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Friday, Noon - 7 pm Fair & Harvest Fun for All Ages Taste over 300 wines Arranged by Varietal

Two 2 ½ Hour Tasting: $35 Each, or Both for $60 Price includes fair admission, glass & all wine tasting.

Tastings: Noon-2:30 pm & 4:30-7 pm Art Show Reception: 7-9 pm, $20

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09.15.10-09.21.10

THE BOHEMIAN

THE BOHEMIAN

09.15.10-09.21.10

03

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LAW SCHOOL Informational Seminar Wednesday, September 22 6:30 to 8:00 p.m.

Keynote Speaker: Jennifer Obergfell, Esq. Chief Child Support Attorney, County of Mendocino Empire Class of 1998 Since 1973, Empire College School of Law has prepared more than 700 graduates for careers as attorneys. Alumni now comprise approximately 25% of the Sonoma County Bar and include members of the judiciary in Sonoma, Napa, Mendocino, and Merced Counties.

Call today to reserve your seat!

707-546-4000 www.empcol.edu

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09.15.10-09.21.10

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Recycled, Secondhand, Consignment and Thrift Boutiques

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Santa Rosa

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Is experience Jerry Brownâ&#x20AC;&#x2122;s sole leverage?

By Anna Schuessler

C

he fluorescent lights in Santa Rosaâ&#x20AC;&#x2122;s Veterans Memorial Hall turned blue shirts to purple, saturating colors and soaking up the exhaustion of the day as Sonoma County Democrats gathered on the night of Aug. 25 to rally support for Jerry Brown, Californiaâ&#x20AC;&#x2122;s Democratic candidate for governor. Despite the lingering 90-plus temperature, faithful blue-blooded folks trooped past Meg Whitman supporters, silently hoisting Meg Whitman lawn signs with limp arms, on their way into the auditorium.

Impatient attendees were provided with water bottles, and a single, gigantic fan was placed in the back of the room.

And then they waited, a local Democratic representative stalling for time as Brown traveled to the event. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;ll let you know when Jerry is leaving so you can start a chant when he walks in,â&#x20AC;? the rep said, his voice settling slowly on the crowd, eliciting weak applause.

Why shouldnâ&#x20AC;&#x2122;t Jerry Brown stall for a little more time, anyway?

Heâ&#x20AC;&#x2122;s had plenty of time to ruminate over the myriad problems the state of California has endured, and he certainly has taken his time in officially launching his campaign. In an attempt to cater to the older North Bay citizens who had gathered to see their candidate, the former governor used this hot August evening to explicate his extended career in politics as well as his devotion to more traditional ways of running a campaign. But most likely, he also wanted to hedge against Meg Whitmanâ&#x20AC;&#x2122;s copiously funded campaign.

When he finally appeared, 45 minutes after the meeting was slated to start, the man who has spent almost 40 years navigating California politics made sure his audience was aware of his timeâ&#x20AC;&#x201D;and his impeccable timing. â&#x20AC;&#x153;This campaign starts with your feet on the rocks, and when the time is right, weâ&#x20AC;&#x2122;ll let go,â&#x20AC;? he said, comparing his decision to begin his campaign after Labor Day to that of a child swinging from a tire swing over the Russian River.

Speaking from a podium that consumed most of his tiny frame, Brown jabbed a finger in the air with every point he delivered. The

speech was scattered, Brown jumping from his progressive achievement of appointing minority candidates to positions in his previous term as governor to his energy plans for 2020 in a lessthan-cogent manner. But his tone was upbeat, if his message a little outdated.

Putting Californiaâ&#x20AC;&#x2122;s dire straits into perspective, Brown turned the attention of his listeners to the prosperity they currently enjoy. Singing the praises of Californiaâ&#x20AC;&#x2122;s $1.8 trillion gross state product, Brown said that the stateâ&#x20AC;&#x2122;s deficit was simply going to entail a â&#x20AC;&#x153;California solution,â&#x20AC;? one that requires the help of all the parties combined. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;ve had bigger problems in the past,â&#x20AC;? he said, mentioning the ban against Chinese immigrants owning property during the Gold Rush, as well as the stateâ&#x20AC;&#x2122;s role in the Civil Rights movement as examples.

Reaching deeply into history is one of the only ways that Brown stands a chance against Meg Whitman.

He succeeded in working his achievementsâ&#x20AC;&#x201D;as well as the downfalls of policy made in his absenceâ&#x20AC;&#x201D;into his rally speech. Making mention of the â&#x20AC;&#x153;elegant densityâ&#x20AC;? that Brownâ&#x20AC;&#x2122;s integrated arts school fostered in Oakland as opposed to the creation of 22 prisons since he left office as governor, Brown attempted to refute any arguments against his years of experience. He also steered clear of taking an aggressive offensive to Whitmanâ&#x20AC;&#x2122;s campaign, alluding to his competitor only when suggesting that perhaps her supporters outside the Veterans Hall were paid.

While Brownâ&#x20AC;&#x2122;s small-scale campaigning will in no way rival that of Whitmanâ&#x20AC;&#x2122;s multimillion dollar onslaught, sticking to party politics and keeping it low-key might just work for him. The Democrats who had come to see Brown that sultry evening were not electrified by his diction, but their resistance against Whitmanâ&#x20AC;&#x2122;s well-padded coffer was palpable. Indeed, the only time Brownâ&#x20AC;&#x2122;s speech aroused more than applause and a few whistles was when he took a stab at her supporters. If keeping a low profile in the face of Whitmanâ&#x20AC;&#x2122;s determination is what it takes for Brown to garner the support of his fellow Democrats, then thatâ&#x20AC;&#x2122;s what Brown will do.

Reaching deeply into history is one of the only ways that Brown stands a chance against Meg Whitman

THE BOHEMIAN

09.15.10-09.21.10

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F7> :=>FB. Regarding the letter from the gentleman who wrote, â&#x20AC;&#x153;Very funny, but sorryâ&#x20AC;&#x201D;parapsychology is whoowhoo, it does not existâ&#x20AC;? (Letters, Sept. 8). My daughter was born at 2:30am, and I first saw her around noon.

I had a camera, and she followed me around the room with her eyes as I took pictures. Ten hours old, eyes very much open and perceptive. Most doctors would find this highly unusual, if not almost unheard of.

Later, my daughter had the ability, maybe 20 seconds before the phone rang, to call the name of the ringer. Also, my daughter would ask, â&#x20AC;&#x153;Howâ&#x20AC;&#x2122;s Chuck?â&#x20AC;? just as I was thinking about my brother Chuck.

Iâ&#x20AC;&#x2122;m not naĂŻve. I have degrees in both biology and marine biology. I know things are â&#x20AC;&#x153;not verifiableâ&#x20AC;? if they are unable to be replicated. No one would ever be able

to ask (and get) my daughter to repeat these capabilities, but they do exist. How do you explain these things, Mr. â&#x20AC;&#x153;Just Not Scientificâ&#x20AC;??

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some great low-tech photography without trying to make it sound like itâ&#x20AC;&#x2122;s the new thing? Not to mention that the pictures used are just plain crappy, not cool at all or even trying to show how cool the Holga can be.

The Bohemian consistently misses the actual cuttingedge, cool, new, happening stuff in this county and the whole freakinâ&#x20AC;&#x2122; Bay Area, for that matter.

0 F>A3 5A>< >DA 03E4AC8B4A You know, crappy cameras like the Holga were the rage like 10 or 15 years ago (â&#x20AC;&#x153;Present Imperfect,â&#x20AC;? Sept. 8).

It is so not â&#x20AC;&#x153;the rageâ&#x20AC;? for the Bohemian to print such a mundane article with a has-been subject matter. I mean, câ&#x20AC;&#x2122;mon, fashion photography and fine art photography have been using low-tech techniques for, like, ever! This just makes the Bohemian seem so behind the times and small-town. Wouldnâ&#x20AC;&#x2122;t it be more realistic to just showcase

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Youâ&#x20AC;&#x2122;d think that trying to launch an art centerâ&#x20AC;&#x201D; the Occidental Center for the Artsâ&#x20AC;&#x201D;in this economy would be daunting enough, but it doesnâ&#x20AC;&#x2122;t compare to the difficulty of breaking through to the Bohemianâ&#x20AC;&#x2122;s art and entertainment writers! Since the OCA opened on April 3 with a Fools Day Parade, weâ&#x20AC;&#x2122;ve had a myriad of musical offerings from Chris Caswell to Blue Brazil; art gallery showings; writersâ&#x20AC;&#x2122; workshops; and, most recently, â&#x20AC;&#x153;Remembering Harmonyâ&#x20AC;? (Sept. 3â&#x20AC;&#x201C;4), a site-specific interactive performance that was part of ArtsSonoma Festival 2010. The OCA is proud to be the new home of the Redwood Arts Council and the Occidental Community Choir, two West County cultural icons, yet we yearn for a mention (or even an event listing at times) in your widely read and highly regarded publication!

Itâ&#x20AC;&#x2122;s not just the neat events we want to attract your readersâ&#x20AC;&#x2122; attention to. Thereâ&#x20AC;&#x2122;s also the Independent Eye Theaterâ&#x20AC;&#x2122;s latest imaginative work with puppets, Hands Up! (Oct. 29); the Caswell Family Celebration (Nov. 14) featuring mother Helen Caswellâ&#x20AC;&#x2122;s art and her musically talented offspring onstage; a staged reading of Under Milkwood with Paul Huberty directed by Brian Shears (Nov. 21); and the Human Rights Film Festival planned for January.

The Press Democrat is consistently biased in favor of Santa Rosaâ&#x20AC;&#x201C;based events, but the Bohemian? Say it ainâ&#x20AC;&#x2122;t so! Shoot, the OCA is even located on the Bohemian Highway (at Graton Road). Thanks for listening and for all that the Bohemian does to support the arts and culture.

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THE BOHEMIAN

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THE BOHEMIAN

09.15.10-09.21.10

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09.15.10-09.21.10

THE BOHEMIAN

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;0=3 >5 C74 5A44 The office of U.S. Immigration and Customs Enforcement has created a network of secret jails designed for confining individuals in transit.

?a^YTRc 2T]b^aTS ATeXTf The top 10 censored stories of 2009â&#x20AC;&#x201C;2010

By Trish Boretta, Mickey Huff, Peter Phillips and Elaine Wellin, with Julie Andrzejewski, Elliot Cohen, Kevin Howley and Project Censored

0

t Project Censored, based at Sonoma State University, we examine the coverage of news and information important to the maintenance of a healthy and functioning democracy. Some of these stories were slightly covered in the corporate media, and some have been covered since our voting process. However, the full facts of a particular story were still often lacking in corporate media coverage, and even if they were not, the coverage was one or two stories in the press, not enough to gain the attention of the people at large.

In her analysis of story submissions, Dr. Elaine Wellin writes that â&#x20AC;&#x153;in 58 percent of

all nominated stories, issues found to be most censored fell within five categories: the internet, corporate malfeasance, the military, health and the environment.â&#x20AC;? Here are the top, as it were, 10.

1. Global plans to replace the dollar Nations have reached their limit in subsidizing the United Statesâ&#x20AC;&#x2122; military adventures. June 2009 meetings in Russia with world leaders such as Chinese president Hu Jintao, Russian president Dmitry Medvedev and other top officials of the sixnation Shanghai Cooperation Organization took the first formal step to replace the dollar as the worldâ&#x20AC;&#x2122;s reserve currency. The U.S. was denied admission to the meetings.

If these nations succeed, the dollar will dramatically plummet in value, and the cost of imports, like oil, will skyrocket.

In September 2009, the U.N. Conference on Trade and Development proposed creating

a new artificial currency that would replace the dollar as a reserve. The formation of this currency would be the largest monetary overhaul since World War II. Meanwhile, China is involved in deals with Brazil and Malaysia to denominate their trade in Chinaâ&#x20AC;&#x2122;s yuan, while Russia promises to begin trading in the ruble and local currencies. Additionally, nine Latin American countries have agreed on the creation of a regional currency, the sucre, aimed at scaling back the use of the U.S. dollar.

To fund the permanent war economy, the U.S. flooded the world with dollars. The foreign recipients turn the dollars over to their central banks for local currency. This has allowed the U.S. to print money without restraint, to buy imports and foreign companies, to fund our military expansion and to ensure that foreign nations like China continue to buy our treasury bonds. This cycle appears now to be over. The impact on daily living for &%

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people in the U.S. could be severe.

2. U.S. DOD top polluter on planet The extensive global operations of the U.S. military (wars, interventions, and secret operations, over 1,000 bases around the world and 6,000 facilities in the United States) are not counted against U.S. greenhouse gas limits. While official accounts put the U.S. military usage at 320,000 barrels of oil a day, that does not include fuel consumed by contractors, in leased or private facilities, or in the production of weapons.

Military activities will continue to be exempt based on an executive order signed by President Barack Obama that calls for other federal agencies to reduce their greenhouse gas emissions by 2020.

3. E-privacy and personal access at risk Following in the steps of its predecessor, the Obama administration is expanding government surveillance of personal electronic communications.

This surveillance, which includes the monitoring of the internet as well as private (nongovernmental) computers, is proceeding with the proposal or passage of new laws granting government agencies increasingly wider latitude in their monitoring activities.

At the same time, private companies and even some schools are engaging in surveillance activities that further diminish personal privacy.

In spring 2009, the Cybersecurity Act of 2009 was proposed, giving the president power to â&#x20AC;&#x153;declare a cyber security emergencyâ&#x20AC;? with respect to private computer networks, and to do with these networks what it deems necessary to diffuse the attack.

Presently, no legislation exists to disallow use of such technology to conduct mass, warrantless surveillance. in April 2009, the Justice Department invoked the â&#x20AC;&#x153;state secrets privilegeâ&#x20AC;? to bar American citizens from suing the U.S. government for illegally spying on them.

It also went even further than the Bush administration by arguing that the U.S. government is completely immune from litigation for illegal spying and can never be sued for surveillance that violates federal privacy laws.

4. ICE: Secret detention and courts Immigration and Customs Enforcementâ&#x20AC;&#x2122;s (ICE) agents are holding thousands of U.S. residents in unlisted and unmarked subfield offices and deporting tens of thousands in secret court hearings. â&#x20AC;&#x153;If you donâ&#x20AC;&#x2122;t have enough evidence to charge someone criminally but you think heâ&#x20AC;&#x2122;s illegal, we can make him disappear,â&#x20AC;? said James Pendergraph, then executive director of Immigration and Customs Enforcementâ&#x20AC;&#x2122;s Office of State and Local Coordination, at a conference of police and sheriffs in August 2008.

People are held in a vast network of more than 300 detention facilities, located in nearly every state in the country. Only a few of these facilities are under the full operational control of ICE; the majority are jails under the control of state and local governments that subcontract with ICE to provide detention bed space. However, ICE has created a network of secret jails designed for confining individuals in transit.

These subfield offices are not subject to ICE detention standards, lacking showers, beds, drinking water, soap, toothbrushes, sanitary napkins, mail, attorneys or legal information.

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Immigration and Customs Enforcement is also confining people in 186 unlisted and unmarked subfield offices, many in suburban office parks or commercial spaces, revealing no information about their ICE tenantsâ&#x20AC;&#x201D; nary a sign, a marked car or even a U.S. flag.

5. Blackwaterâ&#x20AC;&#x2122;s secret war in Pakistan At a covert forward operating base run by the U.S. Joint Special Operations Command (JSOC) in the Pakistani port city of Karachi, members of an elite division of Blackwater are at the center of a secret program in which they plan targeted assassinations of suspected Taliban and al Qaida operatives inside and outside Pakistan. The Blackwater operatives also gather intelligence and help direct a secret U.S. military dronebombing campaign that runs parallel to the documented CIA predator strikes, according to a well-placed source within the U.S. military intelligence apparatus.

Blackwater, which also goes by the names Xe Services and U.S. Training Center, has denied that the company operates in Pakistan. â&#x20AC;&#x153;Xe Services has only one employee in Pakistan performing construction oversight for the U.S. Government,â&#x20AC;?

Blackwater spokesperson Mark Corallo said in a statement to The Nation, adding that the company has â&#x20AC;&#x153;no other operations of any kind in Pakistan.â&#x20AC;?

Blackwaterâ&#x20AC;&#x2122;s ability to survive against odds by reinventing and rebranding itself is most evident in Afghanistan, where the company continues to work for the U.S. military, the CIA and the State Department.

6. Lack of health coverage kills Despite national legislative health reform, healthcare in the U.S. remains dismal for many Americans, resulting in continuing deaths and personal tragedies. A recent Harvard research team estimates that 2,266 U.S. military veterans died in 2008 due to lack of health insurance. The American Journal of Public Health published findings that being uninsured raises an individualâ&#x20AC;&#x2122;s odds of dying by 40 percent.

And, using more than 23 million hospital records from 37 states between 1988 and 2005, Johns Hopkins investigators compared the risk of death in children with insurance to those without. Other factors being equal, researchers found that uninsured children in the study were 60 percent more likely to die in the hospital than those with insurance.

The findings only capture deaths during hospitalization and do not reflect deaths after discharge from the hospital, nor do they count children who died without ever being hospitalized, the researchers say, which means the real death toll of noninsurance could be even higher. â&#x20AC;&#x153;If you are a child without insurance, if youâ&#x20AC;&#x2122;re seriously ill and end up in the hospital, you are 60 percent more likely to die than the sick child in the next room who has insurance,â&#x20AC;? says Dr. Fizan Abdullah, a pediatric surgeon at the Johns Hopkins Childrenâ&#x20AC;&#x2122;s Center.

7. â&#x20AC;&#x2DC;Land grabâ&#x20AC;&#x2122; havoc in Africa Resource exploitation in Africa is not new, but the scale of agricultural â&#x20AC;&#x153;land grabbingâ&#x20AC;? in African nations is unprecedented, becoming the new colonization of the 21st century. The term â&#x20AC;&#x153;land grabâ&#x20AC;? in this instance refers to the purchase or lease of vast tracts of land by wealthier, food-insecure nations and private investors from mostly poor, developing countries in order to produce crops for export. Because an estimated 90 percent of

the worldâ&#x20AC;&#x2122;s arable land is already in use, the search for more has led to the countries least touched by development, those in Africa.

And then thereâ&#x20AC;&#x2122;s Big Ag. The G-8 recently pledged $20 billion in aid to promote food security in Africa, but biotech-friendly advisers in the current administration are most likely to direct those funds to multinational corporations promoting biotechnologies and land acquisition. These strategies have proven to further African resource extraction and to impoverish the real basis of food securityâ&#x20AC;&#x201D; investment in Africaâ&#x20AC;&#x2122;s small farmers.

8. Massacre in Peru over USFTA On World Environment Day, June 5, 2009, Peruvian Amazon Indians were massacred by the government of AlĂĄn GarcĂ­a in the latest chapter of a long war to take over common landsâ&#x20AC;&#x201D;a war unleashed by the signing of the Free Trade Agreement between Peru and the United States.

The government claimed days after the clash that 11 indigenous were dead as well as 23 police agents. The indigenous organizations reported 50 dead among their ranks and up to 400 disappeared. While accounts differ, what is certain is that the government sent the armed forces to evict a peaceful protest that had been going on for 57 days in five jungle regions.

9. Human rights abuses in Palestine The Human Sciences Research Council of South Africa has released a study indicating that Israel is practicing both colonialism and apartheid in the occupied Palestinian territories. The team found that Israelâ&#x20AC;&#x2122;s policy and practices violate the prohibition on colonialism, which the international community developed in the 1960s.

Israelâ&#x20AC;&#x2122;s policy is demonstrably to fragment the West Bank and annex part of it permanently to Israel. The team also found that Israelâ&#x20AC;&#x2122;s laws and policies in the Occupied Palestinian Territories fit the definition of apartheid in the International Convention on the Suppression and Punishment of the Crime of Apartheid. Israeli law conveys privileges to Jewish settlers and disadvantages Palestinians in the same territory on the basis of their respective racial identities.

Amnesty International has additionally uncovered Israelâ&#x20AC;&#x2122;s monopoly on water in the occupied West Bank, accusing Israel of denying Palestinians the right to adequate water access.

10. U.S. funds and supports the Taliban American tax dollars end up paying members of the Taliban and fund a volatile environment in Afghanistan. U.S. security contractors, as well as countless other private American corporations, cannot provide the safety they are paid to provide, so they pay suspected insurgents to protect U.S. supply routes. Concurrently, U.S. soldiers pay at checkpoints run by suspected insurgents in order to get safe passage.

Thus an estimated 10 percent of the Pentagonâ&#x20AC;&#x2122;s logistics contracts worth hundreds of millions of dollars are paid to insurgents as the U.S. government funds the very forces American troops are fighting. Such funding, along with rumors of American helicopters ferrying Taliban members in Afghanistan, has led to widespread distrust of American forces.

To read the full texts of each of the most underreported stories compiled this year and to see all citations, go to www.projectcensored.org.

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Who knew? Leaving animals alone is good for them

By Juliane Poirier

B

ustainable cattle ranchers aim to correct decades of error. The return to grass-fed beef is one of those sustainability rebounds that, prior to the chemical farming era, was just a dâ&#x20AC;&#x2122;oh.

Still, I wondered what makes grass-fed meat so special. So I asked a local rancher.

I almost wish I hadnâ&#x20AC;&#x2122;t, because Mark Pasternakâ&#x20AC;&#x2122;s answer was so graphic, ranging from entrails to excrement. But for the cause of sustainability, Iâ&#x20AC;&#x2122;m compelled to document here why grass-fed beef actually benefits us all, even vegetarians (who are invited to stop here and read their horoscope instead).

Pasternak, who with his veterinarian wife, Myriam Kaplan-Pasternak, owns the 65-acre Devilâ&#x20AC;&#x2122;s Gulch Ranch in Nicasio, explains that not all meatproducing animals are better on a grass diet. Grass-fed chickens make pathetic poultry.

Forget about grass-fed pigs. These critters need other foods in their diet. But animals with complex digestion find grass to be just the thing. They love to graze. â&#x20AC;&#x153;Ruminants, such as cows and goats, or pseudo-ruminants, such as rabbits, are the only animals that thrive on strictly forage,â&#x20AC;? says Pasternak, whose sustainable ranching operation produces slow-food consumables from meats to wines. In fact, Devilâ&#x20AC;&#x2122;s Gulch supplies grass-fed beef to such esteemed Bay Area restaurants as Chez Panisse and the French Laundry.

Why is this meat from grazing cattle so special? When the cows are left to roam and forage, they contain more of the good, cancer-fighting fat and less of the bad, heartattack sort. The cows are healthier, so it stands to reason that the humans who feed on them might also be healthier. â&#x20AC;&#x153;These animals were not intended to eat soy or ground-up brains or leather,â&#x20AC;?

Pasternak says. â&#x20AC;&#x153;They were intended to eat grass. So when you feed them other stuff, grains in particular, they get big and fat, and the meat has more marbling. Some argue that this is an advantage. But the meat these animals produce is much lower in the good

saturated fats, the conjugated linoleic acids that are important.â&#x20AC;? Conjugated linoleic acids are anti-carcinogens. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s not only about the health benefits,â&#x20AC;? Pasternak continues, â&#x20AC;&#x153;but the environmental benefits.â&#x20AC;? When you put cows out to roam, they wander around eating grass and distributing their excrement; in contrast, the dung in feedlot operations builds up to a point where the fumes are bad for both animals and workers. The excrement is hauled and dumped where it causes a nitrogen overload that is functionally toxic for the environment.

Free-roaming animals, Pasternak asserts, may be good for the climate as well. â&#x20AC;&#x153;There are some studies that suggest that these animals may even sequester carbon,â&#x20AC;? he says.

The animals prefer to wander. â&#x20AC;&#x153;They were meant to be out on the hill, not confined to a feedlot.â&#x20AC;?

Pasternak shares my cynical assessment of the chemical-fertilizer industry, which created the corn-fed beef fiasco in the first place. â&#x20AC;&#x153;Cattle fed on grains and corn produce less healthful meats which require a lot of medicine and doctor visits,â&#x20AC;? Pasternak says. â&#x20AC;&#x153;The chemical and pharmaceutical industries benefit very well from unhealthful meat produced from feedlot animals.â&#x20AC;?

Grass-fed beef, like most other ingredients in a slow-food meal, is not cheap.

But anyone whoâ&#x20AC;&#x2122;s read Fast Food Nation knows the health risks of eating cheap beef; that book, in fact, practically made me a vegetarian. But local beef, grass-fed beef, is luring me back to full omnivore status.

Not all meat-producing animals are better on a grass diet.

Locally grown, grass-fed beef will be served when foodies celebrate a 400-page meat bible that hit the market early this month called â&#x20AC;&#x2DC;Good Meat: The Complete Guide to Sourcing and Cooking Sustainable Meat,â&#x20AC;&#x2122; by Deborah Krasner.

Krasner appears at the Long Meadow Party, benefiting Slow Food Napa Valley, Saturday, Sept. 18. Long Meadow Ranch, 738 Main St., St. Helena. Noon to 5pm. $25â&#x20AC;&#x201C;$35. 707.963.4555.

She joins Pasternak for a lunch of rabbit and pork at the Marin-Petaluma Slow Food event on Sunday, Sept. 19, Nicasio Druids Hall, 4499 Nicasio Valley Road, Nicasio. 11:30amâ&#x20AC;&#x201C;3pm. $25; potluck. For details, 415.640.7596.

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CWaX[[ ^U cWT 6aX[[ In which we peek into the competitive world of pro barbecuing

By Stett Holbrook

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he wood smoke and sizzling meat aromas wafting from Ric Gilbertâ&#x20AC;&#x2122;s backyard smell like those from any other suburban home on a lazy weekend afternoon. But Gilbert is no ordinary burger flipper.

Stepping into his backyard is like entering an Olympic training center for the barbecuing elite.

Barbecue isnâ&#x20AC;&#x2122;t an Olympic sport, but for Gilbert and other competitive barbecuers, it might as well be. Smoke and fire and meat are serious business.

To prepare for an upcoming barbecue contest, Gilbert and team member Ben Lobenstein erected a white canopy in his backyard under which to practice their skills on the grill. Make that grills.

Gilbert has a total of 10 barbecues scattered around his backyard. He started out on a classic Weber. He went on to a Weber â&#x20AC;&#x153;bullet,â&#x20AC;? a blunt, torpedo-shaped device thatâ&#x20AC;&#x2122;s better suited to smoking. (â&#x20AC;&#x153;Barbecuing,â&#x20AC;? by the way, is slow-cooking

meat with indirect heat and smoke; â&#x20AC;&#x153;grillingâ&#x20AC;? is cooking quickly and directly over a hot fire.)

He graduated to more sophisticated smokers and ultimately built his own rig, a trailermounted, blackened behemoth he affectionately calls â&#x20AC;&#x153;Sarah.â&#x20AC;? Itâ&#x20AC;&#x2122;s named after Sarah Winchester because, like the legendary matron of San Joseâ&#x20AC;&#x2122;s Winchester Mystery House, he just kept adding and adding new sections and features to the iron-clad, fire-breathing contraption.

But lately heâ&#x20AC;&#x2122;s developed a fondness for a stout, ceramic-walled barbecue called the Big Green Egg. If a Weberâ&#x20AC;&#x2122;s the VW bug of barbecues, the Big Green Egg is a Maserati.

Or a Tesla. Itâ&#x20AC;&#x2122;s so fuel-efficient, burning slowly and evenly, that he rarely has to add additional lumps of charcoal. Big Green Eggs sell for about $1,000, and in spite of their simple, 1,000-yearold Chinese design, they are high-performance barbecuing machines. Gilbert has three of them.

For him, barbecue isnâ&#x20AC;&#x2122;t just a way to cook meat; itâ&#x20AC;&#x2122;s a way of life.

â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s an obsession,â&#x20AC;? he says. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s a way of going over the top. It just sung to me. Thereâ&#x20AC;&#x2122;s something really primal about it.â&#x20AC;?

Gilbert has married the low-tech smoker to some very new technology. After losing a mysterymeat competition in which contestants had to cook kangaroo, Gilbert now makes sure he has an internet connection at contests so he can Google any technical questions that evade him. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re all wired up now,â&#x20AC;? he says.

Today, his hands are on a slab of pork ribs that heâ&#x20AC;&#x2122;s just pulled off the grill. In his estimation, the ribs were substandard. Too dry. While his style of cooking varies depending on where in the country heâ&#x20AC;&#x2122;s competing or who the judges are, there are certain standards set by the Kansas City Barbecue Society (KCBS) that heâ&#x20AC;&#x2122;s always shooting for.

The KCBS sanctions and judges barbecue competitions across the country and promotes barbecue as Americaâ&#x20AC;&#x2122;s national cuisine. Itâ&#x20AC;&#x2122;s the largest society of barbecue enthusiasts in the world.

By KCBS standards, when you bite a rib, it should leave a clean mark, but the meat &+ THE BOHEMIAN

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should not fall off the bone. Meat that falls off the bone is overcooked. Instead, the meat should offer slight resistance as it pulls away. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;ve been known to cook 10 racks of ribs in order to serve six good ones,â&#x20AC;? he says.

In competition, competitors cook to a different standard. Judges evaluate barbecue on the basis of texture, flavor and presentation. But because judges sample so much barbecue in a contest, they may only take one or two bites of each contestantâ&#x20AC;&#x2122;s entry before moving on to the next competitor. That means competitive â&#x20AC;&#x2122;cuers like Gilbert have to get everything right in just one bite, and therefore their meats are intensely flavored, more hyperdelicious than what youâ&#x20AC;&#x2122;d find in a barbecue restaurant. â&#x20AC;&#x153;You want to cook something thatâ&#x20AC;&#x2122;s going to dance on the judgesâ&#x20AC;&#x2122; tongues,â&#x20AC;? he says.

Gilbert says barbecuing at this level, where competitors vie for thousands of dollars against dozens of other teams, is intensely mental. Those not fit for the rigors of competition get burned. â&#x20AC;&#x153;When most people think of barbecue, they think of beer-guzzling bubbas in the backyard with a Weber,â&#x20AC;? he says.

For the record, Gilbert did have beer on hand among the relics of old Webers, but I would not call him a bubba. This program director of a special-education school takes a more cerebral approach. Heâ&#x20AC;&#x2122;s noticed, for example, that when people like his barbecue sauce they smack their lips and aerate their mouth as if they were tasting wine.

Gilbert holds an informal contest in his backyard once a year where teams can hone their craft and get extensive feedback from judges. At official contests, all competitors gets is a numerical score. It was at one of these backyard scrimmages that Ryan Pang met Gilbert. If Gilbert is a barbecue guru, Ryan Pang is a disciple. â&#x20AC;&#x153;Heâ&#x20AC;&#x2122;s got the passion,â&#x20AC;? Gilbert says. â&#x20AC;&#x153;Heâ&#x20AC;&#x2122;s been bitten by the bug.â&#x20AC;?

Pang and his Bad S Barbecue team are upand-comers on the barbecue scene. Pang is a loquacious, bespectacled private chef who graduated with honors from the Culinary Institute of America. Although he and his friends have been competing for less than a year, theyâ&#x20AC;&#x2122;ve collected some impressive winnings.

Inspired by the TV show BBQ Pitmasters and Gilbertâ&#x20AC;&#x2122;s get-togethers, he and his buddies decided to go pro and compete.

Pang has a few more events he and his team are planning to compete in. Next year, heâ&#x20AC;&#x2122;s planning to step up into the big leagues and compete in higher profile contests with bigger cash prizes. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re just trying to cover our costs,â&#x20AC;? he says. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re not trying to turn a profit.â&#x20AC;?

But for the full-time professional chef turned part-time professional barbecuer, the thrill of the grill fulfills a higher calling. â&#x20AC;&#x153;The biggest thing about food for me is satisfying other people,â&#x20AC;? he says. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s what I want to doâ&#x20AC;&#x201D;and when I do it, I want to do it right.â&#x20AC;?

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3>=žC ?;0H F8C7 H>DA 5>>3 ituated in former military structures just north of San Francisco, the Headlands Center for the Arts provides an environment for artists from all over the world to cultivate their work and share it with the surrounding community. Now it provides even more for those who choose to visit: an opportunity to bring more than just the sense of sight into their artistic experiences.

On Sept. 19, the Center hosts â&#x20AC;&#x153;The Feral Share,â&#x20AC;? a dinner with Chez Panisse chef and artist Jerome Waag and curator Joseph del Pesco.

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The evening combines the themes of â&#x20AC;&#x153;surplusâ&#x20AC;? and the idea of foraging for food in an attempt to explore creative ways of dealing with excess. Attendees will not only enjoy a meal prepared from foraged food, but will also meet 12 local artists and engage in a debate about issues ranging from food to politicsâ&#x20AC;&#x201D;because these days food is politics.

Guests become members of a jury as they vote for two of the 12 artists to receive the nightâ&#x20AC;&#x2122;s proceeds as funding for their next project.

Part of a series of Sunday evening dinners at the Headlands property, the dinner will be served in the Headlands mess hall, a starkly decorated, industrial-chic room designed by sculptor Ann Hamilton. Surplus and excess meet ďŹ ne dining and art on Sunday, Sept. 19, at the Headlands Center for the Arts. 944 Fort Barry, Sausalito.

6pm. $30â&#x20AC;&#x201C;$50, sliding scale. 415.331.2787. onoma Valley wineries celebrate a summer well-fought with the 2010 Sonoma Valley CRUSH. The ďŹ ve-day festival, hosted by the Heart of Sonoma Valley Association, brings 17 wineries together to share their expertise with hands-on activities. Crush pad tours, fermentation demonstrations, mozzarella-making classes and, of course, plenty of sampling enrich the visitorsâ&#x20AC;&#x2122; experience of the Sonoma Valley. The Weekend Harvest Tasting Pass affords access to event winetastings and tasting room activities; Winery Harvest Events are booked directly with individual wineries and are priced separately. Those that appreciate the grape gather Sept. 15â&#x20AC;&#x201C;19 at the 17 participating wineries throughout Sonoma Valley. $45. 866.794.9463. www.heartofsonomavalley.com.

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Anna Schuessler

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Simply Vietnam Best Vietnamese Restaurant

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966 North Dutton Ave~Santa Rosa Monâ&#x20AC;&#x201C;Sat 10â&#x20AC;&#x201C;9m Sunday 11â&#x20AC;&#x201C;8

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SANTA ROSA ROSA SANTA SEAFOOD MARKET MARKET SEAFOOD Now Open Open Now Your Local North Bay Farmers Market Vendor

Fresh Live Cooked Crab & Lobster, Smoked Fish, Local & Exotic Sushi Grade Seafood, plus the Largest Oyster Selection in Sonoma County

$

5 off

any $25 min order Retail Store Wed-Sat, 11am-6:30pm

707.280.2285 946 Santa Rosa Ave Santa Rosa corner of SR Ave & Petaluma Hill Rd

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THE BOHEMIAN

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F8=4B or most wine makers, having Thanksgiving crowding the calendar with the grapes not budging past 22 degrees brix is a nightmare. For Pax Mahle, itâ&#x20AC;&#x2122;s business as usual. Although Mahle made big, opulent Sonoma County Syrah at his eponymous precursor Pax Wine Cellars, his new project is focused on white and red varietals that ripen at low sugars in cool, wind-scraped gaps throughout the California coast, with the goal, he says, of crafting â&#x20AC;&#x153;more savory, more European wines, that are brighter and fresher.â&#x20AC;?

F

His 1936 American Wine Company building is hidden in the backstreets of Forestville. Friendly dogs wander through the cellar, while the crew works down a list of crush preparations. Mahleâ&#x20AC;&#x2122;s the guy rounding the loading dock, looking a little like he could have just stepped off a yacht. He points out a â&#x20AC;&#x153;cool roomâ&#x20AC;? originally built to house computer servers, now nicknamed the â&#x20AC;&#x153;hen house.â&#x20AC;? Inside, thereâ&#x20AC;&#x2122;s a clutch of egg-shaped concrete tanks. Biodynamic and other winemakers have gone crazy for these oeufs Ă la mode, that are said to simulate the amphorae of ancient Roman cellars. Wind Gap Wines are made using comparably traditional methods: no added yeasts, and red grapes are trod underfoot with the aid of beer and a modern sound system.

Mahle plunks a chunk of limestone on the bar, representing the soil from which springs the unreleased 2009 Paso Robles Chardonnay, a hazy, zippy refresher ennobled with faint hints of almond nut, lemon cake and butterscotch. Rounded by barrel time, the 2008 Sonoma County Chardonnay ($40) has caramel richness over pear cider and chamomile tea, with a tease of butterscotch on the ďŹ rm ďŹ nish.

Leave it to others to deploy the latest in de-stemming devices; Mahleâ&#x20AC;&#x2122;s lush 2007 Syrah ($36), gushing boysenberry, blueberry, velour tannins and Germanchocolate-cake spice was simply stomped with bare feet. More sanguine on the spectrum, the 2007 Russian River Valley Syrah ($48) shows its stems and spice with black peppercorn and . . . OK, if an outsized olallieberry could squeeze into skin-tight red leather and puff languorously on a Nat Sherman Virginia Circle, that might be close.

The orange-pink 2009 Windsor Oaks Vineyard, Chalk Hill Pinot Gris ($32), is a nominally white wine fermented on its skins. With aromas of apricot, mango and a hint of cherry, this cool, clean wine ďŹ&#x201A;oats rosĂŠ-like strawberry, watermelon ďŹ&#x201A;avors on a watery, Pinot Gris palate and ďŹ nishes with satisfying astringency, a vibrant and food-friendly wine that may win accolades for the daring dinner host. Wind Gap has no regular tasting room hours, but the cellar is furnished with a bar and creatively repurposed rustic artifacts, and interested parties can be accommodated by appointment. Shirt and shoes requiredâ&#x20AC;&#x201D;except on crush days, one might suppose.

Wind Gap Wines, 6450 First St., Forestville. Tasting by appointment only. 707.887.9100.

James Knight

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THE BOHEMIAN

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74;; Sandow Birk based his â&#x20AC;&#x2DC;Depravitiesâ&#x20AC;&#x2122; series on lithographs of war from the 1600s.

FPa Bc^aXTb Sandow Birkâ&#x20AC;&#x2122;s â&#x20AC;&#x2DC;Depravitiesâ&#x20AC;&#x2122; mines yesterdayâ&#x20AC;&#x2122;s art for todayâ&#x20AC;&#x2122;s wars

By Gretchen Giles

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andow Birk agrees that the timing could have been better. But heâ&#x20AC;&#x2122;s not to be blamed: the Long Beachâ&#x20AC;&#x201C;based artist couldnâ&#x20AC;&#x2122;t have foreseen that a loudly reviled Islamic center would be proposed three blocks from Ground Zero. He couldnâ&#x20AC;&#x2122;t have guessed that an attention-seeking Florida pastor with just 50 parishioners would grab international headlines by threatening to burn a holy book. And, truth be told, he didnâ&#x20AC;&#x2122;t really notice the opening date of his newest East Coast exhibition. All of which curious circumstances surrounded him when he found himself in New York City this Sept. 10, the eve of a particularly rancorous anniversary of the Sept. 11 terrorist attacks, about to open a show of work entirely devoted to the Koran.

Called American Qurâ&#x20AC;&#x2122;an, the project is only a third finished, Birk having recreated some 92 pages of the 220-plus-page project. He showed the first two installments in San Francisco and Los Angeles to mild response. â&#x20AC;&#x153;Thereâ&#x20AC;&#x2122;s been very little criticism,â&#x20AC;? Birk says, talking by phone from a loud NYC street corner. â&#x20AC;&#x153;Mostly from people who havenâ&#x20AC;&#x2122;t seen it and from right-wing

Christian groups saying things like Americans shouldnâ&#x20AC;&#x2122;t be reading the Koran or that exposing Americans to this was wrong.â&#x20AC;?

Which doesnâ&#x20AC;&#x2122;t mean that even thinking people might find it controversial. Using an 18thcentury English translation of the text, Birk has lettered the surahs, or prayers, in a graffiti font laid over images heâ&#x20AC;&#x2122;s wrought to illustrate the holiest book of a religion whose strictest adherents disallow reproduction of the human form.

Because thatâ&#x20AC;&#x2122;s the kind of thing that Birk does do on purpose. Using historical references in a contemporary update has become one of his signatures. Heâ&#x20AC;&#x2122;s redone Dante as a both a filmâ&#x20AC;&#x201D; 2007â&#x20AC;&#x2122;s Danteâ&#x20AC;&#x2122;s Inferno, which used puppets in lieu of real (and expensive) actorsâ&#x20AC;&#x201D;and with collaborator Marcus Samuels tackled the entire Divine Comedy in a completely modern version of the tripartite 14th-century Italian text.

In 2000, he debuted his response to Ken Burnsâ&#x20AC;&#x2122; lavish Civil War documentary series with In Smog and Thunder: Historical Works from the Great War of the Californias, in which Los Angeles (Smogtown) battles with San Francisco (Fogtown) across a series of oversized canvases whose layout and structure mimics the great epic war paintings of the American

Revolution. In Smog and Thunder exhibited at what is now called the Sonoma Valley Museum of Art in 2001 and tickled audiences with its use of unexpected juxtapositions (Mickey Mouse boldly holding a â&#x20AC;&#x153;Free ATMâ&#x20AC;? sign as a battle f lag) as much as it sobered them (the Golden Gate bridge in ruin).

Birkâ&#x20AC;&#x2122;s work returns to the North Bay with the Sonoma County Museumâ&#x20AC;&#x2122;s opening of The Depravities of War, a series of oversized woodblock prints created by the artist in 2007.

Earlier, Birk had been invited by Hawaiiâ&#x20AC;&#x2122;s prestigious HuiPress to do a residency. The work evolved as the answer to a problem: Birk wasnâ&#x20AC;&#x2122;t trained as a printer and didnâ&#x20AC;&#x2122;t know how to best tackle a project with the press. â&#x20AC;&#x153;They said just come on over and hang out and weâ&#x20AC;&#x2122;ll see what happens,â&#x20AC;? Birk remembers. â&#x20AC;&#x153;When I got to Hawaii, I started going through their library and in doing that, I stumbled upon the works of Jacques Callot on which the project was based.â&#x20AC;?

In the 1630s, Callot released a series of 18 oversized prints titled The Miseries and Misfortunes of War. Graphic and grisly even to the modern eye, Miseries inspired Francisco Goya in 1810 to embark upon The Disaster of War, a '' THE BOHEMIAN

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decade-long endeavor that produced some 90 etchings recording everything from torture to famine. â&#x20AC;&#x153;I was really familiar with Goyaâ&#x20AC;&#x2122;s work from the 1800s,â&#x20AC;? Birk continues. â&#x20AC;&#x153;Later, reading about them, I learned that Goya was very aware of [Callotâ&#x20AC;&#x2122;s prints] when he did his project 200 years later. Now itâ&#x20AC;&#x2122;s 200 years since Goya, and I thought, â&#x20AC;&#x2DC;This could be the third print project about warfare.â&#x20AC;&#x2122; â&#x20AC;&#x153;Simultaneously, Iâ&#x20AC;&#x2122;d been wanting to do a project about the war in Iraq. I saw that if I tied it to Callot, the project wasnâ&#x20AC;&#x2122;t just about the war in Iraq, but it was also about the universality of warfare over these hundreds of years from Callotâ&#x20AC;&#x2122;s time to Goyaâ&#x20AC;&#x2122;s time to our time. I wanted to make this project more universal in meaning.â&#x20AC;?

The resulting series exactly mimics Callotâ&#x20AC;&#x2122;s original in layout and compositionâ&#x20AC;&#x201D; with a marked difference. Rather than young French men standing in a civic plaza signing on as soldiers, Birkâ&#x20AC;&#x2122;s updated American inductees enlist at a table festooned with a banner promising â&#x20AC;&#x153;free college,â&#x20AC;? McDonaldâ&#x20AC;&#x2122;s and Chevron signs blighting the near horizon. Where Callot shows a prisoner captured, Birk casts images now sadly recognizable from Abu Ghraib prison. And so on.

The museum pairs select Callot prints with Birkâ&#x20AC;&#x2122;s in this exhibit so that viewers can closely track how one artist riffs on the other. For SCM education director Jennifer Bethke, this coupling also underscores a sober theme. â&#x20AC;&#x153;Horrific actions beget horrific actions, and thereâ&#x20AC;&#x2122;s a cycle of violence in each of these,â&#x20AC;? she says.

Sonoma County Museum executive director Diane Evans curated the exhibit, working with Birkâ&#x20AC;&#x2122;s San Francisco gallerist Catherine Clark. In an era of â&#x20AC;&#x153;blockbusterâ&#x20AC;? traveling shows, this marks a welcome innovation. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re working really hard to show contemporary artists who are relevant to California and to Northern California, but arenâ&#x20AC;&#x2122;t just necessarily regional artists,â&#x20AC;?

Bethke says. â&#x20AC;&#x153;Weâ&#x20AC;&#x2122;re interested in casting the net widely.â&#x20AC;?

Bethke says that Birkâ&#x20AC;&#x201D;who is just 48â&#x20AC;&#x201D; represents a new generation of artist, one who re-embraces figurative painting, which was generally shunned for the last half of the 20th century, and has a reverence for legacy. â&#x20AC;&#x153;He is so in tune with the contemporary moment,â&#x20AC;? she says, â&#x20AC;&#x153;so interested in social issues and political issues and yet always casting an eye backward, thinking about artistic predecessors and how they took on their contemporary moment and how he might take on that mantle himself.â&#x20AC;?

Bethke stops for a moment to consider. â&#x20AC;&#x153;Itâ&#x20AC;&#x2122;s not always an easy relationship with him,â&#x20AC;? she says, â&#x20AC;&#x153;but it is open and creative and lively.â&#x20AC;?

â&#x20AC;&#x2DC;Sandow Birk: The Depravities of Warâ&#x20AC;&#x2122; runs Sept. 18â&#x20AC;&#x201C;Nov. 7. Birk appears to discuss his work on Thursday, Sept. 30, at 6:30pm. Sonoma County Museum, 425 Seventh St., Santa Rosa.

707.579.1500.

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Much Ado mixes education with entertainment

By Aimee Drew

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oble lords and ladies stroll among the booths, drinking from goblets while examining the wares. Peasant children frolic and play, their bare feet kicking up dust. Drumming fills the air, and the sharp sound of clashing swords can be heard. The village of Fenford bustles with activity, and over it all presides Elizabeth Gloriana, the Virgin Queen, resplendent in her finery, her courtiers at her side.

The village of Fenford doesnâ&#x20AC;&#x2122;t really exist, and Queen Elizabeth and her court are actors in elaborate costumes, but the history and splendor of a bygone era lives on when Sebastopolâ&#x20AC;&#x2122;s Ives Park is transformed into the village of Fenford, turning back its clocks to the 16th century as it hosts the inaugural Much Ado About Sebastopol Renaissance Faire on Sept. 18.

While the event is primarily a fundraising benefit for the financially strapped Sebastopol Unified School District, it is also hailed as the triumphant return of the Renaissance fair format to the North Bay, a sort of Renaissance fair renaissance, if you will, filling the void left by the departure of the Black Point Pleasure Faire in Novato and, more recently, Stafford Lakeâ&#x20AC;&#x2122;s Heart of the Forest Faire in 2005.

Being a school-run fair, Much Ado serves as a family-friendly good time and also contains an important element of education. â&#x20AC;&#x153;We hope to provide people with a livinghistory experience. We hope that they are going to learn something while having fun,â&#x20AC;? says co-organizer Andrea Hagan Schmitz.

For Hagan Schmitz, this event has been a labor of love a long time in the making. The former middle school world history teacher regularly hosted a Ren fair for her seventh graders. â&#x20AC;&#x153;Every time I did it, people would

come up to meâ&#x20AC;&#x201D;non-seventh graders, old ladies walking and young moms pushing strollersâ&#x20AC;&#x201D;and get all excited and say â&#x20AC;&#x2DC;Where can we buy tickets?â&#x20AC;&#x2122;â&#x20AC;? Hagan Schmitz says.

Much Ado also features historical reenactmens. The Ottoman Traders Guild plans to recreate a trading caravan. The Guild of Saint Michael features historical martial arts and weapons demonstrations.

The northern chapter of the Guild of Saint George Inc.â&#x20AC;&#x201D;yes, â&#x20AC;&#x153;Inc.â&#x20AC;?â&#x20AC;&#x201D;portrays the court of Queen Elizabeth. â&#x20AC;&#x153;I expect a very good turnout of enthusiastic fair-goers who will be more than eager to step into our reality, a Michelmas fair in our little town of Fenford,â&#x20AC;? says Saint George guild master and Much Ado artistic director Rydell Downward.

For Downward and his guild, maintaining a sense of historical accuracy is even more important in an educational setting. â&#x20AC;&#x153;Attending the fair allows one to learn in an entirely different way. If we do our job well, each audience member will leave thoroughly entertained, but also knowing something more than they did before they arrived about this extraordinary place and time in history,â&#x20AC;? Downward says.

It is the organizersâ&#x20AC;&#x2122; hope that the event will not only bring in much-needed funding for Sebastopol schools, but will become an annual event that students and community members alike can enjoy year after year. â&#x20AC;&#x153;People are already asking us, â&#x20AC;&#x2DC;Now that youâ&#x20AC;&#x2122;ve outgrown Ives Park, where will you go next year?â&#x20AC;&#x2122;â&#x20AC;? Hagan Schmitz says.

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Academically rigorous and experientially rich

MA in Psychology Depth Psychology Program Information Meeting

Saturday, September 25 2-4 pm, Stevenson Hall 3042 Sonoma State University Also, open to public Rev. Dr. Lauren Artress, Walking the Labyrinth, 9:30 - 1:30pm, Cooperage, $20 suggested donation SCHOOL OF EXTENDED EDUCATION For more information call Laurel McCabe at 707.664.2130 or visit www.sonoma.edu/psychology/depth

Much Ado About Sebastopol brings history to life on Saturday, Sept. 18, at Ives Park.

7400 Willow St., Sebastopol. 11am-5pm. $5â&#x20AC;&#x201C;$12.

A Much Ado to Do afterparty follows. $10-$15. www.muchadoaboutsebastopol.com.

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09.15.10-09.21.10

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;0BC 0B? Marvin Greene stars as Mark Antony and Marcia Pizzo as Cleopatra in MSCâ&#x20AC;&#x2122;s new production.

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â&#x20AC;&#x2DC;Antony and Cleopatraâ&#x20AC;&#x2122; an entertaining soap opera

By David Templeton

1

y the final moments of William Shakespeareâ&#x20AC;&#x2122;s epic drama Julius Caesar, the Roman warrior Mark Antony has become a full-f ledged hero: brave, strong, charismatic and wise. In the sequel, Shakespeareâ&#x20AC;&#x2122;s rarely performed Antony and Cleopatra, his heroics are a thing of the past. Itâ&#x20AC;&#x2122;s a bit shocking to see whatâ&#x20AC;&#x2122;s become of poor, weak, love-besotted Antony, and thatâ&#x20AC;&#x2122;s part of the fun of this choppy but entertaining soap opera about love, lust, politics and really bad decisions.

In the current outdoor production at the Marin Shakespeare Companyâ&#x20AC;&#x201D;the first time in over 40 years that this play has been staged in the North Bay areaâ&#x20AC;&#x201D;director Lesley Currier puts her emphasis on the over-thetop emotional underpinnings of the story, sometimes pushing the show to the edge of camp. Thatâ&#x20AC;&#x2122;s not a complaint. Currier takes a story that almost begs to be played as camp and manages to keep it just this side of that, while still allowing her actors to go for the thick gooey gusto of their roles.

Antony (Marvin Greene, suitably intense), now one-third of the three-man power team that rules the Roman Empire, has become a matter of concern to the other rulers, particularly Octavius (William Elsman, calmly brilliant), the son of Julius Caesar. Whereas Antony was once a great warrior, his appetite for the battlefield has been traded for the temptations of Queen Cleopatra (a buoyantly energetic Marcia Pizzo) and the splendors of her Egyptian court.

Now more of an aging party boy than a fearsome fighter, he spends his days cavorting with the queen, eating and drinking with his right-hand man, Enobarbus (Steven Klum,

24

09.15.10-09.21.10

THE BOHEMIAN

who as usual does much more with his small role than seems possible with the scant details Shakespeare gives to work with). Meanwhile, there is trouble back home in Rome, with various armies attacking Octavius, who must do the best he can without Antonyâ&#x20AC;&#x2122;s sword.

That one of his enemies is Antonyâ&#x20AC;&#x2122;s spurned wife Fulvia, with an army of her own, only adds to Octaviusâ&#x20AC;&#x2122; irritation with his hookyplaying partner.

One of the best scenes in the show is the tension-filled meet-up between Antony and Octavius, and Shakespeareâ&#x20AC;&#x2122;s writing here is as good as it gets (in this conspicuously knocked-together effort by the playwright, anyway). As the second act becomes a series of chronologically linked vignettes depicting the inevitable wars and betrayal, Cleopatra becomes more needy and manipulative as Antony goes rapidly cuckoo. The result is both gripping and occasionally hilarious, a kind of satire poking fun at the vanity of the worldâ&#x20AC;&#x2122;s richest and most famous.

There are some truly weird moments, and some jarringly odd performances too, with Julian LĂłpez-Morillasâ&#x20AC;&#x2122; troubled Egyptian snake seller (who is strangely Irish) chief among them.

Instead of hurting the show, all of this adds to the fun. Yes, others might have played this material with the stilted seriousness we too often give to historical figures, but in the hands of this cast, and with Currierâ&#x20AC;&#x2122;s benevolent permission, this Antony and Cleopatra remains faithful to Shakespeareâ&#x20AC;&#x2122;s cleverly cynical and outrageous vision. â&#x20AC;&#x2DC;Antony and Cleopatraâ&#x20AC;&#x2122; runs in repertory through Sept. 25 at Forest Meadows Amphitheater on the Dominican University campus, 1475 Grand Ave., San Rafael. $20â&#x20AC;&#x201C;$35.

415.499.4488. www.marinshakesepeare.org.

369:

;0 50<86;80 Miriana Faja portrays Rita Atria as a child.

3TPS 6Xa[ FP[ZX]V â&#x20AC;&#x2DC;Sicilian Girlâ&#x20AC;&#x2122; follows the clockwork of ultimate betrayal

By Richard von Busack

2

ompelling but rather awkward, The Sicilian Girl is based on the story of Rita Atria, an important witness against the Mafia during the Italian governmentâ&#x20AC;&#x2122;s campaign against the crime families in the early 1990s. Atriaâ&#x20AC;&#x2122;s story is not a happy one. Despite the fact that her brother and her father were murdered by mobsters, her own mother turns against her for involving the hated police. (The final image of the motherâ&#x20AC;&#x2122;s revenge against her daughter, which seems unthinkably melodramatic, is a true story.)

What works and what doesnâ&#x20AC;&#x2122;t work in Sicilian director Marco Amentaâ&#x20AC;&#x2122;s film separates like oil and vinegar. Amenta previously made a documentary using passages from Atriaâ&#x20AC;&#x2122;s diary, the source for some of the dialogue here. Itâ&#x20AC;&#x2122;s rare to be able to improve on material thatâ&#x20AC;&#x2122;s covered in that form, and to successfully take it into the realm of fiction.

Ultimately, The Sicilian Girl shines because of its star. As 17-year-old Rita, Veronica dâ&#x20AC;&#x2122;Agostino is an unusual actress. Sheâ&#x20AC;&#x2122;s a plain, stocky girl with a big jaw who dresses in conservative black, even when sheâ&#x20AC;&#x2122;s in witness protection in Rome. Dâ&#x20AC;&#x2122;Agostino is the type we donâ&#x20AC;&#x2122;t get in the movies much since Minnie Driver stopped getting lead roles. Sheâ&#x20AC;&#x2122;s believable as a girl of great purpose, with the kind of gravity that attracts men to her. One boyfriend says, â&#x20AC;&#x153;I think youâ&#x20AC;&#x2122;re cute,â&#x20AC;? as if heâ&#x20AC;&#x2122;s surprised to think that when he looks at her.

Dâ&#x20AC;&#x2122;Agostinoâ&#x20AC;&#x2122;s performance grows on you; sheâ&#x20AC;&#x2122;s exemplifying a village girl who canâ&#x20AC;&#x2122;t stand the cops, and she brings more to the role than the script allows. Her first meeting with the court prosecutor (GĂŠrard

Jugnot, a benignly beaverish figure) comes when sheâ&#x20AC;&#x2122;s a little girl (Miriana Faja plays the young Rita). Even then, at six, she throws something at him and calls him â&#x20AC;&#x153;cornuto.â&#x20AC;?

The prosecutor has his own fear that Rita has been too tainted with the Mafia life ever to really turn against it.

The Sicilian Girl boasts some intelligent twists and paranoia. The opening sequenceâ&#x20AC;&#x201D; a story of Rita as a child, defacing the family bed sheets with spaghetti sauce while sheâ&#x20AC;&#x2122;s trying to learn to writeâ&#x20AC;&#x201D;may seem like an odd tale to include, but it makes sense later when we see Rita washing the bloody laundry of her own family in public. And the roundup scene has a pulse; the capture of the gangsters is counterpointed by Ritaâ&#x20AC;&#x2122;s testimony to the cops, with the clacking of typewriter keys giving the sequence percussion. (Directors lost a lot when the cops in movies started using computers.)

The trial scene takes place at the vast anti-Mafia fortress court in Palermo, with the dangerous suspects jailed up at the back of the room. Instead of walking to her seat, surrounded by the phalanx of cops, Rita breaks away for The Sicilian Girlâ&#x20AC;&#x2122;s finest moment. She walks by the bars imprisoning the villagers sheâ&#x20AC;&#x2122;s informing on. She starts to pick up her pace, and then she catches herself and deliberately slows her walk, like someone trying to overcome a fear of lions in the zoo.

The task of extricating the Mafia from Italy continues, but the movie doesnâ&#x20AC;&#x2122;t raise any false hopes. All it does is celebrate the bravery of a woman who did her best to fight these parasites. â&#x20AC;&#x2DC;The Sicilian Girlâ&#x20AC;&#x2122; opens at the Smith Rafael Film Center on Friday, Sept. 17. 1118 Fourth St., San Rafael. 415.454.1222.

THE BOHEMIAN

09.15.10-09.21.10

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THE BOHEMIAN

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F0A< 1;>>343 â&#x20AC;&#x2DC;The Coveâ&#x20AC;&#x2122; is the best, most important film you donâ&#x20AC;&#x2122;t want to see. Screening Sept. 20 in Mill Valley. See Film listing, p35.

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N O R T H B AY M O V I E T I M E S www.sonomamovietimes.com www.marinmovietimes.com www.napamovietimes.com THE BOHEMIAN

09.15.10-09.21.10

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September 15 - 20 VENUES 3rd Street Cinema 6 Downtown Santa Rosa Christyâ&#x20AC;&#x2122;s on the square Santa Rosa 7KH RIĂ&#x20AC;FLDO Ă&#x20AC;OP DQG SDUW\ ORXQJH & !

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24th Wine Country

Film Festival

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Master Class with Percy Adlon!

Vicious Kind â&#x20AC;&#x153;Poetic Realism in Cinemaâ&#x20AC;?

Stars Best Actor Spirit Award Sat Sept 18th 1PM-4PM Nominee Adam Scott and Christyâ&#x20AC;&#x2122;s $20.00 Brittany Snow Donâ&#x20AC;&#x2122;t miss Mahler on the Couch Sept 17th 7PM $GORQ¡V QHZ Ă&#x20AC;OP 3rd Street Cinema 6 'HHUĂ&#x20AC;HOG 5DQFK :LQHU\ IROORZHG E\ D SDUW\ DW &KULVW\¡V Sat Sept 18th 8PM

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www.bohemian.com 28

09.15.10-09.21.10

THE BOHEMIAN

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Chances are theyâ&#x20AC;&#x2122;re part of the West End Alley Cat Race and Scavenger Hunt. Now in its third year, the race, benefiting Redwood Empire Food Bank, puts contestants out on bicycles to various locally owned markets, where they buy designated food items from a list. The food is donated to charity, but the cyclist who makes it back first wins a trophy and a special bike-related prize (choosing the route is key). Some buy more food than is required, like Bret Gave of the Santa Rosa Trek Bicycle Store, who last year came back with 10 times the amount of food on the list! Itâ&#x20AC;&#x2122;s all for a good cause on Sunday, Sept. 19, at the Toad in the Hole. 116 Fifth St., Santa Rosa. Starts at 3pm. Free. 707.544.8623.

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Fire on Fourth TeamWorks is dedicated to keeping arts accessible to kids, and the Marin Arts Council is dedicated to helping them out by opening their doors to a swinging benefit in downtown San Rafael called Falling into the Arts. Just steps away from the former glory of New Georgeâ&#x20AC;&#x2122;s nightclub, the always incredible Volker Strif ler Band shake the ceiling tiles at the Marin Arts Council gallery; Lau Paiva, Brian Byrnes and Kurt Huget also perform at the three-hour event. Itâ&#x20AC;&#x2122;s a rockinâ&#x20AC;&#x2122; good time for a good cause on Wednesday, Sept. 22, at Marin Arts Council.

906 Fourth St., San Rafael. 5pm to 8pm. $20.

415.499.6014.

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Cleaving to Slaid

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Indie Fest Sure, you could go to the Wells Fargo Center this week and be swooned off your feet by Engelbert Humperdinck. You could relive some of the gritty classic rock of the John Fogertyâ&#x20AC;&#x201C;less Creedence Clearwater Revisited. Or you could expose yourself to new cultural horizons with the Fiesta Independencia, celebrating Mexicoâ&#x20AC;&#x2122;s bicentennial, with music by Omar Arreola, Lucy Diaz, Jackie Contreras, Trio Nuevo Amanecer and others. (Thereâ&#x20AC;&#x2122;s even a group called El Bohemio de la Banda, which the Bohemian naturally endorses.) Art, ballet folklĂłrico, mariachi and piĂąatas are all on the menuâ&#x20AC;&#x201D;and

donâ&#x20AC;&#x2122;t miss the salsa contest. Itâ&#x20AC;&#x2122;s all happening Saturday, Sept. 18, at the Wells Fargo Center.

50 Mark West Springs Road, Santa Rosa. 3pm to 7pm. Free. 707.546.3600.

C6E6

Greatest Hits Foreigner are one of those classic rock bands occupying the â&#x20AC;&#x153;amnesiaâ&#x20AC;? suite in the musical skyscraper of most minds. Quick, name their hit!

Can you? OK, Iâ&#x20AC;&#x2122;ll give you one: â&#x20AC;&#x153;Hot blooded!

Check it and see! Got a fever of a 103!â&#x20AC;? Or how about â&#x20AC;&#x153;Cold as ice! You know that you are cold!

Cold! As! As! Ice! As cold as ice to me!â&#x20AC;? OK, now fast-forward to the power balladry of the â&#x20AC;&#x2122;80s:

â&#x20AC;&#x153;I wanna know what love iiiiiiiis! I know you can shoooooow me!â&#x20AC;? Or how about â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;ve been waaaiting . . . for a guuurrrl like you, to come intoooo my liiiife!â&#x20AC;? See? You basically love Foreigner and you didnâ&#x20AC;&#x2122;t even know it. They play all the hits and more on Wednesday, Sept. 22, at the Uptown Theatre. 1350 Third St., Napa. 8pm. $75â&#x20AC;&#x201C;$85. 707.259.0123.

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Outta My Way! If youâ&#x20AC;&#x2122;re in line at the market for bagels this Sunday and suddenly see some frenzied people approach in bike helmets, holding cans of soup, it might be a good idea to let them take cuts.

Itâ&#x20AC;&#x2122;s been a few years now since the deep honesty of folksinger Slaid Cleaves graced the wooden walls of Studio E, and he arrives this coming week with a new album in tow, cheerfully titled Everything You Love Will Be Taken Away. Raised on Springsteen and having worked every job from ice cream man to a pharmaceutical guinea pig paid to test new drugs, Cleaves routinely cuts through the nice and gets to the real. (Darkness isnâ&#x20AC;&#x2122;t just on the edge of town with this latest album; itâ&#x20AC;&#x2122;s clouded the entire city.) Cleaves has been on the road constantly ever since the first Bush was president, and his experiences inform his song-stories: â&#x20AC;&#x153;Breakfast in Hell,â&#x20AC;? â&#x20AC;&#x153;Horses and Divorcesâ&#x20AC;? and the poignant portrait of busted-up love in â&#x20AC;&#x153;Broke Down.â&#x20AC;? Laugh to keep from crying when he performs on Wednesday, Sept. 22, at Studio E. Address provided with tickets. 7:30pm. $25. 707.542.7143.

6PQT <T[X]T THE BOHEMIAN

09.15.10-09.21.10

29

James McMurtry Dave Alvin & The Guilty Women

The Belleville Outfit St. Peterbilt

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Tone Bent Three At Last B Bill Bowker, MC

Saturday, September 25 12:30 â&#x20AC;&#x201C; 7pm (Gates Open at Noon) Earle Baum Center of the Blind â&#x20AC;˘ 4539 Occidental Rd, Santa Rosa Continuous music on two stages!

Delicious Food, MicroBrews & Wine â&#x20AC;˘ First Rate Silent Auction Raffle to Win a Hohner Guitar Signed by the Musicians!

$20 Advance / $25 Day of (Under 10 Free)

EarleFest thanks itâ&#x20AC;&#x2122;s Tickets Available at Last Record Store, Tall Toad Music & many generous Sponsors! Peopleâ&#x20AC;&#x2122;s Music or online at www.earlefest.com. Info: 707.523.3222

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09.15.10-09.21.10

THE BOHEMIAN

F02:H F8=6> F0=34A4A A tribute to the wildly original Norton Buffalo is held Sept. 19 in Sonoma. See Concerts, this page.

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Tony Bennettâ&#x20AC;&#x2122;s timeless appeal o folks of a certain age, or of a certain mindset, the song titles alone tell the story: â&#x20AC;&#x153;Fly Me to the Moon,â&#x20AC;? â&#x20AC;&#x153;The Good Life,â&#x20AC;? â&#x20AC;&#x153;The Best Is Yet to Come.â&#x20AC;? When Tony Bennett sings timeless classics from the Great American Songbook, thereâ&#x20AC;&#x2122;s no need for marketing campaigns or pop-music repackaging or attempts to sell to the young.

And yet thatâ&#x20AC;&#x2122;s exactly what happened in 1970, when Columbia Records forced Bennett to record Tony Sings the Great Hits of Today!, a collection of songs by the Beatles, Richard Harris and Glen Campbell. (â&#x20AC;&#x153;I actually regurgitated when I made that awful album,â&#x20AC;? Bennett would later quip.)

Bennett, of course, got back on his feet, and on his own terms. Through some clever maneuvering by his son (and manager), he succeeded in connecting with a younger generation in the 1990s by remaining exactly as he was, is, and probably always will be. The suit and tie, the small jazz combo, the impeccable phrasing of â&#x20AC;&#x153;Just in Time,â&#x20AC;? â&#x20AC;&#x153;Smile,â&#x20AC;? and â&#x20AC;&#x153;The Shadow of Your Smileâ&#x20AC;?â&#x20AC;&#x201D;all these combined to make what Frank Sinatra called â&#x20AC;&#x153;the best singer in the business.â&#x20AC;?

Iâ&#x20AC;&#x2122;ve seen Tony Bennett four times, and with each year he manages to outdo himself. With age, his voice has lost none of its quality, something Sinatra never could claim.

Bennettâ&#x20AC;&#x2122;s between-song patter faithfully acknowledges songwriters and arrangers, gives back story to early hits like â&#x20AC;&#x153;Cold, Cold Heartâ&#x20AC;? and tells of highs and lows in his own career, which is so far very well-lived and wellloved by those eager to feel young again. A few years ago in Sonoma, as he reprised his famous coda to â&#x20AC;&#x153;I Left My Heart in San Francisco,â&#x20AC;? I watched as members of the crowd stood and literally waved their walking canes through the air in appreciation. It was incredible.

Tony Bennett plays on Tuesday, Sept. 21, at the Wells Fargo Center. 50 Mark West Springs Road, Santa Rosa.

8pm. $90â&#x20AC;&#x201C;$140. 707.546.3600.

Gabe Meline

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09.15.10-09.21.10

31

What are you thankful for?

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F4 0A4 C74 >=4 The Avengersâ&#x20AC;&#x2122; Penelope Houston, left, epitomizes the pre-riot-grrrl era of â&#x20AC;&#x2DC;Femme Punk.â&#x20AC;&#x2122;

ATQT[ 6Xa[b

Women-fronted punk bands take center stage

By Leilani Clark

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32

09.15.10-09.21.10

THE BOHEMIAN

s long as people get turned on to new music, thatâ&#x20AC;&#x2122;s what really makes me happy,â&#x20AC;? says Eric Yee. â&#x20AC;&#x153;When people come up to me and say, â&#x20AC;&#x2DC;Oh, I really like this band,â&#x20AC;&#x2122; thatâ&#x20AC;&#x2122;s the ultimate reward.â&#x20AC;?

Yee has just compiled Femme Punk, an epic 11-volume collection of women-fronted punk bands spanning 1974 to the present and available for free download on file-sharing network Pirate Bay. When Yee first got into punk in the 1980s, he was struck by the under-representation of women, and he says that Femme Punk is an attempt to remedy that imbalance. Its release, he says, speaking by phone from the East Bay, serves to â&#x20AC;&#x153;bring to light the more obscure bands that have fallen through the cracks and eluded most peopleâ&#x20AC;&#x2122;s perceptions of women in punk.â&#x20AC;?

Culled from a massive selection of cassettes and vinyl, and inspired by comps such as the gray-area Killed by Death series, Femme Punk cost Yee dearly. â&#x20AC;&#x153;I decimated my own collection by trading away valuable, collectible records to get the songs. The list was pretty brutal,â&#x20AC;? he says with a pained laugh. An avid vinyl collector, Yee offed everything from the first Fear single to extremely rare Misfits recordings, trading them for obscure records by bands that only existed for a brief moment in time.

Yee initially made four separate compilations, which he copied and handed around to friends. Soon, he had amassed so much music that he decided to put everything into one super â&#x20AC;&#x153;box setâ&#x20AC;? of 11 CDs, with a large booklet. Femme Punkâ&#x20AC;&#x2122;s extensive liner notes were created over the course of three frenzied writing nights with the help of East Bay punk notables Robert Eggplant (publisher of Absolutely Zippo zine), Aaron

Cometbus (Cometbus zine) and Julia Booz.

He made just 15 hard copies of the box set and gave them all away; eventually creating a downloadable version meant getting the music out into the world with no cost.

Featuring loads of acts ranging from San Francisco legends the Avengers to disappearing entities like Flackoff and Treason, a Hayward-based band whose only release was on a â&#x20AC;&#x2122;90s peace-punk compilation, Femme Punk is mind-blowing in its scope. It contains 347 songs. And while it archives the contributions of women to an often male-dominated punk scene, Yee is enthusiastic about the fact that times have changed since those testosterone-fueled early days. â&#x20AC;&#x153;There are a lot of great all-women bands around now,â&#x20AC;? Yee says, mentioning Songs for Mom and Grass Widow, two current Bay Area bands. â&#x20AC;&#x153;I go to the average gig, at least in the East Bay, and there are always women in bands, so much more so than when I first got into punk.â&#x20AC;?

And how do these bands feel about the fact that all music, graphics and photos have been used without permission? Yee hopes there wonâ&#x20AC;&#x2122;t be any legal implications, and is cheered by the fact that Penelope Houston, lead singer of the Avengers, approved of the endeavor when she stumbled upon it at his friendâ&#x20AC;&#x2122;s record store. â&#x20AC;&#x153;Iâ&#x20AC;&#x2122;m a small fish,â&#x20AC;? Yee says. â&#x20AC;&#x153;I donâ&#x20AC;&#x2122;t even sell it, and a lot of the other stuff has been comped already or is just so obscure that I donâ&#x20AC;&#x2122;t think there will be any problem.â&#x20AC;?

For your own mp3 version of â&#x20AC;&#x2DC;Femme Punk,â&#x20AC;&#x2122; Google â&#x20AC;&#x153;Femme Punk Pirate Bay,â&#x20AC;? which leads to the download link. For one of the elusive hard copies, Yee says youâ&#x20AC;&#x2122;ll have to find him in an alley after a show and buy him a forty.

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09.15.10-09.21.10

33

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3:00 PM SHOW > $5/10 > ROCK

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8:00 PM SHOW > $22/25 > BLUES

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+ SHELLEY KING 9:00 PM SHOW > $15 > 80'S DANCE HITS

tAINTED lOVE 10/2

BUTCH WHACKS AND THE GLASS PACKS

On the Town Square, Nicasio www.ranchonicasio.com

THE SUBDUDES 10/1

Gates Open at 3pm, Music at 4pm

LUAU WITH THE WILLIE K BAND

THE HESS COLLABORATION 9/30

L AW N 2 0 1 0

Sept 19

WORLD'S BIGGEST COMEDY DUO 9/26

ON THE

Sun

+ THRIVE + DJ JACQUES 9/23

@.2

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Take a scenic drive for a unique dining experience Sat & Sun

Reservations advised

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9:00 PM SHOW > $20 > REGGAE

+ THRIVE + JAH YZER

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HAPPY HOUR!

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REBELLION PRODUCTIONS PRESENTS

rOOTZ UNDERGROUND

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THUR S DAY-SATURDAY 4-7PM $1.50 PBR $2 DOMESTIC BEER $3 IMPORT/MICROBREW $3 WELL DRINKS & HOUSE WINE $3 APPETIZER MENU all shows are 21+ unless noted

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for reservations: 707.545.5876

707.545.2343

8gj^hZĂ&#x2030;c 8aVhh^X 8Vgh

120 5th street @ davis street santa rosa, ca

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lastdaysaloon.com

2><?0=8>= Humorist and poet Garrison Keillor appears at the Wells Fargo Center on Sept. 19. See Events, below.

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09.15.10-09.21.10

THE BOHEMIAN

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BOHEMIANCLASSIFIEDS

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THE BOHEMIAN

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37

HEALTH&WELL-BEING g g Healing & Bodywork

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699 Petaluma Blvd. N

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131 Liberty St, Ste. D at Washington St

THE BOHEMIAN

Meditation Day Course

“Developing Concentration” with Buddhist Teachers Mike Smith & Philip Bertelli Saturday, Sept. 18, 2010, 10am-3:30pm $25 includes vegetarian lunch The lifeblood of any activity is one’s ability to concentrate on that activity.

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Indian Head Massage • relief from tension headaches, eyestrain, and sinusitis • improves mobility in neck and shoulders • balances energy

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Nia Workshop Presented by Groove Studio 4527 Montgomery Dr. Santa Rosa CA Saturday September 25th, 11:30-1:30 Experience the joy of movement, strengthen your base, learn the 5 stages of self-healing through the moves of developmental anatomy PLUS enjoy an incredibly refreshing elixir tasting provided by Snake Oil coffee shop owner and Nia White Belt, Elizabeth Wolfe. The #1 principle of Nia is the JOY OF MOVEMENT! All levels welcome. It’s never to late to start moving!!!! Check out www.nianow.com to learn more about The Nia Technique 30.00 per person, 35.00 at the door Call for your reservation....TODAY 707~539~6261

Certification in Ayurveda & Aromatherapy with DeAnna Batdorff Practical & Clinical Experience. Pulse/Assessment, therapeutic bodywork, nutrition, traditional medicine & more. In Sebastopol- Starts Sept. 2010. Curriculum online dhyanacenter.com 707-823-8818

Discovering the Prayer Labyrinth (Workshop/Fieldtrip) Learn about this ancient prayer practice and walk the labyrinth at Grace Cathedral in San Francisco.

Sat, September 11, 9a-4p, 707-578-2121, www.journeycenter.org.

Ultimate Therapy! Judge /Victim Workshop Allan Hardman, Toltec Master 9/18~9/19 9am-6pm Santa Rosa www.joydancer.com (707)528-1271

Finding Joy Through Yoga & Mindfulness at Westerbeke Ranch - Sat. Oct, 9th - 9 am to 4 pm Enjoy the restorative power of nature and practice techniques to enhance your mood! You will take home practices you can use every day to enhance life. Reserve your spot today. Contact Ruth at easeintopeace@aol.org or Mike @ 707.319.2001

MAMA SHOTS WORKSHOPS...

PHOTOGRAPHY {EXPLAINED} Teaching Moms & Dads how to use their fancy cameras to get beautiful & artistic images of their kiddos.

Brought to you by Mariah Smith Photography. www.mamashotsworkshops.com, mail to:info@mamashotsworkshops.com 707.479.2184

SPIRITUAL CONNECTIONS

Finding inspiration and connecting with your community The Journey Center: A Place for Transformation Resources for your spiritual journey (ancient prayer/meditation practices, workshops/retreats, spiritual direction, art gallery, reading room, bodywork).

1601 Fourth Street, Santa Rosa, www.journeycenter.org 707.578.2121

Prayer Power Class with Rev. KathyMcCall Weds, Sept 22-Oct 13, 6:30-8:30pm You will: increase prayer consciousness, invoke greater healing, discover who you pray to, explore why prayers go unanswered, activate deeper gratitude, understand the power of prayer.

Love Offering | Unity Church of Santa Rosa 542-7729 | www.UnityofSantaRosa.org Share your organization’s inspiration with over 123,000 Bohemian Readers monthly!

Phone: 707.527.1200 email: sales@bohemian.com

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THE BOHEMIAN

09.15.10-09.21.10

39

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Sonoma Valley Museum of Art Through Nov 7, "Visions of Paradise," artists of varying ethnicities and cultural backgrounds share visions of paradise. Free-$8. Wed-Sun, 11 to 5 and Fri, 11 to 8.

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