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05.26.10-06.01.10
THE BOHEMIAN
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THE BOHEMIAN
05.26.10-06.01.10
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05.26.10-06.01.10
THE BOHEMIAN
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0RPST\XR0[RWT\h The chemistry between teacher and student is what drives learning
By Jonah Raskin
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f the 24 offices on the third floor of Nichols Hall at Sonoma State University, only five doors are open. I’ve knocked loudly on all the doors that are closed—in case someone inside might be napping—and there’s no answer. It’s 2:28pm on a Thursday afternoon, and one would think that more faculty members would be at work. The halls are empty; there isn’t a single student waiting to see a single faculty member. Final exams are happening now. Final projects are due instantly. But there’s almost no visible sign of the imminent end of classes or graduation. This is not unusual. These days, the halls are mostly empty and the doors to the offices are usually closed. I’ve just returned from the swimming pool to my own office on the third floor of Nichols. It wasn’t a problem, but I didn’t have a lane to myself. No one did. The pool was thronged with swimmers. It always is. Welcome to the wonderful world of academia. I love it. I have taught at SSU since 1981, and I would not trade my job for any other in the world. I get to teach what I want to teach; I have academic freedom. I enjoy the action of the classroom, and I love lecturing, discussion and debate with students. I enjoy reading their papers. I don’t even mind assigning grades, though it’s my least favorite activity, and also the single most important act in my job. If I don’t assign grades, I don’t receive my paycheck. Sonoma State University—which celebrates its 50th anniversary next year—is not alone in being weird; schools all around the country are. I know because I talk with colleagues at other colleges. I visit them, and I see what’s going on. The world around us— the “real world,� as the students call it—has changed a lot in the last 500 years, but colleges are more or less the same. Yes, I know there are computers now, and Facebook, but the academic world is largely the same as it was in Medieval times, when universities were first born. There are still teachers and students. We still meet in classrooms, we still read books. Students are tested, take exams, and pass or fail. Of course, nowadays everyone passes— except for the total losers who don’t show up the whole semester. There are students like that; they pay their money and enroll, but never come to class. Weird! Today, in my office with my door open— yes, I am bragging, I am here—I received
an email from a member of the California Faculty Association that says, “We survived a hectic, pretty horrible year of furloughs, job losses and reduced opportunities for our students.� Well, hurray for us! Aren’t we wonderful! From where I sit, it was not a horrible year, the furloughs were not a big problem, and on the whole, students did not have reduced opportunities. Some of them have bought into the big myth that they’re missing out and are being cheated out of their education. If anyone is doing the cheating, it’s the students themselves. The reality is that despite the fact that office doors are closed today and that most faculty members aren’t here now, the quality of education at SSU is exceedingly high. It is high because of the collaboration that takes place between students and teachers in the classroom. It is a magical performance. Those who don’t teach don’t really understand or appreciate it. Bring them into a classroom and invite them to interact with 18- and 19-yearolds, and on the whole they’re lost. They don’t know how to communicate. So people who say that “those who can’t do anything else, teach� don’t have a clue. Teaching is an art; it’s at the heart of the university, though it’s also very, very nice to have a swimming pool here, and an office and a computer. I am sorry that there have been lay-offs. I don’t like it when anyone loses his or her job—not in this economy or any other—but teachers are no worse off than any other workers in the economy, and there is no guaranteed right to teach. It’s a privilege to be able to teach at SSU or any other university. I started college in 1959. There hasn’t been a time since when scholars and researchers haven’t been alarmed by what they call “the crisis in education.� There is always a crisis in education. The crisis does not matter. It is irrelevant. All that matters is what happens in the classroom. All that matters is the magic that takes place there between students and teachers. So I’ll be back to teach next semester, to lecture, to ask questions, to invite students to think critically. I’ll swim in the pool, and I’ll sit in my office with the door wide open.
From where I sit, the furloughs were not a problem.
Jonah Raskin is a professor of communications at SSU. His latest book is ‘Field Days: A Year of Farming, Eating and Drinking Wine in California.’ Open Mic is a weekly feature in the Bohemian. We welcome your contribution. To have your topical essay of 700 words considered for publication, write openmic@bohemian.com.
THE BOHEMIAN
05.26.10-06.01.10
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If you are going to expose corrupt propositions, how can you ignore Measure E? This would raise the sales tax in Rohnert Park, with all of it going to fund the Millionaire Boys Club, better known as the Rohnert Park Police Department. Seventy percent of the RP budget goes to the police. But they are not satisfied with that; they want it all. A cop in RP can retire at age 50 with 90 percent of his salary. It costs the city $142,000 a year for one sergeant. The high cost is driving RP into bankruptcy. So instead of cutting salaries and benefits for the cops to reduce the deficit, the city wants the taxpayers to cough up even more money to fund the local millionaires. It is time to pull the plug on out-of-control police spending. Vote no on E!
I’m a loyal reader of your weekly, and my motivation to pick up a copy increased after viewing the last issue (“Not So Easy Rider,� May 12). The article written by the depressed single mother was enjoyable and informative, but the real eye candy was the zipped-down front shirt. Kudos to the photographer and the model. I will go so far as to say she’ll be getting some inquiries into her availability for dating, since she mentioned in the article her age and marital status. If the end result is her depression going away, I’m a supporter of her method to overcome life’s disappointments.
As I watched footage of the oil spill in the Gulf of Mexico this morning, I felt a tremendous sense of grief and horror. This is only the most recent environmental catastrophe we have caused. I think “Do no harm� is a better bottom line than profit. If we can’t clean up a mess, then we have no business creating one. Corporations seem willing to take any risk, anyplace, anytime. But it’s suicidal. And Superfund sites reflect the ability of corporations to avoid responsibility. Will BP really pay the full cost of what they’ve done? The cleanup, the lost revenues, the health impacts? And how do you quantify the damage to fisheries and the environment? Residents and anyone involved in the cleanup are likely to suffer health problems from the oil and fumes for years. Think 9-11 Ground Zero. I would like to see those who run the companies involved and the agencies charged with regulating them held accountable. And not just with slaps on the wrist or fines they can easily pay and write off. Let’s get real. If terrorists caused this kind of damage, they’d be facing life imprisonment at least. And this looks like terrorism to me.
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THE BOHEMIAN
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THE BOHEMIAN
05.26.10-06.01.10
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05.26.10-06.01.10
THE BOHEMIAN
A TASTE OF BAUMAN COLLEGE
An Evening of Holistic Nutrition & Culinary Arts
FRREE EE E EV VENT ENT! E
Friday, June 11 6pm–9pm
• Hors d’Oeuvres • Cooking Demo with Samples • Eating for Health™ Lecture with Dr. Ed Bauman, Director • Raffle Location: Bauman College 10151 Main St., Suite 128, Penngrove, CA 94951
5693
required: online: www.baumancollege.org under “Retreats & Events� or by phone: (800)987-7530 at extension 3000
news for Sonoma, Marin & Napa Counties
“Official Newspaper of Stoically Barbecuing in the Rain�
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<0A:BC74B?>C Is this where we should put the picture of Jerry Brown? Some things can indeed wait until November.
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The Bohemian recommends on June 8 propositions Editor’s Note: The Bohemian’s mandate is to cover Sonoma, Marin and Napa counties, a particularly impossible task when it comes to elections. Because we are unable to individually interview candidates in such important races as supervisorial and district attorney picks, we cannot offer recommendations on same. We are also unable to adequately cover small regional measures.
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ropositions 13Earthquakes are a daily occurrence in the Golden State, and this year’s Proposition 13 is aimed at making homeowners, at least, a little bit safer when the next big one hits. Unlike its circa-’78 big bro, this Prop. 13 is unopposed on the California Voter’s Information Guide and, what’s better, it promises to makes our small slice of the world safer for all of us through the miracle of reduced taxation. Currently, homeowners who perform seismic retrofits on their homes, particularly
nonreinforced masonry (known more familiarly as “bricks�), may find their home values reassessed. Under the new Prop. 13, seismic retrofitting would not result in higher property taxes until the building is sold, giving homeowners a chance to act before it’s all a rubble. Estimations are that there may be a small drop in local property tax revenues resulting from the passage of Prop. 13, but no other unwarranted effects are forecast. This child of the old Prop. 13 trembles a bit at the thought of supporting a proposition that’s 13, but it’s the right initiative to pass. The ‘Bohemian’ recommends: YES on Prop. 13. —Gretchen Giles Proposition 14 Prop. 14 would do away with party primaries and replace them with an “open primary,� in which Democrats, Republicans, Greens, Libertarians and Peace and Freedom candidates would battle it out. The top two vote-getters would win the opportunity to face off in a general election. Supporters claim the amendment would
diminish the power of the two main parties, and more importantly, the special interests— unions and big business—who wield such power over the parties. The only thing Prop. 14 does is take the voters out of the picture. California needs comprehensive political reform, along the lines of what California Forward recommended. Prop. 14 isn’t it. The ‘Bohemian’ recommends: NO on Prop. 14. —Eric Johnson Proposition 15 The California Fair Elections Act would take a baby step toward getting special interests out of campaigns by creating a pilot program for publicly funded elections. It would focus, for symbolic reasons, on the very state office that oversees balloting. Candidates for secretary of state would have the option of tapping into a pool of money collected from registered lobbyists (in the form of a $700 fee every two years) and using it to fund their campaigns, ostensibly freeing them from obligations to big donors. The initiative would also lift California’s &%
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05.26.10-06.01.10
09
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20-year ban on public financing of campaigns, paving the way for future publicly funded races. The most common criticism of this initiative—that it would waste taxpayers’ hard-earned dollars—utterly overlooks the fact that funding would come from lobbyists, not taxpayers. Another criticism—that taxing lobbyists to fund elections has been proven unconstitutional—doesn’t take into account the fact that this is a fee, not a tax, and a modest one at that. Others fret that it’s a gateway to a gold rush by fat-cat politicians eager to stick taxpayers with their campaign bills. Supporters point to successful “fair elections� frameworks in five states and relate intriguing anecdotes about what elected officials can accomplish when they’re beholden to no one. There’s very little to lose here, and an awful lot to gain. The ‘Bohemian’ recommends: YES on Prop. 15. —Traci Hukill Proposition 16 The “Taxpayers Right to Vote Act� has nothing to do with any existing right to vote. Prop.16 is really about energy and who owns the right to sell energy to the public. If it passes, opponents say, Californians would be tied to just a handful of energy companies, and their dominance in existing and new markets would essentially be written into the state constitution. Since the beginning of this year, PG&E has donated more than $35 million to the cause. If Prop. 16 passes, it would amend the state constitution to require a two-thirds approval (rather than a simple majority) by local voters before a Community Choice Aggregation (CCA) could provide electricity to any new customers if there was any public money or debt involved. It would require the same two-thirds approval by any community that a CCA wanted to expand into, whether or not public money or bonds were involved. Proponents of the measure say the electricity business is risky, and voters should be able to vote when public money is being leveraged. Opponents say Prop. 16 is just a thinly veiled manipulation of the initiative process, and that it would constitutionally guarantee a monopoly for companies like PG&E. The ‘Bohemian’ recommends: NO on Prop. 16. —Kylie Mendonca Proposition 17 Like Prop. 16, this prop is entirely backed by one company, in this case, Mercury Insurance. The allure of Prop. 17 is that consumers who choose to switch insurers can keep their continuous coverage discount and take it with them, saving up to $250 a year. Prop. 17 promises a 90-day grace period if drivers lapse on their car insurance payments. Under current law, if drivers qualify for the continuous coverage discount and then switch insurers, they cannot take that discount with them to a new company. If passed, insurance companies would be permitted to ask a consumer for proof of auto insurance for the last five years without any lapse over 90 days, even if he or she hadn’t been driving during that time. If the consumer can’t prove coverage, an automatic penalty of up to $1,000 could be added to the premium. Opponents see Prop. 17 as a way to make insurance companies less accountable while giving them the ability to raise premiums and add penalties. The ‘Bohemian’ recommends: NO on Prop. 17. —Morgan Carvajal
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One woman’s saga to obtain Medi-Cal dentures spotlights state problems By Juliane Poirier
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higher percentage of people struggle to eat well on a regular basis in Napa than in most other California counties. But for low-income residents like Laretta Powell, the struggle to put food on the table took a turn for the worse when the state of California stole her teeth. Powell, a 65-year-old transplant from Texas, has been making a hand-to-mouth living working as a masseuse in the Napa Valley for over 20 years. What she lacks in education she makes up for in strong thumbs and resilience in dire circumstances; frequently homeless, she often lives in a truck donated to her by a client. In that same truck, she travels with her massage table to make house calls in Napa. Much of her steady work involves providing painreliving massage to low-income seniors living in a number of Napa’s mobile-home communities. In early 2009, Powell enrolled in Medi-Cal and was approved for major dental work. A serious infection required extraction of all her teeth and replacement with dentures. Powell underwent the surgery, but when it came time to pick up her dentures in June, she was told they’d been lost. They have remained ��€œlostâ€? ever since. “At one appointment,â€? Powell says, “the lady held up a white paper bag and shook it and said, “These are your teeth, but you’re not gonna get them because Medi-Cal isn’t going to pay for them.â€? Silvia Denny, one of Powell’s more affluent clients and a steady customer for decades, finally decided to advocate on behalf of her masseuse. The 80-year-old Denny, originally from Britain, is astounded that such a thing can happen in the United States, one of the few wealthy countries in the world. “It’s one thing to be homeless,â€? Denny says. “But homeless and toothless is unbearable and inhumane.â€? Denny claims that in the time that had lapsed between Powell losing all her teeth and going back to pick up the replacements, the
state had cut the dental program. “I asked her about her teeth almost every week,� Denny says. “And she would always have a new lead to follow, always a story about somebody here or there who was going to help her. Meanwhile she was existing on peanut butter and soup.� Denny observed that Powell did not have the ability to find her way through the bureaucracy, so she stepped in to help her. “After encountering the red tape firsthand,� Denny says, “I realize the social services system can defeat even those of us with a master’s degree.� Denny claims to have called agency after agency trying to get Powell’s teeth back. “They were very nice. But they all recommended I get in touch with someone else,� Denny says. “It wasn’t their department.� Finally in April of 2010, Powell started talking about paying for the dentures herself, even though her life savings were not enough to cover the $4,000 replacement teeth. But her life is at stake. “I’m a diabetic and for the past year I’ve not been able to eat what I needed to eat,� Powell says, “only things I could squish up real good and swallow. This made my blood sugar go up and up, so I had to go the hospital three times. It’s been a year already. At the hospital, they told me I had to get my teeth no matter what. The blood sugar spikes are going to injure my heart if I can’t keep my blood sugar under control.� Powell went back to the dentist and was offered the option to become involved in complicated loan options she didn’t really understand. Finally Denny decided to loan her the cash because paying up front reduced the cost to $3,600. As of this writing, Powell is still on peanut butter and soup. While she is paying off her teeth, she is also saving for a lighter massage table, one that weighs only 25 pounds. “It will be easier to lug up stairs,� says the Napa senior. There is no golden retirement in sight, but things are looking brighter. “Somewhere around the first of June,� Powell says optimistically, “I might have teeth again.�
‘It’s one thing to be homeless. But homeless and toothless is unbearable and inhumane.’
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6TTZbCPZT1^^]eX[[T For beer geeks, intoxication is just a side effect of life By Alastair Bland
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he dotcom bubble busted disastrously, but craft beer remains one of the nation’s fastest growing industries. In 2000, Joe Tucker foresaw this future. Having lost his job as the “consumer usability� director at ComedyWorld.com when the San Francisco company folded, he promptly picked up another; he bought a small website just months old called RateBeer.com that was floundering under poor management. It was surely another dotcom headed for its grave. But Tucker, who lives near Santa Rosa, brought it back to life. A beer fan as much as a tech whiz, he altered several major interface components, creating chat forums and streamlining the processes involved in reading reviews, becoming a member and rating beer. Tucker built a community, and in the years since then the 1,000-member club has exploded into a quasi-social phenomenon of worldwide acclaim, boasting top-of-the-list Google search returns
and members who chat online, rate beers with numeric scores and post the results publicly. Just google the name of a beer released a day prior, and RateBeerians worldwide will already be nerding out on its virtues and shortcomings. I entered the world of beer geeks on an early May weekend at the 14th annual Boonville Beer Festival, during which I camped with the managers, founders and most eminent members of RateBeer.com. The festival, held in the heart of the Anderson Valley, features several dozen breweries and attracts more than 5,000 attendees each year. As the alcohol takes its effect on the masses at festival time, the police stake out the roadways with their radar guns a’blazing, and locals like to joke that the troopers “are going to balance the state’s budget this weekend.� But RateBeerians don’t drink and drive. They set up camp for two nights in the privileged company of more than 50 breweries and other friends in the trade, all of whom are hosted on the grassy premises of the Anderson Valley Brewing Company. (Members of the general public camp at the nearby
Boonville fairgrounds.) I traveled by bike from San Francisco and rolled through the gates of the brewery on Friday afternoon. In back among the oaks and the green grassy acres, I sought the RateBeer camp. Dozens of partiers were aggregating, staking tents and setting out kegs of brew beside trucks and vans emblazoned with logos of Bear Republic, Uncommon Brewers, Pizza Port and others. A banner hanging from a sun tent marked the RateBeer station, where six men and women in their 30s and 40s lounged in lawn chairs or grazed over the fruit, chips and dips on the foldout table. Beer from kegs and bottles was already flowing, and though the festival didn’t begin until the next day, the pre-party had already begun. As a journalist seeking to understand the ways of these people, my first order of business was to blend in—to discover the flavors and smells of their world. Naturally, I asked for a beer. Ken Weaver of Sebastopol, a RateBeer core member, pulled from his loaded cooler a bottle of Furthermore Brewing’s beet and black pepper ale, one of many oddities to be tasted in the hours to come. &) THE BOHEMIAN
05.26.10-06.01.10
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THE BOHEMIAN
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I asked head honcho Joe Tucker for an explanation of beer’s powerful allure. “Beer is a different way of looking at the world,� he said. “It’s about technology and science, putting together something that’s interesting. And,� he added with a lift of the eyebrows, “beer is intoxicating. We aren’t too proud to admit that. We’re attracted to high-alcohol beers—even the geeks. We like being high. It’s OK to be drunk on beer, just not to overindulge.� This was good news, for I wanted some double digits. I returned to the picnic table and found some unfiltered “Fred� ale, at 10 percent ABV, from Hair of the Dog. “I hate big beers,� journalist Ashley Routson, aka the Beer Wench, told me from her seat in a lawn chair, explaining that moderation and balance are stronger attributes of a beer than its potency. “Hate� is not a word used freely among beer lovers surrounded by craft brews, for beer geeks generally love beer. They live, pursue, study and worship beer. They have beer deities, often in the form of “hop gods.� Beer geeks would breathe beer if they could, they taste it every chance they can, and they always, always smell it first. “That’s one of the best ways to distinguish a beer geek from a beer fan,� said Joe’s wife Jen Tucker, who sipped an ale in the grass. “They always smell their beer.� It’s true. I never saw such a raucous bunch skanking to ska and neglecting to shave yet another day sniffing reverently from plastic cups. There was something heartening in this gentle act of thoughtfulness. Though a recent trend has ushered thousands of halfheartedly dressed 35year-old men in cargo shorts and flip-flops into a world of artisan cheeses, the current popularity of pairing cheese and beer seems to be a side project for most beer nerds, and at the end of the equation, everything else cancels out and leaves one thing remaining: beer. As for food, Cheez-Its do just fine. RateBeerians are nearly mad. They have reviewed thousands upon thousands of beers. Mario Rubio, a Santa Rosa beer writer and editor of Hop Press, RateBeer’s online periodical, has rated none. Neither has the Wench, who doesn’t believe in reducing beer to numbers. But Ken Weaver has logged over 2,600 reviews. Joey Brown of Novato told me he has scored and posted 2,030. Still, that’s nothing. A Danish RateBeerian who goes by the handle “Ungstrup� has rated just shy of 17,000 beers. Three other Danes have filed more than 14,000 reviews, and a Swede, almost 13,000. Indeed, throughout the world, beer enthusiasts have taken to drinking at the keyboard. Jen told me that her husband receives fan mail from thankful women whose mates no longer drink at the pub. Instead, they log on, sip at the screen and chat with other RateBeerians about the brew at hand. Ken, Jen, Mario, the Wench and I strolled through the brewers’ campground. At the Marin Brewing station under an ancient oak, Arne Johnson opened a bottle of his new
bourbon barrel-aged barleywine infected with brettanomyces. We tasted a sample of Uncommon Brewers’ barleywine spiced with redwood tips, a 15 percent ABV so long awaited that it had become a legend even before its time. More cars rolled in through the gates. Rumor had it that Ken Grossman of Sierra Nevada, a beer god if ever there was one, had arrived, and one exuberant geek came back to camp raving that he had just spoken at length with an older man named Ken from Sierra Nevada. It turned out to be another Ken with the company—a good guy, but no god. At 7pm, the beer party began in earnest. Brewers and salesmen from other groups joined our camp—from New Belgium, Anderson Valley, Pizza Port and Dogfish Head. Holy bottles of oak-aged ales appeared from hidden coolers like treasures from buried arks. Corks popped, caps came off and rare beers poured like liquid gold as grateful recipients held cups aloft, awaiting just an ounce or two. Spirits soared, checked only by humility in the presence of greatness. As a bottle of New Glarus raspberry sour went around, voices of reverence and awe thanked the provider. Anderson Valley’s seven-year port barrel stout—one of just 150 bottles ever made—went all too fast. Boulevard Brewing’s imperial pilsner elicited gasps. Joe told me that overwhelmed beer geeks may be brought to tears when a particularly special bottle is poured. How simple the world seemed that night, and for anyone whose life may be temporarily shrouded by gloom and darkness, despair and heartache, take solace in this: happiness can be found in bottles. I’ve seen it. I awoke as the blue and gold shades of dawn smeared the sky. Smoldering campfires spewed trails of smoke that hung silently overhead, like plumes over a battlefield. Bottles half finished sat among a hundred empties. I tasted several, rode into town for coffee and returned to camp around 9am. The gang was up, stretching out lazily in the sun, and for breakfast we had oatmeal stouts, barleywines and other dense malty ales. By the time the Founder’s Kentucky Breakfast Stout found its way to my glass, I had downed at least a pint of strong beer. So had all the geeks, and the festival was still two hours away. Before 11am, we filled our cups with imperial stout, aged Christmas ale, spiced Belgian blonde and ginger mead. It was noon somewhere. We swirled, sniffed and sipped, and began the mile walk to the fairgrounds to do battle with the masses, to taste still more beer, to queue up in lines 50 long to receive four-ounce pours, to soak up the booze with burgers and burritos, and, at the end of it all, to walk back to camp in the sun and enjoy another night of special bottles, riotous reverie and yet more enjoyment of the world’s finest flavors in one of the state’s most beautiful valleys. That day, the whole world was a festival. Along the roadside, halfway to the fairgrounds, one of the RateBeerians announced, “I’m already drunk!� Who wasn’t? Because, for beer geeks, intoxication is just a side effect of life.
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A824ž=ž >HBC4AB efore Memorial Day planning ofďŹ cially begins, consider being one of the ďŹ rst to taste the Arista wineries inaugural Pinot Noirs straight from the barrel, while letting chef Gerard Nebesky’s paella avor your palate. Dubbed the “Paella King,â€? Nebesky is cooking up three varieties of his famous Spanish dish, at the upcoming Pinot & Paella event, brought back by popular demand on May 29.
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When it comes to paella, there is no single way to make it and every chef has his own ingredients, but none are nationally known like Nebesky, who beat Food Network Star Bobby Flay in 2008 at the Paella Throwdown, proving that his way is the best way. His talents will be highlighted when they’re paired with great wines at Pinot & Paella. But don’t stop there; follow it up with an Oyster-cue on May 30 at the Oysterpalooza at Rocker Oysterfeller’s in Valley Ford. This third annual event features six live bands, including local-girl–made-good Ash Rieter, the Crux, the Easy Leaves, Green String Farm Band, Miss Lonely Heart and the Stratospheres. The motto “eat, drink and be merry� is one to live by with a selection of barbecue goodies, draught beer and more local wines on Oysterfeller’s patio. Pinot & Paella, May 29, 11am to 2pm. Arista Winery, 7015 Westside Road, Healdsburg. $65. 707.473.0606. Oysterpalooza, May 30, noon to 10pm. Rocker Oysterfeller’s, 14415 Hwy. 1, Valley Ford. $10. 707.876.1983.
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C 6 E 6 8 D J C I N
? " he setup for P/30 restaurant is almost too perfect. Heading west on Bodega Highway just outside of Sebastopol you drive into the fading sun as redwood trees commingle with apple orchards in full spring leaf. Roll down the car window and breathe in the heady scent of the cooling earth. Then the slanting sunlight reveals a roadside building on the right, a little old house really.
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P/30, which takes its name from chef and co-owner Patrick Tafoya’s ďŹ rst initial and age, does just about everything right. Tafoya, who owns the restaurant with his wife, Christine Tafoya, cooked at Bodega Bay’s Duck Club before setting out on his own. The restaurant describes itself as “cheap and chic,â€? and that it is. It serves a sophisticated brand of comfort food that’s pitch-perfect for the rural setting and diners’ shrunken wallets. The ďŹ ve-month-old restaurant only takes reservations for parties of ďŹ ve or more, and that means you’ll likely have to wait. But that’s OK. There’s a little hangout area just inside the door where you’ll share space with other eager diners. Order a glass of wine from the well chosen local wine list and snack on a few of the great starters. When you’re ďŹ nally seated, it feels like joining a cozy, slightly buzzed dinner party already in progress. The shabby-chic chandeliers, hardwood oors, walls painted a warm yellow and the distinctive artwork give the two dining rooms a homey, welcoming feel. In less than skilled hands, gnocchi can lay in your stomach like lug nuts, but at P/30 the goat cheese gnocchi ($11) are so light they fairly oat from mouth to stomach. The roasted beets and warm peashoot salad with brown butter vinaigrette seal the deal. Duck conďŹ t is French comfort food par excellence, and it’s great here ($15). A moist and pleasantly salty Liberty Farms duck leg shares the plate with roasted potatoes and spring greens tossed with bacon-mustard dressing. The dessert list is where P/30 really lets the good times roll. Head straight for the carrot cake ($7), made with candied walnuts and rum raisin sauce. It’s good, but for me the accompanying candycap mushroom ice cream with its maple syrup avors stole the show. And you can do no wrong with the chocolate and peanut butter sandwiches ($7) with tar-thick warm chocolate sauce on the side for your dunking pleasure. The homemade lollipops proffered at the end of the meal send you out into the night with a smile. 9890 Bodega Hwy., Sebastopol. 707.861.9030.
Stett Holbrook
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Simply Vietnam
Traditional Vietnamese Restaurant
o accustomed are we in the North Bay to aisles bristling with hundreds of proud bottles from America’s premier winegrowing region that the Thief Wine Shop & Bar’s contrarian selection is almost shocking. Located in a bustling indoor market packed with cheese, fresh ďŹ sh and bread, Thief shelves a sampler of sought-after local wines—Rochioli, Merry Edwards, Gary Farrell—but a much greater number from Spain, France, New Zealand, South Africa—even far-ung Oregon. So what’s their deal? Their deal is, they’re in Milwaukee, Wis.
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In lieu of the usual tasting-room tip, this week Swirl can offer this: A considerable savings may be gained in red-eying it to MKE instead of ORD (equivalent to a few bottles of top-notch Pinot, or more soberly, a day of unpaid vacation). With its broad, lightly populated streets and examples of German Imperialstyle architecture, Milwaukee looks a little like Berlin in places—and like it suffered heavier bombing in others. Hemmed in between elevated freeways and the river in a revitalized historic district, the Milwaukee Public Market is that burg’s equivalent of Napa’s Oxbow. Thief co-owner Phil Bilodeau, who as former communications director for Sonoma County Vintners should know a thing or two about America’s Premier Wine Region, explains that it’s typical for a region’s product to headline at home. Out here, there’s a whole world to choose from. A glass of DoĂąa Paula Los Cardos Malbec rosĂŠ ($5.50) is a brilliant pink everlasting gobstopper of unreal, candied cherry avor, and nearly made me forget about “Miller Time.â€? (The best tour and tasting in Milwaukee concludes with a visit from a holographic Frederick Miller himself, and of course, free beer in a concrete “beer garden.â€? I recommend the crisp satisfaction of Miller Light over the original recipe.) What about America’s own heritage grape? In a liquor and wine shop in Chicago’s gentriďŹ ed Andersonville district, it’s found under the sign, “Red Zinfandel.â€? I ask the clerk whether such a distinction is mandatory in these parts, but he doesn’t understand what I’m getting at. Any North Bay wines in the upscale Pastoral, which promises artisan cheese and wine in the heart of the Loop? Kudos to Healdsburg’s Banyan Wines, and Martin Ray’s second label Angeline. But that’s all.
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Yes, the take-home lesson might be banal: Our fermented grape may be as ďŹ ne, diverse and so very special as we would like to think, but when it comes to the rest of the America, there are plenty of other bottles in the sea. So that leaves more for us, and that’s damned good luck for us. From the redwood forest to the Napa Carneros, these wines were made for you and me.
James Knight
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5 F>A3 Trying to fix the initiative process put the fix on Repair California.
FWTaTžbcWTATe^[dcX^]. A short history of Repair California’s short promise By Kylie Mendonca
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epair California was just an idea. Then, overnight, it was the not-for-profit messiah of the Golden State and the darling of nearly every major newspaper on the West Coast. In 2008, the Bay Area Council announced an idea to fix California’s political crisis that was so simple and so glisteningly democratic that it was sure to fail. Called Repair California, the plan was to convene a new state constitutional convention, an idea that outshone every other proposed initiative on the 2010 ballot before its star went dark. As fast as it arrived, Repair California was gone, leaving a stunned populace to wonder, “What happened to our revolution?� Political movements often expire before their ideas can be tested, but in the story of Repair California’s rise and fall, there is a larger explanation for why California itself is fading. Despite its apparent ties to money and power, the group went broke. Despite positive response from the public and media, Repair California couldn’t get enough people to sign its petition. The very forces it sought to change overwhelmed the movement. On its website, abandoned since February
of this year, the group argued, “The only way to make sweeping, holistic changes to our state government and wrestle our state back from special interests—is through a limited constitutional convention.� As envisioned by Repair California, a limited constitutional convention would call together a group of regular citizens for what essentially is a big brainstorming session. Delegates to the convention would propose changes related only to government, state spending and budgeting, elections and lobbying, and would vote on the spot on those changes. The Legislative Analyst’s office estimated that it could cost taxpayers as much as $95 million to hold such a convention. If that sounds expensive, consider the current state budget gap of more than $18 billion. Repair California’s effort is not the first time a constitutional convention has been proposed. In 1879, not 30 years after California joined the union, the state actually did convene a convention, and in 1934 the state authorized one, but did not convene. At least five more efforts were made before 1950, according to Jeffrey Lustig, a professor of government and political science at Cal State Sacramento, and the editor of the recently published collection of essays Remaking California: Reclaiming the Public Good. The 1879 convention ensured that future efforts to rewrite the state would not be so easy. Where the
Legislature used to need a simple majority, it now needs a two-thirds majority to call a convention. In 1911, voters won the use of the initiative, which was supposed to be a tool against specialinterest buy-outs of the Legislature. It has been used with mixed results over the years, and recently has caused more harm than good. There are today more than 500 amendments to the California state constitution. The federal constitution, a document that is more than 100 years older, has only 27 amendments, including the Bill of Rights. In all this mess, the impact of Proposition 13 can’t be overstated. Approved in 1978, it basically froze property tax revenues, including commercial property; introduced the two-thirds majority mandate needed to pass a budget or raise taxes that has since strangled California government; and shifted control of taxes and school funding from local governments to the state. When the state failed to pass a budget or adequately fund schools, voters started passing such initiatives as Proposition 98, which dictates how general fund monies should be spent. About 40 percent goes to education, thanks to Prop. 98. Once a novel political tool of the people, the initiative process has become just another tool for big business and big unions. Repair California’s claim was that the '' THE BOHEMIAN
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state is so institutionally crippled that it can’t be fixed incrementally. It all began with an August 2008 editorial by Bay Area businessman Jim Wunderman that ran in the San Francisco Chronicle. Titled “California Government Has Failed Us,� Wunderman’s editorial invoked the likes of Thomas Jefferson, and unapologetically aired California’s dirty laundry list of institutional failures. “It is our duty to declare that our California government is not only broken, it has become destructive to our future,� Wunderman declared. “Therefore, are we not obligated to nullify our government and institute a new one?� Wunderman is not the most likely candidate to organize a people’s political revolution. He heads the Bay Area Council, which represents the business interests of Google, PG&E and United Airlines, to name a few. But that summer in 2008, after legislators again failed to get a budget passed on time, the business community was thinking of ways to get around the state’s toxic two-thirds majority vote. The effect was magic. The commentary was so well received that the Bay Area Council sent one of its own, John Grubb, to be the face of Repair California. Newspapers across the state, as well as such national magazines as The New Yorker and The Economist, were soon spilling free ink to advance the idea, and Repair California’s own polling showed that 70 percent of Californians of all political ideologies supported a constitutional convention. (A later Field Poll showed about 50 percent of Californians in support.) Soon, the group had a staff of close to 250 people working on two initiatives for the November 2010 ballot: the first would change the state constitution to allow voters, instead of legislators, to call a constitutional convention and rewrite the rules of the state. The second would actually call the first constitutional convention in California in more than a hundred years. If the initiative process got California into this mess, the theory went, perhaps it could get California out of it. There was one major hitch in this plan: the reluctance of professional signature-gathering companies to collect the names on a petition that could put them out of business. In a recent telephone interview, Repair California’s spokesman, John Grubb, gets right to the point. “We were blacklisted,� he says. This year may be remembered as the one big money stopped being subtle about its domination of state politics. The gubernatorial and senate races are all about the tech billionaires and millionaires this round. And such ballot initiatives as Propositions 16 and 17, have been introduced, promoted and funded by single corporations. More to the point, it seems that only the extremely wealthy can afford the privilege of democracy. Repair California argued that the state has outgrown the initiative process as it currently exists. To get an idea on the ballot requires signatures from 8 percent of the voters who turned out in the previous gubernatorial election. For 2010
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constitutional amendments, that magic number is 694,354 signatures. “It comes out to about one in 10 California residents that have to sign a petition,� Grubb says. “There’s no way you can do that without signature gatherers, even with a big grassroots effort.� Signature gathering is like a shadow industry, ostensibly operating in the open with independent contractors parked at folding tables in front of grocery stores and college libraries, while the real deals are brokered in boardrooms. There are at least five such signaturegathering firms in California. Kimball Petition Management and National Petition Management are among the largest of these groups, and each has its specialty—union issues, socially conservative causes, socially liberal causes, etc. Each signature can cost between $1 and $1.50, depending on several factors, including the deadline to get on a ballot. When Repair California was circulating its two petitions, Grubb said the going rate was $1.35 per signature, with about 35 cents of that going to the actual gatherer. Repair was looking at close to $1 million just to gather the signatures needed. The service, which Grubb argues is critical to getting an issue on the ballot, can be too pricey for any real grassroots organization. Repair California, however, was not a poor grassroots group, and when California petitioners refused to circulate the initiatives, Repair bussed in independent signature gatherers from Oregon and Arizona at an additional cost. Grubb says those workers were routinely harassed. The biggest obstacle to Repair California turned out not to be the signature-gathering companies themselves. Grubb alleges that signature gatherers would not circulate his petition for fear that a constitutional rewrite would fix the initiative problem—the problem being that the process is owned by special interests. Fred Kimball, head of Kimball Petition Management, which is the oldest signaturegathering firm in California, did not return calls from the Bohemian, but he went on record in the Feb. 4, 2010, issue of The Economist about his feelings for a proposed constitutional convention, saying flatly, “As a business, I oppose it.� Indeed, not everyone wants change. Groups that passed initiatives to ensure themselves funding or that helped pass laws for crime victims certainly don’t want to see their work undone in a sweeping constitutional rewrite. The same is true for such anti-tax activists as the Howard Jarvis Taxpayers Association (Jarvis was responsible for Prop. 13). Kris Vosburgh, a spokesman for the Howard Jarvis Tax Association, says that the group did not support a constitutional convention for fear that the two-thirds threshold for passing new taxes would be repealed. “We’ve been suspicious of those efforts,� Vosburgh says of the convention talk, “because it could make it easier to raise taxes.� But professor Jeffrey Lustig says he was intrigued by the idea of a convention called by the people. He was so intrigued, he says,
that he put the book together as a resource for people when the debate over specific constitutional changes began. Nonetheless, he was surprised, even skeptical, by the Bay Area Council’s support for it. “In the last 20 years,� Lustig explains, “while public services have been ravaged, there has been a vast redistribution of wealth upward. Even though they talk about the system being broken, it’s been working for some people.� Grubb says it’s not that simple. “Dysfunctional government—at some point it’s not helping anyone,� he says. “A lot of our members were able to see that.� Repair California was breaking new ground when it suggested that citizens be the ones to fix the state government. Using the initiative process was basically a new approach. The plan to elect delegates from each community in the state was not entirely democratic, as it called on county officials to choose delegates. It was also extremely complicated. Several pages of the proposal were devoted solely to the process of picking delegates. But in true ’08 style, the initiative didn’t propose any specific changes, just change itself. “The actual proposal to call a convention was way overdetailed,� Lustig says. “It was almost a parody of the problems they were trying to solve.� There were other problems too, like funding. How a group sponsored by some of the world’s most powerful businesses could run out of money is sort of a mystery. The group was able to raise almost $600,000, according to Grubb, and another $1 million in pledged donations. Then, he alleges, the money dried up as would-be corporate donors received threats from unions and members of the state Legislature. Grubb would not mention specific legislators or companies, but said, “Members of the Legislature told companies they would be iced out if they supported the convention.� Grubb also says he received death threats over his work. The very same institutional failures crippling the state also brought Repair California to its knees. “We were challenging the status quo,� Grubb says. “We were challenging the biggest unions and the biggest companies in California.� Repair California’s ties to business, the very ties that normally make initiative efforts possible, turned out to be its undoing. “If they were a grassroots movement,� Lustig points out, “they would have had volunteers out there gathering signatures—they were thinking in a very corporate way.� “I would be really surprised if there wasn’t another effort,� Grubb says, “certainly in time for the 2012 elections.� Like many initiatives, Repair California’s legacy could be in the seed it has planted. It may have been an expensive experiment in selfgovernance, but something may yet grow of it. “I would guess that they were way out ahead of the rest of the state,� Lustig opines. “The Bay Area Council, being representative of high-tech, bio-tech, alternative energy, I would guess that they were very forward-thinking,� But, Lustig warns, “any serious change has to come from the ground up. It has to be grassroots.�
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ŸC74748A½ Photographer Javier Machado made his name through street shots of Cuba.
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@dXTcBdQeTabX^] Contemporary Cuban art comes to the Sonoma County Museum By Gretchen Giles
2
uba is in the air. The island nation may be experiencing a mellowing phase— at least in regards to its relationship with America. During his presidential campaign, Mr. Obama promised to meet with Cuban president RaĂşl Castro, and there is a sense that the possibility once again exists to match the island with the world. A small slice of that promise laps up against North Bay shores when the Sonoma County Museum opens a provocative new exhibit of contemporary Cuban art on June 5 with “Polaridad Complementaria: Recent Works from Cuba.â€? Part of a traveling exhibit, “Polaridadâ€? comprises some 60 pieces in all media from an elite group of 24 mid-career Cuban artists. Cuban-born photographer Javier Machado, now living in Oakland, gets a mini-retrospective of his own, titled “Optic Fiber,â€? in the museum’s upstairs gallery, and the institution fulfills its mandate for a local historical viewpoint with “Red Sonoma,â€? a look at communism’s past in the North Bay. Former Cuban president Fidel Castro had an unlikely affinity for the arts. As a result, Cuban children who show early talent are shunted out of pure academic practice into a field where they might more naturally excel. The government sponsors art galleries and, in a largely successful attempt to bring
the world to it, Cuba now produces a widely hailed biennial exhibit every two to three years. Sonoma County Museum education director Jennifer Bethke helped to organize the touring show’s stop in Santa Rosa. “You can be supported by the state if you’re doing state-friendly art, and not many of these artists are,� she explains. “It’s not unusual for them to be jailed for short periods of time. In the underground economy, now that Cuba is on the international art market map, it’s possible for them to make a living.� Influenced by Spanish, African and Caribbean cultures and motifs, Cuban artists often reflect the nation’s international isolation and the constant presence of the ocean. The nearness of America’s vast capitalistic riches and its ancillary indifference figure largely. After the Soviet Union began its collapse in 1991, Cuba lost its super-power support and entered what the country euphemistically calls its “special period.� Most of the young artists in the “Polaridad� show came of age during this time, and their work is emphatically marked by it. “This is a generation turning their eyes to the international art world and making criticism of the government, though not across the board, and that’s an interesting part of the story,� Bethke says. “It’s a complicated and interesting ambiguity. There is this pervading sense that this was an opportunity lost or squandered after the revolution, once things turned to a Soviet-style dictatorship.�
Machado made his name doing blackand-white street photography in Cuba. Once ensconced in the Bay Area, Machado continued his work in black and white—originally chosen because it’s a fairly inexpensive medium— moving into studio portraiture, creating darkly illuminated portraits in which he consciously chooses to emulate Rembrandt’s use of light and shadow to limn the images, many of them selfportraits in a variety of masks and costumes, that examine how and where one fits into the world. “His newest works are these large-scale portraits that are essentially about Cuban identity, Cuban-American identity,â€? Bethke says. “It’s an interesting network of issues, as he transitions to being more of a American and less of a Cuban.â€? Other artists in the show include rapidly rising stars Yoan Capote, RenĂŠ PeĂąa, Abel Barroso and AimeĂŠ Garcia. “In addition to all the political stuff, it’s just interesting art,â€? Bethke says of the exhibit. “It’s a show that resonates on two levels: the fascinating political questions, freedom of expression, socio-political questions; on the other hand, it’s just really fabulous contemporary art.â€? ‘Polaridad Complementaria,’ ‘Optic Fiber’ and ‘Red Sonoma’ open with a public reception on Friday, June 4, from 5pm to 7pm at the Sonoma County Museum. 425 Seventh St., Santa Rosa. 707.579.1500.
THE BOHEMIAN
05.26.10-06.01.10
23
@A.42
7>>:43 Jonathan Hyde deliciously portrays kid lit’s most imposing and attractive villain.
;^f5[hX]V
New high-tech ‘Peter Pan’ dazzles but disappoints By David Templeton
C
here has been a great deal of buzz about the big multimedia Peter Pan winging its way into San Francisco’s Threesixty Theatre from its successful London run. Anticipation for the high-tech extravaganza has been so high, in fact, that it caused the producers of Marin County’s Mountain Play to scrap their own plans to stage Peter Pan this summer amid worries that, if it came down to choosing one Peter over another, North Bay families would choose the fancy eye-candy with the dazzling high-fly effects. This was probably a good call. The question, of course, is whether or not Peter Pan is equal to all of its hype—and the high ticket price. As an “event,� something akin to a few hours at a marine park or a day at the circus, a professional baseball game or a fireworks display, this Peter Pan certainly delivers its share of oohs and aahs. As theater, however, the show is a severely hit-and-miss affair. The script adaptation by Tanya Ronder blends J. M. Barrie’s original nonmusical stage play with bits and bobs lifted from Barrie’s much better novel, retaining many of the author’s edgier observations, stuff that is scrubbed from most family-friendly productions. That said, the script’s sharpness ebbs and flows drastically. One moment, where the Indian princess thanks Peter for saving her by performing a sexy lap dance, is nothing short of bizarre. Overall, the play is well acted but badly paced and sloppily directed by Ben Harrison. Brilliant flashes of art direction are mixed with stunningly unconvincing projected animations. After all, those animated surroundings, projected all around the audience using the theater’s fancy 360-degree technology, is the current catnip. The flying scenes are lovely, with the
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landscape of London and the nightscape of the heavens whooshing past as the children appear to swoop under bridges and over housetops. But after that, the producers can’t think of very much to do with their bag of tricks. A second act scene involving a pair of children swimming through the lagoon among animated fishes and sub-par Cirque du Soleil mermaids is pretty but mainly just slows down the story. Mostly, the projections serve to throw scenery up around the tent—bedroom walls, Neverland trees, the bow and stern of a pirate ship—but the effect is more clumsy than inspired. And once the adrenaline rush of that initial night flight is over, it’s hard not to notice that the animation is chillingly fake and cold, closely resembling that of the video game Myst. While children will likely be utterly transported by the show, the adults who shelled out the bucks might feel that there is a bit of bait-and-switch going on. Ultimately, the best parts of the show have nothing to do with the techno-wizardry. Itxaso Moreno’s punkish Tinkerbell is delightfully bizarre. The famous ticking crocodile—a massive two-person puppet driven by lowriding bicycles—is incredibly satisfying, with teeth made of clothespins and a roar that shakes the seats. And as Captain Hook, British actor Jonathan Hyde (Titanic, Jumanji, Ananconda) is everything a Hook should be, until the otherwise sharp-witted script fails him, giving him one of the lamest exit lines ever forced upon kid lit’s most imposing and attractive villain. In the end, one’s satisfaction with Peter Pan will depend largely on what one expects. Based on its marketing campaign, I expected a dazzling night of state-of-the-art theater. What I got was an above-average county-fair attraction. ‘Peter Pan’ runs through the end of summer at the Threesixty Theatre in Ferry Park, San Francisco. $30–$85. 888.772.6849. www.peterpantheshow.com.
369:
C0:8=60;40? Steve Evets and Eric Cantona co-star in Ken Loach’s genial ‘Looking for Eric.’
CWT<T]½b2[dQ
A soccer star helps ‘Eric’ to find himself By Richard von Busack
3
irector Ken Loach has been nobly serving the cause of the proletariat with social-realist films for so long that he has earned the right to make a crowd pleaser. The genial Looking for Eric is just that. Eric (the palindromic Steve Evets), a depressed, skinny Manchester postie, gets his groove back through the good counsel of imaginary pal Eric Cantona (playing himself), deemed here “the greatest footballer who ever lived.� Like a Conrad hero, Eric is marked by a failure of nerve 30 years ago, and now his past has come home to haunt him. Eric’s grownup daughter, Sam (Lucy-Jo Hudson), needs some help taking care of her baby. She reaches out to both Eric and his long-estranged ex-wife, Lily (Stephanie Bishop), whom Eric has been avoiding for decades. Eric’s emotional crisis is detected by his bald, pudgy pal Meatballs (John Henshaw), who forms a makeshift men’s group to help Eric out. All the fellas are supposed to get in touch with a spirit guide. Eric’s choice is obvious: “King� Cantona, the postman’s idol ever since the French footballer’s stint at Manchester United in the mid-1990s. While smoking some marijuana by himself, Eric the postman is visited by Eric the soccer star, who materializes from a poster, just as Bogart did in the Woody Allen/Herbert Ross film Play It Again, Sam. Through Cantona’s good advice, Eric starts to retrieve himself from a 30-yearlong wrong turn, returning to the moment before he broke. I don’t know jack about soccer, although Loach’s movie just about convinced me of what is so great about the game. However, I can guess what sort of charisma a Frenchman would have to have to win the admiration of so many working-class British football fans. Watching clips of Cantona play, one marvels at his preternatural ability to see when to kick and when to pass. Loach may have picked Cantona to be a guide because of an incident
in the player’s lore: how he told reporters that he went to play soccer in England because his psychiatrist advised him to do it. The Francophobia endemic in American and English films has contributed to the death of the romantic Frenchman onscreen; he’s been replaced by the bloodless ditherer and the dialect-comedy clown. Cantona, a Marseillean with Sardinian roots, is an ugly/ handsome smolderer. In him, one sees the calm, debonair warmth that made moviegoers respond to French actors for decades. Cantona had a role in the 1998 feature Elizabeth. He didn’t stand out there, yet he’s a natural for the camera, and he makes a believable mentor to a man in real pain. Looking for Eric gets a little more fantastic in the last third, when the crowd-pleasing tricks arrive. The postman has two stepchildren from an apparently disastrous second marriage. The boys are going bad from neglect and falling under the control of a sadistic local criminal. Cantona’s exhortations to “trust your team� convince Eric to take some extralegal action, and that’s when I started to feel slightly ambiguous about this film. Loach, generally a pretty strict left-wing director (Poor Cow, Raining Stones, et al.) seems here to be turning to the methods we Americans use to deal with our own feelings of powerlessness: visualization, life coaches and fantasies of vigilante action. This is just an undertone, and it’s not as important as Loach’s often loving look at the city of Manchester, and the talk, the humor and the pubs therein. It’s a male world with sternness behind the fellowship, clear from the William Demerest-like gargle of Henshaw, running his men’s group and urging his pals to think of “someone who totally loves you without conditions, right?� in a sergeant-major’s bark. This is a soulful movie, but its feet are on the ground. ‘Looking for Eric’ opens on Friday, May 28, at the Smith Rafael Cinemas, 1118 Fourth St., San Rafael. 415.454.1222.
THE BOHEMIAN
05.26.10-06.01.10
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North Bay’s
Social Hours! Wrap your business around the region’s 123,844 socialites in the North Bay with your regular Happy Hour promotions!
30=64A>DB<4= ‘The Most Dangerous Man in America,’ a doc about Daniel Ellsberg, screens May 26 at the Napa Valley Opera House. See Film list, p36.
New Movies Add`^c\[dg:g^X
Promote your Happy Hours & Reverse Hours!
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“You’re gorgeous, baby, you’re sophisticated, you live well...Vancouver is Manhattan with mountains.�
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Photo: Chris Cameron
“There’s not a Jazz Festival in the world that can touch it.�—Seattle Times
John Scofield & the Piety Street Band Tomasz Stanko Quintet Stanley Clarke Band Feat Hiromi Buck 65 Kid Koala presents Slew Meshell Ndegeocello
George Benson Nikki Yanofsky John Pizzarelli Martha Wainwright Sings Piaf Chick Corea The Bill Frisell Trio
TOLL FREE Box Office 1.888.438.5200
1800 musicians
400 performances
40 venues
Coastaljazz.ca
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6XPPHUÀHOG5RDG‡6DQWD5RVD‡ Bargain Tuesday - $7.50 All Shows Bargain Tuesday $7.00 All Shows Schedule for Fri, Feb -16th 20th Thu, Feb Schedule Schedule for for Fri, Fri, April May 28th –––Thu, Thu, April June26th 22nd 3rd Schedule for Fri, June 22nd - Thu, June 28th
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“APRINCESS Triumph!â€? – New “A Glorious Throwback ToYork The Observer More Stylized, KAIULANI THE WRESTLER (12:15) 4:45 9:10 Painterly Work Of Decades Past!â€? – PG LA (12:20) 2:45 5:10 7:30 9:45 R Times LA2:30 VIE EN7:00 ROSE (12:45) 3:45 6:45OF 9:45 PG-13 THE Seyfried SECRET KELLS 10 Academy Noms Including Best Picture! AmandaAward Vanessa Redgrave (1:00) 3:00 5:00 7:00 9:00 NR SLUMDOG MILLIONAIRE “Set In “ä–&#x;ä–&#x;ä–&#x;ä–&#x; Some Stunning Locales Italy, Letters Is – Really, Truly,InDeeply – No One Could Make This Believable 4:00 7:10 9:40 RThe A“Superb! Guilty That’s Lighter Guilt And OnePleasure of (1:15) This Year’s Best!â€? –On Newsday If ItHeavier Were Fiction!â€? – San Francisco Chronicle On The Pleasure!â€? ONCE – USA Today 8 Academy Award Noms Including
PRODIGAL SONS (1:00) 3:10 R LETTERS TO7:30 Best Picture, Best5:20 Actor &JULIET Best9:40 Director! (2:20) 9:10 NR 4:55 No 9:10 Show Tue or Thu (12:00) 2:15 7:10 9:35 PG MILK “Haunting and Hypnotic!â€? – Rolling Stone “Wise, Humble and Effortlessly (1:30) 4:10 6:45 Funny!â€? 9:30 R – Newsweek “Striking, Poignant & Memorable!â€? THE GIRL THE TATTOO PleaseWITH Note: No 1:30 ShowDRAGON Sat, No 6:45 Show Thu WAITRESS –(1:10) New York Observer 4:30 7:30 NR (1:30) 4:00 7:10 9:30 Best R Picture! 5 Academy Award Noms Including LA MISSION â€œâ€ŤŰşŰşŰşâ€Ź1/2! AnFROST/NIXON Unexpected Gem!â€? – USA Today (11:45) 2:20 4:50 7:30 9:50 R (2:15) 7:20 R GREENBERG “Swoonly Romatic, Mysterious, Hilarious!â€? (12:00) 5:00 9:50 R –& Slant Magazine “Intimate Delightful! A Piece of REVOLUTIONARY ROAD Unsettling!â€? PARIS, JE T’AIME Pop“Deliciously Anthropology!â€? – Hollywood Reporter (11:45) 4:45 9:50– RLA Times (1:15)GHOST 4:15 7:00 9:30 R THE BABIES Kevin Jorgenson presents the WRITER California Premiere of 7:15 6:50 PG-13 (1:00) (2:15) 3:00 5:00 9:00 PG
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PURE: A BOULDERING FLICK
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Michael Moore’s Feb 26th at 7:15 THE Thu, MOST DANGEROUS Andy Garcia Alan Arkin Emily Mortimer SICKO MOVIES IN THE MORNING MAN IN AMERICA “City Island is a Breath Fresh Air!â€? – USA Today Starts Fri,ofJune 29th! Fri, Sat, Sun &PENTAGON Mon DANIEL ELLSBERG AND THENow PAPERS Advance Tickets On Sale at Box OfďŹ ce! CITY ISLAND 9:50 AM (12:10) 4:30 6:50 No7:30 6:50 Show Tue or Thu FROZEN RIVER (12:00) 2:30 5:00 10:00 (12:20) 2:35 NR 7:20 9:30 PG-13 10:15 VICKY Their CRISTINA BARCELONA First Joint Venture In 25 Years! AM 10:20 AM CHANGELING Oscar Winner Best Foreign Language Film! Venessa Redgrave Meryl Streep Glenn Close CHEECH AND CHONG’S 10:40 AM RACHEL GETTING MARRIED THEACTION SECRET IN THEIR EYES 10:45 AM HEYSHORTS WATCH THIS 2009 LIVE (Fri/Mon Only)) EVENING (4:40) R 10:45 Sat, Apr17th at 11pm & Tue, Apr 20th 8pmAM 2009 ANIMATED SHORTS Only) Starts Fri,(Sun June 29th!
THE BOHEMIAN
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THE BOHEMIAN
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Loud & Rich Whenever and wherever the multitalented Richard Thompson takes the stage, it’s cause for celebration. The virtuoso guitarist and poignant lyricist has been amazing audiences for over 40 years, from his days in the British folk group Fairport Convention to his amusing recent project 1,000 Years of Popular Music, and has shown not one sign of burning out. With certified classics such as “Down Where the Drunkards Roll,� “Beeswing� and the dexterous epic “1952 Black Vincent Lightning,� Thompson is always dazzling, if a bit serious. That’s where Loudon Wainwright III and his canny sense of humor come in. Still best known for “Dead Skunk (In the Middle of the Road),� Wainwright has since 2005 released a fun-loving album of new, overlooked material every year or so. The two share a bill on Saturday, May 29, at the Uptown Theatre. 1350 Third St., Napa. 8pm. $37–$47. 707.259.0123.
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Deep Elm Blues Sometimes even the indie labels get it wrong. The rakish singer and guitarist Michael Richardson, well loved locally for his precise, passionate emo trio Benton Falls, fell victim to legal wrangling with Deep Elm Records when Benton Falls called it a day in 2004. The fight dammed up Richardson’s creative output, with only the occasional solo show in its wake— attended by cultish, faithful fans. Richardson has since moved to Echo Park in Los Angeles, and the change of pace has inspired a new supergroup of sorts called Paper Hands with fellow Santa Rosa ex-pats Kevin Buchholz, from Kid Dynamo, and Dio McLeod, from Edaline. Based on early demos, Paper Hands’ brand of indie rock has only slightly mellowed with age and is blessedly uncorrupted by Southern California. They play with the New Trust, Helen Earth Band and Hanalei on Saturday, May 29, at the North Bay Film and Art Collective. 99 Sixth St., Santa Rosa. 7pm. $5. (No phone.)
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Vintage Vagabonds Sometimes, the perfect pairing of band and venue makes a show impossible to ignore. Such is the case this weekend when Big Sandy and His Fly-Rite Boys pull their vintage aluminum tour bus up to the dusty driveway of Rancho Nicasio to present the bygone sounds at the bygone roadhouse. Staunchly dedicated to preserving and presenting the vintage sounds
of Western swing, country boogie and rockabilly, the Fly-Rite boys play exclusively era-authentic instruments and dress in the snappy wardrobe of old-time show bands. Though decidedly retro— their own LPs stand strong alongside Ernest Tubb and Spade Cooley records—they write their own new material with the talent and f lair of the greats they so admire. Big Sandy and the Fly-Rite Boys will return in August for Sebastopol’s Gravenstein Apple Fair and Cloverdale’s Friday Night Music series, but nothing beats the down-home ambiance when they play Saturday, May 29, at Rancho Nicasio. Town Square, Nicasio. 8:30pm. $15. 415.662.2219.
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BBQ, BBQ! It’s that time of year, when one heads to the hardware store to buy nails and is instead deluged with 2,327 different kinds of barbecues, reproducing all over the entrance to the store. You know the type: those big-ass, manly, plutonium-fueled monstrosities, sometimes as much as a thousand bucks. Who needs ’em! We’ll take our $20 Weber knock-off and throw on some Howlin’ Wolf, thanks, and it’s in this same spirit that the KRSH Outdoor Barbecue abides. This weekend is the season’s first of the popular free series, with an all-local, all-blues lineup that pairs the C.T. Cruisers with five local luminaries—namely, vocalists Cathy Slack and Linda Ferro, guitarists Levi Lloyd and Jody Counter, and keyboardist Ron Lacey. Lacey’s played with the Temptations, the Drifters, Lou Rawls and more, and Counter just made the district finals in Guitar Center’s “King of the Blues� contest. It’s all MC ed by Zone Music’s Frank Hayhurst when the C.T. Cruisers R&B / Blues Revue plays on Thursday, May 27, at the KRSH Studios Backyard. 3565 Standish Ave., Santa Rosa. 6pm. Free. 707.588.0707.
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Expendables prove staying power on new album eoff Weers can’t resist joking when asked what he hopes the Expendables will be able to accomplish with their new album, Prove It. “I hope,â€? the guitarist and singer says by phone, “we sell a billion records.â€? For a group that literally began as a party band, such a response makes sense. But Weers does have some serious goals for the new album, released just last week. “I hope this album gives us a little bit more respect from you guys, the critics,â€? he says. “We kind of get hounded on for being just another ska, weed-toking, reggae-punk band. But I feel like we have a little bit more substance than that, and I hope this album kind of proves it.â€? Prove It is the ďŹ fth album from the Santa Cruz band. By 2004, when the group had released their third CD, Gettin’ Filthy, the Expendables made a pivotal connection—with Slightly Stoopid. That ska-rock group took the Expendables on tour and eventually signed the group to its record label, Stoopid Records, releasing the Expendables self-titled CD in 2007. Weers, in fact, credits Slightly Stoopid with inspiring the Expendables’ blend of ska and heavy metal. “I think the real eye-opener and mix of the music was [from] Slightly Stoopid’s Longest Barrel Ride album,â€? Weers offers. “There’s a song on there—I can’t remember what it’s called—but it goes from reggae to a metal thing. I was like, ‘Wow, that’s amazing.’ They never really did it much after that album, but I think we took that and then just created song after song after song that has that kind of ow between mellow to metal.â€? The band is happy enough with Prove It that it began playing several of the new songs on its winter tour earlier this year. “We get tired of playing all of our old stuff, and the new stuff is really fun for us,â€? Weers says. “We all feel this is hopefully going to be our best album yet.â€? The Expendables play Saturday, May 29, at the Phoenix Theater. 201 E. Washington St., Petaluma. 8pm. $20. 707.762.3565. They’ll also play Saturday, June 12, as part of the Harmony Festival, running June 11–13 at the Sonoma County Fairgrounds. Slightly Stoopid headline that night. www.harmonyfestival.com. Alan Sculley
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EDI430=301DB43 Only a fraction of Depeche Mode, please.
4]Y^hcWT BX[T]RT You won’t really listen to that full-discography torrent, will you?
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his isn’t one of those tired rants about the perils of illegal downloading and how it’s bankrupting the artists and killing the record stores and decimating the music industry. Truth be told, the artists are making up lost revenue in increased concert ticket prices, the record stores are reverting back to the morepopular-than-ever vinyl format, and after years of bloated excess, most everybody concurs that the music industry deserved to be decimated. Nor is this an old-man rant about the ease of illegal downloading and the valueless clicking that kids these days do and how in my time we had to walk two miles in the snow to Record Mart only to find that, sorry, the new Depeche Mode album was out of stock, and those crazy ADD-addled youths don’t even know what albums are anymore because they’re wired up on the YouTubeEMusicFacebookPandora TwitterGorillaVsBearStereogum sites. No, this is none of those things, because illegal downloading is here to stay. It was born of the music industry’s decision to kill the LP and increase its profit margin 1,000 percent by foisting the digital technology of CDs on music fans, the same technology that eventually made possible the mp3 and the RapidShare files and the torrents that the
recording industry hates so much. It’s a little like the United States providing chemical weapons to Iraq in the 1980s and then fighting against them in the aughts. But I digress. Today’s discussion for those addicted to the little, blue frog icon in their dock next to Audio Hijack and EasyWMA is on the rise of huge complete-discography torrents, and the simple fact that there can possibly be too much of a good thing. Like a bathtub full of IPA poured into a beer bong. Like a hundred browser windows filled with beautiful naked women. Like a heaping pile of spaghetti shoveled onto the table by a man in a red suit and bowtie. No one really wants these excesses. So why, I wonder, do we continue to fall for the idea that downloading a gigantic torrent of a band’s complete discography is going to be in any way rewarding? Say you’ve been loving Lady Gaga’s “Alejandro,â€? and your acute powers of perception deliver an impulsive yearning for the song it’s loosely based on, “Fernandoâ€? by ABBA. You cue it up on your torrent browser. You scan search results for “Fernandoâ€? itself (5.2 MB), for ABBA Gold (70.5 MB), for Greatest Hits (60.4 MB). And then you see the motherlode. “ABBA Full Discography 320kbps 65CD,â€? it reads. 8.7 GB! Jesus, this rules! Or so you think. Just as our stomach can’t process too many shovelfuls of spaghetti, just as our libidos can’t process all those naked women, just as our livers can’t process all that beer, the musical receptors in our brain just simply cannot process 8.7 GB of ABBA. A friend of mine fell victim to such temptation recently. He wanted to hear a song from Depeche Mode, and was instead lured by the band’s complete discography. It only required a couple hours of time and no real effort on his part, and—voilĂ ! Every note Depeche Mode had ever recorded was at his fingertips. “But you know what?â€? he said afterward. “Depeche Mode has a lot of horrible songs.â€? All he’d wanted was to relive the moment he first heard “Somebodyâ€? and feel a warm, loving adolescent feeling that the world could be caring and kind. Now he’s got crap like “Better Days (Basteroid Dance Is Gone Vocal Mix)â€? and all the throwaway B-sides from Ultra, not to mention Ultra itself and all the other lousy late-era records Depeche Mode ever made. In a way, this is no burden. It takes up invisible space. But it is invisible music on an invisible aural plane, a cold, dead piece of silicon storage, the exact opposite of what he wanted to feel. Invisible or not, it’s there. And most of it sucks. My friend has two choices here. One is to spend the next year listening to Depeche Mode and nothing but Depeche Mode, evaluating and ranking and reorganizing and playlisting the virtually insurmountable glob of music with which he’s saddled himself. His other option is to drag the folder to the trash and start clean with Some Great Reward (50.2 MB). Or, God forbid, he could walk to a record store and actually fork over the cost of a burrito for a used copy of Catching Up with Depeche Mode, and go through life piece by piece instead of hoarding it all. Isn’t that the best way to live, anyway?
HAPPY H AP A PP PY HOUR HOU HOU O R M-F M -F 4-7PM M4 -7 -7PM SUN S U N 11-7PM 11 11-7 11-7 7PM PM $2 $ 2O OFF FF A ALL L L APPETIZ A APPETIZERS PPE T I Z E R S 7%,,3 s 0).43 s #!2 "/-"3 7 7 7 %, , 3 s 3 s 0).4 0) . 4 3 s 3 s # #! 2 "/ #! 2 "/- "3 2 "
Best Music Venue Best Place for Singles to Meet
MEMORIAL WEEKEND THUR ! MAY 27 ! 9PM
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THE BOHEMIAN
05.26.10-06.01.10
33
the last day saloon
Bfrom rews the world &Tasty Paround ub Grub
Hand-Crafted
@.2
nightclub & restaurant
<=2;6;4@
the best place for live music, dancing and dining
BVn'+ ;gdb)id+eb#HiZZaZ AVcZ8dbbjc^in8ZciZg! Æ>ciZgil^cZY6gi<gdje/ HjbbZg;^\jgZh#Ç)&*HiZZaZ AVcZ!HVciVGdhV#,%,#*)(#('-'#
THE BAR AND RESTAURANT OPENS ON ALL SHOW DAYS AT 4 PM
5/26
BVn'-
8:30 PM SHOW > $20/22 > ROCK
JACKYL
Thursday, May 27 @ 7 pm
+ BOO RADLEY'S HOUSE + OVER THE FALLS 5/28
DJ JPS Jennifer Tucker
PLUS A LIVE ON-STAGE DATING GAME 9:00 PM SHOW > $10/12 > POP ROCK
Sat, May 29 @ 9:00pm
15 PIECE MICHAEL JACKSON TRIBUTE
Balkanized Jazzcore www.myspace.com/earstu
8:30 PM SHOW > $18/20 > ROCK
powerman 5000
BVn(%
Sun, May 30 @ 6 pm
Radio K-Bob
+ DEATH VALLEY HIGH
THE
pyrx
BAND
;gdb)id+eb#Fj^X`h^akZg B^cZ8d#!Æ6aai]ZE^ZXZhBViiZg!Ç XdaaV\ZWn@^g`=^ch]Vl# ++,&;gdciHi!;dgZhik^aaZ# ,%,#--,#%,..#
Earstu
+ DJ ON-QUE
9:30 PM SHOW > $10 > REGGAE HIP HOP
;gdb(id*eb#BVg^cBD86! ÆE^XijgZCdkVid!Ç_jg^ZYZm]^W^i [dgCdkVidÉh*%i]Vcc^kZghVgn# =Vb^aidc;^ZaY!*%%EVab9g! CdkVid#)&*#*%+#%&(,#
Folk www.myspace.com/jennifertucker2008
FOREVERLAND
6/3
;gdb&id)eb#AdXVa8dadg <VaaZgn!Æ:megZhh^dch!Çldg`Wn ?8=ZcYZghdc#&*-%:Vhih]dgZGY! 7dYZ\V7Vn#,%,#-,*#',))#
Friday, May 28 @ 6:30pm
SINGLES NIGHT W/ DJ MARS
6/2
BVn'.
9:00 PM SHOW > $10 > 80'S HITS
BACK TO THE 80'S 5/29
;gdb*id,eb#8^in=Vaa8djcX^a 8]VbWZgh!ÆA^cYVAdX`Z/ EV^ci^c\#Ç&%%HVciVGdhV6kZ! HiZ&%!HVciVGdhV#,%,#*)(#(%&%#
707.874.9037 | www.barleynhops.com 3688 Bohemian Highway, Occidental
+ natural INCENSE + DJ AZ REDSMOKE
6/5
8:30 PM SHOW > $20/25 > ROCK
sfarzo strings presents
PAT TRAVERS + ASTROSLIDE + GLASS SANDWICH
6/6
.?A Reservations advised HAPPY HOUR M–F • 4–6PM
1:00 PM SHOW > $10 > DIXIELAND JAZZ
EST. 1941
Fri
+ JAM SESSIONS BY T.R.A.D. J.A.S.S.
Sat
BIG SANDY
6:30 PM SHOW > $15/18 > HONKY TONK
WAYNE "THE TRAIN" HANCOCK
+ MISS KITTY & THE BIG DOG S 9:30 PM SHOW > $15 > 80'S DANCE
TAINTED LOVE
May 30
SPECIAL MEMORIAL DAY BBQ May 31 WITH VERY SPECIAL GUESTS! Mon
See website for more info ###################### Fri KEVIN RUSSELL June 4 Contemporary Blues 8:30pm Fri STONE RIVER BOYS
June 11 DAVE GONZALEZ & MIKE BARFIELD Sun
June 13 Sat
June 19
all shows are 21+ unless noted
120 5th street @ davis street santa rosa, ca
05.26.10-06.01.10
COMMANDER CODY
7:30pm
NATASHA JAMES
Still Riding High on the Charts 8:30pm
FATHER’S DAY BBQ ON THE LAWN Blues Legend
Sat
4:00pm A Hot Summer Night!
ELVIN BISHOP
PLUS TIA
June 26
THE BOHEMIAN
CARROLL
SHANA MORRISON
8:30pm
415.662.2219
On the Town Square, Nicasio www.ranchonicasio.com
lastdaysaloon.com 34
8:30pm Honky Tonk Legend
June 20
Sun
for reservations: 707.545.5876
707.545.2343
THE BLUES BROADS
Tracy Nelson, Annie Sampson, Dorothy Morrison & Angela Strehli
# # # # #
+ guest Sarah Baker
6/19
FEATURING MIKE DUKE 8:00pm / In the Bar
AND HIS FLY-RITE BOYS Rockabilly/Traditional Country 8:30pm ###################### Memorial Day Weekend BBQ Sun
# # # # #
+ Nancy Wenstrom & Blues Kitchen
20 min from downtown Petaluma, 25 min from everywhere else!
THE RANCHO ALLSTARS
May 28 May 29
8:30 PM SHOW > $15 > BLUES
JANIVA MAGNESS 6/13
Take a scenic drive for a unique dining experience
Dinner and a Show
MISSION GOLD JAZZ BAND 6/12
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British playwright’s plays come to life in Marin aryl Churchill is arguably one of the greatest modern English playwrights, and for audiences unfamiliar with the groundbreaking feminist writer, not one but two of her better-known plays are currently running in Marin County. Ross Valley Players just opened Top Girls (above), Churchill’s 1982 fantasia on workplace women’s right issues. Directed by Cris Cassell, this potentially puzzling play gets a crisp, comedic staging that highlights Churchill’s playful pushing-on-the-bruises exploration of important issues. The play begins with a dinner party featuring several historical and literary women: 19th-century explorer Isabella Bird, legendary 13th-century Pope Joan, Chaucer’s Griselda, 13th-century Japanese concubine Lady Nijo and Brueghel’s Dull Gret. The party is thrown to celebrate the recent promotion of Marlene, who runs the Top Girls Employment Agency. After the hilariously conceived, philosophically power-packed dinner, the actresses segue into various office workers or job seekers, allowing Churchill to tease and test her way through ideas of women’s equality, glass ceilings and the choices women are often forced to make in order to work alongside men. Though some of the smaller performances are weak, the overall production is fine, offering twice as much grist for thought as most other plays. Then again, presenting challenging theater is what Churchill does. Take, for example, her 1972 comedy Owners, running through May 30 in a makeshift storefront space in San Rafael. Produced by Marin’s fearless AlterTheater Ensemble and directed by Elizabeth Williamson, the show follows a stunning, escalating series of encounters between an obsessive property owner and the renters she is attempting to evict. Her goal is not commerce; she once had an affair with the man of the house, and she hopes to blackmail him into resuming their relationship. The resulting antics—involving arson, adultery and forced adoption—are aggressively unpleasant, and yet strangely riveting. The cast is excellent, and the clever use of the storefront’s cavernous space lends atmosphere to the “real estate� vibe of the show. The star, of course, is Churchill. With both of these productions, this testy, tenacious writer demonstrates the intellect and creativity that has always made her work so fascinating, challenging and important. Top Girls runs through June 20. www.rossvalleyplayers.org. Owners continues through May 30. www.altertheater.org. David Templeton
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MULTIPLE STAGES X REVIVAL TENT X UTAHPIA X CAMPING X KIDS’ AREA X NO PETS
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#!22 ) % 2/$2)'5%: ",!-% 3!,,9 2/3!,)% 3/22%,3 $!6)$ &2!.#%9 #/5.429 !,, 34!23 ¨ HELD AT BEAUTIFUL BLACK OAK RANCH LAYTONVILLE, CA ,/6% #(/)2 ƒ ¨ -/2% Info/Tix: 415-256-8499, 866-558-4253 www.cumuluspresents.com LOCAL TICKET OUTLETS: Last Record Store, People’s Music, Tall Toad Music, Sebastopol Community Cultural Center
Wed, May 26 8:45-9:45am; 5:45-6:45 Jazzercise 10am-12:15pm Scottish Dance Youth and Family 7-11pm Singles & Pairs Square Dance Club Thur, May 27 8:45-9:45am; 5:45-6:45 Jazzercise 7:25–11pm Circles N’ Squares Square Dance Club Fri, May 28 8:45-9:45am Jazzercise 10:30am Zumba Gold 7–11pm DJ Steve Luther hosts MOTOWN, DISCO & ROCK ‘N’ ROLL
Sat, May 29 8:00-9:00am; 9:15-10:15am Jazzercise 10:30–11:45am DANCE WORKOUT with DJ Steve Luther 7–11pm North Bay Country Dance Society/Contra Dance Sun, May 30 8:30-9:30am Jazzercise 10:30–11:30am Zumba Fitness w/Anna 5–9:30pm DJ Steve Luther Country-Western Lessons & Dancing $10 Mon, May 31 8:45-9:45am; 5:45-6:45pm Jazzercise 7–10pm Scottish Dance Tues, June 1 8:45-9:45am; 5:45-6:45pm Jazzercise 9:30–10:30am WEIGHTWATCHERS MEETING Weigh in 9:30, Meeting 10:00 7:30pm AFRICAN DANCE with Victoria Strowbridge featuring West African & Congolese Dance
Santa Rosa’s Social Hall since 1922 1400 W. College Avenue • Santa Rosa, CA 707.539.5507 • www.monroe-hall.com THE BOHEMIAN
05.26.10-06.01.10
35
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36
05.26.10-06.01.10
THE BOHEMIAN
0?6A60Âś@ 05<602
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An open (breakup) letter to ‘Sex and the City’ ear Carrie, We need to talk. I always wanted to be you—the writer with the flirty puns, skyscraper stilettos and fabulous friends, with New York City at your beck and call. But after watching your turn in Sex and the City 2, I can’t help but wonder if we should see other people. It’s just that I feel like I can’t relate to you anymore. You used to understand exactly what I was going through. That’s why we hit it off so well in the first place, back when you had credit card debt and that one loser dumped you via Post-It note. But now that you’re jet-setting to Abu Dhabi, lounging in $22,000-a-night hotel suites and pouting when your husband won’t accompany you to movie premieres, we just don’t have anything in common anymore. Sure, our relationship was about escapism. Those early days were amazing, you in vintage Dior and the untapped utopia of New York just waiting. But you can’t even offer me that unadulterated, cotton candy fantasy anymore. This time, the sweet, syrupy goodness came with too much bitter reality—sexism, infidelity and lots of ethnocentrism. You’ve got everything you ever wanted and more— the palatial closet, the friends and the man. But you aren’t happy. You’re whinier than ever. And, quite honestly, you’re killing my buzz. I mean, you haven’t been this melodramatic since you cheated on your perfect boyfriend with your not-so-perfect ex back in season three. Maybe it’s not you. Maybe it’s me. It could be that I’m still too immature to find heavy-handed jokes about menopause funny, or that I’m too stuck up to appreciate your raunchier-than-ever sense of humor. Maybe my expectation that you offer a reasonably cohesive plot line was unfairly high. Maybe. Frankly, I’m worried about you, Carrie. You used to be so stylish, but these new outfits just aren’t up to your normal standard. What was that black, feathery crown you were wearing? And do you really think all that black eyeliner is a good look for you? Also, I’m concerned that you’re hitting the self-tanner bottle a little too hard these days. I don’t mean to be so critical, but I think we need some time apart. We go way back and I hate to call you overexposed, but even the best of friends can get tired of each other. We’ve spent enough time together that I can predict half your jokes before you even make them. We’ve had a good long run—six seasons and two featurelength films—but I think it’s time we go our separate ways. Love, A Single Girl Sex and the City 2 is ubiquitous in theaters beginning Thursday, May 27.
D
Rose McMackin
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Ikebana Japanese Floral Design Class An introduction to Ikenobo Ikebana and demonstration of a beginner Moribana and Nigere arrangements. Registration required. Cost: $60. Sat, May 15, 10am- 3pm, Journey Center, Santa Rosa, 707-578-2121, www.journeycenter.org.
Rocks and Clouds Zendo Memorial Day Weekend Meditation Retreat Fri. May 28th - Mon. May 31. Email us with any questions: daterra@sonic.net or call (707) 824-5647
Prayer with the Master (Free 5-Week Workshop) Deepen your understanding and experience of prayer by learning from the prayer life of Christ and the writings of other teachers of prayer. All are welcome! Mondays, June 7- July 5, 6:30-8:30p, Journey Center, Santa Rosa, 707-578-2121, www.journeycenter.org.
Gain National Exposure Reach over 5 million young,
Adult Massage
Adventure g g g Ca Call al NO NOW NOW! OW Adult Services Adult Entertainment
A Rare Irish Rose
Quality and maturity in Marin. Call for photos. Please, no calls after midnight. No private calls/texts. Kara, 415/233-2769. Miscellaneous
DATING SERVICE
Long-Term/Short-Term Relationships, FREE-2-TRY! 1-877-722-0087 Exchange/Browse Personal Messages 1-866-3621311.Live adult casual conversations 1-877-599-8753 Meet on chat-lines. Local Singles 1-888-869-0491 (18+) New!! Talk Live!! 1-866362-1311 (AAN CAN)
**North Bay Beauties**
Choose your own
Convenient incall off 101. Ask about website pix. Liza * 707-566-7866 Kayla * 707-843-2271 Single Services
Interacial Dating
Sign up NOW for FREE membership, to find that someone Special! Contact: interracialchristiandating.net
Place your adult services ad here Call 707.527.1200 x206 today! Sales@bohemian.com
SANTA ROSA
707-206-6494 707-20 COLLECT CALL BILLING! 1-866-607-5282 OPTIONS! 1-900-622-1100 1-900 PRICING OPTIONS DIAL #CLICK (#25425)
79¢/MIN.. BOOST 79¢/MIN BOOST, T, A AT&T. T&T T . 99¢/ 99¢/min. min. V Verizon erizon
18+ *Charges may ap apply pply to certain features. features.
THE BOHEMIAN
05.26.10-06.01.10
37
HEALTH&WELL-BEING g A Provider of Pleasure
Classes & Workshops
Belly Dance Classes in Santa Rosa
Small classes. Personalized attention. Beginners welcome. Details at www.moondancerbellydance.com.
Massage $55 hr
g
• Deep Tissue/Swedish • Sports • Shiatzu • Back Walking • Foot Reflexology • Chair $10/10 min massage • Couples Room
Man of Your Dreams
Happy Health Spa
Healing & Bodywork
Men, women, couples. TLC, massage, Tantra, nurturing mutual touch. William 707-548-2187
g open 10-10, 7 days
525 Ross St, Santa Rosa
707-591-8899
Massage & Relaxation
Great Massage
PAIN/STRESS RELIEF By Joe, CMT. Relaxing hot Professional male massage; tub and pool available. Will do outcalls. 707-228-6883. strong, deep healing work; for men/ women; 1 hr/$50, 1 1/2 hr $65. 707-536-1516 Massage/Bodywork www.CompleteBodyBalance. Strong, thorough, intuitive. com 30 yrs. experience 25 /50/75 Colin, CMT: (707) 823-2990 Escape to Pleasure Island !
RELAX!
A sanctuary of pleasure and relaxation. Let go of your stress as you relax and enjoy the best of sensual massage by a lovely lady with a caring touch. Quality, class & excelLovely, luscious, lence. Accept Visa/MC Joy sensual massage C.M.T. 707-477-1766. Beautiful and private studio in Santa Rosa. the country near Santa Rosa. Lara 707-481-2644 Relaxing massage and bodywork by male massage therapist with 11 yrs experience. 707-542-6856
NOW OPEN Therapeutic Massage Center Body Massage $55/hr Open 7 days 9-10pm
707.578.3088
Foot Massage $19.99/45 min 2460 Mendocino Ave., Santa Rosa
In a safe, relaxing, comfortable space by a “mature”, compatible, easy-going gentleman! Since 1991 I`ve provided pleasure to women, men, couples. Good virtues. NW Santa Rosa, Jimmy, (C) 707-799-4467 or (L) 707-527-9497.
Swedish Massage By CMT in Cotati Open 7 days, 9am-10pm. Walkin Ok. 8492 Gravenstein Hwy., Ste. G. 707-665-9689.
A Finer Touch Swedish massage, body electric experience. Petaluma. Jack CMT. 415-891-7181. Outcall.
MASSAGE FOR GUYS Your entire body is squeezed and kneaded while you melt on the table. Delightfully deep work with whole body stretching. Santa Rosa. 707824-8700 or Google search “James Dickson Calendar” for pics & my availability. See you soon!
An Oasis in Santa Rosa Julie and Friends Full body sensual massage by appointment. 10 am - 6pm. Private. Visa/MC accepted. 707-578-5444.
Full Body Sensual Massage
Unhurried, private, heartfelt. Monday thru Saturday. NEW CLIENT DISCOUNT. 707-793-2232.
Four Seasons Excellent Thai Massage Therapeutic and rejuvenating. Walk in or call. Open every day 9am-10pm. 7588 Commerce Blvd., Cotati. 707-992-0314.
Guerneville M4M Massage Mitch, CMT. Mature. Professional. Relaxing intuitive touch. Private discrete studio. 707-849-7409
Petaluma Lavender Day Spa
Opening Specials • FREE Table Shower • Excellent Massage • Relaxing Body Treatments • Large Steam Sauna • Easy & Safe Parking
Walk ins Welcome Open 7 Days 9-10pm
707.782.9898
131 Liberty St, Ste. D
Swedish, Deep Tissue. Affordable. Free parking Downtown Santa Rosa. CMT Mary 707-228-3275
A Safe Place To Be Real
FLOWER SPA
Massage • Reflexology Swedish/Shiatsu Open 7 Days: 10am-10pm
1626 4th St. Santa Rosa 707.526.6888
Norma’s Massage abla Se hañol! Esp
SPIRITUAL CONNECTIONS Mahakaruna Buddhist Meditation Center Offers ongoing introductory and advanced classes. Weds at noon, Tues & Weds evenings 7:30–8:45pm Prayers for World Peace, Sun, 10:30–11:45am Everyone welcome. 304 Petaluma Blvd., North, Petaluma www.meditationinnorcal.org
The Journey Center: Christ-centered Spirituality, Healing, & Wholeness Reading room, art gallery, prayer/ meditation gatherings, spiritual journey resources, bodywork, bookstore, free WiFi. 1601 Fourth Street, Santa Rosa. www.journeycenter.org 707.578.2121
Share your organization’s inspiration with over 95,100 Bohemian Readers monthly!
Phone: 707.527.1200 email: sales@bohemian.com
38
05.26.10-06.01.10
THE BOHEMIAN
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10 years exp CMT
Do You Suffer Pain From: Neck • Arms • Back Legs • Waist • Headaches Pulled Muscle • Tension Lack of Energy or Sleep
g 707.696.0685
128 College Ave, Santa Rosa by appt only
Psychics
Psychic Palm and Card Reader Madame Lisa. Truly gifted adviser for all problems. 827 Santa Rosa Ave. Call for Appointment 707-542-9898
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Holistic tantric masseuse.
Finding inspiration and connecting with your community
For the week of May 26 6g^Zh ($'&Ä)$&. BdoVgidcXZX]VaaZc\ZY]^h[g^ZcY
at Washington behind Wachovia Bank
With a mature, playful CMT. Comfortable incall location near the J.C. in Santa Rosa. Soothing, relaxing, and fun. Visa/MC accepted. Gretchen 707/478-3952.
Great Massage, Goddess Touch
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In addition to this column, Rob Brezsny offers expanded weekly audio horoscopes and daily text message horoscopes. To buy access, go to www.realastrology.com. The audio horoscopes are also available by phone at 1.877.873.4888 or 1.900.950.7700.
THE BOHEMIAN
05.26.10-06.01.10
39
5SbbW\U A]PS` 7a 6O`R AbOgW\U /RRWQbSR 7a 3dS\ 6O`RS` :Sb Ca 6SZ^ G]c 6SZ^ G]c`aSZT Medical Marijuana Certifications
Ananda Seva Yoga Teacher Training
Full exam. Low cost. No charge if you do not qualify. Santa Rosa. 707-575-7375.
Deepen your spiritual practice -become a certified yoga teacher. Santa Rosa. Register now. Yoga Alliance approved. www.anandaseva.org/trainings 707-239-3650.
FOOD ALLERGIES? CHRONIC FATIGUE? Integrative approaches for vitality and healing. Carlisle Holland DO. 707.824.8764. holonomicinstitute.com
SANTA ROSA TREATMENT PROGRAM
1901 CLEVELAND AVE SUITE B, Santa Rosa
A & A Kitchens Got commercial kitchen space? Our spot will accomodate all your culinary needs. Stop lookin’ and start cookin’! Call us in St Helena at 707.968.9474, St Helena, CA
Need Business cards, brochures, flyers, posters, cd covers, photographic restoration & collages general marketing materials. Mark Schaumann 707.795.0924
Stony Point Rd.
Corby Auto Row
Rohnert Park
707-546-4021 208 Davis Street, RR Square
#
Dutton Ave.
HWY 101
• Call for our current specials • Month to Month Availability • Boxes, Packaging & Moving Supplies • Residential & Commercial • Professional On-site Managers
Sign up Now-Integrative Yoga Teacher Training September 2010!! A 200 hour non-residential program. 1 wknd/mo. for 10 months. Bodyworks-Integrative Yoga Studio. 490 2nd St., Petaluma. 707-769-9933 or www.bodyworksyoga.com
SUBUTEX/SUBOXONE available for Safe Oxycontin, Vicodin, Other Opiate Withdrawal! Meth and Alcohol Treatment that allows you to keep your day job! Santa Rosa Treatment Program can help.(707) 576-0818.
Photography by Paul Burke 707.664.0178 boomburke@hotmail.com
Donate Your Auto 800.380.5257 We do all DMV. Free pick up- running or not (restrictions apply). Live operators- 7 days! Help the Polly Klaas Foundation provide safety information and assist families in bringing kids home safely.
Relapse Doesn’t Mean Failure Santa Rosa Treatment Program can help. (707) 576 0818
"ULTIMATE PICNICS" AT MORTON'S RESORT! MEMORIAL WEEK-END FESTIVAL! Public Welcome! Taco/Fajita Bar & Music! Book your corporate & family Picnics/BBQ's NOW! Mineral Swimming Pools, BBQ Sites, Sports Fields! www.MortonsWarmSprings.com 707-833-5511.
3205 Dutton Avenue
Santa Rosa
1435 Sebastopol Road
3 FOR FREE Prepay first
3 months, get the next month free
707-546-0000 707-578-3299
Confidential Program. (707) 576 1919
Hearn Rd.
SKIRT CHASER VINTAGE BUY & SELL
Standish Ave
Storage Master Self Storage
Bellevue
Todd Rd.
Consult counsel experienced in defending medical marijuana & cannabis cultivation cases. (707) 829-0215. www.omarfigueroa.com. GoLocal SoCo Member
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Cops Got Your Crops?
Golden Star Grafix
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Locally Owned & Operated
