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Jose J ose to to the the Rescue Rescue

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[02]

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y HOME OF FAST, FRIENDLY, COURTEOUS SERVICE.®

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60

69

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After Instant Savings & Mail-In Rebate

Norton Internet Security, Norton SystemWorks Basic, Ghost

69 - 50 - 20 =

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PC DVD-ROM #5778092

STORE HOURS: M-F 8-9, Sat 9-9, Sun 9-7 Prices Good Wednesday, July 8, 2009 thru Thursday, July 9, 2009 Prices subject to change after Thursday, July 9, 2009 Limit Rights Reserved. Not Responsible for Typographical Errors. No Sales to Dealers or Resellers. Rebates Subject to Manufacturer's

Fry's Electronics, American Express® Cards, MasterCard, Visa Card, and Discover Network Card, Accepted at All Fry's Locations

Specifications. Designated trademarks and brands are the property of their respective owners. Sales tax to be calculated and paid on the in-store price for all rebate products.Actual memory capacity stated above may be less. Total accessible memory capacity may vary depending on operating environment and/or method of calculating units of memory (i.e., megabytes or gigabytes). Portions of hard drives may be reserved for the recovery partition or used by pre-loaded software.

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7/18/09. Open to legal U.S. residents age 18 and older or the age of majority in their state of residence, whichever is older. Void in Puerto Rico and where prohibited. For a copy of the Official Rules with complete entry, eligibility (including participating states), prize and other details see Service Desk or visit www.lgtransformyourhome.com or send a self-addressed stamped envelope to: LG Transform Your Home Into Something Better Sweepstakes Rules, PO Box 6633, Saddle Brook, NJ 07663 for receipt by 7/18/09. Please include name of Retailer on your request. © 2009 DWLLC & PPC. © 2009 Hasbro.

THE BIGS

JULY 8-14, 2009

® HANNAH MONTANA VOLUME 3

2

[03] MUSIC CD #5961764

M E T R O S I L I C O N VA L L E Y

GAMES

9 77

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BIOSHOCK & THE ELDER SCROLL

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2377

BLU-RAY MOVIE #5942144

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1677 DVD MOVIE #5942174

2 5 74

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STORE HOURS: M-F 8-9, Sat 9-9, Sun 9-7 Prices Good Wed., July 8, 2009 thru Thurs., July 9, 2009 Prices subject to change after Thurs., July 9, 2009 Limit Rights Reserved. Not Responsible for Typographical Errors. No Sales to Dealers or Resellers. Rebates Subject to Manufacturer's Specifications. Designated trademarks and brands are the property of their respective owners. Sales tax to be calculated and paid on the instore price for all rebate products.Actual memory capacity stated above may be less. Total accessible memory capacity may vary depending on operating environment and/or method of calculating units of memory (i.e., megabytes or gigabytes). Portions of hard drives may be reserved for the recovery partition or used by pre-loaded software.

$

18

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1977

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#5958604 #5908654

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EACH XBOX 360/PLAYSTATION 3

4 2 99

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PLAYSTATION 3/XBOX 360/Wii

PLAYSTATION 3/XBOX 360/Wii

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99

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59

$

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IN-STORE SPECIAL

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SEASON 2

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DVD MOVIE #5927874

THE COMPLETE LOW PRICE GUARANTEE “We Will Match Any Competitive Price.” * Before making a purchase from Fry’s, if you see a lower, in-stock, in-store price at a local competitor, Fry’s will be happy to match the competition’s price. “30 Day Low Price Guarantee.” If within 30 days of purchasing an item from Fry’s you see a lower in-stock price at a local competitor with a low price guarantee, Fry’s will cheerfully refund 110% of the amount of the competitor's low price guarantee. Or, if within 30 days of purchase, a local Fry's, or a local competitor without a low price guarantee has a lower price, Fry's will refund 100% of the difference. NOTE: All comparisons are based on price, excluding any applicable sales tax. Low price guarantee for notebook computers, microprocessors, memory, CD and DVD recorders, camcorders, digital cameras, and air conditioners is within 15 days from purchase date. To apply for Fry's low price guarantee, simply bring in your original cash register receipt and verifiable proof of a current lower price. *All comparisons are based on in-store tagged prices at the time of request, excluding sales tax. Offer good on all fresh-boxed products of the same exact model in stock at a local competitor. We reserve the right to limit this offer to one of each model. Offer does not apply to wireless phones and pagers that require a service agreement. Offer does not apply when price includes bonus or free offers or one-of-a-kind or limited-quantity offers. NOTE: Does not apply to expired ads. Fry’s ads are valid for only stores listed in the ad. Celeron, Celeron Inside, Centrino, Core Inside, Intel, Intel Core, Intel Inside, Intel SpeedStep, Intel Viiv, Intel Xeon, Itanium, Itanium Inside, Pentium, Pentium Inside, the Centrino logo, the Intel logo and the Intel Inside logo are trademarks or registered trademarks of Intel Corporation or its subsidiaries in the United States and other countries.

[04] CONTENTS

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

Cover Silicon Valley’s Weekly Newspaper

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M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

[05]

[06] LETTERS

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

BY TOM TOMORROW

Body Count I also rode at Clear Creek for over 10 years. Before that, asbestos was heavily mined within the park (not sure exactly when, or for how long). The EPA asserts that one in 100 people who “playâ€? in the area over a period of 10 years (if I recall correctly) will contract asbestosis or mesothelioma. In spite of that “scientiďŹ c opinion,â€? the EPA and BLM cannot produce a single example of anyone who has ever been reported to suffer from any form of asbestosis or mesothelioma. Believe me, if I know of one, I’d speak up. I don’t want anyone hurt or killed either. That’s what Mr. Tobin and Mr. Zesiger mean when they say “show me the bodies.â€? There are none. Never have been. Michael Scruggs Poway, Calif.

Percentages

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Danger Zone I contributed to the article “End of the Trailâ€? (MetroNews, June 14), and I ďŹ nd it unfortunate that the author opened the article by stating that “it [Clear Creek] is made of poisonous asbestos. I had hoped in doing the interview that Stephanie Pappas would be more objective and perhaps pose a question like “How dangerous is it?â€? I do not deny that the Clear

Creek Management Area consists of a large outcropping of naturally occurring chrysotile asbestos, and I acknowledge that this form of asbestos has been linked to incidents of disease in an occupational setting. The question is whether recreational uses in an area with naturally occurring asbestos poses a long-term health hazard to the public. My comment “Show me the bodiesâ€? was made because there is no scientiďŹ c

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evidence that exposure to the asbestos found in Clear Creek has ever caused any disease, even in an industrial setting. This fact is dismissed by the EPA, but it should be noted that the EPA has stated that they have not even researched the health records of the miners and millers who worked in Clear Creek or at one of the off-site processing facilities. Ed Tobin Marina

Jerry [Roberts] & Phil [Trounstine] failed to mention the single most important failure of California’s governance (“Failed State,� MetroNews, July 1), that is, the ability to pass a constitutional amendment on a mere 50 percent vote. Amend the constitution with

50 percent but pass a budget or tax increase with 67 percent?!? Compared to any other government, that is ass backwards, and worse, it enables special interests to infect the budget with the initiatives they did mention. The whole California constitution needs to be rewritten, from the ground up, preferably modeled on a state with a functioning governance model and protections to make initiatives harder but not impossible. John M. Stafford Los Gatos

Message Movies I was pleased to read Richard von Busack’s critical response to Earth (“Animal Planet,� Film Review, April 22). It’s about time someone woke us up to the fact that of fantastically photographed wildlife documentaries have done little to secure charismatic megafauna’s rightful place on our crowded planet. The question is, how to present this incredible, breath-taking photography in a less theatrical, less anthropomorphized, less three-act play form that will get the real message across and still pull “families� into theaters. Daniel Hayes Pearson Santa Cruz

J!Tbxzpv Bad Parker I hope you are happy with yourself. I am talking about you, the person driving a black Mercedes who parked in the parking lot on Parkmoor Avenue in San Jose. I’m sure that you were so very preoccupied and were in a hurry the other afternoon (last Monday) when you parked next to my car. Well, would it be too much to ask that you would spend the extra few seconds and repark your car? I had an extremely hard time getting into my vehicle when I came out after visiting one of the tenants located in the building. I felt like going into the nearest business, Children’s Musical Theater, and letting someone there know to alert the individual who owns a black Mercedes to please come out to the parking lot and repark the car. However, I though better afterward, because it may be someone who is not there to drop off their children at the theater. It could be to drop off a child who is a member of Junior Achievement. Anyhow, to the person who has a black Mercedes and was there last Monday afternoon, I hope you will think better next time and not be in such a hurry. And most of all, do a much better job parking your vehicle. I am sure you do not want to see your very expensive vehicle scratched and/or dented. Got it, fella!!!

SEND US your anonymous rants, raves, gripes and diatribes about your co-workers, bosses, enemies or any badly behaving citizen who rankles your ire—or about citizens you admire. Send to: I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email to isawyou@metronews.com.

Gpmmpx!Nfusp!po!Uxjuufs!bu!uxjuufs/dpn0nfuspofxtqbqfs/!!Bddftt!boe!cfdpnf!b!gbo!pg!NfuspĂ–t!Gbdfcppl!qbhf!wjb!pvs!tipsudvu!VSM-!NfuspGC/dpn/!

M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

[07]

Courses Starting mid-July

[08] SILICON ALLEYS

JULY 8-14, 2008 M E T R O S I L I C O N VA L L E Y

Tjmjdpo SiliconValley Knowledge You Put to Work

Spend Your Summer Wisely At UCSC Extension in Silicon Valley, we can make this the summer that put your career on a new trajectory! All courses are held at our Cupertino facility, 10420 Bubb Road. Q

Business and Management Law and Human Resource Management, 5283-093 Role of the Project Manager, 0306-149 Sustainable Business, 22412-001 Content Management, 6117-012 Managing Projects at Young Companies, 0338-021 Learning Theories and Styles, 3967-032 Managing the Development of New Products, 3196-035

Q

Engineering and Technology Developing Applications for Android Phone, 21956-002 Python for Programmers, 3064-023 Server Virtualization, 22409-001 MS Access I, II, III, 5320-037 Computational Intelligence, 19951-007 Ruby, Introduction, 21341-011

Q

Biosciences Immunology, Principles, 2257-019 Viruses, Vaccines and Gene Therapy, 6974-009 Clinical Research: The Study Site Perspective, 18994-005 Bioscience Product Marketing, 1654-015 Intellectual Property Essentials for the Life Science Industry, 1942-014

Q

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GARY SINGH

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Giger Harvest

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ORLD TRAVEL is about continuous personal transformation, so before a recent trip to Switzerland, I checked out a copy of Richard and Iona Miller’s The Modern Alchemist: A Guide to Personal Transformation from the main library here in San Jose before heading to Europe. Unlike most people, when I contemplate Switzerland, I don’t think of army knives, watches or secret bank accounts. I think of Swiss psychologist Carl Jung writing about alchemy—transmuting base metals into gold as a metaphor for personal and psychological transformation. As a result, I was especially transformed when I crept into the H.R. Giger Museum in the medieval village of Gruyères. Giger is the macabre Swiss surrealist best known for designing the creatures in the 1980 film Alien, for which he won an Oscar, but he also creates ghastly airbrush paintings, furniture, sculptures, album covers and graphic designs featuring imagery of violent biomechanical females, Lovecraftian nightmarescapes and erotic-occult-fantasy transmogrifications of the most intuitive sort. He says he paints whatever scares him. Gruyères itself is a place that exists almost entirely for tourists, as thousands are regularly bussed in for the famous castle and cheese of the same name. Over time, Giger fell in love with the area, calling it a “beautiful cheek of Switzerland.” In 1998, to the explosive annoyance of the locals, Giger acquired an old stone fortress, the Château St. Germain, and converted it into a permanent three-story museum of his work. Commendably, the place is staffed by Swiss goth hotties. “When people go to Gruyères, they usually come for the castle and the cheese factory,” explains my tour guide, with an angelic French accent. “Then they come in here and they get disgusted.” As we move through the museum, she provides a few stock details about Giger’s life: His birth was unusually long and traumatic, with the doctor needing forceps to get him out of the womb; detractors blamed him for his first wife’s depression and suicide; and as a teenager, he set his dad’s pharmacy on fire by trying to melt lead. (Read: alchemy, transformation.) We eventually arrive at a room with huge airbrushes of The Spell, I, II, III and IV—one on each wall. Spell III includes Giger’s version of the Baphomet symbol at its center, complete with the Caduceus—the two snakes coiling into a figure 8 around a shaft. Baphomet and the snakes represent male and female energy or dark/light polarity. Minutes later, she points out another famous Giger painting, Anima Mia, an otherwordly nightmarescape of flowing interconnected biomechanoids. Mia As a result, I was was Giger’s second wife, and inspiration especially transformed while he created this particular work. when I crept into the The title is a play on words: Anima H.R. Giger Museum means “soul” and is also a Jungian concept representing the unconscious in the medieval feminine aspect of the male psyche. village of Gruyères By sheer synchronicity—a Jungian term—I had just finished Chapter 3 of The Modern Alchemist, titled “Anima,” while on the airplane. My own inner feminine slowly began to emerge. Jung also provided some of the foundation for the mythopoetic “Wild Man” men’s movement, that which tries to recapture of the fierceness of masculinity. By another synchronicity, I stayed at the Hotel Wilden Mann (Wild Man) while in Lucerne. Imagery of the Wild Man figure, the mystical savage, is intertwined with that city’s history, and he is the symbol of untamed strength and resistance to all conventions. In the hotel, numerous mystical and symbolic medieval drawings, including Tarot cards, grace the walls of the salon, although most won’t notice. At journey’s end, in Giger’s hometown of Chur, I stood right in front of the building where he grew up, in a flat above his dad’s pharmacy. It now boasts a bright yellow facade with a women’s cosmetic shop on the ground level—the closing irony of it all, I suppose. In any event, after that trip I am personally transformed. To Giger, Jung and the San Jose Main Library, I say, Tausend Dank! Transformation beyond the form: SiliconAlleys@metronews.com

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 MASHUP

[09]

best of the local web A roundup of news, commentary and opinion from around the valley. Opinions expressed do not necessarily reflect Metro’s editorial views.

Gavin Newsom Raising Money On Twitter

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Now that Gavin Newsom is running for governor of California, the mayor of San Francisco wants people to think of him as a Twitterer, not a twit.

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And now he’s cashing in on his Twitter fame with a “tweetraiser.” Newsom announced his candidacy on Twitter, and has wooed the Internet startup’s founders. He now has more than 600,000 followers on the service who subscribe to his 140-character tweets. He’s asking them to donate between $10 and $25,900 to his campaign fund.

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Chelsea Handler, the host of E’s Chelsea Lately, called on her Twitter fans to donate to Newsom’s campaign, with one caveat: “I refuse to use the word ‘tweetraiser.’”

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Some people on Twitter are crediting Newsom with coming up with the word. In fact, activist Nathan Winters previously used the word for his Earth Day effort to promote tree planting. Not that it matters: Politicians don’t actually have to be innovative. They just have to look the part. And looking the part is where the youthful Newsom, who loves to hobnob with the founders of Google and other young tech entrepreneurs, really shines. —OWEN THOMAS, NBCBAYAREA.COM

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[10]

MASHUP JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 NEWS

Santa Clara Valley, California

the

July 8-14, 2009

“We are the World”

job from Wasilla”; the turkeys being slaughtered in the background; her on-again, off-again attendance at GOP fundraisers, her unexplained resignation—then Palin’s attorney sends out a press release. It’s a full-fledged assault on the First Amendment. He’s threatening to sue the indomitable Shannyn Moore, HuffPo, The New York Times, the Washington Post and half the Internet for speculating as to the real reasons that Palin stepped down from governor. In the end, there were only two possible explanations: (1) that there was some sort of bombshell about to explode; or (2) that Palin did such a wretched job as governor that she couldn’t do anything but quit.

FLY

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Got a Tip for The Fly? fly@metronews.com

[11]

Charges Stick WTF?!Tbsbi!QbmjoÖt!qfsgpsnbodf!evsjoh!b!tvsqsjtf!qsftt!dpogfsfodf!po!Kvmz!4!ibt!mfgu!nboz!pctfswfst!cbgàfe-!!

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Sarah vs. the Blogosphere Gov. Palin’s surprise decision was in fact typical— when things get tough, she backs down By Geoffrey Dunn T’S BEEN a helluva Independence Day weekend in the Last Frontier. Wow! First the Governor resigns (I had her nearly incoherent speech translated into English to make sure this was confirmed), then she allows no questions, no open media coverage, provides no serious explanation (save for basketball metaphors) and expects no one to wonder why in the world she would step down from the governorship, which is the only platform from which she can claim any political legitimacy. Palin has absolutely zero interest in running the state of Alaska.

I

2.2 Sarah Palin’s GPA at Wasilla High School

Van Flein is telling us it’s Door No. 2. “[S]everal unscrupulous people have asserted false and defamatory allegations that the ‘real’ reasons for Governor Palin’s resignation stem from an alleged criminal investigation pertaining to the construction of the Wasilla Sports Complex. This canard was first floated by Democrat operatives in September 2008 during the national campaign and followed up by sympathetic Democratic writers.” Then came the assault on free speech: “To the extent several websites, most notably liberal Alaska blogger Shannyn Moore, are now claiming as ‘fact’ that Governor Palin resigned because she is ‘under federal investigation’ for embezzlement or other criminal wrongdoing, we will be exploring legal options this week to address such defamation.” No one has claimed anything as fact. What radio host and blogger Moore and others, including myself, reported was that there were rumors of a pending investigation. The rumors have been circulating everywhere. Why? Van Flein tells us the answer: “Wayne Barrett, a writer for

She steadfastly refused to live in Juneau after her first year there, had the gall to charge the state for residing at her home in Wasilla 600 miles away (there’s a new ethics allegation on its way) and basically mailed in her performance as the state’s top administrator during Alaska’s most recent legislative session. She alienated virtually all the key legislators in her own party—Republicans—and had failed to move any key legislation forward since her return to Alaska from the national campaign trail last November. Her bizarre appointment

for attorney general, Wayne Anthony Ross, was rejected nearly unanimously by the state Legislature—a first in Alaskan history. Even in respect to energy policy, her supposed bailiwick, she has been categorically ineffective. When I asked those in-the-know what role Palin had played in putting together the recent pipeline deal between TransCanada and Exxon, their response was simple: “None.” And just when you think it can’t get any weirder—the trailer trash revelations of Troopergate; the McCain camp calling her a “whack

83

4 Number of colleges Sarah Palin

6,000 Age of our planet,

dropped out of (Hawaii Pacific, North Idaho Community, University of Idaho, Matanuska-Susinta)

according to Palin, who believes dinosaurs walked the earth during Jesus Christ’s lifetime

Palin’s IQ, according to high school records

&'

NEWS JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

&&

the left wing Village Voice, published these insinuations, on October 7, 2008 in a story entitled ‘The Book of Sarah.’ This was written in the style of one pretending to be amazed that so many people in a small town like Wasilla appear to know one another, support one another, and take on big projects together. Apparently that is uncommon in New York. Rather than recognize that leaders of a community often mobilize to accomplish projects, the writer offered this up as an unusual and questionable association of special interests.” Van Flein then reminds us that Palin played politics on the Sports Arena project as well. Just as she’s always done. “In addition, Sarah Palin was then criticized by some of [sic] not showing enough interest in the project. The Frontiersman reported that at a public meeting with the Chamber of Commerce, an opponent of the project ‘accused Wasilla Mayor Sarah Palin of staying quiet about the arena because of her campaign for Lieutenant Governor.’” That would be the campaign for

the

FLY

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lieutenant governor where Palin was later caught using city of Wasilla resources to run her campaign. The same one in which she accepted tainted contributions from VECO (10 percent of her campaign funds), the same company at the center of Ted Steven’s corruption scandal. And the same Sports Arena that has been an economic disaster for Wasilla. Sarah Palin quit five colleges in her otherwise unremarkable collegiate career, before finally graduating from the sixth. She quit her job in television. She and Todd quit their snow machine dealership in Big Lake. She quit as chairwoman of the Alaska Oil & Gas Conservation Commission. Now she has quit the governorship of the state she supposedly loves. Sarah Palin is a quitter. When the going gets tough, Sarah Palin quits.

Geoffrey Dunn is at work on a book about Sarah Palin and her role in American politics, to be published by Macmillan/St. Martin’s in 2010.

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M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

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JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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[14] COVER STORY

WaronWar After years of neglect, law enforcement ofďŹ cials are turning up the heat on Gilroy street gangs By Jessica Fromm

A

WOMAN in a white T-shirt gently rocks a tiny, peach-fuzz-haired baby swaddled in a light pink blanket. The infant and its caretaker sit among some 40-odd spectators packed into Courtroom 109 at South County Court House on June 30. The newborn stays remarkably quiet, barely stirring though the half-hour court proceeding. They are all there to observe the second hearing of the most controversial murder case to come out of Gilroy in years.

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 COVER STORY

[15]

AGGRESSIVE PROSECUTION!!Jo!b!usjbm!cbtfe!po!b!sbsfmz!jowplfe!Õqspwpdbujwf!bduÖ!dmbvtf!jo!Dbmjgpsojb!mbx-!bmmfhfe!hboh!nfncfst!boe!bttpdjbuft!gspn!cpui!tjeft!!

pg!b!dpoàjdu!uibu!sftvmufe!jo!uif!efbui!pg!29.zfbs.pme!Mbssz!Nbsujof{!bqqfbsfe!jo!dpvsu!po!Uvftebz-!Kvof!41/!)Gbs!mfgu*!Bohfm!Tpmps{bop-!2:-!boe!Spcfsu!Ifosz!Cbssjpt-!31-!! tju!ofyu!up!fbdi!puifs!bu!uifjs!qmfb!ifbsjoh!bu!Tpvui!Dpvouz!Dpvsuipvtf/!)Dfoufs*!Bmmfhfe!tippufs!Dsjtujbo!Kjnfof{-!32-!hmbodft!pwfs!ijt!tipvmefs!bu!Tpmps{bop!boe!Cbssjpt/!! )Sjhiu*!Ifbuifs!Nbsjf!Btigpse-!29-!ubmlt!up!ifs!mbxzfs!Bmgsfep!Npsbmft!evsjoh!b!qmfb!ifbsjoh!bu!Tpvui!Dpvouz!Dpvsuipvtf/

The child’s mother, 18-year-old Heather Marie Ashford, sits across the room in baggy orange prison garb, a heavy-duty chain around her waist and her hands in cuffs. Her hair in a bun and her eyes red, Ashford wipes away tears when Judge Theresa Guerrero-Daley calls her name to stand. Ashford gave birth to her baby in jail at the beginning of June, just a few days after she was arrested and charged with the gang-related murder of her cousin Larry Martinez. The child’s birth also coincided with Santa Clara County District Attorney Dolores Carr’s unprecedented decision to bring homicide charges against Ashford and her friends Angel Solorzano, 19, and Robert Henry Barrios, 20, as well as the two rival gang members, Cristian Giovanni Jimenez, 21, and Edgardo Centeno, believed to have gunned down Martinez. On June 9, Carr and Gilroy Police Chief Denise Turner announced that in their efforts to take a strong stance against gang violence in South County, they would invoke a rarely used “provocative act” clause in California law. That meant they would prosecute all of the alleged gang members and associates from both

sides involved in the conflict that led to Martinez’s death. The slaying of Larry Martinez was the outcome of an afternoon clash between Norteño and Sureño gang members just a few blocks away from the Gilroy Police Department. “We are sending the message today, by prosecuting this case, that our community and our law enforcement agencies do not and will not tolerate gang violence,” Carr said at a press conference in front of the new South County Courthouse in Morgan Hill early last month. The provocative act clause operates under the reasoning that though Ashford, Solorzano and Barrios did not shoot their friend that afternoon, they set in motion a chain of events that they should have known would result in someone’s death. This case is the first time that Carr has used the rule. “The people of Santa Clara County deserve protection from these menaces,” said Carr on June 9. “People need to understand that if they choose to become involved in gang violence . . . they can be expected to be prosecuted by our office.” Carr said that when her team of district attorneys, lead by Santa Clara County prosecutor Troy Benson, approached

her about the case, they went through extensive talks and investigation before deciding to go forward with prosecuting under the provocative act clause. Though the Santa Clara County DA has never used the unusual legal theory, the act has been used in gang-related cases in other California counties. “When we look at something like this that is not utilized on a regular basis, we want to make sure that we understand it, that we evaluate it appropriately and that we affirm that we have the evidence to support that theory so we can move forward,” says Carr. “This is just taking another step in that, by seeing a case that comes under this unusual doctrine. It does take a somewhat unique set of facts to bring it under this doctrine. So, I think it is just using all the tools that the law provides us.”

Picking the Wrong Fight The police believe that the deadly Nov. 11, 2008, gang dispute began with a rock being thrown at Ashford’s car. Jimenez, an admitted member of the Gilroy/Morgan Hill–based “Varrio Sur Rifa” Sureño

criminal street gang, entered a known Gilroy Norteño neighborhood that day, along with Centeno and a juvenile suspect. According to police reports, the Sureño group threw a rock at a car containing Solorzano and Martinez. The vehicle was being driven by Ashford, Martinez’s cousin, who was about a month pregnant at the time. Ashford is not a known gang member, though police consider her a gang associate through blood ties. Police say Martinez and Solorzano are both known members of the Gilroy-based “East Side Gilas” Norteño criminal street gang. After the altercation, according to police reports, Ashford and the two men proceeded to drive to another location to pick up Barrios, before heading back to confront the rock throwers. While Ashford waited in the car around the corner, the three men allegedly sneaked up on the Sureño gang members, Martinez brandishing a small baseball bat. When Jimenez, Centeno and the third suspect saw the group approach, they pulled out two handguns and fired on the group, hitting Martinez. Larry Martinez died on the pavement 17

[16]

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

mind body & spirit

follow Metro on twitter

twitter.com/metronewspaper

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 COVER STORY

WAR ON WAR 15 between Sixth and Church streets from a gunshot wound to the chest. He was 18 years old. Having just completed a threeyear jail sentence, he had only been out of police custody for a week. After Martinez was shot, Solorzano and Barrios reportedly fled the scene in the car driven by Ashford, Solorzano dropping his cell phone as they ran. The Sureño group left their handguns on the ground and escaped before police arrived and found Martinez’s body lying on the street. “We’ve reviewed carefully the evidence that has been developed so far in this case, and we determined that all of the gang members from both sides should be charged with the murder of Larry Martinez,” Carr said on June 9. “Obviously, we are prosecuting the people who pulled the trigger. But in addition to those, California law allows us to prosecute persons who commit an act that is likely to provoke a deadly response.

‘My client is a victim, not a perpetrator. He didn’t shoot anybody or provoke anybody.’ —ATTORNEY EDWARD SOUSA

This legal theory really allows us to hold accountable all parties, no matter who dies.” At the time of Carr’s June 9 announcement, only Ashford, Solorzano and Jimenez were in custody. Since then, Barrios was arrested on an outstanding murder warrant in Porterville, a town 70 miles south of Fresno, while accused shooter Edgardo Centeno remains on the lam. Jimenez had been taken into custody on June 4 during an ICE-lead sweep of South County, while both Solorzano and Ashford were arrested on June 8. All four co-defendants are currently being held in Santa Clara County jail. Though Ashford was not an identified gang member at the time of the shooting, by associating with and assisting known gang members, she is subject to the same prosecution as known Norteño and Surteño gang members, according to the California Penal Code. Martinez’s murder reportedly lead to a nonfatal retaliation gang shooting in Gilroy on Nov. 13, for which two subjects have been arrested, prosecuted and pled guilty. There have been several incidents of gang-related violence reported in Gilroy since Carr’s announcement. At 10pm on

the night of June 9, a 19-year-old cousin of a Sureño gang member was shot by suspected Norteño gang members east of downtown Gilroy. Then, a 25-year-old man was beat up and robbed near Chestnut Street and Murray Avenue on June 14. On June 24, another 25-year-old man was shot with a large-caliber handgun in a drive by shooting at the intersection of First Street and Wren Avenue in Gilroy. Turner says that this level of gang-related violence has become typical for Gilroy. “Apart from this particular case, we have seen ongoing violence,” Turner says. “I think we’ve had a couple of stabbings, a drive-by shooting . . . but that I think was unrelated.” Turner estimates that almost 2 percent of Gilroy’s population is made up of documented gang members and affiliates, specifying that 900 out of the 51,000 people currently living in the city are involved in gangs. “Our community has been in fear,” she said at the June 9 press conference. Martinez’s family has defended his actions in the media. “It’s the culture, it’s respect,” Turner says. “If an individual is disrespected or someone is in their territory or is causing them trouble, then they are inclined to retaliate.” Martinez’s family has told the Gilroy Dispatch that Martinez and his friends felt they had to confront Jimenez and the other Sureños to defend his pregnant cousin, but they denied that they knew his actions would result in Martinez’s death. “I don’t know if people will be sympathetic to her [Ashford] or not. We do have multigenerational groups of gangsters in our city, so this is not uncommon,” Turner says. “We see it in the schools when dealing with the parents. For many children, it is something they are born into, that they have no control over.”

Perp or Victim? At the June 30 hearing at the South County Courthouse, the four codefendants delayed entering their pleas until July 28 to allow their four separate attorneys to sift through hundreds of pages of discovery documents. All four co-defendants also waved their right for a preliminary hearing. Solorzano and Barrios were seated next to each other in matching orange correctional facility garb. Barrios appeared relaxed, frequently glancing at his sister among the spectators and even whispering to Solorzano and laughing at one point before the hearing began. Solorzano’s eyes, however, were on his lawyer, Joseph Barrera, who frequently got up from the plaintiff ’s table to speak to him throughout the proceedings. 18

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[18] COVER STORY

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

WAR ON WAR 17 ;Za^eZ 7j^igV\d

THE ENFORCERS!!Tboub!Dmbsb!Dpvouz!Ejtusjdu!Buupsofz!Epmpsft!Dbss-!xjui!Hjmspz!Dijfg!pg!Qpmjdf!

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Though they are all currently denied bail, Ashford’s lawyer, Alfredo Morales, made a motion to reduce her bail at the next hearing, presumably so that Ashford could spend time with her baby. Solorzano and Barrios also joined in the motion. But, Judge Guerrero-Daley made no indication to any of them before officially delaying their pleas until the end of next month. “My client is a victim, not a perpetrator,” said Barrios’ lawyer Edward Sousa, while walking out of the courthouse after the hearing. “He didn’t shoot anybody or provoke anybody.” Seated decidedly away from the three in court was Jimenez, who talked sporadically with his lawyer, Jessica Delgado, but showed little emotion. At the July 28 hearing, the co-defendants are expected to enter their pleas, after which they will be arraigned. The case could go to trial within 49 days of their next arraignment, according to Assistant District Attorney David Howe. The day before the hearing, Delgado indicated that she would be pursuing a self-defense angle for her client. She is counting on the fact that the DA would not have perused the case against

Martinez’s friends if they had not incited the situation. “Certainly, the fact that they have charged three individuals under the provocative murder theory logically makes me believe that we will have a relatively strong self-defense claim,” Delgado says. “In order to show it was a provocative act, they had to have shown they were provoking that situation. So, I think this is going to be a very interesting and compelling situation.” Delgado, who is hoping for a jury trial, said that Jimenez’s claim to self-defense should be just as important as Carr’s aim to make a statement about prosecuting gang violence. “These kind of situations are difficult, because I understand that there is a policy interest on the part of the DA’s office,” Delgado says. Chief Turner said that she was happy that the Gilroy Police Department has brought its investigation into Larry Martinez’s death to a close, but that the district attorney’s office has a long road ahead as it moves toward prosecuting under the provocative act. “We don’t want to tolerate that in our back yard any longer, so we are taking a tough stance,” Turner said. “I appreciate the DA’s efforts in going out on a limb.” M

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 COVER STORY

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this Friday night: tracking and arresting Gilroy’s most notorious gang members. “We look for the worst element of the community, and then look for any legal reason to arrest them,” Guerin says, adding that, like sex offenders, gang members have to register with local police once they get out of prison. This helps police keep close tabs on affiliated gang members after they are released. On the way back to the police station, Guerin and his partner drive past the corner of Church and Sixth streets, pointing to a cluster of candles. It’s a makeshift memorial for an 18-year-old gang member who was shot to death in broad daylight on Nov. 11, the officers explain. According to police records, witnesses saw three men running north on Church Street immediately after the shooting. “His friends carried him to that corner on the next block, and then left him there when they heard the police sirens,” Remmick says. Police have been tight-lipped about details in this case, but emphatically note that they are aggressively investigating this murder.

Battle Fields

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Crackdown or Back Down?

As violence spreads, South County officials struggle with a lack of money—or a lack of political will By Erin Sherbert

O

FFICER Geoff Guerin slams the accelerator of his white unmarked car and guns it down a narrow alley near Louis Street. A group of men huddled in the center of the alley take off running, tossing beer cans, baseball caps and cigarettes as they sprint and hop over fences. Guerin jumps out of the car with his hand on his holster. He yells as he runs: “Garcia! Garcia!” He is after a portly man wearing a large black T-shirt and nylon shorts hanging over his

knees. The man runs toward a dilapidated two-story apartment complex tucked at the end of the alleyway. Apparently realizing there’s nowhere to go, he slows down, walking back toward Guerin with his hands over his head. Guerin and his partner, Officer Doug Remmick, snap handcuffs on his wrists. The man, 20-year-old Andrew Garcia, is a well-known parolee—according to Guerin, one of Gilroy’s most hardened criminals, born into the Norteño street gang. The two cops return to the patrol car

with evidence that Garcia was in violation the terms of his parole: a San Francisco 49ers cap. Guerin, who has been working for Gilroy’s gang unit since the early 1990s, explains that local Norteños wear 49ers caps as a not-quite clandestine way of identifying themselves—and Garcia is not allowed to associate with gangs or wear gang colors. This is part of a concerted effort on the part of Gilroy police to confront a gang problem that has exploded in recent years. Guerin and his partner call for backup, and then continue with their mission

Gangs infiltrated the South Bay in the late 1970s, shortly after the infamous La Nuestra Familia prison gang organized a minigovernment in Salinas. There, they collected “taxes” from gang members dealing dope in town. Salinas, the gangmurder capital of California, has seen its homicide rate double in the last year, according to news reports. The “NF” gang quickly grew into an organized chain of command, with captains and lieutenants just like the military. Gang members soon infiltrated Gilroy, which was fertile ground for recruiting new members and collecting more drug taxes. By the 1980s, Gilroy had become an active base for the prison gang’s drug smuggling. “They wiped out any drug dealer that was not associated with the Nuestra Familia,” Guerin says. “Look at the history of murders in Gilroy—there were Nuestra Familia hits all over town. They came in and said you can pay us taxes or we will take care of you. And that was how the message was sent.” While Nuestra Familia continued dominating Gilroy’s east side neighborhoods, in the 1990s, Mexican nationals began to arrive in larger numbers to work in the fields. Many of them eventually formed their own gangs to protect themselves from the local gang members. They started calling themselves the Sureños, or the southerners. Consequently, Nuestra Familia became the northerners—the Norteños. Although police have worked to break up the street gangs, they continue to 21

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NEW LOF LOFTS TS & FL FLATS LATTS NOW SELLING FROM THE $40 $400s 0s multiply, with various cliques of Norteños and Sureños all over town. Today, police have documented roughly 900 gang members in Gilroy. They aren’t just growing in size; Gilroy’s street gangs are also becoming more violent. Since 2007, gang-related activity, violent crime in particular, has increased 30 percent. Assaults with a deadly weapon are on the rise, and last year there were three gang-related murders. Gang violence for decades consisted of turf wars on the east side of town. That is no longer the case. Starting 10 years ago, the gangs began to spread out, with stabbings, fights and shootings in almost every pocket of town. Police blame the recent surge in gang violence on the bad economy. Privately and publicly, they also complain that as the crime wave rises, police budgets are being slashed, so the force is shrinking. But some public officials, including some City Council members, say it goes beyond that.

Pay Now or Pay Later Gilroy has historically lagged when it comes to paying for gang prevention. While San Jose has invested about

$5 million annually in gang prevention, even in hard times, Gilroy just hasn’t consistently had a strong political will—or the money—to crack down on the gang problem here. Asked to discuss the problem, Mayor Al Pinheiro tried to play it down. “We have our problems,” Pinheiro snaps. “But let’s not get the media hyped up and point to Gilroy as a hard-core gang kind of place.” Nevertheless, the community is certainly concerned. In an April news poll conducted by the Gilroy Dispatch, 69 percent off those who responded said they did not feel safe going into downtown Gilroy, the city’s hub of bars, restaurants— and gangs. Violent incidents began to increase late last year. On Sept. 29, a gang member was driving down Monterey Highway and Farrell Street when he shot and killed a rival gang member who was sitting in the passenger side of a car. Less than a month later, rival gang members got into a fight on the sidewalk at Church and Sixth streets, and 18year-old Larry Martinez was killed [see accompanying story]. Since then, a number of gang-related drive-by shootings and stabbings have been reported. 22

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“I think someone needs to champion these issues and create a sense of urgency around the emerging gang problem,â€? says Angel Rios, a Gilroy resident who works with gangs and at-risk youth for the city of San Jose. “For a city the size of Gilroy, people should be concerned.â€? In January, Police Chief Denise Turner held one of two gang awareness forums where residents packed the room, hoping to get some answers about the upswing in gang activity. “People are really unsettled,â€? says Turner, who was appointed chief last year. “We are trying to keep a lid on the gang problem, but it’s not easy. We have to step it up.â€? Gilroy is no Salinas, but the gang violence hasn’t been this bad since the early 1990s, when Gilroy had its ďŹ rst drive-by shooting. After that and other gang-related crimes, the community rallied the City Council, which later agreed to form the anti-crime unit with designated detectives for gang suppression. At the time, then-Mayor Don Gage, who is now a Santa Clara County supervisor, teamed up with the police chief to create Gilroy’s ďŹ rst gang task force. Gage went into the community and raised $200,000 to buy the old PaciďŹ c Gas & Electric building on the corner of Sixth Street and Railroad Avenue to convert into a youth center. He collaborated with the

Mexican American Community Services Agency, giving the nonproďŹ t free rent and the space in that building to help at-risk youth. They’ve made it a priority to take kids to baseball games, to the movies or just help them with homework, Gage says. “What it did was take care of the kids who wanted to get out of gangs and didn’t have any place to go,â€? Gage says, adding that “their fathers and grandfathers were in gangs.â€? Now, Gage says, Gilroy needs more than youth centers. “The gang problem has become a lot worse because it is spreading and it’s more hard-core,â€? he says. “When it gets that hard-core, doing the things I was doing has little or no effect.â€? The gang task force, which has since evolved into a nonproďŹ t group, has been a consistent presence in Gilroy. Yet critics say the task force has weak organization and leadership, and as a result it has been ineffective at truly targeting at-risk youth. On top of that, the city, which contributed a mere $40,000 to the youth center for salaries, lacks amenities—even adequate parks and recreation programs— that would give kids another alternative, residents say.

No Escape In January, the city’s youth center was closed down after it was deemed seismically unsafe. Since then, the city has offered similar activities for kids at the senior center. That facility is farther away from the east side, which is where the greatest need is, says John Garcia, executive director of the gang task force. He noted that since the youth center closed, he’s seen fewer and fewer kids dropping by the senior center. Gage wants to see more commitment from the community. “You need a gang task force that has people who make decisions,â€? Gage says. “They can’t just be there because it feels good.â€? In the county’s southernmost city, money and community groups are scarce. Physically and metaphorically, Gilroy is isolated from county resources. There isn’t a strong, savvy political network to help Gilroy lobby for resources. The city was recently rejected when it sought a state grant to help pay for a gang coordinator, similar to what San Jose has. It has also applied for federal stimulus money to help fund a school resource officer position that’s currently in jeopardy, the chief says. The Police Department won’t ďŹ nd out about the federal money until the fall. “Gilroy is the stepchild of the county,â€? says Gilroy Councilman Peter Arellano. At the same time, Arellano admits that the council hasn’t been bullish about putting 25

M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

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CRACKDOWN? 22 ;Za^eZ 7j^igV\d

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its own money and resources into gang prevention. What little money the city does get from the county, it has used to fund DARE officers, which some believe to be an inefficient use of those funds. “The political will isn’t there,” Arellano says. “I think we have been out front on intervention and suppression, but I don’t think we are doing enough in prevention, because unfortunately, prevention takes money and effort. “The community needs to do something.” The downturn in the economy has put Gilroy in an especially weak position this past year. Gilroy continues to have the highest unemployment rate of all cities in Santa Clara County. In April, Gilroy had a 16 percent unemployment rate compared to San Jose’s 12 percent. The city, which is 60 percent Hispanic, has also been hit with the highest percentage of home foreclosures in the county. The council last year cut $4 million from its budget, including police officers and parks and recreation programs. It’s now considering cutting another $4 million this year. In January, the police chief had no choice but to cut the department’s intervention probation officer—the sole person who would interface with at-risk youth and kids in gangs. This officer would

take referrals from school resources officers who would keep tabs on kids in gangs. The officer would make calls and even go to their homes to talk with their parents about their kids being in gangs. Gilroy’s police gang supervisor, Sgt. Chad Gallacinao, is especially disturbed by this news. “It was the most important part,” he says. “Now there is going to be a whole generation of kids we will miss regarding prevention and intervention.”

A Model Community Back in April, Santa Clara County’s District Attorney Dolores Carr stepped up to the podium outside the old City Hall in San Jose. A republican who was elected to office in 2006, Carr stood before reporters and TV cameras announcing her latest campaign to go after gangs. The DA, who sits on San Jose’s Mayor’s Gang Task Force, has made gang intervention a hallmark of her tenure since she took office. Earlier this year, she rolled out a countywide resource to help parents know how to keep their kids out of gangs. Last year, her office contributed $100,000 to San Jose’s Safe Summer initiative. She’s planning to do it again this year. Last year, 26

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

CRACKDOWN? 25 more than 7,000 kids signed up for the 400 different activities paid for through the program, everything from art classes to baseball steams. San Jose saw a 31 percent decrease in overall gang crimes during the summer months between 2007 and 2008. The city approved another $500,000 for the program this year. More recently, Carr’s office shelled out $60,000 to hang posters and tower billboards through the county with provocative anti-gang messages.

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Although police have worked to break up the street gangs, they continue to multiply, with various clicks of NorteĂąos and SureĂąos all over town. Today, police have documented roughly 900 gang members in Gilroy. As Carr spoke to reporters, San Jose Mayor Chuck Reed as well as police chiefs and sheriff deputies at her side nodded their heads in support. Behind her was a VTA bus, with one of the freshly printed campaign posters on its side—a smoky image of a cemetery with an eerie message scribbled across: “Gangs have a place for your children.â€? “We are here today because, frankly, gang violence tears at the fabric of our community,â€? Carr said, squinting into the morning sun. “We have certainly seen an increase in gang violence in the last year, and we have made a more concerted effort to deal with that.â€? A week later, Carr sat in a conference room on the ďŹ fth oor of the county offices. She explained that it’s tricky to get underneath the growing gang violence in South County when so much of the effort has been San Jose–centric. Her goal is to stretch those efforts farther down south, starting with this anti-gang media campaign. South County buses will have the anti-gang posters. But that’s as far as the campaign will go in South County. There

will be no billboards towering over roads in Morgan Hill or Gilroy, in part because her office says there is nowhere to place them. When someone says “gangs know no boundaries,â€? policymakers always nod in agreement. But there has been no signiďŹ cant push to pool local resources and form a countywide gang prevention task force. Carr says a countywide task force isn’t a bad idea, assuming there’s political will. It seems that South County police chiefs are itching for some help. In Gilroy, Chief Turner has had backand-forth conversations with the mayor’s office in San Jose, looking to copy that gang task force model. San Jose’s gang prevention task force was created more than a decade ago, when then-Mayor Susan Hammer wanted to tap city resources to slow the proliferation of gangs. At that time, her message was rather blunt: stop the gang violence. The mayor placed an emphasis on catching gang members and putting them in jail. That vision has shifted more toward stopping kids from joining gangs. The task force now funds more than 20 community organizations. Some of the programs include tattoo removal, conict resolution, substance abuse counseling and after-school activities aimed to keep kids busy at all hours, including midnight basketball. At the county level, policymakers have said they plan to probe the discussion of forming a countywide gang prevention task force. Supervisor George Shirakawa, who was elected to the board this year, says as soon as the board blows through this budget crunch, he plans to start talking about gang prevention on a more macro level. “It’s no secret that gangs have no borders—it’s not something we realized yesterday,â€? Shirakawa quipped. “We know there are needs in the South County and unincorporated areas. I haven’t had the chance to get everyone together. But I will.â€?

The Revolving Door Guerin and Remmick met Garcia with his parole officer back at the police station, where he was being booked for parole violation. He had just been released from prison. Next to Garcia, another NorteĂąo gang member from Morgan Hill smiled and exed his chest muscles as officers snapped photos of his mug shot. He boastfully chattered away with officers. He was there for assault, he tells Guerin, a familiar face among Gilroy’s gangsters. That’s just it. Arresting gang members and locking them up only makes them harder and stronger gang members. “They go to prison to get schooled,â€? Guerin says pointedly as he watches police book Garcia. “Then they come back and teach everyone what they learned.â€? M

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[27]

[28] EVENTS

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 STYLE

HEY NOW, YOU’RE AN ALL STAR )Gspn!upq!mfgu*!Sfe!Kpio!Wbswbupt! fejujpo!Divdl!Ubzmpst<!BD0EDÖt!Bohvt!ZpvohÖt!jnbhft!tubsft!pvu!gspn!b!! qbjs!pg!uifjs!mjnjufe!fejujpo!tofblft<!Bmm!Tubs!uxp.tusbqt!tipx!pgg!hpme! efubjmjoh<!b!hmju{z!Kbdl!Qvsdfmm!Tfrvjot!tipf/

Converse Nation

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EOPLE CAN really never have too many 8=J8@ I6NADGH. First sold in 1917 and a staple of the punk look, the grunge look and now pretty much any casual ensemble, 8DCK:GH: Chuck Taylor All Star sneakers have truly seen a surge in popularity these last few years. They, along with the ?68@ EJG8:AA sneaker and DC: HI6G shoe, have made Converse a brand that will never go out of style. Now owned by C>@:, the company’s diverse range of footwear comes in a virtually immeasurable plethora of colors and looks. Joshua Mueller, a Washington State resident, even holds a world record for his collection of Converse shoes, which currently contains 820 different pairs. In 2009, Converse is continuing its tradition of creating new standout silhouettes and constructions for footwear. The company is tapping into the still-raging plaid trend by applying it to its Chuck Taylor All Stars, in collaboration with outdoor clothing company LDDAG>8=. These cozy new sneaks will be perfect when the weather grows nippy this fall. Thanks to the likes of Lady Gaga and Beyoncé, sequins are back and more popular then ever. Shoppers can indulge in a little glitz with Converse’s Jack Purcell Sequins line, available this summer. Like disco balls for feet, these glitter-covered shoes are statement shoes. Continuing the glam theme are Converse’s new Chuck Taylor All Star X-Hi, knee-high versions of their classic basketball shoes now available in outrageous gold. Also, the Chuck Taylor All Star 2 Strap shoe features a sexy two-strap metallic pop. Brand-new this year is Converse’s new line of Chuck Taylor–inspired All Star Outsider boots. Back in the day Converse was well known for its rubber boots and rain gear, and this new spin on its classic product is highlighted with an All Star patch, perfect for adding attitude to a rainy day outfit. Since the dawn of rock & roll, Chuck Taylors have had a hollowed relationship with musicians and artists, everybody from the Ramones to Nirvana. Converse has been capitalizing on this with its musical collaboration lines of limited edition footwear. This season sees AC/DC and Metallica getting their own collections of Chuck Taylors, decorated with the group’s images, graphics and logos. Finally, for a truly hard-core touch, Converse lovers can now even buy their shoes prescuffed and looking like they’ve been dipped in grime. Jessica Fromm

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JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 MENU

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[31]

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Using Their Noodles ;Za^eZ 7j^igV\d

Three Korean restaurants in Santa Clara beat the heat with cold-noodle treat naeng myun By Stett Holbrook

COOL IDEA Bu!Ops.Cmv-!sfgsftijoh! dpme!oppemf!tpvq!! dpnft!xjui!b!! wbsjfuz!pg!upqqjoht/!

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HILE naeng myun is unlikely to displace ice cream, watermelon and barbecue as one of America’s favorite hot-weather dishes, the icy Korean noodle soup deserves a seat at the table of great summertime eats. Naeng myun translates as cold noodles, but the dish is much more than that. It is served yearround in South Korea but is more of a hot-weather specialty for obvious reasons: South Korea gets very hot in the summer, and it’s great way to cool down. In case you haven’t noticed, it’s been plenty hot around here, too, perfect weather for naeng myun, and Santa Clara’s unofficial Koreatown along El Camino Real is a great place to sample this oneof-kind noodle soup. The dish is typically made with a thick tangle of gray or black buckwheat noodles and surrounded by a light and tangy beef broth that is at once savory, sour and thirst quenching. I’ve also seen the noodles made with arrowroot our. While the toppings vary from restaurant to restaurant, they typically include a hardboiled egg

and thin slices of lightly pickled daikon radish and cucumber. White vinegar and spicy mustard are offered on the side so you can doctor the soup to your liking. It’s all served in a silver metal bowl that’s cold to the touch, a detail that accentuates the noodles’ frosty goodness. I had my ďŹ rst bowl of naeng myun at Corner Place a few years ago. I was intrigued by the description of the noodles on the menu but wasn’t prepared for the electric, savory/sour–avored broth, charcoal-gray noodles and eclectic ingredients like sliced beef, pine nuts and watermelon. I went back last week to see if it was good as I remember. It is. The dish was originally served seasonally, but it’s apparently become so popular that it is now on the menu year-round. For me, it’s the broth that really makes the soup stand out. It’s like a meat-avored Gatorade, but in a good way. With the cooling crunch of the radish, cucumber and watermelon, I feel my temperature going down. There are even shards of ice oating in the broth to make a kind of beefy Slurpee. At Nor-Bu restaurant, a new

Korean restaurant that took over the space formerly occupied by CafĂŠ Dhaka, the specialty of the house is duck, but they also serve a very good naeng myun made with a spicy chile-peanut sauce. It’s called cold noodles with spicy sauce ($9.99) on the menu. Spicy food is naturally cooling, so the addition of the ďŹ ery chile paste makes the soup doubly so. The sauce is plenty spicy, but the peanuts and beef broth help round out the heat. Be sure to ask the waitress to cut the inky black noodles. A few snips from scissors make the dense mound of noodles a lot easier to eat. They also serve the noodles without the chile sauce if you don’t need the extra ďŹ repower. Nor-Bu also offers one of the most generous assortments of banchan I’ve seen, nine little dishes of fermented, pickled and fried snacks and condiments to go with your meal. Chosun Myunoak’s three-item banchan is a little stingy, but the restaurant offers a stripped-down, elemental version of naeng myun ($10.99). The tidy restaurant is tucked into the back corner of a mall in the middle of El Camino’s Korean restaurant row. The broth

lacks the tongue-tickling acidity of Corner Place’s naeng myun and leans toward the savory-sweet, but it’s still refreshing. The cucumber, radish and egg are more than satisfactory, but the slices of beef were bland and rather tough. I pushed them aside and just focused on the broth bathed noodles. The meal concludes with a free cup of sikhye, a sweet, thickish broth made by pouring sweetened water into cooked rice. It’s too late for me to bring bowls of naeng myun to my Fourth of July picnic this year, but I’m considering adding it to the lineup of summertime classics next year right along with the corn on the cob and the burgers. (sholbrook@metronews.com)

CORNER PLACE 2783 El Camino Real, Santa Clara 408.249.8990. NOR-BU 3284 El Camino Real, Santa Clara 408.615.1723. CHOSUN MYUNOAK 3099 El Camino Real, Santa Clara 408.615.0700.

[32] DINING GUIDE

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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JULY 8-14, 2009

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JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 DINING GUIDE

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All You Can Eat Pork or Beef

SPARE RIBS

$

Wed.—Fri. 4pm–9pm

11

45

Includes: • 2 Side Dishes • Garlic Bread • Bottomless Soda

LOCALS’ CHOICE

Best BBQ in Los Gatos! As seen on Ch. 5 Eye on the Bay Baby Back Ribs • Spare Ribs • Meatballs Tri-Tip • Buffalo Wings • Burgers • Dogs BBQ Chicken • Sandwiches & Salads!

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15466 Los Gatos Blvd. (Next to Trader Joe’s) Los Gatos • (408) 356-5768 Mon. - Fri. 11am - 4pm

[36] DINING GUIDE

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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[37]

[38]

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 DINING GUIDE

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Great Grenache

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ESTAROSSA VINEYARD is one of the Santa Cruz Mountains’ high temples of pinot worship. The winery’s big and luxurious pinot noirs have helped establish the region’s reputation as “pinot paradise.â€? Assistant winemaker 696B 8DB6GI>C is responsible for creating the marquee pinot noirs as well as the winery’s other wines. While he is passionate about Testarossa’s marquee varietal, he has another not so secret passion: grenache. Comartin is the winemaker and owner of 8DB6GI>C 8:AA6GH, a side project aimed at showcasing the little-known grenache grape. His day job is at Testarossa, but the winery generously gives him a little space to make his wines on the side. Production is very small. Last year he made only 300 cases. While he’s starting small his ambitions are big. And his wines are fantastic. Grenache originated in Spain and migrated to southern France where it’s a key component in Rhone wines like Chateauneuf du Pape, which typically blends syrah, grenache, mouvedre and other lesser-known grape varieties. But grenache seldom gets to step out on its own. Comartin ďŹ rst fell in love with the grape when in Australia. For him, the wine falls between the soft, delicate fruit avors of pinot noir and the more muscular, earthy proďŹ le of syrah. It’s a sweet spot between the two wines that he likes, and he ďŹ gured other wine drinkers would enjoy it, too. Together with his wife, Jennifer, Comartin’s goal with the winery is to showcase how good California grenache can be. Currently he sources all his fruit from Santa Barbara County vineyards, but he has plans to get grapes closer to home. Nearby Black Ridge Vineyard recently grafted over a section of vines to grenache and Comartin will harvest the ďŹ rst crop from them this fall. “The dream is to one day have a winery here in the Santa Cruz Mountains,â€? he says. As a grape, grenache has a lot in common with pinot noir. Both are rather thinskinned and require a soft touch in the cellar. Overmanipulation compromises the wine. But the big difference between the grapes is that pinot noir likes cool, even foggy weather, while grenache is a sun lover and needs long hot days to reach full ripeness. I tasted three of Comartin’s 2007 releases, a blend of three vineyards and two single vineyard designated wines. All of them were at-out gorgeous. My favorite was the 2007 Tierra Alta Vineyard ($30). Exciting things happen in the mouth with this wine. It starts out with supple, red fruit avors of raspberry and pomegranate and then a bit of earth and spiciness ickers on the palate and leads into a long, smooth ďŹ nish. Lively acidity and barely there tannins make it an immediately satisfying wine. The 2007 Ballard Canyon Vineyard ($30) is the yang to the Tierra Alta Vineyard’s yin. It has a bit more brawn and spice and a stiffer tannic backbone. It’s tailor made for grilled lamb or an herb encrusted pork loin. The 2007 Santa Barbara County grenache ($26) blends the best of both worlds—soft, delicate fruit framed by a structure of light tannins and a juicy acidity. Comartin also makes a grenache rose ($16), a light but not lightweight wine that ďŹ nishes with a bit of spiciness that makes it a refreshing, warm weather wine. The wine is named Adelaide’s Rose, an ode to his young daughter and the Australian city where his affection for grenache ďŹ rst began. Being a small winery, Comartin Cellar’s wines aren’t widely available, but they are deďŹ nitely worth seeking out. Wine Affairs in San Jose and Uncorked in Saratoga carry the wines as does Cava Wine Bar in Capitola. Stett Holbrook For more information, go to comartincellars.com.

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[39]

[40] DINING GUIDE

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 DINING GUIDE

mjwf! gffe Philz Is a Cup Above

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N THE BEGINNING, America was awash in a sea of coffee, and it was very bad. Cups of burned, bitter and bland coffee ruled the land. The sleepy masses had no choice but to start their day with Folger’s, Yuban and Hills Brothers. No one knew any better. But then, Peet’s Coffee and Tea opened in Berkeley in 1966. Starbucks followed in Seattle five years later, and the gourmet coffee revolution was born. Coffee was transformed from something you drank but didn’t give much thought to into a beverage served at cafes that exalted the mighty bean. Coffee drinkers once willing to guzzle whatever slop was set before them were now happy to pay $4 or more for a cup of coffee. They began asking for fancy, foreign-sounding caffeinated beverages like “espresso,” “cappuccino” and “skinny double lattes.” Some were so smitten by the coffee craze that they were willing to call a small cup of Joe a “tall” without any trace of irony. As coffee mania grew, what began as the discovery of a good cup of coffee devolved into pricey caffeinated desserts in a cup. Fresh-roasted coffee is the norm today, but so are syrupy, sweetened, flavored coffees topped with whipped cream and sprinkles. That what makes E=>AO 8D;;:: such a refreshing change to the Starbucksification of the coffee landscape. I like a Frappucino as much as the next guy, but it’s nice to find a café that specializes in one thing and one thing only: a simple cup of good coffee. Philz began in San Francisco’s Mission District in a little grocery store where owner Phil Jaber and his son, Jacob, experimented with different coffee blends. His signature blends soon developed a following and Philz Coffee was born. He opened two other locations in San Francisco and one in Berkeley and just opened a cafe in San Jose about a month ago. Other locations are in the works, too. Choose from one of Philz’s 20 blends (the Tesora is an excellent medium roast that reportedly took seven years to create) and watch as the beans are ground to order and then poured into a filter for each cup. The process uses more grounds per cup than a drip coffee machine and yields a richer, stronger brew. If you take cream and sugar, the folks behind the bar add it for you. Philz uses heavy manufacturing cream and brown sugar, and the richness and depth of flavor are noticeable. Coffee, water, cream and sugar. That’s it. My cup of coffee was uncommonly smooth and satisfying. “Brew bars” where each cup is dripped through a filter aren’t unique to Philz, but I haven’t seen a cafe that grinds beans to order for each cup of coffee. Philz is also unique because they don’t use espresso machines or other coffee devices. They can make an espresso by pouring coffee through a filter several times, but that’s not what they do best. Philz makes great iced coffee, chai and tea, but what they do best is brew a simple, but excellent cup of coffee. What a novelty.

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Manresa Update B6CG:H6 G:HI6JG6CI in Los Gatos is planning a major remodel that will include the addition of a bar and lounge. While the details are still being worked out and subject to city approval, chef and co-owner 96K>9 @>C8= said the redesign is planned for January. Some of the changes include moving the front entrance to the side of the building, rearranging the main dining room and private dining rooms and constructing a glass-walled modernist “cube” behind the 70-seat restaurant to hold its wine cellar. Currently, most of the restaurant’s wines are stored off-site. The acclaimed restaurant only serves wine and beer now, but Kinch says a full liquor license is in the works. Although the bar won’t be a place for late night revelry. Think glasses of Armagnac and quiet sophistication, not jello shots and karaoke. “It won’t be another C.B. Hannegan’s,” says Kinch. Stett Holbrook (Sholbrook@metronews.com)

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 CALENDAR

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Mayhem Festival Shoreline Ampitheatre 1 Amphitheater Pkwy, Mountain View 408.998.TIXS Sat – 2:15pm; $25-$61

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Demi Lovato

Dayna Stephens Tori Amos

Event Center San Jose State University 408.998.TIXS 7pm; $14.99/$39.50

Main Street and Broadway Redwood City Mon – 6pm; free

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Center for the Performing Arts 255 Almaden Blvd, San Jose 408.277.5277 Tue – 8pm; $39.50/$55.50

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[44]

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

FREE Thursday Concerts June 4 – Aug. 27 5:30 – 9:15 p.m. Plaza de Cesar Chavez Downtown San Jose

July 9

June 4

July 9

August 13

Long Gon Bon and Evolution

Eek-A-Mouse

Better Than Ezra

Reggae Live 105 (105.3)

Pop / Rock MIX 106.5

July 16

August 20

Pato Banton and The Now Generation

Sonny Landreth

Classic Rock 98.5 KFOX

June 11

Sierra Leone’s Refugee All Stars World/Reggae Alice@97.3

Reggae KSJO 92.3 La Preciosa

Blues / Rock KFOG 97.7 SJ / 104.5 SF

August 27

July 23 June 18

White Album Ensemble

Matt Nathanson

performs

Third Eye Blind

Pop / Rock MIX 106.5

Alternative Rock Channel 104.9

“Across the Universe” Beatles Tribute 94.5 KBAY

July 30

Eek-A-Mouse

June 25

Reggae

Pete Escovedo Orchestra

Opener

Latin Jazz 98.1 KISS FM

Soul Majestic

Colin Hay of Men at Work Pop 94.5 KBAY

408. 279. 1775 sjdowntown.com

August 6 July 2

Anthony David

The Tubes featuring Fee Waybill

Contemporary R&B KBLX 102.9 FM

Classic Rock 98.5 KFOX

Visit Fahrenheit’s Restaurant and Lounge in the Park Serving creative sangria cocktails and award winning cuisine

A San Jose Downtown Association Production | Supported in part by a Cultural Affairs grant from the City of San Jose

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 ARTS

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[45]

METROGUIDE

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TheatreWorks’ New Works Festival showcases dramas and musicals in their formative stages By Jessica Fromm

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HAT’S WHAT I love about working here,” says Meredith McDonough about TheatreWorks’ New Works Festival. “If it’s a story and a piece that we believe in, we will figure out how to bring that to our stage. We will develop it, and we are going to believe that our audience will come because our audience knows and trusts the work that we do.” McDonough, who makes her debut at the helm of the annual summer festival this season, says that the seven plays (six of them staged readings) and two concerts both foster artistic form and move Bay Area theater forward. One of the new works McDonough is particularly excited about is The Sparrow and the Birdman (Aug. 3 at 7:30pm), a song-filled drama highlighting local cabaret performer Raquel Bitton and directed by Chris Smith. Taking place in 1930s Paris, the play centers on the chance meeting between French songstress Edith Piaf and eccentric filmmaker Jean Cocteau. “I think is a great way to theatricalize what Rachel is already so gifted at, which is this Edith Piaf repertoire, but still making it really story-driven,” McDonough says.

TheatreWorks New Works Festival has always embraced the experimental side of performance, which will be seen in the “feverdream musical” Ernest Shackleton Loves Me (Aug. 8 at 2pm, Aug. 11 at 7:30pm, Aug. 15 at 8pm). Directed by former New Works head Kent Nicholson, this one-women show is a “massive” technological experiment in which actress/violinist Valerie Vigoda performs multiple voices and characters through a computer. “We are all waiting with baited breath for this one. We have a lot of extension cords set up,” says McDonough with a laugh. “It’s really looking at the musical theater form in a new way.” McDonough was hired as the director of the New Works Festival in May and moved from New York to Silicon Valley only a few weeks ago. She enjoys the Bay Area regional theater scene’s ability to go deeper and be more personal with its audience, something that can be challenging in New York where ticket prices often force writers to broaden a new play’s appeal to get more butts in the seats. “In New York, your audience was whoever you could happen to

get in the door and fight for their entertainment dollar,” she tells me. “When you work here, you start to get to know your audience and have a conversation with them artistically and literally, over time. I find that much more exciting.” The festival kicks off on July 15 with a fully staged production of the world-premiere country-pop musical Tinyard Hill (July 15–Aug. 16), and McDonough herself will direct Auctioning the Ainsleys (Aug. 18 at 7:30pm, Aug. 21 at 8pm), a quirky drama about a family of auctioneers. One new work that is sure to challenge audiences this season is the psychological thriller The North Pool (Aug. 15 at 2pm, Aug. 17 at 7:30pm), an intense character study about racial, cultural and gender profiling by playwright Rajiv Joseph. In its depiction of a cat-and-mouse game between a Saudi Arabian teenager and a white vice-principal, the play confronts political correctness at a suburban American high school. Among the musicals at this year’s festival, Makeover (Aug. 5 at 7:30pm, Aug. 9 at 7pm) is the most traditional production, the story of a feisty 1950s mom who builds a makeup and glamour empire, a la Mary Kay.

The song cycle Tales From the Bad Years (Aug.19 at 7pm, Aug. 22 at 8pm, Aug. 23 at 7pm) aims to appeal to younger audiences with a narrative about five twentysomethings set to pop tunes. This year’s festival will also present two concerts, performances from Maureen McGovern of The Morning After fame, and Chinese-American singer/songwriter Vienna Teng. TheatreWorks is celebrating its 40th anniversary season in 2009, and the New Works Festival will take place at Lucie Stern Theatre in Palo Alto for the first time. McDonough credits founding artistic director Robert Kelley for TheatreWorks continuing creation and development of the new plays. “He has kept his artistic mind really open to new ideas, which is how I think you survive 40 years and keep developing new audiences and keep thinking about how to develop new work in really progressive ways,” says McDonough. THE NEW WORKS FESTIVAL, presented by TheatreWorks, runs July 15–Aug. 23 at the Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto. Tickets are $10–$75, call 650.463.1960 or visit www.theatreworks.org.

[46] STAGE/ART/LIT

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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AS PART of Santana Row’s weekend-long salute to Bastille Day, a nonet of Opera San José stars will offer a free recital of Gallis songs, arias and duets. The emphasis will be on selections from Massenet’s Manon, which will kick off Opera San José’s season come September. Also on tap are familiar strains from Bizet’s Carmen, Gounod’s Faust and Puccini’s La rondine. The singers will be Rebecca Schuessler, Alexander Boyer, Krassen Karagiozov, Isaiah Musik-Ayala, Silas Elash, Sandra Rubalcava Bengochea and Christopher Bengochea.

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Opera San José

Michael S. Gant OPERA SAN JOSÉ performs Saturday (July 11) at 7pm at Left Bank Brasserie, Santana Row. The show is free. (www.operasj.org)

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LAFF RIOTERS Tfdpoe!Djuz!bu!xpsl!tlfxfsjoh!fwfszuijoh!jo!tjhiu

Second City HOT ON THE HEELS of Forbidden Broadway, San Jose Rep brings the famed Second City comedy troupe to town for a whirlwind run (July 14–19). Long before SNL, Second City, formed in 1959, pioneered the art of sketch comedy, sidesplitting satire and group improv. To name but of few of its illustrious alums: Bill Murray, Harold Ramis, George Wendt, Tina Fey, Julia Louis-Dreyfus and Stephen Colbert. Michael S. Gant

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SECOND CITY performs Tuesday, July 14, at 7:30pm, Wednesday–Friday at 8pm, Saturday at 3 and 8pm and Sunday at 2pm at San Jose Rep, 101 Paseo de San Antonio, San Jose. Tickets are $17.50–$60. (408.367.7255)

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Startup Gangsters The Silent Film Festival screens Josef von Sternberg’s ‘Underworld,’ a seminal crimeland feature By Richard von Busack

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HERE HAVE been competing claims as to which is the first gangster movie—Raoul Walsh’s 1915 Regeneration may be the beginning of a line that leads all the way down to the engrossing but dime-thin Public Enemies. Certainly, a key film about night and the city is Josef von Sternberg’s Underworld, playing July 11 at the San Francisco Silent Film Festival (July 10–12). Underworld is a fast yet touching crime drama written by Ben Hecht. Before going on to be one of the key scriptwriters of the 20th century, Hecht learned about the ways of Chicago crime as a reporter. To call Underworld influential is too mild a phrase; later directors absolutely fleeced it. (Howard Hawks himself took situations and characters from it for his Western Rio Bravo, even naming Angie Dickinson’s Feathers after Evelyn Brent’s moll.) The sign that thug Bull Weed admires in neon, “The City Is Yours,” turns up inflated in both versions of Scarface, too. It could be said that Hawks’ version of Scarface begins pretty much on the morning when Underworld’s set piece ends, at a confetti-and-streamerschoked Criminal’s Ball. Hecht had known North Side mobster Dion O’Banion well enough to include a bit about the criminal Buck Mulligan’s flower shop; a florist business was both front and vocation for O’Banion. And just as we see Mulligan doing, O’Banion made up wreaths for the coffins of his colleagues. But Hecht had no

patience with this film and sued to take his name off it. Despite the guns and the slang (“C’mon, let’s drift,” says the bored Feathers), Underworld is ultimately a von Sternberg joint. This peerless director of romances takes Brent and makes a Dietrich out of her, an ivory-faced mockeuse, floating in the shadows, heralded by an alley cat striding into a saloon. Feathers is the girl of the hulking but sweet criminal Bull Weed (George Bancroft), a barbarian strong enough to bend a coin in his fingers. Weed is witnessed after a bank burglary by a street alcoholic (Clive Brook, an older, wearier Edward Norton); the drunk promises to be as “silent as a Rolls Royce” about the crime. Thus Weed makes this “Rolls Royce” his mascot. Feathers takes an interest in the reformed drunk, who turns out to be a lawyer when he’s sober. Later, Bull gets jailed for protecting Feathers from a rapacious Buck Mulligan. (Incidentally, it’s just like Hecht to name a character after the thenbanned book Ulysses.) A love triangle blooms with the figures caught between love and duty. Although Underworld isn’t as visually slick or as percussive as Public Enemies, it has far more emotional ground and feeling. And it has a pace, too—note the arrest, sentencing and jailing of Bull Weed in just a few fast scenes. Underworld is co-presented by Eddie Muller’s Film Noir Foundation. One can see why: the nocturnal, shadow-heavy photography by Stanford alumni Bert Glennon (Crime

Wave, The Red House) predicates decades of underworld films to come. One of the standouts at this year’s fest is D. W. Griffith’s Lady of the Pavements (July 12). Seeing it, one thinks that the great innovator was trying to invent a musical—pianist Donald Sosin and singer Joanna Seaton will re-create the musical numbers live, meaning that someone had to comb the archives to find the lyrics to “You Tickle Me, I’ll Tickle You.” Since Griffith is tagged as a Victorian talent, it’s interesting seeing him work with the kind of spicy material that Mamoulian and Lubitsch would popularize later. Lady of the Pavements is a Parisian story of a singer (Lupe Velez) at Le Chien Qui Fume cabaret; she is hired and made over as the convent-reared “Nanon del Rayon” in order to seduce a half-bright German baron (William Boyd). The villainess responsible for the plot is a proud and highhaired countess (Jetta Goudal); the knowledge of looming war between the French and the Germans makes the frippery pungent. Griffith’s conception of the passing of time is different from that of his more efficient contemporaries in 1929—he holds moments longer but wrings more feeling out of the scenes. Amid the moments of this beguiling creampuff is some fascinating camerawork—such as a long descending shot into the winking eye of a mechanical sign for the cabaret, or a dreamy night trip on a love barge that seems to forecast L’Atalante. The Mexican comic actress Velez

shows why she had enough charm to last 15 years in the movies in the festival’s opener, 1927’s The Gaucho (July 10). Douglas Fairbanks plays a rough bandit who turns avenger to unseat a villainous general who is exploiting a religious shrine of the Madonna. Fairbanks reputedly got the idea for the movie after a visit to Lourdes. Mrs. Fairbanks, Mary Pickford, makes a surprise appearance in that one role every ex–Catholic schoolgirl longs to play. The religious kitsch is charming enough, but the draw is our first action hero, Fairbanks, wielding a bolo, cracking the whip over the horses and gliding through a smoky tango with Velez. Other highlights include the early Soviet science-fiction classic Aelita, Queen of Mars (1924; shows July 11), with Dennis James at the Wurlitzer; the Czech melodrama Erotikon (1929; July 12), which has plenty of steam in it, both in the love scene and in the thundering choo-choos symbolizing passion; and Bardelys the Magnificent (1926; July 11), a King Vidor swashbuckler starring John Gilbert. Terry Zwigoff will introduce So’s Your Old Man (1926; July 12) about a suburban grumpus (W.C. Fields) trying to invent the puncture-proof tire. Like studying film noir, the diving for the rediscovered and the half-forgotten in silent film is work that’s never done. THE SAN FRANCISCO FILM FESTIVAL runs July 10–12 at the Castro Theatre in San Francisco; see www.silentfilm.org for details.

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Born to Kill ‘Surveillance’: Jennifer Lynch takes after her father in a tale of FBI agents tracking a serial killer

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IN LINE IMMEDIATELY.” AIN’T IT COOL NEWS

IN LINE IMMEDIATELY.” AIN’T IT COOL NEWS

IN THEATRES (JULY 24 )

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IN THEATRES (JULY 24 )

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SURVEILLANCE (R; 97 min.), directed by Jennifer Lynch, written by Lynch and Kent Harper, photographed by Peter Wunstorf and starring Julia Ormond and Bill Pullman, opens July 10.

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ENNIFER LYNCH’S Surveillance is a serial-killer film that will please a serial-killer-film-loving audience the most. At times, the movie is smart and scary, and rough as a cob. But its would-be twist ending—made to please the hardest nihilists—moves Surveillance into territory that alienates a vaster audience that might like the identity games and the sometimes funny sadism in the early sections. In these early parts, Lynch takes it almost, but never quite, too far. Then she changes tactics for the big ending. The action takes place in terrain that seems inherited from Lynch’s father, David (who served as executive producer): the bad America in the middle of nowhere. It was filmed on the Canadian prairie, which seems even drier, flatter and more remote than the real American plains. Surveillance seems like a teasing continuation of Twin Peaks, with a pair of black-clad and serious FBI agents on the trail of a pair of killers who arrive in backward Vellacott County. Lynch teases us with a few shots of an intruder with a face mask that makes him look like a living bowl of oatmeal. Agent Anderson (Julie Ormond) and her partner and friend, Agent Hallaway (Bill Pullman), query the survivors of the mysterious trauma via closed-circuit cameras. The queried include Bobbi (Pell James), a drugged-out, dirty-blonde good-time girl, and Jim (French Stewart), a wounded police officer. Most significant is a little girl named Stephanie (Ryan Simpkins), traumatized and silent. From various perspectives, we see the incidents leading up to the violence on a remote roadway. Jim was one of a pair of bored cops who like to shoot out the tires of passers-by and then shake down the occupants for fun and games; the two cops seem quite capable of murder. Bobbi’s own story begins with getting a load of free drugs from a dealer who took one injection too many. Stephanie’s family was a squabbling bunch of tourists in a station wagon with a yellow ribbon on the tailgate. Since the wounded copper is already lying by omission, the FBI agents suspect holes in the story. Ormond is the film’s standout. Actresses who keep their own faces, as opposed to going in for cosmetic surgery, pay for it by getting fewer roles. But then they seem all the more welcome when you do see them. Ormond has grown into that look of dissatisfaction she used to show in her more ambitious roles. Lynch demonstrates her family sense of humor in language: a cop about to take a ride in a car calls “Shotgun!” What Jennifer doesn’t have is her father’s telltale use of space and time and interior plausibility. She tries to finesse that most tiresome quality of movies about serial killers on the rampage. She makes them omniscient, able to take on rooms full of people, to walk unnoticed, etc. If you’re going to make them supernatural like vampires, you might as well give them fangs. Film critic J. Hoberman wrote that the grindhouse audience is the most democratic audience in the world—they don’t care who gets it, as long as someone gets it. That anything-goes quality makes a particularly ruthless (and illogical) film a hit at midnight, though when you see it during the early evening, just makes you feel like you stepped in something sticky. Richard von Busack

IN THEATRES (JULY 24 )

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Reviews by Michael S. Gant and Richard von Busack.

New Brüno (R; 83 min.) Sacha Baron Cohen strikes again; this time he’s an Austrian fashion model on the loose in the United States. (Opens Jul 10.) The Girl From Monaco (R; 95 min.) See review at right. Hurt Locker (R; 131 min.) Kathryn Bigelow’s feature film, based on Mark Boal’s article, about the U.S. Army Explosive Ordnance Disposal unit in Iraq—the soldiers called in to defuse the Improvised Explosive Devises left by insurgents. Unseen by our reviewers. (Opens Jul 10 at Palo Alto Square.) I Love You, Beth Cooper (PG-13) Hayden Panettiere and Paul Rust star in a comedy about a geeky guy and his improbable night with a beautiful girl. (Opens Jul 10.) Il Viaggio a Rheims A broadcast version from La Scala of the Rossini two-act opera. (Jul 12 at 11am and Jul 15 at 7pm at Camera 7 in Campbell.) Surveillance (R; 97 min.) See review on page 50. (Opens Jul 10 at Camera 12 in San Jose.) Thrillville Nouveau grindhouse-style double-bill hosted by Will the Thrill. Sugar Boxx rips the lid off of Sugar State Penitentiary circa 1975, where women are exploited, in all senses of the world. A female investigative reporter descends into a hellhole of cat fights, shower scenes and bleached blonde feathered hair. Tura Satana and Kitten Natividad ease the action along. BILLED WITH Isle of the Damned. Off the coast of South America, the mysterious Yamma Yamma tribe provide a blood soaked welcome for private investigator Jack Steele, searching for the lost treasure of Marco Polo. Filmed in Argentina—where life is cheap! (Plays Jul 9 at 7:30pm at Camera 12.) (RvB)

Revivals Caddyshack (1980) Scenes from the class struggle at Bushwood Country Club as described by the doomed satirist Doug Kenney. It’s the country-club elite (Judge Elihu Smails, played by Ted Knight) vs. a still-in-Saigon groundskeeper (the rare Bill Murray), who in turn opposes a famous gopher puppet, which rodent would seem to be some sort of symbol for the tunneling Viet Cong. (Plays Jul 8 at sundown in San Jose at San Pedro Square; bring lawn chairs and blankets; free; part of the Starlight Cinema series.) (RvB) Casablanca (1942) In a remarkable studio re-creation of North Africa, an elaborate story of wartime loss and love is played out. Club owner Rick Blaine (Humphrey Bogart) is confronted by his old lover (Ingrid Bergman) and her husband (Paul Henreid), who try to shake the isolationist Rick into action against the Nazis. It’s the individual moments that persist: Peter Lorre’s squeal as he’s dragged away by the Gestapo, Claude Rains’ offhand delivery of the famous line that sums up the corrupt, lazy policeman’s methods, Bogart’s crumbling obstinacy and Ingrid Bergman’s soft tears. (Plays Jul 15 at sundown in San Jose on Post Street between First and Market streets; bring lawn chairs and blankets; free; part of the Starlight Cinema series.) (RvB) Cover Girl/You Were Never Lovelier (1944/1942) Betrayed by Rita Hayworth, a Brooklyn nightclub dancer (Gene Kelly), waits for her to come to her senses. Songs

Employees Entrance/Taxi! (1933/1932) “My code is smash or be smashed!” Warren Beatty in the bedroom, and J. Montgomery Burns in the boardroom—that describes snazzy letch Warren Williams, “whose mean exterior concealed a meaner interior” (Thomas Doherty, in his book Pre-Code Hollywood). Williams pursues a married shop girl (Loretta Young) through the corridors of the department store he owns. It’s 75 minutes of the kind of drama that got the Production Code enacted in the first place. BILLED WITH TAXI! James Cagney stars as an independent cab driver fighting a big corrupt union. Young co-stars as the woman who tries to tame him. This modest, brief (a mere 68 minutes) domestic drama is a very sweet, touching slice of New York life. Young was never lovelier or more appealing. (Plays Jul 14-16 in Palo Alto at the Stanford Theatre.) (RvB/AR) Ghostbusters (1984) Pro: Sigourney Weaver, the Stay-Puft Marshmallow Man, Rick Moranis and Bill Murray’s blissful sneakiness. Con: Ernie Hudson, practically wearing a T-shirt that says “Black Sidekick,” and Ray Parker’s criminally repetitious theme song. (Plays Jul 10 at midnight in Campbell at Camera 7.) (RvB) Kung Fu Panda (2008) Appealing stuff, with Jack Black voicing the role of a noodle-shop apprentice who’d rather be a kung fu hero. (Plays Jul 11 in San Jose at Municipal Stadium, 588 E. Alma.6pm arrival time, 7pm; free.) (RvB)

The Philadelphia Story/Dinner at Eight (1940/1933) The publisher of Spy magazine (meant to be Life) forces an idealistic novelist-turned-reporter (Jimmy Stewart) to cover a high society wedding. His entry is vouchsafed by another Spy employee—the bride’s self-amused, dissolute ex-husband (Cary Grant). All this would seem like hard cheese for the bride, except that the frigidness and brittleness of Tracy Lord (Katharine Hepburn) is all too well known by the male members of her family. In critiquing her image as an slender art deco vial of box-office poison, Hepburn saved her movie career. A slice of cake, but it is the essential film about Hollywood’s conflicting attitudes toward the class structure in America. BILLED WITH Dinner at Eight. Various characters tie on the feedbag at a dinner party. The production is loaded with talent: script by Frances Marion and Herman Mankiewicz; cinematography by William Daniels; and a cast that included the heavier horses in MGM’s stable—Jean Harlow, Marie Dressler, Wallace Beery and the Barrymore brothers. (Plays Jul 10-13 in Palo Alto at the Stanford Theatre.) (RvB) School of Rock (2003) Frustrated rocker Dewey Finn (Jack Black) tricks his way into a job at an upper-crust private school, where he schemes a way to win a local Battle of the Bands contest by converting his roomful of 10-year-old drips into rock stars. When he molds the kids to fit the proper (read: his) definition of rocking, it’s pretty damn hysterical. (Plays Jul 9 at sunset in Redwood City at Old Courthouse Square; free; bring blankets and lawn chairs.) Silent Film Festival See story on page 49. The Sound of Music (1965) The 400-passenger-capacity zeppelin of the American musical overwhelms

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m e t r o s i l i c o n va l l e y july 8-14, 2009 film by Jerome Kern and Ira Gerswhin include “Long Ago and Far Away.” BILLED WITH You Were Never Lovelier. In Argentina, Astaire hooks up with Hayworth as the band (Xavier Cugat and his Orchestra) plays on. (Plays Jul 8-9 in Palo Alto at the Stanford Theatre.) (RvB)

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My Bodyguard A middle-aged French lawyer falls for a femme fatale in ‘The Girl From Monaco’

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ATER, after they met, she tells him that it was “karma.” The beauty of that mysterious word is that there are all kinds of karma, particularly the bad kind. The Girl From Monaco is equally mysterious. This film is mostly a comedy, but as the characters smile less and less, the funnier it gets. Director Anne Fontaine’s film has a certain kinship to Gus Van Sant’s To Die For—like Nicole Kidman, Audrey the heroine is TV-celebrity obsessed and thoroughly amoral. It’s only at the 40-minute point that something happens that’s worth laughing out loud at, and yet this French film is thoroughly amusing—urbane, and ambiguous. Maybe what’s different here is seeing a woman’s perspective on a Blue Angel type situation, which oddly finds favor with the poor middle-aged fool. Bertrand Beauvois (Fabrice Luchini) is a Parisian lawyer sent to Monaco to defend a very rich lady (Stéphane Audran) from a charge of murder. The deceased, her boy toy, was from a dubious background. There’s a chance there might be payback from the dead man’s Russian relations. All this is of no concern to Beauvois, who shows calm concentration even in the swankness of a Monaco courtroom—all carved oak and stained-glass windows. As a precautionary effort against mafia menace, the accused murderess hires an efficient bodyguard to look out for Beauvois. Christophe (Roschdy Zem), who has a strong but apparently not pointed resemblance to Barack Obama, is schooled in Krav Maga and has a Vulcan’s coolness. Beauvois really does need a keeper. A half-bright local TV weather girl named Audrey (Louise Bourgoin) meets Beauvois and insinuates herself into his life. The one hope for the shy, intellectual lawyer is his bodyguard; Christophe isn’t intimidated by Audrey, because they once had a little affair. We can’t get a bead on Audrey at first, except to predict that she’s too good to be true; she’s likely a moron, but she’s not on the dumb-blonde wavelength. Bourgoin is a long-legged stunner, gliding around half-dressed on a Vespa. Her Audrey is certainly gregarious enough—that’s one way of describing someone of easy, thoughtless promiscuity. All this torments Beauvois after he forms a sexual obsession. But Fontaine stresses the dissonance; the film is not quite farce. Audrey’s gunslinger style can be off-putting. Her own celebrity obsessions, with Princess Di and Monaco’s own Princess Grace, are part of how one learns that she’s a climber. The film takes an excursion to see a small marble plaque at a sharp turn in a cliff-side road: “A notre Princesse adorée.” This scene turns out to be significant, more than just a sight-seeing jaunt to the site of the martyrdom of Princess Grace. You could call The Girl From Monaco conservative. Beauvois represents the cultural France, gabbling about the time Jean-Paul Sartre met Simone Beauvoir; Audrey is the thoughtless Americanoid hedonist. But the film satirizes the too-intellectual life. After one bout with Audrey, Beauvois ambles downstairs and tells Christophe that he has had a sort of life-changing experience. “You got laid,” Christophe suggests. “Exactement!” crows the lawyer, happy to hear le mot juste. Richard von Busack THE GIRL FROM MONACO (R; 95 min.), directed by Anne Fontaine, written by Fontaine and Benoît Graffin, photographed by Patrick Blossier and starring Fabrice Luchini and Louise Bourgoin, opens July 10 at Camera 3 in San Jose.

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51( you; there are some times critics who just ought to concede the battle and retrench elsewhere. It stars that precious Julie Andrews, who ditches her career as a nun in order to nanny a family of singing Teutonic children. Some interesting moves by director Robert Wise; the best is the sucker-punch of “Climb Evr’y Mountain� delivered from a singer who commences that ode with her back turned to us. Also weirdly cute are Bil Baird’s puppets in “The Lonely Goatherd�—indeed, a song title from a more innocent time. The Salzburg scenery brings out the air-Alpenhornist in all of us. Plays in 70mm. Next week, Jul 17-18: pretty much the great triumph of film in that particular megaformat, if you don’t count Lawrence of Arabia: Jacques Tati’s Playtime. Part of a series of summer films at the California Theatre presented by the Stanford Theatre

Foundation and Team San Jose. (Plays Jul 10-11 at 7pm in San Jose at the California Theatre; $5.) (RvB)

Reviews Angels and Demons (PG; 138 min.) Tom Hanks, renegade Harvard symbologist, is called in on a plot to vaporize the Vatican. Meanwhile, a killer from the Illuminati offs one high-ranking cardinal an hour. The money is onscreen, as Hanks zips around Rome and scuttles through old churches. Co-writer and frequent offender Akiva Goldsman adds his aroma to the script; a speech reconciling science and faith is of particular shininess. As the film’s girl, Ayelet Zurer plays a European physicist, dressed down like a Sunday school teacher in Ogden, Utah. A handy helicopter with the keys left in the ignition brings up a burst of bad-movie audacity at the end; this, sadly, proceeds a twist ending so

weakly integrated into the show that it looks like the cast sat down together and watched the alternate finale on DVD extras. (RvB) Away We Go (R; 98 min.) Burt (John Krasinski), an alterna-insurance broker, and his pregnant mate, the dour, nervous Verona (SNL alum Maya Rudolph) seek a community. Sadly, they learn that America is a beautiful country full of ugly people. The two travel, meeting parents who are too permissive, or not permissive enough, before visiting an idealistic couple with a multiracial von Trapp–like family in Montreal. Not enough jokes, by a long chalk. Alison Janney, the standout, as a sharp-tongued mom, is only temporary relief from the two leads: the moral and physical center of this movie’s universe. The writers are San Francisco’s Dave Eggers and his wife, Vendela Vida, writers who seek the wonder and freshness in aged platitudes about the innocence of children. Director Sam Mendes makes this a Reactionary Road sequel to his last film Revolutionary Road; it’s a sitcom for nesting hipsters with guest appearances by celebrities playing wacky relatives. (RvB) Food, Inc. (PG; 94 min.) The most necessary film of the summer. The outrages of corporate food production are exposed in this

fast and infuriating documentary by Robert Kenner. Defying the lawyers, one corporate chicken farmer shows us her wretched, antibiotic-packed birds. Today’s industry lobbyist is tomorrow’s regulator, as sure as today’s pig is tomorrow’s bacon. Drooling packed-in steers are fattened with cheap Iowa corn; it breeds E. coli in their guts. The nigh-annual outbreaks of E. coli are seemingly the cost of business, a price paid even by spinacheating vegetarians. Director Kenner can’t be accused of starry-eyed idealism. Food, Inc. reminds that if the United States could make Big Tobacco come to heel, then agribusiness’s wasteful and deadly practices can be stopped. (RvB) The Hangover (R; 100 min.) A well-built, good-looking and satisfyingly low comedy with a sturdy plot and the wit to realize that the Three Stooges format is solid gold. A quartet of Southern California types heads to Vegas for a bachelor party. Cut, eventually, to The Morning After: The Cramps’ version of “Fever� on the soundtrack as a live chicken struts through the smoldering ruins of what once was a $4,200-anight Caesar’s Palace suite. The groom has vanished, and the three chumps, rendered amnesiac by booze, must search for him. They are: kitty-whipped, Larry-like Stu (Ed Helms), confident but wrongheaded Moe-style leader Phil (Bradley Cooper) and the “one-man wolf

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pack� Alan, played by the film’s standout, Zach Galifianakis, Curlying beautifully. (After one typical moment of idiocy, he’s introduced like so: “Don’t let the beard fool you. He’s a child.�) What gradually materializes is an evening that included a stolen cop car, inappropriate touching of Mike Tyson’s pet tiger and one member’s marriage to a very nice stripper (Heather Graham). Stick with it, since the first third is hit and miss; later, director Todd Phillips solidly builds the situations, thinking up strategies to bolster the risky comedy. (RvB) Ice Age: Dawn of the Dinosaurs (PG; 94 min.) More animated fun with those wacky prehistoric creatures. (Plays valleywide.) My Sister’s Keeper (PG-13; 109 min.) Nick Cassavetes strikes again, proving yet again that the acorn sometimes falls very far from the tree. It’s a family drama starring Cameron Diaz, Jason Patric and Abagail Breslin. Night at the Museum: Battle of the Smithsonian (PG; 105 min.) Will Amy Adams’ pants be in the Smithsonian someday? They ought to be, since they work wonders for Shawn Levy’s otherwise only-forthe-kids movie. Ben Stiller’s security guard hero is still disinterested. Hank Azaria’s talents as a vocal actor are on display in his accent for the pharaoh Kahmunrah; in a world domination scheme, this animated Egyptian statue recruits a militia of historical villains, including Ivan the Terrible (Christopher Guest) and Al Capone (Jon Bernthal). Director Levy oversees some very sweet and technically tricky effects—a ride on the Wright brothers’ plane, the colossal statue of Lincoln escaping his monument and a purple-pink giant octopus attack. At the imaginary “National Art Museum� (actually the National Gallery), the paintings and sculptures come to life; a Roy Lichtenstein girl turns her head and frets. Admittedly, the living paintings are stuff we get at Hogwarts, but the more modern art makes the effect new. As the snugly clad Amelia Earhart, Adams gives this film some class and some adult appeal. (RvB) The Proposal (PG-13; 107 min.) Sandra Bullock returns in a romantic comedy with Ryan Reynolds. Plus (check your demographics tables here) Mary Steenburgen, Craig T. Nelson and Betty White. (Opens Jun 19.) Public Enemies (R; 140 min.) Previous takes on the life of John Dillinger had themes like “Crime doesn’t pay� or “Society is to blame.� Michael Mann’s is “It was only a movie.� Mann carries out this study of Dillinger’s career from its middle to its end in darting, little-cam movements. If it weren’t for the music—1940s jazz

m e t r o s i l i c o n va l l e y july 8-14, 2009 film in a 1930s world—the film would look Dogme-tized. The photography often uses high-def synthetic light: yellowishwhite f lares of gun bursts and gritty magenta torches burning. Surfaces come to mind—that’s what this skindeep film gives you when you can’t hear the dialogue or can’t tell who the new characters are supposed to be. In numberless close-ups, Johnny Depp emphasizes surface, too. Spilling out the capsulized details of his life in three or four lines, Dillinger asks his girl Billie (Marion Cotillard) “What else do you want to know about me?” That’s meant to keep us satisfied, too. Who am I? I’m the guy playing Dillinger, that’s who. The movie makes the master bank robber a gent, a showman, an ardent monogamous lover; when he takes hostages, it’s to relieve them of the humdrumness of their lives. But Public Enemies never takes us hostage; it never establishes that link it reaches for, the link between those hard times and ours. (RvB) Star Trek (PG-13; 126 min.) Happily, J.J. Abrams’ version of the 40-year-old story is a loving refurbishing of an old structure, rather than a demolishing. Traditions honored include the green babe (Rachel Nichols) and the red-shirted ensign. As Kirk, Chris Pine himself is the ham this sandwich needs. Zachary Quinto is very poised as Spock, the tragic mulatto of space. Abrams’ tendency to undervillain the picture is redeemed by his making the villain fast, raging and large. Eric Bana, made up so that his face looks like a spider’s abdomen, plays Nero, a Romulan renegade escaped from the future. The film’s only conventional love interest involves Zoe Saldana’s Uhuru, drawn to Spock, as who wouldn’t be. The film’s real tension arises in the partnership between Kirk and Spock— two halves of one great leader, calm calculation meeting insane daring. (RvB) Summer Hours (Unrated; 103 min.) American movies are usually about people with one problem; French movies are usually about people with a nexus of problems. In Olivier Assayas’ absorbing and smart new film, the problems of an extended family illuminate the abstract idea of artistic patrimony. (Previously, it was French cinematic patrimony, in Assayas’ best-known film here, Irma Vep). At her 75th birthday party, Hélène (Edith Scob) prepares to divide up her worldly goods among her children. These children are scattered all over the globe and don’t have the wherewithal to keep a luscious summer house going; the place is stuffed with valuable art pieces, too, which will have to be doled out to relatives and museums. Hélène was the longtime companion (perhaps more) of her uncle, a noted post-Impressionist; the slightly awkward legacy is puzzled out during the extended mourning session after Hélène drops dead. It takes a perceptive director to remember the physical similarities between the young girl Scob was (in Eyes Without a Face) and Juliette Binoche, here playing Hélène’s daughter, the one who inherited the family’s artistic gifts. Mulling over the cultural and financial primacy that’s migrated out of France into China

and America, Summer Hours makes no recriminations. Assayas is gentle about the harsh edge of time scraping away things that are traditionally French, leaving behind the pop (mono)culture of superheroes, sneakers and drinking beer from the bottle. At a final house party for the family, he dwells on a trio of charming young modern girls dancing to Les Plastiscines’ terrific punk tune “Loser,” as if they were the Three Graces or something. (RvB) The Taking of Pelham 1 2 3 (R; 106 min.) Grubby, truculent remake, with John Travolta looking like an old and jaded rent boy as a criminal mastermind hostaging a group of subway riders. He’s opposed by Walter Garber (Denzel Washington), a low-key civil servant for the MTA; Washington downplays things until he practically vanishes. Director Tony Scott, with neither interest nor time for underdogs, can’t work up feeling for their plight, so he allows Travolta to inf late his part with anal-aggressive patter. On the sidelines are a surprisingly ineffectual (if refreshingly low-volumed) hostage negotiator, John Turturro, and a butterball New York mayor (James Gandolfini) trying to survive his own scandal. This Pelham has agoraphobia, taking place as it does either in the subway tunnels or the interior of an office, with brash but immaterial street scenes of the money arriving from Brooklyn. There’s a joke about how a helicopter would have been faster, but no explanation why they didn’t use the copters. If the filmmakers explain that they knew better, does that explain why they didn’t do better? (RvB) Tetro (Unrated; 127 min.) Francis Ford Coppola returns with a closely observed family drama starring Vincent Gallo and Maribel Verdú. Transformers: Revenge of the Fallen (PG-13; 150 min.) Off to college goes young Sam Witwicky (Shia LaBeouf ) trying to forget the trauma of watching the robots destroy L.A. The government covered it up—everybody is indeed just that stupid in a Michael Bay movie. Sadly, a chip of the spark cube stuck to Sam’s shirt, and that starts the whole mess over again: indistinguishable robot-clobber with warlike threats (“You want a piece of me?” is one uttered by these immemorial interstellar bots from beyond the stars). Manly Air Force officers in camouf lage strut in slo-mo amid more cargo planes than one would see in an “Army of One” commercial. We cut to some frog-baiting: the Witwicky parents go to Paris, where they are pestered by mimes and eat snails. (“This looks like Canadian goose poop!” cries Dad.) If Transformers keeps ugly Americans away from France, this movie won’t have been made in vain for nothing. The Titanic-like sinking of an aircraft carrier is the standout animation, and it was an unusually good idea to stage a fight scene at the antique

Delaware Power Station in Philadelphia. There seemed a little more breathing room in the finale, too, despite the incredible repetition of action sequences. Megan Fox, as the gurl, conceals her new tattoos with way too many clothes, so we can’t confirm rumors that one of the tats says “Angelina Jolie, I’m taking your job” in Latin. LaBeouf is probed by crab-bots trying to find the source of his unkillable smirk. The deservedly famous Bro Rape video on YouTube is the only possible cure for the dorm scenes at ivy-covered PSIU. The alien hieroglyphics, when translated, read, “He thinks he is seeing bad films instead of understanding that what he sees is no longer film at all.”— Rudolf Arnheim, 1935. (RvB) Up (PG; 96 min.) Pixar spoils us dreadfully, but this phenomenally good 3-D cartoon is a standout even by their lights: the sturdily built comedic adventure appeals to all. A reject kid named Carl (voiced, when he’s in old age, by Ed Asner) grows up to be a balloon vender in the city park. He decides to f ly to South America, using his house as a gondola. He and a childish stowaway, Russell (Jordan Nagai), encounter a 13-foot-tall iridescent goonie bird, and they also run into Carl’s boyhood hero (Christopher Plummer), an explorer who has been bitten by the Dr. Moreau bug. Certainly, most people will care only about the film’s buoyancy. But while loving Up’s ingenuity and humor, one also respects director Pete Docter’s refusal to stint the other side of adventure: pain, disappointment and even a tiny amount of blood. (RvB) Whatever Works Whatever Works (PG-13; 92 min.) Very minor and musty but often funny misanthropy comedy by Woody Allen. Larry David plays Boris, formerly a physics professor, shortlisted for the Nobel Prize (“It was all politics, just like any award”); today, he is retired, a freerange castigator, teaching chess (brutally) to children and living in a brick-lined vault in Manhattan’s Chinatown. A waif called Melodie (Evan Rachel Wood) drops into his lap; Melodie takes Boris’ imprint completely—his rants, his phobias and his dislike of sex—and marries him. A year afterward, the in-laws arrive for a first visit: Marietta (Patricia Clarkson) believes that she has tracked her runaway daughter down and is outraged to find the girl married to a neurotic man old enough to be her grandfather. Soon thereafter, Marietta’s estranged husband (Ed Begley Jr.) shows up in the apartment. It’s based on a script Allen had in his drawer for several decades, and it often looks it. While it’s often canned corn, give it its props; Allen knows how to make a civilized comedy even when denouncing civilization. (RvB) Year One (PG-13) Harold Ramis directs Jack Black and Michael Cera in a comedy about two cavemen on a forced migration.

[53]

FILM REVIEW

Independents’ Day Update

A

T THE END of the Alejandro Adams article (“Independents’ Day,” Cover Story, July 1) in last week’s issue, I made a joke about the indie film scene being so overbooked it was hard to get an audience to watch people have sex. I should have talked directly to Tony Comstock, the successful director of seven tender documentaries on the way various types of people make love. Comstock has written a three-part piece titled “How Film Festivals and Distribution Deals Kill Independent Films” on his Comstockfilms.com blog (NSFW), which is absolutely required reading for indie-film watchers and makers. Via phone, Comstock says that he is deeply frustrated with the film-festival circuit: “It leaves you broke and desperate—the worst possible position to be in when a distributor comes.” But he emphasizes that he has made a successful end run around this circuit, through the Internet and direct sales. His films go through multiple pressings on DVD. Comstock considers, as “indie production gods we should worship,” Bruce Brown and Warren Miller, who hand-made their documentaries about surfing and skiing, respectively, four-walled (rented) theaters and used the profits to make more films. Comstock is continuing to get recognition and make a living as an indie filmmaker. It wasn’t my intention to insult Tony Comstock. My intention was to criticize a scene that’s wearing down and bankrupting young talent. Richard von Busack

[54]

film july 8-14, 2009 m e t r o s i l i c o n va l l e y

times 

show

Movie listings are for Friday, July 10, through Thursday, July 16, unless otherwise indicated. Programs and showtimes are subject to change without notice. Updated showtimes are available online at www.movietimes.com.

Campbell Camera 7

1875 S. Bascom Ave. (408.559.6900) Bruno Fri 12:30, 2:45, 4:50, 7:20, 9:30, 11:40; Tue

12:30, 2:45, 4:50, 7:20, 9:30; Wed-Thu 12:30, 2:40, 4:50, 7:20, 9:30 Ghost Busters Fri (Jul 10) midnight

Harry Potter and the Half Blood Prince

Tue (Jul 14) midnight; Wed-Thu noon, 1:45, 3:20, 5, 6:40, 8:15, 9:55

Ice Age: Dawn of the Dinosaurs Real 3-D

Fri 12:10, 2:20, 4:30, 7, 9:15, 11:30; Sat 12:10, 2:20, 4:30, 7, 9:15; Sun 12:10, 2:20, 4:30, 9:15, 11:30; Mon-Tue 12:10, 2:20, 4:30, 7, 9:15; Wed 2:30, 4:45; Thu 11:40, 2:30, 4:45, 7, 9:15 Public Enemies Fri 1:10, 4, 6:50, 9:40, Sat 1:10, 4, 6:50, 9:40, Sun 1:10, 4, 9:40; Mon-Tue 1:10, 4, 6:50, 9:40; Wed-Thu 1, 4, 6:50, 9:40 The Hangover Fri 12:25, 2:40, 5, 7:30, 9:45, midnight; Sat-Mon 12:25, 2:40, 5, 7:30, 9:45; Tue 2:25, 2:40, 5, 9:45; Wed-Thu 11:50, 2:20, 4:40, 7:10, 9:35 The Proposal Fri 11:40, 2:10, 4:40, 7:10, 9:35; Sat 11:40, 2:10, 4:40, 7:10, 9:35; Sun 2:10, 4:40, 9:35; MonTue 11:40, 2:10, 4:40, 7:10, 9:35 Transformers: Revenge of the Fallen

Fri-Sat noon, 3:20, 6:40, 9:50; Sun noon, 3:20, 9:50; Mon-Tue noon, 3:20, 6:40, 9:50 Up in Disney Real 3-D Fri 11:15, 1:40, 4:10, 6:30, 8:55, 11:20; Sat 11:15, 1:40, 4:10, 6:30, 8:55; Sun 11:15, 1:40, 4:10, 8:55; Wed-Thu 11:10, 1:35, 4:10, 6:30, 8:55 II Viaggio a Reims Sun (Jul12) 11am; Wed (Jul 15) 7pm

Cinelux Plaza Theatre 2501 S. Winchester Blvd. (408.378.2425)

Harry Potter and the Half Blood Prince

Tue (Jul 14) 11:59pm; Wed-Thu 12:30, 1, 3:45, 4:15, 7, 7:30, 10:10, 10:30 Ice Age: Dawn of the Dinosaurs in 3-D

Fri-Tue 11, 1:10, 3:20, 5:30, 7:40, 9:45; Wed-Thu 11, 1:10, 3:20, 5:30, 7:40, 9:45 Madagascar Escape 2 Africa Wed-Thu 10am The Proposal Fri-Tue 1:45, 4:10, 6:30, 9 Public Enemies Fri-Tue 12:45, 3:45, 7:15, 10:10; Wed-Thu noon, 2:55, 6:30, 9:20 Tale of Despereaux Fri-Tue 10am Transformers: Revenge of the Fallen FriTue 11:30, 12:15, 2:45, 3:30, 6:15, 7, 9:15, 10; Wed-Thu 11:30, 2:45, 6:15, 9:15

Fremont NAZ 8 - Fremont Gateway Plaza

39160 Paseo Padre Pkwy - Gateway Plaza Shopping Center, (510.797.2000) Ice Age: Dawn of the Dinosaurs Fri-Sun 1,

2, 3, 4, 5, 7, 9, 11; Mon-Thu 1, 2, 3, 4, 5, 7, 9

Kambakkht Ishq Fri-Sun 1, 3, 5, 7, 9, 11; Mon-Thu

2, 4, 6, 8

New York Fri-Sun 1, 5, 7, 9, 11; Mon-Thu 2, 6, 8 Shortkut - The Con Is On (2009 II) Fri-

Sun 1, 3, 5, 7, 9, 11; Mon-Thu 2, 4, 6, 8

Gilroy Platinum Theatres 6851 Monterey St. (408.84.MOVIE)

Bruno Fri-Mon 10:35, 1:15, 3:15, 5:10, 7:10, 9:15.

Stadium Seating; Tue-Thu 10:35, 1:15, 3:15, 5:10, 7:10, 9:15 The Hangover Fri-Tue 12, 2:05, 4:10, 6:45, 9:10

Harry Potter and the Half-Blood Prince

Tue 12:05am.; Wed-Thu 10:40, 12, 1:40, 3:05, 5, 6:15, 8:30, 9:25 I Love You, Beth Cooper Fri-Mon 11, 1:20, 3:25, 7, 9:35; Tue 11, 1:20, 3:25, 7, 9:35; Wed-Thu 11, 1:20, 3:25, 7, 9:10 Ice Age: Dawn of the Dinosaurs 3-D FriMon 11:05, 1, 3:10, 5:05, 7:40, 9:30.; Tue-Thu 11:05 , 1, 3:10, 5:05, 7:40, 9:30 Monster House Mon-Tue 10 The Proposal Fri-Mon 11:10, 1:25, 4:05, 6:55, 9:25; Tue 11:10, 1:25, 4:05, 6:55, 9:25 Public Enemies 11:15, 2:55, 6:05, 9:20

Transformers: Revenge of the Fallen

Madagascar Escape 2 Africa Wed-Thu

Fri-Mon 10:50, 2:25, 5:30, 8:50; Tue-Thu 10:50, 2:25, 5:30, 8:50

10am

Hollister

Wed-Thu 11:55, 2:30, 5, 7:30, 9:55 Public Enemies Fri-Tue 12:15, 3:15, 6:15, 7, 9:15, 10; Wed-Thu 11:40, 3:45, 7, 9, 10 The Hangover Fri-Tue 11:15, 1:20, 3:30, 5:40, 8, 10:15

Premiere Cinemas

581A McCray Street, (831.638.1800)

Call for other shows and times; information not available at deadline.

Los Gatos Los Gatos CinemaS

41 N. Santa Cruz Ave. (408.395.0203) Harry Potter and the Half Blood Prince

My Sister’s Keeper Fri-Tue 9 The Proposal Fri-Tue 11:55, 2:30, 5, 7:30, 9:55;

Transformers: Revenge of the Fallen

Fri-Tue 11:10, 11:55, 12:45, 2:15, 3:10, 4:15, 5:20, 6:30, 7:45, 8:45, 9:45; Wed-Thu 11:55, 12:45, 3:10, 4:15, 6:30, 7:45, 9:40 Up Fri-Tue 11:30, 2, 4:20

Mountain View

Tue (Jul 14) midnight; Wed-Thu 1:45, 5, 8:15 The Proposal 1:30, 4:15, 6:45, 9:15

Century Cinemas 16

Tue 1:45, 5, 8:15

Bruno Fri-Tue 11, 1:15, 3:30, 5:45, 8, 10:15 Harry Potter and the Half-Blood Prince

Transformers: Revenge of the Fallen Fri-

Menlo Park Guild

949 El Camino Real (650.266.9260) Whatever Works Fri-Sat 2, 4:30, 7, 9:30; Sun-Thu

3, 5:30, 8

1500 N. Shoreline Blvd. and Fwy 101 (800.FAN.DANG 910#)

Tue 12:01 am, 12:05 am; Wed-Thu 12, 3:30, 7, 10:30

Palo Alto Aquarius 430 Emerson St. (650.266.9260) Food, Inc. Fri-Sat 2:45, 5, 7:30, 9:55; Sun-Thu 3:45,

Milpitas

6, 8:30

Century 20 Great Mall

Sun-Thu 3, 5:30, 8

1010 Great Mall Dr. (408.942.5550)

Bruno Fri-Sat 10, 10:45, 11:30, 12:15, 1, 1:45, 2:30, 3:15,

4, 4:45, 5:30, 6:15, 7, 7:45, 8:30, 9:15, 10, 10:45, 11:30, 12:15 ; Sun 10, 10:45, 11:30, 12:15, 1, 1:45, 2:30, 3:15, 4, 4:45, 5:30, 6:15, 7, 7:45, 8:25, 9:15, 10, 10:30; Mon-Tue 10:45, 11:30, 12:15, 1, 1:45, 2:30, 3:15, 4, 4:45, 5:30, 6:15, 7, 7:45, 8:25, 9:15, 10, 10:30 The Hangover Fri-Sat 9:50, 12:15, 2:35, 5, 7:25, 9:50, 12:15; Sun 9:50, 12:15, 2:35, 5, 7:25, 9:50; MonTue 12:15, 2:35, 5, 7:25, 9:50 Harry Potter and the Half-Blood Prince

Tue (Jul 14) 12:01 am; Wed-Thu 9, 12:25, 3:50, 7:15, 10:40 I Love You, Beth Cooper Fri-Sat 9:30, 12, 2:30, 5, 7:30, 10, 12:25 ; Sun 9:30, 12, 2:30, 5, 7:30, 10; MonTue 12, 2:30, 5, 7:30, 10 Ice Age: Dawn of the Dinosaurs Fri-Sat 10:25, 11:15, 12:50, 1:40, 3:15, 4:05, 5:40, 6:30, 8:05, 8:55, 10:30, 11:20; Sun 10:25, 11:15, 12:50, 1:40, 3:15, 4:05, 5:40, 6:30, 8:05, 8:55, 10:25; Mon-Tue 10:35, 11:15, 12:55, 1:40, 3:15, 4:05, 5:40, 6:30, 8:05, 8:55, 10:25 Ice Age: Dawn of the Dinosaurs 3-D FriSat 9:35, 12, 2:25, 4:50, 7:15, 9:40, 12:05 am. RealD 3-D; Sun 9:35, 12, 2:25, 4:50, 7:15, 9:40 RealD 3-D; Mon-Tue 12, 2:25, 4:50, 7:15, 9:40 RealD 3-D My Sister’s Keeper Fri-Sat 11:10, 1:50, 4:30, 7:10, 9:45, 12:20; Sun-Tue 11:10, 1:50, 4:30, 7:10, 9:45 The Proposal Fri-Sat 9:55, 12:40, 2:10, 3:25, 6:10, 7:20, 8:45, 11:25, 12:25; Sun 9:55, 12:40, 2:10, 3:25, 6:10, 7:20, 8:45; Mon-Tue 12:40, 2:10, 3:25, 6:10, 7:20, 8:45 Public Enemies Fri-Sat 9:35, 10:35, 11:40, 12:45, 1:45, 2:50, 3:55, 4:55, 6, 7:05, 8:05, 9:10, 10:15, 11:15, 12:20 ; Sun 9:35, 10:35, 11:40, 12:45, 1:45, 2:50, 3:55, 4:55, 6, 7:05, 8:05, 9:10, 10:15; Mon-Tue 10:40, 11:40, 12:45, 1:45, 2:50, 3:55, 4:55, 6, 7:05, 8:05, 9:10, 10:15 Star Trek Fri-Sun 9:45, 12:35, 6:50; Mon-Tue 12:35, 6:50 Transformers: Revenge of the Fallen FriSat 9:30, 10:10, 10:50, 12:50, 1:30, 2:10, 3:30, 4:10, 4:50, 5:30, 6:10, 7:30, 8:10, 8:50, 9:30, 10:10, 10:50, 11:30, 12:10 ; Sun 9:30, 10:10 am, 10:50 , 12:50, 1:30, 2:10, 3:30, 4:10, 4:50, 5:30, 6:10, 7:30, 8:10, 8:50, 9:30, 10:10; Mon-Tue 10:50, 12:50, 1:30, 2:10, 3:30, 4:10, 4:50, 5:30, 6:10, 7:30, 8:10, 8:50, 9:30, 10:10 Up Fri-Sat 9:40, 10:40, 12:10, 1:10, 2:40, 3:40, 5:10, 7:40, 10:15; Sun 9:40, 10:40, 12:10, 1:10, 2:40, 3:40, 5:10, 7:40, 10:20; Mon-Tue 10:40, 12:10, 1:10, 2:40, 3:40, 5:10, 7:40, 10:20 Year One Fri-Tue 11:35, 4:55, 9:55

Morgan Hill

The Girl From Monaco Fri-Sat 2, 4:30, 7, 9:30;

CineArts @ Palo Alto Square 3000 El Camino Real and Page Mill Road Bldg #6, (800.FAN.DANG 914#)

The Hurt Locker Fri-Sun 1:15, 2:45, 4:15, 5:45,

7:15, 8:45, 10:15; Mon-Thu 1:15, 2:45, 4:15, 5:45, 7:15, 8:45

Stanford Theatre

221 University Ave. (650.324.3700) Dinner at Eight Fri-Mon 5:30, 9:35 Employee’s Entrance Tue-Thu 7:30 Philadelphia Story Fri 7:30; Sat-Sun 3:25, 7:30;

Mon 7:30 Taxi! Tue-Thu 6:10, 8:55

San Jose AMC Eastridge 15

2190 Eastridge Loop (888.AMC.4FUN) Bruno Fri-Sat 10, 12:30, 3, 5:30, 8, 10:30, 12:55; Sun-

Thu 10, 12:30, 3, 5:30, 8, 10:30

Dr. Seuss’ Horton Hears a Who! Wed (Jul

15) 10am

Harry Potter and the Half-Blood Prince

Tue 12:01 am; Wed-Thu 10, 1:15, 4:45, 8:15, 11:45

Call for other shows and times; information not available at deadline.

CineLux Almaden Cinema 2306 Almaden Road, (408.265.7373)

Bruno 11:30, 1:30, 3:45, 5:45, 7:45, 9:45 Harry Potter and the Half-Blood Prince

Tue (Jul 14) midnight, Wed-Thu noon, 3:15, 6:30, 9:45 Ice Age: Dawn of the Dinosaurs 11, 1:10, 3:15, 5:20, 7:30, 9:40 Public Enemies 1, 4, 7, 9:55 The Proposal 11:15, 1:45, 4:20, 7, 9:20 Transformers: Revenge of the Fallen 12:15, 3:30, 6:45, 9:50

The Tech Museum IMAX Dome Theatre

201 S. Market St at Park Ave (408.294.8324)

Info not available at deadline; call for shows & times.

Camera 3

288 S. Second St. (408.294.3334)

Bruno Fri-Tue 11, 1, 3:20, 5:30, 7:40, 9:50; Wed-Thu

Food, Inc. Fri 6:50, 9:10; Sat-Sun 2:15, 6:50, 9:10; Mon-Thu 8:55 Summer Hours Fri-Sun 4:30; Mon-Thu 6:40 The Girl From Monaco Fri 5, 7:10, 9:20; SatSun 2:45, 5, 7:10, 9:20; Mon-Thu 7:10, 9:20

Harry Potter and the Half-Blood Prince

Camera 12

Cinelux Tennant Station Stadium Cinemas 750 Tennant Ave. (408.778.650)

11, 1, 3:20, 5:30, 7:40, 9:50

Tue (Jul 14) 11:59pm; Wed-Thu 11, 11:45, 12:30, 2:20, 3, 3:55, 5:45, 6:30, 7:15, 9, 9:45, 10:30 Ice Age: Dawn of the Dinosaurs Fri-Tue 11:45, 2, 4:30, 6:45; Wed-Thu 11:45, 2, 4:30, 6:45 Ice Age: Dawn of the Dinosaurs in 3-D

Fri-Tue 11, 1:10, 3:20, 5:30, 7:40, 9:50; Wed-Thu 11, 1:10, 3:20, 5:30, 7:40, 9:50 I Love You, Beth Cooper Fri-Tue 11:50, 2:10, 4:45, 7:20, 9:40; Wed-Thu 11:50, 2:10, 4:45, 7:10, 9:30

201 S. Second St. (408.998.3300) Away We Go Fri-Sat 1:30, 4:15, 6:30, 8:45; Sun

1:30, 4:15; Mon-Tue 1:30, 4:15, 6:30, 8:45; Wed-Thu 1:30, 6:30 Bruno Fri- Sat 12:45, 3:10, 5:25, 7:35, 9:45, 11:50; Sun-Tue 12:45, 3:10, 5:25, 7:35, 9:45; Wed-Thu 12:45, 3, 5:20, 7:30, 9:40

Harry Potter and the Half Blood Prince

The Taking of Pelham 1 2 3 Fri-Tue 11:45, 2:20,

Tue (Jul 14) midnight; Wed-Thu noon, 1:15, 2:15, 3:20, 4:30, 5:30, 6:40, 7:45, 8:45, 9:55 Ice Age: Dawn of the Dinosaurs Fri-Tue noon, 2:10, 4:35, 7:05, 9:20; Wed-Thu 12:15, 2:30, 4:50, 7:05, 9:15 I Love You, Beth Cooper Fri-Sat 11:50, 2:25, 4:50, 7:25, 9:50, midnight; Sun-Tue 11:50, 2:25, 4:50, 7:25, 9:50; Wed-Thu 12:10, 2:25, 4:45, 7:20, 10:10 My Sister’s Keeper Fri-Sat 11:55, 2:15; Sun 11:55, 2:15, 6:30, 8:55; Mon-Tue 11:55, 2:15 Public Enemies Fri-Sat 1, 2, 4, 5:15, 6:50, 8:15, 9:40, 11:10;Sun-Tue 1, 2, 4, 5:15, 6:50, 8:15, 9:40; WedThu 1, 2, 4, 6:55, 8:10, 9:45 Surveillance Fri-Sat 4:40, 7, 9:30, 11:45; Sun-Tue 4:40, 7, 9:30; Wed-Thu 4:10, 8:35 The Hangover Fri-Tue 12:30, 2:45, 5, 7:15, 9:35; Wed-Thu 12:20, 2:35, 4:55, 7:15, 9:30 The Proposal Fri-Tue 12:05, 2:35, 5:05, 7:45, 10:10; Wed-Thu 3:50, 8:55 Transformers: Revenge of the Fallen FriSat 12:20, 1:10, 3:30, 4:25, 6:40, 8, 9:55, 11:15; Sun-Tue 12:20, 1:10, 3:30, 4:25, 6:40, 8, 9:55; Wed-Thu 12:05, 3:35, 5, 6:45, 10 Whatever Works Fri-Tue 1:50, 4:10, 6:25, 8:35; Wed-Thu 1:50, 6:25

5, 7:35, 10:10

Century Berryessa 10

Info not available at deadline; call for shows & times.

Transformers: Revenge of the Fallen Fri-

Tue 10:35, 11:40, 12:45, 1:55, 3, 4:05, 5:15, 6:25, 7:30, 8:40, 9:50, 10:50 Up Fri-Tue 11, 1:30, 4 Up in Disney Digital 3-D Fri-Tue 9:45, 12:15, 2:45, 5:15, 7:50, 10:25. RealD 3-D Year One Fri-Tue 6:35, 9:10

Winchester 21

3161 Olsen Dr (408.984.5610)

Info not available at deadline; call for shows & times.

Winchester 22 3162 Olin Ave (408.984.5610)

Info not available at deadline; call for shows & times.

Winchester 23

3164 Olsen Dr (408.984.5610)

Info not available at deadline; call for shows & times.

Century San Jose 24

741 S. Winchester Blvd (800.FAN.DANG 927#)

Berryessa Road and Capitol Ave (800.FAN.DANG 929#) Bruno Fri-Tue 10:30, 12:50, 3:10, 5:30, 7:50, 10:10 Harry Potter and the Half-Blood Prince

Tue (Jul 14) 12:01, Wed-Thu noon, 3:30, 7, 10:30 I Love You, Beth Cooper Fri-Tue 11:25, 2, 4:35, 7:10, 9:45 Ice Age: Dawn of the Dinosaurs Fri-Mon 10, 11:15, 12:30, 1:45, 2:55, 4:15, 5:20, 6:45, 8, 9:15, 10:30; Tue 10, 11:15, 12:30, 1:45, 2:55, 4:15, 5:20, 6:45, 8, 9:15, 10:30, 11:35 Kambakkht Ishq Fri-Tue noon, 3:30, 7, 10:30 Public Enemies Fri-Tue 12:40, 3:55, 7:15, 10:35 Shrek the Third Tue (Jul 14) 10:30am The Hangover Fri-Mon 10:10, 12:35, 3, 5:25, 7:55, 10:20; Tue 10:10, 12:35, 3, 5:25, 7:55 The Proposal Fri-Mon 11:45, 2:20, 4:55, 7:30, 10:05; Tue 11:45, 2:20, 4:55, 7:30 Transformers: Revenge of the Fallen FriMon 10:25, 12:10, 1:50, 3:35, 5:15, 7:05, 8:40, 10:25; Tue 10:25, 12:10, 1:50, 3:35, 5:15, 7:05, 8:40, 10:25, 12:05

Century Capitol 16 San Jose

Capitol Expressway and Snell Avenue (408.972.9276) Angels & Demons Fri-Tue 1:10, 7:30 Bruno Fri-Tue 11, 1:15, 3:30, 5:45, 8, 10:15 Harry Potter and the Half-Blood Prince

Tue (Jul 14) midnight; Wed-Thu noon, 3:30, 7, 10:20 Ice Age: Dawn of the Dinosaurs Fri-Mon 11, 11:50, 12:40, 1:30, 2:20, 3:10, 4, 4:45, 5:40, 6:30, 7:20, 8:05, 9, 9:50, 10:25; Tue 11, 11:50, 12:40, 1:30, 2:20, 3:10, 4, 4:45, 5:40, 8:05, 10:25 I Love You, Beth Cooper Fri-Tue 11:30, 2, 4:45, 7:15, 9:45 My Sister’s Keeper Fri-Tue 11:15, 1:50, 4:30, 7:10, 9:40 Public Enemies Fri-Tue 11:10, 12:35, 2:15, 3:40, 5:35, 7:05, 8:45, 10:05 Star Trek Fri-Tue 4:25, 10:30 The Hangover Fri-Tue 12:10, 2:45, 5:15, 7:45, 10:20 The Proposal Fri-Tue 11:25, 1:55, 4:40, 7:15, 9:55 The Pirates Who Don’t Do Anything: A Veggietales Movie Wed (Jul 15) 10am The Taking of Pelham 1 2 3 Fri-Tue 12:25, 3,

5:25, 7:55, 10:30

Transformers: Revenge of the Fallen Fri-

Tue 11:05, 12:30, 2:15, 3:45, 5:30, 7, 8:45, 9:45, 10:15

Up Fri-Tue noon, 2:25, 5, 7:25, 10:10 Year One 12:15, 2:40, 5:10, 7:50, 10:15

Century 20 Oakridge 925 Blossom Hill Road (408.225.2200)

Bruno Fri-Tue 9:45, 10:10, 10:35, 11:15, 11:55, 12:25,

1, 1:35, 2:15, 2:45, 3:20, 3:55, 4:30, 5, 5:35, 6:10, 6:45, 7:20, 7:55, 8:30, 9:05, 9:40, 10:15, 10:45 The Hangover Fri-Tue 11:35, 2, 4:30, 7, 9:30

Harry Potter and the Half-Blood Prince

Tue (Jul 14) 12:01 am, 12:05 am, 12:10 am, 12:15 am; Wed-Thu 9:10, 12:35, 4, 7:20, 10:45 I Love You, Beth Cooper Fri-Tue 11:20, 1:50, 4:25, 7:10, 9:45 Ice Age: Dawn of the Dinosaurs Fri-Tue 9:50, 11:20, 12:15, 1:45, 2:40, 4:10, 5:10, 6:35, 7:45, 9, 10:15 Ice Age: Dawn of the Dinosaurs 3-D FriTue 11:45, 2:15, 4:45, 7:15, 9:45. RealD 3-D My Sister’s Keeper Fri-Tue 11:15, 2, 4:40, 7:20, 10

Century San Jose 25

Westgate Mall and Campbell/Saratoga (800.FAN. DANG 928#)

Info not available at deadline; call for shows & times.

CineArts@Santana Row 3088 Olsen Dr. (408.554.7000)

Harry Potter and the Half-Blood Prince

Tue (Jul 14) midnight; Wed-Thu 9, 12:20, 3:40, 7, 10:20

San Mateo Century San Mateo 12

320 E. Second Ave. (800.FAN.DANG 968#) Harry Potter and the Half-Blood Prince

Tue (Jul 14) 12:01 am; Wed-Thu 11 am, 3, 7, 10:30

Call for other shows and times; information not available at deadline.

Santa Clara AMC Mercado 20

101 Fwy and Great American Pkwy Bruno Fri-Sat 10:30, 12:45, 3, 5:15, 7:30, 9:45, 12 am; Sun-Tue 10:30, 12:45, 3, 5:15, 7:30, 9:45 Harry Potter and the Half-Blood Prince

Tue (Jul 14) 12:01 am; Wed-Thu 10, 1:15, 4:30, 7:45, 11 Call for other shows and times; information not available at deadline.

Saratoga AMC Saratoga 14

Saratoga Avenue and Campbell Avenue (888.AMC.4FUN) Bruno 10:30 am, 12:55, 3:20, 5:45, 8:10, 10:40 Harry Potter and the Half-Blood Prince

Wed-Thu 12:05, 3:35, 7:05, 10:35

Call for other shows and times; information not available at deadline.

One Nighters California Theatre 345 S. First St., San Jose.

The Sound of Music Fri-Sat 7pm

Courthouse Square Broadway and Hamilton streets

Harry Potter and the Order of the Phoenix Thu (Jul 16) 8:45pm School of Rock Thu (Jul 9) 8:45pm

San Jose Municipal Stadium 588 E. Alma Ave., San Jose.

Kung Fu Panda Sat (Jul 11) 7pm

Stanford University

Memorial Auditorium, 551 Serra St., Stanford. (650.723.0485).

Night at the Museum: Battle of the Smithsonian Fri-Tue 11:05, 1:50, 4:25 The Proposal Fri-Tue 11:10, 1:55, 4:35, 7:15, 9:55 Public Enemies Fri-Tue 11:25, 1, 2:40, 4:10, 5:50,

The Electra Festival Jul 13-Aug 27

Star Trek Fri-Tue 7:05, 10:05

Casablanca Wed (Jul 15) dusk

7:25, 9, 10:35

Starlight Cinemas

Historic District, between First and Market streets, San Jose. (408.279.1775).

METROGUIDE

nvtjd

M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 MUSIC

[55]

Eek-A-Mouse_60 Dave Koz and Brian Culbertson_63 On the Dial: Beer Run Bobby_64

A Rebirth of ’80s Cool The 2009 Regeneration Tour is perfectly timed with rock’s retro obsession By Steve Palopoli

M

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ARTIN FRY remembers when ’80s music was unquestionably, unconditionably uncool. “In the late ’90s,” says Fry, “Duran Duran was like a swear word.” As the leader of British ’80s hitmakers ABC, Fry charted at home and in the United States with songs like “The Look of Love,” “(How to be a) Millionaire” and the U.S. Top 10s “Be Near Me” and “When Smokey Sings.” At the height of the band’s success in the latter part of the decade, Fry was diagnosed with Hodgkin’s disease, a type of lymphoma, and was unable to tour. A trickle of ABC releases had dried up by the late ’90s, but after more than a decade away from the studio, Fry surprised everyone with the album Traffic last year, and joined the first Regeneration Tour, a package of big-name ’80s pop bands. This year, ABC was promoted to headliner of the 2009 Regeneration Tour, and returns to Mountain Winery on Friday with Berlin, Wang Chung and Cutting Crew. The tour arrives in Saratoga just two days after the sold-out appearance of another ’80s act—Duran Duran. Its timing of this year’s tour

couldn’t have been better. In the year since the 2008 edition, the ’80s sound has become the hottest thing around. Boston’s Passion Pit has given the throwback dance party an indie cred that’s seemed unthinkable ever since Nirvana broke almost two decades ago. Since then, electronic music has had to be geek-smart, electroclash angry or cool as ice to be taken seriously. But the new wave of New Wave is different. There’s a return to a certain innocence and playfulness— it’s the first truly fun synth music to find a mass audience since Michael Jackson ruled the airwaves. His death, and the subsequent explosion of demand for every beat he ever touched, is likely to push this ’80s comeback to new heights. Already, Jackson’s glove prints can be heard in the high pitch and angular synth notes of Passion Pit’s “Sleepyhead,” the song that arguably touched off the retro trend in the first place, or the kid-chorused “Little Secrets” from their debut album Manners. “There are quite a lot of young bands with an ’80s flavor. Lady Gaga and the Killers, there’s definitely an element of that maverick spirit,” says Fry. “The 1980s has been revitalized and reinvented, and I think it’s going to be reinvented again now

that Michael Jackson has died. If Michael Jackson walked into an A&R office today, he wouldn’t get signed.” It’s not just Jackson whose influence is on the rise. The Yeah Yeah Yeahs’ latest album is pure ’80s revival, from the Blondie vibe of their hit “Zero” to the New Order moodiness of “Hysteric.” Prince, the one ’80s pop icon who never seemed to lose his cool factor, has been imitated by alt-rockers like Beck and the Flaming Lips. And L.A. duo Chester French had everyone from Kanye West to Pharrell Williams interested in making their record on the strength of their song “She Loves Everybody”—the opening of which is pure ABC.

‘Love’ in the Balance Perhaps what’s held up most about ABC’s music, especially their classic 1982 debut The Lexicon of Love, which was one of the best albums of the decade, is the balance of dance hooks with conceptual lyric hooks, the end result as mental as it was physical. “We wanted to make funky tunes that would compete on the dance floor, but we were reading NME,

too. We loved Bowie, and Bowie’s stuff was quite cerebral when I look back on it now,” says Fry. The pop gloss of ABC’s music and image, from the orchestral swells to the arthouse videos to Fry’s trademark gold lamé suit, masked an edgier side. “I grew up listening to punk bands. I loved punk,” he says. “But we wanted to do something shinier, something bigger. There’s a lot of stuff we were doing that was very experimental. Bands are getting back to that—something more ambitious.” Lexicon of Love’s success might have earned ABC enough cachet to milk a post-punk Roxy Music shtick for their entire career. But following in the footsteps of his chameleonlike idols Bowie and Andy Warhol, Fry felt the need to change direction with every album. ABC’s second, Beauty Stab, was a guitar-heavy rock record that didn’t make much of an impression. Then, with the band pared down to himself and longtime guitarist Mark White, Fry hired two members who didn’t play instruments for the next one, How to Be a . . . Zillionaire. Once again, the move was met with disbelief. “In Britain, they didn’t like it. *.

[56] CLUB LOUNGE

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

club gallery

metroactive.com/club-gallery

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M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

[57]

[58]

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

nvtjd

**

They didn’t want to put out the record,â€? says Fry. He felt vindicated, however, when “Be Near Meâ€? gave ABC its ďŹ rst American Top 10 hit. Another single, “(How to be a) Millionaire,â€? was the group’s hardest-edged dance song yet, and contained some of the cleverest of Fry’s trademark lyrical couplets, like his vision of the future: “Larger than life and twice as ugly/ If we have to live there, you’ll have to drug me.â€? “Coming out of punk rock, having something rhyme was pretty radical,â€? he says. “There are a lot of jokes in there as well, there’s a lot of humor. I loved John Lydon and Lou Reed and Sly Stone, great lyric writers.â€? It was around this time that Fry was diagnosed with Hodgkin’s, and had to turn down huge offers to tour in support of their stateside success. “The ironic thing was it was when ‘Be Near Me’ was on the charts,â€? he says. “It was very frustrating to have to go from that to a cancer ward. But I was very fortunate. When I got well again, I wrote ‘When Smokey Sings.’ I was so relieved to be around, and was really enjoying how music makes you feel.â€? “When Smokey Sings,â€? from 1987’s Alphabet City, turned out to be ABC’s biggest hit. After experimenting with house and techno, Fry and White parted ways in the ’90s. But VH1’s Bands Reunited brought drummer David Palmer, who had played on Lexicon of Love, back into the fold in 2004, and in 2008 they released ABC’s ďŹ rst album in 11 years, Traffic. “I hadn’t written songs for ages,â€? Fry says. “It was a lot of fun, and there was a lot of freedom.â€? He’s discovered on these tours that he’s been rediscovered. “There’s a younger generation coming through who’ve seen it all on YouTube,â€? he says. He’s not surprised that the ’80s sound has come back around, since despite the ups and downs, he remembers it as an inspiring time in which artists were encouraged to experiment. “We always thought we were ahead of our time, or a couple steps behind it,â€? he says. “We made some fantastically idiotic moves. But I’m happy where I’m at. I’m very lucky to be here now, and that’s why I enjoy touring so much.â€? And whether the ’80s comeback thrives or dies, what’s important to Fry is that fans still want to hear the songs, and perhaps more than ever, he wants to sing them. “You don’t want to be out there on a victory parade,â€? he says. “You want it to mean something.â€? THE REGENERATION TOUR stops at Mountain Winery Friday (July 10), featuring ABC, BERLIN, WANG CHUNG and CUTTING CREW. Showtime is 6:30pm; tickets are $45–$65.

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JULY 8-14, 2009

[61]

NA DAR ARRD SSTTAATTA ND DAR DAR DA AR CHAARACTE CHAR C ER COMES S

Meet th Meet thee 2-bedroom 2-bedroom fl flat a at Pl at Plant ant 51. A ccontemporary ontemporary a h home ome with a wide open floorplan, floorplan, lig light-filled ght-filled li living ving spaces spaces an and d gr great eat finishes. finishes. All accompanied accompanied by by a beautiful beeautiful outdoor outdoor courtyard courtyard and and m modern odern am amenities. enities. N ew rrelease elease priced priced fr om m $449,900. $449,900. New from

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FIRST LOOK OPEN O HOUSE COME SEE OUR NEW W RELEASE. RELEASE JOIN US THIS SUNDA SUNDAY AY FROM NOON-3PM NOOON-3PM OON 3PM FOR MODEL TOURS, FOOD & REFRESHMENTS IN THE COURTY COURTYARD. ARRD.

NEW LOFTS LOFTS & FL FLATS LATS T NOW SELLING FROM THE $40 $400s 0s 734 THE AL ALAMEDA, AMEDA , SAN S JOSE : OPEN DAIL DAILY LY FROM 11am-6pm 888-PL ANT51 : PL ANNT51THEALAMEDA .COM : BROKERS WELCO ME 888-PLANT51 PLANT51THEALAMEDA.COM WELCOME

INSPIRED OUTDOOR COURTYARD COURTYARRD : MODERN GYM & FITNESS STUDIO STUUDIO : BICYCLE KITCHEN WALKABLE NEIGHBORHOOD N : EASY TRANSIT ACCESS A Developer/seller rreserves eserves the right to change featur features es and amenities without no notice. otice. Pricing subject to change and availability availability..

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JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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Garrett Wheeler DAVE KOZ AND BRIAN CULBERTSON appear Friday (July 10) at 7pm at Montalvo Arts Center, 15400 Montalvo Road, Saratoga. Tickets are $45–$79.50. (408.998.TIXS)

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REVIEWS & RECOMMENDS Maxwell Blacksummer’s Night Columbia Following his critically acclaimed tour last year, when he premiered VRPH RI WKH VRQJV IURP KLV ¿UVW studio disc in eight years. What ZH OHDUQ IURP WKH ¿UVW QRWH LV that Maxwell has only gained in creativity and talent over those years, delivering what is easily one of the best soul albums in a long, long time.

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[65]

[66] MUSIC

JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

RESTAURANT & NIGHTCLUB

1011 PACIFIC AVENUE SANTA CRUZ 831-423-1336

Thursday, July 30 AGES 16+ • In the Atrium

Friday, July 10 AGES 16+ • In the Atrium

BLVD

plus

The Collab Project

$10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m.

C H RI S PU R E KA

Friday, July 31 • AGES 16+ • In the Atrium HOMETOWN CD RELEASE PARTY

ROBIN TROWER

STELLAR CORPSES

plus

also

Rockit Zombies

Friday, August 7 • AGES 21+

$33 Advance/$39 at the Door Drs. 6:30 p.m., Show 7:30 p.m.

plus Saturday Night in the Atrium FREE SHOW No Cover • 9 p.m. • 21+

ALIEN COWBOYS BOOM BOOM STEREO • ALIEN MONSTER Wednesday, July 15 • AGES 16+ • In the Atrium

Mystic Roots plus Top Shelf

also Natural Incense $8 Adv./ $10 Dr. • Drs. 7:30 p.m., Show 8 p.m.

Thursday, July 16 • AGES 16+ • In the Atrium plus

Los Dryheavers

$10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m.

Corby Yates

Eric Hutchinson

Lucy Walsh

$3 Adv./ $5 Dr. • Drs. 8:30 p.m., Show 9 p.m.

Saturday, July 11 • AGES 21+

plus

plus

JOHNNY WINTER $21 Adv./ $24 Dr. Drs. 7:30 p.m. Show 8:30 p.m.

Friday, Aug. 7 • AGES 21+ • Country Music in the Atrium

JAMES INTVELD

plus

77 El Deora

$10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m.

Anya Marina Aug 8 The Pack/ The Cataracs

$10 Adv./ $12 Dr. • Drs. 7:30 p.m., Show 8:30 p.m. Thursday, July 23 • AGES 16+ • In the Atrium

Music for Animals/ Wendy Darling $10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m.

Friday, July 24 • AGES 21+ AN EVENING WITH

Gillian Welch

$25 Adv./$28 Dr. Drs. 7 p.m., Show 8 p.m. Saturday, July 25 • AGES 16+ • In the Atrium

HOTTUB

$10 Adv./ $12 Dr. • Drs. 8:30 p.m., Show 9 p.m. Tuesday, July 28 • AGES 16+ • In the Atrium

WAILING SOULS

Dizzy Balloon/ Pep Love The Holdup/ The Skaflaws (AGES 16+) Aug 8 Lukas Nelson & the Promise of the Real (AGES 16+) Aug 16 Hatebreed (AGES 16+) Aug 17 Xavier Rudd (AGES 16+) Aug 19 Trevor Hall (AGES 16+) Aug 20 The Pyrx Band/ Playz (AGES 16+) Aug 21 Slacktone/ The Concaves (AGES 16+) Aug 23 Forrest Day (AGES 16+) Sep 16 Sugar Ray/ Aimee Allen (AGES 21+) Sep 17 Steel Pulse (AGES 16+) Sep 17 Elliot Randall/ Gina Villalobos (AGES 16+) Sep 18 Michael Franti & Spearhead (AGES 16+) Sep 25 Cash’d Out (AGES 21+) Oct 3 Still Time/ Matt Masih (AGES 16+) Oct 17 The Devil Makes Three (AGES 21+) Oct 21 UFO (AGES 21+) Unless otherwise noted, all shows are dance shows with limited seating.

$15 Adv./ $19 Dr. • Drs. 7:30 p.m., Show 8:30 p.m. ROCKER’S PIZZA KITCHEN 831-426-PIZZA

Sunday thru Tuesday FREE POOL for Bar Patrons Noon to Closing

$1 Pizza Slice ALL DAY TUESDAYS

Wed. - Mon. $2 CHEESE OR PEPPERONI until 6 p.m.

Advance tickets are available at the Catalyst daily with a minimal service charge. Tickets to all Catalyst shows, subject to city tax and service charge, are also available by phone at 1-866-384-3060, and online at our web site

www.catalystclub.com

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Bn Òghi l^[Z VcY > bVgg^ZY ^c djg ZVgan '%h VcY Wgd`Z je hZkZgVa nZVgh aViZg# L]Zc lZ lZgZ bVgg^ZY! h]Z ]VY kZgn h]dgi ]V^g! ZkZc i]dj\] > lVciZY ]Zg id \gdl ^i adc\# H]Z lVh cdi dcan VYVbVci VWdji `ZZe^c\ ^i h]dgi0 h]Z XaV^bZY h]Z XdjaYcÉi \Zi ^i eVhi Èi]Z Vl`lVgY hiV\Z#É 6ahd! h]ZÉY ValVnh W^iZ ]Zg cV^ah! V ]VW^i i]Vi VccdnZY bZ# >ÉkZ WZZc ]Vee^an bVgg^ZY id bn hZXdcY l^[Z [dg &% nZVgh! Wji > XVcÉi ]Zae Wji WZ hjgeg^hZY i]Vi bn Zm! l]d >ÉkZ hZZc V [Zl i^bZh ^c eVhh^c\! cdl ]Vh ]V^g Ydlc id i]Z b^YYaZ d[ ]Zg WVX` VcY gZVaan c^XZ cV^ah# EaZVhZ cdiZ i]Vi > YdcÉi lVci ]Zg WVX`0 > _jhi lVci id `cdl l]n h]Z ldjaYcÉi \gdl ]Zg ]V^g VcY cV^ah l]Zc lZ lZgZ id\Zi]Zg# H]djaY > Vh` ]Zg4 ÅLdcYZg^c\ “The awkward stage” is what you enter when you ring up your ex-wife and ask why she was such a nervous, nail-gnawing hag back when you were together. Sometimes a hairstyle is just a hairstyle and not a coded message: “L’Oreal, because I’m worth it. Short hair and bitten nails? Because you’re not.” Maybe she was into a particular style, or maybe she thought she looked better with short hair. Of course, it is possible that the apparent foreverness of marriage made her figure you were stuck with her, so why spend all the extra time hot-oiling and blow-drying? You wanted eye candy? Too bad. You get eye broccoli. Many women don’t understand or accept how important the visuals are to men, thanks largely to the toxic feminism that’s seeped into regular people’s lives. While there are lipstick feminists out there, the prevailing message of the women’s studies feministollahs is that male sexuality is criminal or close to it, and women degrade themselves by doing anything to appeal to their “patriarchal oppressors.” As a result, women like your ex-wife may feel justified and maybe even virtuous for taking the lazy way out with the soccer mom hair cap and the all-you-can-eat fingernails. Sure, Natalie Portman can shave her

head and have even more men drooling after her. Of course, it’s the rare man who’d throw her out of bed if she slipped in with a big rotten ham hock balanced on her skull. Men, across cultures, seem hard-wired to prefer long hair—probably because it signals youth, health and fertility. In a Hungarian study, women’s faces that were rated as less attractive by men were judged much more attractive when the researchers stuck long hairstyles on the photos. Darwin noted the preference for long hair in the West African population (along with the earliest reported use of hair extensions), and in Survival of the Prettiest, psychologist Nancy Etcoff points to all the classic paintings of women with long, flowing tresses. Yes, it seems there’s good reason you don’t see Venus on the half shell with a really butch haircut. If you truly are 10 years into a happy marriage, you might just accept that while hair and nails do not continue growing after death, they often grow like crazy after a divorce. Sure, Socrates did say the unexamined life is not worth living. Unfortunately, he was forced to off himself before he could add that the overly examined ex-wife is a great way to discover, for the second time, that women often change their hair after a breakup.

Bn Wdn[g^ZcY \dZh dji Yg^c`^c\ l^i] [g^ZcYh ^cid i]Z lZZ ]djgh# > _jhi Vh` i]Vi ]Z XVaa dg iZmi id aZi bZ `cdl ]^h eaVch hd > YdcÉi a^Z VlV`Z ldggn^c\# HdbZi^bZh! ]ZÉaa iZmi È7Z ]dbZ ^c Vc ]djg!É Wji ]Z cZkZg ^h# Dg! ]ZÉaa XdbZ ]dbZ ZVgan ^c i]Z bdgc^c\ VcY _jhi hVn È>i lVh \jnhÉ c^\]i#É >Éb cdi V[gV^Y ]ZÉh bVX`^c\ dc \^gah! Wji i]Vi ]ZÉaa \Zi ^cid igdjWaZ dg \Zi ]jgi# =dl XVc > YZVa l^i] i]^h hVcZan4 Å>gViZ Finally, a guy you can really count on—to let you know he’s OK when he stumbles through the front door at dawn and you hear the sound of glass breaking in your foyer. Is it unreasonable to want some sign he’s still alive? Not at all. Just unreasonable to expect it from him. What if he’s dead? Well, you won’t get a phone call then, either. Not from him, anyway. Clearly, you pretty much stop existing for the guy until

morning, after he sobers up at Taco Bell. Nagging won’t change that. Threatening to leave or leaving might, but probably not for long. Either accept that he won’t call or get out. As for your notion that he isn’t macking on girls when he’s out till sunup, it is possible that he just can’t get enough of his hairy, drunken buddies: “Come on, Josh. We don’t have to do anything. We can just lie there and cuddle.”

'%%.! 6bn 6a`dc! Vaa g^\]ih gZhZgkZY# <di V egdWaZb4 Lg^iZ 6bn 6a`dc! **% H# ;^ghi Hi#! HVc ?dhZ! 86 .*&&(! dg ZbV^a VYk^XZVbn5Vda#Xdb#

M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

CLASSIFIEDS

[71]

metro CLASSIFIEDS CLASSIFIED INDEX 69 71 71 71

PLACING AN AD 72 74 75 74

Single Services Employment Family Services Music

Legal & Public Notices Home Improvement Real Estate Automotive

Call the Classified Department at 408.298.8000 Monday through Friday, 8.30am to 5.30pm.

√

Fax your ad to the Classified Department at 408.271.3520.

@

classifieds@metronews.com Please include your Visa, MC, Discover or American Express number and expiration date for payment.

±

Mail to Metro Classifieds, 550 South First Street, San Jose, CA 95113.

≈

DEADLINES: For copy, payment, space reservation or cancellation: Display ads: Thursday 3pm Line ads: Friday 3pm

.

Bartenders Needed

Employmenta Teacher/High School Math at San Jose, CA: Req Master’s degree in Math & CA credential. email res to jobs@leadps.org. Refer to job#SJME. “Leadership Public Schools”

Live-in Caregivers Needed immediately! $100 Sign-On BONUS. We offer excellent benefits, training, and weekly pay! Call to set up interview today! Must have 1 yr eldercare experience, (nursing home exp. a plus) valid driver’s license, proof or veh. insurance & reliable trans., and good communication skills. CALL LivHOME now @ 408.879.1835, or 800.417.1897

Fresh Out of School? Now Hiring Independent, Reliable, Self Starters Looking to Learn, Earn and Travel for the Summer. $500 Sign-On Bonus. Bernadette: (888) 375-9795 (AAN CAN)

$600 Weekly Potential Helping the government Part time. No experience, no selling. Call 1-888-213-5225 Ad Code L-5. (AAN CAN)

g Career Development

Earn $75-$200 Hour

Media Makeup Artist Training. Ads, TV, film, fashion. One week class. Stable job in weak economy. Details at www.AwardMadeUpSchool.com 310/364-0665. (AAN CAN)

Fun jobs. Great money. Earn $25-40/hr. Call for certification and placement information. $199 tuition with this ad. 888.901.TIPS or visit www.abcbartending.com

Do you dislike your job? Come in for vocational checking. You may have talents you don't suspect. Contact Scientology Test Center. 408-383-9400

MOVIE EXTRAS NEEDED Earn $150 to $300 Per Day. All Looks, Types and Ages. Feature Films, Television, Commercials, and Print. No Experience Necessary. 1-800-340-8404 x2001 (AAN CAN)

POST OFFICE NOW HIRING Avg. Pay $21/hour or $54K annually including Federal Benefits and OT. Paid Training, Vacations. PT/FT. 1-866-945-0315 (AAN CAN)

International Company Expanding in the Bay Area. Looking for motivated professionals seeking part or full time opportunity. For more information call 888/287/8883. Ask for Jerry

Attention Readers

Door To Door Meat Men Wanted

Brand New Laptops & Desktops

6 days/week. Clean DMV. Must be able to drive stick. Come sell the best product in the country! Slammin' commission. $400 cash a day! Check out our products at www.eprimecuts.com Call M-F. Josh, 408-590-1730.

Bad Credit, No Credit – No Problem Small Weekly Payments - Order Today and get FREE Nintendo WII game system! Call Now – 800-840-5439 (AAN CAN)

Classes & Instruction 4th of July Horse Camp Special! Space is limited and sessions fill up fast, so visit www.cevaloridingacademy.org to sign up today!

High School Diploma! Fast, affordable and accredited. Free brochure. Call Now! 1-888-532-6546 ext. 97 www.continentalacademy.com (AAN CAN)

Electrician Certification randelectric@gmail.com. For more info.call 707-480-0514

New Fun Summer Yoga ~ 1st Class Free Pleasure Point Fitness and Dance: 907 41st Ave, Santa Cruz. Visit: www.yogawithjenna.com

Some ads in this section may require an initial investment or Business Training: fee. Metro Newspapers Weekly - Free encourages you to thoroughly investigate any advertiser’s claims For more information, please go to before sending payment. www.meetup.com/Business Millionares/

Security Guard Training Firearm permit. Classes are forming now in SJ. Guarantee 100%. Please call Dan, 408-580-4681.

Computer Services We SOLVE Computer Problems!! Mention Metro Ad For $20 “Express Computer Tune-Up” Computer Repairs for Desktops, laptops, home networks, virus, slow/dead systems, data recovery. Microsoft Certified. Call for free quote!!! Free pickup and delivery. 408-734-3123.

our offices Monday through Friday, 8.30am Visit to 5.30pm at 550 South, First Street, San Jose.

¬

Get a New Computer Brand name laptops and desktops. Bad or no credit, no problem. Smallest weekly payments available. It’s yours now. Call 800/803-8819. (AAN CAN)

Computer/Laptop Repair June/July 1st time user special. Remote service $39.00. Onsite repair $69.00. Cortron Est. 1967. 408/920-5679

Voice Lessons

Family Services Pregnant? Considering Adoption? Talk with caring agency specializing in matching birthmothers with families nationwide. Living expenses paid. Call 24/7 Abby’s One True Gift Adoptions. 866/413-6293 (AAN CAN)

Expand range, flexibility, confidence. Instruction also available for songwriting and guitar. Reasonable rates. Instructor: award-winning vocalist/songwriter, Deborah Levoy. www.deborahlevoy.com 408/275-0802.

Genuine Analog 24 Track Analog. 24 Bit Digital. Stout Recording Studio. Randy Burk, Producer/ Session Drummer. 510-567-8572 Oakland. StoutRecordingStudio.com

Marriage breakdown because of incompatible SessionDrummer.net personalities? If you and your partner are having trouble come in and get your personalities checked, as this may be the reason for your disputes. Call 408-383-9400

Real drum parts online. Real tape sound. Digital formats include: WAV, AIFF, Sound Designer 2. $160.00 per song. Randy Burk, Producer/ Session Drummer. Oakland, 510/567-8572

Print And Online

General Services

Music

TREK for a Change in Yosemite

Lil Wayne, E-40, Snoop Dog, San Quinn

Check us out at www.TREKforaChange.org or call 415-621-5899 for more info.

Thug World Records explosive label features lil Wayne Snoop dog E-40 G-unit and more. Free Downloads, MP3s, RingTones, videos. www.thugworldrecords.com 408-561-1255

The Hottest Show in Town The Crucible’s 9th Annual FIRE ARTS FESTIVAL July 15-18, 2009 8PM to midnight. Tickets $35-$55; advance purchase tickets recommended. www.thecrucible.org or 510-444-0919

School Of The Blues Blues/Jazz weekly private instruction on Harmonica, Guitar, Bass and Organ/Piano. Conveniently located near 101/Blossom Hill Rd. 408/224-2936. www.schooloftheblues.com

Turn Your Old Car Into A Blessing And A Tax Job Suck? Deduction Want to own your own busiRunning or not, the Rabbi will throw in free towing call 408-358-5530. Your old car can help Chabad help others

Advertise Your Business in 111 alternative newspapers like this one. Over 6 million circulation every week for $1200. No adult ads. Call Rick at 202/289-8484. (AAN CAN)

Tired of your Co-Workers? Check out Metro's employment classified section and find a new career. Call 408-200-1300 to advertise.

ness? Be you own boss in a 4 billion $$$ industry. Average owner earning $200K/year? Call 24/7. 1-888-428-5392. (AAN CAN)

A Powerful Combination for one great price. Run your advertisement in Metro Silicon Valley, the South Bay's largest weekly newspaper, and your ad will also appear online! To advertise call 408/200-1300 or visit metroactive.com

For Sale BRAND NEW Laptops & Desktops. Bad credit, No credit No Problem Small weekly payments - Order & get FREE Nintendo WII system! 1-800-816-2232 (AAN CAN)

Ms.Pacman Multigame Cocktail Arcade! 408.888.2725 if you have any questions at all.

Pets & Animals

Run Your Ad In Metro's Classified Section

Be seen by one of the largest, most active audiences in the South Bay! Your ad will Free Kittens 3 cute kittens. Call 831/227-6562 appear in both print and online. A Powerful Combination for one great Tell A Friend price. To advertise visit You saw it in the Metro metroactive.com or call Classifieds! 408/200-1300.

[72]

ASTROLOGY JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

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6g^Zh (March 21–April 19): Miracle of miracles:

Legal Notices FICTITIOUS BUSINESS NAME STATEMENT #525692 The following person(s) is (are) doing business as: I Stay Here, 740 Concord Ave., #3, San Jose, CA, 95128, Tu Anh Nguyen. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 3/12/09. /s/Tu Anh Nguyen This statement was filed with the County Clerk of Santa Clara County on 6/19/2009. (pub Metro 7/01, 7/08, 7/15, 7/22/2009)

FICTITIOUS BUSINESS NAME STATEMENT #525463 The following person(s) is (are) doing business as: Evergreen Engineering, 2855 Kifer Suite #201, Santa Clara, CA, 95051, Oregon Evergreen Construction Inc., 7431 NW Evergreen Pky #210, Hillsboro, CA, 97124. This business is conducted by a Corporation. The state of Corporation: Oregon. Registrant began transacting business under the fictitious business name or names listed herein on 4/1/09. /s/Stephen Edgar Crust President #C2950207 This statement was filed with the County Clerk of Santa Clara County on 6/16/2009. (pub Metro 7/01, 7/08, 7/15, 7/22/09)

FICTITIOUS BUSINESS FICTITIOUS BUSINESS NAME STATEMENT NAME STATEMENT #525892 #524724 The following person(s) is (are) doing business as: James Jeffrey And Sons, 1133 Denise Way, San Jose, CA, 95125, James Jeffrey. This business is conducted by a individual. Refile of previous #222019 after 40 days of expiration date. Registrant began transacting business under the fictitious business name or names listed herein on 2/6/91. /s/James Jeffrey This statement was filed with the County Clerk of Santa Clara County on 6/25/2009. (pub Metro 7/01, 7/08, 7/15, 7/22/2009)

The following person(s) is (are) doing business as: John Lee Garden Service/ John Lee Property Management, 1683 Klipspringer Dr., San Jose, CA, 95124, John Lee, Stella Lee. This business is conducted by a husband and wife. Refile of previous file #447296 with changes Registrant began transacting business under the fictitious business name or names listed herein on July 1999. /s/John lee This statement was filed with the County Clerk of Santa Clara County on 5/27/2009. (pub Metro 6/17, 6/24, 7/01, 7/08/2009)

Pass It On

Tell A Friend

Let them know you saw it in the Metro Classifieds!

You saw it in the Metro Classifieds!

GREEN CARDS

A pointless pain in the butt will soon stop bugging you. Meanwhile, an annoying itch in your heart is subsiding, and may even disappear. As a result of these happy developments, you will be able to concentrate on a much more interesting and provocative torment that has been waiting impatiently for your loving attention. Actually, it’s an ancient torment dressed up in a new package. But as before, it’s a torment you’ve never had the right name for. That’s about to change, however. You’re finally ready to find the right name for it, and when you do, you’ll be halfway toward a permanent cure.

IVjgjh (April 20–May 20): When he was growing

FICTITIOUS BUSINESS FICTITIOUS BUSINESS NAME STATEMENT NAME STATEMENT #524355 #525188 The following person(s) is (are) doing business as: Andrew’s 3rd Generation Tile, 1055 N. Capitol Ave., #66, San Jose, CA, 95133, Andrew Steven Barrera. This business is conducted by a indvidual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Andrew Steven Barrera This statement was filed with the County Clerk of Santa Clara County on 6/08/2009. (pub Metro 6/17, 6/24, 7/01, 7/08/2009)

The following person(s) is (are) doing business as: Angelena’s Cleaning Service, 1800 Evans Ln. #1308, San Jose, CA, 95125, Angelena Lomas. This business is conducted by a individual. Registrant began transacting business under the fictitious business name or names listed herein on 7/01/09. /s/Angelena Lomas This statement was filed with the County Clerk of Santa Clara County on 5/18/2009. (pub Metro 6/17, 6/24, 7/01, 7/08/200

FICTITIOUS BUSINESS NAME STATEMENT #525047 Run Your Ad In The following person(s) is (are) doing business as: Law Offices of Metro's Classified Lise K. Strom, 1750 Halford Ave., Section #106, Santa Clara, CA, 95051, Lise K. Strom. This business is conducted by a individual. Registrant has not yet begun transacting business under the fictitious business name or names listed herein on. /s/Lise K. Strom This statement was filed with the County Clerk of Santa Clara County on 6/04/2009. (pub Metro 6/17, 6/24, 7/01, 7/08/2009)

ROB BREZSNY

Be seen by one of the largest, most active audiences in the South Bay! Your ad will appear in both print and online. A Powerful Combination for one great price. To advertise visit metroactive.com or call 408/200-1300.

follow Metro on twitter

twitter.com/metronewspaper

up, the father of basketball superstar Pat Riley forced him to play basketball with kids who were stronger and tougher than he was. He said it forged his son into a winner. I can see the principle at work, but it doesn’t come naturally to me. In my efforts to provide you with the parenting you missed as a kid, I’ve always preferred a gentler, more nurturing approach. Nevertheless, the time has come to override my personal desires for the sake of your character-building needs. I recommend that you force yourself to play with grown-up kids who’re stronger and tougher than you.

<Zb^c^ (May 21–June 20): I wouldn’t get too agitated about the supposed “writing on the wall” if I were you. The handwriting is not God’s, for God’s sake. It’s not even that of a wise elder or young genius. So don’t attribute too much authority to it, please. It’s just the opinion of someone who doesn’t know any more about the ultimate truth than you do. So I suggest you cover it up with black spray paint and then carefully inscribe your own version of the writing on the wall. Reality is especially malleable right now, so the most forcefully expressed prophecy will probably come true. 8VcXZg ( June 21–July 22): I believe that when you chatter carelessly about a big change that’s in the works, you’re in danger of draining it of some of its potency. So I don’t want to trumpet or gossip about the gift that’s on its way to you. I’ll just mention that it’s coming, and urge you to prepare a clean, well-lit place for it to land. Here’s a hint: It could, among other things, help you convert one of your vulnerabilities into a strength or inspire you to start transforming an area of ignorance into a future source of brilliance. AZd ( July 23–Aug. 22): At the farmer’s market,

an escape artist performed in the middle of the street. As a crowd gawked, he had two big strong men tie him up tight in a straitjacket and 50 feet of chain. For the next 20 minutes he shimmied and contorted and bent over backwards. His face grew red and sweaty. There were no Houdini-like magic tricks. There were no puffs of smoke or magic boxes or mirrors or distracting assistants. He rarely spoke as the ordeal progressed, but in the end, after the last of the chains slipped off and he wrestled his way out of the straitjacket, he said simply, “Now I invite all of you to go home and use what I just did as a metaphor for your life.” It was a supremely sexy performance, and I realized maybe it would help you with your current situation.

K^g\d (Aug. 23–Sept. 22): Your concentration for dicey assignments, like conquering fear and adversity, is sharp. And I bet you’ll summon a lot of stamina and resourcefulness if you’re pressed to solve a crucial riddle during a turning point in your own personal hero’s journey. On the other hand, humdrum details have the potential to flummox you, especially if they involve tasks you’re not even that interested in or committed to. The moral of the story: Banish absent-mindedness by keeping yourself focused on only the most riveting challenges. A^WgV (Sept. 23–Oct. 22): The sky will not start falling. But something resembling heavenly tokens may cascade down with such frequency that you’ll be wise to keep looking up a lot. You never know when another piece of the blessed puzzle will come raining down. And it would be a shame to suffer the embarrassment of having your favorable fortune knock you over. Who’d have ever guessed that a shower of good news would be such a tricky trial? HXdge^d (Oct. 23–Nov. 21): How well are you

capitalizing on this year’s unique opportunities,

Scorpio? Since we’re midway through 2009, let’s take an inventory. I hope that by now you have at least begun building the power spot or energy source that will serve as your foundation for the coming years. So much the better if it’s more than halfway finished and will be ready for full use by the end of summer or early fall. Remember my promises: Life has been and will continue to be conspiring to get you settled in your ideal home base, supercharge your relationships with your closest allies, and connect you with the resources that will fuel your long-term quest.

HV\^iiVg^jh (Nov. 22–Dec. 21): In the Middle

Ages, people became adults when they turned 7 years old. These days, the threshold is much later. I’m happy about that. In my view, the longer you can hold on to your playful irreverence and innocent lust for life, the better. Still, there is value in taking on the kinds of responsibilities that help you express yourself with grace and power. So I don’t mean to rush you, but it might be time to take a step toward being on the verge of tiptoeing to the brink of preparing to accept more adulthood into your heart. You could make the process less harrowing by hanging out with those rare wise guys and wise girrrls who’ve survived the transition to greater maturity and a higher degree of professionalism with their youthful flair more or less intact.

8Veg^Xdgc (Dec. 22–Jan. 19): I don’t care what you

feel this week, as long as you don’t feel nothing. Get inflamed with hunger or justice or sadness or beauty or love, but don’t submit to apathy. Don’t let yourself be shunted into numbness. You can’t afford to be cut off from the source of your secret self, even if it means having to feel like hell for a while. And the odd thing is that if you’re willing to go through hell, you won’t have to go through hell. So to hell with your poker face and neutrality and dispassionate stance. Be a wild thing, not a mild thing.

6fjVg^jh ( Jan. 20–Feb. 18): The Iliad is an ancient

Greek epic poem that describes events near the end of the Trojan War. Most modern critics regard it as a foundation stone of Western literature. In my opinion, though, it’s mostly just a gruesome tale of macho haters who are inflamed with pride, treat women like property, and can’t stop killing each other. I share the perspective of poet Diane di Prima, who once had a dream in which the Iliad was cast as gangsta rap. Now please adopt the style of our critique for use in your own life, Aquarius. What supposedly noble or important situation is actually pretty trivial or clichéd? It’s time for you to tell the truth about the hype.

E^hXZh (Feb. 19–March 20): “May you live in

interesting times.” That old toast is actually a droll curse meant to be heaped upon an enemy. “Interesting” implies rapid change, rampant uncertainty, and constant adjustment. What’s preferable is to live during a boring era when stability reigns. Or so the argument goes. But I reject that line of thought. I celebrate the fact that we’re embroiled in interesting times. I proclaim our struggles to navigate the sharp turns and uphill climbs to be a jubilee of the first degree. What fantastic luck it is to be on the planet when everything mutates! May we be up to the task of bringing heaven down to earth. May we be worthy of the trust the universe is placing in us. Now get out there, Pisces, and enjoy the hell out of the epic and entertaining drama we’re stewarding. This is your time to be a leader and a luminary.

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If somebody’s going to walk away from a fatal car crash, you really want it not to be the inebriated loser who caused it. However, while all the facts aren’t in, there’s reason to think drunk drivers sometimes get a break they don’t deserve. We’ll call what you’re describing the luckydrunk hypothesis. Although it’s been floating around for a long time, scientists apparently first examined it seriously in a 1982 study of trauma victims treated at a Texas hospital (Ward et al., American Journal of Surgery). Roughly a third of the 1,200 patients had been drinking. Drinkers and nondrinkers had equally severe injuries. The surprise: The death rate among nondrinkers was one in six; the death rate among drinkers, one in nine. Complication: the researchers were looking at all kinds of trauma, not just trauma caused by car wrecks. Subsequent studies have produced mixed results, but even those undercutting the lucky-drunk hypothesis had their puzzling aspects. Some examples: • A two-year study at a Seattle trauma center found intoxicated men had lower death rates and less severe injuries than sober men for all types of trauma except car accidents. (Women didn’t see much difference.) Overall, the drunker the victim, the less severe his injuries and the less likely he was to die. • Examining data on more than a million drivers involved in car crashes in North Carolina, a research team headed by Patricia Waller reported in 1986 that drunk drivers were roughly twice as likely as sober drivers to be seriously injured in a car crash and two to four times more likely to die. Oddly, however, they found drivers with blood alcohol concentrations (BACs) between 0.15 and 0.19 percent (i.e., really drunk—legally drunk is 0.08 percent) suffered less severe injuries than those with other, often smaller amounts of alcohol in their system. • A 1992 study in Vermont focused on 427 trauma victims, 43 percent of whom had been in auto accidents. Drinkers suffered more head injuries on average, had six times the death rate of nondrinkers, and were much more likely to suffer from serious injuries. On the other hand, the legally drunk had fewer really bad injuries than the moderate drinkers. The difference wasn’t statistically significant, though.

A 1997 review found such studies of alcohol and injury fell into two groups showing opposite results: (1) Research based on reports from emergency personnel generally found alcohol use meant increased risk of serious injury or death. However, the severity of the trauma often stemmed from side effects of drinking such as speeding or not wearing seat belts, not from drinking itself. (2) In contrast, most studies of hospitalized trauma victims found no relation between drunkenness and injury severity, and a few found alcohol had a protective effect. One possible explanation: The EMTs’ injury assessment method exaggerated trauma severity in drunks, particularly those with head injuries, who were then more likely to be hospitalized. So you had a lot of hospitalized drinkers whose problems seemed worse than they were, perhaps skewing the results. No doubt hoping to settle things once and for all, Patricia Waller led a team that published another study in 2003. Taking numerous variables into account, the group looked at data for almost 1,400 car wreck victims and found that, on the whole, alcohol increased injury—but the effect wasn’t linear. As in previous studies, injury severity dipped sharply in accident victims showing a BAC between 0.15 and 0.19 percent, but also for victims with BACs above 0.25 percent, or very, very drunk. Waller and company thought they could come up with an explanation for the high-end drop, but the midrange dip was a complete mystery. Conclusions for now: 1. We sure don’t know that alcohol protects drunks by making them more relaxed. 2. It does seem to protect them in a limited sense. In general, alcohol makes injuries worse, and no one’s saying being drunk is safer than being sober, but research has repeatedly shown that under some circumstances drunks get hurt less than you’d expect.

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M E T R O S I L I C O N VA L L E Y

JULY 8-14, 2009

STRAIGHT DOPE

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CLASSIFIEDS JULY 8-14, 2009 M E T R O S I L I C O N VA L L E Y

Home Improvement g Notice

Home Services

Notice To Readers California law requires that contractors taking jobs that total $500 or more (labor or materials) be licensed by the Contractors State License Board. State law also requires that contractors include their license number on all advertising. You can check the status of your licensed contractor at www.cslb.ca.gov or 1-800321-CSLB (2752). Unlicensed contractors taking jobs that total less than $500 must state in their advertisements that they are not licensed by the Contractors State License Board.

Cabinets and Furniture Elegance and beauty for the discriminating homeowner /contractor. Paul Sable, Master Craftsman, 44 years experience, Creating amazed and contented clients. Free design consultation and estimate. References galore. 831/345-3540

Supersaver Handyman Licensed. 30 years experience. Looking forward to hearing from you. #2245731674. 408/559-5957.

All real estate advertised in Metro Newspapers is subject to the State and Federal Fair Housing Act, which makes it illegal to advertise any preference, limitation, or discrimination based on race, color, religion, sex, handicap, family status (the presence of children), or national origin, or the intention to make any such preference, limitation, or discrimination. State and locate laws forbid discrimination in the sale, rental, or advertising of real estate. We will not knowingly accept any advertising for real estate which is in violation of the law. All persons are hereby informed that all dwellings advertised are available on an equal opportunity basis to the best of our knowledge.

g Apartment/Cottage

Campbell - One Month Free Rent Spacious 1 bedroom 1 bath $995, Jr. 1 bedroom $895, 2 bedroom, 1 bath upstairs $1200-1295, downstairs $1295. 2 bedroom, 1.5 bath Townhouse $1325, 3 bedroom 2 bath $1595. Great community close to Downtown Campbell. Close to all major freeways. 408/374-8203.

Boulder Creek

Land

Boulder Creek

40 acres. Timber Preserve Zoning. Creek frontage. Wild and serene. Off grid. Private Road. Small ridge top site. Good owner financing offered. $295,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc., Broker at 408/395-5754 or www.donnerland.com

10 acres. Rough and rugged and a beautiful spot right on top! Long private bumpy road. Private road association. Good owner financing. $215,000. Shown by appointment only. Contact Deborah J. Donner, Donner Land and Mortgage Co., Inc. 408/395-5754 or www.donnerland.com

Boulder Creek

This one is a beauty! Come see. Bloom Grade. 5 acres. TPZ. Private road. Serene and A Beautiful spot! 16 acres. Pre-site quiet. By the golf course. development review completed. Ridge-top view. Beautiful. It used to be a helicopter landing Power and water. Pad pad. Full sun, tremendous views. cleared. $289,000. Shown by Easy access. Good well. appointment only. Contact E-Z location. Timber Preserve Deborah J. Donner, Donner Zoning. $485,000. Shown by Land and Mortgage Co., Inc. appointment only. Contact 408/395-5754 or Deborah J. Donner, Donner Land www.donnerland.com and Mortgage Co., Inc. 408/395-5754 or All Areaswww.donnerland.com

Boulder Creek

Rentmates.com

***FREE Foreclosure Listings*** Over 200,000 properties nationwide. LOW Down Payment. Call NOW! 1-800-446-1328 (AAN CAN)

Browse hundreds of online listings with photos and maps. find your roommate with a click of the mouse! Visit: www.Rentmates.com. (AAN CAN)

Real Estate Sales

g Homes

Spectacular 108 Acre

Rentals ALL AREAS RENTMATES.COM Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Rentmates.com. (AAN CAN)

ALL AREAS - HOUSES FOR RENT Browse thousands of rental listings with photos and maps. Advertise your rental home for FREE! Visit: http://www.RealRentals.com (AAN CAN) Class: Rent or Lease

NH Lakefront Estate & Horse Farm. The Most Amazing Property Available Anywhere. $5,000,000. See Pictures At: ViewWebPage.com/4PYS or Email: bendbenson@gmail.com (AAN CAN)

Soquel - Three Level Townhome Home owners association fees are just $190 per month for this 3 bedroom 2 and a half bath home with nearly 1500 sq. ft. of living space. Private patio, fireplace, attached garage, WOW! This one is worth taking a look at Priced at $415,000? Call Team Thomas with David Lyng R,E. work4-u.com 831/402-2442

Post your event ... for free! Shop at Home Better Carpet • Better Service • Low Prices All Major Brands • Free Estimates

T h e C a rp e t e n t e r C Carpet • Laminates • Hardwood • Vinyl

Guaranteed Installation 535B Salmar Ave, Campbell

408.871.0792

Lic# 792342

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M E T R O S I L I C O N VA L L E Y JULY 8-14, 2009 CLASSIFIEDS

real estate

H

O AG ES LL K DE LA A 7 ST OF VI ND IN A D EL TE TH CA OF LO OME

FIVE STAR PARK ##### Asking $269,000

New Mexico 1 Acre • $2,995 Approx. 20 minutes South of Deming. Good weather, View of Mountains. $95 Down - $58.80/month/60 months Call owner for appt, maps, photos

landbargins.com

408.733.9518

• Best location in the park • Lake view, steps to club house • Pool, work out room, Jacuzzi • 3 spacious bedrooms, 2 baths • Custom designed with entry foyer • Gourmet chefs will love the kitchen • 1650 square feet, cathedral ceilings • All age park, beautiful surroundings Judy Ziegler GRI, CRS, SRES ph: 831-429-8080 cell: 831-334-0257 www.cornucopia.com

AN EXPERIENCED

TEAM

for buying, selling and managing property in Santa Cruz County

Pacific Sun Properties 734 Chestnut Street Santa Cruz, CA 95060 831.471.2424 831.471.0888 Fax www.pacificsunproperties.com

[75]

Back page

0927

Metro’s

To place your ad call

408.200.1396

The Hottest Show in Town

Medical Marijuana and Family Practice M.D.

The Crucible’s 9th Annual FIRE ARTS FESTIVAL July 15-18, 2009 8PM to midnight. Tickets $35-$55; advance purchase tickets recommended. www.thecrucible.org or 510-444-0919

Cheapest prices, ANXIETY, CANCER, CHRONIC PAIN. Medical Records needed. 24/7 verification by phone & internet. Discount for Medicare & Veterans. 408.262.3412 or 408.307.2123. 615 S. Main St. #6, Milpitas 95035 $10 off w/ this ad.

4th of July Horse Camp Special! Space is limited and sessions fill up fast, so visit www.cevaloridingacademy.org to sign up today!

Managers & Trainees Wanted (No Layoffs Here)

Turn Your Old Car Into A Blessing And A Tax Deduction

Are you responsible, consistent, self motivated, positive & goal oriented? Do you like to talk to people? Then this is the job for you! Training & support. Team work. Flexible hours. Unlimited earning potential. PT or FT. Check us out at the IHOP Restaurant Conference room, 7:30pm, Tuesdays, 5403 Stevens Creek Blvd., Santa Clara. Bring the Metro ad. Call Jerry, 408-750-7250.

Running or not, the Rabbi will throw in free towing call 408-358-5530. Your old car can help Chabad help others

Heller Immigration Law 25+ Years In S. Bay FREE Consultation with an Attorney! 800/863-4448 or www.greencard1.com/consult@greencard1.com

Make-Up Artist Certification

Roxanne’s Downtown

Training in Film/TV/Fashion Make-Up & Hair. Also Special Effects, Airbrush Make-up, & Portfolio Development. Job internships. AcademyofCosmeticArts.com, 408-356-6111.

Professional massage. 899 W. San Carlos, San Jose. Open 7 days, 10am to 10pm 408-292-0505, CMT

Cash For Junk Cars $50-$100

Oil massage. 7 days. 10am-9pm. Call Steve, CMT for appt. 408-224-0504

408-561-0431

Focus, Learn How To Meditate And Why!

A Relaxing Massage Massage By Michael Great massage by Asian man. In $50. Outcall $70. By CMT. For days 408-551-0767 or after 7pm 408-893-1966.

Enjoy life! Calm the mind. Improve relationships. Make better decisions. Meditation and Buddhist View with Reed Your Personality Determines Your Sherman. Everyone is welcome. No previous experience Happiness necessary. $10 per class. Every Wednesday evening, Know why? Call for your free personality test. 7:30-9, Unitarian Universalist Fellowship of Los Gatos, Call 1-800-293-6463 15980 Blossom Hill Rd. Los Gatos, 95032. Call Kelsang Gamo 408/226-0595 for information or visit us at Door To Door Meat Men Wanted www.MeditationInSanJose.org 6 days/week. Clean DMV. Must be able to drive stick. Come sell the best product in the country! Slammin' Grand Opening commission. $400 cash a day! Check out our products at The best Asian Acupuncture & massage will make you feel www.eprimecuts.com Call M-F. Josh, 408-590-1730. like a new person. Stevens Creek & Hwy 85 408-973-8179

Orchid Beauty & Spa Hair, Nails, Skin Care, Waxing, Relaxation Facial Massage & Body Treatment. 2425 S. Bascom Ave. 408-369-8999

Beauty Day Spa Skin care, massage & waxing. 278 Hope St. #D. Mountain View. Visa & M/C. mvfacialbeauty.com 650-965-9588

THE PERFECT SFO PARKING SOLUTION

Marriage breakdown because of incompatible personalities? If you and your partner are having trouble come in and get your personalities checked, as this may be the reason for your disputes. Call 408-383-9400

TREK for a Change in Yosemite Check us out at www.TREKforaChange.org or call 415-621-5899 for more info.

Medi M edi C Cann a ann MEDICAL MARIJUANA SPECIALISTS

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Open 24 hours/ 7days. No reservations required. Offer valid until 12/31/09. Not valid with any other offer. Free shuttle to and from all SFO terminals!

SMA AIRPORT PARKING

Toll free: 1-866-PARK-SMA 1080 San Mateo Ave. South SF www.smaairportparking.com

FFree ree Identification Identification Card Card 24 Hour P Phone hone and IInternet nternet Verification Verification on Medical/Medicare/Veteran Medical/Medicare/Veteran a Discounts Discounts A Available vailable

New Ne w LLocation ocation in S San an JJose 1.866.632.6627 www.medicannusa.com w ww.medicannusa.ccom

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