “Qsort tool.� Consisting of pieces of cardboard with questions, comments and statements, the device serves as a method for surveying grade-school and middle-school children, who put the pieces in piles labeled “Yes,� “No� or “I don’t know.� Moskoff and his colleague hope that an interactive survey, as opposed to a paper-based one, might elicit more accurate responses from the kids. Mentor Me Petaluma and the members of the Minerva Project are a long way from knowing the value of their work. The team plans to administer a final, fully formed questionnaire at the beginning and end of the upcoming school year, and potentially expand the model in an online format to evaluate the nonprofit’s work with high school students. Even early in the process, Richman is impressed. “[Moskoff]’s got a lot of connections,� she says, “and immediately put out his antennas and asked, ‘What’s new and great in this field?’� Perhaps the group’s popularity is due to its ability to resist categorization. Weisman, a longtime member of the nonprofit sector, says the Minerva Project’s lack of a standard procedure is the reason for the group’s quick turnover time in coming up with viable solutions. As one who assists charitable groups and has turned several over to Moskoff, she’s “been able to gain credibility for actually delivering. With Minerva Project,� she says, “it’s all about outcomes.� Minerva’s group of consultants claims no official title, a condition Moskoff intends to keep. “I’m reluctant to encourage anybody to make it a more formal structure,� he says. “Everybody formalizes all these kinds of things and it ends up choking off a business or an idea. And that scares me. I’m not an advocate for tight regulation. In fact, I’m anti-rules.� Always on the lookout for younger consultants with a variety of skill sets, Moskoff hopes that one day the Minerva Project will expand far beyond the scope of the North Bay. He’s currently working with three California State Universities to establish a partnership between students and the growing organization. “We find [working] at the university level to be very helpful in terms of establishing credibility very quickly for the Minerva Project,� he says. Is he still set on California alone, or does he plan on reaching even farther than that? “Absolutely,� he says. “Nationwide.� Using an empirical approach for solving problems is nothing new for Moskoff, who received his undergraduate degree as a chemistry major. “I see myself as a scientist,� he says. “I’m constantly looking for new ways to experiment with business. I’m looking for new data. I’m looking for new opportunities.� Ironically, the Minerva Project’s success is just as difficult to quantify as that of any of its clients. So far, Moskoff must rely on nods and smiles. “We haven’t created metrics yet, but we have happy clients,� he says. “They tell us they’re delighted with our work. They tell us they like us.�
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hen it comes to publishing a memoir, the odds of obtaining an agent, bringing a book to market and selling it within one’s lifetime—while the publishing industry endures seismic change—are astronomical. Local music fixture Buzzy Martin, however, aimed for the stars and scored by doing precisely none of the above. Don’t Shoot! I’m the Guitar Man recounts an odyssey that began with Martin’s role teaching music to at-risk kids and ended with a stint playing tunes for hardboiled cons at San Quentin. Throughout, he brings back life lessons he shared with his young pupils. (Think Scared Straight with power chords.) This very paper applauded the book as “a compelling portrait of the transformative power of music and of the impact that it can make on men from drastically different walks of life,� and recommended it highly. Martin originally self-published Don’t Shoot! three years ago in an edition of just 2,000, but word slowly but surely spread, including positive mentions by Tom Waits both in Harp magazine and on Bob Dylan’s Theme Time Radio Hour. Berkley Books, an imprint of publishing juggernaut the Penguin Group, released Martin’s book in a trade paperback edition last month. A film adaptation is underway. Martin’s accomplishment is interesting on several levels, not least of which because the wild-haired and mustachioed guitarist never intended to be a writer. He wanted to be a rock star. “That never happened, and I have to cop to that and that’s okay,� he confesses, “but what did happen is that I’m changing the world in my own way.� More specifically, Martin is changing the worlds of those he mentors through music and, now, words. Martin’s commitment to healing broken souls through music is total, evidenced by the fact that he’s more inclined to discuss issues faced by incarcerated kids than the vicissitudes of the publishing industry. However, his successful experience in this realm is an object lesson in persistence, friendship and belief in oneself—the very same attributes he tries to awaken in his students. This is how he did it: After afternoons playing ZZ Top covers and stewing in the existential experience of jailed felons at San Quentin, Martin would recount his experiences into a tape recorder while driving to decompress during his commute home. Being computer-averse at the time,
Martin transcribed the six resulting 90minute cassette tapes by hand, with a pen, onto yellow notebook tablets. Eventually, he coaxed his wife Laura into keying his words into a word processor. Thereafter, Martin began working the material into a cogent narrative, writing and rewriting until, he says, “[I] had what I didn’t realize was called a manuscript.� With little notion how to proceed, Martin sought publishing advice from staffers at Copperfield’s Books, who suggested he self-publish. Thanks to his wife’s continued assistance, he did. The newfound author then proceeded on an ill-fated campaign to place the book in the hands of juvenile hall inmates, which he perceived as his target audience. “The only juvenile hall director I talked to said, ‘Don’t ever call me again, these kids are my fucking retirement. I’m not going to read your goddamn book,’� says Martin, “and that was it.� Mike Grabowski, a professor in the Criminal Justice Program at Santa Rosa Junior College, had a markedly different response. He made Martin’s self-published book required reading. “That was the first yes,� says Martin. If the so-called vanity press finds some authors gazing fondly at themselves in the mirror, then Martin is the opposite—he went through the looking glass. When he finally got hip to Facebook, he connected to everyone from guitar players (Toto’s Steve Lukather among them) to criminal-justice professionals, and asked each if they would accept a copy of the self-published tome and review it on Amazon. The approbations rolled in. Meanwhile, a friend’s wife at Penguin Books gifted a copy to a colleague who emailed Martin some kind words about the work. Martin contemporaneously pursued a contact in San Francisco’s juvenile court system, whom he’d learned had quit and moved into a position at Prodigy Motion Pictures. She recognized the potential of Martin’s story, which also sparked the interest of company founder Ray Robinson, information that Martin shared with Penguin. He was offered a book contract in a matter of days. The film contract followed shortly thereafter. Don’t Shoot! I’m the Guitar Player is available in 40 countries. Its first printing sold out in six days. The movie is coming soon to theater near you.
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THE BOHEMIAN
11.03.10-11.09.10
11
4?22; G<;2
FW^P2P_cPX] How to keep ships from killing whales in Bay waters
By Juliane Poirier
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y fourth-grade son is currently reading a kind of James-Bond-forkids thriller. In the story, loads of dangerous things happen aboard a freighter ship—foot chases, explosions, daring escapes, unlikely speeches and impossibly accurate karate kicks causing gun slingers to drop loaded weapons within arm’s reach of the hero. All this takes place while market goods are being carried from one port to another—and oh, a bomb explodes under the sea, causing wave action that conveniently kills a bad guy who’s speeding away in a bad-ass, Bond-like motor boat. Of course, the author doesn’t bother dealing with what the explosives do to the marine animals. It’s all just fantasy entertainment. But I’m thinking that another form of fantasy entertainment is our belief that ocean freighters go from port to port in innocuous fashion with no life taken. Here’s a scene from our fantasy: a whale is in the path of a freighter. The friendly and quick-thinking captain smiles, tips his hat and steps on the brakes. But wait! Ships don’t have brakes. Well, then he swerves to miss the whale. Uh, freight ships don’t swerve. So what happens? In real life, there’s a collision. The ship’s hull strikes the whale and either injures it or kills it. The ship keeps zipping right along so that market forces can prevail, and the goods get to the docks. San Francisco Bay is marked by invisible shipping lanes, in which ships travel so fast they sometimes can’t steer clear of human life and property. Ask the fishermen who’ve had their boats and nets damaged by fast-moving commercial ships. Whales that happen to swim in the path of these ships are frequently struck and often killed by the impact. Since 2007, there have been eight endangered blue whales killed by ships on California shores, including two pregnant females. Ironically, these mammals were swimming in waters designated as a sanctuary for whales and other marine life. It’s a place where the whales are supposed to be safe. This point
was brought up by advocates at a forum in Oakland about shipping lanes, held by the U.S. Coast Guard on Oct. 20. Although the Coast Guard was attentive to the needs of the fishing industry, according to Jackie Dragon, director of the Pacific Environment organization, members of wildlife-advocacy organizations had a voice as well. “It’s excellent that the Coast Guard created an opportunity for the public to comment,� says Dragon, who claims that the best action to protect whales in our busy shipping lanes is to simply slow traffic. “We believe that slowing ships down in sanctuaries makes perfect sense,� she adds. “Scientists tell us that whales are much more likely to survive a ship strike or to get out of the way altogether if ships are traveling slower.� The recommended speed limit for ships is 10 knots, a limit imposed on ships along the Atlantic coast in 2008 as an effort to protect the North Atlantic right whale, of which there are only about 300 left. According to a recent report by Pacific Environment, between July and September of this year “three other endangered whales— humpback, minke and fin—were killed by ship strikes and found stranded in Bay Area waters prompting the Gulf of the Farallones sanctuary to issue a warning notice to mariners. It is likely that many more ship strikes occur and go unreported.� Anyone else out there think a 10-knot speed limit in the shipping lanes is a good idea? There’s still time to make it happen. The public comment period is open until Jan. 20, and everyone is welcome to request that speed regulations be set in the San Francisco and Oakland shipping lanes. Slowing the ships down in the shipping lanes will help protect whales and cut down on pollution and resource wastes caused by speeding vessels. As for me, I’d prefer to keep all those crazy, fast and violent freighter scenes safe within the chapters of my son’s fantasy action novels.
The captain smiles and steps on the brakes. But wait! Ships don’t have brakes.
12
11.03.10-11.09.10
THE BOHEMIAN
To make your voice heard about shipping speed limits, contact Coast Guard Lt. Lucas Mancini at lucas.w.mancini@uscg.mil or at 510.437.3801.
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50<8;H05508A Juan Luis, Erica, Juan Jose and Juan Pablo Navarro cook up Peruvian specialties at Sazon.
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?TaUTRc[h?TadeXP] Sazon serves up family lineage of South American dishes By Suzanne Daly
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he beautiful redhead sits at the bar, sipping a deep purple chicha morada. Her eyes lock into an intense gaze with the man before her. Everyone in the room, in fact, has risen from their chairs, with all eyes locked on the same man—San Francisco Giants closing pitcher Brian Wilson. As Wilson, on the screen, throws the winning strike to put the Giants in the World Series, the room at Sazon Peruvian Cuisine erupts. The owners, waiters and chefs high-five the customers, toasting with a CusqueĂąa beer or a glass of chicha, an addictively delicious drink made from blue corn. Warm feelings permeate the room. Sazon (Spanish for “seasoningâ€?) is owned and operated by Juan Luis Navarro and his sons, Juan Jose, who runs the house, and Juan Pablo, who cooks along with his wife, Erica. Two other brothers, Juan Francisco and Juan Manuel, also carry on their father’s name, while mother Lucia and daughters Luisa Fernanda and Anna Luisa add a little female balance. “We’re the only Peruvian place north of the Golden Gate Bridge,â€? says Juan Jose proudly. “When we opened, we discovered that there is a large Peruvian community in the northern Bay Area. It’s mostly Peruvian ladies married to
American guys, and they started coming in out of the woodwork.� The Navarros originally come from Lima, where authentic Peruvian recipes were passed down by their great-grandmother, who herself came from Peruvian, African, Spanish and Italian ancestry. Peruvian cuisine fuses different periods from the South American country’s history, from the ancient Incan empire through to the Spanish conquest, which brought in slaves from Africa and China. Further influences come through Italian and Japanese immigrants, blending indigenous foods of Peru and cooking methods of four continents into a unique taste. Asian flavors are embodied at Sazon in lomo saltado, a stir-fry of steak strips, onions, tomatoes, cilantro, soy sauce and vinegar served with steamed rice, or with the ahi ceviche nikkei, made with ahi tuna and flavored with cilantro, aji verde (a green chile sauce), lime, sesame seeds and sesame oil. African influence includes anticuchos (beef heart), organ meat that Peruvian slave owners from long ago shunned but which remains popular in Peru. Sazon’s menu also embraces different regions and microclimates found throughout the country. Foods from the coast, the Amazon jungle and the Andes are represented in seafood ceviches, tropical-fruit ice creams (try the exotically luscious lucuma) and in distinctly
purple potatoes. One of over 200 varieties native to the Andes, Savon’s potatoes share skewer space with anticuchos, marinated in aji panca, a smoky, chocolatey, chipotle-like pepper sauce. Although many Peruvian staples such as corn, peppers, beans and potatoes are found throughout the Americas, Sazon sources most of these through a Peruvian company, ensuring the authenticity of native varieties. The brightyellow aji amarillo pepper, found only in Peru, gives a piquant f lavor and vibrant hue to papas huancaina, a popular appetizer made with potatoes, hardboiled eggs and feta cheese. Kernels of cuzco corn served with many dishes are the size of a dime and look as if they could feed a giant. Plantains come prepared either fried with aji verde, crisped into chips or hear Other Peruvian ingredients have been deliberately left off the menu, like sea turtle and cuy, a native guinea pig widely sold throughout the country as street food. “I just don’t see a market for cuy,� explains Juan Pablo, “although it’s slowly making its way across the country from people in Miami who import it.� Happily, to the delight of the world’s guinea pigs, Sazon has plenty of other dishes to try. Sazon Peruvian Cuisine, 1129 Sebastopol Road, Santa Rosa. Monday–Saturday, 11am–3pm and 5–9pm, and Sunday, 1–9pm. 707.523.4346. www.sazonsr.com.
THE BOHEMIAN
11.03.10-11.09.10
13
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14
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THE BOHEMIAN
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his winter, Farmstead Restaurant in St. Helena is all about family. Since the beginning of October, Farmstead has been hosting family-style dinners with varying themes as part of what it’s calling ‘Monthly Traditions.’
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On Wed., Nov. 10, Farmstead will host its third winemaker family-style dinner. Winemaker Brian Nuss from Vinoce makes an appearance at this month’s dinner, which includes wine and food. Cameron Fisher from Fisher Vineyards will be in attendance on Dec. 15 to close out Farmstead’s winemaker series. Executive Chef Seamus Feeley will prepare the dinners for both events. 738 Main St., St. Helena. 707.963.9181. $60. Help preserve Napa County’s historic landmarks at Gott’s Roadside at the Oxbow in Napa on Nov. 10. From 2pm to 9pm, Gott’s will donate 10 percent of diners’ orders to Napa County Landmarks, a nonproďŹ t historic preservation organization. A yer is not required for this event; simply mention you’re dining for Landmarks, and 10 percent of your order will automatically be donated. Kristie Sheppard, managing director of Napa County Landmarks, says the goal of this organization is to “preserve the historical and cultural landscape of Napa County.â€? Napa County Landmarks hopes to promote appreciation of historic buildings and sites by educating the public through a plethora of programs. The money that Gott’s raises will aide this foundation in educating the public through walking tours, holiday events and tours for elementary-school children. While Gott’s does many fundraising events for organizations throughout Napa County, this fundraiser in particular is special, because Gott’s is located in a historic building. 644 First St., Napa. 707.224.6900
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3ž0A64=I8> F8=4AH inetasting . . . on Cleveland Avenue? For months, this unlikely spot was like a phantom, hardly visible when motoring by on this busy frontage road. Tucked behind a bridal shop and a tobacconist, in a little retail center with views of the freeway and a cement plant out back, D’Argenzio turns out to be much like the family-run, backstreet bodegas of the old country that its decor invokes. In a courtyard bordered with a rustic glass-bottle version of wattle and daub walls, it’s the ďŹ rst tenant in what’s slated to become a little winetasting, brewing and cheesepurveying haven.
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Hailing from somewhere near the laces in the boot of Italy, these “people of silver� are more recently of the cabinetry trade, real estate and winemaking. Decorative art and assorted antiques cue to this heritage in the spacious tasting room, while the bar wraps around into an adjacent production area. Father-and-daughter team Ray and Breanna D’Argenzio entreat visitors to squeeze through a passageway that’s truly Old World narrow for a quick tour of the cellar and maybe even a glass of wildly fruity, still-fermenting moscato directly from the bin.
EAST WEST CAFE
with this coupon
2 FOR 1 DINNER WITH PURCHASE OF 2 DRINKS
Valid after 4pm. Not for take-out. Exp. 11/17/2010
128 N. Main St, Sebastopol
707.829.2822
BREAKFAST • LUNCH • DINNER
www.EastWestCafeSebastopol.com
Unlike other grapes, Muscat really has no signiďŹ cant corollary in the fruit world, be it mango, pear or whatnot. Sweetly oral and fruity, Muscat has an aroma all its own. The 2009 Napa Valley Moscato di Fresco ($20) shares such a sweet aroma, but it’s a surprise dry wine, with a buoyant ďŹ nish. The 2008 Amador County Sant’Angelo Sangiovese ($30), “by Breanna,â€? is the younger vintner’s debut. This essential Italian varietal was seen as California’s up-and-comer in the 1990s; as disappointment ever since. This one hits the spot, with bright cherry fruit animating a dense and silky body. I pitched in for a bottle of 2005 Sonoma County Cabernet Sauvignon ($40), although I thought the style a little ripe and rustic, with ďŹ g jam and honeyed raisins. But after cellaring a fresh bottle for, well, a few hours, and then sharing over a holiday horror movie later on, the Cab was drinking delish, with chocolate-powder tannin sweeping up after the black-cherry party. Headbangers, please take note: This is the place to rock your limited-release 2005 Cabernet Sauvignon ($53) dedicated to late guitarist Randy Rhoads. Roadies, check out Levi Leipheimer’s limited-edition 2007 King Ridge GranFondo Pinot Noir ($40). Palate warriors, just wander next door to Sheldon Wines, the RhĂ´ne specialist duo late of the Sebastopol caboose (Swirl, Jan. 9, 2008) who share their spanking-new sippy room with two other micro wineries (open on weekends).
SONOMA COUNTY’S ONLY GLUTEN-FREE BAKERY!
Gear up for the holidays! Call Bliss Bakery for gluten-free & food allergyfriendly catering, plus special order holiday cakes
707. 542. 6000
463 Sebastopol Ave . Santa Rosa In the South A Arts District Open Tues-Thurs 10-4 . Fri-Sat 10-9
SANTA ROSA ROSA SANTA SEAFOOD MARKET MARKET SEAFOOD Now Open Now Open
4HE "EST .EW $ISPENSARY .ORTH OF THE 'OLDEN 'ATE
Holiday hosts, take note: looks like the most up-to-date wine country backroads tour now includes the wine country’s frontage roads.
Your Local North Bay Farmers Market Vendor
Fresh Live Cooked Crab & Lobster, Smoked Fish, Local & Exotic Sushi Grade Seafood, plus the Largest Oyster Selection in Sonoma County
D’Argenzio Winery, 1301 Cleveland Ave., Santa Rosa. Open daily 11am to 5pm. $10 tasting fee. 707.280.4658.
$
5 off
James Knight
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any $25 min order
Women’s Health Specialists confidential compassionate nonjudgmental More Than Just Health Care...
707.537.1171
Retail Store Wed-Sat, 11am-6:30pm
707.280.2285 946 Santa Rosa Ave Santa Rosa corner of SR Ave & Petaluma Hill Rd
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11.03.10-11.09.10
17
32.AB?2
:8;=C>BC8;; Phillip Ladner crafts all manner of specialty liquor in Stillwater Spirits’ 500-gallon copper pot.
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B_XaXcbX]cWT<PcTaXP[F^a[S Bay Area microdistilleries cook up hand-crafted booze By Stett Holbrook
8
f all goes well, Dan Farber’s grandchildren will raise a glass and toast him for a job well done. But that’s a long way off. His kids are still in grade school and he doesn’t have any grandchildren yet. But Farber, 48, is working for the ages. The fruits of his labor are meant to outlast him. You’ve heard of slow food or even slow money. How about slow booze? Farber is part of an exploding movement of craft distillers in America who are creating small batches of distinctive, hand-made spirits that are the antithesis of the mass-produced liquor that dominates the shelves of bars and stores. And like the microbeer and premium-wine industries that came before it, craft distilling has deep roots in Northern California. Farber is a patient distiller who makes brandy, distilled from wine, under his Osocalis label in a barnlike distillery behind his house in Soquel. Like most red wine, brandy only takes on its true
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11.03.10-11.09.10
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character after years spent in oak barrels, and there’s no way to speed up the process. “The old saying is: the best time to start making brandy is 10 years ago,� says Farber, an intense, enthusiastic man with a stubbly beard who drops French words as easily as he drops the f-bomb in his New Yorker–inflected English. “It takes a really long time to make a great brandy. The brandies we make today are for sale 10 years from now.� And great brandy is what Farber has set out to make. He explains that the cool 2010 growing year is shaping up to be the best vintage in 20 years. If you’re in the market for brandy 10 years from now, keep your eye out.
Beyond the Bathtub For Stillwater Spirits’ Phillip Ladner, you could say alcohol is in his blood. A native of Mississippi, Ladner, 30, grew up near the town of Kiln, Miss., a city that was once known as the moonshine capital of the United States. His sister is vice president and marketing
manager for Broadbent Selections, an importer of small, family-owned wineries. His brother-in-law is the drinks columnist for the New York Times, and his aunt and uncle run Paso Robles’ Dubost Family Ranch winery. “If we’re not making it or selling it,� he says, “we’re drinking it.� Ladner took over distilling duties at Petaluma’s seven-year-old distillery near the Petaluma River this year. The distillery runs three stills, but the soul of the operation is a 500-gallon Armagnac-style pot still made in Kentucky. “It’s a dream of mine to have this position,� he says, before running off to check on a batch of brandy. There’s no school to be a distiller, but Stillwater offers a class in cooperation with the American Distilling Institute, a microdistilling trade group based in Hayward, to teach people the basics of the craft. (It costs $3,500.) In addition to brandy, Stillwater makes vodka, gin, grappa (brandy made from pressed wine grapes) and eau de vie. They’ve also got whiskey, bourbon and rye in the cellar that’s due to be released later this year.
Cooking with Copper At Osocalis, Farber is passionate about brandy because, in addition to producing a spirit of uncommon beauty and finesse, brandy is a way of preserving California’s agricultural lands from development. “We’re here because the fruit and climate are here,” he says. “This distillery is set up to do something well.” Osocalis, the Native American word for “Soquel,” sells three different kinds of brandy. The “rare” is at least seven years old, the “XO” is 14 years old or more, and the soon-to-bereleased “heritage” brandy is at least two decades old. (Brandies of different vintages are often blended together.) I tried all three, and my favorite is the XO. It has a softer, rounder feel in the mouth than the rare brandy, but what sets it apart are its haunting, hard-to-name flavors—dried orange? vanilla? cocoa?—and complexities. The brandy has a finish that seems to go on forever. It’s a spirit that invites contemplation about life, love and beauty. Like most distillers, Farber works alone. Distilling is a solitary job. As dusty rays of
light filter into his distillery, his moroselooking vizsla dozes on the dusty floor, occasionally snapping at a droning fly. The distillery has two copper alembic stills made in France just for him. The dark-purple, three-chambered contraption looks positively 18th-century. Indeed, the technology is ancient. Wine is heated in a boiler, and the rising vapor floats through a delicate goose neck and then passes through an Aladdin’s-lamp-like vessel called the preheater. Then it moves into a condenser; here, the vapor comes in contact with a long coil where the vapor condenses into brandy. Once that’s done, the spirit is dribbled out and then added back to the boiler to repeat the process all over again.
The roof is stained a sooty black from an alcohol-vaporloving mold.
Announcing the new
Napa Valley Film Festival Launch Celebration! November 12th - 14th, 2010
Brandy is distilled twice. It takes about 10 barrels of wine to produce one barrel of brandy and capture the essence of the wine in the spirit. Making one barrel of brandy takes about a week. After the second distillation the brandy is barreled and put into the cellar or “chai.” And there it sits. A brandy right out of the still is recognizable as brandy, but it’s clear in color and hasn’t taken on the tawny color and supple, complex flavors of well-aged brandy. A well-made brandy can age 50 years or more. “I may live long enough to see some of my brandies go to majority,” Farber says. Some of the barrels are garlanded with spider webs. The spiders eat oak-boring weevils that would otherwise endanger the spirits. In between the rows of barrels hang two legs of pork destined to be proscuitto, another one of Farber’s longterm projects. The roof of Farber’s distillery is stained a sooty black from an alcoholvapor-loving mold that’s taken up residence on the shingles, a tell-tale sign of what’s going on inside.
Family Tradition No one gets into microdistilling to make money. The money may come, but distillers are moved by a passion that calls to them. Distiller Davorin Kuchan left his career in high tech to pursue something that had deeper meaning for him. A native of Zagreb, Croatia, Kuchan spent his youth picking grapes and making wine and spirits from his family’s vineyards, sweet memories that he still savors. When his parents passed away a few years ago, he decided he wanted to preserve '%
Experience powerful Independent Films. Meet the actors, directors and filmmakers. sling s and Ryan Go Michelle WilliamLENTINE playing at the star in BLUE VAOpera House Nov 13th Napa Valley
Taste award-winning wines.
Nicole Kidman playing at the stars in RABBIT HOLE Cameo on N ov 12th
More Films: I AM • LIFTED • HAPPY POET • THE KING’S SPEECH
Stay up late for the AFTER-PARTY! (Sat. night Nov 13th at Oenotri, Gordon Huether Gallery & John Anthony Wine Lounge) Screenings at the Napa Valley Opera House and the Cameo Cinema in St. Helena Tickets on sale at www.nvoh.org and www.cameocinema.com For more details visit www.napavalleyfilmfest.org
ArtQuest
A Magnet Program for the Visual and Performing Arts @ Santa Rosa High School
Come Find Out “How to be an ArtQuest Kid!”
Student Shadowing Now thru Dec. 3 By Appointment Only
707-535-4842 7 07- 535 - 4842 1235 Mendocino 1235 Mendocino Ave. Ave. Santa S a nt a R Rosa osa 'DQFH'LJLWDO$U W V 'DQFH'LJLWDO$UWV 3KRWRJUDSK\7KHDWUH$UW 3 KRWRJUDSK\7KHDWUH$U W 9LGHR$UWV9LVXDO)LQH$UWV 9 L G H R $ U W V 9 L V X D O )L Q H $ U W V ,QVWUXPHQWDO0XVLF9RFDO0XVLF ,QVWUXPHQWDO 0XVLF 9RFDO 0XVLF
www.artquestonline.org THE BOHEMIAN
11.03.10-11.09.10
Photo by Devon Shaw
“We’re just waiting for the right flavors to come together,” Ladner says. Stillwater’s vodka is unique. It’s made with 100 percent malted barley, the same ingredient used to make whiskey. Indeed, Ladner calls it a whiskey drinker’s vodka. “We like to tell people to drink it straight up,” he says. Stillwater does custom distillations for area wineries, which may be helpful after this years’ challenging weather, as well as special projects like an Asian pear eau de vie for Gabriel Farm in Sebastopol. (The bottle itself is placed over a tree branch’s bud for the fruit to grow inside.) Conveniently, Stillwater is located right next door to specialty importer Tempus Fugit Spirits, and the two have collaborated on award-winning creations such as a 50proof liqueur de violettes. Ladner’s also been in touch with local mixologists, like Scott Beattie from Healdsburg’s recently opened Spoonbar, to ensure that quality in the still equals quality in the glass. Ladner attributes the rise in popularity of small-scale, craft distilleries to a general shift toward local, artisan-made products, be it cheese, beer or bread. “People are really wanting to do local products again,” he says. “Right now, it’s really rolling.” Penn Jensen, vice president of operations for the American Distilling Institute, says the industry is growing about 20 to 30 percent a year. When the group published its member directory in 2005, there were 69 distilleries listed. Today there are 198. He attributes the growth to lifestyle and business opportunity. “People want to know what they’re drinking,” he says. “There’s been a disavowal of the factory model of industrial food.” This shift in consciousness has sparked the imagination of creative, often iconoclastic individuals who aspire to do something different, he says. “It’s the sense of opportunity that can really fire up the entrepreneurial mind.”
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ticketing info Tickets available at Santa Rosa Ski and Sports, Tickets.com, and the Wells Fargo Center for the Arts (707.546.3600). $)3#/5.4%$ 4)#+%43
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THE BOHEMIAN
5 miles North of Ukiah Hwy 101 • West Rd. Exit
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his family’s heritage and continue making handcrafted spirits. Kuchan, who immigrated to the United States in 1985 and still has a trace of his Slavic accent, has hung pictures of his family on the walls of his Old World Spirits distillery. His work is really an ode to them, particularly his mother. Other pictures show his daughters stomping pears for his outstanding Poire William eau de vie. “This is very much a family affair,� he says. “For me, this is not what I do, it’s who I am.� All fruit is organically produced, and the distillery is certified organic. It’s hard to say what product constitutes Old World Spirits’ flagship. I tasted my way through Kuchan’s product line (at 10:30am, no less), and all of it was stunning. Kuchan says there are about 25 pounds of fruit packed into each bottle of his eau de vie. But if you’re thinking of cloying, sticky-sweet alcohol, you’re in for a delicious surprise. Kuchan makes two kinds of peach brandy and one pear brandy. Each is supremely smooth and delicate with lush, perfumed fruit f lavors and a finish that seems to go on forever. The oak-aged O’Henry peach eau de vie in particular is ridiculously good. The toasty, creamy vanilla flavors of the oak join forces with the floral, fresh fruit flavors of the peaches to make an uncommonly smooth and rich brandy. You could blend these into a cocktail, but Kuchan says he makes them to stand on their own—and that they do. His Blade gin leads with complex, clean flavors of citrus and spices instead of the forest of juniper that defines most massproduced gins. It’s refreshingly delicious. And then there’s La Sorciere, his blue and white absinthes, bewitchingly delicious spirits that feature an eerie drawing of a chalice-clutching fairy penned by his daughter. Once illegal in the United States, absinthe has enjoyed a revival, but Kuchan says he isn’t chasing trends. The herbinfused brandy has long been available in Croatia, and Kuchan says he’s simply following an old tradition. Both his white (the first of its kind in the States) and green absinthes reveal layers of aromatic, minty f lavors, but at 100 proof, they retain incredible smoothness and complexity.
Serene Discipline At a bland industrial park in Mountain View, Essential Spirits’ Dave Classick isn’t rekindling a family tradition, he’s creating one. Like Old World Spirits’ Kuchan, Classick is another high-tech refugee who longed for something more fulfilling than working for a large corporation. Classick works with his son, Dave Classick Jr., to create a line of premium spirits, vodka, rum, gin, grappa, eau de vie and bierschnaps, an obscure spirit made from faintly hopped pale ale (“It’s like drinking a six-pack in a shot glass,� he says). His dream is to create a “family distilling
dynasty.� One hundred years from now, he hopes people will still be enjoying glasses of Essential Spirits. An industrial park may seem like an inauspicious place to start, but a dynasty has to begin somewhere. All Classick’s products are made from a custom alembic still built by a thirdgeneration still maker in France. “It’s the product of a single craftsman’s hands,� he says. So are his spirits.
If you’re thinking of cloying, sticky-sweet alcohol, you’re in for a delicious surprise.
Although he looks a bit like a Jimmy Buffet fan with his bushy mustache, Hawaiian shirt, shorts and Adidas sandals, he’s as serious about the craft of distilling. In his past life, he was a quality-control and industrial engineer for HP. He’s taken the rigor that job required and applied it to distilling. “Quality begins at the beginning,� he says. “You can’t put it in later. It doesn’t work that way.� Take his grappa, for example. Most grappa I’ve tried is as rough as kerosene; it’s not worth drinking. But Classick seeks out pressed grapes from some of California’s premier wineries just after crush. From them, he makes spirits which one can actually appreciate as a product made from grapes, with delicate flavors, aromas and a finish that goes on and on. As good as the grappa is, it’s the rum that really made me sit up and take notice. Most rums are made from Central American or Caribbean molasses, but Classick makes his from molasses he gets from Kauai. He says the volcanic soil and altogether different terroir make for a deeper, richer flavor, like butterscotch. The gold rum is superb. It’s meant for sipping, not mixing. It’s not barrel-aged, but Classick dangles oak wood staves in the rum to impart color and toasty vanilla notes. The rum is called Sergeant Classic because Classick served in Vietnam, where he earned a chestful of medals, including the bronze star and the gallantry cross. His specialty was walking point on jungle patrols, a deadly job that often got people killed. Classick liked it, and he was good at it. But that was a long time ago. Now he enjoys getting up before dawn to cook up a new batch of spirits. “It’s a very serene discipline,� he says. “I usually listen to Haydn or Mozart when I’m distilling. There’s a certain mystery about it, the transformation of this fruit or grain into a magic elixir.�
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EA>><EA>>< Dottie Lux is among a new breed of modern burlesque stars transforming tradition.
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he takes the stage and begins to dance. The audience stares, transfixed, while she removes articles of clothing. As she finishes her dance with the last loincloth shed, the truth becomes apparent—she’s a he! The crowd bursts into wild applause. This is definitely not your mother’s burlesque show. When Natalie Wood portrayed famed stripper Gypsy Rose Lee in the 1962 musical Gypsy and sang the words “Let me entertain you,� could she have had any idea what form that entertainment would take today? The world of pasties and platforms has definitely evolved over the years, and nowhere are the results of that evolution more evident than in the stage antics of the Risk-A Cabaret and its monthly burlesque shows. “There are girls and boys of all shapes and sizes,� says organizer Jodi Waseca, “drag queens and kings, musicians, clowns, aerialists, fire performers, sideshow acts—you name it, it’s probably been on a modern-day burlesque stage.� Performer, choreographer and Jill-of-alltrades, Waseca organizes the monthly shows to embrace the variety and freedom modern-day burlesque allows. On Nov. 5, the Risk-A Cabaret
arrives in full glittery fury at Sebastopol’s Aubergine CafĂŠ, with this month’s theme riding on the cackling coattails of Halloween. San Francisco’s queer burlesque dance troupe the Diamond Daggers present their genderbending stylings, fire performer Max Ashley brings the heat and dancers Isis Starr, Dottie Lux, Paige Lawrence and belly-dance troupe Joweh round off the lineup, all set to the frantic beat of Gypsy-punk band Brothers Horse. Lawrence’s talents extend far beyond the anomaly of being a male belly dancer. The Bay Area–bred performer has a background in ballet and theater arts and several years spent in an industrial rock band. For Lawrence, a show commemorating the Day of the Dead is especially important. “I have a love for Dia de los Muertos, and took up belly dance as a way to work through a grieving process,â€? says Lawrence. “For me, Dia de los Muertos has become a positive way to remember the dead and to honor them.â€? This weekend, Lawrence says, he’ll perform a piece inspired by personal loss, which he hopes will bring a “dark honestyâ€? to the show. Some may assume a burlesque show is synonymous with striptease, but burlesque, both modern and classic, encompasses much more than just scantily clad women—or men. In
fact, the burlesque show recalls classic vaudeville shows of yesteryear, incorporating elements of music and comedy along with the requisite striptease. The Risk-A Cabaret is no exception, filling its stages with diverse acts and talents. “I like to think that the burlesque stages, at least in the Bay Area, are modern-day Vaudeville performances,� says Waseca. “Don’t get me wrong, stripping definitely plays a big part in burlesque. But it’s not the whole picture.� Waseca was already heavily involved in the San Francisco burlesque and belly dance scene when she brought her considerable talent to Sonoma County. Risk-A Cabaret staged its first show in April of last year, and after the Day of the Dead-ly Halloween Hangover show, the Risk-A Cabaret will be performing one more show in December before going on a hiatus. However limited the run of the Risk-A Cabaret may be, recent trends show that burlesque is here to stay, and for his part, Lawrence is excited to be part of the action. “Belly dance and burlesque are undergoing a strong and vital expansion,� he says. “This is a really great show that underscores that.� Day of the Dead-ly Halloween Hangover with the Risk-A Cabaret lets it all hang out on Friday, Nov. 5, at Aubergine After Dark Cafe. 755 Petaluma Blvd., Sebastopol. 9pm. $5–$10. 707.861.9190.
THE BOHEMIAN
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JJewish ewish Community Community Center Center
JEWISH H FILM FESTIVAL FESTI VAL A 2010 October Octob er 27 – Decembe Decemberr 7
SONOMA COUNT Y
Best Year of Engaging Films!
ALL PETALUMA SHOWS CANCELLED. PETALUMA TICKETS HONORED IN SANTA ROSA
SAVIORS IN THE NIGHT
Wed, Oct 27, 1:00 pm Sun, Nov 21, 6:30 pm NEW
CAMERA OBSCURA
Tue, Nov 16, 7:15 pm NEW Wed, Nov 17, 1:00 pm NEW
YOO-HOO, MRS. GOLDBERG
Wed, Nov 17, 4:00 pm NEW Sun, Nov 21, 8:30 pm NEW
HEY HEY IT’S ESTHER BLUEBERGER
Tues, Nov 30, 7:15 pm NEW Wed, d Dec 1, 1:00 pm
NORA’S WILL NEW DAY AND LOCATION IN SANTA ROSA!
Tue, Dec 7, 7:15 pm NEW
TTickets: ickets: 707-528-4222 707-528-4222 or www.jccsoco.org www..jcccsoco.org or buy at the theater theater on the t day of the pe performance. rformance. f $10 Matinee, $12 Evening, $8 Student Stude ent (with ID)
SANTA S ANTA RO ROSA SA S SCREENINGS: CREENINGS: Sixth Street Playhouse e 52 West West 6th St, Santa Rosa, in Historic Railroad Railroad Square Sq quare
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THE BOHEMIAN
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1;8C7430;4B?8A8C William Elsman and Liz O’Neill star in the premiere of Larry Klein’s from-the-heart drama.
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Intense but unfocused ‘Dead Man’s Wake’ revisits 1960s Mill Valley By David Templeton
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rom the opening moments of Dead Man’s Wake, a new play by Larry Klein, the pain and guilt hanging over the story’s central characters are thick enough to scoop into an ice cream cone. Based on a true story from Mill Valley in the late 1960s (though generalized enough in Klein’s script, with little sense of time and virtually no sense of Mill Valley), Dead Man’s Wake begins as various members of the Ogden family deal differently with a devastating tragedy. The potent universality of the situation is its primary asset, and audiences are sure to be moved by the strength of the production’s acting, so committed are the contributions of this very fine cast. The play, produced through the West Coast Arts Foundation, runs through Nov. 14 at San Rafael’s West End Studio Theatre. In one of the season’s most explosive performances, William Elsman plays Jess Ogden, a struggling poet hell-bent on drinking his pain away following an incident that continues to torture him. With a kind of tender self-loathing, Jess forces himself through his days, haunted—almost but not quite literally— by the memory of his novelist father, whose own pain proved too much to bear. Liz O’Neill (who also directs) is Leah, the fragile matriarch of the family, who’s channeled her own grief into a chronic, passive-aggressive interest in Jess’s literary future. As Leah, O’Neill is both steely and brittle. The play begins with the family awaiting the return of younger son Brian, who’s been serving a four-year prison term. Played by Tyler McKenna as a young man whose pain and fear are buried under a façade of strut and bluster, Brian is the catalyst for the family’s
current crisis: if the Ogdens can agree to sell their family home, he’ll be able to purchase a ranch in Montana, where he can hide from the secrets tearing at his family’s collective soul. Of course, Leah is reluctant to leave the home she shared with her late husband, even if it allows her sons a chance at a new life. Similarly resistant to pull up stakes is Andrea (played with striking clarity and openness by Chloe Bronzan), Brian’s girlfriend, who in his four-year absence has found a core of strength and selfdetermination that she’s not ready to relinquish. The rest of the cast is rounded out by a fine performance from Terry McGovern as longtime family friend with more than a passing interest in the future of the Ogden family, and Katarina Rose Fabic as one of Jess’ casual girlfriends. The acting, at times, transcends the weaknesses of Klein’s script. Though quite good at creating fully rounded characters, Klein—who has been working on this labor of love for 40 years—tries too hard to do too much. Rambling and unfocused, it often feels like an early draft of what could eventually be a truly exceptional piece of work. Structurally, the story is cleverly designed, wisely allowing the true nature of the Ogdens’ situation to unfold gradually. But there’s far too much meaningless talk in the form of disruptive and pointless exclamations nearly every time someone is trying to make a point. With the help of a good, strong editor, one who understands the tricky feat Klein has come so terribly close to accomplishing, this could eventually develop into a play that is truly extraordinary. ‘Dead Man’s Wake’ runs Friday–Sunday through Nov. 14 at the West End Studio Theatre. Friday– Saturday 8:00 pm; 2pm matinee Sunday. $25. 1554 Fourth St., San Rafael. 800.838.3006.
Contemporary/Museum Framing
Art With Attitude 10/9-11/12
Conceptual Art Gallery
707.473.9600 707.474.9600 www.hammerfriar.com
RIVERFRONT ART GALLERY
Calabi Gallery
The Landing by Jim Spitzer
Opening Sun 10/10, Reception 1-4pm 144 Petaluma Blvd N | 707.781.7070 | calabigallery.com
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BOHEMIAN READERS’ SPECIAL
2 FOR 1 READERS PASS EVERY SECOND SATURDAY
Saturday, November 13 • 1–3pm Meet Caricature Artist & Illustrator
Frank Urbaniak Mention Bohemian Readers Pass at the Front Desk for Your Discount Regular admission: $10 Adults, $5 Seniors & Children
707-579-4452 www.SchulzMuseum.org
CHARLES M. SCHULZ MUSEUM 2301 HARDIES LANE, SANTA ROSA THE BOHEMIAN
11.03.10-11.09.10
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THE STUNNING FINALE! “INDISPUTABLY TERRIFIC. NOOMI RAPACE IS HOT STUFF.�
1C1
Peter Travers, ROLLING STONE
Wed, Nov 3 8:45–9:45am; 5:45–6:45pm Jazzercise 10am–12:15pm Scottish Dance Youth and Family 7–10pm Singles & Pairs Square Dance Club 7–8:30pm Beginner Class 8:30–10pm Plus Dancing Thur, Nov 4 7:25–11pm 7:10pm 8pm
STIEG LARSSON’S
8:45–9:45am; 5:45–6:45pm Jazzercise Circle ‘n Squares Square Dance Club Beginner Round Dancing Plus Dancing
Fri, Nov 5 8:45–9:45am Jazzercise 10:30–11:30am Zumba Gold 7:15pm DJ Steve Luther hosts a WEST COAST SWING PARTY $10
Sat, Nov 6 7–11pm
Read the Alfred A. Knopf Book
www.millenniumfilmtrilogy.com
8:00–9:00am; 9:15–10:15am Jazzercise Singles & Pairs HOEDOWN
NOW PLAYING 3RD STREET CINEMA 620 Third Street, Santa Rosa (707) 522-0330
Sun, Nov 7 8:30–9:30am Jazzercise 10:30–11:30am Zumba Fitness 5–9:30pm DJ Steve Luther COUNTRY-WESTERN LESSONS & DANCING $10
Visit www.millenniumfilmtrilogy.com to enter the Visit Stieg Larsson’s Sweden Sweepstakes!
THE GIRL WHO PLAYED WITH FIRE NOW AVAILABLE on DVD, Blu-ray and VOD
Mon, Nov 8 8:45–9:45am; 5:45–6:40pm Jazzercise 7–10pm Scottish Dance
B78=8=6 A new DVD set sheds light on Charlie Chaplin’s blossoming brilliance.
Tues, Nov 9 8:45–9:45am; 5:45–6:40pm Jazzercise 7:30–9pm AFRICAN AND WORLD MUSIC DANCE featuring West African & Congolese Dance with live drumming
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Santa Rosa’s Social Hall since 1922 1400 W. College Avenue • Santa Rosa, CA 707.539.5507 • www.monroe-hall.com
Charlie Chaplin’s early years restored By Richard von Busack
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Grab your Golden Ticket and Enter the Musical Gates of the Most Marvelous, Magical, and Mysterious Chocolate Factory in the World! Recommended for age 7 and above. This is a full length, two-act play.
Nov. 26, Dec. 2 and 3 at 8 PM Nov. 27, Dec. 4 at 7 PM Nov. 27, Dec. 4 at 2 PM Nov. 28, Dec. 5 at 12 PM and 4 PM
ASL Interpreted Performance Friday, Dec. 3 at 8 PM
Santa Rosa Junior College
Burbank Auditorium, 1501 Mendocino Avenue, Santa Rosa CA 95401
Box Office: 707.527.4343 Buy Tickets Online:
www.santarosa.edu/theatrearts PARKING PERMIT REQUIRED ON-CAMPUS 7 DAYS A WEEK, 24 HOURS A DAY Roald Dahl’s WILLY WONKA is presented through special arrangement with Music Theatre International (MTI). All Authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www.MTIShows.com
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THE BOHEMIAN
ver the last century, Charlie Chaplin’s early films made at Keystone Studios were often seen in grimy, jerky prints, so dim they made the plots impossible to understand. The new fourDVD set Chaplin at Keystone sweeps away those cobwebs from Chaplin’s yearlong work at Mack Sennett’s famed studio in a restoration both welcome and impressive. On the Keystone assembly line, the custom was to make just 50 prints for the entire world market from a negative that was by no means kept pristine. It’s a testament to Chaplin’s rabid popularity that 34 of his 36 Keystone films are here and accounted for, and there’s even a recently discovered chunk of a 35th film. When Chaplin came to America, slapstick pioneer Sennett recollected that he “could fall, trip, stumble, somersault and make faces. These were stock-in-trade items that we could use. I did not see then . . . the subtleties and pathos.� Likewise, Chaplin at Keystone shows only glimpses of the later Tramp, with his insistence (as essayist Robert Warshow put it) that a clown’s sorrows are the deepest sorrows. And yet here is a silent comedian going against all grains of screen comedy of 1914. Chaplin is a man of extremes: wearing clothes too loose or too tight, with size-5 feet in size-14 shoes, wearing a mustache on a child’s face. And still, he cuts a dignified, finicky figure amid slum dwellers. Kid Auto Races at Venice marks the screen debut of the Tramp character, and must be counted as one of the first mockumentaries.
Released, says Sennett, on the same reel as a promotional film titled Olives and Their Oil, we see a soap-box derby interrupted by what seems to be a persistent amateur waddling like a penguin who can’t stop scowling into the camera. Chaplin isn’t always a tramp; at times, he appears as a well-dressed scoundrel. He and Mabel Normand are a treat in Mabel’s Busy Day, where her attempt to sell hot dogs at a racetrack is defeated by mooches on all sides. Normand works the sympathies of the crowd while surreptitiously licking mustard off her hands, and Charlie plays a thief, seizing the wieners and passing them around for free. At Keystone, Chaplin entered a world of violent slapstick and situational comedy. He left after starring in the first full-length comedy feature, Tillie’s Punctured Romance, in which a duded-up Chaplin and his girlfriend (Normand) bamboozle a wealthy heifer (Marie Dressler). The film is as knockabout as anything else on the set, with the comedic power of extended narrative visible and the limitations of the two-reel slapstick film transcended. Even before he left Keystone, Chaplin had changed the focus to a star holding the stage, slowly building a routine. If a cowboy goes off alone at the end of the movie, he learned it from Chaplin. The “delirious egotism� found in Chaplin is present in Gene Kelly and Fred Astaire. It’s found in Garbo’s close-up and in the pregnant silences of every method actor. Chaplin took what was considered hired-hand work in a novelty factory and changed it irrevocably, and Chaplin at Keystone documents that change beautifully.
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2A8<4 =>8A20A=8E0; ‘Gun Crazy,’ written by blacklisted noir screenwriter Dalton Trumbo, screens Nov. 10 at Santa Rosa Junior College Petaluma Campus. See Film listings, p31.
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N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com THE BOHEMIAN
11.03.10-11.09.10
25
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The Other Sandra
Walk Among Us The windy city gets all the luck. The Misfits, certifiably the first horror-punk band, played Chicago last week on a most appropriate day—Halloween. This week, the North Bay gets a dose of punk classics like “Skulls,� “I Turned into a Martian� and “Attitude� from the band’s heyday, along with newer, more metal-tinged material from a reunited lineup. Purists may be nonplussed by the trio led by original member Jerry Only and rounded out by onetime member Robo and Black Flag’s guitarist Dez Cadena, but let’s face it, it’s the closest anyone will get to seeing the real thing. At least until Danzig stops buying kitty litter. Go to green hell and back when the Misfits play Saturday, Nov. 6, at the Last Day Saloon. 120 Fifth St., Santa Rosa. 9pm. $30. 707.545.5876.
26
11.03.10-11.09.10
THE BOHEMIAN
Who is Sandra Valls? This much we know: in her lifetime, she’s rapped with Charo, joked about costumes with Lucy Liu and buttered up Uma Thurman. She’s been a regular at Los Angeles clubs like the Laugh Factory and the Comedy Store and appeared at LGBT pride events all over the country. The Nebraskaborn, Texas-raised comedian survived the red states of her upbringing to make it in California as the West Coast’s premier Latina lesbian standup gal, where her side-splitting theories about the female ass inspire the audience to fall in love with her every night. Count the U-Haul trucks outside when Valls performs on Saturday, Nov. 6, at the San Geronimo Community Center. 6350 Sir Francis Drake Blvd., San Geronimo. 8pm. $16–$20. 415.488.8888.
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Cleaning House There’s a family in Napa that’s headed by a dad who works part-time as a vineyard farmer, with a wife who suffers from rheumatoid arthritis and three kids with bad allergies. A home makeover with new paint and carpet is the last thing on their mind, which is exactly why the Cope Family Center in Napa has chosen to give them just that. To raise the home-improvement money, they’re holding a Fabulous Fall Vintage Fashion Show, featuring a Champagne reception and fashion show at Bloom Salon in downtown Napa and moving to Betty’s Girl Boutique for a vintage clothing trunk sale. It’s Extreme Makeover: Home Edition meets thrift-store chic on Thursday, Nov. 4, at Bloom Salon. 1146 Main St., Napa. 6:30pm. $20. 707.260.5586.
The Bubbleman While vinyl sales in the music business continue on a two-years-and-counting upward trajectory, it’s common practice now for bands both obscure and world-famous to release their music on LP or, at the least, a 45-rpm single. David J, formerly of Bauhaus and Love and Rockets, releases a two-song, colored-vinyl 7-inch record this week courtesy of Santa Rosa’s own Saint Rose Records, who have pressed up wax for local bands Victims Family, Emily Jane White and, coming soon, Polar Bears. In the tradition of Journey and Judas Priest, David J has connected with the local tribute band Luv ’n’ Rockets for occasional backing support, although this Sunday’s free in-store finds him with a piano, violin and upright bass. Swoon to the cosmopolitan sounds on Sunday, Nov. 7, at the Last Record Store. 1899-A Mendocino Ave., Santa Rosa. 7pm. Free. 707.525.1963.
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the last day saloon nightclub & restaurant OPEN AT 4 PM tHURS. - sATURDAY AND ANY DAY A SHOW IS SCHEDULED
AVAILABLE FOR PRIVATE PARTIES, BANQUETS, FUNDRAISERS AND OUTSIDE PROMOTERS 707.545.5876 11/4
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7:30 - 10:00 PM > TRIVIA
QUIZMANIAX! PUB QUIZ 11/5
9:30 PM SHOW > $10 > DANCE, ROCK
POP FICTION + DJ MATT MCKILLOP 11/6
9:00 PM SHOW > $30 > PUNK ROCK
THE MI S FIT S
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+ JUICEHEAD + PITCHFORK REBELLION 11/7
1:00 PM SHOW > $10 > DIXIELAND JAZZ
BARNEBY'S HOT FOUR + JAM SESSIONS BY T.R.A.D. J.A.S.S. ALSO 11/7 7:30 PM SHOW > $12 > AMERICANA
roger clyne & the peacemakers + STOLL VAUGHN 11/13
LCM + MILES SCHON BAND + DARKSIDE SHINE
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11/15
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+ TAKING DAWN 11/19
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11/20
+
Dirty Dub Band
7:30 PM SHOW > $8 > KRSH Hootenanny
SKIFFLE SYMPHONY THREE LEGGED S I S TER THE EA S Y LEAVE S THE DAVID LUNING BAND OLD JAWBONE
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11/26
9:30 PM SHOW > $8 > CONT. ROCK
PAT JORDAN BAND all shows are 21+ unless noted for reservations: 707.545.5876
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9:00 PM SHOW > $17/20 > Reggae
Don Carlos
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8:30 PM SHOW > $18/20 > ROCK
NONPOINT + IN THI S MOMENT
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8:30 PM SHOW > $10 > ROCK
SFARZO STRINGS & LAST DAY SALOON PRESENT
707.545.2343 F0H;>=B>D; Shooter Jennings twangs and bangs at the Mystic Theatre Nov. 7. See Concerts, adjacent.
120 5th street @ davis street santa rosa, ca
lastdaysaloon.com THE BOHEMIAN
11.03.10-11.09.10
27
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C74A4=C.C>>30<=7867
Wacky New York candidate releases full-length album about . . . you guessed it n Election Day, while voters went to the polls to make their voices heard, Jimmy McMillan went to iTunes. McMillan, the New York gubernatorial hopeful whose one-track platform and smooth-talking charisma earned instant internet fame and a Saturday Night Live spoof, is mad. Mad about the rent. It’s simply too damn high. Released digitally this week, The Rent Is Too Damn High (Vol. 1) is McMillan’s ďŹ rst full-length album, but it’s not his ďŹ rst time in the recording studio. Under the name Jimmy Mack, McMillan recorded the 1975 single “A Woman Is So Hard to Understand,â€? a bona ďŹ de yelper of a soul song that would sidle seamlessly alongside any classic Stax Records hit. His new material is more Gil Scott-Heron than Otis Redding, owing to the spoken-word aspect of his recordings, but if we’re talking inuences, McMillan also claims his main inspiration is Ronald Reagan. With titles like “R.E.N.T.,â€? “Landlord Listen Upâ€? and “When You Can’t Pay Your Rent,â€? almost every song on The Rent Is Too Damn High (Vol. 1) addresses the rising rent in New York and the city’s systematic eviction of its poor. Lest McMillan’s efforts die on the vine after Election Day, he’s also included “Rent Too High Christmas,â€? a soonto-be seasonal classic: “Santa Claus got evicted,â€? McMillan rasps, “’Cause he couldn’t pay his rent / Now he sleeping in a park, in a tent / Yeah, he homeless.â€? McMillan may be milking his 15 minutes, but he’s also helpfully reminding us that it’s just past the ďŹ rst of the month. What’s due? That’s right. The rent. Gabe Meline
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Fri & Sat, Nov 5 & 6, 6:00 & 8:30pm Sun, Nov 7 3:30 & 6:00pm only Tues, Wed & Thurs, Nov 9-10, 7:00pm
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LIVE Show- ETC! “MJ – It’s All for Love!�
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The Music & Dance of Michael Jackson Mon, Nov 8, 7:00pm Nov 13, 14 & 20, 2:00pm
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one show only
Mon, Nov 15, 7:00pm; $8
Live Show! Comedy of Henry Phillips
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Sunday, Nov 21, 7:00pm Tickets 707-996-9756 476 1st St. E. Sonoma, CA www.sebastianitheatre.com
28
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THE BOHEMIAN
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Brunch
EST. 1941
DI N N E R A N D
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LAVAY SMITH AND HER Nov 6 RED HOT SKILLET LICKERS
CHARLES NEVILLE & YOUSSOUPHE SIDIBE PLUS BABA KEN AND THE AFROBEAT CONNEXION FRI 11/19 AND SAT 11/20 8:00PM DOORS • $36 ADV/$41 DOS • 21+
A WEEKEND WITH
Sat
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Rock ‘n Roll
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TIM WEED AND FRIENDS Instrumental Virtuoso 5:00pm/In the Rancho Room
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CELEBRATES THE MUSIC OF EMERSON LAKE & PALMER
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JOHNNY ALLAIR’S
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12th Anniversary Weekend Thur SPECIAL 12TH ANNIVERSARY Nov 18 SHOW 8:00pm
THE BLUES BROADS Nov 19 8:30pm Fri
Nov 20
The Amazing
Sun
THE SEDUCERS
Sat
Nov 21
FRI 11/26 • 7:00PM DOORS • $26 • 21+
NEW RIDERS OF THE PURPLE SAGE SAT 11/27 • 7:00PM DOORS • $21 • 21+ BLUES
ROY ROGERS & THE DELTA RHYTHM KINGS SAT 12/3 • 7:30PM DOORS • $23 ADV/$26 DOS • 21+
ACOUSTIC ELECTRIC
DEANNA BOGART
DICK DALE
Wild Boogie Woogie Piano, Saxophone Original, Soulful Vocals 8:30pm Will Make You Smile 4:00pm / In the Bar
TH AN KS GIVI NG DI NNE R Thurs, Nov 26, Noon -7pm
415.662.2219
On the Town Square, Nicasio www.ranchonicasio.com
WITH JIMMY DALE
For All Ages Shows • No Children Under 10 Allowed
23 Petaluma Blvd, Petaluma
707-765-2121 www.mcnears.com THE BOHEMIAN
11.03.10-11.09.10
29
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A>2:A>H0;CH½BA>>BC George’s new owner Todd Ghanizadeh has renovated the San Rafael fixture in a long-awaited reopening.
9d\_X]½Pc6T^aVT½b San Rafael nightclub returns to its roots
By Bruce Robinson
6
eorge’s is open again, but it isn’t “new� anymore. The much-missed live music venue formerly known as New George’s stood vacant for seven long years before it reopened just last month, with the tribute bands Petty Theft and the Unauthorized Rolling Stones providing an unabashed linkage to the club’s rock ’n’ roll heyday. “I immediately called and said I wanted to play again,� enthuses longtime Marin rocker and frontman for Mr. Big, Eric Martin. I “probably played there about a hundred times� in the 1980s and ’90s, he adds. “Almost every day they had a local band playing. It was wonderful.� In the heart of downtown San Rafael, the original George’s began life as a pool hall back in the 1920s, going through incarnations as a bar and even a bowling alley before it turned into a lively and beloved rock ’n’ roll emporium in the late 1970s, rechristened then as New George’s. During the 26-year run of glory that ensued, New George’s played host to most of the Bay Area’s rock royalty. Santana, Jefferson Airplane, the Dead, Chris Isaak, Bonnie Raitt and Huey Lewis & the News were among the many familiar names to hold forth from the small stage at the back of the intimate club, often paired with the many homegrown acts who f leshed out the rest of the club’s schedule. Ultimately, however, New George’s limped to a close in 2003, the victim of economics and changing entertainment tastes. Despite rumors and a false start or
Box OfďŹ ce 707 523 4185, ext. 1 52 West 6th Street Santa Rosa, CA 95401
6thStreetPlayhouse.com 30
11.03.10-11.09.10
THE BOHEMIAN
two, it remained dark for the next seven years. After plans to reopen New George’s as a northern outpost of the San Francisco jazz club Kimball’s never quite materialized, this new version with the original old name is the handiwork of a homegrown family firm led by 40-year-old Todd Ghanizadeh, a San Rafael high grad and former ballet dancer. “It was in Todd’s mind for about a year. He’s crazy about music,� explains Jackie Ghanizadeh, Todd’s mother and CFO of the recently renovated and revived George’s, which now boasts a sleek retro look and feel intended to evoke the club’s earliest years. The remodel took about a year and a half and cost roughly $500,000. The 5,200-square-foot facility can accommodate nearly 300 patrons, with cabaret seating for 187 and room for more at the 30-foot mahogany bar near the entrance. A modest menu for light eating is offered, though manager Paul Fernandes clarifies, “We’re not trying to be a restaurant at all.� Open with live music Wednesday through Sunday nights, the calendar leans heavily on “people who have played here in the past,� Fernandes adds. Among them are the reconvened 1980s-era Eric Martin Band, who returned to the club last Saturday. “There are no peanut shells on the ground anymore,� Martin says. “It used to be a rockin,’ bawdy kind of place. It’s kinda classy now. But it still rocks. And the sound system is brilliant, way better than it used to be.� American Drag play Nov. 5 (8:30pm; $10–$13), and the Bob Hill Band and Flanelhed play Nov. 6 (9pm; $10–$13) at George’s Nightclub, 842 Fourth St., San Rafael. 415.226.0262.
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Grateful Dead drummer Mickey Hart opens art show at Stanley Mouse’s gallery ickey Hart was never just the drummer for the Grateful Dead. In the past few decades, Hart, who hangs his hat in west Sonoma County, has worn many. He’s been an focused solo recording artist, in particular with the outstanding Planet Drum album. He’s been an activist, most recently by staging a $5,000 contest to create an effective video in support of State Parks funding via Prop. 21. He’s been an author, notably of drum bibles such as Drumming at the Edge of Magic. Visual art hadn’t much crossed his mind until his longtime drum tech Lawrence “Ram Rodâ€? Shurtliff died, and that’s when grief resulted in inspiration. A series of wood sculptures followed, with some watercolor gouache for good measure. Art shows followed. But Hart wasn’t done yet. Now pouring paint Ă la Jackson Pollock (detail from The Foot of God, above), Hart’s newest works elicit what he calls “the wonder of chaos and the flow—all the glorious symmetry in one.â€? It’s fitting that Hart’s first show of these new works is at Rockin’ Roses gallery in Healdsburg, owned by artist and local legend Stanley Mouse. The creator of countless posters, album jackets and logos from the Bay Area’s psychedelic age, including the iconic skull and roses for the Dead, Mouse last month christened his new space with works by Jefferson Airplane singer Grace Slick (through Nov. 23). With Mickey Hart up next, a theme seems to be developing. Next up: Owsley comes out of hiding for an exhibition of surrealist acrylics? One can dream. Mickey Hart and Stanley Mouse host a reception for Hart’s new paintings on Saturday, Nov. 6, at Rockin’ Roses Gallery. 243-B Healdsburg Ave., Healdsburg. 6–9pm. Free. 707.433.6400. Gabe Meline
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32
11.03.10-11.09.10
THE BOHEMIAN
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Petaluma Lavender Day Spa
SUMMER SPECIAL $50 • NEW Foot Reflexology Treatment • Excellent Massage • Relaxing Body Treatments • Large Finnish Steam Sauna • Easy & Safe Parking
Walk ins Welcome
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Rocks and Clouds Zendo - Rohatsu Sesshin 7 Day Meditation Retreat. Fri Dec 3 - Fri Dec 10. Email us with any questions: daterra@sonic.net or call 707-824-5647
thru Nov. 30th
Walking Your Own Path to the Divine Nov. 7 2010, 1-4pm, $25. Based on her book The Unorthodox Life, Rev. Kathy McCall will encourage you to traverse four stages of the spiritual path, in order to discover the treasure of your unique mystical awakening. Unity Church of Santa Rosa Non-traditional. Inter-denominational. A spiritually-minded community. 4857 Old Redwood Hwy 707-542-7729 www.UnityofSantaRosa.org
Margery Smith, C.M.T.
707.544.9642
at Washington St
SPIRITUAL CONNECTIONS
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Finding inspiration and connecting with your community Unity Church of Santa Rosa - Sunday School & Service 10:30am
Grand Opening Special!
Non-traditional. Inter-denominational. A spiritually-minded community. 4857 Old Redwood Hwy, 707.542.7729
chair massage with foot bath - $25/30 min
The Journey Center: A Place for Transformation Resources for your spiritual journey (ancient prayer/meditation practices, workshops/retreats, spiritual direction, art gallery, reading room, bodywork). 1601 Fourth Street, Santa Rosa, www.journeycenter.org 707.578.2121
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11.03.10-11.09.10
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707.765.1879
34
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Foot Massage $19.99/45 min 2460 Mendocino Ave., Santa Rosa
Using insight, humor, an a d myth, Revv. Kathy McCall wil w l encourag ge you g y to traverse e 4 stages g off the spiritual p path in order r to discoverr the treasure o of your unique mysttical awakening. g Rev. Kathy iss the author of The Unortthodox Life: Walkin a g Yo our Own n Path to the Divine
No ovember o e ber 7, 2010 00 10:30am Sunday Service Lesson: Story Poower 11:30am Book Signing 1 1:00-4:00 pm Workshop
The Beguines: Women in Community Join Father Terry Ryan, C.S.P. for a look at these 13th century women who formed communities based on prayer and service. Sat, Nov 13, 10a-1pm, Journey Center, 707-578-2121, www.journeycenter.org.
$335 with book, $225 without Mention ad for $5 $ offf workshop price. U Unity Church of Santa Rosa weelcomes you! 4857 Old Redwood Hwy | 707-5420 7729 | www.UnityofSantaRossa.org
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THE BOHEMIAN
11.03.10-11.09.10
35
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