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THIS T HIS M MODERN ODERN W WORLD ORLD

9p 9 pT TOM OM T TOMOROW O M O R OW

I SAW YOU

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

Rail Rescue @jXnpflfek_\jflk_Yfle[      8dkiXbkiX`e%K_\i\nXjXdXe      cp`e^`ek_\X`jc\#fYm`fljcp     [ilebXe[lei\jgfej`m\%   K_\Xkk\e[Xekk_i\Xk\e\[   _`dn`k_k_\gfc`Z\2fk_\i     gXjj\e^\ijXjb\[kfY\dfm\[     kfXefk_\iZXi2jk`ccfk_\ij#     c`b\dpj\c]#Z_fj\kf`^efi\     k_\j`klXk`fe%Pfln\i\k_\     pfle^dXe`e[i\X[cfZbj    n_fj_fn\[ZfeZ\ieXe[    ki`\[kfZfddle`ZXk\n`k_    _`diXk_\ik_XedXb\    Xjjldgk`fej%PfliXZk`fej   i\jlck\[`eXelejZ_\[lc\[    jkfgkfd\\kgXiXd\[`Zj#    iXk_\ik_XeZXcc`e^gfc`Z\kf     d\\klj`eJXeAfj\%K_`jdXe       dXpefk_Xm\dX[\`kk_Xk]Xi#       j`eZ\_\_X[jl]]\i\[n_Xk     dXpY\X[`XY\k`Z\m\ekXe[      nXjleXYc\kfZfddle`ZXk\%@     c\Xie\[Xe`dgfikXekc\jjfe    k_Xkdfie`e^Xj@Êdjli\[`[      fk_\ij%K_Xebpfl%  

COMMENTS LLetters@metronews.com etters@metronews.com Metro welcomess letters. Like any gr Metro great eat work should of art, they shou uld be originals—not copies elsewhere. of material sent elsewher e. Please include your name, city of rresidence esidence and daytime number. telephone numb ber. (Phone number will published.) not be published d.) Letters may be edited correct ffor or length and cclarity larity or to cor rect ffactual actual inaccuracies known inaccur acies kno own to us. SanJoseInside = SanJose Inside

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Est-imate Est-ima ate In h In his is book book rreview eview o off Lynn Lynn Rogers Rogers Lit, ((“Localized “Localized L it,” Silicon Silicon Alleys, Alleys, Oct. Oct. 13), 13), Gary Singh made G ary S ingh m ade some some unfortunate unfortunate rreference eference to to the the self-transformational self-transformational sslop” lop” of of Werner Werner Erhard’s Erhard’s Est Est Training. Training. quite apparent IItt is is q uite ap pparent from from tthis his reference reference

to a program to program tthat hat ttransformed ransformed tthe he off o over half million people llives ives o ver h alf a m illion p eople worldwide w orldwide tthat hat M Mr. r. S Singh ingh h has ass n never ever ttaken aken tthe ak he ttraining raining aand nd k knows nows n nothing othing aabout bout iitt o orr o off W Werner erner E Erhard, rharrd, tthe he m man an who w ho m made ad de iitt p possible ossible ffor or tthousands housands upon u pon tthousands housands o off p people eople tto o llive ive a happier h appier an ap and nd m more ore ffulfilled ulfilled llife. ife. HO WARD A SCHU MANN | VVANCOUVER, ANCOUVERR, B. C. HOWARD SCHUMANN B.C.

Piling P iling O Onn Anyone A nyone eelse lse n notice otice tthat hat the the main main point point off G o Gary ary S Singh’s ingh’s aarticles rticles iiss tto op portray ortray M Mr. r. Singh S ingh aass a ttortured ortured iintellectual ntellectual aand nd aan n outsider o utsider aahead head o off h his is ttime? ime? His His writing writing iiss llittered ittered w with ith p personal ersonal aanecdotes necdotes aand nd declarations d eclarations aabout bout h himself imself tthat hat aare re aatt best b est p peripherally eripherally rrelated elated tto o tthe he aarticle’s rticle’s ttopic. opic. IIn nap piece iece o on n tthe he D Dalai alai L Lama ama (Silicon (S Silicon A Alleys, lleys, O Oct. ct. 6 6), ), h hee tthrows hrows iin n

off h his own Buddha-like aan n aaccount ccount o is o wn B uddha-like meditations on off F Frontier m editations o n tthe he lloss oss o rontier Village, unrelated V illage, aand nd llists ists u nrelated ttopics opics tthat hat hee ““yakked” over h yakked” aabout bout o ver ccoffee, off ffeee, jjust, ust, one demonstrate what o ne ssuspects, uspects, tto od emonstrate w hat hee h has. iinteresting nteresting cconversations onversations h as. IIn n an an 011 ffestival, hee ttells uss aarticle rticle aabout bout tthe he 0 estival, h ells u what hee w was his 20s w hat h as doing doing iin nh is 2 0s aand nd 30s. 30s. Mr. Singh, hanging M r. S ingh, h anging out out with with aartists rtists and an nd iintellectuals ntellectuals doesn’t doesn’t make make you you one. Having o ne. H aving the the luxury luxury to to avoid avoid cconventional onventional eemployment mployment iin n eearly arly adulthood ad dulthood doesn’t doesn’t make make yyou ou a rrebel, ebel, and one obscure an nd jjumping umping ffrom rom o ne o bscure pursuit p ursuit to to another another doesn’t doesn’t make mak ke you you man. Growing up a rrenaissance enaissance m an. G rowing u p iin na boring and b oring ssuburb uburb an nd suffering suff ffeering the the loss loss off F Frontier o rontier Village Village doesn’t doesn’t constitute constitute would a ttraumatic raumatic cchildhood. hildhood. I w ould llove ove arts, and tto o rread ead aabout bout llocal ocal ar rts, cculture ulture an nd quirky historical q uirky h istoricall llandmarks an ndmarks without without being b eing forced forced to to read read d about ab bout how how

awesome Garyy Singh g is. Please, Gary, y write jjust ust w rite aabout bout yyour our ssubject ubject matter. matter. And being possessive A nd sstop top b eing so so p ossessive of of 01. 01. MA GGIE ZAP ADI | SSAN AN JO SE MAGGIE ZAPADI JOSE LLast ast w eek, tthe he D alai LLama ama ggave ave week, Dalai a tteaching eaching oon nT he EEight ight V erses ffor or The Verses Training Mind. The fifth verse T raining tthe he M ind. T he fi ft fthh v erse ssays: ays: When treat mee W hen oothers, thers, oout ut ooff jjealousy, ealousy, tr reat m wrongly w rongly with with abuse, abuse, slander slander aand nd sscorn, corn, may upon myself m ay I ttake ake u po p nm yselff tthe he ddefeat, efeat, aand nd victory. —Gary ooffer ffeer ttoo oothers ff thers tthe he v ictory. — Gary SSingh ingh

Party P arty ty Number N Numbers b s When S When Sarah arah P Palin alin ssays ays C California allifornia iiss a policies, ““case casse sstudy tudy iin n ffailed ailed lliberal iberal p olicies,” do d o you you think think she’s she’s aaware ware tthat hatt ffor or 233 o off the 277 yyears, been 2 the past passt 2 ears, we’ve we’ve b een byy R Republicans? ggoverned overned b epublican ns? P ETER K UCHENBROD | SSAN AN JJOSE OSE PETER KUCHENBROD


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SVNEWS

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But Pegram’s own financial history does not demonstrate the kind of business record that inspires trust in managing the people’s money. His recently-publicized 1996

bankruptcy, during which he either purposely or inadvertently filed under the name “Lawrence Pellman,” appears to be just one chapter in a checkered career. Three years before filing for bankruptcy, Pegram created a partnership with a name incorporating his initials, LRP Realty. Using contacts with the San Jose Rotary Club, he stitched together a group of associates to buy two apartment complexes in Concord, according to Dan McDonald, a retired insurance man and longtime Rotarian. “The idea was to clean them up, fix them up, get the rents up and then resell them,” McDonald recalls. Within 18 months, both apartments faced foreclosure. “Larry ran the properties into the ground,” McDonald says. “It was really mismanaged. And there was a lot of money unaccounted for.” McDonald, who has invested in local

businesses, including Metro, says he had to take over one of the apartments in order to rescue the deal. He says he provided funds to Pegram, mistakenly believing that the other partners, many of whom were longtime friends, would recover some of their investment out of the transaction. “I paid off the loans, and subsequently gave Larry a check for something like $25,000,” McDonald recalls. “He was supposed to take that money and distribute it to the partners. And he never did that.” Pegram confirms most of McDonald’s account, pointing out that the deal happened almost 20 years ago and he therefore does not recall the details. “If he gave me a check, he didn’t give it to me personally,” Pegram says, explaining that while he handled the transaction, the check “was made out to the partners and not to me.” “The money would have been used to satisfy the obligations of the partnership.” He says he lost at least $25,000 on the deal himself, though he took some management fees. McDonald says none of the partners ever took legal action against Pegram because the amounts weren’t big enough to justify litigation expenses, and they knew he was broke. “I guess we all figured, why beat up on the guy?” McDonald, a notoriously pleasant and soft-spoken man who by all accounts never has a bad word to say about anyone, is blunt in his assessment of Pegram. “I think he’s an incompetent shyster,” McDonald says. “Larry Pegram has the unique ability to look you in the eye and lie.” In response, Pegram says he considers McDonald a friend: “I know of no instance when I was untruthful with Mr. McDonald.” Following LRP, Pegram became a financial planner for World Financial Group, a multi-level marketing company which, during the time Pegram worked there, was repeatedly charged with fraud and misrepresentation, and was the subject of several class action lawsuits and disciplinary action from the National Association Of Securities Dealers. (The company has since been sold to a new owner and reportedly cleaned up its act.)

Moving Target Pegram, 65, has hop-scotched though various careers in the 46 years he has been in San Jose. Throughout that time, he has found himself in various forms of trouble, and not just because of his radical political views. After serving for seven years on the San Jose police force, Pegram was elected to the City Council in 1974. There, he became known as one of the “Fearsome Foursome” along with David Runyon, Joe Colla and Al Garza. This developer-friendly voting bloc forced a controlled-growth city manager from office before being brought up on bribery charges. Pegram was never charged with any wrongdoing, but Garza was indicted and convicted of charges that involved an envelope of cash. Runyon was arrested and forced to quit the council for drunken indiscretions. Colla and Pegram faded from public view. Ex-mayor Tom McEnery, a member of the planning commission who had clashed with the Fearsome Foursome over its sprawl-friendly agenda, was appointed to take over Runyon’s seat. McEnery says Pegram and his cohorts had “a kind of pay-to-play mentality” with regards to developers. “They wanted San Jose to have very relaxed development policies, and that was exactly the wrong direction the city needed to go in,” McEnery says. “They weren’t concerned with building San Jose’s tax base. They were more concerned with accommodating developers and sprawl.” When asked for his opinion about why the Fearsome Four were so chummy with development interests, McEnery invokes the old adage: “Follow the money,” he says. McEnery, who famously reversed the city’s economic development policies during his two terms as mayor, says he understands why his friend, Mayor Chuck Reed, endorsed Pegram despite his controversial history. Reed sees himself as locked in a battle with public employee unions, and Pegram has been their harshest critic—although his opponent, Donald Rocha, has recently demonstrated an independent streak, breaking with labor to endorse unionopposed Measures V and W. “I think Chuck looks at Pegram the way FDR and Churchill looked at Stalin,” McEnery says, quoting Roosevelt: “’He may be a son of a bitch, but he’s our son of a bitch.’”


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Felipe B Buitrago uitrago

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SVNEWS

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through iintermediaries through ntermediarries that that tthere’s here’s no rreason eason ffor o or him to aaddress ddress the issue issue.. The raid w was as par partt off an ongoing probe p robe iinto nto $ $400,000 400,000 of of missing missing eemployee mployee p pension ension ffunds unds aatt a charter charter school operated byy MA MACSA. scho ol op erated b ACSA. With W ith lless ess tthan han ttwo wo w weeks eeks lleft eft u until ntil the election, C Campos ampos will w address address the issue only thr through ough h an aide to his sister sister,, N Nora ora C Campos, ampos o , the curr current ent District 5 ccouncilmember. ouncilmem mber. R olando o Bonilla, Nora Nora o C ampos’ Rolando Campos’ media m edia director, director, ssays ays tthat hat X Xavier avier Campos C ampos has no responsibility respon nsibility to sspeak peak k to to tthe he ssubject. ubject. B Bonilla onilla ssays ays tthe he whole w hole sscandal candal iiss being being drummed drummed up up byy “p b “political olitical hacks” at the t San JJose ose Silicon Silic on V Valley aalley Chamb Chamber e of C er Commerce. ommerce. ““[Xavier] [Xavier] iiss in in a place place where where he he has time and time again agaiin answered answered questions,, [but] never questions never to the ssatisfaction attisfaction of of those those asking, assking,” Bonilla Bonilla doesn’t ssays. ays. ““He He d oesn’t refuse—it’s refuse—it’s jjust ust tthat hat

wants accept answer. no one w ants to ac cept his ans wer. Our want O ur eenemies nemies ffor or ssure ure w ant ssomehow omehow partake that we pa artake in their cconcoction. oncoction. That’s happen. Th That ’s just j not going i to happ h en.” Campos, who declined bee C ampos, w ho has has d eclined tto ob interviewed byy Met Metro inter vieweed b ro tthree hree ttimes imes iin n weeks,, has not in fact the past ttwo w weeks wo questions aanswered nswered aany ny q uestions ““time time aand nd again. Metro only find time again n.” Met ro ccould ould o nly fi nd a handful off p published on h andful o ublished sstatements tatements o n the topic from from the candidate. candidate. On May Campos O nM ay 116, 6, C am mpos ttold old tthe he Mercury News hee ““wasn’t Mer curry Ne ws tthat hat h wassn’t delaying payment iinvolved nvolved iin nd elaying p ayment tto o tthe he and rretirement etirement aaccounts, ccounts,” an nd iinsisted nsisted COO was that his rrole OO w as limited to olle as C implementing after-school implemen ting after -school and antiprograms. May Merc gang pr ogrrams. On Ma ay 11, the M erc wrote Campos “says was wr ote thatt C ampos “sa ayys he w aas aware aware off MACSA problems but o MACSA ‘s ‘s cash-flow cash-flow p roblems b ut diversion funds..” not the div version of funds On Sept. nine-page off O nS ept. 115, 5, a n ine-page aaudit udit o Campos’ time MACSA was C ampos’ tim me at MA ACS CSA w aas rreleased. eleased. Compiled byy iindependent C ompiled b ndependent iinvestigators nvestigators Fiscal Crisis Management Assistance F iscal C risis & M anagement A ssistance Team T eam aand nd ccommissioned ommissioned by by tthe he Chamber off C Commerce, C hamber o ommerce, tthe he sstudy tudy Campos had ccontained ontained eevidence vidence tthat hat C ampos h ad fiduciaryy rresponsibilities MACSA. fiduciar e onsibilities at MA esp CS SA A. “investigatory It cconcluded oncludeed that “in nveestigatory documents d ocuments . . . raise raise significant significant questions q uestions as as to to the the ttruthfulness ruthfulness of of his his

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statements Jose Mercury statements a to the SSan an J ose M ercury News.” Ne News. Following tthe he Oct. Oct. 14 14 raid, raid, Campos Campo p s Following to old the Mer rc that he felt feelt “vindicated” “vindicateed” told Merc by the the fact fact that that he he has has not not been been named named by suspect. S anta C lara C ounty D istrict a suspect. Santa Clara County District Attorney’s sspokeswoman pokeswoman A my C ornell Attorney’s Amy Cornell confirms tthat hat C ampos iiss n ot ccurrently urrently confirms Campos not ect, but emphasizes that the ccase ase a susp suspect, is ongoing, ongoing, an nd tthat hat iinvestigators nvestigators aare re is and still entrenched entrenched in in exploring exploring tthe he seized seized still evidenc v e. evidence. “Since “Since it is a pending pending investigation, in nvestigation, we are are n ot able ab ble tto od iscuss specifically specifical ally we not discuss w we ar oking ffor, or,” C o ornell sa ssays. ayys. what aree lo looking Cornell “What “What happens happens in in any any investigation investigattion is tthat hat w will gather gather the the information information is wee will

that is needed to rreview eview and make make an aappropriate ppropriate fi ling d ecision, whether whether tto o filing decision, fi le ccharges harges o ot fi le ccharges. harrges. T hat’s file orr n not file That’s what will happen happen here here as well.” C ampos’ City City Council Counccil opponent, opponent, Campos’ Magdalena Carrasco, Carrasco, has h demanded that he rremove emove himsel lf fr om the rac himself from racee and dir ectly addr ess the he issue at a th directly address public forum. fo orum. U nsurprisingly, Campos Cam mpos has has not not Unsurprisingly, rresponded. esponded. C arrassco ssays ays she she believes believes Carrasco iindictments ndictments are are iimminent mminent in in this this says ccase, ase, based on the ffeedback eeedback she sa ayys sshe’s he’s ggotten otten ffrom rom fformer ormer M ACSA MACSA emplo yeees in rrecent ecent w eeks. employees weeks. that [Campos’] “My rresponse esponse is tha at [C ampos’] ffeeling eeeling of vindic ation is i shor vindication shortt sighted,”” C arrasco sa ayys. “It ’s an Carrasco says. “It’s in vestigation in pr ogress e .” investigation progress.”

Bonilla sa ssays ayys that C Campos ampos is b being eing ttreated reated u nfairly b he m edia, w ho h ave unfairly byy tthe media, who have endorsed Carrasco race. widely end dorsed C arrasco in the rac e. mee aask where ““Let Le t m sk yyou ou tthis, h i s, w here iiss the full pa age eexpose xp ose on the fact page Magdalena didn’t that Magd dalena didn ’t payy her ttaxes axes ffor or se o sseveral veral yyears?” ears?” Bonilla asks.. “Or the didn’t asks t fact that she didn ’t pay her orr tthe p ayy h er ggarbage, a r b a g e, o h e ffact a c t tthat hat libraryy ffees. she didn’t didn’tt payy her librar eees. Where’s that story?” Wher e’s th hat stor y?” Carrasco filed Chapter C arrasco ofi led ffor or C hapter 1133 bankruptcy five b ankruptcy fi ve yyears ears aago, go, o aand nd did not file d id n ot fi le iincome ncome ttax ax rreturns eturns during which ffor or sseveral everal years ye a r s d uring w hich she she was parents. w as ccaring aringg ffor or o her elderly par ents. When did file, did not W hen sshe he d id fi le, sshe he d id n ot owe back She has been o we aany ny b ack ttaxes. axes. S he h as b een open discussing moneyy op en in di iscussing her past mone problems. pr oblems.

MARK ACHILLI MURDER TRIAL

Rosen’s Last Stand In a small courtroom on the fifth floor of the Hall of Justice, Jeff Rosen made the final arguments of his last trial as a hands-on prosecutor on Tuesday. With thin fingers, he karate-chopped the air like a symphony conductor cueing the string, brass and percussion sections, except the players here were three accused murderers. “The buyer, the middleman, the hit man,” he called them. Rosen won’t engage in retail justice anymore when he takes wholesale control of the District Attorney’s office in January. It’s uncommon to witness an elected DA in a jurisdiction as big as Santa Clara County, the nation’s 17th biggest, actually practicing his craft. And it’s probably just as rare for a government attorney to plead his case to the jury box, then pack his briefcase and head directly to the corner office. His opponent Dolores Carr derisively characterized Rosen as “four levels below me,” just before he unseated her. Relaxed and precise, Rosen introduced his thesis: ”Obsession. Control. Anger. Murder.” Rosen remained disciplined as he dissected the conspiracy, the evidence and points of law for the jury. He made spare use of theatrical flourishes or vocal acrobatics as he calmly moved through a Powerpoint presentation. The brutality of the crime spoke for itself when he showed pictures of former Los Gatos restaurateur and bar owner Mark Achilli’s blood-soaked body on the asphalt, then followed with autopsy shots of gunshot wounds in Achilli’s head, chest, arm and leg. Achilli’s widow began to cry. She dropped her face into her hands, sobbed some more and left the courtroom. Accused mastermind Paul Garcia looked like an

attorney in wire frame glasses, a crisp white collar rising above his tailored black suit. Garcia continuously scribbled on a lined yellow pad. Behind him, in the audience, his mother sat. From time to time she took notes with a purple eraser capped pencil and stared down spectators with her large brown eyes. If the jury accepts Rosen’s pitch of “a love triangle that led to a murder for hire” and the evidence is convincing, he’ll secure his last conviction. His memories of poring through exhibits and making arguments will still be fresh when he transfers to the high-backed chair, without having dulled his combat skills in a judge’s robe or a middle management desk job, as is customary. His meteoric rise and command of detail betray his intellect, but he communicates with disarming normalcy in street language to make points. Rosen quotes witness Ali Aminihohar’s recollection of Garcia saying Achilli “doesn’t know who he’s fucking with” and mentions a “late night booty call,” a “pissed off ” girlfriend and an object of his affections who “blows him off.” He projects images of Garcia’s lovelorn text messages to the girlfriend he shared with Achilli. “Come over and stay w/me…. call me --answer your phone….” “She’s playing you,” Rosen advises the text messager. “Move on!” The March 9 and 10, 2008 messages were followed by cash withdrawals, wired money the shooting of Achilli on March 14. Left behind was a trail of evidence that included DNA in a black LA Dodgers baseball cap, a bullet clip, printed directions from Burbank to the victim’s Los Gatos townhome and a torn page with Achilli’s photo from a Metro story on the web. Rosen thanked the jury and rested his case. Mark Achilli’s ashes will soon find a resting place on the beach near the 17th hole at Pebble Beach, a friend of the late businessman said. —Dan Pulcrano


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sv 411.com Fear and Loathing At the WSJ AHHHHHHhhhahhhaha! All anyone was talking about Monday was the series of articles that the Wall Street Journal has written about a “Privacy Breach” at Facebook, front page above the fold stuff, all the fruit of a “Wall Street Journal investigation.”

which can contain profile IDs. Which can then be used to look up users. And whatever information that user has in his or her public profile can then be scraped and added to a database. And then . . . well, nothing. It’s in a database. And theoretically can be used to target ads to you. Is this a real problem? No. Are lots of people freaking out because they have no idea what referrer IDs are but trust the WSJ to tell them when they need to be concerned? Yes. Will a bunch of attorneys general with aspirations for the Senate launch an investigation on this? Probably.

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We’ll put aside the fact that no mention was made of the Wall Street Journal’s sister company and Facebook competitor MySpace. Most people in tech, let alone the general population, have no idea what the article is even about. But even the top paragraph summary, when read carefully, is a snoozer:

Is it a webwide “problem,” not just a Facebook problem? Yes. Would we mock one of our own writers on Yammer if they said they wanted to write this story? A lot. If you do stuff online, people are tracking it and putting it into a database and trying to sell you stuff based on that. There’s not much you can do about it except not be online. And it’s not all that bad, really, to get ads for diapers when you’re having a baby, or ads for cars when you are looking to buy a car. — MICHAEL ARRINGTON,

nick I have to wonder if it’s a coincidence that the WSJ, with its direct subscription monetization model, is stirring up fear against the processes and players of the ad-supported web model. Greg M Actually, if you look at the entire series of articles the WSJ has been running about “What they know” online it’s a very impressive bit of journalism that is bringing accountability to the online world. idontknowhowtousetheinternet You mean what I do online isn’t private? . . . Is someone reading this comment right now?! marybaum I can be on the Microcenter site, or iFixit, looking at hardware parts. And there come my ads for j. jill and Talbots Woman! Like, no matter how geeky I get those referrers are always going to know I’m a plussized, middle-aged woman, and follow me around with my fat jeans and sensible sweaters. anon Is talking like this one of the lamest rhetorical devices ever? Yes. Does it sound stupid every time someone does it? Yes. Will that ever stop people from doing it? No. billy bob What’s facebook?

TECHCRUNCH.COM

“Many of the most popular applications, or “apps,” on the social-networking site Facebook Inc. have been transmitting identifying information—in effect, providing access to people’s names and, in some cases, their friends’ names—to dozens of advertising and Internet tracking companies, a Wall Street Journal investigation has found.” Yes, that’s what this is all about. Sometimes identifying information about you—your name and maybe your friends’ names—is theoretically being passed on from Facebook to apps and then to advertising networks. Along the way it’s being stored by various companies that are in the business of gathering data about people to resell to others, chiefly Rapleaf. The way this is being done is via referrer URLs (99 percent of the general population just got lost on what those are),

MG Siegler That’s it. I’m quitting Facebook. For at least a week. Until I decide to join again. But for now I’m totally quitting. This is the last final last straw!!!! Samir My favorite thing is that people continue to complain about Facebook making money off of them. Facebook spends millions of dollars to offer you people a free service to post their pics and brag about their social lives and people have the nerve to complain that Facebook is trying to use their info. JKT Sorry, but yes this is a big deal. If someone says your data is private and then that data gets out, a wrong has been done. You apparently have no sense of privacy but some of us do.

How to Stop Facebook From Sharing Your Information According to a new report in the Wall Street Journal, nearly all of the most popular apps on Facebook— including Farmville, Causes and Quiz Planet—have been sharing users’ information with advertising and tracking companies. Here’s how to stop them. The problem, reports the Journal’s Emily Steele, is that the Facebook apps were—possibly inadvertently—revealing the


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addresses of users’ Facebook pages, which contain the users’ unique Facebook IDs, and in some cases, their names. The information being transmitted is one of Facebook’s basic building blocks: the unique “Facebook ID” number assigned to every user on the site. Since a Facebook user ID is a public part of any Facebook profile, anyone can use an ID number to look up a person’s name, using a standard web browser, even if that person has set all of his or her Facebook information to be private. There’s only one way to ensure protection against apps sharing your information: Turn them off entirely. Think about it: What apps do you use? How frequently do you use them? Do you really need them? Farmville? Seriously? Most Facebook apps are a waste of your time and don’t enhance your use of the site at all. So turn them off.

suffersfoolsgladly When I first became suspicious of this, I would put strange things in my personal info, to see if a search engine would pick it up, stuff like saying I really liked “water.” Sure enough, bottled water ads would appear in a day or so when I opened my page. Konjibhu It’s just a stupid simple thing that lets friends keep in touch! It’s not some binary cultural marker (unless you make it one). gcomt Facebook could suddenly decide that all accounts are open to everyone, and there’s nothing anyone could do about it. Once you create an account or post anything, the horse is out of the barn—forever. Sharp Shiny Claws Also, defriend everyone you know who plays Farmville, because you know you’ve already hidden them from your home page, and seriously? Who are these people and why do you really care about them? johnnyichiban Amazing. Every picture of Zuckerberg looks like he just walked into or is walking out of the wrong room. I guess he just has a face that says, “Oops.”

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Bridge To Nowhere HL<<EF=D<8EJXiX_GXc`ekffbj_fkjXk;\dfZiXkj Xe[\m\eGXkK`ccdXe[li`e^_\iJXeAfj\jg\\Z_%

JXiX_GXc`eZfd\jkfJXeAfj\ Xe[`ejlckjD`Z_\cc\FYXdXXe[ k_\d\dfipf]GXkK`ccdXe “When the going gets weird, the weird turn pro.” —Hunter S. Thompson

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She even managed to take a cheap shot at Michelle Obama and to insult the memory of San Jose’s Pat Tillman, the local football hero and NFL star who was killed by friendly fire in Afghanistan six years ago. Perhaps most ironic of all, the woman who many consider the “most electrifying force in the Republican Party” and who is now the betting favorite in Vegas to win the party’s 2012 presidential nomination, didn’t mention a single GOP candidate in a rambling 40-minute speech before an adoring, albeit less-than-capacity audience at the San Jose Center for Performing Arts. This was one of Palin’s first forays into traditionally “blue” territory in California—her previous appearances in California have taken place in “red” pockets of conservativism throughout the Central Valley and Southern

California—and as I pulled up to the center, I was expecting to see some sort of counterprotest outside. There was none. The last time I attended a Palin event (in Redding this past February), there was a substantial protest and very long lines, as everyone was given a good frisking for concealed weapons and recording devices before being allowed inside. Let me acknowledge from the get-go that the crowd was much more diverse (in respect to both age and ethnicity) and much mellower than I anticipated. These were not country club Republicans by any means—more like the dispirited petite bourgeoisie—many of them small business owners sick of a government bureaucracy they perceive to be taxing and regulating them at every turn. Nor was it intensely angry, right-wing America, blistering hatred with each breath. They were polite and reserved and waiting to worship the canned utterances of the Queen of the Tea Party, whom they clearly adored. My seat was situated between a very nice woman from Redwood City who owned a floral shop (and was the mother of grown children) and a retired mechanic from Fremont in his late 60s, clearly concerned that the Social Security system was on the verge of bankruptcy. (I didn’t have the heart to tell him that Palin’s candidate for the U.S. Senate in Alaska, Joe Miller, views Social Security as unconstitutional). She found Palin “pretty, bright and quick on her feet,” while he viewed her as “tough and fearless.” Both admitted to watching a lot of Fox News. She was a fan of Beck; he of Hannity. And they both thoroughly detested Obama. After watching a great deal of footage of Palin these past two years while working on a critical biography of her, one never knows which Sarah Palin will show-up—the angry, vicious Palin (who delivered a demagogic speech just last week in San Diego); the giddy, nearly vacuous Palin (who recently appeared in an interview on Newsmax); the stunned, cross-eyed Palin (of Katie Couric fame); or “America’s sweetheart,” as the Washington Post’s Chris Cillizza generously dubbed her (following her speech at the Republican National Convention in Minneapolis). She came with the A-game version of the


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GXc`elj\[ K`ccdXeXj XY`ccYfXi[ ]fi8d\i`ZXe d`c`kXi`jd# Xe[`ejf [f`e^#efk fecpj_Xd\[ _`jc\^XZpYlk `ejlck\[_`j ]Xd`cp Palin paid due homage to the patron saint of the modern-day conservative movement, Ronald Reagan, the Republican president (and former governor of California), whose administration expanded government spending and increased the national deficit by 300 percent. Such details have never mattered to Sister Sarah and her minions. But perhaps the most galling remarks Palin made were about the late Pat Tillman, the Leland High football star who gave up the glories of the gridiron to serve in the Army Rangers in the Middle East, and whose tragic death in Afghanistan was shamefully covered up by American military officials and the Bush administration. After several tours of duty he had become critical

of the Bush administration and opposed the war in Iraq, where he also served. Palin used Tillman as a billboard for American militarism, and in so doing, not only shamed his legacy but insulted those members of his family who have honored his feelings about the war in the aftermath of his death. She knows no shame. Palin then executed an insensitive segue by mocking remarks made by Michelle Obama during the 2008 campaign: “You know, when I hear people say, or had said during the campaign, that they’ve never been proud of America,” Palin said with a self-satisfied grin spreading across her face, “haven’t they met anybody in uniform yet? I get tears in my eyes when I see that young man, that young woman, walking through the airport in uniform . . . you, too . . . so proud to be American.” The crowd roared its approval, because Palin showed her willingness to stick the stiletto not only into the president but into the First Lady as well. That is part of Palin’s appeal—her willingness to go for the jugular. She’s a figure straight out of professional wrestling, and she loves playing the part of the villain. The nice lady and gentleman on both sides of me cheered her on. As Bill Clinton recently noted, we are apparently entering into a “factfree” period in American politics, “where the experience in government is a negative.” Palin’s only commodity is her celebrity—nothing more, and certainly nothing less. She has parlayed it into an international brand that is lasting well beyond the 15 minutes most of us imagined her to possess. If her performance in San Jose is any indication, she’s getting her shtick down and has tapped into a troubling American zeitgeist. As a wise man once said, buyer beware. Sarah Palin is still peddling a bridge to nowhere.

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last Sarah Palin in San Jose, and the audience lapped it up. Palin—clad in high-heeled sandals, a snug black skirt and a purple suit jacket with the requisite American flag pin on her lapel—made sure to garner headlines with remarks about Pelosi, Brown and Boxer, saying that they “act like they’re permanent residents of some unicorn ranch in Fantasy Land.” She also joked about there being a Mama Grizzly on the state flag and made several references to the San Francisco Giants and their National League West title (and if that jinxes them in the playoffs, I’m seriously going to hold that against her).


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SILICON SILICON ALLEYS ALLEYS

Mural Matters

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?@J ?@JN<<B#k_\Xek`$ JN<<B# k_\ Xek`$ dXe$XYflk$kfne dX e XYflk kfne e$XYflk$kfne gifm`[\jXe\oXdgc\ gif fm`[\j Xe \oXdgc\ f]_fnXjZi`Y\kiXm\cj f] _ _fn X jZi`Y\kiXm\cj kfXe`ek\i\jk`e^gcXZ\Xe[ kf Xe `ek\ii\jk`e^gcXZ\Xe[ k_\ei\kliej_fd\#fecp k_\e i\kliiej _fd\# fecp kfZi`k`Z`q\_`j_fd\kfne kf Zi`k`Z`q\ \ _`j _fd\kfne Xe[jlYj\hl\ekcpglk_`j Xe[ jlYj\h hl\ekcp glk _`j ]ffkjkiX`^_k[fne_`jfne ]ffk jkiX`^ ^_k [fne _`j fne k_ifXk%8^X`e% 8^X k_ifXk% X`e% The T he au author uthor rrecently ecently visited visited the the Old Strathcona neighborhood O ld S tratthcona n eighborhood off E o Edmonton, dmonton, A Alberta, lberta, w where here h hee w itnessed h ow tthat hat ccity ity iimplemented mplemented witnessed how ap lan tto od o ssomething omething w ith aall ll tthe he plan do with h ideous u tility b oxes o n the the ssidewalk. idewalk. hideous utility boxes on M ost ccities ities h ave tthese hese b oxes, Most have boxes, u suallly part parrt o he ttraffic raffi ffic o usually off tthe orr ttelecommunications elecommunications ssystems, ystems, and and

residents often residents often complain complain about about the the unsightliness u nsightliness of of a monolithic monolithic gray gray box protruding b ox p rotruding ffrom rom tthe he ssidewalk. idewalk. They’re plain T hey’re jjust ust p lain ugly. ugly. Well, Well, ass many many have ccities ities h ave done, done, Edmonton Edmonton hired hired artists paint ar rtists tto op aint 40 40 of of them them with with highly murals. h ighly ccreative reative m urals. The Strathcona neighborhood T he S trathcona n eighborhood iitself tself iiss a community community of of historical historicall buildings b uildings with with a smattering smatttering of of local local iindependent ndependent retailers retaiilers and and one one that that already al lready eencourages ncouragges local local artists artists of of any any The main ssort. ort. T he m ain drag drag is is Whyte Whyte Avenue, Avenue, mile-long boulevard off ccolorful am ile-long b oulevard o olorful sshops, hops, rrestaurants, estau uran nts, pubs, pubs, theaters theaters and and sshopping. hopping. It It is is Edmonton’s Edmonton’s urban urban n ccorridor orridor ffor or tthe he iidiosyncratic, diosyncratic, iits ts anti–Rodeo Drive. an nti–Rodeo D rive. Ass tthe his A he aauthor uthor sskulked kulked h is way way about, hee iinvestigated ab bout, h nvestigated tthe he vivid vivid murals m uralls on on the the utility utility boxes. boxes. Instead Instead off sseeing positive, hee b became o eeing tthe he p ositive, h ecame with ttarnished arnished w ar ith a natural natural feeling feeling off d dissatisfaction o issatisfaacction and and came came to to the the

cconclusion onclusion tthat hat nothing nothing remotely remotely ass ccool ool w ould eever ver h appen in in San San JJose. ose. would happen W ell, h ass wrong. wrong. But But before before Well, hee w was tthe he au uthor k new he he was was wrong, wrong, he he author knew sspewed pewed aan n impulsive, impulsive, infantile infantile tirade tirade o nh is F acebook p age to to voice voice his his on his Facebook page ffrustration. rustration. It It went went a little little something something llike ike tthis: his: ““The The ccity ity o ouldn’t off S SJJ w wouldn’t eeven ven U NDERSTAND aanything nything tthis his UNDERSTAND iinteresting nteresting o ulturallly advanced. advan nced. orr cculturally T hey’d p robably make make you you p ay They’d probably pay $ 40,000 in in permits. permits. You’d You’d have have tto o $40,000 gget et a p aintbrush p ermit, a ttrash rash ccan an n paintbrush permit, p ermit, a sponge sponge permit, permit, a masking massking permit, ttape ape p ermit, plus plus permission permission to to permit, w ear o verallls in in a public public place place and and wear overalls p robably a hundred hundred other other things. things. probably A nd then then tthe he Roscoe Roscoe P. C oltranes And Coltranes o ver att tthe he p olice d ept. would would rrequire equire over police dept. aatt lleast easst 10 10 overtime overtime cops cops to to be be p resent aall ll day day long long to to make make sure sure n o present no o ne iiss ssneaking neaking a can can of of beer beer iin n his his one p aiint supply supply box. box. And And then then the the Fire Fire paint M arshalll would would demand deman and a walk-thru wallk-thru Marshall w ith tthe he D owntown Association Association tto o with Downtown m ak ke ssure ure eeverything verything iiss p roper. But But make proper. b efore al ll tthat, hat, the the R DA w ould iinsist nsist before all RDA would tthat hat tthe he aartwork rtwork poses poses a threat threat tto o the the fi ve p eople w ho’ve m oved iinto nto tthe he five people who’ve moved

4 00 n ew ccondos, ondos, aand nd tthe he ccity ity w ould 400 new would sspend pend p robab bly 118 8m onths d ividing probably months dividing tthe he eentire ntire cconversation onversation u p iinto nto 112 2 up d iff ffeerent ccommittees ommittees tto od ecide w hich different decide which sshade hade o lue iiss tthe he aadequate dequate ccolor. olor.” off b blue O nly a d ay llater ater d id tthe he aauthor uthor Only day did rrealize ealize tthe he ccity ity iiss m uch h ipper tthan han much hipper h ave iitt ccredit redit ffor. or. T urns o ut, S an hee ggave Turns out, San JJose ose w as aalready lready iin n tthe he p rocess o was process off sspearheading pearhead ding jjust ust ssuch uch a p roject. project. T he R DA, w ho aactually ctuallly iinitiated nitiated tthe he The RDA, who eendeavor, ndeavor, eexperimented xperimented b rapping byy w wrapping p rinted m urals aaround round ttwo wo sspecific pecific printed murals u tility b oxes, b ut o ne w as eeasily asily ttorn orn utility boxes, but one was o ff b andall. an off byy a vvandal. E ric H on o he S an n JJose ose Eric Hon off tthe San D owntown A ssociation ssaid aid tthat hat Downtown Association tthe he D owntown P roperty B usiness Downtown Property Business IImprovement mprovement D istrict ((PBID) PBID) iiss District ccreating reating a sscope cope ffor or tthe he p roject, w hich project, which iincludes ncludes 1152 52 b oxes w ithin tthe he d istrict. boxes within district. ““[PBID] [PBID] iiss n ow iiss iin n tthe he p rocess o now process off iidentifying dentifyying tthe he h igh vvisibility isibility aareas reas high tthat hat w ould b ddressed fi rst,” h aid. would bee aaddressed first, hee ssaid. ““We We aare re al lso eevaluating valluating tthe he ttype ype o also off ap pplicattion tto o be be u sed. T he w raps application used. The wraps ar re o ne o ption b ut tthere here ar re ssome ome are one option but are cconcerns oncerns aabout bout ttheir heir d urab bility o ver durability over ttime. ime. P ainting tthe he u tility b oxes iiss Painting utility boxes an nother vviable iable o ption. I am mh aving another option. having cconversations onversations w ith o ther ccities ities w ho with other who h ave ssimilar imilarr p rojects tto o ssee ee w hat’s tthe he have projects what’s b est ap pproach.” best approach. S everal eentities ntities o wn tthe he b oxes, Several own boxes, iincluding ncluding P G&E, C omcast aand nd PG&E, Comcast A T&T. T he b oys aatt A T&T h ave rrun un AT&T. The boys AT&T have iinto nto sserious erious rresistance esistan nce iin n ccities ities aacross cross tthe he ccountry, ountry, iincluding ncluding S t. L ouis aand nd St. Louis S an nF rancisco, w here rresidents esidents h ave San Francisco, where have rrallied allied aagainst gainst tthe he mass mass installation installation of of tthese hese h ideous b oxes. T hey aare re iindeed ndeed hideous boxes. They cconsidered onsidered an n eeyesore yesore b an ny ffolks. olks. byy m many W ell, w ith S an JJose ose ccurrently urrently Well, with San h yping iitself tself ass tthe he w orld ccenter enter o hyping world off iinnovation, nnovation, llonging onging tto ob he ccapital apitall bee tthe o olar ttechnology, echnology, ggreen reen iinitiatives nitiatives off ssolar an nd ssuch, uch, o ne ccan an nd ream tthat hat and one dream ssomeday omeday w on’t eeven ven n eed tthese hese wee w won’t need u nsightly u tility b oxes. B ut S an n JJose ose iiss unsightly utility boxes. But San m ost llikely ikely sstuck tuck w ith A T&T fforever, orever, most with AT&T aatt lleast east iin n ssome ome ssense ense o nother. IIn n orr aanother. tthat hat rregard, egard, tthe he au uthor jjust ust h opes h author hopes hee iiss w rong aagain. gain. wrong

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SanJoseInside.com An inside look at San Jose politics

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EJ\gk%)(#`eXJA@gfjk@jX`[#ÇjZ_ffcYfXi[jXjXjpjk\d`Z ZXlj\f]jZ_ffc]X`cli\[`[efki\jfeXk\n`k_d\%ÈDpgfjk fedpgi`[\`ek_\JXekX:cXiX:flekpF]ÓZ\f]<[lZXk`fe 9fXi[nXjm\ipj`eZ\i\]flin\\bjX^fYlki`e^j_fccfnkf[Xp% @j`kXkdpZfdglk\iXj_Xd\[XkfliZfcc\Zk`m\Y\_Xm`fi% What follows are opening remarks I gave in public session on Oct. 13 prior to the vote on whether to undo the censure vote of Aug. 25 against board member Craig Mann and then revote. “Two years ago on Nov. 4, 2008, I celebrated with friends and family my election to this board. I felt that as a educator I had the knowledge and skills to help move a progressive agenda forward. Tonight I sit here confused, sad and angry. The board’s lack of diplomacy and resolve to do better is appalling. The public’s disgust is hurtful to me. Here is what the SJI bloggers say about us in recent weekly posts: “Blogger Teachable Moment writes, ‘Ladies and Gentlemen, in the midst of a 12 percent unemployment, a crumbling economy and a 20 billion dollar deficit, we are paying for this pointless and silly sideshow.’ “Poster Al Schlarmann writes, ‘Get rid of or drastically change the role of school boards. Too many school board members know almost nothing about education. School boards are used as a stepping stone to higher political office, and as such, many of the board’s decisions are political, not aimed toward what is best for schools.’ “Blogger Reader says, ‘This month there were no efforts to censure fellow trustees, no race-bating memos from board members and no call on the superintendent to defend his job, so I guess that counts as a pretty good month for the SCC Board of Education.’ “We are here in this special session tonight to undo something we did several meetings ago and then perhaps redo the sanction vote against member Mann. Now we have new sanctions being requested for Oct. 20 by member Grace Mah about campaign

contributions not disclosed to this board by Mann and president Anna Song from 2008’s council and Assembly races, respectively. When does it end? When do we give voice to these issues? Instead of tonight’s meeting we should: “(1) Determine how the SCCOE can support the goal of recruiting quality credentialed math teachers to SCC. “(2) Meet with the Committee on School District Organization on the Civil Grand Jury’s Report on School District Consolidation. “(3) Convene a special meeting with year one results on our SJ2020 goal of eliminating the achievement gap. The project was inaugurated one year ago—the gap is still as wide as ever. “(4) Convene a special meeting on the pay-for-performance models used in other states and in charter schools in California and Silicon Valley, and then distribute that information to our district’s superintendents, school boards and teacher union leaders. “(5) Meet to discuss the results of our Charter School Summit and Proposition 39 Roundtable. “(6) Meet to discuss the work Gates Foundation is doing on alternative structures to existing tenure laws. “There are many things we could be doing as a governing body instead of the money and staff time we are using up tonight—for what, I ask? I know the problems with our public education system are enormous, but they remain solvable. Elected school boards can lead in concert with a superintendent who will take risks for the betterment of the whole. Can we please get back to the most important business, the children and teachers of Santa Clara County and the Office of Education? Please?” —Joseph DiSalvo

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Open Letter to the Board Of Education

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CHARLES BURNS

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X’ed Out constitutes a new triumph for the cartoonist best known for his series Black Hole, which is awaiting adaptation into a film. Burns, calling from his Philadelphia home, says of the project, “I think the last I heard is that things are still moving forward, and as far as I know there’s a script and David Fincher is still attached as a producer—they’re still looking for directors.” X’ed Out takes place in two dimensions with a shaky barrier between them. In a basement, Nitnit, a shock-haired figure, wakes up on his folding couch bed. Inky, a long-lost cat (“God, I . . . I thought

you were dead”) leads Nitnit through an aperture in a brick wall into a parallel world in ruins: there are collapsed tombs and green swamps where piggish humanoids float. The wanderer passes an incubation room full of enormous eggs with scarlet blotches, tended by furious man-sized salamanders. The trek continues into a threatening foreign setting, where diseased merchants sell repulsive, living food. Nitnit is aided by a sinister, swollen half-pint in a dhoti. Unbidden come visions of an ailing, depressed father, who is giving up his

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22 Burns: flat panels of color or pulsating squares that look like darkfield microscopy. Placid skin gives up jagged wounds; the eye is assaulted by suppurating masses of flesh and oozing meat or blasted rocks and swamps and flotsam. Throughout X’ed Out runs that most elemental discontent: an atmosphere of being in the center of a crowd of people who want to do you harm.

ÉN_Xk@c`b\[ Funk Figures `jk_\`[\X Burns grew up in various places f]kXb`e^ across the country. A childhood often referred to in i\jgfej`Y`c`kp touchstone, interviews, is his fascination with The Outer Limits, a popular 1960s TV ]fipfli sci-fi anthology show with regular of strange invaders. Its fnenfib%@] parables adventures forecast the stories of kfdfiifn Burns’ odd child character Big Baby. David Lynch’s name gets dropped by Zfd\j#Xe[ critics who read Black Hole, which was serially published between 1995 dpYffbj and 2005, and then collected in [feÊkj\cc# book form. As one of those critics, I described Black Hole’s setting as a @Êccjk`cc[f Cobainian northwestern landscape, Zfd`Zj#\m\e circaAn1975. unnamable plague strikes the `]k_\pÊi\ young on the fringes of a Seattle suburb, the result of a degenerative O\ifo\[ disease carried by sex and shared A circle of seemingly harmless g_fkfZfg`\j%Ê saliva. “freaks”—as vegetating drugDoug’s fevered mind flashes back to a time when he had his health, when he was an aspiring performance artist wearing a Nitnit mask, reading from his dream journal at an underground galley. There, Doug meets Sarah, a girl who poses for troubling photos. She herself is stalked by a raging ex-boyfriend who has already started destroying her possessions. Those familiar with Burns can guess how smooth-looking such a jagged-sounding trip is. The book is laid out in primarily nine-panel pages. The foreground characters are drawn in that so-called ligne claire style popular in Low Country cartoonists, particularly the best known of them all, Hergé, creator of Tintin. The rest of the art is unmistakably

takers of the time proudly called themselves—are genuine mutants. But the worst creature lurking about is only glimpsed, not fully seen. Black Hole displays Burns’ usual blend of fantastic monstrosity with almost photorealistic high-contrast blackand-white figures and faces. The originality of the tale is rooted in the unbearably sharp feelings of adolescence. Seascape raptures are ruined by turds, bones, litter and broken glass. Vertiginous circles and jagged rents tear open the fabric of the ordinary world. But maybe the worst damage is caused by the adolescent delusion that a lover is actually a messiah. Black Hole alludes to the shame of adolescence—a chemical change that turns an unwitting child into a stranger to himself. This is also

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life to booze, TV and cigarettes, his skin jaundiced to a pale urine color. Perhaps this is all the dream of Doug, a lay-about of the late 1970s, very ill himself. Doug’s half-shaven head is bandaged, and he depends on a dwindling supply of some increasingly ineffective medicine.


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CHARLES BURNS

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Lynch’s theme in Blue Velvet and the real story of the demon-haunted Washington woods in Twin Peaks. Both artists came from the Pacific Northwest; Lynch from Idaho, Burns from Washington state (as well as Washington, D.C.). “I moved around a lot but Seattle was my home base, that’s where I spent the most important part of my childhood,” Burns says. Lynch and Burns also both lived in Philadelphia. “Lynch is on record saying he’d never live in Philadelphia again,” Burns replies. “But I like big decaying cities.” The use of dreamlike narratives seems to link the two artists. I asked if Burns had much of a dream life: “As much as anyone else. Unlike my characters, I don’t find my way into other people’s heads. I pay attention to my subconscious as a source for the storytelling. The comics are a method to investigate dreams I’ve had.” Ultimately, however, Lynch’s and Burns’ sensibilities differ. Burns, for example, uses a form of out-and-out humor that isn’t found in Lynch. Where Lynch is the kind of artist who could turn up for years at the same coffee shop, Burns is more of a wanderer. Burns’ schooling was varied, and it included a stint in art school at UC-Davis during the peak of the funk-art years. Funk art was a ’70s post-Pop movement based on salvaged or untraditional materials, on deep veins of humor and political content: its ecstasies countered the austere minimalism then popular in New York. Nearby in Winters, Calif., Robert Crumb was doing the best work of his career. Among many activities in the 1970s, Crumb drew for and edited Weirdo magazine, a conduit between the smartest of the hippie cartoonists and the most astute of the punks. Later, Crumb’s praises appear on the back cover of X’ed Out: ““It’s almost as if the artist . . . as if he weren’t human!” Burns would come to worldwide attention at a magazine that was diametrically opposite of Weirdo: Art Spiegelman’s New York–based Raw was an attempt to create the kind of high-art presentation the comic

book was getting in Western Europe. Designing the cover for Raw and appearing in several issues, Burns became one of its most noteworthy artists. All this came later. At Davis, Burns was one of the first Anglos to admire lucha libre culture, whence he sourced his character the maskedwrestling detective El Borbah. “There’s a lot of little towns around Davis that would have Mexican magazines with wrestlers on the cover,” Burns recalls. “I found myself interested in that look and these almost ridiculously fun costumes. I was especially struck by one who would dress in a black suit and tie and carry a brief case—a wrestler who is an executive, who comes off like a lawyer!” At UC-Davis, Burns studied a series of different disciplines: “I was learning photography and drawing and painting and sculpture. But a lot of my drawing had this narrative feel. I wasn’t really doing a lot of comics per se—right during the end of my time there, I started doing a photo comic based on the fotonovelas in Mexican magazines I’d seen. “It got me into thinking about wanting to do comics, to tell a narrative for mass circulation. I thought, you could put two weeks on a drawing and sell it and never see it again. Or you could work for publication. If five people wanted to read it, that’d be great. If 50,000 people wanted to read it, that’d be even better.” Burns also attended Evergreen State in Washington for a time, where notable alternative cartoonists Matt Groening and Lynda Barry were students. “Matt was editing the Cooper Point Journal, the school paper; I worked there for a year, laying out adds, doing paste-up and writing comics.”

That ’70s Show Burns has never been an artist who fancied direct autobiography, but the passages of X’ed Out regarding punk rock in the late 1970s are as evocative as the stories of teen rejects in the woods in Black Hole.

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CHARLES BURNS

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Even the title of the book itself has that tell-tale X. It’s a tremendously symbolic letter for punks, the letter of secrets, of the unknown. It is the letter of negation: a double pen slash through the glossy face of a poster or a billboard. There was, of course, Geza X, Billy Idol’s Generation X and that certain husband-and-wife band from L.A. If punk was a movement that chose exile, it also made a home for exiles. “It was liberating, that period,” Burns says. “I lived through it, and a portion of it has stuck with me. What I liked is the idea of taking responsibility for your own work. If tomorrow comes, and my books don’t sell, I’ll still do comics, even if they’re

Xeroxed photocopies. At this point in my career, I have control. No one at Pantheon explained to me what kind of project I should be doing or how I could make it a corporate project. I finished my book and showed it to them, and all that got changed was some spelling and punctuation. It’s even the case that I’ve learned the skills of how to scan the work to computer and do the colors digitally . . . with some help from friends to make sure it’s done properly.” Burns’ graphic punch derives from his evocative use of black and white. “I have a fair sense of color,” he says, “and I wanted to make sure

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ÉOÊ\[FlkÊ `dd\ij\jlj `eXe`^_kdXi\ m`j`fe#Ylk k_\i\ÊjX b`e[f] gXiX[`j\k_Xk Zfdgc\d\ekj `kj`e]\ief% 9liej`jkip`e^ kfi\ZcX`dk_\ \Xic`\ij\ej\ f]gfjj`Y`c`k`\j f]gleb% mushroom. And of course, the shock-haired dream figure “Nitnit” is about as cleverly disguised as a“Count Alucard” ever was in a horror movie. That goes double for Nitnit’s pet Inky the Cat, standing in for Snowy the Dog. But the nightmare landscape is almost like Tintin’s Naked Lunch; as if Burns had sent the Belgian boy reporter to William S. Burrough’s “The Zone” just as modern artists send characters to Alice’s Wonderland or Dorothy’s Oz. “Certainly,” Burns comments, “that influence comes from that period in which the core of the story takes place, the 1970s. Burroughs fit into that world, that dispossessed youth culture, fed up with post-hippie fake idealism. In Burroughs, there always

was this polarity of disgust and fascination. His dark vision of the world was something I related to.” The passage where Doug, wearing a Nitnit mask, performs a staged reading of “cut-ups” of the Burroughs/Brion Gyson school was indeed something Burns did when he was a student in the 1970s. “There’s no documentation, thank God,” Burns says. “There’s some half-inch reel-to-reel videotape of the performance, but it hasn’t seen the light of day. I wasn’t like the character Doug in every way, just in some ways. He reflects what I was doing at school.” Ultimately, even punk proved to be a temporary way station for Burns, and X’ed Out may well be his elegy for it. The story is told elsewhere in memoirs of those on the scene, but as the artist says, “I was just talking to Gary Panter [a fellow artist at Raw] who was the first person who I’d ever had a sense of being a punk cartoonist because he worked at Slash magazine. He was saying that the early days of punk were mostly girls and very wimpy art students. They were the kids who got their asses kicked at school . . . but then before long, the surf punks descended into the mosh pit.” When the bruisers crashed the dance floor, punk was all ready for commodification. X’ed Out immerses us in a nightmare vision, but there’s a kind of paradise that complements its inferno. And that’s what draws me in: the moments of youthful happiness. Burns is trying to reclaim the earlier sense of possibilities of punk: “the goofy art student feel. Culture wasn’t defined yet at this stage; maybe some people had seen some English magazines, they’re wearing something they’ve seen the Sex Pistols wear, and they still don’t know you don’t have to draw swastikas on your arms. Maybe they’ve still got long hair to go with the skinny tie. “Once in the fall of 1977, this girl on the street passed me; she was wearing a crooked pair of plastic sunglasses and she stopped to ask me, “Do I look punk?” There’s a certain sadness to that kind of behavior—I may put it in the next comic.”

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I was avoiding coming up with a colorized version of black and white. Obviously, part of what I wanted to do was a book in the style and that format of the French/Belgian comicbook album, a style commonplace over there, if not here.” X’ed Out’s cover is a tribute to Hergé’s 1942 Tintin adventure L’Etoile Mystérieuse, called in English The Shooting Star, depicting our journalist hero flabbergasted by a 15-foot-tall


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BISTRO B ISTRO M MAXINE AXINE Cafe. Cafe. $$. $$. Bistro Bistro Maxine Maxine is is a bright, bright, friendly friendly little little spot, spot, a coffee coffee shop shop and and creperie creperie rolled rolled into into one. one. If If you’re you’re lucky, lucky, you’ll you’ll snag snag one one of of the the five five indoor indoor or or two two outdoor outdoor tables tables while while perusing perusing the the long long but but straightforward straightforward menu. menu. 8am-2pm 8am-2pm 6-10pm 6-10pm Tue-Fri, Tue-Fri, 9am-4pm 9am-4pm Sun. Sun. 548 548 Ramona Ramona St. St. 650.323.1815. 650.323.1815.

CCAFE AFE BRIOCHE BRIOCHE SSouthern outhern Mention The Metro & get a FREE suprise from the Chef! Morocco’s schedule of events mondays: Happy hour all night Tuesday: No corkage fee Wednesday: $4 sangria and flamenco Thursday: Smooth jazz with live sax friday: belly dancing night saturday: live music sunday: moroccan music night rsvp online and also check out our catering department for all your party needs.

French. French. $$. $$. Mediterranean Mediterranean magic: magic: eexceptional xceptional ccuisine uisine oonn oversize whisked oversize plates plates iiss w hisked ttoo tables tables aass ssoon oon aass iit’s t’s created. created. Breakfast 9-11pm, Breakfast 9 -11pm, Lunch Lunch 11am11am3pm, 3pm, Dinner Dinner 5:30-9:30 5:30-9:30 MonMonFri, Fri, Brunch Brunch 9am-3pm 9am-3pm Dinner Dinner 5:30-10pm 5:30-10pm Sat-Sun. Sat-Sun. 445 445 California Ave. 650.326.8640. California A ve. 6 50.326.8640.

CCAFE AFE RIACE RIACE Trattoria. Trattoria. $ $$. $. An An absolute absolute joy. joy. Every Every dish dish is is made made with with honest honest expertise— expertise— no no tricky tricky trendiness trendiness here. here. The The homey homey offerings offerings are are based based on on wholesome wholesome Italian Italian staples. staples. Beer, Beer, wine. wine. 11:30am11:30am2:30pm 2:30pm Mon-Fri, Mon-Fri, 5-10pm 5-10pm

Mon-Sun. Mon-Sun. 200 200 Sheridan Sheridan Ave. Ave. 650.328.0407. 650.328.0407.

SSANJOSE.COM ANJOSE.COM

¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

CALAFIA CCAFE CALAFIA AFE A AND ND M MARKET ARKET A GGO-GO O-GO Eclectic. Eclectic. $$. $$. Calafia Calafia Cafe Cafe and and Market Market A Go-Go Go-Go combines combines elements elements of of the the fast-food fast-food world world and and the the laborlaborintensive intensive slow slow cooking cooking of of more-high-end more-high-end restaurants. restaurants. Chef Chef and and owner owner Charlie Charlie Ayers Ayers (who first (who was was Google’s Google’s fi rst cchef) hef) calls calls his his concept concept “slow “slow food food fast”—good-to-eat fast”—good-to-eat and and goodgoodfor-you for-you food food that that he he hopes hopes will will appeal appeal to to Silicon Silicon Valley’s Valley’s frenetic, frenetic, too-busy-to-eat too-busy-to-eat pace pace of of life. life. Look Look for for good good burgers, burgers, pizza, pizza, salads, salads, and and fresh fresh fish. fish. 11am-9pm 11am-9pm weekdays; weekdays; 9am9am9pm 9pm Sat-Sun. Sat-Sun. 858 858 El El Camino Camino Real. Real. 650.322.9200. 650.322.9200.

CCOUPA OUPA CCAFE AFE Venezuelan. Venezuelan. $$. Venezuela $ $. V enezuela iiss bbest est kknown nown ffor or iits ts ooilil pproduction roduction aand nd rresilient esilient ppopulist opulist ppresident; resident; CCoupa oupa sshines hines aattention ttention oon n tthe he ccountry’s ountry’s ppremium remium ccoffee offee aand nd cchocolate. hocolate. TThe he bbeautiful eautiful sstorefront torefront aalso lso sserves erves eexcellent xcellent white aarepas, repas, w hite ccorn orn ggriddle riddle with ccakes akes sstuffed tuffed w ith vvarious arious fillings. fi llings. 77am-11pm am-11pm ddaily. aily. 5538 38 Ramona 650.322.6872. R amona SSt.t. 6 50.322.6872.

EEMPIRE MPIRE GGRILL RILL & T TAP AP R ROOM OOM $$. Waiters CCalifornia alifornia ggrill. rill. $ $. W aiters with w ith ccharm harm ttoo sspare, pare, aan n menu eenergetic nergetic cclientele lientele aand nd a m enu with ppacked acked w ith ggrilled, rilled, rroasted oasted make aand nd ssmoked moked iintensity ntensity m ake Grill much more EEmpire mpire G rill m uch m ore tthan han ssimply imply a ssmart mart pplace lace ttoo ssip ip a ccosmopolitan. osmopolitan. FFull ull bbar. ar. TTue-Sun ue-Sun 651 111:30am-10pm. 1:30am-10pm. 6 51 EEmerson merson 650.321.3030. SSt.t. 6 50.321.3030.

EEVVIA VVIA CContemporary ontemporary A Aegean. egean. $$$. flavors $ $$. FForward orward fl avors aand nd pplenty lenty ooff llaughter—that’s aughter—that’s Dionysian D ionysian ddining. ining. EEvvia vvia ffeels eels Paros, llike ike a llittle ittle ttaverna averna oon nP aros, with oonly nly w ith aan n uunmistakable nmistakable Bay Area B ay A rea ssophistication. ophistication. FFull ull bbar. ar. 4420 20 EEmerson merson SSt.t. 650.326.0983. 6 50.326.0983.

FFUKI UKI SSUSHI USHI JJapanese. apanese. $$$. $$$. FFor or oover ver ttwo wo ddecades ecades tthis his

superb superb Japanese Japanese restaurant restaurant has has served served sushi sushi to to Nobel Nobel laureates laureates and and other other grateful grateful foodies. foodies. Open Open daily. daily. 4119 4119 El El Camino Camino Real. Real. 11:30am-10pm 11:30am-10pm Tue-Sun. Tue-Sun. 650.494.9383. 650.494.9383. www. www. fukisushi.com. fukisushi.com.

GGREEN REEN EELEPHANT LEPHANT GGOURMET OURMET $$. Burmese. Burmese $ $. B urmese. B urmese ffood ood ddraws raws iinfluences nfluences ffrom rom iits ts tthree hree llargest argest nneighbors: eighbors: CChina, hina, IIndia ndia aand nd TThailand. hailand. SStandouts tandouts hhere ere iinclude nclude tthe he ccoconut oconut cchicken hicken ssoup, oup, ttangy angy ttea ea lleaf eaf ssalad alad aand nd rrefreshing efreshing gglass lass nnoodle oodle ssalad. alad. LLunch unch 111am1am22:30pm, :30pm, ddinner inner 44:30-9pm :30-9pm Middlefield Rdd ddaily. aily. 33950 950 M iddlefield R ((Charleston Charleston SShopping hopping CCenter). enter). 650.494.7391. 6 50.494.7391.

JJUNNOON UNNOON CContemporary ontemporary $$$. Palo IIndian. ndian. $ $$. TThis his aattractive ttractive P alo Alto A lto restaurant restaurant serves serves eclectic eclectic modern m odern IIndian ndian ffood, ood, tthe he kkind ind might yyou ou m ight gget et aatt aan n uupscale pscale Bangalore rrestaurant estaurant iin nB angalore oorr Mumbai. make M umbai. YYou ou ccould ould eeasily asily m ake meal am eal ffrom rom tthe he ggreat reat sselection election ooff aappetizers. ppetizers. 111:30am-2:30pm 1:30am-2:30pm Mon-Fri, aand nd 55:30-10pm :30-10pm M on-Fri, 55:30:30University 110:30pm 0:30pm SSat. at. 1150 50 U niversity Ave. 650.329.9644. A ve. 6 50.329.9644.

KAN K AN ZZEMAN EMAN M Middle iddle EEastern/ astern/ Mediterranean. $$. M editerranean. $ $. A llively ively Greek bblend lend ooff LLebanese, ebanese, G reek aand nd TTurkish urkish ccuisine uisine ffuels uels tthis his ffestive estive ssocial ocial sspot. pot. A ssampler ampler pplate late ooffers ffers ggarlicky arlicky hhummus, ummus, eearthy arthy ffalafel, alafel, ddolmas olmas minty ddrenched renched iin n llemon, emon, a m inty ttabouli abouli ssalad alad aand nd ssplendid plendid marinated m arinated ttomatoes. omatoes. 111am1am9pm Mon-Thu 9 pm M on-Thu 111am-close 1am-close University Ave. FFri-Sat. ri-Sat. 2274 74 U niversity A ve. 650.328.5245. 6 50.328.5245.

LLA AB BODEGUITA ODEGUITA D DEL EL M MEDIO EDIO $$$. CCuban/California. uban/California. $ $$. TThemed hemed Havana aafter fter a vvintage intage H avana hhaunt aunt Hemingway’s, ooff EErnest rnest H emingway’s, tthis his

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GUILLAUME BIENAIME, executive chef of MARCHÉ in Menlo Park, has spearheaded a fundraising dinner Oct. 24 aimed at supporting the restoration of the Gulf of Mexico and wetlands along the southern U.S. coast. He has teamed up with several top restaurants and winemakers for a one-of-a-kind event at Menlo Park’s MADERA restaurant. Proceeds will go to the Save Our Gulf fund of the WATERKEEPER ALLIANCE to support the seven Waterkeeper organizations of the Gulf Coast. Waterkeeper Alliance is a nonprofit company started by Robert F. Kennedy Jr., aimed at providing a way for communities to stand up for their right to clean water and for the wise and equitable use of water resources, both locally and globally. The vision of the Waterkeeper movement is for fishable, swimmable and drinkable waterways worldwide. Their belief is that the best way to achieve this vision is through the Waterkeeper method of grassroots advocacy. Waterkeeper Alliance aspires to protect every major watershed around the world. For Bienaime, the BP oil spill and its impact on the Gulf environment and fishermen resonated with him on a personal level and he was moved to try to do something to help. “The oil spill forever changed this unique ecosystem and way of life for so many who live in the bayous and surrounding areas,” he says. “For many families who rely on the waters of the Gulf as their means of survival, it’s crucial that everything that can be done to clean up the area is done.” Bienaime learned about conditions in the gulf through conversations Pietro Parravano , a Half Moon Bay fisherman and president of the Institute for Fisheries Resources. Having recently visited Louisiana and its bayous and wetlands, Bienaime felt a deep concern for the future of the gulf and the people who live and work along its shores. He reached out to Madera’s executive chef, PETER RUDOLPH, to enlist his support. He signed on, as have many other top names in the Bay Area’s food and wine scene, including chefs and artisans from MANRESA, AZIZA, UBUNTU, the FIFTH FLOOR, BAIA NICCHIA FARMS, PRIMA SAUSAGE and ANDANTE DAIRY. Participating wineries include RIDGE, VARNER, COBB, FAR NIENTE, COTERIE CELLARS, DOLCE, NICKEL AND NICKEL, TALLEY, SCHLOSS GOBELSBURG and MINER FAMILY. Special guests include TRACY KUHNS and MICHAEL ROBERTS from Louisiana Baykeeper, and CASI CALLAWAY, executive director of Mobile Alabama Baykeeper. Each participating restaurant, winery and vendor will have a booth set up so guests can mill about and eat and drink to their heart’s content. In addition to the opportunity to enjoy some great food and wine, Bienaime hopes that, through their support for the victims of the BP spill, attendees will make the connection of the fragility of our own marine ecosystems in San Francisco Bay and the Pacific Ocean. The gala will also include a silent auction featuring a guitar signed by Melissa Etheridge, a 2006–2009 vertical of Varner pinot noir and a three-hour boat tour on the Baykeeper patrol boat. It’s rare to see so much culinary talent under one roof; that it benefits such a good cause makes it even more attractive. Hats off to Bienaime for stepping out from the kitchen to put this event together. Chefs talk a lot about the quality of ingredients and supporting local producers. It’s rare to see a chef step up to do something to defend them. The event runs 3–6pm; the cost is $150. To purchase tickets go to www.bayforthegulf.com and click on the “buy tickets” link.—Stett Holbrook

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Bay for the Gulf

Twitter.com/SVDining

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WINE

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On the Wine Trail

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There’s the CORRALITOS WINE TRAIL (www.corralitoswinetrail.com), four wineries that have joined forces to better showcase what’s special about their particular southwestern corner of the Santa Cruz Mountains AVA. The grouping includes Alfaro Family Vineyards, Nicholson Vineyards, Pleasant Valley Vineyards and Windy Oaks Estate Vineyards and Winery. Then there’s the SUMMIT TO THE SEA WINE TRAIL (www.summittoseawinetrail.com), an affiliation of wineries that includes BURRELL SCHOOL VINEYARDS AND WINERY, POETIC CELLARS, HUNTER HILL VINEYARD AND WINERY, LOMA PRIETA WINERY and VINE HILL WINERY. Now there’s a newly cut wine trail, the LOS GATOS–SARATOGA WINE TRAIL (www.lgswinetrail.com). The Los Gatos–Saratoga Wine Trail is the collective vision of the five wineries. Dr. Greg Jenkins is a member who owns and operates FLEMING JENKINS VINEYARDS & WINERY with his wife, Olympic gold medalist Peggy Fleming. The four other producers in the wine trail include TESTAROSSA WINERY, located on the site of the oldest continuously operating winery in the San Francisco Bay Area; CINNABAR WINERY, which sports a tasting room in downtown Saratoga; COOPER-GARROD ESTATE VINEYARDS, which offers wine tasting in the historic structure built in 1922; and SAVANNAH-CHANELLE VINEYARDS, a beautiful winery among the redwoods overlooking the Saratoga. Collectively, the wineries of the Los Gatos–Saratoga Wine Trail produce small lots of critically acclaimed wine, including cabernet franc, cabernet sauvignon, chardonnay, merlot, pinot noir, rosé, syrah and viognier. Nov. 12–Dec. 31, the wineries of the Los Gatos–Saratoga wine trail will offer a “Happy Holidays Trail Tasting” featuring two-for-one wine tasting and 10 percent discounts on all wine purchases. Happy trails.—Stett Holbrook

34 zesty restaurant zesty restaurant sserves erves llively ively CCuban uban iinfluenced nfluenced ccuisine uisine aalong long with w ith liquid liquid sstaples taples llike ike rum rum and and mojitos m ojitos in in a hhandsome, andsome, ccasual asual aatmosphere. tmosphere. FFull ull bbar. ar. 111:30am1:30amMon-Thu 22pm, pm, M on-Thu 55:30-9:30pm, :30-9:30pm, 55-10pm -10pm FFri-Sat. ri-Sat. 4463 63 SS.California .California Ave. A ve. 650.326.7762. 650.326.7762.

LLAVANDA AVANDA M MEDITERRANEAN EDITERRANEAN Grill Grill $$$. $$$. TThis his urban urban ggrill rill aatt the the top top of of University University Avenue Avenue

offers offers eclectic eclectic small small tasting tasting plates, plates, along along with with heartier heartier fare fare such such as as roasted roasted sea sea bass bass with with chanterelle chanterelle mushrooms mushrooms and and guinea guinea fowl fowl with with sautéed sautéed chard. chard. 11:30am-2:30pm 11:30am-2:30pm Mon-Sun, Mon-Sun, 5510pm 10pm Mon-Thu, Mon-Thu, 5-11pm 5-11pm Fri-Sat, Fri-Sat, 5-9pm 5-9pm Sun. Sun. 185 185 University University (at (at Emerson). Emerson). 650.321.3514. 650.321.3514.

MANTRA M ANTRA FFrench, rench, American American $$$. Mantra aand nd IIndian. ndian. $ $$. M antra sserves erves iinventive nventive FFrench rench aand nd American A merican ffood ood tthat hat sspeaks peaks

with w ith an an Indian Indian accent. accent. It It isn’t isn’t more ffusion, usion, bbut ut a m ore ssubtle ubtle bblend lend ooff ssurprisingly urprisingly compatible compatible flavors fl avors and and techniques. techniques. Lunch Lunch 111:30am-2:30pm 1:30am-2:30pm TTue-Fri, ue-Fri, ddinner inner 55-10pm -10pm SSun-Thu un-Thu aand nd 632-636 55:30-10:30pm :30-10:30pm FFri-Sat. ri-Sat. 6 32-636 650.322.3500. EEmerson merson SSt.t. 6 50.322.3500.

MAYFIELD BAKERY MAYFIELD BAKERY A AND ND CCAFÉ AFÉ AAmerican. merican. $$$. $$$. With With its its simple simple but but handsome handsome décor, décor,

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SVDINING 377 3 open kitchen open kitchen fronted fronted by by a long long ccounter ounter and and tidy tidy stacks stacks of of split split aalmond lmond logs logs tucked tucked against against tthe he wall wall for for the the great great smelling smelling wood-burning w ood-burning oven, oven, Mayfield Mayfield Bakery B akery and and Café Café presents presents uupdated pdated versions versions of of seasonally seasonally ddriven riven Mediterranean Mediterranean and and American A merican classics—big, classics—big, bold, bold, rrustic ustic flavors flavors and and simple simple ppreparations reparations that that aim aim to to let let llocally ocally grown grown ingredients ingredients sspeak peak for for themselves themselves without without aany ny undue undue manipulation manipulation or or ppretence. retence. You You know know the the stuff: stuff: Niman N iman Ranch Ranch burgers, burgers, spitspitrroasted oasted meats, meats, frisée frisée salads salads with w ith crumbled crumbled bacon bacon and and a ppoached oached egg egg on on top, top, pizzas, pizzas, ggrilled rilled fish, fish, crusty, crusty, fresh fresh bread bread aand nd hearty, hearty, satisfying satisfying desserts. desserts. 8am-4pm 8 am-4pm and and 5-9pm 5-9pm MonMonFFri; ri; 9am-4pm 9am-4pm and and 5-9pm 5-9pm SSat-Sun. at-Sun. 855 855 El El Camino Camino Real. Real. 650.853.9200. 6 50.853.9200.

OSTERIA O STERIA IItalian. talian. $ $$. $. A Authentic uthentic Italian Italian cooking cooking done done by by skilled skilled chefs chefs from from Italy. Italy. Be Be sure sure to to make make a reservation, reservation, or or you’ll you’ll be be lucky lucky to to put put a single single foot foot through through the the door. door. Beer, Beer, wine. wine. 11:30am-2pm 11:30am-2pm Mon-Fri, Mon-Fri, 5-10pm 5-10pm Mon-Sat. Hamilton Mon-Sat. 2247 47 H amilton SSt.t. 650.328.5700. 650.328.5700. PAMPAS P AMPAS BBrazilian razilian ssteakhouse. teakhouse. $$$. Pampas meat $ $$. P ampas iiss a m eat llover’s over ’s $44 hhaven. aven. TThe he $ 44 rrodizio odizio sservice ervice ggets ets yyou ou uunlimited nlimited sspitpitmeat. rroasted oasted m eat. TThe he ssprawling prawling sside ide bbar ar ooffers ffers oone ne ooff tthe he most m ost eextensive xtensive sselections elections ooff find vvegetarian egetarian ooptions ptions yyou’ll ou’ll fi nd iin n a nnonvegetarian onvegetarian rrestaurant. estaurant. LLunch unch 111:30am-2:30pm 1:30am-2:30pm Mon-Fri, M on-Fri, ddinner inner 55:30-9:30pm :30-9:30pm Mon-Thu, M on-Thu, 55-10:30pm -10:30pm FFri-Sat ri-Sat Alma aand nd 55-9pm -9pm SSun. un. 5529 29 A lma SSt.t. 650.327.1323. 6 50.327.1323.

QUATTRO RESTAURANT QUATTRO RESTAURANT AND AND B AR IItalian. talian. $ $$$$. $$$. Quattro Quattro BAR Restaurant R estaurant and and Bar Bar brings brings hhigh-style, igh-style, impeccably impeccably sourced sourced IItalian talian cuisine cuisine to to the the South South Bay, B ay, an an area area that that has has about about as as many m any great great Italian Italian restaurants restaurants aass it it does does snow snow days. days. Breakfast Breakfast 6:30-11am 6 :30-11am Mon-Sun, Mon-Sun, lunch lunch 111:30am-2:30pm 1:30am-2:30pm Mon-Sat Mon-Sat aand nd dinner dinner 5:30-10pm 5:30-10pm MonMonSSun. un. 2050 2050 University University Ave. Ave. 650.470.2889. 6 50.470.2889.

REPOSADO R EPOSADO M Mexican. exican. $$$. $$$. Reposado Reposado offers offers modern, modern, refined refined Mexican Mexican food food served served in in a lively lively setting. setting. The The restaurant restaurant is is easily easily one one of of Palo Palo Alto’s Alto’s most most striking. striking. The The soaring, soaring,

Moree dining Mor diining coverage coverage

exposed exposed beam beam ceilings ceilings make make the the dining dining room room feel feel at at once once industrial industrial and and inviting inviting because because of of the the warm warm colors, colors, wood wood accents accents and and dramatic dramatic light light fixtures. fixtures. There’s There’s a bbeautiful eautiful bar bar and and cozy cozy booth booth seating seating on on one one side side and and spacious spacious table table and and banquette banquette seating seating on on the the other. other. Great Great selection selection of of tequila. tequila. 11:30am-10pm 11:30am-10pm MonMonThu, Thu, 11:30am-11pm 11:30am-11pm Fri-Sat Fri-Sat and and 11:30am-9pm 11:30am-9pm Sun. Sun. 236 236 Hamilton Hamilton Ave. Ave. 650.833.3151. 650.833.3151.

RESTAURANT R ESTAURANT SOLEIL SOLEIL New New American. American. $$$$. $$$$. A mouthwatering mouthwatering menu menu and and an an elegant, elegant, golden-hued golden-hued room room shine shine together together at at Soleil, Soleil, upstairs upstairs in in the the Westin Westin Palo Palo Alto. Alto. Local Local ingredients ingredients and and provocative provocative sauces sauces create create dishes dishes worthy worthy of of the the wine wine list. list. Breakfast Breakfast 6am-11am, 6am-11am, Dinner Dinner 5510:30pm. 10:30pm. 675 675 El El Camino Camino Real. Real. 650.321.4422. 650.321.4422.

SSANJOSE.COM ANJOSE.COM

TAMARINE T AMARINE N New ew Vietnamese. Vietnamese. $$$. mesmerizing $ $$. A m esmerizing back back bbar ar ooff nnatural atural bbamboo amboo aand nd gglass lass sleekly sleekly adjoins adjoins a wall wall sshowcasing howcasing ooriginal riginal artwork. artwork. waitstaff EEven ven tthe he w aitstaff iiss ssleek, leek, Prada cclad lad iin nP rada bblack. lack. Entrees Entrees aare re ggorgeous, orgeous, aand nd ddeeply eeply University Ave. aaromatic. romatic. 5546 46 U niversity A ve. 650.325.8500. 6 50.325.8500.

THREE T HREE SEASONS SEASONS M Modern odern Vietnamese. $$$. Much V ietnamese. $ $$. M uch ooff menu tthe he m enu iiss ffamiliar, amiliar, bbut ut tthe he ffood ood aatt TThree hree SSeasons easons sscores cores bbecause ecause ooff iits ts ssuperior uperior eexecution xecution aand nd llight ight ttouch. ouch. A ccool, ool, ttwo-level wo-level ddining ining rroom oom ddominated ominated bbyy a sstriking triking ccircular ircular sstained tained gglass lass cceiling eiling wooden aand nd aan n oornate rnate w ooden bbar ar tthat hat sserves erves ggreat reat ccocktails ocktails hhelp elp sset et TThree hree SSeasons easons aapart, part, ttoo. oo. Mon-Fri 111:30am-2pm 1:30am-2pm M on-Fri aand nd ddinner inner 55:30-10pm :30-10pm SSun-Thu un-Thu aand nd 55:30-11pm :30-11pm FFri-Sat. ri-Sat. 5518 18 Bryant 650.838.0353. B ryant SSt.t. 6 50.838.0353.

SST. T. M MICHAEL’S ICHAEL’S A ALLEY LLEY N New ew California. California. $$$. $$$. Reservations Reservations are are a must must at at this this smart smart bistro, bistro, whose whose menu menu includes includes inventive inventive potato, potato, meat meat and and seafood seafood ddishes ishes tthat hat ttilt ilt toward toward New New American American cookery. cookery. Beer, Beer, wine. wine. 11:30am-2pm 11:30am-2pm Tue-Fri, Tue-Fri, 5:30-9:30pm 5:30-9:30pm Tue-Sat, Tue-Sat, Brunch Brunch 10am-2pm 10am-2pm Sat-Sun. Sat-Sun. 806 806 Emerson Emerson St. St. 650.326.2530. 650.326.2530.

TRADER T RADER V VIC’S IC’S PPolynesianolynesian-

SSHOKOLAAT HOKOLAAT. M Modern odern European. $$. European. $ $. SShokolaat’s hokolaat’s open open kitchen kitchen and and pastry pastry display display counter counter are are as as gleaming gleaming and and clean clean as as a laboratory, laboratory, a fitting fitting setting setting ffor or tthe he rrestaurant’s estaurant’s technically technically precise, precise, modern modern European European cooking. cooking. Counter Counter open open 8am-9pm 8am-9pm (to-go (to-go only only 449pm), 9pm), lunch lunch 11:30am-2pm 11:30am-2pm TueTueSun Sun and and dinner dinner 5:30-10:30pm 5:30-10:30pm Tue-Sun. Tue-Sun. 516 516 University University Ave. Ave. 650.289.0719. 650.289.0719.

VERO V ERO IItalian. talian. $ $$. $. V Vero ero aims aims to to offer offer truly truly authentic authentic Italian Italian food. Palo Alto food. TThe he P alo A lto restaurant restaurant has has had had to to make make a few few nods nods to to American American tastes tastes but but it it mainly mainly succeeds succeeds with with its its simple simple but but satisfying satisfying food food that’s that’s a refreshing refreshing break break from from the the same same old old pasta pasta and and pizza. pizza. 11:30am-2pm 11:30am-2pm Tue-Fri, Tue-Fri, 5:305:3010pm 10pm Mon-Sat. Mon-Sat. 530 530 Bryant Bryant St. St. 650.325.8376. 650.325.8376.

SSPALTI PALTI RISTORANTE RISTORANTE IItalian. talian.

$$. $ $. TThis his rrestaurant estaurant ffocuses ocuses oon n llocally ocally pproduced roduced SSanta anta CCruz ruz Mountain wines M ountain w ines aand nd ssmall mall pplates lates ooff ffood ood ssourced ourced ffrom rom llocal ocal ppurveyors urveyors aand nd ggrowers. rowers. On O n TThursdays, hursdays, iiff yyou ou ccan an gguess uess flight aallll tthe he vvarietals arietals iin n yyour our fl ight ooff wine, w ine, iit’s t’s free. free. 11am-9pm 11am-9pm daily. daily. 650.328.0450. 4431 31 KKipling ipling SSt.t. 6 50.328.0450.

$$. $$. Along Along with with a handsome handsome interior, interior, SSpalti palti offers offers good good wine wine and and sparkling sparkling flavors. flavors. Casual. Casual. Beer, Beer, wine. wine. 11am-2pm 11am-2pm MonMonFri, Fri, 5-9:30pm 5-9:30pm Mon-Sun. Mon-Sun. 417 417 California California Ave. Ave. 650.327.9390. 650.327.9390.

SSTRAITS TRAITS CCAFE AFE SSingapore ingapore exotica. exotica. $$. $$. Blending Blending culinary culinary motifs motifs from from India, India, China China and and Thailand, Thailand, the the food food of of Singapore Singapore is is anything anything but but timid. timid. The The menu menu at at Straits Straits is is lavish lavish and and diverse. diverse. Full Full bar. bar. 11:30-2pm 11:30-2pm Mon-Fri, Mon-Fri, 5:30-9:30pm 5:30-9:30pm SunSunThu, Thu, 5-10pm 5-10pm Fri-Sat. Fri-Sat. 3295 3295 El El Camino Camino Real. Real. 650.494.7168. 650.494.7168.

American. $$$. A merican. $ $$. A jjungle ungle ggym ym ooff ttiki iki ggods—but ods—but a cclassy lassy jjungle. ungle. mai SSip ip a hhigh-class igh-class m ai ttai ai iin n tthe he llounge ounge bbefore efore eembarking mbarking oon na ddinner inner ttrip rip ffrom rom ppork ork sspareribs pareribs ttoo bboat-fresh oat-fresh sseared eared ssuki uki ttuna una ttoo a CCalcutta alcutta ccurry. urry. 44-6pm -6pm ddaily aily Dinner hhappy appy hhour. our. D inner aatt 55pm pm Mon-Sat M on-Sat aand nd 44:30 :30 SSun. un. 44261 261 EEll Real. 650.849.9800. CCamino amino R eal. 6 50.849.9800.

VINO V INO LOCALE LOCALE IItalian talian bbistro. istro.

ZZAO AO NOODLES NOODLES AAsian. sian. $ $.. Putting P utting a hhip ip sspin pin oonn aan n aancient ncient cculinary ulinary aart rt fform, orm, tthis his ccontempo ontempo nnoodle oodle ppalace alace many ppurveys urveys m any fforms orms ooff tthe he ddeliciously eliciously messy messy primal primal ffood. ood. Beer, CCasual. asual. B eer, wine, wine, sake. sake. 11am11am-

411 4


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San Jose Wind Symphony presents

“Witches’ Brouhaha” Dr. Edward C. Harris, Conductor Dukas: The Sorcerer’s Apprentice Saint-Saens: Dance Macabre Rachmaninoff: Prelude, Op.3, No.2 JS Bach: Toccata & Fugue in D minor

Sun, Oct 31, 3PM McAfee Center (Saratoga H. S.) 20300 Herriman Road, Saratoga Tickets $20/15/5 on-line: www.sjws.org 408 927-7597

Discover the Arts www.svArts.org


SVDINING 10pm SSun-Thu, 10pm un-Thu, 111am-11pm 1am-11pm FFri-Sat. ri-Sat. 261 261 University University Ave. Ave. 650.328.1988. 6 50.328.1988.

food food typically typically served served in in Silicon Silicon Valley, Valley, bbut ut iit’s t’s definitely definitely typical typical Mexican Mexican food. food. 10am-11pm 10am-11pm daily. daily. 2323 2323 The The Alameda. Alameda. 408.243.1357. 408.243.1357.

ZZIBIBBO IBIBBO M Mediterranean. editerranean. $$$. $$$.

DONG D ONG T TOFU OFU CCABIN ABIN KKorean. orean. $. $.

TThis his eeye-popping ye-popping rremodel emodel bbyy Restaurant tthe he cchef-partners hef-partners ooff R estaurant wood-fired LLuLu uLu iin n SS.F. .F. ooffers ffers w ood-fired ffavorites, avorites, ppastas, astas, rrisotto isotto aand nd more. m ore. FFull ull bbar. ar. 111:30am-10pm 1:30am-10pm Mon-Fri, M on-Fri, nnoon-10pm oon-10pm SSat, at, ddaily aily hhappy appy hhour our 44-6pm. -6pm. 4430 30 KKipling ipling 650.328.6722. SSt.t. 6 50.328.6722.

SSanta anta Clara Clara ¿ book oonline ¿book nline at at ssantaantacclara.com lara.com

ANDY’S A NDY’S BAR-B-QUE BAR-B-QUE Barbecue. $$. Andy’s Bar-BB arbecue. $ $. A ndy’s B ar-BQue Q ue iiss tthe he rreincarnation eincarnation ooff Bay’s oone ne ooff tthe he SSouth outh B ay’s bbest est Originally bbarbecue arbecue jjoints. oints. O riginally Andy’s llocated ocated iin n CCampbell, ampbell, A ndy’s iiss sstill till sserving erving ggreat reat ooak-smoked ak-smoked meats m eats ttoo a ddedicated edicated ffollowing. ollowing. 111am-3pm 1am-3pm Mon-Fri Mon-Fri and and 3-9pm 3-9pm Mon-Thu, M on-Thu, Fri-Sat Fri-Sat 3-10pm 3-10pm and and 33-9pm -9pm SSun. un. 22367 367 EEll Camino Camino Real. R eal. 4408.249.8158. 08.249.8158.

ATHENA A THENA GRILL GRILL GGreek. reek. $$. $$. The The Santa Santa Clara Clara restaurant restaurant serves serves the the standards standards you’d you’d expect, expect, but but the the menu menu goes goes deeper deeper and and offers offers authentic authentic Greek Greek dishes dishes you’re you’re not not likely likely to to find find elsewhere elsewhere at at bargain bargain prices. prices. 10:30am-9pm 10:30am-9pm Mon-Fri. Mon-Fri. 1505 1505 Space Space Park Park Dr. Dr. 408.567.9144. 408.567.9144. BEQUE B EQUE KKorean. orean. $ $$. $. B Beque eque sstands tands oout ut oonn EEll CCamino amino Real’s Real’s KKorean orean rrestaurant estaurant rrow ow for for iits ts modern hhigh igh sstyle tyle aand nd m odern ddesign, esign, bbut ut iit’s t’s the the Korean Korean barbecue, barbecue, ssoups oups aand nd nnoodles oodles ddishes ishes tthat hat main aare re tthe he m ain aattraction. ttraction. 111am1am110pm 0pm ddaily. aily. 33060 060 EEll CCamino amino Real. R eal. 4408.260.2727. 08.260.2727.

BIRK’S B IRK’S American American ggrill. rill. $$$. $$$. What makes Birk’s W hat m akes B irk’s stand stand oout ut ffrom rom tthe he rrest est iiss a ccommitment ommitment ttoo qquality, uality, ffreshness reshness aand nd hhygiene. ygiene. CConcentrate oncentrate oon n tthe he sspecials, pecials, oorr eenjoy njoy ccreative reative sselections elections ffrom rom tthe he aappetizer ppetizer menu. m enu. FFull ull bbar. ar. 111:15am1:15am22:30pm, :30pm, 55-9:30pm -9:30pm Mon-Fri, Mon-Fri, 55-9pm -9pm SSat-Sun. at-Sun. 33955 955 Freedom Freedom CCircle. ircle. 4408.980.6400. 08.980.6400.

CCHALATECO HALATECO M Mexican exican and and Salvadoran. Salvadoran. $. $. Chalateco, Chalateco, a San San Jose-based Jose-based six-restaurant six-restaurant chain, chain, serves serves Mexico Mexico CityCitystyle style Mexican Mexican food food and and a few few Salvadoran Salvadoran dishes. dishes. That That makes makes the the food food unlike unlike the the Mexican Mexican

TThis his iiss tthe he rreal eal ddeal, eal, ppriced riced ttoo kkeep eep ppatrons atrons ccoming oming bback ack ffor or bbowls owls ooff sspicy picy bbeef, eef, sseafood, eafood, ppickled ickled vvegetables, egetables, cchili hili ssoup oup many aand, nd, yyes, es, bbean ean ccurd urd iin n iits ts m any Halford ppermutations. ermutations. 11484 484 H alford Ave. A ve. 4408.246.1484. 08.246.1484.

HATCHO H ATCHO JJapanese. apanese. $ $$. $. SSanta anta Clara’s Hatcho Clara’s H atcho rrestaurant estaurant offers offers a llittle ittle bbit it ooff eeverything. verything. Restaurants Restaurants tthat hat strive strive to to be be jacks-of-all-trades jacks-of-all-trades ooften ften end end up masters up bbeing eing m asters ooff nnone, one, but but Hatcho Hatcho displays displays a wide wide range range of of ttalent. alent. 111:30am-2pm 1:30am-2pm and and 5:30-10pm Mon-Fri 5:30-10pm M on-Fri aand nd 559:30pm 9:30pm SSat-Sun. at-Sun. 1271 1271 FFranklin ranklin Mall. Mall. 408.248.8500. 408.248.8500. KABAB K ABAB A AND ND CURRY’S CURRY’S Indian-Pakistani. Indian-Pakistani. $, $, Because Because it’s it’s tucked tucked into into a quiet, quiet, semiresidential semiresidential side side street, street, Kabab Kabab and and Curry’s Curry’s feels feels like like a neighborhood neighborhood secret. secret. The The Indian Indian and and Pakistani Pakistani restaurant restaurant serves serves a good good lunch lunch buffet, buffet, and and at at dinner dinner try try the the butter butter chicken, chicken, choley choley and and tandoori tandoori chicken. chicken. 10:30am10:30am2:30pm 2:30pm and and 5:30-10:30pm 5:30-10:30pm Tue-Sun. Tue-Sun. 1498 1498 Isabella Isabella St. St. 408.247.0745. 408.247.0745.

KABAB K ABAB H HOUSE OUSE H HALAL ALAL Middle Middle Eastern. Eastern. $. $. Santa Santa Clara’s Clara’s Kabab Kabab House House Halal, Halal, a spare, spare, eight-table eight-table restaurant, restaurant, serves serves a pan-Middle pan-Middle Eastern Eastern menu menu that that leans leans toward toward Iran. Iran. As As tthe he name name implies, implies, Kabab Kabab House House is is basically basically a kebab kebab house. house. 11am11am9pm 9pm Mon-Sat. Mon-Sat. 2521 2521 Newhall Newhall St. St. 408.984.2204. 408.984.2204. 99 9 9 CCHICKEN HICKEN KKorean-style orean-style $.. TThe ffried ried cchicken. hicken. $ he ssimple imple rrestaurant estaurant sspecializes pecializes iin n KKorean-style orean-style fried fried cchicken. hicken. KKorean orean chicken chicken is is rrendered endered of of iits ts ffat at aand nd pproduces roduces ssmooth mooth meat with ppieces ieces ooff m eat w ith a ttaut, aut, sshatteringly hatteringly ccrisp risp eepidermis. pidermis. Noon-midnight N oon-midnight ddaily. aily. 22781 781 EEll Real. CCamino amino R eal. 408.244.5599. 408.244.5599.

PARCEL P ARCEL 1104 04 N New ew A American. merican. $$$$. $$$$. Parcel Parcel 104 104 casts casts a spell spell with with its its stridently stridently seasonal, seasonal, ingredient-driven ingredient-driven menu menu of of new new American American food. food. The The restaurant restaurant is is one one of of the the South South Bay’s Bay’s must-eats. must-eats. Breakfast Breakfast 6:30-11am 6:30-11am Mon-Fri Mon-Fri and and 7710am 10am Sat-Sun, Sat-Sun, lunch lunch 11:30am11:30am-

41

SSANJOSE.COM ANJOSE.COM

2pm 2pm Mon-Fri Mon-Fri and and dinner dinner 5:305:309pm 9pm Mon-Fri. Mon-Fri. 2700 2700 Mission Mission College College Blvd. Blvd. 408.970.6104. 408.970.6104.

PHO P HO #1 #1 Noodle Noodle House House Asian Asian $.. A ggood nnoodle oodle hhouse. ouse. $ ood aand nd when ffriendly riendly ddestination estination w hen oone’s ne’s sstomach tomach sscreams creams ffor or meal a tthree-course hree-course m eal bbut ut wallet $10, Pho oone’s ne’s w allet hhas as bbut ut $ 10, P ho menu bboasts oasts aan n aambitious mbitious m enu ooff Vietnamese nnearly early 1100 00 V ietnamese aand nd CChinese hinese iitems. tems. 110am-9pm 0am-9pm Blvd. ddaily. aily. 55025 025 SStevens tevens CCreek reek B lvd. 4408.249.1111. 08.249.1111.

PHO P HO T THANH HANH LLONG ONG Vietnamese Vietnamese noodle noodle house. house. $. $. This This diner’s diner ’s pho pho rates rates among among the the Top Top 3 in in the the South South Bay. Bay. Casual. Casual. Beer. Beer. 9am-9pm 9am-9pm daily. daily. 2450 2450 El El Camino Camino Real. Real. 408.983.0888. 408.983.0888.

SSABOR ABOR SSALVADOREÑO ALVADOREÑO Salvadoran. Salvadoran. $. $. One One of of the the few few outposts outposts for for Salvadoran Salvadoran food food in in the the South South Bay, Bay, Sabor Sabor Salvadoreño Salvadoreño serves serves excellent excellent pupusas, pupusas, soups, soups, tamales tamales and and other other standards standards from from the the tiny tiny Central Central American American nation. nation. 9am-9pm 9am-9pm daily. daily. 2045 2045 White White Oak Oak Lane. Lane. 408.985.6464. 408.985.6464.

SSHAN HAN PPakistani akistani aand nd IIndian. ndian. $. $. Shan Shan serves serves a mix mix of of northern northern Indian Indian and and Pakistani Pakistani food. food. Unlike Unlike India, India, most most of of which which is is Hindu, Hindu, Pakistan Pakistan is is Muslim, Muslim, and and that that means means that that meat—chicken, meat—chicken, beef, beef, lamb, lamb, and and goat—plays goat—plays a starring starring role. role. Kebabs. Kebabs. Tandoori Tandoori and and curries curries all all shine shine here. here. 11:30am-3pm 11:30am-3pm and and 5:30-10pm 5:30-10pm daily. daily. 5251 5251 Stevens Stevens Creek Creek Blvd. Blvd. 408.260.9200. 408.260.9200. TOFU T OFU HOUSE HOUSE KKorean. orean. $ $.. Soup Soup stars stars at at this this casual, casual, popular popular stop. stop. To To tofu tofu soups, soups, add add mushrooms, mushrooms, beef, beef, pork pork or or seafood—plus seafood—plus scores scores of of condiments condiments like like daikon, daikon, cucumber, cucumber, radish. radish. Hot Hot stuff! stuff! 11am-9pm 11am-9pm Mon-Thu, Mon-Thu, 11am11am10pm 10pm Fri, Fri, 11am-9pm 11am-9pm Sat. Sat. Closed Closed Sun. Sun. 3450 3450 E. E. El El Camino Camino Real Real #105. #105. 408.261.3030. 408.261.3030. YUKI Y UKI SSUSHI USHI JJapanese apanese $ $$. $. A family-friendly family-friendly ambience ambience prevails prevails here, here, full full of of community community hubbub, hubbub, good good food, food, generous generous portions portions and and super super chefs. chefs. Yuki Yuki keeps keeps it it simple, simple, but but always always interesting interesting with with dishes dishes that that are are well well thought thought out out and and presented. presented. 11:30am-2pm, 11:30am-2pm, 5-9:30 5-9:30 Tue-Fri, Tue-Fri, 5-9:30 5-9:30 Sat, Sat, 5-9pm 5-9pm Sun. Sun. Closed Closed Mon. Mon. 1827 1827 Pruneridge Pruneridge Ave. Ave. 408.248.9144. 408.248.9144.

.

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Moree dining Mor dinning coverage coverage


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CCHOICES HOICES B BY: Y: 8Xife:Xie\j 8Xife :Xie\j 9\Xl;fnc`e^ 9\Xl ;fnc`e^ D`Z_X\cJ%>Xek D`Z_X\c J%>Xek Jk\m\GXcfgfc` Jk\m\GXcfgfc` I`Z_Xi[mfe9ljXZb I`Z_Xi[ mfe 9ljXZb 

BALLET SAN JOSE

John Gerbetz

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GIRLS WITH GUNS >`icjN`k_>le

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*w wed ed

SSOMETHING OMETHING LEFT LLE E FFT TU UNSAID N SA I D VooDoo V ooDoo Doo o Lounge, Loungee, San Jose Wed W ed – 9pm; $5 $

TThough houg Pacifica’s Pacifica ac a’s chief metal exp Something export Somethinngg Left Unsaid at all like s sou sounds s nothing no CCampbell’s a ampbell’s l electro elec ectro sensation the groups Li ousi Limousines, thee two gr oups do have so something hi g in common: they with trading ading both oth started s wit th members tr over bits bits t of of songs ng ov ver the th Internet. I t t trend keeps If this th tr end kee ps up—and you will—flaky kno itt will—fl know w aky musicians will throw ha to thr have ow oout ut all the classic missing practice ex uses ffor excuses or mis sing pr actice bunch a take and k a bunc bu ch of classes DeVry a DeV at ry just to develop some Drummer: new w ones.. Drum D mmer: “Dudes,

sorryy, but myy L2T sorry, LL2TP P connection theree attempt ffailed aileed because ther was no valid machine certificate computer on my compu uter ffor or security authentication.” authenticatio on.” Guitarist: “Do you were mean you we ere in your basement all afternoonn hitting the bong?” Drummer: “Wait, “W Wait, isn’t isn’t that what I said?” (SP)

*tthu hu

GIRLSS WITH GIRL W GUNS

longtime collaboration collaboration with the mysteriou mysterious us Residents—it took the actress fformer ormer ac ctress quite some time to worrying quit wor ryying about her ffather’s ather ’s shadow and a come into her own musically. musically y. For the last decade, Lithman’s fronting Lithman ’ss been fr onting the punk outfit Girls Girls With Guns, who sing, by her own admission, a mostly about ““cocks cocks and annd sex and drugs.” “I rreally eally theree and rrock wanted too go out ther ock hardd ass the boys,” she told me, as har ““and and lookk rreally eally cute doing it in Johnson a Betsy Jo ohnson dress.” dress.” Mission accomplished! accomplis shed! The Girls (there’s (there’s actually one o guy) play a mix of Lithman’s Lithman ’ss originals and covers.” (SP)

Caravan, San Caravan, n Jose Thu – 9pm, free free

BOAR B OA R H HUNTER UNTER

Lani Lithmann is one of the Bay Area’s underground Ar ea’s ffascinating ascinnating under ground figures. of Philip figur es. The daughter d Lithman—better Lithman—b better known as Snakefinger,, and known ffor Snakefinger or his

VooDoo LLounge, VooDoo ounge, San Jose Thu – 8pm; 8pm; free free Boar Hunter Hunter is a veritable who’s who’s underground who of un nderground South Bay

music.. The list of bands Boar Hunter’s current Hunte r ’s cur rent members have been a part of is long, including Shitkickers, Peasant the Sh hitkickers, Krupted P easant Farmerz, Farme erz, Apeface, Apeface, Uzi Suicide, the Flamess and Sar Saros. Flame os. They’ve y taken merged punk and a metal and mer ged them together, Fraser togeth her, with guitarist Rob Fr aser bassist Branch trading and ba assist Br anch tr ading off vocal duty dduty.. (BD)

*ffri ri

JJOHN OHN SSEBASTIAN E B A ST I A N Montaalvo Arts Center Montalvo Center,r, Sar Saratoga atoga Fri – 8pm; 8 $37/$42 Doo yyou why D ou kknow now w hy I love love this this recession? re cession? IItt ggets ets ssome ome ggood ood musicians m usicians out out of of bed bed and and out out

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on on the the road. road. Beginning Beginning a ttour our ooff seven seven Arcadian Arcadian venues, venues, Mr. Mr. JJohn ohn Sebastian Sebastian shows shows today’s today’s jugjugband band fanciers fanciers that that they they are are nnot ot alone. alone. The The man man even even recorded recorded a tribute Stompers tribute to to Cannon’s Cannon’s JJug ug St ompers long long before before today’s today’s emulators emulators picked picked up up a harmonica harmonica or or ppierced ierced a tin tin washtub. washtub. Certainly Certainly SSebastian ebastian and and the the Lovin’ Lovin’ SSpoonful poonful ccould ould rock. rock. How How can can we we miss miss tthose hose tunes tunes if if they they won’t won’t ggoo aaway? way? I’d I’d trade trade them them all all for for tthe he llesseresserknowns: knowns: that that juggy juggy raveup, raveup, tthe he theme theme from from W What’s hat’s Up Up Tiger Tiger Lily Lily, and masterpiece, waltz and hhis is m asterpiece, tthe he w al t z “Cocoanut “Cocoanut Grove.” Grove.” That That needs needs no no ccooler, ooler, iit’s t’s chill chill enough enough on on its its own. own. (RvB) (RvB)

BOOB B OOB Blaank Club, San Jose Blank Fri – 9pm; $7 TThis his sshow’s how ’s oopener pener FFascinating ascinating


oncerts * cconcerts Oct O ctt 20 at Toon’s, Toon o ’s, San Jose

EEPIC PIC W WITH ITH D DJJ RIZ RIZ

JOHN SEBASTIAN

Oct O ct 22 at Wet, Wet, San Jose

BRIDGE B RIDGE SCHOOL SCHOOL B BENEFIT ENEFIT Oct O ct 23-24 23-24 at Shor Shoreline eline

HIROSHIMA H IROSHIMA Oct 2244 at 7:30pm, Oct Montalvo Arts Center

SSUNDAYS UNDAYS W WITH ITH T THE HE SST. T. LLAWRENCE AWRENCE STRING STRING QUARTET QUARTET Oct O ct 2244 at 2:30pm, Dinkelspiel, SStanford tanford

JJUSTIN USTIN BIEBER BIEBER Oct O ct 28 at 7pm, HP P Pavilion avilion

LL.A. .A. GGUNS UNS Oct O ct 28 8 at A Avalon, valon, Santa Clara Clara

LLADY ADY A ANTEBELLUM NTEBELLUM Oct 29 2 at 7:30 7:30pm, pm, SJSU SJSU Event Event Center ter

DONNELL D ONNELL LLEAHY EAHY A AND ND NATALIE NATALIE MAACCM MASTER, ASTER, MASTER MASTER OF OF T THE HE FIDDLE FIDDLE Oct O c 29 at 8pm, ct pm CCampbell ampbell Theatre Heritage Theatr eatre

BLANK B LANK M MANUSCRIPT ANUSCRIPT Oct O ct 30 at South Firstt Billiar Bi Billiards, rdds, Sa Jose San

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Af_eJ\YXjk`Xef]Cfm`eÊJg Creatures ooff tthe Creatures he D Deep eep may may bbee a reverb re verb ddrenched renched ssurf urf bband and ffrom rom SSanta anta Cruz, Cruz, but but that that doesn’t d o e s n’ t mean roots m ean they they don’t don’t hhave ave ro ots iin n SSan an Jose. Jose. TTheir heir bbass ass player player does does aanyways, nyways, hailing hailing from from San San Jose’s J o s e’ s rock sseminal eminal roots roots ro ck bband and FFrontier rontier Wives. W ives. TThat’s hat’s only only the the tip tip of of the the music oold ld sschool chool SSan an JJose ose m usic sscene cene iiceberg. ceberg. Both Both headlining headlining ccover over Boob bband and B oob aand nd oother ther oopener pener Badenov members B adenov cclaim laim m embers ffrom rom ssuch uch classic classic SSan an JJose ose groups groups as as Olvidados, Ribsy tthe he KKingpins, ingpins, LLos os O lvidados, R ibsy aand nd tons tons of of more more bands bands I can’t c a n’ t tthink hink of of rright ight nnow. ow. YYou ou kknow now that that when w hen you you sstep tep iin n tthe he Blank Blank CClub lub ttoo see see this this show, show, yyou’re ou’re going going ttoo witness musical w itness a llot ot ooff m usical ttalent alent with Plus w ith yyears ears ooff eexperience. xperience. P lus yyou’ll ou’ll also also bump bump iinto nto ttons ons ooff oold ld ffriends, riends, both both oonn aand nd ooff ff stage. stage. ((AC) AC)

BALLET B ALLET SSAN AN N JOSE San Jose Center ffor or th thee P erforming Arts Performing Fri – 8pm, Sat – 1:30 aand nd 8pm, Sun – 1:30pm; $15 $15-$85 $85 5 Ballet San Jose begins a season ballets loaded with story ballet ts with one of the greatest greatest examples examplees of the drama: full-length dance dr amaa: Giselle, choreographed choreographed by artistic artistic director director Dennis Nahat Nahat and set too the music of Adolphe Adam. As peasant As pe easant girls are are wont to do, young youung Giselle develops a crush on thee noble Albrecht—troubling Albrecht—troubling complications complications are are unavoidable, leadingg to Albrecht’s Albrecht’s famed famed encounter encouunter with the ghostly Wilis, who enforce e orce enf a kind of Red Shoes imp imperative perative on our her hero. o. Guest leaper leaper Tiit Tiit Helimets of the San Fr Francisco ancisco Ballet will dance Albrecht Albrecht at the Saturday show. (MSG) Saturday evening show.

*ssat ue at *ttue

FFIGHTING IG HTI NG JJACKS AC K S

RAIN R AIN

Homestead Lanes Homestead Sat – 8pm; $8

San Jose Center ffor or the P erforming Arts Performing Tue-Thu T u ue--Thu T – 7:30pm, 7:30p pm, Fri – 8pm, Sat – 2 and 8pm m, Sun – 1 and 8pm, 6pm; $20-$66

Fighting Jackss is LLocal ocal rrock ock outfit Figh hting Jack after back in the saddle af fter a ffourourNothing year hiatus. N othing will deter getting them, not even getti ng their van with $30,000 worth of equipment stolen in 2006. Well-known Well--known in circles, indie rrock ock cir cles, thee Linstrum brothers br others (guitarist CCasey asey and Wright (guitar,, bassist Cory), Mike W right (guitar Provenzano synths)) and David Pr rovenzano (drums) may be the humblest Recordd Winter band on EEarth. arth. The Recor R off.. and Beta SState tate start things off (BD)

Beatles TThat hat llong-awaited ong-awaited B eatles reunion reunion jjust ust isn’t isn’t ggoing oing ttoo hhappen—at appen—at lleast east nnot ot on on this this mortal mortal coil. coil. The The nnext ext best best tthing hing is is ccoming oming to to town town ccourtesy ourtesy Broadway B roadway San San Jose. Jose. R Rain ain iiss m more ore musical tthan han a m usical rrevue, evue, iit’s t’s a full-bore full-bore rre-creation e-creation ooff tthe he FFab ab Four Four with with fully fully sstaged taged llive ive versions versions of of their their biggest biggest hhits its ffrom rom tthe he eearly arly yyeah-yeah-yeah eah-yeah-yeah ddays ays to to the the ppsychedelic sychedelic conclusion. conclusion. TThe he multimedia multimedia production production includes includes film material hhistorical istorical fi lm m aterial ttoo go go with with musicians, whose tthe he ffour our m usicians, w hose eevocation vocation ooff the the greatest greatest bband and ooff all all time time is is uuncanny. ncanny. (MSG) (MSG)

Nov N ov 3 at a 7:30pm, pm Montalvo Arts Center e ente

BANG BANG ON ON A CAN CAN ALL-STARS ALL-STARSS Novv 5 at 8pm 8pm, m, Dinkelspiel,, SStanford ta ord tanf

SSO OY YOU OU THINK THINK YOU YOU CCAN AN DANCE DANCE Nov N ov 10 at 7:30pm, m, HP P m Pavilion avi avilion

FFLYING LYING KARAMAZOV KARAMAZOV BROTHERS BROTHERS Nov N ovv 1010-14 14 at San a Jose Rep an R

AVERAGE A VERAGE WHITE WHITE BAND BAND Nov N ov 17 1 at 7:30pm, 3 30 Montalvoo Artss Center CCee er

ANDRE A NDRE R RIEU IEU Decc 4 at 8pm, HP H P Pavilion avilio avilion vilio

ROGER R OGER W WATERS, ATERS R , T THE HE W WALL ALL IN IN CONCERT CONCERT Dec 7–8 7– –8 at 8pm, 8p HP Pavilion Pavilion n

M E TR O S I L I C O N VA L L E Y | O C TO B E R 2 0 -2 6, 2 0 1 0 | SA N J O S E . C O M | M E TR OAC T I V E . C O M

JJFK FK LIVE LIVE FOR FOR 20 20TH TH ANNIVERSARY ANNIVERSARY PARTY PARTY

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FEATURED LISTINGS

Sunday October 24, 2010 7 pm Le Petit Trianon, 72 N 5th St. San José Flutist Viviana Guzmán joins SJCO for Vivaldi and tangos. Program includes Howard Hersh’s The Seasons and Dello Joio’s Pulitzer Prize winning Meditations on Ecclesiastes. Tickets $35-$60

Disney on Ice Wednesday–Thursday at 7:30pm, Friday at 10:30am and 7pm, Saturday at 11am, 3 and 7pm, and Sunday at 1 and 5pm; HP Pavilion, San Jose, $16 and up Familiar and beloved Disney characters strap on their skates for a live show called Mickey & Minnie’s Magical Journey. Mickey and Minnie lead audiences on a gliding musical romp through such hit stories as The Lion King, Lilo & Stitch and Peter Pan.

Rinde Eckhert Friday, 8pm, CCRMA Stage, Stanford; free Before he runs off to New York to do a two-man play, Imagining Herschell, with Richard Dreyfuss, Pulitzer finalist Rinde Eckhert will bring his solo work, An Idiot Divine, to the Stanford stage. Made up of two one-act plays, the show combines music and drama to tell the story of profane angels, musical salvation and more. (SP)

$10 student tickets!!!! (age 22 and under) www.sjco.org

tickets www.sjcotickets.org – 408 295-4416

Secret Order

Supported, in part, by a Cultural Affairs grant from the City of San José.

Oct. 20–Nov. 7; San Jose Rep; $36-$51 Advances in genetics have made biotech more promising and perhaps the most frightening new field of science. The high stakes are starkly revealed in Michael Clyman’s new drama about research scientists behaving very badly. It’s a regional premiere for San Jose Repertory Theatre.

Jason Marsalis Quartet Friday, 7:30 and 9:30pm; D’Vine Jazz & Wine, Morgan Hill; $16/$20 As part of its ambitious “Feel the Vibes” weekend, D’Vine Jazz & Wine presents two shows by the Jason Marsalis Quartet, headed by Wynton and Branford’s youngest sibling. In addition to drumming, Marsalis also shows off his talents on the vibes. The theme continues Saturday with vibist Christian Tamburr.

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Shubha Mudgal Wednesday, 8pm; Dinkelspiel Auditorium, Stanford; $10–$42 Stanford Lively Arts swings into full action for the season with a concert by renowned Indian vocalist Shubha Mudgal. Noted for her wide-ranging vocal forays, Mudgal performs material from the classical Hindu tradition as well as modern pop numbers and soundtrack hits.


45 M E T R O S I L I C O N VA L L E Y | O C TO B E R 2 0 -2 6, 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M


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LIVEL LIVELY L IVEL LY LY ARTS ART S 10

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tage *sstage Dance D ance

SEASON

ABHINAYA D ABHINAYA DANCE ANCE CCOMPANY OMPANY A pperformance erformance fe featuring aturing IIndian ndian dancers dancers Balinese Balinese music m usic and and dance dance by by Gamelan G amelan Sekar Sekar JJaya aya iinterpreting nterpreting aan n eepisode pisode Ramayana. ffrom rom R amayana. Sun, Sun, 4pm. 4pm. $15/$20. $ 15/$20. SSchultz chultz Cultural Cultural Arts Palo Alto. A rts CCenter, enter, P alo A l to.

TOSHI T OSHI REAGON REAGON BIGLovely & BIGL ovely FRI F RI / OCT OCT 29 29 / 8 PM PM DINKELSPIEL D INKELSPIEL AUDITORIUM AU D I TO R I U M

BALLET BA LLET SSAN AN JJOSE OSE

With W ith ssensual ensual vocals vocals aand nd iinfectious nfectious hooks, h ooks, Reagon Reagon eexplores xplores ffolk, olk, b blues, lues, vvintage intage rrock, ock, aand nd m more. ore.

The company The company opens opens the the sseason eason with with the the story story ballet ballet 8pm, ““Giselle.” Giselle.” FFri, ri, 8 pm, SSat, at, 11:30 :30 aand nd 8pm, 8pm, Sun, Sun, 1:30pm. 1:30pm. $30-$100. forr tthe $ 30-$100. CCenter enter fo he Performing Arts, P erforming A rts, SSan an JJose. ose.

SJDANCECO SJ DANCECO The autumn The autumn season season beings beings with w ith tthe he ppremiere remiere ooff JJose ose LLimon’s imon’s ““There There IIss a TTime,” ime,” iin n with ccollaboration ollaboration w ith San San Jose Jose Orchestra. Also CChamber hamber O rchestra. A lso sscheduled cheduled “The “The Waldstein Waldstein works. SSonata” onata” aand nd nnew ew w ork s. 8pm. $20-$60. TThu-Fri, hu-Fri, 8 pm. $ 20-$60. California Ca lifornia Theare, Theare, San San JJose. ose.

GAMELAN ÇUD ÇUDAMANI AMAN NI SUN S UN / NOV NOV 7 / 2:30 2:30 PM PM MEMORIAL M EMORIAL A AUDITORIUM UDITORIUM

Renowned Balinese ensemble brin brings ngs awe-inspiring grace and precision n to music, theater theater,, and dance.

Opera O pera LLA A FFORZA ORZA D DEL EL D DESTINO ESTINO West Bay West Bay Opera Opera presents presents ““The The Power Power of of Fate” Fate” bbyy Verdi. 8pm. V erdi. SSat-Sun, at-Sun, 8 pm. $35$35$60. Stern $ 60. LLucie ucie St ern TTheatre, heatre, Palo Alto. P alo A l to.

SANKAI S ANKAI JUKU JUKU TOBARI T OBARI O

TUE T UE / N NOV OV 9 / 8 P PM M MEMORIAL M EMORIAL AUDITORIUM AU D I TO R I U M

Japanese B Japanese Butoh utoh llegends egends S Sankai ankai JJuku uku balance precision with b alance ttechnical echnical p recision w ith ssublime ublime elegance elegance iin n ttheir heir llatest atest work, w ork, T Tobari. obari.

PLUS: Chris PLUS: Christian tian McBride (NOV (N NOV 13), Takács Takács Quartet Quartet (DEC 3), 3 Chanticleer (DEC 9), AND MANY MORE!

TICKETS TICKET S & INFO INFO: O: livelyarts.stanford.edu liv elyarts.stanford.edu e

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Theater T h e a te r THE T HE FFANTASTICKS ANTASTICKS An aaudience An udience favorite favorite about about Retro llove ove ccomes omes to to tthe he R etro Dome. 8pm, D ome. Fri-Sat, Fri-Sat, 8 pm, SSun, un, 22pm. pm. Runs Runs thru thru Oct Oct 24. 24. $24$244$36. Retro Dome, $ 36. R etro D ome, SSan an JJose. ose.

FFIRST IRST DAY DAY OF OF SCHOOL SCHOOL City LLights City ights opens opens its its season season with w ith Bill Bill Aronson’s Aronson’s nnew ew ccomedy omedy aabout bout educational educational follies fo llies iin n tthe he ssuburbs. uburbs. ThuThu8pm, SSat, at, 8 pm, Sun, Sun, 2pm. 2pm. Runs Runs Oct 24.. $ $25-$40. tthru hru O ct 24 25-$40. CCity ity LLights, ights, San San Jose. Jose.

RAIN—A T RAIN—A TRIBUTE RIBUTE TO TO THE BEATLES T HE B EATLES Broadway San Broadway San Jose Jose salutes salutes tthe he FFab ab FFour our iin n a ttheatrical heatrical

re-creation of re-creation of ttheir heir music music aand nd llives. ives. Oct Oct 26-31. 26-31. TTue-Thu, ue-Thu, 77:30pm, :30pm, Fri, Fri, 8pm, 8pm, SSat, at, 2 and and 8pm, 6pm. $208 pm, SSun, un, 1 aand nd 6 pm. $ 20$66. $ 66. San San JJose ose Center Center for for the the Performing Arts. P erforming A rts.

RTE R TE FFUNDRAZOR UNDRAZOR Local theater Local theater ccompany ompany Renegade R enegade TTheatre heatre EExperiment xperiment hholds olds a with ffundraiser undraiser w ith pperformance, erformance, food CCuban uban fo od aand nd oother ther eentertainment, ntertainment, as as well well as as a 6-kkaraoke araoke ccompetition. ompetition. Sat, Sat, 6 110pm. 0pm. ((See See www.renegade www.renegade forr ticket ttheatre.com heatre.com fo ticket info.) info.) Blooming Bouquet B looming B ouquet FFlorist, lorist, SSan an JJose. ose.

REASONS R EASONS T TO O BE BE P PRETTY RETTY San JJose San ose St Stage age presents presents Neil N eil LaBute’s LaBute’s pplay lay aabout bout tthe he Wed-Thu, hhardships ardships ooff llove. ove. W ed-Thu, 8pm, 77:30pm, :30pm, Fri-Sat, Fri-Sat, 8 pm, Sun, Sun, Runs Oct $20 22pm. pm. R uns tthru hru O ct 24. 24. $ 20 Stage. aand nd uup. p. SSan an JJose ose St age.

SSCRAMBLED CRAMBLED EG EGGS GS A ccomedy omedy aabout bout a w woman oman menopause, ggoing oing tthrough hrough m enopause, ppresented resented bbyy Northside Northside 8pm, TTheatre heatre CCo. o. Thu-Sat, Thu-Sat, 8 pm, Runs Oct SSun, un, 33pm. pm. R uns tthru hru O ct 31. 31. $15/$20. Northside/Olinder $ 15/$20. N orthside/Olinder TTheater, heater, San San JJose. ose.

SSECRET ECRET O ORDER RDER A ddrama rama bbyy R Robert obert CClyman lyman medical research; aabout bout m edical re search; ppresented resented bbyy San San Jose Jose Rep. Rep. Opens O pens Wed, Wed, 8pm. 8pm. Regular Regular sshows hows TTue, ue, 7:30pm, 7:30pm, Wed-Fri, Wed-Fri, 8pm, 8pm, 8 pm, SSat, at, 3 and and 8 pm, SSun un 2 Runs aand/or nd/or 77pm. pm. R uns tthrough hrough Nov $35 Rep, N ov 77.. $ 35 aand nd uup. p. TThe he R ep, SSan an JJose. ose.

SSTOMPIN’ TO M P I N ’ A AT TT THE HE SAVOY SAVOY A TTabard abard TTheatre heatre aand nd SSan an JJose ose JJazz azz jjoint oint sshow how aabout bout tthe he bbig-band ig-band eera. ra. TThu-Fri, hu-Fri, 8pm, 8pm, 8 pm, SSat, at, 3 and and 8 pm, SSun, un, Runs Oct 22pm. pm. R uns tthru hru O ct 30. 30. $10$10$35. Pedro $ 35. TTheatre heatre oonn SSan an P edro SSquare, quare, SSan an JJose. ose.

SSUPERIOR UPERIOR D DONUTS ONUTS TheatreWorks ppresents TheatreWorks resents TTracy racy LLetts’ etts ’ play play about about an an African American A frican A merican yyouth outh aand nd who tthe he oolder lder man man w ho rruns uns tthe he ssweets weets shop shop where where he he works. work s. TTue-Wed, ue-Wed, 77:30pm, :30pm, TThu-Fri, hu-Fri, 8pm, 8 pm, SSat, at, 2 and and 8pm, 8pm, SSun, un, Runs Oct 2 and and 77pm. pm. R uns tthru hru O ct View 331. 1. $19-$67. $19-$67. Mountain Mountain V iew forr tthe Performing CCenter enter fo he P erforming Arts. A rts.

More More listings:

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CComedy omedy CCOMEDYSPORTZ OMEDYSPORTZ An interactive An interactive improvised improvised ccomedy omedy show. show. Fri, Fri, 9 and and 111pm 1pm and and Sat, Sat, 7 and and 9pm. 9pm. $12/$15. $ 12/$15. CComedySportz, omedySportz, San San JJose. ose.

ROOSTER R OOSTER T. T. FEATHERS FEATHERS Wed, 8pm: Wed, 8pm: New New Talent Talent SShowcase. howcase. $10. $10. Thu, Thu, 8pm, 8pm, FFri, ri, 9pm, 9pm, Sat, Sat, 8 and and 10:30pm, 10:30pm, SSun, un, 8pm: 8pm: Chris Chris Porter. Porter. $12. $12. SSunnyvale. unnyvale.

SSAN AN JOSE JOSE IMPROV IMPROV Wed, 8pm: Wed, 8pm: Slanted Slanted CComedy omedy ffrom rom the the makers makers of of ““Loudmouth.” Loudmouth.” $12. $12. Thu, Thu, 8pm 8 pm FFri, ri, 8 and and 10pm, 10pm, Sat, Sat, 7 aand nd 9pm, 9pm, SSun, un, 7pm: 7pm: Pablo Pablo $25. FFrancisco. rancisco. $ 25. Tue, Tue, 8pm: 8pm: SSheng heng Wang. Wang. $12. $12. San San Jose. Jose.

*aartrt

Museums M u se u m s CCONTINUING ONTINUING CCANTOR ANTOR ARTS ARTS CENTER CENTER “Vodoun/Vodounon: “Vodoun/Vodounon: Portraits P ortraits of of Initiates.” Initiates.” Portraits followers P ortraits of of Vodoun Vodoun fo llowers aand nd their their shrines shrines in in Benin Benin bbyy Jean-Dominque Jean-Dominque Burton. Burton. Oct O ct 13-Mar 13-Mar 220. 0. ““Go Go FFigure!” igure!” FFigurative igurative paintings paintings and and ssculptures culptures by by contemporary contemporary aartists. rtists. Ongoing. Ongoing. “Collection “Collection Highlights H ighlights From From Europe Europe 11500-1800, 500-1800, Ancient Ancient Greece Greece aand nd Rome.” Rome.” Thru Thru Dec Dec 30. 30. forr Water ““Mami Mami Wata: Wata: Arts Arts fo Water SSpirits pirits in in Africa Africa and and Its Its Diasporas.” D iasporas.” Thru Thru Jan Jan 2. 2. WedWedSSun, un, 11am-5pm, 11am-5pm, Thu, Thu, 11am11am8pm. 8 pm. Stanford. Stanford.

DEE SAISSET D SAISSET MUSEUM MUSEUM “Sing M “Sing Mee Your Your Story, Story, Dance Dance Mee H Home: M ome: Art Art and and Poetry Poetry Native FFrom rom N ative California.” California.” TThru hru Dec Dec 55.. “LandsCApes: “LandsCApes: Glimpses G limpses of of Everyday Everyday California.” Ca lifornia.” Thru Thru Jan Jan 28. 28. ““The The Saints Saints of of Mission Mission Discovering SSanta anta Clara: Clara: D iscovering the the Meaning Behind M eaning B ehind the the Art.” Art.” TThru hru Dec Dec 55.. Tue-Sun, Tue-Sun, 11am11am44pm. pm. Santa Santa Clara Clara University. University.

EEUPHRAT UPHRAT MUSEUM MUSEUM “Learn to “Learn to Play.” Play.” A group group sshow how about about art art and and llife. ife. Thru Thru Nov N ov 24. 24. Reception Reception Nov Nov 9, 9,


5:30pm. Tue-Thu 5:30pm. Tue-Thu 111am-3pm. 1am-3pm. SSan an JJose. ose.

GGalleries alleries

HISTORY H ISTORY PARK PARK SSAN AN JJOSE OSE

OPENING O PENING

JAPANESE A JAPANESE AMERICA MERICA MUSEUM M USEUM “Camp D “Camp Days: ays: 11942–1945.” 942–1945.” Works W orks aabout bout tthe he iinternment nternment ccamps amps bbyy CChizuko hizuko JJudy udy Queiroz. Apr SSugita ugita ddee Q ueiroz. Thru Thru A pr Also 330. 0. A lso exhibits exhibits aabout bout the the hhistory istory ooff JJapantown apantown aand nd tthe he lives lives and and contributions contributions ooff Japanese Japanese iimmigrants mmigrants in in tthe he valley. valley. TThu-Sun, hu-Sun, noonnoon44pm. pm. San San JJose. ose.

LOSS GATOS LO GATOS A ART RT MUSEUM MUSEUM “The Seduction “The Seduction of of Duchamp.” D uchamp.” A ggroup roup sshow how iin n with ArtZone ccollaboration ollaboration w ith A rtZone Gallery. Runs Oct 4461 61 G allery. R uns thru thru O ct Wed-Sun, 222. 2. W ed-Sun, nnoon-4pm. oon-4pm. Los Los Gatos. G atos.

SSAN AN JJOSE OSE M MUSEUM USEUM OF OF A ART RT “The M “The Modern odern Photographer: Photographer: Observation O bservation aand nd Intention.” Intention.” works A sshow how ooff w orks ffrom rom the the first fi rst hhalf alf ooff tthe he 220th 0th century century ddrawn rawn from from the the museum’s m u s e u m’ s ppermanent ermanent collection. collection. Thru Thru Villareal.” JJul ul 3. 3. ““Leo Leo V illareal.” TThru hru 9.. ““Retro-Tech.” JJan an 9 Retro-Tech.” Thru Thru 6.. ““Vital New FFeb eb 6 Vital SSigns: igns: N ew Media M edia FFrom rom the the Permanent Permanent 6.. CCollection.” ollection.” Thru Thru Feb Feb 6 ““Degrees Degrees ooff Separation: Separation: CContemporary ontemporary Photography Photography FFrom rom the the Permanent Permanent CCollection.” ollection.” Thru Thru Mar Mar 14. 14. TTueueMon. SSun, un, 111am-5pm, 1am-5pm, cclosed losed M on. SSan an JJose. ose.

SAN JJOSE SAN OSE M MUSEUM USEUM OF OF QUILTS AND TEXTILES Q UILTS A ND T EXTILES “ITAB: IInternational “ITAB: nternational TECHstyle Art Biennial.” TE CHstyle A rt B iennial.” A works jjuried uried sshow how ooff w orks by by who aartists rtists w ho ccombine ombine fiber fiber with aarts rts w ith nnew ew ttechnologies. echnologies. TThru hru Oct Oct 331. 1. TTue-Sun, ue-Sun, 10am10am55pm. pm. SSan an JJose. ose.

TECH T ECH MUSEUM MUSEUM ”Genghis Khan.” ”Genghis Khan.” A new new show show aabout bout tthe he ttechnological, echnological, martial m artial aand nd ssocial ocial advances advances ooff the the Mongol Mongol warrior. warrior. Thru Thru Oct 24.. M Mon-Wed, O ct 24 on-Wed, 10am10am55pm, pm, TThu-Sun, hu-Sun, 110am-8pm. 0am-8pm. SSan an JJose. ose.

TRITON T RITON M MUSEUM USEUM O OFF A ART RT “Stan W “Stan Welsh: elsh: O On n LLand—On and—On Water.” mixed W ater.” A sshow how ooff m ixed media m edia aand nd cceramic eramic ssculptures. culptures. TThru hru Dec Dec 5. 5. TTueueWed W ed aand nd FFri-Sun, ri-Sun, 111am-5pm. 1am-5pm. TThu, hu, 11am-9pm. 11am-9pm. Santa Santa Clara. Clara.

MAIN M AIN GGALLERY ALLERY Photography bbyy B Photography Brandy randy Brune B rune aand nd ooilil ppaintings aintings bbyy Noerdlinger. Oct EElizabeth lizabeth N oerdlinger. O ct 220-Nov 0-Nov 221. 1. Reception Reception SSat, at, Wed-Sun, 55-7pm. -7pm. W ed-Sun, 110am-3pm. 0am-3pm. Redwood R edwood CCity. ity.

“Ancient Art, “Ancient Art, Modern Modern TTwist.” wist.” Paintings P aintings by by Mariana Mariana Banes. Banes. ““Italy Italy Today.” Today.” Photos Photos by by John John Paulson. EEric ric P aulson. Thru Thru Oct Oct 31. 31. SSan an Jose. Jose.

KAVLI INSTITUTE KAVLI INSTITUTE FOR FOR PARTICLE P ARTICLE ASTROPHYSICS ASTROPHYSICS

CCONTINUING ONTINUING

A display display of of 19 19 works, work s, iincluding ncluding the the “Galactic “Galactic Mysteries” M ysteries” sseries, eries, by by LLeah eah National LLubin. ubin. SLAC SLAC N ational Accelerator Stanford. Ac celerator Lab, Lab, St anford.

ANNO A NNO D DOMINI OMINI

KING K ING LLIBRARY IBRARY

“Better TThan “Better han 22009.” 009.” SSolo olo forr M MOMO eexhibit xhibit fo OMO ppostostNov ggraffiti raffiti aartist. rtist. TThru hru N ov 220. 0. TTue-Fri, ue-Fri, nnoon-7pm, oon-7pm, SSat, at, nnoon-5pm. oon-5pm. SSan an JJose. ose.

ART ASS ART ASSOCIATION OCIATION GGALLERY ALLERY “Annual FFine “Annual ine A Art rt SShow.” how.” Presented P resented bbyy tthe he FFremont remont Art Oct 24.. A rt Association. Association. TThru hru O ct 24 FFremont. remont.

ART A RT A ARK RK GGALLERY ALLERY “Modified.” A ggroup “Modified.” roup sshow how found bbyy aartists rtists uusing sing fo und materials. Oct Art m aterials. TThru hru O ct 229. 9. A rt Ark Apartments, A rk A partments, SSan an JJose. ose.

ART A RT O OBJECT BJECT GGALLERY ALLERY

“Resolutions and “Resolutions and Dissolutions.” D issolutions.” Works Works by by Darlene Boyd. D arlene B oyd. Thru Thru Oct Oct 31. 31. Main M ain Library, Library, San San Jose. Jose.

METRO M ETRO LOBBY LOBBY “Snaps.” Photos “Snaps.” Photos by by the the Ahn Ahn SSisters. isters. Thru Thru Oct Oct 31. 31. Metro, Metro, SSan an Jose. Jose.

MOHR M OHR GALLERY GALLERY Mixed-media prints Mixed-media prints by by Pantea P antea Karimi. Karimi. Thru Thru Nov Nov 9am-7pm, 221. 1. Mon-Fri, Mon-Fri, 9 am-7pm, SSat, at, 9am-3pm. 9am-3pm. Community Community Music SSchool chool ooff M usic and and Arts, Arts, Mountain M ountain View. View.

MONTALVO M ONTALVO ARTS ARTS CENTER CENTER

“Momentum 22010.” “Momentum 010.” A ggroup roup Valley sshow how bbyy SSilicon ilicon V alley Artists’ A rtists ’ Collaborative. Collaborative. TThru hru Oct O ct 331. 1.

“Ode to “Ode to Montalvo” Montalvo” bbyy A Ann nn Weber W eber ((ends ends Oct Oct 31) 31) and and Within, Without” ““From From W ithin, SSoo W ithout” by by Alili M Maschke-Messing A aschke-Messing (ends (ends JJun un 30). 30). Saratoga. Saratoga.

CCAFFE AFFE TRIESTE TRIESTE

PALO P ALO A ALTO LTO ART ART CCENTER ENTER

“Food, FFlowers “Food, lowers aand nd FFun.” un.” A Art rt Norton. Oct bbyy JJennifer ennifer N orton. TThru hru O ct 330. 0. SSan an JJose. ose.

“In FFocus” “In ocus” CCollecting ollecting Photography.” P hotography.” “Light “Light From From the the Underground,” U nderground,” a photographic photographic mining eessay ssay about about m ining in in South South Wales W ales bbyy Colette Colette CampbellCampbellHaiti.” JJones. ones. ““Paintings Paintings FFrom rom H aiti.” TThru hru Dec Dec 112. 2. TTue-Sat, ue-Sat, 10am10am55pm, pm, SSun, un, 1-5pm, 1-5pm, and and TTue-Thu, ue-Thu, Palo Alto. 77-10pm. -10pm. P alo A lto.

DOWNTOWN D OWNTOWN Y YOGA OGA SSHALA HALA Works bbyy N Works Nancy ancy LLober. ober. TThru hru Oct O ct 229. 9. SSan an JJose. ose.

FFILOLI I LO L I “San FFrancisco “San rancisco B Bay ay A Area rea Wildlife: Beautiful, Vital, W ildlife: B eautiful, V ital, FFragile.” ragile.” A pphoto hoto eexhibit. xhibit. Oct 24.. TTue-Sat, TThru hru O ct 24 ue-Sat, 110am0am33:30pm, :30pm, SSun, un, 111am-3:30pm. 1am-3:30pm. Woodside. W oodside.

GGALLERY ALLERY H HOUSE OUSE “Opposite A “Opposite Attraction.” ttraction.” Paintings Peterman P aintings bbyy JJane ane P eterman aand nd ssculptures culptures bbyy KKris ris TTaylor. aylor. Runs Nov Reception R uns tthru hru N ov 113. 3. R eception 6-8pm. FFri, ri, 6 -8pm. TThrough hrough Printers’ Printers ’ Cafe, Palo Alto. IInc. nc. Ca fe, P alo A l to.

GGALLERY ALLERY SSARATOGA ARATOGA Works bbyy iillustrators Works llustrators A Angelo ngelo Woody Miller. LLopez opez aand nd W oody M iller. TThru hru Oct O ct 331. 1. TTue-Sun, ue-Sun, 111am-6pm. 1am-6pm. Big Basin Way, B ig B asin W ay, SSaratoga. aratoga.

HIGHER FFIRE HIGHER IRE CCLAYSPACE LAYSPACE & GGALLERY ALLERY “Three fo “Three forr A All.” ll.” W Works orks bbyy cclay lay aartists rtists LLiz iz Burkhouse, Burkhouse, CCindy indy Starr. CCouling ouling aand nd JJanet anet St arr. TThru hru Nov N ov 44.. SSan an JJose. ose.

CLASSICAL

ROSE SSHENSON ROSE HENSON CCOMMUNITY OMMUNITY GGALLERY ALLERY “Alternate Realities.” “Alternate Realities.” Annual Annual members’ m embers ’ water-media water-media sshow how with with artists artists from from tthe he Santa Santa Clara Clara Valley Valley Watercolor Nov W atercolor SSociety. ociety. TThru hru N ov 113. 3. Behind Behind Triton Triton Museum Museum of of Art, A rt, SSanta anta CClara. lara.

SAN JOSE SAN JOSE IINSTITUTE NSTITUTE OF OF CCONTEMPORARY ONTEMPORARY ART ART Annual Art Annual Art Exhibition Exhibition and and Auction. A uction. To To celebrate celebrate the the 330th 0th aanniversary nniversary of of the the ggallery. allery. SShow how runs runs through through llive ive auction auction oonn Oct Oct 23. 23. TueTueFFri, ri, 10am-5pm, 10am-5pm, Sat, Sat, noonnoon6pm. Open 6 pm. O pen late late first first Friday Friday ooff tthe he month. month. San San Jose. Jose.

SJSU SJ SU SSTUDENT TUDENT GALLERIES GALLERIES Call for Call for info. info. SJSU SJSU Art Art Building. B uilding. 408.924.4320. 408.924.4320.

49 4 9

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Classical Moves THE FALL CLASSICAL SEASON really gathers steam this weekend on many fronts, with traditional ensembles, guest artists from as far away as Germany and a new venue for a popular pops orchestra. THE PALO ALTO CHAMBER ORCHESTRA welcomes cellist Michelle Djokic to help

open its 45th season. The program embraces a string quartet by a young (11 years old) Mendelssohn, Jean-Baptiste Lully’s Baroque Piece de Concert and Suites for Cello and Strings by Lou Harrison. Saturday, 8pm; Eagle Theater, Los Altos High School; $5–$15. THE SAN JOSÉ CHAMBER ORCHESTRA, under the direction of Barbara Day Turner, presents “There Is a Time.” Vivaldi’s Flute Concert (Il Gardelino) will be performed by guest artist Viviana Guzman. The evening also features The Seasons by Howard Hersh, who studied composition at Stanford, and Norman Dello Joio’s Meditations on Ecclesiastes. Sunday, 7pm; Le Petit Trianon, San Jose. All the way from Germany comes the FAURÉ PIANO QUARTET courtesy the SAN JOSE CHAMBER MUSIC SOCIETY. The violin, cello and piano ensemble will perform works by Mahler, Brahms and Schumann. Friday, 8pm; Le Petit Trianon, San Jose; $30–$42. Henry Mollicone’s WINCHESTER ORCHESTRA gets its new season started with 13-year-old guest violinist Stephen Waarts taking on the challenge of Paganini’s Concerto no. 1 for Violin and Orchestra. The program also includes Schubert’s Overture in the Italian Style and selections from Carmen. Saturday, 7:30pm, West Valley College Theater, Saratoga; and Sunday, 7pm, Trinity Cathedral, San Jose; $10–$20. MASTER SINFONIA CHAMBER ORCHESTRA, the in-house symphony of Foothill

College, performs Handel’s Water Music and Haydn’s Symphony no. 103. Saturday, 8pm, Valley Presbyterian Church, Portola Valley; and Sunday, 3pm; Los Altos Methodist Church; $5–$20. EL CAMINO YOUTH SYMPHONY starts its 48th season with a program of Dvorak, Prokofiev and Liszt. Saturday, 7:30pm, Flint Center, Cupertino; $6/$12. Baroque leads the way for the 30-member vocal group the CALIFORNIA BACH SOCIETY, with a performance of Purcell’s Hail! Bright Cecilia (1692) and Handel’s Acis and Galatea (1718), a single-act dramatic work in a pastoral vein. Saturday, 8pm; St. Patrick’s Seminary, Menlo Park; $30. Also in a vocal groove, the SJSU CONCERT CHOIR AND CHAMBER SINGERS offer “There Will Be Singing,” a night devoted to Schumann, Schubert and Brahms. Friday, 7:30pm, Campbell United Methodist; and Saturday, 7:30pm, First Congregational Church of Palo Alto; $10–$25. This weekend also marks the beginning of a new six-concert season and a new venue for the CALIFORNIA POPS ORCHESTRA. The 65-member group, led by Kim Venaas, had to scramble for a new performance space recently and was able to settle at Calvary Church in Los Gatos. The opener shows off the Pops at its best, doing favorite tunes form Broadway and movie soundtracks. Sunday, 3pm; $10–$35. Speaking of pops, one of the most names in the business pops up as FRANK SINATRA JR. does a benefit show with SYMPHONY SILICON VALLEY. The concert, preceded by a champagne reception, raises money for the STROKE AWARENESS FOUNDATION. Saturday, 8pm; California Theatre, San Jose; call

408.879.8433 for ticket info.—Michael S. Gant

47 M E T R O S I L I C O N VA L L E Y | O C TO B E R 2 0 -2 6 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

“Explore SSan “Explore an JJose ose Parks— Parks— Open O pen ttoo tthe he Public Public Since Since Att P Pacific 11850.” 850.” TThru hru JJan an 23. 23. A acific Hotel H otel Gallery. Gallery. Tue-Sun, Tue-Sun, 111am1am55pm. pm. SSan an JJose. ose.

KALEID K ALEID GALLERY GALLERY


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GISELLE GIS OCTOBER OC TOBER 2 22–24

PERFORMED PERF ORME D WITH S SYMPHONY Y SILICON VALLEY SAN S AN JOSE J OSE CENTER F FOR OR TH T THE PERFORMING ARTS

:F=8 5M,DA˜G5H HIF 85M , :F=85M,DA˜G5HIF85M,DA˜GIB85M%.'$DA :5A=@MA5H=B99G5HIF85M%.'$DAREDUCED PRICES : 5A=@ @M A5 5H H=B99 G5H HIF 85M

Eileen Eil een Ivers Ivers & Immigr Immigrant ant Soul Sou ul Wed, W e ed, No Nov v 3, 7:30pm m St Starting arting at $32 “Ivers bridges “Ivers “I b id the h gap between be between h her cceltic eltic l i rroots oots and d sstyles tylles ranging ranging i fr om jazz, salsa and flamenco flam menco to to rock rock funk and even even e electronica electronica … from a sensation.” - Billboard Billboard Magazine

Hailed Hail ed by the Ne New wY York o ork k Timess as “the Jimi Hendrix Hend drix of the violin.”

Carriage House Theatre Theattre Box Office, Box Office, 408.961.5858, 408.961.5858 8, M-F, 10am-4pm tticketmaster.com icketmaster.com or montalvoarts.org mo ontalvoarts.org F ree on-site on-site parking! Free

15400 Montalvo Montalvo Road Sar atoga, C A 95070 Saratoga, CA


ARTS RT S metroactive metr oactivve A SSLG LG A ART RT B BOUTIKI OUTIKI “EyaaaaaahH!! M “EyaaaaaahH!! Monsters!” onsters!” Pieces P ieces in in a bbeastly eastly vvein ein Brunner, bbyy JJames ames B runner, John John Hastings Rausch. H astings aand nd Drew Drew R ausch. TThru hru Oct Oct 229. 9. SSan an JJose. ose.

SSTANFORD TANFORD A ART RT SSPACES PACES Photographs by Photographs by Ken Ken Holden, H olden, paintings paintings by by Gianna Gianna Marino, Nearl Boor M arino, N earl B oor and and Pat Pat SSherwood. herwood. Thru Thru Oct Oct 28. 28. Weekdays, 8:30am-5pm. W eekdays, 8 :30am-5pm. Stanford. St anford.

THOMPSON T HOMPSON A ART RT GGALLERY ALLERY

Los Gatos Los G atos Town Town CCouncil ouncil Chamber. Chamber.

ALEXANDER MCCCALL ALEXANDER ALL SSMITH MITH The pprolific The rolific aauthor uthor sshows hows with uupp w ith hhis is llatest atest IIsabel sabel Dalhousie D alhousie nnovel, ovel, ““The The Quirks Others.” CCharming harming Q uirks ooff O thers.” Kepler’s, SSun, un, nnoon. oon. FFree. ree. Ke pler ’s, Menlo Park. M enlo P ark.

GGEMMA EMMA W WHELAN HELAN The aauthor The uthor ttalks alks aabout bout hher er bbook ook “Fiona: “Fiona: Stolen Stolen CChild.” hild.” Wed, Books W ed, 77pm. pm. FFree. ree. B ooks IInc., nc., Mountain View. M ountain V iew.

“Italo SScanga: “Italo canga: Metaphysicals.” M etaphysicals.” SSculptures. culptures. TThru hru Nov Nov 5. 5. TTue, ue, 111am-4pm, 1am-4pm, 6-7:30pm, Mon, Wed-Fri, 6 -7:30pm, M on, W ed-Fri, Art Building, 111am-4pm. 1am-4pm. A rt B uilding, SSJSU. JSU.

JJAMES AMES WILLOUGHBY WILLOUGHBY

Books B ooks

ids *kkids

JJIMMY IMMY CCARTER ARTER The former The former president president forr a meet-andaappears ppears fo meet-and$32.78, ggreet. reet. TTue, ue, 77pm. pm. $ 32.78, iincludes ncludes bbook ook ((see see www www forr ddetails). ..keplers.com keplers.com fo etails). Kepler’s, Ke pler ’s, Menlo Menlo Park. Park.

GGLORIA LORIA FFELDT ELDT A ssigning igning event event for for author author ooff women ““No No EExcuses” xcuses ” aabout bout w omen aand nd ppower. ower. TThu, hu, 77pm. pm. Free. Free. Kepler’s, Ke pler ’s, Menlo Menlo

DAVID D AVID H HERLIHY ERLIHY The author The author ooff “The “The Last Last CCyclist” yclist” talks talks about about the the aadventure dventure ooff rriding. iding. Thu, Thu, Books Palo 77pm. pm. FFree. ree. B ooks IInc., nc., P alo Alto. A l to.

IIAN AN M MORRIS ORRIS The author The author ooff “Why “Why the the West Rules” W est R ules ” ttalks alks aabout bout the the ppatterns atterns ooff history. history. Wed, Wed, Kepler’s, Menlo 77pm. pm. FFree. ree. Ke pler ’s, M enlo Park. P ark.

CCARL ARL PHILLIPS PHILLIPS The Center The Center for for Literary Literary Arts A rts ppresents resents ttwo wo eevents vents with Carl w ith ppoet oet aand nd essayist essayist Ca rl Phillips. Wed, reading, P hillips. W ed, 77pm, pm, re ading, Rm KKing ing LLibrary, ibrary, R m 225/229. 225/229. TThu, hu, 1pm, 1pm, cconversation onversation with with Camille Dungy, Ca mille D ungy, University University Both TTheatre, heatre, SSJSU. JSU. B oth aare re free. free.

IIRMA RMA SSLAGE LAGE Friends ooff LLos Friends os G Gatos atos Public Public LLibrary ibrary hhold old a FFriday riday Night Night FForum orum with with tthe he author author of of Guide ““Psychic Psychic Encounters: Encounters: A G uide Having ttoo H aving YYour our Own Own SSpirit pirit CContact.” ontact.” FFri, ri, 7:30pm. 7:30pm. FFree. ree.

The ccookbook The ookbook aauthor uthor fool-proof eexplains xplains tthe he fo ol-proof recipes re cipes in in “America’s “America’s TTest est KKitchen.” itchen.” TThu, hu, 77:30pm. :30pm. FFree. ree. Books Mountain View. B ooks IInc., nc., M ountain V iew. Park. P ark.

JJAN AN B BRETT RETT

A chance chance ttoo m meet eet tthe he aauthor uthor Dassies.” ooff ““The The 3 LLittle ittle D assies.” SSat, at, Kepler’s, Menlo 55pm. pm. FFree. ree. Ke pler ’s, M enlo Park. P ark.

CALIFORNIA THEATRE CALIFORNIA THEATRE PREVIEW CCENTER ENTER P REVIEW A celebration celebration ooff 3355 yyears ears ooff ffamily amily pproductions roductions aand nd a llook ook aatt tthe he sseason eason 6:30pm. ccoming oming uup. p. SSat, at, 6 :30pm. $25. $ 25. SSunnyvale unnyvale CCommunity ommunity CCenter. enter.

DISNEY D I S N EY O ON N IICE CE Mickey and Mickey and Minnie’s M i n n i e’ s M Magical agical Wed-Thu, JJourney. ourney. W ed-Thu, 77:30pm, :30pm, FFri, ri, 110:30am 0:30am aand nd 7:30pm, 7:30pm, SSat-Sun, at-Sun, 111am, 1am, 3 aand nd 77pm. pm. $16 HP Pavilion, $ 16 and and uup. p. H PP avilion, SSan an JJose. ose.

ROBIN R OBIN H HOOD OOD & FFRIENDS RIENDS A play play fo forr yyoung oung aaudiences udiences Valley bbyy SSouth outh V alley CCivic ivic TTheatre. heatre. 8pm, FFri-Sat, ri-Sat, 8 pm, SSun, un, 22:30pm. :30pm. Runs Oct 24.. $14/$18. R uns tthru hru O ct 24 $14/$18. Morgan M organ Hill Hill CCommunity ommunity Playhouse. P layhouse.

ZZOPPÉ OPPÉ Italian ffamily Italian amily ccircus ircus in in a Wed-Thu, ttraditional raditional sstyle. tyle. W ed-Thu, 77pm. pm. FFri, ri, 4 and and 77pm, pm, SSat, at, nnoon, oon, 3 aand nd 77pm. pm. SSun, un, $10-$20. nnoon oon aand nd 33pm. pm. $ 10-$20. Downtown Redwood D owntown LLibrary, ibrary, R edwood CCity. ity.

49 M E T R O S I L I C O N VA L L E Y | O C TO B E R 2 0 -2 6 , 2 0 1 0 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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More More listings:

METROACTIVE.COM M ETROACTIVE.COM

?8DD<I8E;J@:BC<K@D< ?8D D<I8E;J@:BC<K@D<KfepDXpÊjn`kkpXjj\dYcX^\g`\Z\É8ek`hl\KffcIXZbÊ KfepDXpÊjn`kkpXjj\dYccX^\ g`\Z\ É8 8ek`hl\Kffc IXZbÊ `jfe\f]jZfi\jf]nfibjYpcfZXcXik`jkjk_Xkn`cc^ffejXc\JXkli[Xp]fik_\XeelXc `j fe\ f]jZfi\j f]nfibj Yp p cfZXc Xik`jkj k_Xk n`cc ^f fe jX Xc\ JXkli[Xp]fik_\ XeelXc  c`m\XlZk`feXkk_\JXeAfj\@ejk`klk\f]:fek\dgfXip8ik%K_\]\jk`m\\m\ekY\^`ej c`m\ XlZk`fe Xk k_\ JXe Afj\ \@ejk`klk\ f]:fek\dgfXip8ikk% K_\ ]\jk`m\\m\ek Y\^`ej  Xk-gd#n`k_XlZk`feXZk`fejkXik`e^Xk.gd%:Xcc+'/%)/*%/(,,kfYlpXk`Zb\k% Xk -gd# n`k_ XlZk`fe XZk`fe e jkXik`e^ Xk .gd%:Xcc +'/%)/*%//(,,kf Ylp X k`Zb\k%

vents *eevents ALL-CHURCH A LL-CHURCH RUMMAGE RUMMAGE SSALE ALE

A big big sale sale with with llow ow prices. prices. SSat, at, 8am-2pm. 8am-2pm. Almaden Almaden Hills H ills United United Methodist Methodist (1200 (1200 Blossom B lossom Hill), Hill), San San Jose. Jose.

AMERICAN AMERICAN RHODODENDRON R HODODENDRON SOCIETY SOCIETY

Mon, 11am. Mon, 11am. (See (See www.strike www.strike force.com/golf fo rce.com/golf for for ticket ticket ccosts.) osts.) San San Jose Jose Country Country Club. Club.

FABMO T FABMO TEXTILE EXTILE A ART RT BOUTIQUE B OUTIQUE Discontinued designer Discontinued designer materials m aterials aare re turned turned iinto nto sstylish tylish new new creations creations by by llocal ocal aartists. rtists. Sat, Sat, 10am-5pm. 10am-5pm. Donations D onations accepted. accepted. 2400 2400 SSand and Hill Hill Rd, Rd, Menlo Menlo Park. Park.

The De The De Anza Anza Chapter Chapter ppresents resents a talk talk by by Don Don SSeltzer eltzer about about hunting hunting rrhodos hodos in in China. China. Wed, Wed, 77:30pm. :30pm. Free. Free. Room Room 112, 2, Hillview H illview Community Community Center, Center, Altos. LLos os A l tos.

FREMONT SSCHOOLS FREMONT CHOOLS FFUNDRAISER UNDRAISER

CHARITY GGOLF CHARITY OLF TOURNAMENT TO URNAMENT

HALLOWEEN H ALLOWEEN FUN FUN FFEST EST

Strikeforce fi Strikeforce fighters ghters pplay lay ggold old ttoo hhelp elp Turning Turning Wheels Wheels for for KKids. ids. Includes Includes buffet buffet lunch. lunch.

A benefit benefit w with ith local local m marital arital aarts rts studios. studios. Sat, Sat, 3-4:30pm. 3- 4 : 3 0 p m . $5/$6. $ 5/$6. Irvington Irvington High High School, School, FFremont. remont. A pumpkin pumpkin patch patch pplus lus jump jump hhoues, oues, crafts, crafts, music music and and more more forr ffamilies. fo amilies. Sat, Sat, 11am-2pm. 11am-2pm. U.S. FFree. ree. U .S. Bank, Bank, downtown downtown SSan an Mateo. Mateo.

HOWLING H OWLING HALLOWEEN HALLOWEEN Society D Society Dog og hhosts osts a dress-up dress-up forr ttrick-or-treating eevent vent fo rick-or-treating ddogs ogs and and their their companions. companions. SSat, at, 5:30-7:30pm. 5:30-7:30pm. $15/$20. $15/$20. Downtown D owntown Los Los Gatos Gatos ((register register U.S. aatt U .S. Bank, Bank, 127 127 No. No. Santa Santa Ave.) CCruz ruz A ve.)

LLIGHT IGHT THE THE NIGHT NIGHT A two-mile two-mile w walk alk to to hhelp elp raise raise money m oney for for Leukemia Leukemia and and LLymphoma ymphoma Society. Society. Sat, Sat, 7pm. 7pm. Meet Arena M eet aatt A rena Green Green Park, Park, West W est Santa Santa Clara Clara and and South South Autumn A utumn street street at at 55pm, pm, San San JJose. ose.

SSPACE PACE EEXPLORATION XPLORATION A talk talk bbyy Er. Er. Eric Eric Wegryn Wegryn aabout bout Mars Mars Pathfinder Pathfinder and and Cassini Ca ssini projects. projects. Tue, Tue, 7pm. 7pm. FFree. ree. JJackson ackson TTheatre, heatre, SSmith mith Ohlone CCenter, enter, O hlone CCollege, ollege, FFremont. remont.

SYNERGY: A SYNERGY: ARTISTS RTISTS CCOLLABORATING OLLABORATING A ppanel anel discussion discussion as as ppart art ooff Connecting Connecting Art Art series. series. Palo Alto TThu, hu, 77pm. pm. FFree. ree. P alo A lto Art Art Auditorium. CCenter enter A uditorium.

WHO’S T WHO’S THAT HAT SSTRANGER TRANGER MY IIN NM Y GGARDEN? ARDEN? A ttalk alk bbyy B Betsy etsy FFryberger ryberger aabout bout bbotanist otanist explorers. explorers. Sun, Sun, Gamble 22-4:30pm. -4:30pm. $30.$30. $30.$30. G amble Garden, Palo Alto. G arden, P alo A l to.


M E T R OAC T I V E . C O M | SA N J O S E . C O M | O C TO B E R 2 0 -2 6, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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metroactive FILM

World Serious

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?FF ?FFK@E>k_\ FK@E> k_\ d\jj\e^\i`jXcnXpj d\j jj\e^\i`jXcn c Xpj ]le#YlkY\jli\kf ]le# # Ylk Y\ jli\ kf jXm\XYlcc\k]fi jXm\ X \ X Ylcc\k ]fi pflij\c]%K_\Le`k\[EXk`fej pfl pflij\c]% K_\Le`k\[EXk`fej 8jjfZ`Xk`fe=`cd=\jk`mXc# 8 8jjfZ`Xk`fe Xk e =`cd =\jk`mXc# n_`Z_ilejFZk%))Å*(`e n_ _`Z_ ilej FZk% ))Å*( `e GXcf8ckf#`eZcl[\j[fq\ej G Xcf8ckf 8c # `eZcl[\j [fq\ej f]]\Xkli\$c\e^k_Xe[j_fik f f] ]\X ]\Xkli\$c c\e^k_Xe[ j_fik [fZld\ekXi`\jX`d`e^kf [fZld\ekX e Xi`\j X`d`e^kf jlggfikk_\^fXcjf]k_\ jlggfik lgg k k_ lg _\ ^fXcj ^fXcj f] k_\ k_\ Le`k\[EXk`fej% Le Le`k\[ [ EXkk`fej ` % The T he ffestival estival h has as p perhaps erhap ps a b bit it o off b ad n ews tto od eliver. T here m ay b bad news deliver. There may bee o ne d ecade lleft eft u ntil cclimate limate change change one decade until b ecomes iirreparable, rreparable, aand nd M ichaeel becomes Michael N ash’s Climate Climate Refugees Refugees m akes yyour our Nash’s makes q uotidian h orror m ovie llook ook llike ike quotidian horror movie

rubber-masked sslapstick. rubber-masked lapstick. Nash, Nash, the the director Fuel how d irector of of F uel ((2007), 2007), sshows hows h ow tthe he ccosts osts of of tthat hat change chan nge are are adding adding up Hee interviews u p aalready. lready. H interviews everyone everyone ffrom rom Stanford Stanford academics academics to to the the prime prime minister off T Tuvalu m inister o uvalu and an nd displaced displaced flood fl ood vvictims ictims in in South South Asia. Asia. Retired Retired Vice-Admiral V ice-Admiral Dennis Dennis V. V. McGinn McGinn sums sums up u p tthe he ttroubles: roubles: off eevil people ““There There aaren’t ren’t a llot ot o vil p eople world, iin n tthe he w orld, jjust ust a lot lot of of desperate desperate people. p eople.” We We have have refugees refugees galore gallore aalready, lready, and and desertification desertificattion and an nd flooding ccoastal oasstal fl ooding in in the the near nearr future future may m ay llead ead to to some some 30 30 million million people people heading h eading our our way way and and wondering wondering what’s dinner. w hat’s ffor or d inner. Festival F estivall director director Jasmina Jassmina Bojic Bojic made m ade a bleak bleak joke joke aatt the the festival’s festival’s press how p ress cconference onference aabout bout h ow tthe he Halloween wrap-up H alloween w rap -up date date was was perfect perfect ttiming. iming. It It will will be be hard hard to to top top the the off LLet’s Make Money. Like tterror error o et’s M ake M oney. L ike

Climate Refugees, documentary C limate R efugees, tthe he d ocumentary iiss a multicontinent m ulticontinent survey. survey. This T his sscarifying carifying critique critique of of gglobalism lobalism how ttries ries tto o sshow how h ow a newly newly printed printed dirt eeuro uro ggets ets ssome ome d irt on on it. it. Director Director Erwin E rwin Wagenhofer Wagenhofer interviews interviews a Lex Luthorish banker L ex L uthorish iinvestment nvestment b anker iin n Singapore: S ingapore: ““II don’t don’t think think an an investor investor ought bee responsible o ught tto ob responsible for for tthe he off tthe he’s eethics thics o he ccompany ompan ny h e’s invested invested iin. n.” A German German n industrialist industrialist surveys surveys matchless tthe he m atchless squalor squallor of of Chennai Chennai Madras) ((formerly formerly M ad dras) and an nd decides decides tthat hat all al ll the the ffuture uture holds holds for for these these Indians Indian ns ((and and us) us) is is a life life of of longer longer hours hours and and wages. sshorter horter w agges. An open-pit A no pen-pit mine mine in in Ghana Ghana ggives ives up u p iits ts gold gold to to Switzerland Switzerland and and gets gets off tthe 3 percent percent o he vvalue alue back—and back—and all all off tthe mine o he m ine tailings taiilings they they can can n eeat. at. IIn n Burkina B urkina Faso, Faso, the the world’s world’s fourthfourthpoorest p oorest ccountry, ountry, sskeletal keletal ccotton otton pickers beg p ickers b eg ffor or an an end end to to subsidies subsidies ffor or American A merican ccotton. otton. The phantom off money T he p hantom o money eenjoys njoys a ccheap heap holiday, holiday, sprawling sprawling on on the the disfigured d isfigured Costa Costa del del Sol Sol in in Spain. Spain. There, T here, iinternational nternational investors investors sslapped lapped up 800,000 u p8 00,000 fancified fancified crapshacks crapshacks a until yyear earr u ntil the the bubble bubble burst. burst. We We ssee ee tthe he aaftermath ftermath of of a “cement “cement tsunami” tsunam mi”

off eempty untenanted, o mpty ccondos, ondos, u ntenanted, eeach ach ssurrounding urrounding tthirsty hirsty ggolf olf ccourses ourses baking desert. b ak king iin n tthe he d esert. Turncoats neoliberalism T urncoats aagainst gaiinst n eoliberallism Christensen ttestify. estifyy. IInvestor nvestor JJohn ohn C hristensen his native Channel off vvisits isits h is n ative C han nnel IIsland sland o which has become haven JJersey, ersey, w hich h as b ecome a ttax axx h aven ffor or iinvisible nvisible fforeign oreign ccash-hogs. assh-hogs. JJohn ohn Perkins Hit P erkins ((Confessions Confessions of of an an EEconomic conomic H it Man) delivers M an) d elivers a cchilling hilling ssummation ummation off A American financial policies o merican an fi nancial p olicies ssince ince Nixon. Wee cconclude with Bundestag N ixon. W onclude w ith B undestag Hermann Scheer, who rrepresentative epresentaattive H ermann S cheer, w ho uss o on off tthe Reichstag—a ttakes ak kes u n a ttour our o he R eichstag—a historically h istoricallly ffraught raught llocation, ocattion, yyou ou might The m ight ssay. ay. T he llegislator egislator fforecasts orecasts tthe he kind off b barbarism k ind o arbarrism tto o ccome ome iiff tthat hat high-flying, nest-fouling bird off ccapital h igh-flying, n est-fouling b ird o apital doesn’t wings d oesn’t gget et iits ts w ings cclipped lipped ssoon. oon. But maybe B ut m ayb be you you would would prefer prefer a sea sea vvoyage oyagge to to a time-share time-sharre in in a haunted haunted Spanish Hold nose S panish ccondo? ondo? H old yyour our n ose aand nd welcome Probo Koala! w elcome aaboard boarrd tthe he P robo K oala! The The T he sshort hort documentary documentary T he SStinking tinking how SShip hip ttells ells h ow a sseagoing eaggoing rrefinery, efineryy, make rregistered egistered in in Panama, Panama, tried tried tto om ake buck Mexican ab uck ssalvaging alvaging ssome ome M exican n ffuel uel oil o il tthrough hrough a method method called callled ““caustic caustic washing. The w ashing.” T he ttechnique echnique left left behind behind a waste, which sshipload hipload full full of of toxic toxic w aste, w hich had had not tto o ggo o ssomewhere—why omewhere—why n ot tthe he capital cap pitall dump D’Ivoire? ccity ity d ump iin n Africa’s Africa’s Côte Côte D ’Ivoire? Unfortunately, figured U nfortunately, tthe he llocals ocals fi gured out. That iitt o ut. T hat ccountry’s ountry’s ccabinet abinet over Trafigura, rresigned esigned o ver tthe he sscandal. candal. T rafigura, multinational tthe he sshadowy hadowy m ultinational tthat hat owned Koala, had pay o wned tthe he Probo Probo K ooala, h ad tto op ay out bundle o ut a b undle tto o sstop top tthese hese tterrible errible off d death and aallegations llegations o eath an nd iillness. llness. Eventually, Trafigura’s E ventuallly, T rafigura’s ssolicitors olicitors BBC on air fforced orced the the B BC tto o ggo oo n tthe he ai ir aand nd off ““I’m ssing ing a vversion ersion o I’m ssorry” orry” tthat hat would have made Brenda Lee w ould h ave m ade B renda L ee ssnivel. nivel. IInterviewees nterviewees iinclude nclude a fformerly ormerly pretty disfigured byy tthe waste p retty llady ad dy d isfigured b he w asste David Leigh, aand nd D avid L eigh, iinvestigative nvestigattive eeditor ditor Guardian. UC-Berkeley’s ffor or tthe he G uardian. U C-Berkeley’s Bagassi Koura, with B aggasssi K oura, w ith aadvisement dvisement ffrom rom Lowell Bergman, directs. L owell B ergman n, d irects. Every with E very ttown own w ith a ggas as sstation tation aand nd hosts film a 77-Eleven -Eleven h osts a fi lm ffestival; estival; tthe he UNAFF one off tthe U NAFF iiss o ne o he ffew ew ffestivals, estivalls, hundreds, matter. aamong mong h undreds, tthat hat m atter.

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metroactive FILM ENEMIES OF THE PEOPLE (Unrated; 93 min.) See review on page 54.

A FILM UNFINISHED (R; 88 min.) See review on page 52.

INSIDE JOB (PG-13; 120 min.) For those who can stomach it, Charles Ferguson’s documentary examines some of the reasons the country veered into the biggest depression since the 1930s. (Opens Fri at Camera 7 in Campbell and at CinéArts at Palo Alto Square.)

JACKASS 3-D (R; 94 min.) Undeniably visceral entertainment, and sometimes hilarious. This corner’s motto is, as always, “It’s not what you laugh at that makes you a moron, it’s what you cry at.” One of the stuntmen

dissidents, and a couple of the bits here are serious lunch-avulsers. The 3-D helps one get most of the popular bodily fluids right in the face, if that’s your idea of fun. (Plays valleywide.)(RvB)

PARANORMAL ACTIVITY 2 (R; 91 min.) Can home surveillance save a family from otherworldly beings? (Opens Fri.)

ENTHRALLING. THE HALLMARK OF EASTWOOD AS A FILMMAKER.”

Roger Ebert,

“‘HEREAFTER’ OPENS WITH THE MOST EXCITING FLOOD SCENE IN MOVIE HISTORY. IT LAUNCHES THE MOVIE WITH

A WONDROUS BLEND OF ART, TECHNIQUE AND ENTERTAINMENT.” Richard Corliss,

“CLINT EASTWOOD DELIVERS THE UNEXPECTED.”

SILICON VALLEY JEWISH FILM FESTIVAL Oct 20, 7:30pm, in Campbell at Camera 7: Zrubavel concerns the struggles and triumphs of Ethiopian Jews making lives for themselves in Israel. Barbara Ribakove Gordon, director of the North American Conference on Ethiopian Jewry, speaks before the film. Oct 24, 3pm, in San Jose at Camera 12 and Oct 27 at 7:30pm at Camera 7: The late Patrick Swayze co-stars in Jump

52

Kenneth Turan,

“PROVOCATIVE AND BOLD.” David Ansen,

“MASTERFULLY DIRECTED BY CLINT EASTWOOD. DAMON IS SUPERB.” Claudia Puig,

“IT’S EXHILARATING TO WATCH, ‘HEREAFTER’ IS TRULY HAUNTING.” Peter Travers,

“WONDERFUL.” A.O. Scott,

STARTS FRIDAY, OCTOBER 22 - CHECK DIRECTORIES FOR LISTINGS

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New

taunting an ornery ram with blasts from a sousaphone is carrying on the frontier humor tradition of Mark Twain’s “His Grandfather’s Old Ram.” The difference is that the ram in the Twain tale is left frozen in space, while this furious sheep attacks about a dozen times. The tormenter’s yelp to the beast as he gets severely butted—“Why?”—is easily the most hilarious thing in the movie. Genial but horrible ringleader Johnny Knoxville is to a rodeo clown what a wealthy rock star is to a Delta blues picker: someone getting rich from a rich tradition. So, the movie may only just seem like the end of Western civilization; some of the slapstick horrors here are true-life versions of favorites from Keystone comedies: the guy in the gorilla suit, the dog that goes straight for the seat of the pants, the irritable donkey. Some of the tortures are a little too close to the Roman Empire’s method of handling


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Courtesy of Oscilloscope Laboratories

52

REVIEW

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Retakes TO THE NAZIS, making a propaganda ďŹ lm shot entirely in the Warsaw Ghetto must have seemed like a sensible idea. With proper staging, they could prove that welloďŹ&#x20AC; Jews were having a soft war, while these vermin ignored ragged urchins and starving grandmothers on all sides. Yael Hersonskiâ&#x20AC;&#x2122;s A Film UnďŹ nished salvages and gives context to the soundless, abandoned footage shot by the Nazis. It was scrapped for some unknown reason, perhaps because there had been a change of strategy in Berlin from encirclement to extermination. In 1954, researchers discovered the ďŹ lm in a German archive, in a tin labeled â&#x20AC;&#x153;Ghetto.â&#x20AC;? More recently, in 1998 at the Library of Congress facility in Dayton, Ohio, a reel of outtakes and cut footage showed how the Nazis had staged what had previously been considered documentary footage. We see a city lady primping, diners enjoying roast goose at a restaurant and a crowd guďŹ&#x20AC;awing at a show at the New Azazel Theater. But we also see the corpse-littered sidewalks and the look of starvation. There are several levels of discourse here. One is the testimony of Willi Wist, reenacted by actors. A cameraman for the Nazis, he was apprehended and deposed in the 1960s. Wistâ&#x20AC;&#x2122;s ďŹ rst comment, like his name itself, is ďŹ t for a Peter Lorre character: â&#x20AC;&#x153;It is probable that I was in Warsaw in 1942.â&#x20AC;? As â&#x20AC;&#x153;Wistâ&#x20AC;? speaks, Hersonskiâ&#x20AC;&#x2122;s own camera does extreme close-ups on the magnetic reels and

metroactive FILM (2007) about the true-life story of famed photographer Philippe Halsmanâ&#x20AC;&#x2122;s trial for murder in Austria in 1928 on trumped-up charges brought because of the rise of Nazism there. Oct 12, 5:30pm, in San Jose: Where I Stand: The Hank Greenspun Story, a documentary about the publisher of the Las Vegas Sun, whose crusading career is remembered. Scott Goldstein, director/producer, will be on hand; in addition to extensive Emmy-winning work in TV, he is also the creator of multimedia exhibits at the Museum of Tolerance. Oct 24, 7:30pm, in Campbell at Camera 7: Jaffa (2009) set in Israelâ&#x20AC;&#x2122;s most cosmopolitan city, has Ronit Elkabitz as a mechanicâ&#x20AC;&#x2122;s wife who learns that her daughter is dating an Arab. (Plays Oct 9-Nov 13 in San Jose and Campbell; www.svjff .org.) (RvB)

SILICON VALLEY AFRICAN FILM FESTIVAL volume meters of a tape recorder, in the Errol Morris style. The Nazis were very thorough about keeping the actors in their documentary controlled; itâ&#x20AC;&#x2122;s the extra footage on sidewalks and in stinking apartments where the real story was taking place. Hersonski has some now-elderly survivors 8=`cd of the ghetto watch the LeĂ&#x201C;e`j_\[ footage. They make cries of recognition: â&#x20AC;&#x153;Oy! I R; 88 min. remember that woman!â&#x20AC;? Opens Friday, or â&#x20AC;&#x153;Thatâ&#x20AC;&#x2122;s Rubenstein, the Camera 3, San Jose dancer.â&#x20AC;? Theyâ&#x20AC;&#x2122;re a living commentary track, and they remind us that there were some ďŹ&#x201A;uctuations in levels of suďŹ&#x20AC;ering.â&#x20AC;&#x153;People made jokes, they sang,â&#x20AC;? says an old woman, unidentiďŹ ed until the end credits. In short, they hadnâ&#x20AC;&#x2122;t been reduced to diseased sheep by their torturers. Mostly, A Film UnďŹ nished is cinema as necromancy. It attempts to make dead, mute faces talk. But why does Hersonski show us these images ďŹ&#x201A;ickering on these witnessesâ&#x20AC;&#x2122; faces? Why does she study them as they watch the worst of itâ&#x20AC;&#x201D;the hillock of shit and rubbish, combed by scavengers; the corpses sliding into a pit? Itâ&#x20AC;&#x2122;s either insensitivity or a valuable reminder: thereâ&#x20AC;&#x2122;s something inside cinema that canâ&#x20AC;&#x2122;t be reďŹ ned or cleansed, no matter what. Thereâ&#x20AC;&#x2122;s something evil that comes from its power to manipulate, from the strident way that it claims its illusion is truth.â&#x20AC;&#x201D;Richard von Busack

The festival features 30 ďŹ lms from 16 countries, including the comedy Sex, Okra and Salted Butter from Chad; the political allegory Arugba from Nigeria; the folktales Origins of Sin from Uganda and Godâ&#x20AC;&#x2122;s Gift from Burkina Faso. Ethiopian director Yetnayet Bahru is on hand to introduce her closing ďŹ lm ldewolem (He Didnâ&#x20AC;&#x2122;t Call) about twentysomethings in love. (Plays Oct 23-24 in Mountain View at the Community School of Music and Art at Finn Center; www.svaff.org.) (RvB)

For showtimes, advance tix and more, go to

cameracinemas.com

Best Theaters -- SJ Merc, Metro & Wave Readers Always Plenty of Free Validated Parking All Sites Seniors & Kids $6.75 / Students $7.50 â&#x20AC;˘ * = No Passes $7 b4 6pm M-F / 4pm S-S, Holidays â&#x20AC;˘  = Final Week  = Presented in Sony 4K Digital (C7 only) â&#x20AC;˘ Pruneyard/Campbell â&#x20AC;˘ 559-6900      â&#x20AC;˘ Pruneyard/Campbell â&#x20AC;˘ 559-6900

JACKASS 3D (R) D-BOX SEATING *HEREAFTER (PG-13) *INSIDE JOB (PG-13) *RED (PG-13) SOCIAL NETWORK (PG-13) WAITING FOR SUPERMAN (PG) *STONE (R) QUEEN OF SPADES (HD Opera)--Sun 11am/Wed 7pm THE BIG LEBOWSKI--Fri at 12 midnight

   â&#x20AC;˘ 41 N. Santa Cruz â&#x20AC;˘ 395-0203 THE SOCIAL NETWORK (PG-13) *RED (PG-13)

      â&#x20AC;˘ 201 S. 2nd St, S.J. â&#x20AC;˘ 998-3300 Student Night Wednesdays -- $6 after 6pm *PARANORMAL ACTIVITY 2 (R) *RED (PG-13) ITâ&#x20AC;&#x2122;S KIND OF A FUNNY STORY (R) *HEREAFTER (PG-13) CATFISH (PG-13) *JACKASS 3D (R) LIFE AS WE KNOW IT (PG-13) SECRETARIAT (PG) EASY A (PG-13) THE SOCIAL NETWORK (PG-13) THE TOWN (R) LET ME IN (R) FOOL FOR LOVE (PG-13) SILICON VALLEY JEWISH FILM FEST -- Sunday

   â&#x20AC;˘ 288 S. Second, S.J. â&#x20AC;˘ 998-3300 *ENEMIES OF THE PEOPLE (NR) *A FILM UNFINISHED (NR) *NEVER LET ME GO (R) LAST TRAIN HOME (NR) OPENS 10/29! CONVICTION SAW VII LEAVING

GIRL WHO KICKED THE HORNETS NEST DISCOUNT (10 Admits/$60) / GIFT CARDS

THEATER RENTALS -- CALL 395-6465

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TAMARA DREWE (R; 11 min.) Gemma Arterton stars in Stephen Frearsâ&#x20AC;&#x2122; ďŹ lm adaptation of Posy Simmonds graphic novel. (Opens Fri at Century 16 Mountain View.)

UNITED NATIONS ASSOCIATION FILM FESTIVAL See story on page 50. (Plays Oct 2231 in Palo Alto at various locations; www.unaff.org.) (RvB)

Revivals THE BIG LEBOWSKI (1998) A holy fool (Jeff Bridges, terriďŹ c) mistaken for a detective, is set on a Philip Marlowesque task to ďŹ nd the straying wife (Tara Reid) of a wheelchair-bound Pasadena millionaire. In his path is a thinly disguised version of the German techno-band Kraftwerk; at his side is the most violent man in the story, the still-in-Saigon Walter (John Goodman). The Big Lebowski has a core of poignancy, and thatâ&#x20AC;&#x2122;s its appeal to slackerkind. No man or woman is so lazy that they donâ&#x20AC;&#x2122;t feel they have a code, just like Marlowe did. Down these mean streets a man must go who is so drunk he doesnâ&#x20AC;&#x2122;t care where heâ&#x20AC;&#x2122;s going. (Plays Oct 21 at 9pm in San Jose at Camera 3 and Oct 22 in Campbell at midnight at Camera 7.) (RvB)

THE EXORCIST (1973) William Friedkinâ&#x20AC;&#x2122;s horror ďŹ lm about a young girl afďŹ&#x201A;icted by the ancient Sumerian demon Pazuzu was phenomenally popular in its day, even though the gross special effects and pop-ups seem to affect those with weak stomachs. Horror in the 1970s was always tons more violent, misogynistic and hard-core than the current crop, and maybe one or two patrons will hork for old timeâ&#x20AC;&#x2122;s sake, but to those who keep their lunches while all about are losing theirs, The Exorcist is a relic of â&#x20AC;&#x153;born-again Medievalismâ&#x20AC;? (Peter Biskind) with value-added material for Catholics, whose power has been leached by dozens of imitators. (Plays Oct 22-24 in San Jose at the Retro Dome.) (RvB)

LETTER FROM AN UNKNOWN WOMAN/LAURA (1948/1944) Max Ophulsâ&#x20AC;&#x2122; polished drama about a concert pianist (Louis Jourdan) in turn-of-the-last-century Vienna who has unďŹ nished business with a woman (Joan Fontaine) whom he scarcely recalls. BILLED WITH Laura. The high-toned mystery exerts a mesmerizing effect on many people, even though it seems to hang on one good gimmick and one memorable theme song. Clifton Webb has some


Ken Regan

53 5

REVIEW

NILES FILM MUSEUM Regularly scheduled programs of silent ďŹ lms. Oct 23 at 7:30pm: Clara Bow in Mantrap (1926); in this Sinclair Lewis adaptation, she plays a woman who

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White Light Fever THE OPENING of the morose and oatmealcolored Hereafter is an act few ďŹ lms could follow. Itâ&#x20AC;&#x2122;s a ďŹ&#x201A;awlessly animated tsunami crashing into a tropical island. When a disaster strikes in a movie, it arrives to punish us for not loving one another. The disaster is preceded by one of those squabbles that could strike any vacationing couple (boiled down: â&#x20AC;&#x153;You go out and buy trinkets; Iâ&#x20AC;&#x2122;ll stay here and sleepâ&#x20AC;?). Swept into the tide and clonked by an automobile, Marie LeLay (CĂŠcile De France) almost joins the Choir Invisible. She is rescued just as she has a vision of human beings standing around a glowing plaza. Sheâ&#x20AC;&#x2122;s seen the Hereafter itself.

   

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X T R A O R D I N A R Y.

             



    



     

         

                        



                     

ONCE-IN-A-GENERATION                                       

                   



                        



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Director Clint Eastwood, working from a juiceless, subâ&#x20AC;&#x201C;M. Night Shyamalan script by Peter Morgan, goes oďŹ&#x20AC; in two other directions. We meet a too-earnest Matt Damon as George Lonegan, reluctant San Francisco psychic who is working at a factory to avoid using his gift. Before we can get a sense of his life, we cut again, this time to a pair of young twins (Frankie and George McLaren) in slummy London, whose mother is a junkie trying to get clean. How these varied souls will be lassoed together by fate is for them to know and us to ďŹ nd out. LeLayâ&#x20AC;&#x2122;s career as a Parisian newscaster declines as she becomes obsessed by her vision of the dead. The twins are separated at death. And Hereafter seems as if it will never get started. Whatâ&#x20AC;&#x2122;s the appeal? We hear that the dead

are nurturing their pain; if you had a heart attack, it still hurts. Deathland looks like an airport concourseâ&#x20AC;&#x201D;not unlike that 1977 Tom Schiller short from Saturday Night Live in which the ďŹ rst thing you see in the next world is a take-a-number machine. Lonegan takes a night class and learns to cook Italian food. Heâ&#x20AC;&#x2122;s practically mugged by an enthusiastic ?\i\X]k\i newcomer (Bryce Dallas PG-13; 129 min. Howard, who displays Opens Friday a puppyish eagerness thatâ&#x20AC;&#x2122;s refreshing in ďŹ ve minutes and annoying in 10). Hereafterâ&#x20AC;&#x2122;s height of sensuality is a blindfolded taste test that recalls the weird Rourke/Bassinger games in 9 1/2 Weeks; the perviness of the moment fails to wake Lonegan from his cataleptic trance. Meanwhile, having a book advance to write what sounds like Mitterand for Dummies, LeLay decides to tackle instead the â&#x20AC;&#x153;conspiracy of silenceâ&#x20AC;? that keeps people from describing their brushes with the afterlife. â&#x20AC;&#x153;People get quite irrational about this, but the evidence is irrefutable,â&#x20AC;? says a doctor who believes in the White Light Express. That word â&#x20AC;&#x153;irrefutableâ&#x20AC;? is the essence of Hereafterâ&#x20AC;&#x2122;s unforgivable earnestness. Not to be too blunt, but Eastwoodâ&#x20AC;&#x2122;s age may have turned him toward these Last Thoughts; one might prefer the work of the younger man, who had a more sanguine attitude toward death.â&#x20AC;&#x201D;Richard von Busack

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ďŹ&#x201A;ees the Midwest and the husband she canâ&#x20AC;&#x2122;t tolerate any longer. Victor Fleming (the man Bow had recently trapped) directs. Also: Smithy (1924) with Stan Laurel and His Wooden Wedding (1925) with Charley Chase. Bruce Loeb at the piano. Oct 24 at 4pm: John Stanley presents a tribute to Bob Wilkins, longtime host of Creature Features on

ďŹ ne moments, though, as a wizenedup version of Walter Winchell. Gene Tierney stars as the vanished Laura. (Plays Oct 23-25 in Palo Alto at the Stanford Theatre.) (RvB)


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metroactive FILM

REVIEW

KTVU. Also on hand: Ernie Fosselius, never to be forgotten for the first and best Star Wars parody, Hardware Wars (1977), with his newest parody Plan 9.1 From Outer Space; like the movie it salutes, it looks very much handmade. (Plays Oct 23-24 in Fremont at the Edison Theater.) (RvB)

SUDDEN FEAR/BEWARE MY LOVELY

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The Reason Why ALL GOOD reporters have moments in which they must smile into the face of a murderer, the better to coax the truth out of him. Thet Sambath, senior reporter at the Phnom Penh Post, had to go much farther than that, as we see in the excellent documentary Enemies of the People. It’s a people-talking-on-camera documentary— it’s what they talk about that makes the film so compelling. Over a decade, Sambath commuted on weekends to talk to some of the participants in Cambodia’s horror years in the late 1970s. He sat in farmyards with peasants, bringing his camera and recording their histories. It’s a story that’s passing out of living memory, even as the United Nations prepares to prosecute the surviving Communists who ordered the executions of some 2 million of their countrymen during the regime of Pol Pot. Pot himself ? Another rich kid gone rebel, whose goals were to out-do Mao in purging the country of foreigners, minorities and traitors. But Sambath did have quality time with 82-year-old Nuon Chea, better known as “Brother No. 2” (Pol Pot was No. 1). Sambath sat with this old man over the course of years, to try to get some admission of culpability for the body count, which members of Sambath’s family. Sweep aside the importance of Sambath’s quest to his nation’s history. Despair at the fact that no editor could afford to make this his fulltime job. Agree with Mrs. Sambath: her

husband is heading out every weekend over dangerous roads to investigate murder on a cosmic scale, and yet he won’t make as much money as a man in an air-conditioned office. Only after discarding these things can we ask: Was this therapy for Sambath? We see him, smiling like all get-out, persuading a smiling <e\d`\jf] farmer to demonstrate k_\G\fgc\ the way he used to kill civilians, using Sambath Unrated, 93 min. himself as a trussed-up Opens Friday, model. Since the killings Camera 3, were carried out at night, San Jose Sambath organizes a gathering to get some of the killers to discuss their pasts: Does one execute children first so they don’t see their parents killed, or is it more merciful to reverse the order? Wait, “killers”? These elderly farmers will probably never harm anything bigger than a chicken again. Maybe “former killers”? Consciences being what they are, is there such a thing as a former killer? Thanks to Sambath, Brother No. 2 gets a reunion with some of the people he ordered to stab and bludgeon civilians by the thousands. Chea has an air of dignified regret, noting that the Vietnamese and Americans who started it all have gotten away whereas “the poor farmers . . . ,” and then the pause, and the politicians’ gaze, flickering to see if the poor farmers buy it, tells you volumes about how bloodbaths happen. —Richard von Busack

(Both 1952) Wealthy San Francisco playwright Joan Crawford discovers a deadly plot in her own household: her husband (Jack Palance) and his girlfriend (Gloria Grahame) are scheming to take her out. BILLED WITH Beware My Lovely. A simple (77-minute long) and intense noir set in 1918 about a mad woman-hating handyman (Robert Ryan) trapping a widow (Ida Lupino) in her own house. “Among all of Ryan’s 70-odd portraits, it may have been one of his most finely etched definitions of emotional pain,” judges Ryan biographer Franklin Jarrett. A rare film not currently available on DVD. (Plays Oct 21-22 in Palo Alto at the Stanford Theatre.) (RvB)

Reviews LET ME IN (R; 115 min.) Director Matt Reeves’ respect for the original Swedish film, Let the Right One In, makes this an honorable and chilling movie about the uncanny. It has that element of pity that results in genuine horror, instead of a series of ever-noisier and yet ever-diminishing shocks. The action takes place in Los Alamos, N.M., in the winter of 1983. Raised by a drunken but pious single mom, Owen (Kodi Smit-McPhee) is getting to the stage where he’s less interested in candy and more interested in knives. Skinny, pale and with disturbingly wide-set eyes, he is a natural target for bullies. This is when Abby (Chloe Moretz) shows up. She’s a pale girl with dirty bare feet, and she only comes out at

53

night. What Owen doesn’t know is that Abby’s father (Richard Jenkins) is a serial killer who ritually murders his victims, draining their blood into a jug. Let Me In, of course, makes the Twilight saga look worse than it does already. All in all, Reeves does a fine job of delivering the forlornness, solitude and shame of this story, which only uses the word “vampire” once: the focus is not on blood for blood’s sake but on the tragedy of inexplicable need. (RvB)

SECRETARIAT (PG; 116 min.) Today’s riddle: when is a horse a bum steer? I was ready to believe that Seabiscuit ended the Depression. You have to give a good film some slack. I was alive in 1973, the year Secretariat won the Triple Crown. I don’t recall his victory healing our divisions over the Vietnam War, though director Randall Wallace coaxes us to believe it’s true. Secretariat is inbred—the offspring of too many similar sports films. It’s relentlessly thick—custard-thick—and cheaplooking, too, and its story is as fishy as three-day-old salmon; it tries to make an underhorse out of a very blueblooded steed. Diane Lane, ordinarily a fine actress, gets no help from the script which seems to be trying to make her an anti-heroine. Lane plays thoroughbred breeder Penny Chenery. Ultimately, Secretariat is more fundraising pitch than race track action. It is scenes of cold calling, scratching names off a list and fretting over the money more than the races. (RvB)

STONE (R; 105 min.) A troika of heavy-acting steeds pull in all three directionsDirector John Curran watches in wonder as the leads act up a force 5 storm, while common sense sneaks out the back exit. Edward Norton, bug-eyed, cornrowed and saluting Charles Manson, plays “Stone,” a longtime convict up for parole once again. Swathed in Polyester and crumbling like a damp wall is his parole officer, Jack Mabry (Robert De


WAITING FOR SUPERMAN (PG; 102 min.) The vast problems of the U.S. public school system distilled into a quick documentary. Davis Guggenheim (An Inconvenient Truth) follows ďŹ ve young students as they try to get into private schools. (One is eighth-grader Emily of Redwood City, whose parents are concerned that sheâ&#x20AC;&#x2122;ll be pushed onto a noncollege track.) Itâ&#x20AC;&#x2122;s Guggenheimâ&#x20AC;&#x2122;s contention that school funding has doubled while test scores continue to descend. Guggenheim has a point: the dropout

rate and the failing students are a hell of a problem. Yet this documentary has the kind of ideology even Meg Whitman can wrap herself around: you can watch it and come to the conclusion that privatization and union-busting is the answerâ&#x20AC;&#x201D;the same answer weâ&#x20AC;&#x2122;ve been given since the 1980s. This may not have been Guggenheimâ&#x20AC;&#x2122;s intention. But as always in this passionate-intensity style documentary, thereâ&#x20AC;&#x2122;s the possibility of deliberate misreading, thanks to the lethal combo of stridency and slipperiness. (RvB)

YOU WILL MEET A TALL DARK STRANGER (R; 98 min.) Plushly set but terminally awkward London-set comedy drama. The title transforms a fortune tellerâ&#x20AC;&#x2122;s prediction into a sentence of doom, as per the line in Allenâ&#x20AC;&#x2122;s Cassandraâ&#x20AC;&#x2122;s Dream: â&#x20AC;&#x153;The only ship sure to come in has black sails.â&#x20AC;? Here is Allenâ&#x20AC;&#x2122;s

customary theme: given the certainty of death and the absence of God, how to conduct oneself? Better than these characters. Helena (Gemma Jones) and her husband, AlďŹ e (Anthony Hopkins), have split, due to his terror of dying. Heâ&#x20AC;&#x2122;s taken consolation with a ÂŁ500 a night prostitute named Charmaine (the wonderful Lucy Punch). Sheâ&#x20AC;&#x2122;s seeing a psychic and drinking a bit, though Allen doesnâ&#x20AC;&#x2122;t understand what this boozing might entail as either comedy or drama; alcohol is not his thing. Meanwhile, the coupleâ&#x20AC;&#x2122;s daughter (Naomi Watts) is struggling with her own career as her husband, Roy (Josh Brolin), wrestles with his unpublishable novel. Roy has his own obsession with a girl across the courtyard (Frida Pinto, almost audibly pleading for direction). Punch is the salt of this movie, a leggy comedian who makes even the minor dumb blonde jokes sail. (RvB)

â&#x20AC;&#x201C; Roger Moore, ORLANDO SENTINEL

â&#x20AC;&#x153; . â&#x20AC;&#x2DC;REDâ&#x20AC;&#x2122; HAS THE MOST

GLITTERING ENSEMBLE CAST AND MOST DEFIANT ATTITUDE OF ANY MOVIE THIS YEAR.â&#x20AC;?

â&#x20AC;&#x201C; Sally Kline, THE WASHINGTON EXAMINER

â&#x20AC;&#x153;THE BEST PART OF â&#x20AC;&#x2DC;REDâ&#x20AC;&#x2122;

IS THE SPECTACLE OF TERRIFIC ACTORS BEING TERRIFIC IN NOVEL WAYS.â&#x20AC;?

â&#x20AC;&#x201C; Joe Morgenstern, THE WALL STREET JOURNAL

â&#x20AC;&#x153;â&#x20AC;&#x2DC;REDâ&#x20AC;&#x2122; IS ABSOLUTELY, THOROUGHLY ENJOYABLE. IT ROCKS.â&#x20AC;? â&#x20AC;&#x201C; Robert Wilonsky, LA WEEKLY

For the chance to win a pass to see CONVICTION in San Jose, log on to gofobo.com/rsvp and enter the code:

SJMETWJV9

â&#x20AC;&#x153;EXPLOSIVE, FUNNY AND LOADED WITH ACTION!!â&#x20AC;? â&#x20AC;&#x201C;MosĂŠ Persico, CTV MONTREAL

â&#x20AC;&#x153;GO SEE THIS MOVIE. â&#x20AC;&#x2DC;REDâ&#x20AC;&#x2122; IS JUST FLAT-OUT FUN!â&#x20AC;? â&#x20AC;&#x201C; Kelli Gillespie, XETV CW6

RATED R FOR LANGUAGE AND SOME VOILENT IMAGES PHOTO ID WILL BE NECESSARY FOR ADMITTANCE. A PARENT OR ADULT GUARDIAN MUST ACCOMPANY CHILDREN UNDER THE AGE OF 17. All federal, state and local regulations apply. A recipient of tickets assumes any and all risks related to use of ticket and accepts any restrictions required by ticket provider Fox Searchlight, San Jose Metro, 43KIX.com, Terry Hines & Associates and their affiliates accept no responsibility or liability in connection with any loss or accident incurred in connection with use of a prize. Tickets cannot be exchanged, transferred or redeemed for cash, in whole or in part. We are not responsible if, for any reason, winner is unable to use his/her ticket in whole or in part. Not responsible for lost; delayed or misdirected entries. All federal and local taxes are the responsibility of the winner. Void where prohibited by law. No purchase necessary. Participating sponsors their employees and family members and their agencies are not eligible. NO PHONE CALLS!

IN SELECT THEATRES

OCTOBER 22!

SUMMIT ENTERTAINMENT PRESENTS A di BONAVENTURA PICTURES PRODUCTION A ROBERT SCHWENTKE FILM â&#x20AC;&#x153;REDâ&#x20AC;? KARL URBAN WITH RICHARD DREYFUSS CHRISTOPHE BECK PRODUCEDBY LORENZO di BONAVENTURA MARK VAHRADIAN SCREENPLAY WARREN ELLIS AND CULLY HAMNER BY JON HOEBER & ERICH HOEBER DIRECTEDBY ROBERT SCHWENTKE MUSIC BY

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Š 2010 SUMMIT ENTERTAINMENT, LLC. ALL RIGHTS RESERVED.

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Niro). â&#x20AC;&#x153;Stoneâ&#x20AC;? has a new strategy to get himself released: an elementary honey trap, in the form of his red-hot wife Lucetta (Milla Jovovich, very improved if Oscar-stalking). Lucetta ought to be able to get around Mabry, who is this close to retiring and who has a numbed-out relationship with his own aging wife (Conroy). Artsy and sometimes windy. (RvB)

â&#x20AC;&#x153;THE BEST CAST FOR AN ACTION COMEDYâ&#x20AC;Ś EVER.â&#x20AC;?


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metroactive MUSIC

Gimme Danger IFFKJIF:B<; I FFKJIF:B<;:Xi\c\jj?\XikjYi`e^e\njfe^jXe[X :Xi\c\jj?\XikjYi`e^e\ \njfe^jXe[ X  e\nc\m\cf]\e\i^pkfk_\9cXeb:clYfeN\[e\j[Xp% e\n e n c\m\c c \cf] ] \e\i^pkf k_\ 9cXeb:clY feN\[e\j[Xp p%

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KKLIEJFLK:Xi\c\jj K K EJ FLK :Xi\c\jj KLIE ? \XikjjÊ ^`^Xk k_\ ?\XikjÊ^`^Xkk_\ 9 9cXeb eb :clY n`k_ AXd\j 9cXeb:clYn`k_AXd\j N`cc`Xd djfe# n_\i\ k_\p N`cc`Xdjfe#n_\i\k_\p jlddfe\[ lddf f [XelekXgg\[ jlddfe\[XelekXgg\[ ]l l p i`gg`e lip ii`gg e^ ^ k_ifl^_ ^ @^^p ^^p ]lipi`gg`e^k_ifl^_@^^p GfgÊjZcXjj`Zi\g\ikf`i\n_`c\ G fgÊj ZcXjj Z j`Z j i\g\ikf`i\ n_`c\ _\cg`e^k_\]fid\iJkff^\j _ _\cg`e^ cg` g` k_ _\]fid\iJkff^\j ^l`kXi`jkkfnXidlg]fiX ^l`kXi`jk k kf f nXid lg]fiX i\le`fekfli#nXjeÊkaljkk_\ i\le`fe \le fe e kf flii# nXjeÊk aljkk_\ Y\jkj_fn`ek_\Jflk_9Xp Y\ Y\jk j_fn _ `e k_\ Jflk_ 9Xp cXjkp\Xi% cXj cXjk p\ % p\Xi IItt was wass also also a turning turning po point int ffor or tthe he b and. d Apparently, Appar arently, after after u nleasshing band. unleashing ttheir heir inner inner rock roc o k aanimals, nimals, tthey hey ccouldn’t ouldn’t gget et them them entirely entirely b acck iinto nto ttheir heir ccages. ages. back N ow they they have have a whole whole ccrop rop o ew Now off n new ssongs, ongs, which which share share o ne o verarrching one overarching ccharacteristic. harraccteristic. ““They’re They’re al ll m ore h igh eenergy, nergyy,” ssays ays all more high gguitarist uitar arist D erek S ee. ““And And I tthink hink a b ig Derek See. big p art of of it it was wass us us d oing tthe he sshow how w ith part doing with JJames. am mes.”

The T he u uninitiated ninitiated sshouldn’t houldn’t gget et tthe he Careless Hearts’ previous iidea dea tthat hat C areless H earts’ p revious body off w work From See’s bo ody o ork iiss a ssnooze. nooze. F rom S ee’s work Eric Powers’ gglittering littering gguitar uitar w ork tto oE ric P owers’ drum Paul sshuffling huffling d rum tto o vvocals ocalls ffrom rom P au ul Kimball K imballl tthat hat ccan an sstretch tretch aass ffar aarr ass Clarke’s pedal JJody o yC od larke’s pe dal ssteel, teel, ttheir heir ssongs ongs have always mastered any number off h ave al lways m asstered an ny n umber o moods. They play m oods. T hey p lay ssoulful oulful aalt-country lt-country ballad tthat hat can can n be aass sslow low aass tthe he b allad ““Long Long Gone Valentine” orr aass d driving G one V al alentine” o riving ass dark ttheir heir d ark aanthem nthem ““Halloween” Halloween” aand nd Lose. ““Learning Learrning tto oL ose.” But nothing B ut iit’s t’s ttrue rue tthat hat n othing ffrom rom ttheir heir 2008 album, Heart’s Delight, eexcellent xcellent 2 008 al lbum, H eart’s D elight, off w what aapproached pproached tthe he fferocity erocity o hat tthey hey delivered Stooges”) d elivered ((as as tthe he ““Careless Careless S tooges”) with Williamson, who aatt ttheir heir sshow how w ith W illiam mson, w ho wrote music Raw w rote tthe he m usic ffor or tthe he cclassic lassic R aw Power album out off P ower al lbum aand, nd, ccoming oming o ut o had rretirement etirement ffor or tthe he rreunion eunion sshows, hows, h ad drafted band d rafted tthe he b an nd iinto nto sservice ervvice aafter fter meeting See Gryphon Guitars m eeting S ee aatt G ryphon G uitars iin n Palo Alto. P alo A lto. Nor anyone N or sshould hould an nyone tthink hink tthat hat Careless Hearts were need off an C areless H earts w ere iin nn eed o n overhaul, being one off tthe most o verhau ul, be ing o ne o he m ost popular bands out off tthe San po opular b an nds tto o ccome ome o ut o he S an n But JJose ose sscene cene iin n tthe he llast ast ffew ew yyears. ears. B ut tthe he

n ew d irection h as al llowed tthe he b an nd new direction has allowed band tto ob uild o n tthe he n ew sspark park o reativity build on new off ccreativity an nd m omentum tthat hat ccame am me o ut o asst and momentum out off llast yyear’s ear’s sshow. how. ““Everybody’s Everyyb body’s rreally eallly eexcited xcited ab bout about tthe he n ew songs, songs,” ssays ays See. See. “There “There seems seems new tto o be a rrenewed enewed eenthusiasm nthusiassm w ithin within tthe he b an nd.” band. IIff iitt sseems eems od d tthat hat iit’s t’s ttaken ak ken a yyear earr odd tto ob ring tthis his n ew p hasse o arelessbring new phase off C Carelessn ess b acck tto o tthe he B lank C lub sstage tagge ness back Blank Club tthat hat iinspired nspired iitt iin n tthe he fi rst p lacce, iit’s t’s first place, ac ctuallly be cau use S ee h ad an ad n ad dventure actually because See had adventure o is o wn tthis his yyear, earr, w hen W illiam mson off h his own when Williamson as sked h im tto o gguitar-tech uitar-tech ffor or h im o n asked him him on tthe he S tooges w orld ttour. our. O n an nd o ff,, ff Stooges world On and off, ffrom rom A pril tto oS eptembe b r, S ee ttraveled raveled April September, See w ith IIggy, ggyy, W illiam mson aand nd ccompany ompan ny with Williamson tto oad ozen ccountries, ountries, p laying h uge dozen playing huge ssold-out old-out sshows hows tto o aaudiences udiences llusting usting tto o h ear n ow-legendarry ssongs ongs llike ike ““Search Search hear now-legendary an nd D estroy,” ““II W anna B our D og,” and Destroy, Wanna Bee Y Your Dog, an nd ““Raw Raw P ower,” w hich tthe he M ichigan and Power, which Michigan b and ccould ould b arrely gget et aanyone nyone tto o llisten isten band barely tto o iin n ttheir heir o riginall rrun un ffrom rom 11967 967 tto o original 11974. 974. ““It It w aass u nbelievab ble,” ssays ays S ee, w ho was unbelievable, See, who ggot ot tto o sspend pend ttime ime eexploring xploring eeach ach ccountry—from ountryy—from F inlan nd, S weden an nd Finland, Sweden and S witzerland tto oF rance, S pain, B elgium, Switzerland France, Spain, Belgium, tthe he C zech Republic Republic an nd m ore—while Czech and more—while ggoing oing o ut ffor or a ttotal otall o bout eeight ight out off ab about w eeks. weeks.

““The The craziest craz aziest p laces, iin n terms terms of of places, eexotic xotic llocations, ocations, w ere tthe he two two d ates were dates iin nR ussia. G rowing u p in in tthe he ’80s, ’80s, Russia. Growing up yyou ou n ever thought thought you’d you’d be going going tto o never R ussia,” h ays. ““As As ccorny orny aass iitt ssounds, ounds, Russia, hee ssays. iitt rreally eally shows shows how how people people in in d iff ffeerent different ccultures ultures are arre bonded bonded by by m usic. IIn n eevery very music. ccountry, ountryy, tthey hey sing sing along allong w ith every every with ssong. ong.” B eing a pe rffectionist, See See p ut a lot lot Being perfectionist, put o ressure on on himself himself every every night night to to off p pressure m ake sure sure everything everyything ran ran n ssmoothly. moothly. make H is d uties aal lso included included p rotecting His duties also protecting tthe he b and aand nd tthe he eequipment quipment from from band sstage tage invasions, invassions, w hich ccould ould be a which ttricky ricky proposition propo p sition w hen Iggy Iggy invited invited when aaudience udience m embers up up ffor or “Shake “Shake members A ppeal” at at every every show. show. Most Most often, often, Appeal” pe ople w ere so so h ap ppy to to be onstage onstagge people were happy tthat hat there there wasn’t wasn’t trouble. trouble. There There was, was, h owever, one one private private show show in in New New however, Y ork C ity w here cchaos hao os b roke o ut and an nd York City where broke out S ee ffound ound h imself in in the the ccenter enter of of a See himself m aelstrom.“It got got completely completely o ut of of maelstrom.“It out ccontrol, ontrol,” h ays. hee ssays. T he ssmall mal all size size of of the the touring touring ggroup roup The m eant a llot ot of of bonding bonding time time with with meant eeveryone veryyone except except ffor or IIggy, ggyy, who who m ostly mostly k ept to to himself himself on on tour. tour. But But when when it it kept ccame ame tto o tthe he lead lead d ssinger, inger, a famously faam mously u nhinged llive ive performer, perfformer, See See could could unhinged b arely believe believe h is eeyes yes onstage onstagge eevery very barely his n ight. night. ““I’ve I’ve sseen een h im a lot lot of of times times over over him tthe he yyears, ears, b ut I’ve I’ve never never sseen een h im at at but him tthis his level, level,” h says with with the the appropriate ap ppropriate hee says llevel evel o awe sstill till evident evident in in his his voice. voice. “It “It off awe w ass llike ike n othing I’ve I’ve ever ever seen seen before. before.” was nothing T he m an ny long long aabsences bsences m ad de iitt The many made d ifficult ffor or C areless H earrts (as (as well well ass difficult Careless Hearts S ee’s other other band, ban nd, the the Bang), Bang), but but tthe he See’s b and m embers wrote wrote while while See See was was band members aaway, way, aand nd Kimball Kimballl would would sometimes sometimes ssend end him him demos. demos. When When he he was was back bacck in in tthe he U SA, tthey hey w ould p racctice. IIn naw ay, USA, would practice. way, iit’s t’s aall ll been been b uilding up up tto o tthis his point, point, building w hen tthey hey can can nfi nallly ttake ak ke everything everyything when finally tthey’ve hey’ve learned lear arned from from Williamson Williamson and an nd tthe he S tooges tto o tthe he stage. stage. Stooges ““Those Those gguys, uys, eespecially speciallly Iggy, Igggyy, it’s it’s all alll aabout b bout eentertaining, ntertaining,” ssays ays See. See. “That’s “That’s ssomething omething that’s that’s been been on on our our minds minds ccollectively, ollectively, and and we’re we’re trying tryying some some d iff ffeerent stuff. stuff ff.” ff” different

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MUSIC USIC metroactive metr oactivve M

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

Bilal

Thursday, 9pm, Fairmont Hotel, San Jose; $12 There’s suddenly a couple of unexpected new live music spots in San Jose, including the Pagoda Restaurant & Bamboo Lounge at the Fairmont. Neosoul prodigy Bilal is another big booking for this fledgling spot—the Philly singer is poised for a comeback with a new record after his high-profile second album, Love for Sale, was shelved by Interscope in 2006. (SP)

Black Pearl

Thursday, 5:30pm, Club Auto Sport, San Jose; $15 Black Pearl are one of the most in-demand acts in Silicon Valley, probably because they go easy on the cheese. Black Pearl has a hold on the classic rock market, tackling songs from the Kinks, the Doors, the Beatles and all those other ‘The’ bands. They kick off a new music series at Club Auto Sport, having drawn 1,000 fans the last time they played here. (JA)

Hiroshima

Sunday, 7:30pm, Montalvo, Saratoga; $42/$47 Perhaps best known for supporting Miles Davis on his last world tour, this Japanese-American ensemble has been blending traditional jazz with the music of Japan and other nations for over 30 years. Their latest album, Legacy, was nominated for a Grammy this year. (SP)

D\kifÊjdlj`ZZXc\e[XiilejN\[e\j[XpÅKl\j[Xp%

Rock/Pop R ock/Pop

BOGART’S B OGART’S LOUNGE LOUNGE Thu and Thu and Sat: Sat: Live Live music. music. SSunnyvale. unnyvale.

ANGELICA’S A NGELICA’S BISTRO BISTRO

BRITANNIA B RITANNIA ARMS ARMS ALMADEN A LMADEN Fri, 10pm: Fri, 10pm: Metal Metal Shop. Shop. Sat, Sat, Mad 110pm: 0pm: M ad Karma. Karma. San San Jose. Jose.

Fri, 8 Fri, 8:30pm: :30pm: The The R Rip-Tides. ip-Tides. $ $5. 5. Redwood R edwood CCity. ity.

BRITANNIA ARMS BRITANNIA ARMS CCUPERTINO UPERTINO

AVALON A VALON

Sat, 9pm: Sat, 9pm: Two Two LLeft eft FFeet, eet, A Almost lmost Honest, Nai. H onest, Cadent, Cadent, SStoic toic N ai. $5. $5. CCupertino. upertino.

Wed, W ed, 6 6:30pm: :30pm: A ASH, SH, Bugz Bugz Bizzare, Bizzare, DJJ Flavatone, D Flavatone, Imaculater Imaculater JJ.O.E. .O.E. $9. $ 9. FFri, ri, 8pm: 8pm: Island Island CComedy omedy Jam, Jam, DeLima, Augie $25. FFrank rank D eLima, A ugie TT.. $ 25. Sat, Sat, 8pm: 8 pm: Andre Andre Nickatina, Nickatina, DJ DJ Aspect, Aspect, Nima $25. 6:30pm: N ima Fadavi. Fadavi. $ 25. SSun, un, 6 :30pm: Daniel $9. D aniel Stefani. Stefani. $ 9. SSanta anta CClara. lara.

THE T HE BLANK BLANK CCLUB LUB Wed, 9 Wed, 9pm: pm: CCareless areless H Hearts, earts, Northern Hurricane Roses. N orthern SSon, on, H urricane R oses. 9pm: FFree. ree. FFri, ri, 9 pm: Boob, Boob, FFascinating ascinating Deep, CCreatures reatures ooff tthe he D eep, Badenov. Badenov. $7. $ 7. SSan an JJose. ose.

BLINKY’S B LINKY’S CAN’T CAN’T SAY SAY Sat, 9:30pm-1:30am: Sat, 9:30pm-1:30am: Corduroy Corduroy JJim, im, rock rock and and blues. blues. Free. Free. SSanta anta CClara. lara.

BRITANNIA ARMS BRITANNIA ARMS DOWNTOWN D OWNTOWN TThu: hu: Baru. Baru. San San JJose. ose.

BOSWELL’S B OSWELL’S

CCAPERS APERS

Wed, 9:30pm: Wed, 9:30pm: Jack Jack Rip Rip Off. Off. TThu hu and and Fri: Fri: Bitchn’ Bitchn’ CCamaros. amaros. SSat, at, 9:45pm: 9:45pm: Drive! Drive! Sun: Sun: Mike Mike LLeatherman eatherman Mon, Mon, 9:45pm: 9:45pm: Drive! D rive! Campbell. Campbell.

CCLUB LUB AUTO AUTO SSPORTS PORTS

Fri-Sat, 8 Fri-Sat, 8:30pm: :30pm: LLive ive music. music. CCampbell. ampbell. Thu, 55:30-8:30pm: Thu, :30-8:30pm: R Rock ock the the CClubhouse lubhouse with with cclassic lassic rrock ock

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FEATURED LISTINGS

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60 M E T R OAC T I V E . C O M | SA N J O S E . C O M | O C TO B E R 2 0 -2 6, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

MUSIC USIC metroactive metr oactivve M 59 by B by Black lack P Pearl, earl, pplus lus ffood ood aand nd Auto bbeverages. everages. $15. $15. CClub lub A uto SSport port ((521 521 CCharcot), harcot), SSan an JJose. ose.

WILLOW W ILLOW D DEN EN Fri, 8 Fri, 8pm: pm: The The Winebirds. Winebirds. SSan an JJose. ose.

JJOHNNY OHNNY V Vâ&#x20AC;&#x2122;S â&#x20AC;&#x2122;S Thu: LLive Thu: ive m music. usic. FFri: ri: P Phlying hlying Gem SSaucer, aucer, tthe he G em TTops. ops. SSat: at: LLive ive Dinz, Roebus One, hhip-hop, ip-hop, D inz, R oebus O ne, Raymond R aymond Strife. Strife. SSun: un: TTouring ouring bbands ands tba. tba. SSan an Jose. Jose.

LLILLY ILLY M MACâ&#x20AC;&#x2122;S ACâ&#x20AC;&#x2122;S Fri, 9:30pm: Fri, 9:30pm: The The MoFoâ&#x20AC;&#x2122;s. MoFoâ&#x20AC;&#x2122;s. SSat, at, 9:30pm: 9 :30pm: FFog og CCity ity SSwampers. wampers. SSunnyvale. unnyvale.

MURPHYâ&#x20AC;&#x2122;S M URPHYâ&#x20AC;&#x2122;S LLAW AW Thu: M Thu: Maneck. aneck. FFri: ri: G Gen en R Rex. ex. SSunnyvale. unnyvale.

NICKEL N ICKEL CCITY ITY Fri, 6 Fri, 6pm: pm: B Battle attle ooff tthe he B Bands, ands, FFever ever CCharm, harm, EEra ra Escape. Escape. Sat, Sat, 6pm: Division Divide, 6 pm: D ivision D ivide, SSouthern outhern Native Bow LLights, ights, N ative SShores, hores, B ow Before Grave. B efore TThy hy G rave. San San Jose. Jose.

NUMBER N UMBER O ONE NE B BROADWAY ROADWAY 1011 PACIFIC AVE. SANTA CRUZ 831-423-1336 Wednesday, Oct. 20Â&#x2039;AGES 16+Â&#x2039;Waken Baken Tour

;M^/LEPM JE plus Yelawolf $18 in Adv., $22 at the Drs. â&#x20AC;˘ Doors 7 p.m., Show 8 p.m. Welcome Oâ&#x20AC;&#x2122;Neill -YPKH`6J[VILYÂ&#x2039;A GES 16+ Coldwater Classic plus White Buffalo

51;03)

also Chris Velan $8 Adv./ $11 Dr. â&#x20AC;˘ Drs. 8 p.m./ Show 9 p.m. Friday, October 22Â&#x2039;In the AtriumÂ&#x2039;AGES 21+ FRIDAY NIGHT FUNCTION: DJ Aspect DJ Tone Sol, Nima Fadavi NO COVER â&#x20AC;˘ 9 p.m./ 9 p.m. :H[\YKH`6J[VILYÂ&#x2039;AGES 16+

Mickey Avalon plus Machete Fight also The Halos $25 Adv./ $30 Dr. â&#x20AC;˘ 8 p.m./ 9 p.m. Saturday, October 23Â&#x2039;In the AtriumÂ&#x2039;AGES 21+

THE

CHOP TOPS plus Riff Raff also Memphis Murder Men

$8 in Adv., $12 at the Drs. â&#x20AC;˘ Doors 8:30 p.m., Show 9 p.m.

:\UKH`6J[VILYÂ&#x2039;AGES 16+

MURS

plus Moe Green also J Billion $15 Adv./ $19 Dr. â&#x20AC;˘ Drs. 7 p.m./ Show 8 p.m. Sunday, October 24Â&#x2039;In the AtriumÂ&#x2039;AGES 16+

Wed, 9 Wed, 9pm: pm: JJCC SSmith mith JJam am B Band. and. 9:30pm: After Party. TThu, hu, 9 :30pm: A fter P arty. 9:30pm: Go. FFri, ri, 9 :30pm: TTouch ouch N G o. SSat, at, 9:30pm: 9 :30pm: TTouch ouch ooff CClass. lass. LLos os Gatos. G atos.

PAGODA P AGODA RESTAURANT RESTAURANT Thu: B Thu: Bilal. ilal. IInside nside FFairmont airmont H Hotel, otel, SSan an JJose. ose.

WOODHAMâ&#x20AC;&#x2122;S W OODHAMâ&#x20AC;&#x2122;S LLOUNGE OUNGE FFri ri aand nd Sun: Sun: Pro Pro Jam Jam w with ith rock rock aand nd blues blues llocal ocal musicians. musicians. No No ccover. over. Santa Santa Clara. Clara.

World W orld ALBERTOâ&#x20AC;&#x2122;S A LBERTOâ&#x20AC;&#x2122;S Wed: B Wed: Bachata. achata. TThu: hu: Amateur Amateur Bachata B achata Contest. Contest. Plus Plus Salsa Salsa with w ith Pantea. Pantea. Fri: Fri: Salsa Salsa Fridays. Fridays. Nights. with SSat: at: LLatin atin N ights. TTue: ue: SSalsa alsa w ith Pantea. Mountain P antea. M ountain View. View.

ARYA A RYA GLOBAL GLOBAL CUISINE CUISINE Fri-Sat, 8pm: Fri-Sat, 8pm: LLive ive music music and and bbelly elly ddancing. ancing. Cupertino. Cupertino.

AZUCAR A ZUCAR Fri-Sat, 9pm: Fri-Sat, 9pm: Son Son de de Kali. Kali. SSun, un, 9pm: Bachata 9 pm: B achata SSensation. ensation. San San JJose. ose.

CCASCAL ASCAL Fri, 9 Fri, 9pm: pm: Kaweh. Kaweh. Sat, Sat, 8:30pm: 8:30pm: JJames ames Robinson. Robinson. Mountain Mountain View. V iew.

JJOHNNY OHNNY V Vâ&#x20AC;&#x2122;S â&#x20AC;&#x2122;S TTue: ue: M Mextape extape w with ith cumbia cumbia and and rrock ock eenn espanol. espanol. SSan an Jose. Jose.

MOROCCOâ&#x20AC;&#x2122;S M OROCCOâ&#x20AC;&#x2122;S R RESTAURANT ESTAURANT

Sun, 44pm: Sun, pm: SScary cary LLarry arry and and the the Monsters, Braselton. M onsters, JJohn ohn B raselton. Free. Free. SSunnyvale. unnyvale.

Wed, 5-11pm: Wed, 5-11pm: Flamenco Flamenco Music Music Night with N ight w ith Mr. Mr. Driss. Driss. Fri, Fri, 5-11pm: 5-11pm: Moroccan LLive ive M oroccan music music with with AZA. AZA. SSun, un, 5-11pm: 5-11pm: Ambient Ambient lounge lounge music. m usic. SSun, un, 5pm: 5pm: Moroccan Moroccan music. m usic. SSan an Jose. Jose.

RED R ED R ROCK OCK CCOFFEE OFFEE

PARRANDA P ARRANDA N NIGHTCLUB IGHTCLUB

QUARTER Q UARTER N NOTE OTE

Fri, 8 Fri, 8pm: pm: A Andrew ndrew P Plan, lan, EErin rin 8pm: CCole-Baker. ole-Baker. SSat, at, 8 pm: SSarah arah Nicole Wallace, Rory N icole W allace, R ory CCloud. loud. Mountain View. M ountain V iew.

THE T HE R REFUGE EFUGE

TThu-Sat: hu-Sat: LLive ive m music. usic. Sunnyvale. Sunnyvale.

SSENZALA ENZALA Fri, nnoon: Fri, oon: Live Live Music. Music. FFri, ri, 77:30pm: :30pm: CCapoeira. apoeira. Sat, Sat, 7:30pm: 7:30pm: TTuesday uesday Night Night Live. Live. Sunnyvale. Sunnyvale.

;\LZKH`6J[VILYÂ&#x2039;AGES 16+

Fri, 6 Fri, 6pm: pm: H Hope ope ffor or A AM, M, Undergone, U ndergone, Assemble Assemble tthe he Golden Hour. SSkyline, kyline, tthe he G olden H our. CCupertino. upertino.

JJazz/Blues azz/Blues

$19 Adv./ $24 Dr. â&#x20AC;˘ Drs. 7 p.m./ Show 8 p.m.

SSOUTH OUTH FFIRST IRST B BILLIARDS ILLIARDS

ANGELICAâ&#x20AC;&#x2122;S A NGELICAâ&#x20AC;&#x2122;S B BISTRO ISTRO

WALLPAPER plus ButterďŹ&#x201A;y Bones

$8 in Adv., $12 at the Drs. â&#x20AC;˘ Doors 8:30 p.m., Show 9 p.m.

BARRINGTON LEVY Oct 28 Switchfoot (Ages 16+) Oct 28 Strength Atrium (Ages 21+) Oct 30 Halloween Costume Ball Sourgrass/ Wooster (Ages 21+) Oct 30 Thrive/ 880 South Atrium (Ages 16+) Oct 31 Tater Famine Atrium (Ages 21+) Nov 5 Steel Pulse (Ages 16+) Nov 6 Ghostland Observatory (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

Fri: B Fri: BiPolar iPolar B Bears. ears. Sat: Sat: El El Monte. Monte. SSan an JJose. ose.

TOONâ&#x20AC;&#x2122;S T OONâ&#x20AC;&#x2122;S Wed: W ed: JJFK. FK. SSan an JJose. ose.

VOODOO V OODOO LOUNGE LOUNGE Wed, 9 Wed, 9pm: pm: SSomething omething LLeft eft Unsaid. $5. U nsaid. $ 5. San San JJose. ose.

BRITANNIA A BRITANNIA ARMS RMS CCUPERTINO UPERTINO Sun, 55:30pm: Sun, :30pm: Jazz Jazz jam. jam. CCupertino. upertino.

Dâ&#x20AC;&#x2122;VINE D â&#x20AC;&#x2122;VINE JJAZZ AZZ & W WINE INE

THE T HE GGRAPEVINE RAPEVINE Fri, 77pm: Fri, pm: D Daemon aemon CCity ity LLights, ights, Peter P eter CChung. hung. SSat, at, 77pm: pm: Hootenanny, Murdock, H ootenanny, Mike Mike M urdock, McGuire. Willow Glen. SSean ean M cGuire. W illow G len.

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

Wed, 7pm: Wed, 7pm: Stars Stars of of tthe he W West est with w ith Michael Michael Morales. Morales. Thu, Thu, 7:30 7:30 aand nd 10:30pm: 10:30pm: The The MarijuanaMarijuanawith LLogues, ogues, comedy comedy show show w ith Rob Rob Dan CCantrell, antrell, Tony Tony CCamin amin and and D an Gabriel. G abriel. Fri, Fri, 8:30pm: 8:30pm: The The RipRipTTides. ides. $5. $5. Sat, Sat, 7:30pm: 7:30pm: MaCaJo, MaCaJo, ffolk. olk. $5. $5. Tue, Tue, 7pm: 7pm: Pro Pro Jazz Jazz Jam Jam Grobe-Heintz hhosted osted bbyy SSam am G robe-Heintz TTrio. rio. Redwood Redwood City. City.

Fri, 77:30 Fri, :30 and and 9:30pm: 9:30pm: Jason Jason Marsalis Vibes Quartet. $16M arsalis V ibes Q uartet. $ 16$30. $ 30. Sat, Sat, 7:30 7:30 and and 9:30pm: 9:30pm: CChristian hristian TTamburr amburr oonn vvibes. ibes. Morgan Hill. M organ H ill.

FAIRMONT H FAIRMONT HOTEL OTEL LLOBBY OBBY LOUNGE LOUNGE Wed, 8 Wed, 8:30pm: :30pm: TThe he Girlz Girlz Band. Band. 8:30pm: TThu, hu, 8 :30pm: CContemporary ontemporary or or LLatin atin jjazz. azz. Fri-Sat, Fri-Sat, 9pm: 9pm: JJazz azz aand nd ppop op dance dance bands. bands. Mon-Tue: Mon-Tue: Piano Music. P iano M usic. FFairmont airmont Hotel, Hotel, SSan an JJose. ose.

GGRAND RAND D DELL ELL SSALOON ALOON Thu, 8 Thu, 8pm: pm: Blues Blues Jam Jam w/Aki w/Aki KKumar. umar. Fri, Fri, 8pm: 8pm: Redhouse Redhouse Blues Band. 8pm: Westside B lues B and. SSat, at, 8 pm: W estside SShakers. hakers. CCampbell. ampbell.

HEDLEY H EDLEY CCLUB LUB Fri, 8 Fri, 8:30pm: :30pm: Eric Eric B Bolvin. olvin. SSat, at, 8:30pm: 8 :30pm: KKaye aye Bohler Bohler Blues Blues Band, Hotel Anza, B and, H otel ddee A nza, San San Jose. Jose.

JJ.J.â&#x20AC;&#x2122;S .J.â&#x20AC;&#x2122;S B BLUES LUES CCAFE AFE Thu: M Thu: Madylan adylan R Rose. ose. FFri: ri: John John Garcia. $10. G arcia. $ 10. Sat: Sat: Jason Jason King. King. $10. $10. SSun: un: Rare Rare Touch. Touch. Mon: Mon: Wayneâ&#x20AC;&#x2122;s Wayneâ&#x20AC;&#x2122;s Way Band. Blue W ay B and. TTue: ue: B lue JJ,, Dennis Dennis aand nd SStuart. tuart. San San JJose. ose.

LLOFT OFT B BAR AR A AND ND B BISTRO ISTRO TThu, hu, 77-10pm: -10pm: Live Live jazz. jazz. SSan an Jose. Jose.

MOROCCOâ&#x20AC;&#x2122;S M OROCCOâ&#x20AC;&#x2122;S R RESTAURANT ESTAURANT Thu, 55pm: Thu, pm: Jason Jason Bellenkes Bellenkes Duo. Duo. SSan an JJose. ose.

MURPHYâ&#x20AC;&#x2122;S M URPHYâ&#x20AC;&#x2122;S LLAW AW Mon: M on: Pro Pro blues blues jjam. am. Sunnyvale. Sunnyvale.

POOR P OOR H HOUSE OUSE B BISTRO ISTRO Wed, 6 Wed, 6pm: pm: R Ron on Thompson Thompson and and FFriends. riends. TThu, hu, 6pm: 6pm: Nick Nick Moss Moss 6pm: aand nd tthe he FFliptops. liptops. Fri, Fri, 6 pm: MoFo MoFo Party Band. 6pm: Alabama P arty B and. SSat, at, 6 pm: A labama Mike M ike aand nd the the Third Third Degree. Degree. SSun, un, nnoon-4pm: oon-4pm: School School of of the the Blues. Blues. SSan an JJose. ose.

THREE FFLAMES THREE LAMES RESTAURANT R ESTAURANT TTue, ue, 77:30pm: :30pm: Modesto Modesto Briseno Briseno Willow Glen. SSeptet. eptet. W illow G len.

UNWINED U NWINED TThu, hu, 77pm: pm: D Don on Balistreri. Balistreri. Sat, Sat, 779:30pm: Night. 9 :30pm: JJazz azz N ight. San San Jose. Jose.

WINE W INE A AFFAIRS FFAIRS Wed, 77:30pm: Wed, :30pm: Chris Chris B Burkhardt. urkhardt. TThu, hu, 77:30pm: :30pm: JJelly elly Jazz Jazz TTrio. rio. Sat, Sat, 8pm: 8 pm: A Dog Dog Named Named Buckley. Buckley. SSan an JJose. ose.

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CONCERT

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Bridge School Benefit NEIL YOUNG works in mysterious ways. It was 10 years ago, on the Silver & Gold album, that he sang: “I’d like to see those guys again, and give it a shot/ Maybe now we can show the world what we’ve got/ But I’d just like to play for the fun we had/ Buffalo Springfield again.” Unfortunately, his work compiling Saturday (5pm) and a box set of the group’s work the next year seemed Sunday (2pm) to take the edge off his passion for a reunion, and within a couple of years, original bassist Bruce Palmer Shoreline, was dead. When drummer Dewey Martin died last Mountain View year, it seemed to strengthen Young’s resolve once again, and for this year’s Bridge School benefit he’ll reunite with Stephen Stills and Richie Furay, the other surviving original members, for Buffalo Springfield headlining sets on Saturday and Sunday. Perhaps this really will be a chance to show the world what they’ve got, as the famously troubled group managed to stick around for only two years. But they definitely showed the world something—along with the Byrds, Buffalo Springfield is responsible for kicking off the folky, rootsy and slightly cosmic SoCal rock movement that would give the world not only the monumental careers of Young and its other members, but also Gram Parsons and the eventual alt-country movement (OK, Austin deserves a little credit for that last one, too—whatever). Supporting acts include Pearl Jam, Elvis Costello with Emmylou Harris, Lucinda Williams, Billy Idol (!), Modest Mouse, Kris Kristofferson and a T-Bone Burnett revue featuring Elton John, Leon Russell and Jeff Bridges. —Steve Palopoli

60 WOODHAM’S W OODHAM’S LLOUNGE OUNGE Fri aand Fri nd SSun: un: Pro Pro JJam am w with ith rock rock musicians. Noo aand nd bblues lues local local m usicians. N ccover. over. SSanta anta CClara. lara.

CC&W/Folk &W/Folk ANGELICA’S ANGELIC A’S ’ BISTRO BISTRO

CAFFE CA FFE TR TRIESTE IESTE

O’FLAHERTY’S O ’FLAHERTY’S

Thu, 7pm: Jack Gilmour Gilmour.. Grace Woods, Sat, 8pm: Gr ace W oods, pianist. Sat, 8pm: KKavanaugh avanaugh Brothers Celtic Br others Cel tic Experience. San Jose.

Sun aand Sun nd Tue, Tue, 5pm: 5pm: TTraditional raditional music. IIrish rish m usic. SSan an Jose. Jose.

THEE GRAP TH GRAPEVINE EVINE Thu, 7pm: Mike Medina. Sat, 7pm: Mark Rodriguez. Live Music. Willow Glen.

Sat, 7:30pm: MaCaJo. MaCaJo. $5. City.. Redwood City

MISSION CCITY MISSION ITY CCOFFEE OFFEE ROASTING R OASTING

BOSWELL’S B OSWELL’S

Fri, 8pm: Dorian Michael and Grammp. Chris Gr ammp. Sat, 8pm: Evo Clara. Bluestein. Santa Clar a.

Sun: Mike Leatherman. CCampbell. ampbell.

THE T HE SSADDLE ADDLE RACK RACK Wed, 9 Wed, 9pm: pm: CCalifornia alifornia CCowboys. owboys. 9pm, TThu-Fri, hu-Fri, 9 pm, SSat, at, 10:15pm: 10:15pm: Diablo Road. Rodeo D iablo R oad. SSat, at, 77:15pm: :15pm: R odeo House. H ouse. FFremont. remont.

SSTEPHENS TEPHENS GGREEN REEN TTue, ue, 77:30pm. :30pm. IIrish rish music. music. Mountain View. M ountain V iew.

SSAM’S AM’S B BBQ BQ Wed, 6 Wed, 6pm: pm: SSiddesaddle iddesaddle aand nd CCo. o. 6pm: Windy Hill. TTue, ue, 6 pm: W indy H ill. SSan an JJose. ose.

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | O C TO B E R 2 0 -2 6, 2 0 1 0 | M E T R O S I L I C O N VA L L E Y

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MUSIC USIC metroactive metr oactivve M

Moree listings: Mor

METROACTIVE.COM M ETROACTIVE.COM

BLINKY’S B LINKY’S CAN’T CAN’T SAY SAY

FFLAMES LAMES CCOFFEE OFFEE SHOP SHOP

Fri, 9pm-1am: Fri, 9pm-1am: Danielle. Danielle. SSanta anta Clara. Clara.

Thu-Sat, 9 Thu-Sat, 9pm: pm: U Uncle ncle D Dougie ougie Noo ccover. SShow. how. N over. San San Jose. Jose.

Thu, 9pm: Live country mus music sic Larry. with Cowboy Lar ry. Willow Glen.

BLUE B LUE BONNET BONNET BAR BAR

GGALAXY ALAXY

Wed-Thu and Wed-Thu and M Mon, on, 8pm: 8pm: KKaraoke. araoke. No No cover. cover. Sunnyvale. Sunnyvale.

Thu, 9 Thu, 9pm-2am: pm-2am: KKaraoke araoke w/ w/ August. Milpitas. A ugust. M ilpitas.

Open O pen Mic

BLUE B LUE MAX MAX

ANGELICA’S ANGELIC A’S ’ BIS BISTRO TRO

BLUE B LUE PHEASANT PHEASANT

63 6 3 THREE FLAMES THREE FLAMES RESTAURANT R ESTAURANT

Wed, 6:30pm: Open Mic. Wed, Proo Jazz Jam. TTue, uue, 77-11pm: -11pm: Pr City.. Redwood City

Fri-Sat, 9pm-1:30am: Fri-Sat, 9pm-1:30am: Karaoke. Karaoke. SSunnyvale. unnyvale. TTue, ue, 7pm: 7pm: Steve Steve Tiger. Tiger. CCupertino. upertino.

BAREFOOT CCOFFEE BAREFOOT OFFEE ROASTERS R OASTERS

THE T HE GGOOSETOWN OOSETOWN LLOUNGE OUNGE Fri-Sun, 9 Fri-Sun, 9:30pm-1:30am: :30pm-1:30am: Willow Glen. KKaraoke. araoke. W illow G len.

Wed, 7pm: Musical open mi Wed, mic. c. Clara. Sign up by 5pm. Santa Clar a a.

BRIT BRITANNIA TANNIA ARMS ARMS CUPERTINO CUP ERT TINO

BOGART’S B OGART’S LLOUNGE OUNGE

GGOOSE OOSE LLOONEY’S OONEY’S

Wed, Fri Wed, Fri and and Sun, Sun, 8pm-2am: 8pm-2am: KKaraoke. araoke. Sunnyvale. Sunnyvale.

Thu aand Thu nd SSun un 9 9pm: pm: Karaoke, Karaoke, August. Milpitas. A ugust. M ilpitas.

BOSWELL’S B OSWELL’S

HOMESTEAD H OMESTEAD LLANES ANES

CCAFFE AFFE T TRIESTE RIESTE

TTue: ue: DJ DJ Davey Davey K. K. Campbell. Campbell.

TTue, uue, 7pm: Open Mic. San Jos Jose. se.

BRITANNIA ARMS BRITANNIA ARMS CCUPERTINO UPERTINO

Fri, 9 Fri, 9pm: pm: V Vinnie. innie. M Mon, on, 9pm: 9pm: KKaraoke araoke iinn tthe he lounge lounge with with Vinnie. 9pm: August. V innie. TTue, ue, 9 pm: A ugust. CCupertino. upertino.

Wed, 9:30pm: Open Mic Wed, Night. CCupertino. upertino.

CCITY ITY EESPRESSO SPRESSO Fri, 77-10pm: -10pm: Singers and musicians. San Jose.

MISSION CIT MISSION CITY YR ROASTING OASTING CCO. O. Thu, 7pm: South Bay Folk Folkss Clara. Open Mic. Santa Clar a.

POOR POO RH HOUSE OUSE BISTRO BISTRO TTue, uue, 6pm: Open Mic Night. San Jose.

RED RE DR ROCK OCK CCOFFEE OFFEE CCO. O. Mon, 7pm: CCavin avin and King’ss View. Open Mic. Mountain V iew.

Sun-Tue, 10pm: Sun-Tue, 10pm: Karaoke. Karaoke. CCupertino. upertino.

BRITANNIA B RITANNIA ARMS ARMS SSAN AN JOSE JOSE Wed, 9pm: Wed, 9pm: Karaoke Karaoke w/ w/ August. August. SSan an Jose. Jose.

BRITISH B RITISH BANKERS BANKERS CLUB CLUB Mon, M on, 9:30pm: 9:30pm: Karaoke. Karaoke. Menlo Menlo Park. P ark.

CC&J’S &J’S SPORTS SPORTS B BAR AR Thu, 10pm: Thu, 10pm: Karaoke Karaoke w/ w/ Melissa Melissa aand nd Heather. Heather. Santa Santa Clara. Clara.

CCREEKSIDE REEKSIDE LOUNGE LOUNGE

THREE FLAMES THREE FLAMES RESTAURANT RE STAURANT

Wed & Mon-Tue: Wed Mon-Tue: With With SStephanie. tephanie. Thu Thu & Sat: Sat: Randy. Randy. FFri: ri: Jerry Jerry Sauceda. Sauceda. San San Jose. Jose.

Wed, 8pm: Open Mic. Willow Wed, w Glen.

DAN D AN BROWN’S BROWN’S

Karaoke K Kar aokke

Thu and Thu and Tue, Tue, 9pm-1am: 9pm-1am: Brian Brian Palo Alto. JJames. ames. P alo A lto.

7B BAMBOO AMBOO

Wed: Guitar Wed: Guitar H Hero ero Tournament Tournament pplus lus karaoke. karaoke. Thu, Thu, 9pm-1am: 9pm-1am: KKaraoke. araoke. Santa Santa Clara. Clara.

Wed-Sat, 9pm: KKaraoke. Wed-Sat, araoke. TTue, uuee, 9pm: KKaraoke. araoke. San Jose.

DASILVA’S D ASILVA’S BRONCOS BRONCOS

DIVE D IVE B BAR AR Wed and Wed and Tue, Tue, 9:30pm: 9:30pm: Karaoke. Karaoke. SSan an Jose. Jose.

EEFFIE’S FFIE’S RESTAURANT RESTAURANT ALEX’S A LEX’S 4 49ER 9ER INN Nightly Ni htl exceptt Sun, S 9pm9 2am: KKaraoke. araoke. San Jose.

Wed-Sat and Wed-Sat and Tue, Tue, 9pm-2am, 9pm-2am, aand nd last last Sun Sun of of eevery very month, month, 22-77pm: pm: B&S B&S Karaoke. Karaoke. Campbell. Campbell.

THEE BEARS TH BEARS

EELL RANCHO RANCHO SPORTS SPORTS BAR BAR

HUDDLE H UDDLE Wed-Thu aand Wed-Thu nd SSun, un, 9 9pm: pm: Wild Wild Nights N ights KKaraoke. araoke. FFremont. remont.

KATIE K ATIE B BLOOM’S LOOM’S Sun, 9 Sun, 9:30pm-1:30am: :30pm-1:30am: Karaoke. Karaoke. CCampbell. ampbell.

KCC B K BAR AR A AND ND R RESTAURANT ESTAURANT Wed, 8 Wed, 8pm: pm: D DJJ Desmond. Desmond. San San JJose. ose.

KHARTOUM K HARTOUM Thu, 9 Thu, 9pm: pm: D DJJ Davey Davey K. K. No No cover. cover. CCampbell. ampbell.

KING K ING O OFF CCLUBS LUBS Thu aand Thu nd SSun-Mon, un-Mon, 8:30pm: 8:30pm: Bruce B ruce ooff KOR KOR Karaoke. Karaoke. No No cover. cover. Mountain View. M ountain V iew.

LLILLY ILLY M MAC’S AC’S Thu, 9 Thu, 9pm: pm: D DJJ TThomas homas ““Soulman.” Soulman.” SSunnyvale. unnyvale.

MARIANI’S M ARIANI’S TThu, hu, 8 8pm: pm: CChris. hris. Santa Santa Clara. Clara.

NETO’S N ETO’S M MARKET ARKET & GGRILL RILL Fri, 6 Fri, 6:30-10:30pm: :30-10:30pm: Bands Bands with with llive ive kkaraoke. araoke. SSanta anta CClara. lara.

NORMANDY N ORMANDY H HOUSE OUSE LLOUNGE OUNGE Fri-Sat, 9 Fri-Sat, 9:30pm: :30pm: KKaraoke. araoke. Santa Santa CClara. lara.

NUMBER N UMBER O ONE NE B BROADWAY ROADWAY

Fri, 9pm: Ryan. San Jose.

TThu, hu, 8pm: 8pm: KKaraoke. araoke. San San Jose. Jose.

Thu: SSingles Thu: ingles pparty arty w with ith D DJ. J. LLos os Gatos. G atos.

BENNIGAN’S BENNIG AN’S GR GRILL ILL

FFAHRENHEIT AHRENHEIT

OASIS O ASIS

Sat, 9pm: KKaraoke. araoke. Santa Clara. Clar a.

Mon: Monday Mon: Monday Night Night Madness. Madness. SSan an Jose. Jose.

Wed aand Wed nd Fri-Sat, Fri-Sat, 8 8:30pm: :30pm: D Doug. oug. SSunnyvale. unnyvale.


BRANHAM B RANHAM LLOUNGE OUNGE

JJOHNNY OHNNY V V’S ’S

Fri-Sat, 9 Fri-Sat, 9pm-2am, pm-2am, aand nd Sun, Sun, Mountain View. 77pm: pm: KKaraoke. araoke. M ountain V iew.

Wed: H Wed: Humpday umpday Wednesdays. Wednesdays. Night. TThu: hu: DJ. DJ. FFri: ri: LLadies adies N ight. Sat: Sat: DJ DJ Hip-hop JJazzy azzy aand nd DJ DJ Chaos. Chaos. H ip-hop Happy Hour Allll aand nd TTop op 440. 0. SSun: un: H appy H our A Day. Mon: DJ. $22 TTuesdays. D ay. M on: D J. TTue: ue: $ uesdays. SSan an JJose. ose.

Mon: H Mon: Hip-hop, ip-hop, LLuicidal, uicidal, SSmizzle. mizzle. TTue: ue: CCumbia. umbia. SSan an JJose. ose.

PEACOCK P EACOCK LLOUNGE OUNGE Thu, 9pm: Thu, 9pm: D DJJ B Brian. rian. SSun, un, 9pm: 9pm: DJJ aand 9pm: DJ, D nd kkaraoke. araoke. TTue, ue, 9 pm: D J, ddancing, ancing, kkaraoke. araoke. SSunnyvale. unnyvale. TTue, ue, 8:30pm: 8:30pm: Acoustic Acoustic karaoke karaoke w/ Marshall. Woodside. w / SSam am M arshall. W oodside.

FFri-Sat: ri-Sat: LLive ive D DJ. J. SSan an JJose. ose.

Wed, 9 Wed, 9:30pm: :30pm: Wildside Wildside Noo ccover. EEntertainment. ntertainment. N over. SSanta anta CClara. lara.

ROSIE R OSIE MCCANN’S MCCANN’S TTue, ue, 8:30-11:30pm: 8:30-11:30pm: Karaoke. Karaoke. N Noo Row. ccover. over. SSantana antana R ow.

RUDY’S R UDY’S P PUB UB Wed, 110pm-1:30am: Wed, 0pm-1:30am: DJ DJ Purple. Purple. Palo Alto. P alo A lto.

SSAN AN JJOSE OSE B BAR AR & GGRILL RILL TTue, ue, 10pm-close: 10pm-close: KKamikaze amikaze KKaraoke. araoke. SSan an JJose. ose.

SSHERWOOD HERWOOD IINN NN Wed aand Wed nd SSat-Sun, at-Sun, 8 8:30pm: :30pm: 8:30pm: CChris. hris. TThu-Fri, hu-Fri, 8 :30pm: TThomas. homas. SSan an JJose. ose.

SSOUTH OUTH FFIRST IRST BILLIARDS BILLIARDS SSun: un: KKaraoke. araoke. SSan an JJose. ose.

WILLOW W ILLOW D DEN EN Wed, W ed, 9 9:30pm: :30pm: Thomas. Thomas. SSan an Jose Jose

WOODHAM’S W OODHAM’S LLOUNGE OUNGE Wed, TThu, Wed, hu, SSat at aand nd SSun: un: 10pm: 10pm: Vinnie. V innie. Santa Santa Clara. Clara.

MOUNTAIN M OUNTAIN CHARLEY’S CHARLEY’S BRITANNIA B RITANNIA A ARMS RMS ALMADEN ALMADEN Wed and Wed and Sun, Sun, 110pm: 0pm: D DJJ Hank. Hank. DJJ B Benofficial. Mon, TThu, hu, 110pm: 0pm: D enofficial. M on, 9pm: Beer Pong. 9 pm: B eer P ong. SSan an JJose. ose.

BRITANNIA A BRITANNIA ARMS RMS CCUPERTINO UPERTINO

Fri, 8 Fri, 8pm: pm: D DJJ D Dancing ancing ffeaturing eaturing R&B, 9pm: DJJ R &B, TTop op 440. 0. SSat, at, 9 pm: D Dancing R&B, D ancing ffeaturing eaturing CChill, hill, R &B, 9pm: DJJ TTop op 440. 0. SSun un aand nd TTue, ue, 9 pm: D aand nd ddancing. ancing. Sunnyvale. Sunnyvale.

Fri: D Fri: DJJ KKay ay Rich Rich and and DJ DJ CCheck heck O.. SSat: Beats O at: G B eats tthe he SSoulchild oulchild Metrorock. DJJ D David Q.. aand nd M etrorock. TTue: ue: D avid Q SSan an JJose. ose.

BRITISH B RITISH BANKERS BANKERS CCLUB LUB Wed: B Wed: Blues lues and and ’’80s 80s music. music. Reggae. TThu: hu: College College night. night. FFri: ri: R eggae. Menlo Park. M enlo P ark.

BRIX B RIX Wed, 9 Wed, 9pm-2am: pm-2am: Whip Whip IItt Out. Out. Breathless. TThu: hu: Playground. Playground. Fri: Fri: B reathless. 9pm-2am: SSat: at: SSinful. inful. Sun, Sun, 9 pm-2am: Afterglow. A fterglow. Mon: Mon: First First SStreet treet Power Hour. CCabaret. abaret. TTue: ue: P ower H our. SSan an JJose. ose.

DIVE D IVE B BAR AR

AVALON A VALON Fri: IIsland Fri: sland SSol ol CComedy omedy JJam am with with DeLina Augie FFrank rank D eLina and and A ugie TT.. SSat: at: Andre A ndre Nickatina, Nickatina, with with DJ DJ Aspect Aspect Nima aand nd N ima Fadavi. Fadavi. SSanta anta Clara. Clara.

AZUCAR A ZUCAR Fri-Sat: SSon Fri-Sat: on de de KKali. ali. SSun: un: Bachata with B achata SSensations ensations w ith JJazzy azzy Mon, JJez. ez. M on, 8pm: 8pm: Salsa Salsa lessons. lessons. TTue: ue: SSalsa. alsa. SSan an JJose. ose.

BLUE B LUE PHEASANT PHEASANT Wed-Sun, TTue, Wed-Sun, ue, 7pm-close: 7pm-close: DJ DJ Big aand nd ddancing. ancing. B ig bband, and, swing. swing. Noo cover. N cover. CCupertino. upertino.

Thu, 8 Thu, 8pm: pm: D DJJ A Akustik. kustik. FFri, ri, 8 8pm: pm: DJJ M Mayo. 8pm: DJJ M Mayo D ayo. SSat, at, 8 pm: D ayo DJJ A Akustik. aand nd D kustik. SSun, un, 77pm: pm: LLatin atin Beat. 9pm: Night. B eat. SSun, un, 9 pm: SSonidero onidero N ight. SSunnyvale. unnyvale.

BRITANNIA A BRITANNIA ARMS RMS DOWNTOWN D OWNTOWN

AGENDA A GENDA

Wed: B Wed: Bachata achata w with ith P Pantea. antea. TThu: hu: with SSalsa. alsa. FFri: ri: SSalsa. alsa. TTue: ue: Salsa Salsa w ith Pantea. Mountain View. P antea. M ountain V iew.

PARRANDA P ARRANDA N NIGHTCLUB IGHTCLUB

PEACOCK P EACOCK LOUNGE LOUNGE

Dance D ance Clubs Clubs

ALBERTO’S A LBERTO’S

Wed: H Wed: House ouse P Party. arty. Thu: Thu: Gatos. TThrowback hrowback TThu. hu. LLos os G atos.

TThu: hu: DJ DJ TTosh. osh. CCupertino. upertino.

CC&J’S &J’S SSPORTS PORTS B BAR AR

Wed, 8 Wed, 8pm: pm: Salsa Salsa W Wednesdays. ednesdays. Guest DJs. Reggae. TThu: hu: G uest D Js. SSun: un: R eggae. SSan an JJose. ose.

KING K ING O OFF CLUBS CLUBS

LLOFT OFT B BAR AR A AND ND B BISTRO ISTRO

POINCIANA P OINCIANA LLOUNGE OUNGE

TTue, ue, 9pm: 9pm: Sherrie Sherrie aand nd SSue. ue. No No ccover. over. SSunnyvale. unnyvale.

Wed: W ed: D DJJ D Davey avey KK.. CCampbell. ampbell. Fri: N Fri: Noche oche V Vaquera. aquera. Sat: Sat: A Azukar. zukar. 9pm: Nostalgia. $8. TTue, ue, 9 pm: CClub lub N ostalgia. $ 8. Mountain View. M ountain V iew.

PIONEER P IONEER SSALOON ALOON

QUARTER Q UARTER NOTE NOTE

KHARTOUM K HARTOUM

Wed and Wed and Sat, Sat, 110pm: 0pm: DJ DJ in in tthe he Mix. M ix. SSanta anta CClara. lara. Thu, 9 Thu, 9:30pm: :30pm: D DJJ O Otrebor. trebor. 9:30pm: DJJ O Otrebor. FFri, ri, 9 :30pm: D trebor. SSat, at, 9:30pm: DJJ CC-Note 9 :30pm: D -Note aand nd gguest uest DJs. D Js. Sun, Sun, 3-10pm: 3-10pm: DJ DJ Venom Venom 347 347 DJs. aand nd gguest uest D Js. SSan an JJose. ose.

EELL R RANCHO ANCHO SSPORTS PORTS B BAR AR Fri-Sat, 8 Fri-Sat, 8pm: pm: O Old ld SSchool chool D Dance ance Party. P arty. SSan an JJose. ose.

FFAHRENHEIT AHRENHEIT U ULTRA LTRA LLOUNGE OUNGE Wed, 9 Wed, 9pm: pm: R Reggae eggae R Riddims. iddims. Mon, 8pm: Monday Night M on, 8 pm: M onday N ight Madness. 9pm: M adness. TTue, ue, 9 pm: CCollege ollege Night. N ight. SSan an JJose. ose.

FFIBBAR IBBAR MAGEES MAGEES Wed: SSIN. Wed: IN. Sat: Sat: Club Club FFM M plus plus JJersey ersey SShore hore Partay. Partay. Sunnyvale. Sunnyvale.

GGOOSE OOSE LLOONEY’S OONEY’S Thu: Ladies’ Thu: Ladies’ N Night. ight. Fri-Sat: Fri-Sat: O Old ld Milpitas. SSchool. chool. M ilpitas.

THE T HE GRAND GRAND DELL DELL SSALOON ALOON TTue, ue, 9 9pm: pm: LLive ive D DJ. J. CCampbell. ampbell.

PEARL P EARL Fri: M Fri: Masquerade asquerade Ball, Ball, hosted hosted by by with DJJ CChoonation. hoonation. SSat: at: SSassy assy w ith D TTina. ina. SSan an JJose. ose.

SSABOR ABOR T TAPAS APAS B BAR AR Thu: M Thu: Major ajor TThursdays. hursdays. Tue: Tue: Two Two Buck B uck TTuesdays, uesdays, CCollege ollege ddance ance pparty. arty. SSan an JJose. ose.

THE T HE SSADDLE ADDLE R RACK ACK Wed, 9 Wed, 9pm: pm: D DJJ H Henry. enry. TThu, hu, 9pm: 9pm: DJJ M Mark. 9pm: DJJ M Mike D ark. FFri, ri, 9 pm: D ike Vincent. DJJ M Mark. V incent. SSat, at, 77pm: pm: D ark. FFremont. remont.

SSAN AN JJOSE OSE B BAR AR & GRILL GRILL Thu: TThursday Thu: hursday Night Night Live. Live. FFririVideo DJJ w with VJJ SSat: at: V ideo KKilled illed tthe he D ith V Vinyl. Mon: V inyl. SSun: un: SSinful inful SSundays. undays. M on: Manic Mondaze. M anic M ondaze. SSan an JJose. ose.

TEMPLE T EMPLE B BAR AR & LLOUNGE OUNGE Wed: W ed: TThe he P Pick ick U Up. p. SSan an JJose. ose.

TOON’S T OON’S Thu: SSJSU Thu: JSU LLatin atin P Party. arty. FFri: ri: Big Big Birthday B irthday Bash Bash Surprise. Surprise. Sat: Sat: Royalty, R oyalty, hip-hop. hip-hop. Sun: Sun: Hip-hop Hip-hop Mon: sshowcase. howcase. M on: FFun un ffor or aall. ll. TTue: ue: Pre-Halloween P re-Halloween ccostume ostume pparty. arty. SSan an JJose. ose.

VOODOO V OODOO LOUNGE LOUNGE Sat, 110pm: Sat, 0pm: D DJJ SSam. am. $ $10. 10. SSan an JJose. ose.

WET W ET Fri: EEpic Fri: pic w with ith D DJJ R Riz, iz, CCrooklyn rooklyn CClan lan EExplosion. xplosion. SSan an JJose. ose.

ZZEN EN LLOUNGE OUNGE Fri: FFabulous Fri: abulous Fridays. Fridays. Sat: Sat: w/DJ D-CCelebrity elebrity SSaturdays aturdays w /DJ D Roc. Mountain View. R oc. M ountain V iew.

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Nokia Inc. has the following position in Redwood City, CA:

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Hewlett-Packard Company has an Nokia Inc. has an exp./degreed position opportunity for the in Mountain View, CA: following position in Cupertino, CA Senior Software Engineer: Software design & development; work with web technologies & tools such as HTML, CSS, Rich UI, JavaScript, Flash, Silverlight; design & development of mobile & web applications; Mobile Web Runtimes with prior exp. developing Mobile browser applications using Mobile APIs, & advanced web libraries like JQuery, Dojo; advanced knowledge with Gadget & Widget development, with rich internet application for mobile devices; & understand APIs, understand the needs & ability to define the APIs & support required for an application platform & other duties/skills required. [Job ID: NOK-CA10-SSE] Mail resume to: Nokia Recruiter, 3575 Lone Star Circle, Ste. 434 Fort Worth, TX 76177 & note Job ID#.

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Ericsson Inc. has employment opportunities in San Jose, CA for the following positions: Development Test Engineer (Job Code SJ0002HRA): Design, execute, and automate tests focused on control plane and forwarding features related to wireless/mobility, Layer2 and Layer3 Routing (SmartEdge). Software Engineer (Job Code SJ0005RTA): Perform software design in the area of LKM and UIO drivers for third party and E/// proprietary devices. Senior Software Engineer (Job Code SJ0005ISO): Design, develop, and maintain embedded software for various product lines which delivers voice, data and video services to residential customers using FTTH & FTTC technologies. Send your resume (must reference job title and Job Code) to Ericsson Inc. at:Eus.Jobsearch.T@ericsson. com

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CH2M HILL Engineers, Inc., leader in professional engineering services, has opening in San Jose, CA for a Lead Process Engineer to provide facilities and energy assessment, design engineering, and project management consulting services to High Tech Companies. Send resume to: CH2M Hill, Attn: Jose Buenrostro, 9191 South Jamaica St., Englewood, CO 80112 (Ref: Job Code 82927)

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FREE WILL ASTROLOGY ARIES A RIES ((March March 221–April 1–April 119): 9): ““There’s There’s oone ne uultimate ltimate

goal during during ssex,” ex,” ssays ays Cosmopolitan Cosmopolitan magazine, magazine, a goal renowned ssource ource ooff eerotic rotic gguidance uidance ffor or w omen. TThat hat renowned women. is “to “to bbee aass ssensually ensually sstimulated timulated aass ppossible.” ossible.” I ddon’t on’t is quite aagree gree w ith tthat hat aassessment. ssessment. H aving eemotionally motionally quite with Having pleasing ffun un sshould hould aalso lso bbee aan n iimportant mportant cconsideration, onsideration, pleasing as well well aass ccreating reating a pplayful layful aambiance mbiance aand nd iinvoking nvoking as spiritual ggrace. race. B ut ssensual ensual sstimulation timulation iiss ggood, ood, ttoo. oo. spiritual But So what, what, iin n tthe he vview iew ooff CCosmopolitan, osmopolitan, iiss tthe he kkey ey ttoo So cultivating maximum maximum bbliss? liss? ““Having Having llots ots ooff ssteamy teamy iinfo nfo cultivating at yyour our ddisposal.” isposal.” TThat’s hat’s definitely definitely sound sound aadvice dvice ffor or yyou ou at right nnow, ow, A ries. YYou’re ou’re iin n a ffavorable avorable pphase hase ffor or fi nding right Aries. finding out m ore aabout bout eeverything verything tthat hat w ill eenhance nhance yyour our out more will access to to delight, delight, including including the the sexual sexual kind. kind. access

TAURUS T AURUS ((April April 220–May 0–May 220): 0): W When hen tthe he ttide ide iiss coming iin, n, tthe he ccreek reek I llive ive nnext ext ttoo fl ows vvigorously igorously coming flows toward tthe he ssouth. outh. W hen tthe he ttide’s ide’s ggoing oing oout, ut, tthe he w ater toward When water reverses iits ts ccourse ourse aand nd hheads eads sswiftly wiftly nnorth. orth. EEvery very dday, ay, reverses there’s aan n iin-between n-between ttime ime w hen tthe he ccreek reek sseems eems there’s when confused. SSome ome ccurrents urrents ccreep reep ssouth outh aand nd oothers thers sslink link confused. north, w hile hhere ere aand nd tthere here eeddies ddies w hirl iin n ccircles. ircles. north, while whirl According ttoo m nderstanding ooff tthe he aastrological strological According myy uunderstanding omens, TTaurus, aurus, yyou ou aare re ttemporarily emporarily iin n a pphase hase tthat hat omens, resembles m reek’s ttime ime ooff ccontrary ontrary fl ows. IIt’s t’s a resembles myy ccreek’s flows. perfectly natural natural place place to to be. be. perfectly GGEMINI EMINI ((May May 221–June 1–June 220): 0): IIn nfi fifth fth ggrade rade I w was as iin n love w ith CCalley, alley, w ho w as tthe he bbyy ffar ar pprettiest rettiest ggirl irl iin n tthe he love with who was school. SSadly, adly, sshe he ddidn’t idn’t rreturn eturn m ffection, ssoo I hhad ad school. myy aaffection, to bbee ccontent ontent w ith aadoring doring hher er ffrom rom aafar. far. EEventually ventually I to with moved aaway way aand nd llost ost ttouch. ouch. SSince ince tthen hen II’ve ’ve w ondered moved wondered if sshe he ssuffered uffered tthe he ffate ate tthat hat bbefalls efalls ttoo oo m any ggorgeous orgeous if many women: rrelying elying ssoo eentirely ntirely oon n hher er llooks ooks ttoo m ake hher er women: make way iin n tthe he w orld tthat hat sshe he nnever ever ddeveloped eveloped m any sskills. kills. way world many But rrecently ecently I ttracked racked CCalley alley ddown own vvia ia G oogle aand nd But Google discovered tthat hat sshe he hhad ad bbeaten eaten tthe he ccurse: urse: SShe he hhas as discovered carved oout ut a ccareer areer aass aan n aactivist ctivist bbringing ringing fi rst-rate carved first-rate education ttoo ppoor oor cchildren. hildren. M uestion ttoo yyou ou iiss tthis, his, education Myy qquestion Gemini: A re tthere here aany ny qqualities ualities yyou ou rregarded egarded aass aassets ssets Gemini: Are earlier iin n yyour our llife ife bbut ut tthat hat eeventually ventually tturned urned iinto nto earlier liabilities? A ny sstrengths trengths tthat hat bbecame ecame w eaknesses? liabilities? Any weaknesses? And w hat aare re yyou ou ddoing oing ttoo aadjust? djust? IIt’s t’s a good good time time to to And what address tthese hese tthemes. hemes. address

CCANCER ANCER ((June June 221–July 1–July 222): 2): TThink hink bback ack ttoo tthe he llast ast half of of 11998. 998. W hat w as ggoing oing oon n iin n yyour our llife ife bback ack tthen? hen? half What was According ttoo m strological pprojections, rojections, yyou ou w ere According myy aastrological were probably ccarrying arrying oout ut eexperiments xperiments iin naw ild ffrontier rontier . . . probably wild or getting getting yyour our m ind rrearranged earranged bbyy rrousing ousing tteachings eachings or mind and provocative provocative rrevelations evelations . . . oorr bbreaking reaking tthrough hrough and artificial llimits imits tthat hat hhad ad bbeen een qquashing uashing yyour our ffreedom reedom artificial or all all ooff tthe he aabove. bove. N ow yyou’ve ou’ve ccome ome aaround round aagain gain . . . or Now to a similar similar pphase hase ooff yyour our ggrand rand ccycle. ycle. A re yyou ou rready eady to Are for action? action? IIff yyou’d ou’d llike ike ttoo ggather ather uupp aallll tthe he ggrace race for flowing iin n yyour our vvicinity, icinity, sstart tart hhaving aving ffun un w ith eescapes, scapes, flowing with experiments, aand nd eexpansions. xpansions. experiments, LLEO EO ((July July 223–Aug. 3–Aug. 222): 2): ““II w wish ish I ttreated reated m myy ffeet eet w with ith

tthe he ssame ame ttender ender lloving oving ccare are aass I ddoo m ace,” w rote myy fface,” wrote CCatherine atherine SSaint aint LLouis ouis iin n TThe he N New ew YYork ork TTimes imes. ““But But I don’t.” SShe he qquotes uotes a sstudy tudy tthat hat ssays ays m ore tthan han hhalf alf ooff don’t.” more all women women are are embarrassed embarrassed about about their their feet, feet and and notes notes all ha FFacebook a eboo hhas a m an “I H a e FFeet” ee groups. g oup YYou ou LLeos eo that many Hate an aafford o d too bbee uunder nde this h spell pe right gh nnow. ow EEven en m oe can’t more han uusual, ua it’s crucial u a for o you ou too bbee w e g ounded SSoo than well-grounded. ugge you ou m aneu e yourself ou e into n o a state a e oof m nd I suggest maneuver mind whe e earthiness ea h ne is beautiful beau u and and appealing appea ng too you. ou where F nd ways wa too celebrate e eb a e your ou body bod and and improve mp o e your ou Find e a on h p with w h it. How How too start? a ? Love Lo e your ou feet ee better. be e relationship

VIRGO V RGO (Aug. Aug 223–Sept. 3–Sep 222): 2 At A this h pphase ha e of o m my life, e

m nnot o canvassing an a ng ddoor-to-door oo o doo aasking ng ppeople eop e too I’m ddonate ona e m one too save a e ooldd ggrowth ow h forests. o e I’m m nnot o a money m embe oof ggroups oup fi gh ng for o aan n eend nd too the he w a in n member fighting war A ghan an oor aagitating g a ng in n bbehalf eha oof aanimal n ma rights. gh M Afghanistan My ugg e for o social o a aand nd eenvironmental n onmen a justice u e is w aged struggle waged pprimarily ma through h ough the he ppower owe oof m ng I subscribe ub be my w writing. he aattitude ude oof aauthor u ho Ingrid ng d B eng who who said, ad too the Bengis, Wo d aaree a form o m oof aaction, on capable apab e oof influencing nfluen ng “Words hange In n the he coming om ng w ee I suggest ugge you ou increase n ea e change.” weeks, ou aawareness wa ene oof how how you ou could ou d transform an o m your ou your w o dw h the he ppower owe oof your ou language. anguage Is it possible po b e too world with n ea e your ou clout ou through h ough the he w a you ou communicate? ommun a e? increase way

LLIBRA BRA (Sept. Sep 223–Oct. 3–O 222): 2 In n the he w weeks ee aahead, head LLibra, ba ou e ggoing o ng too bbee tested e ed oon n your ou follow-through. o ow h ough you’re P eop e w an you ou too w o hharder a de oon nw ha hhas a People will w want work what ppreviously e ou come ome fairly a eeasily. a YYou ou w e u ed too will bbee ppressured m a e ggood ood oon n your ou ppromises; om e you’ll ou bbee aasked ed too refine efine make he ddetails e a that ha aaree central en a too the he success u e oof the he ggood ood the

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FICTITIOUS BUSINESS FICTITIOUS BUSINESS NAME STATEMENT NAME STATEMENT #542717 #543013 The following person(s) is (are) doing business as: Virsa Science Academy, 3276 Carol Leaf Ct., San Jose, CA, 95148, Surjit Saini. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 9/16/2010. /s/Surjit Saini This statement was filed with the County Clerk of Santa Clara County on 9/21/2010. (pub Metro 9/29, 10/06, 10/13, 10/20/2010 )

The following person(s) is (are) doing business as: Stellar Glass Works, 103 Whit’s Road, Mountain View, CA, 94040, David Rainey. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/David Rainey This statement was filed with the County Clerk of Santa Clara County on 9/29/2010. (pub Metro 10/06, 10/13, 10/20, 10/27/2010)

FICTITIOUS BUSINESS FICTITIOUS BUSINESS NAME STATEMENT NAME STATEMENT #542487 #543373 The following person(s) is (are) doing business as: Star Parking, 1034 Wayne Ave., #49, San Jose, CA, 95131, Aden Kidane. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 9/01/2010. /s/Aden Kidane This statement was filed with the County Clerk of Santa Clara County on 9/15/2010. (pub Metro 9/29, 10/06, 10/13, 10/20/2010)

The following person(s) is (are) doing business as: A & Z Services, 1134 Kelez Dr., San Jose, CA, 95120, Ramona Zaya, John Ader. This business is conducted by a Husband and Wife. Registrant began transacting business under the fictitious business name or names listed herein on Oct 8th 2010. /s/John Ader This statement was filed with the County Clerk of Santa Clara County on 10/08/2010. (pub Metro 10/20, 10/27, 11/03, 11/10/2010)

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This question teeters on that fine line, familiar to us here at the Straight Dope, between intriguing and ludicrous. Before anyone rushes to judgment, be aware that at least one other person had the same brainstorm as Ted. His name? Ben Franklin. So you might want to hear this one out. In February 1776, concerned about a shortage of gunpowder, Franklin proposed in a letter to Gen. Charles Lee that the colonists arm themselves with bows and arrows, calling them “good weapons, not wisely laid aside.” The idea didn’t fly, obviously. Let’s look at Franklin’s reasoning to get a handle on why. 1. “[An archer] can discharge four arrows in the time of charging and discharging one bullet.” True. A skilled English archer could loose 15 shots a minute, with 10 the minimum acceptable rate. A newly recruited musketeer, in contrast, would be lucky to get off two shots per minute, while the best a veteran could manage was five. The key phrase here, as we’ll see below, is “skilled English archer.” 2. “His object is not taken from his view by the smoke of his own side.” Also true—prior to innovations of the 19th century, visibility was a major issue for armies exchanging gunfire. 3. “A flight of arrows, seen coming upon them, terrifies and disturbs the enemies’ attention to their business.” This falls into the true-but-so-what category. A storm of incoming arrows let fly by massed archers was undoubtedly terrifying. On the other hand, the din of musketry and cannon fire, the sight of a line of men cut down like weeds and strewn maimed on the ground. Guns may not have been too accurate in the late 18th century, but they delivered plenty of shock and awe. 4. “An arrow striking in any part of a man puts him hors de combat till it is extracted.” Maybe so, but close-range musket wounds reportedly were much more devastating than arrow wounds. 5. “Bows and arrows are more easily provided everywhere than muskets and ammunition.” In the war’s early days

George Washington estimated there was only enough powder for his troops to fire nine shots each. Meanwhile, Native Americans seemed to have no difficulty making bows and arrows, so how tough could it be? Answer: tougher than you’d think. 6. “[A] man may shoot as truly with a bow as with a common musket.” Here’s Franklin’s fatal error. He was thinking of the longbow, which had been used to deadly effect during the Hundred Years’ War at the battles of Crecy (1346), Poitiers (1356) and Agincourt (1415). The longbow was an English specialty—armies on the continent used the crossbow, which generally had less range and was much slower to reload. An archer with a crossbow didn’t stand a chance against one with a longbow. The longbow might have lasted longer, except for one thing: using it effectively required extraordinary strength and skill. The bow, made of tough yew wood, had a draw weight of 80 to well over 100 pounds, something only the strongest modern archers can manage. Training took years—English law long mandated that boys take archery practice starting as early as age 7. Fearsome as it was, the longbow didn’t automatically trump the musket the way it had the crossbow. English armies in the 16th century were sometimes defeated despite their longbows, and by the time of the Spanish Armada the weapon had largely been eclipsed. Other ancient arms still had their uses—the knight’s sword evolved into the cavalryman’s saber and the infantryman’s bayonet. Not so the longbow. Once the English concluded it wasn’t worth their while to train large numbers of archers, the bow’s usefulness in large-scale combat ceased. By Franklin’s day it’s doubtful anyone in the colonies knew how to make a longbow or could have used it. The Native American version hadn’t proven especially effective in combat. Guns had the advantage of simplicity: a kid could pick one up and kill somebody with it, a fact that remains apparent to this day.

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Santa C lara h ead d ccoach oacch JJerry erry S mith, Santa Clara head Smith, who recruited recruited Press Press iin nh er yyouth, outh, ssays ays who her when tthe he Broncos Broncos p layed S tanford when played Stanford they were were forced forced to to ssit it b ack and and play play they back ounteratt ttacck style style iin n ffear earr o er a ccounterattack off h her unusual sspeed. peed. ““We We h ad tto o cchange hange tthe he unusual had way w normally p lay for for C hristen, way wee normally play Christen, and eeven ven in in doing doing so, so, she she ggot ot tthe he ggameam meand winning goal, goall,” S mith ssays. ays. ““She She w as winning Smith was absolutely tthe he difference diff ffeerence iin n tthe he ggame. am me.” absolutely After beating beating tthe he B roncos 2 -0 o n After Broncos 2-0 on Oct. 33,, S tan nford vvaulted au ulted tto o tthe he N o. 1 Oct. Stanford No. ranking in in tthe he C oaches P oll aand nd h as ranking Coaches Poll has stayed aatop top tthe he po ll ssince, ince, b ut P ress stayed poll but Press says tthe he rranking an nking m eans n othing tto oh er. says means nothing her. “It matters matters w ho’s n umber o ne aafter fter “It who’s number one the n ational al cchampionship, ham mpionship, an nd iin nm the national and myy four yyears ears tthat hat II’ve ’ve b een h ere, aatt o ne four been here, one point o nother, w e’ve b een rranked an nked point orr aanother, we’ve been number o ne an nd w e’ve n ever w on,” tthe he number one and we’ve never won, nation’s ssecond-leading econd-leading ggoal oal sscorer corer says. says. nation’s The C ardinall, w hich h ass a 113-0-2 3-0-2 The Cardinal, which has record tthis his yyear, earr, h as llost ost jjust ust o ne ggame ame record has one in tthe he llast asst two two yyears, earrs, a 11-0 -0 d efeat tto o in defeat North C arrolina iin n llast ast yyear’s ear’s n ational North Carolina national championship. T he lloss oss tto o tthe he T aarr championship. The Tar Heels h ass k ept Press Press aand nd R atcliff ffee Heels has kept Ratcliffe fo ocused o nb ringing S tan nford a focused on bringing Stanford nationall ttitle. itle. national “Our ggoal oal al is is tto ow in tthe he national nationall “Our win championship,” says says Ratcliffe, Ratcliff ffee, who who h as championship, has earned tthe he n ational ccoach oacch o he yyear earr earned national off tthe awar ard tthe he llast ast ttwo as wo sseasons. easons. ““II tthink hink iiff award we sstay tay h ealthy, ccontinue ontinue tto ow ork h ard we healthy, work hard and gget et a llittle ittle bit bit o uck on on the the way, way, and off lluck we ccould ould d efinitely do do it. it.” When When asked asked we definitely if she she b elieves tthe he C ardinal w ill fi nally if believes Cardinal will finally break tthrough hrough an nd w in tthe he n ational break and win national title, P ress h as a o ne-word rresponse: esponse: title, Press has one-word “Absolutely.” IIt’s t’s tthat hat confidence, confidence, which which “Absolutely. Smith ssays ays sshe he eestablished stablished iin nh er youth, youth, Smith her that ggives ives P ress aand nd this this year’s yearr’s team team mn o that Press no limits for for ssuccess. uccess. —Joey —J — Joey A keley limits Akeley

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Using demographic data from Nielsen’s, which drilled down into every ZIP Code in the country, the study produced a “customer segmentation profiling research system.” So now every American can know if they are a “Young Digerati” or a member of the “Bohemian Mix.” Or perhaps they live among the “Money and Brains” or the “Big City Blues.” These are just a few of the clever (or corny) monikers used to label 66 distinct lifestyle types, which are reportedly connected to knowable demographic traits, lifestyle preferences and consumer behaviors. To get a sense of whether the marketing gurus were onto something, I decided to take a look at the San Jose ZIP Codes I am most familiar with—as a native, born here, raised here, San Jose State grad, who never moved out of the area (not very exciting, I know). So, 95136: This takes in a bit of Blossom Valley and some of Almaden Valley, where I lived growing up, and where I lived with my own kids until recently. In this area, the lifestyle segments include the aforementioned Money, Bohemians and Digirati, along with American Dreams and Cosmopolitans. Median income in this ZIP is $55,665 on the low end (Bohemian) and tops out at $91,113 (Money & Brains). Mainly white-collar job

holders are found in this ZIP, and most have completed some college or achieved graduate degrees. In general, I’d have to say that the marketers have nailed it on some lifestyle habits in the neighborhood and have missed on others. Sometimes I shop at Costco (Cosmopolitan), other times at Nordstrom (Money & Brains) but never at Express (Bohemian Mix) and rarely at Old Navy (American Dream). I don’t drive any of the cars my neighbors are said to own: Lexus IS, Volkswagen Rabbit, Lexus RS series, Lexus LS or the Audi A4. But on any drive through the 95136, one does see quite a few of these cars. I do buy and rent foreign videos (Bohemian Mix), read the Sunday newspaper (Money & Brains) and watch independent films (Young Digerati). Then I looked at 95116, San Jose’s Mayfair neighborhood, where I lived for several years after getting out of college. Surprisingly, this ZIP’s Top 5 lifestyle groups are identical to 95136, with one switch—the Cosmopolitans are out and Big City Blues are in. And who are these folks? People who are dubbed Big City Blues have a median income of $32,163, are mainly renters, 40 percent Latino, younger (under 35), are employed in a mix of white-collar and service jobs. This segment is largely made of families, many of which are headed up by single parents. “Big City Blues” does seem to sum up my post-college neighborhood. Perhaps the American Dreams, Bohemians and the others are somewhere else in 95112, just not on my old block. —Katherine Thornberry


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