001 THE ARTS MAG
OKANOGAN COUNTY
The Culinary Arts Issue
Board of Directors Staff
PRESIDENT
Missi Smith
VICE PRESIDENT
Jill Sheley
TREASURER
Dorothy Mitchel
BOARD MEMBER
Livia Millard
BOARD MEMBER
Nicole Ringgold
BOARD MEMBER
Salyna Gracie
BOARD MEMBER
Ray Johnston
ADVISORY MEMBER
Don Ashford
EXECUTIVE DIRECTOR
Sarah Jo Lightner
EDUCATION DIRECTOR
Maddie Lee James
OPERATIONS & EVENTS
COORDINATOR
Patti Somerville
COMMUNICATIONS & MARKETING MANAGER
Cailee Maestro
VISUAL ARTS EDUCATION SPECIALIST
Erin Meehan
LITERARY ARTS SPECIALIST
Nick Littman
METHOW VALLEY ART SPECIALIST
Judith Robertson
PROGRAMS ASSISTANT
Mackenzie Mayhem
Methow Arts Magazine
CONTACT
methowarts.org
info@methowarts.org
Intagram: @methowarts
STOCKISTS
We would love to have our magazine in your business, cafe, or venue! If you would like to stock Methow Arts Magazine, please inquire at info@methowarts.org
DESIGNERS
Cailee Maestro
Mackenzie Mayhem
ILLUSTRATOR
Mackenzie Mayhem
COPY EDITOR
Aspen Kvicala
PRINTERS
Wenatchee World
FEATURED ARTIST PHOTOGRAPHER
Steve Mitchell
COVER PHOTOS
Steve Mitchell
METHOW PRIDE PHOTOS
Gold Lens Photography
Steve Mitchell
SUPPORTERS
Public School Funding Alliance
Icicle Fund
Community Foundation
Arts WA
Three Rivers Hospital
Waste Wise
Creative West
Blue Star Coffee Roasters
PARTNERS
TwispWorks
Confluence: Art In Twisp
Methow Pride
The Merc Playhouse
Winthrop Rhtyhm & Blues
SPONSORS
Blue Star Coffee Roasters
The Confluence: Art in Twisp
True North Letterpress
Three Fingered Jacks
Purple Sage / Methow Reservations
Methow Valley News
Blue Sky Realestate
Ryzo
Casia Lodge
Johnston Architects
KTRT The Root
Friends of the Library
from the director
Dear Reader,
It is with immense joy and gratitude that I write to you as we reintroduce our Arts Magazine— a publication that celebrates the vibrant, evolving creative spirit of Okanogan County.
Over the years, our magazine has been a lens into the rich cultural fabric that binds us— showcasing artists, events, and stories that reflect the diversity, resilience, and brilliance of the communities throughout our county. After a pause, we are thrilled to be bringing it back, refreshed and reimagined, as a testament to the enduring importance of the arts in our daily lives.
I want to extend my deepest thanks to the incredible artists, writers, performers, and creative visionaries who continue to inspire us with their talent and dedication. Your work not only fuels the soul of our place but also shapes the identity of who we are as a county. Your creativity has kept the spirit of the arts alive, even through uncertain times, and we are honored to amplify your voice once again.
Looking ahead, Methow Arts remains committed to deepening our impact, expanding access to the arts for all, and boosting the creative capital of Okanogan County. We are excited to continue building partnerships, nurturing creatives, supporting arts education in our schools, and celebrating the intersection of creativity and community. This magazine is just one way we reflect and support the diverse expressions of arts and culture that flourish in Okanogan County.
Thank you for believing in the power of the arts and for walking alongside us on this journey. Here’s to the future filled with imagination, c ollaboration, and inspiration.
With gratitude and excitement,
Sarah Jo Lightner Executive Director
P.S. A special thanks to Cailee Maestro and Mackenzie Mayhem for their vision and work on this publication. Congrats, I really love what you two have done!
Table of contents
METHOW ARTS
THE CONFLUENCE: ART IN TWISP
For those who know the Methow Valley, TwispWorks is more than just a place— it’s a rhythm, a pulse, a quiet yet consistent force shaping the creative landscape of our community. Once a ranger station, now a hub of self-expression and exploration, it stands as a testament to the power of inventiveness, vision, and perseverance. Artistry spills onto every surface of this campus, every open studio, every passing conversation.
THE ARTISTS AMONG US
TwispWorks is home to a community of creators who shape raw materials into something extraordinary. Whether through metal,paint, fiber, or ink, each artist contributes to the vibrant tapestry that defines this campus. Here’s a quick rundown of the hands and minds shaping that work:
Bethany Wray
Watercolor becomes memory in Bethany’s paintings—each stroke capturing the light, movement, and essence of the valley’s ever-changing seasons. Through her workshops, she invites others to find their own rhythm in paint.
Camille Leininger
A jewelry artist who handcrafts one-of-a-kind metal pieces, honoring traditional techniques and artisanal craftsmanship. Committed to sustainability, she sources ethically mined stones and recycled metals to create timeless jewelry that reflects her deep connection to nature.
Culler Studio
Textiles and handcrafted dyes by the legendary Sara Ashford, who specializes in creating unique colors using earth pigments—both ancient and exotic—as well as locally gathered botanicals.
Don Ashford Pots
The newly remodeled Bernie Hosey basement is now home to Don Ashford and his pottery creations, which showcase the ancient Japanese technique of Kurinuki. Don’s love of pottery has brought him joy for over 50 years, during which he has honed a skill that produces usable items for every type of enthusiast.
eqpd
Championing durability and sustainability, eqpd designs and manufactures functional, ultradurable bags and accessories built for real life.
Fireweed Printshop
A collaborative printmaking studio run by Laura Gunnip, where ink meets imagination and bold, tactile designs come to life on paper and fabric.
Hannah Viano
An artist, illustrator, and storyteller whose striking cut-paper designs distill the beauty of the natural world into bold, elegant forms.
Heroncraft
A collaborative venture between Alicia and Paige Heron, dedicated to the art and science of natural building and fine woodworking.
KTRT The Root
More than a radio station, KTRT is the Methow’s independent voice, keeping the community connected througm usic, news, and local storytelling.
Masha Falkov
A multimedia artist weaving steampunk narrative and scientific intrigue through glass sculpture, 3D printing, and illustration—inviting viewers into a world of intricate, organic beauty.
Methow Metalworks
Blending craftsmanship with creativity, Jerry Merz forges custom pieces that balance industrial strength with artistic expression.
Methow Valley Goods
A showcase of the region’s best handmade and locally produced items, supporting the artists and artisans of the Methow.
Old Schoolhouse Brewery Taproom
More than just a brewery, it’s a gathering place where craft beer meets community spirit in the heart of Twisp.
Orchard House Bakery
A mighty confectionery crafting handcrafted, seasonal doughnuts that turn simple ingredients into edible art—plus offering the best homemade chai in the region.
Peter Nawrot Woodworking
Creating finely crafted furniture, cabinetry, and wood sculpture, Peter Nawrot blends traditional woodworking techniques with uniquely stunning wood.
Red Umbrella Design
Founded by illustrator and graphic designer Baylie Peplow, this studio specializes in nature-inspired art and illustrations, offering prints and original works that bring beauty and meaning to everyday life.
The Wild In Us
A custom saddle and leather goods workshop founded by Trent Peterson, who blends traditional craftsmanship with a passion for the equestrian lifestyle. He donates a portion of each sale to the National Ataxia Foundation in his father’s honor.
Unruly Beings Tattoo and Tarot
Founded by Caitlin Cordell, the studio specializes in fine line, black and gray illustrative tattoos inspired by nature. With a background in social work, Caitlin takes a trauma-informed approach, using tattooing as a tool for healing and personal expression.
Velocity Made Good
Multidisciplinary artist Perri Lynch Howard creates site-specific sculpture, sound installations, and integrated public art. Rooted in exploration and a deep sense of place, VMG investigates the intersection of sound, landscape, and human impact.
Kelleigh McMillan
Under the name Songbird Jewelry, Kelleigh crafts pieces meant for movement—light, organic, and effortless. She also shares her craft with young artists, ensuring that knowledge and creativity continue to flow through generations.
Methow Valley Goods
NEW PLACE, SAME HEART: METHOW VALLEY GOODS
Since 2020, Methow Valley Goods has been a small but mighty beacon of handmade craftsmanship, a place where the creative pulse of the Methow Valley beats strong.
If you haven’t popped in recently, you might be surprised to find that the shop recently moved— just a couple doors down! Now tucked into the Bernie Hosey building, the new space offers the same beloved collection of artisan goods, just with a fresh layout and a little extra breathing room.
This shop is not just a collection of shelves stocked with beautiful things—it also happens to be powered by the hands that make them. Many of the artists whose work you’ll find here also volunteer their time, bringing their passion and expertise directly to the space.
Elise Knight of Sewn by Elise stitches together joy in the form of children’s clothing, while Anna Patterson of Piccolina Art fills the space with paper goods,
handcrafted earrings, and cozy hats. Peggy Stansbury of Homestead Craft adds warmth with her handmade ornaments and dolls, and Susan Finn of Beading by Sonora Jane strings together intricate beaded earrings, necklaces, and bookmarks. Marcia Ives of Marcia Ives Pottery fires up the kiln to create sturdy, beautiful pieces for everyday life. Each of these artists aren’t just selling their work—they’re shaping the space itself, tending to it like a well-loved garden.
The move to the Bernie Hosey building marks a new chapter, but the story of Methow Valley Goods remains the same: a gathering place for craft, community, and creativity. Whether you’re searching for the perfect gift, something special for your home, or just a moment of inspiration, step inside and see what’s new. You might even run into the hands that made it.
For more information visit: www.methowvalleygoods.com
GEARING UP FOR ANOTHER SEASON OF FOURTH FRIDAYS
Summer’s rolling in, and that means it’s almost time to unfurl your picnic blankets, dig out your camp chairs, and head to the Pavilion, because Fourth Fridays are back.
If you’re new or just passing through, Fourth Fridays is TwispWorks’ free summer concert series held at the lovely Pavilion stage at the center of our campus.
Local and regional bands, food vendors, a little dancing (or a lot, depending on the drink deals from OSB), and that one neighbor who always brings out the fancy moped (if you know you know). If you’ve been before, well, you already know the drill. These nights have become a sort of unofficial monthly holiday, where we press pause on the week and remember how good it feels to be outside with music and one another.
This year’s lineup is pretty spectacular. We’ve got new genres, new faces, and a couple returning favorites we just couldn’t resist inviting back. Our goal is to bring music that gets toes tapping and heads nodding—even if you swear you don’t dance (you do, we’ve seen it).
We really want to emphasize that these shows do not magically appear out of the twinkly night sky. Every single part of Fourth Fridays, from
the stage setup to the sound tech to paying the actual humans making the music is covered by our sponsors. Local businesses have stepped up in a big way to make these events possible, and we’re not just saying that to be polite. Without them, there would be no Fourth Fridays. So when you see their names—Old Schoolhouse Brewery, Methow Valley Lumber, Cascade Pipe & Feed Supply, Thomas Fragnoli Construction, SCW Construction, and Twisp House of Cannabis—know that they’re the reason your summer evenings sound better.
At TwispWorks, we’re not trying to compete with the Gorge or anything. We just think there’s something magical about bringing people together for a few hours, on a patch of grass, under the Methow sky. And we’re proud to help make that happen, with a whole lot of local love.
So here’s your official invitation: join us on the fourth Friday of each month, May through September, starting at 7PM.
Bring your crew, bring your grandma, bring you best dance moves (or at least your best sway). We’ll handle the rest!
For more information visit: www.twispworks.org
Methow Arts enriches the lives of people in Okanogan County by making the arts an integral part of public school education, economic vitality & community. We envision a future where artists & art organizations collaborate & thrive, where the arts are part of the consciousness & experience of people of all ages.
WHY ART MATTERS: LISTENING, LEARNING AND CREATING WITH STUDENTS
By Maddie Lee James
This year, Methow Arts celebrates its 38th year of providing arts education, a remarkable accomplishment in a rural place such as Okanogan County. When I stepped into the role of Education Director, I was following in the footsteps of some incredible folks who kept this organization going and built a legacy full of light. Still, the path ahead wasn’t entirely clear.
With big transitions happening, this school year marked the beginning of a new cycle. Methow Arts had new leadership, and we were revisiting our strategic plan. Our schools and students were still recovering from the pandemic. The systems we relied on had been turned upside down. The way students learn has changed, and so has the way teachers teach. On top of that, our school districts were facing severe budget shortfalls and had to make hard decisions about cutting programs and staff. We didn’t know if arts education would remain a priority.
So the first step was to listen. Our Executive Director, Sarah Jo, often says, “You shouldn’t build it for them, without them.” We needed to
check in before moving forward and ask the real questions: Should we continue bringing arts education to all of Okanogan County? Are there other community partners better equipped to carry this work forward? Does the community truly value arts education? Do our educators? Do our kids?
When I asked these questions to school administrators and community leaders across the county, the answer was an overwhelming yes. They shared story after story about the impact of professional artists in classrooms and the joy students experienced from the performances Methow Arts brings into schools. One superintendent said, “You can’t become what you don’t see.” For many kids in Okanogan County, those performances are the only live music or theater they get to experience. Many don’t leave their small towns and don’t meet people who are using their creativity to make a living. Again and again, I heard that people want Methow Arts to continue this work, because without it, students simply don’t have access to these kinds of opportunities.
I also heard from principals that as students move into fifth and sixth grade, art education starts to fade out. Teachers are under pressure to meet academic standards, and by the time many kids reach high school, they haven’t had any art instruction for years. That led me to look deeper into this age group and what they’re facing.
In 2023, sixth graders across Okanogan County, including the Methow Valley, took part in the Healthy Youth Survey. It’s been done for decades, and the results are publicly available. What I found was moving.
22% of students reported being extremely worried about their families being able to afford rent or housing.
54% of students said they worry about having enough food.
27 % of students said they had seriously considered suicide, and 8% had attempted it.
The reasons are complex: rural isolation, lack of resources, too much screen time, the lingering effects of the pandemic, climate anxiety, and more. But whatever the causes, it’s clear that a lot of young people in our region are feeling overwhelmed, unsafe, and disconnected.
Our Mission
At Methow Arts, we believe that arts education is one of the most powerful tools we have to support young people. And the data backs us up. Students from low-income households who participate in the arts are five times more likely to graduate high school. Classrooms that include arts education report fewer behavioral issues and disciplinary problems. Art helps kids feel a sense of belonging, manage stress, and connect with their own sense of identity and expression.
With that in mind, we’re committed to expanding our reach. In the past, most of our programming focused on Methow Valley students. Now, we’re shifting toward a more regional model. We’re building a consistent, flexible curriculum and hiring a team of educators who can bring art into classrooms across Okanogan County.
Our curriculum is designed with intention. Every lesson is rooted in the idea of connection, to self, to others, to community. We want students to express their experiences and share their stories. Rather than focusing on technical skill or preparing students to become professional artists, we believe that every child is already an artist. Our job is to help them explore different mediums and figure out how they want to tell their story.
Our teaching artists are trained to create safe, welcoming classrooms where students know what to expect and feel free to explore. Each class series introduces a new art form, screen printing, block printing, clay, mending, papier-mâché, bookmaking, letterpress, and more. Our goal is for every student to feel engaged and successful in their own creative process.
The 2025 Pilot
This year, we put that vision into action. With guidance from our Education Committee and longtime teaching artists like Bruce Morrison, Laura Gunnip, and Emily Post, we launched a pilot program that exceeded our expectations.
These artists not only trained our new team but co-taught classes alongside us, sharing their skills and mentorship.
Over the past school year, we taught 111 classes and reached 346 students. We continued two community favorites: sculpture creatures and block prints. And for the first time, we expanded those projects beyond the Methow Valley, bringing them to students in Brewster, Pateros, Paschal Sherman Indian School, and East Omak.
What we saw in those classrooms confirmed everything we hoped. Students were engaged, curious, and excited. Teachers were thrilled to have us and already want us back next year. You can see some of the student art on display now at Three Rivers Hospital, definitely stop by and take a look.
Overall, this academic year has been fantastic for students in the county. In addition to our visual arts program we served over 5,500 students through our performance enrichment and our annual author’s visit. Plus, we added a literary arts component to our teaching portfolio with the addition of Nick Littman, literary arts specialist.
Looking ahead, we hope to collaborate with more regional artists and expand our offerings to include screen printing and letterpress. We know that more budget cuts are likely, and we’ll be relying on volunteers and donors like you to help keep these programs going.
Thank you for believing in this work. Arts education doesn’t just enrich lives, it saves them.
METHOW ARTS FEST MARKS 38 YEARS OF ART, MUSIC, AND COMMUNITY
Join Methow Arts for the 38th Annual Arts Fest on Friday, July 4, 2025, at the TwispWorks campus in Twisp, WA. The fun begins at 11:30 AM, immediately following the beloved Twisp Fourth of July parade.
This vibrant, family-friendly festival features hands-on art booths, live music, dancing, fun entertainment, and plenty of creative surprises for all ages. This year’s stage lineup includes high-energy performances bringing rhythm and soul to the celebration.
Tickets are $25 for adults, $5 for youth ages 6–17, and free for children 5 and under.
Tickets on sale now!
All proceeds benefit Methow Arts programs serving schools and communities throughout Okanogan County.
For more information, visit: www.methowarts.org
The Shift
The Zaniac Comedy Show
Friday Feels
The Confluence: Art in Twisp, a 501c3 organization, was founded in 1988 by a small, forward-thinking group of artists who felt the Methow Valley needed a place to gather for the celebration of the visual arts. Since that time, The Confluence has become a cultural landmark in downtown Twisp.
Artwork by Janet Fagan
As the only non-profit art gallery in the county, The Confluence proudly showcases the work of Okanogan County artists and beyond. The gallery hosts sixteen shows each year, eight in the main gallery and eight in the Community Gallery, and strives to share work from all segments of our rural community. The Confluence Gift Shop boasts an array of jewelry, ceramics, textiles, and other one of a kind items from artists across the region.
By curating high-quality exhibits and a unique gift shop, The Confluence has been able to make an impact on our local economy by putting money back in the pockets of working artists.
The Confluence is proud to host two populare events: the annual Trashion Show, a showcase event that features local designers who create high fashion using recycled materials, and the
Methow Valley Home Tour, an exploration of what it looks like to live in the valley.
This year, literary arts was officially added to The Confluence’s mission. We continue to work closely with The Confluence Poets, hosting regular meetings, workshops and readings, and will increase our literary programming by bringing renowned writers to the Methow Valley as we work to expand our cultural landscape.
The Confluence: Art in Twisp is located at 104 Glover Street in downtown Twisp, Washington and gallery and gift shop hours are 10AM-5PM Tuesday through Saturday.
To contact the gallery, call 509-997-ARTS, email: info@confluencegallery.org, or visit: www.confluencegallery.org
Artwork by Margaret Kingston
OKANOGAN COUNTY
Mazama Store
The Mazama Store in Winthrop, WA, features gourmet provisions, pastries, and local goods. Known for its charm and fresh-baked bread, it’s a welcoming spot for both locals and travelers.
mAZAMA
Try the pear danish, pain au chocolat, or breakfast bagel.
Sun Mountain Lodge
Sun Mountain Lodge in Winthrop, WA, offers stunning views and flavorful cuisine. Enjoy local ingredients in a relaxed, scenic setting, where the breathtaking views enhance every meal.
wINTHROP
Jupiter
Jupiter in Winthrop, WA, is a cozy, counter-service eatery serving globally inspired, health-conscious dishes. porch-side and enjoy espresso, wine, and live music.
Try the naan tacos, the furikake or the hazelnut shortbread cookie. 2 1
Try the huevos rancheros, or the Bluebird Grains old world hot cereal.
Orchard House Bakery
Orchard House Bakery in Twisp, WA, creates small-batch donuts with inventive flavors. Stop in and check out their specials.
Try their signature cardamom, rose, pistachio donut.
Rocking Horse Bakery
Rocking Horse Bakery in Winthrop, WA, is a cozy café in Winthrop that boasts handmade pastries, hearty breakfasts, and strong coffee.
Try the housemade granola, cinnamon pull-aparts, or breakfast sandwich.
The Methow small-town baked for a quick
Try the the veggie
Tonasket Natural Foods Co-op
The Tonasket Natural Foods Co-op Tonasket, WA, is a community-driven cooperative featuring organic ingredients and local produce. Great for vegetarians and mindful eaters.
Try the turkey reuben, or the roast beef co-op melt.
Ryzo
Methow
COUNTY FOOD GUIDE
Tappi
Tappi in Twisp, WA, presents rustic Italian cuisine in a warm, intimate setting. Featuring wood-fired pizzas, fresh pastas, and regional flavors, it’s a cherished gem in the Methow Valley.
Try the Venetian Beef, lemon panna cotta, or the cuscino.
Casia Lodge
cozy, globally
Sit wine, fries, cookie.
Methow Store
Methow Store in Methow, WA, is a small-town gem offering sandwiches, goods, and pantry staples. Perfect quick bite or picnic provisions.
the turkey cranberry sandwich, veggie wrap, or the quiche. �
Casia Lodge in Twisp, WA, features seasonal, locally inspired cuisine by James Beard Award-winning Chef Jason Wilson, offering refined dining with stunning views and a focus on fresh, regional ingredients.
Try the Prosciutto wrapped pears, harissa carrots, or the Wagyu Beef Short Rib.
COLVILLERESERVATION
Lone Point Cellars
Lone Point Cellars in Brewster, WA, pairs handcrafted estate wines with vineyard-to-table cuisine, offering seasonal dishes amid sweeping views of the Columbia River.
Try the Blueberry Bloom Mojito, bacon wrapped dates, or coconut shrimp.
Co-op
Leo’s Tacos
Leo’s Tacos in Oroville, WA, offers delicious Mexican street food, featuring flavorful tacos, fresh salsas, and excellent service.
Try the al pastor tacos or the gorditas.
BEHIND THE BARREL
Crafting Whiskey & Wine with Passion & Precision
By Cailee Maestro
In the Methow Valley, art takes many forms - on canvas, in music, in movement, and sometimes, in a glass. At Lost River Winery, Riley Fink brings an artist’s eye to winemaking, blending intuition with technique to shape expressive, place-driven wines.
Just up the road in Mazama, Willie Devin of Pasayten Whiskey honors the land through small-batch spirits, crafted with grit, patience, and a deep respect for legacy. I sat down with both makers to learn about their experiences, their drive, and their deep-rooted passion for the Methowa reminder that here, artistry flows far beyond the studio walls.
The Art and Grit of Winemaking in the Methow Valley
Riley Fink’s entry into winemaking was almost accidental. Living next door to the previous co-owner of Lost River Winery, Riley’s initial curiosity quickly uncorked a deeper fascination which evolved into a full-fledged creative pursuit.
“It started as just helping out,” Riley reflects, “but before long I was obsessed. Not just with the process, but with the way wine can tell a story.”
That spark of curiosity became a calling, and like many artists rooted in the Methow, Riley found inspiration not only in the craft itself but in the place that shaped it.
Here in the Methow Valley, generations of makers, builders, and visionaries have honed their craft. Winemaking naturally joins the region’s long standing relationship with artistry and resilience. “This valley has a way of shaping your work,” Riley says. “The landscape, the seasons, the community all end up in the bottle.”
An Artist’s Approach to the Barrel
For Riley, winemaking is as much an art form as any. His process blends technical skill with creative instinct. He draws on traditional techniques when needed, but always lets the fruit speak for itself. “I like structure and intention, like what you get with new French oak,” he explains, “but I’m also committed to a low-intervention, fruit-forward style. The best wines, like the best art, are honest and expressive.”
At Lost River, Riley works closely with winemaker and owner Rick Coursey to balance vision with precision. Together, they shape each vintage not through rigid formulas, but through an adaptive, evolving approach. “Rick has his own architecture, and I bring my voice too. That blend of perspectives, that’s part of what makes this work exciting.”
Pouring Pride into Every Glass
Though the winery has earned accolades for standout bottles like the ’22 Syrah and the ’21 Salish Sea white, Riley finds the most satisfaction in moments of connection.
“When I get to pour a glass of Community Red for a neighbor or someone passing through town, it’s a reminder of why I do this,” he says. “It’s about creating something real and shareable. It’s about making something that people can enjoy together.”
Crafted by the Land
The Methow Valley, with its rugged peaks, unpredictable weather, and tight-knit community, has a way of shaping not just people, but the work they produce.
“Winemaking here is different,” Riley says. “We’re putting chains on forklifts in the snow. We’re solving problems on the fly.”
It takes resourcefulness, like so much else in this valley.” That spirit of adaptability runs deep in the Methow’s cultural roots. Farmers, artists, and entrepreneurs have long made something out of what the land offers, adding their own creative imprint along the way.
What People Don’t See
Many people picture winemaking as romantic (and parts of it are), but behind every bottle is a blend of teamwork, improvisation, and
perseverance. “There’s a lot of unseen labor and collaboration,” Riley explains. “From blending to bottling to all the little decisions that shape a wine, it’s a process that demands care and creativity.”
Inspired by Nature, Shaped by Community
What keeps Riley returning to the barrel year after year is a dynamic mix of intuition, the raw power of nature, and the energy of the people who surround him.
“Each vintage is a new conversation with the fruit, the weather, and the land,” he says. “And every year, I refine my process. Lost River has been a space for that growth, for me personally and for the business. It’s not about perfection, it’s about evolution.”
In a region defined by craft, culture, and connection, Riley Fink stands among the artists shaping the Methow Valley’s next chapter, one glass at a time.
Discover Lost River wines and tasting room hours at www.lostriverwinery.com
Pasayten Whiskey and the Spirit of the Valley
Tucked away in the heart of Mazama, Pasayten Whiskey is more than just a spirit, with a reflection of the land, history, and craftsmanship that define the Methow Valley in every sip. At the helm of this operation is Willie Devin, whose passion for distilling runs as deep as the rugged wilderness surrounding his small-batch whiskey production.
When I sat down with Willie, he shared not just the process of making Pasayten Whiskey but also the vision behind it. “This isn’t just about making great whiskey, it’s about building something lasting, something that honors the land of the Methow Valley and the people who cultivate it.”
Rooted in Family and Land
For Willie, Pasayten Whiskey is about legacy and craft. His grandfather, a man who worked this land with his hands and heart, instilled in him the importance of staying grounded—of knowing where you come from and why it matters.
“My grandpa loved this place,” Willie said. “He built his life here, and that’s what I want to do, too. Distilling is about using what you have, respecting the land, and making something real.”
That philosophy runs through every bottle of Pasayten Whiskey. It’s not just a business, it’s a continuation of a story that started generations ago.
Whiskey with a Sense of Place
Willie’s approach to whiskey making is meticulous, from selecting grains to aging each batch with care.
His partnership with Bluebird Grain Farms, a Methow Valley staple known for its organic grains, is a testament to his commitment to keeping production local.
“Working with people in this valley is what it’s all about,” he said. “Supporting each other, using what the land gives us. That’s always been the way here.”
The high desert climate of the Methow Valley plays its own role in shaping the whiskey’s character. The combination of hot summers and cold winters creates a unique aging process, drawing deeper flavors from the oak barrels. The result? A whiskey that captures the essence of the valley itself—wild, rich, and deeply rooted in the place it comes from.
A Vision for the Future
Pasayten Whiskey is growing, and Willie has big plans. His dream isn’t just to make whiskey but to create an experience where locals and visitors alike can gather, sip, and connect.
He envisions an expanded tasting room, a place where people can enjoy a glass of whiskey surrounded by the very land that inspired it. Maybe even food pairings, a curated experience that celebrates the valley’s bounty. It’s a long time coming, but the foundation is there.
“People visit the Valley because they love this place,” Willie said. “I want them to have a whiskey that feels like it belongs here, that tells a story.”
A Story in Every Sip
Beyond the science and technique, Willie spoke of whiskey as a storyteller that captures the essence of its surroundings. He recalled a moment early in his distilling days when a batch came out differently than expected. Instead of discarding it, he leaned into the imperfections and discovered a depth of flavor he hadn’t anticipated.
“That’s when I really understood that whiskey has a life of its own,” he said. “You respect it, give it time, and it gives back in ways you don’t always expect.” Just like the land, whiskey is shaped by time, elements, and patience, something Willie’s grandfather would have understood well.
Not Just a Business, A Legacy
Pasayten Whiskey isn’t just about making a great product; it’s about preserving a way of life. Willie was raised in the Methow Valley. He grew up with the seasons, the mountains, and the community that makes this valley what it is. Now, through his whiskey, he’s giving back to the place that shaped him.
As Pasayten Whiskey expands, one thing remains the same: its roots. What began as a passion has become a promise - to honor the land, the craft, and the community with every pour.
Follow the journey from grain to glass on Instagram @pasaytenwhiskey
“SUPPORTING EACH OTHER, USING WHAT THE LAND GIVES US. THAT’S
ALWAYS BEEN THE
WAY HERE.”
T HECHEFKNOWSFLAVOR
By Cailee Maestro
When I arrived at Casia Lodge, I expected good food and nice views. What I didn’t expect was to be completely transported. The design of the lodge is an art, refined and intentional, but I found the real story starts when you sit down with Jason Wilson.
I met him in the grand sitting room, just past the front doors, where the light filters in and the whole space seems to pause. I was invited to sit, and before long we were deep in conversation, about food, memory, creativity, and the long path that led him to this place in the Methow.
As an organization that champions the arts in all forms, we see food as one of the most powerful artistic expressions out there. It’s sensory, it’s rooted in culture, and it brings people together. Jason doesn’t just cook, he tells stories through flavor. Every dish he creates at Casia Lodge is like a composition: a blend of technique, intuition, and experience.
Listening to him talk about his approach, where the ingredients come from, how a menu evolves, and what he hopes people feel when they eat, you start to see it clearly.
This is art. And Jason Wilson is an artist.
Tell me about your journey! What led you to become a chef, and what fuels your passion for cooking today?
I fell in love with food, hospitality and the chef’s life, young. During a gap year in Lahaina, Maui I found a profound sense of purpose using a single fish to create multiple experiences for different people. I left Maui with all of these experiences that I helped to create. It wasn’t necessarily about me, but I was helping to facilitate it. I knew that this was a moment we would remember for the rest of our lives.
Let’s talk about the lessons you’ve learned that have carried you through your culinary journey.
There are so many. To summarize, I would say, I have to stay curious. Not only curious, but hungry to learn. I decided to get sober, which developed humility, curiosity, and this level of authenticity that has become a cornerstone of how I operate. If I don’t continue to evolve, change, and grow, somebody else will pass me up. This experience of moving out here to the valley was more of a unique one than I expected. I learned from the people here and they have become the inspiration. I am also inspired by the relationship with my wife.
The Culinar y Ar tistry of Jason Wilson
It is the truest form of love and that love finds its way into my art.
Jason, you’ve got a James Beard Award under your belt. How does it feel to have that kind of recognition, and has it changed how you approach cooking?
The recognition by my peers and the James Beard Foundation felt incredible, like a pinnacle achievement in a career that was still ascending. I respect the acknowledgement. It has opened many doors along the way and I continue to cook and create at a level that leaves little doubt as to why it happened. When I was awarded the James Beard Award, the first thing I did was thank two mentor chefs and my sous chefs. I clarified for everybody there, I said, “all of you chefs that are in this room are going to hear the names of my sous chefs and know that they are the two most important people behind this award.”
When designing a menu, are you thinking of each dish as part of a larger ‘artistic story’?
When I design menus there is inevitably a story to the dishes. The story is often simple and sometimes irrelevent. I always want to recognize the supportive and genuinely lovely people who live here year round and warmly embrace the visitors as we show them what the valley is built of…its artisans, farmers, growers, and people.
Does the shift in seasons in the Methow Valley influence the colors, flavors, and compositions of your dishes?
Change is the constant in life and seasonal changes inspire us to consider what each season gives us. The seasons in the Methow are unique and can be extreme. The colors of the summer gardens are incredibly vibrant and warm and the shades of autumn mimic the brilliance of the tree leaves as they change color.
At this time in your career, what’s inspiring you the most?
Right now, I’m inspired by the changing of the seasons. I have found it easy to lean into late spring, summer and fall – we have gardens, farmers, all of this stuff around us and I can craft a menu that is generally 85% from this region. But how do I lean into that more in winter? I’ve been testing a bunch of fermentation, pickling, and preservation methods, like dandelion vinegar, and it’s got me thinking about how to showcase what this place is like during the winter and how to tell that story more authentically.
Every chef has a dish they’re obsessed with. What’s the dish you’re loving to create or perfect right now?
While I may not serve much of it, my latest “crush” has proved to be Indian food. I love the use of spices and the focus on vegetables. Vegetables would clearly be my other crush. Creating vegetable dishes that make people second guess their relationship with their garden, that is fun.
“I get to humbly show up and ask my team to teach me what they’re curious about or what they k now, and then w e share i n curiosity together.”
Tell me more about vegetables! What’s a vegetable dish that has surprised people?
One dish that always surprises people is our Harissa Carrots. We treat the carrot almost like a piece of meat. First, we poach it in oil that’s seasoned with harissa, rose, and garlic. We serve it over a carrot-tahini hummus. No chickpeas, just the richness of the carrot, warm spices, and herbs. It’s topped with a bright herb salad and a yogurt finished with sumac, which gives it this really fresh, lemony lift. It’s a dish that’s entirely plant-based but packed with umami.
I’m curious to learn more about your process in the kitchen. What kind of environment do you strive to create for your team?
Mentorship is my main job. It’s the most important thing. You have to approach the job of managing people with humility, sincerity, and confidence. I’m open to learning these new things, but I also get to teach what I know. I get to humbly show up and ask my team to teach me what they’re curious about or what they know, and then we share in curiosity together.
Ego Anton, food critic in the 2007 film, Ratatouille, emphasizes the importance of perspective. What is your perspective on cuisine in 2025?
I think food in general is going to go to a really comfortable place. I think comfort is going to be key because people are going to be in uncomfortable places. In politics, in culture, but mostly in their head. People are going to catastrophize much more I think, than in previous years. It doesn’t really matter what side of the voting scale or cultural scale or belief systems you’re under, I think comfort is going to be a driving force.
As I left Casia Lodge, I kept coming back to what Jason said about curiosity, humility, and love. His food isn’t just delicious, it’s thoughtful, expressive, and rooted in something deeper. And while the Methow is full of artists and makers who bring their creativity to life in all kinds of ways, Jason’s work reminds us that food belongs in that conversation too. It’s memory, it’s meaning, flavor, and feeling - and in his hands, it becomes a kind of storytelling that invites you in and asks you to stay awhile.
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Endless thanks to Jason Wilson and Deborah Friend Wilson for welcoming me so generously into their space and sharing the stories behind the food, the lodge, and the vision. Their warmth, creativity, and intention are woven into every detail of Casia Lodge.
To experience it for yourself visit: www.casialodge.com
Methow Pride is working toward creating a rural haven where LGBTQIA+ individuals believe in their creative expression, share their voices, build thriving intergenerational relationships, and find rural belonging. We ultimately aim to keep LGBTQIA+ people present, safe, and alive in this rural and natural space.
WAYYY OUT HERE
Fireweed Print Shop, Methow Pride, and The Confluence: Art in Twisp present WAYYY OUT HERE, the second annual local LGBTQIA+ collaborataive exhibition at the Confluence: Art in Twisp from June 3rd - July 12th.
WAYYY OUT HERE inspires community dialogue while celebrating solidarity among rural queer community members and their allies.
Methow Pride and Fireweed Print Shop have created a multi-use, queer community-led sanctuary space in their new Pride Center which is located at Fireweed Print Shop. This is where the WAYYY OUT HERE exhibition was hatched. This treasured space has become an anchor and community spot for queer makers as well a hub for peer support.
The upcoming WAYYY OUT HERE show at The Confluence: Art in Twisp, spotlights individual work by LGBTQIA+ artists of all ages alongside interactive co-created community pieces and interactive elements. This includes a stunning installation of glass blown butterflies designed and generously donated by Sam Carlin of Lucid Glassworks. Carlin reflects in an interview, “The reason I wanted to do the butterfly is because of the process. Butterflies start as little worms, cook in their chrysalis, and then come out the other side spreading their beauty.”
Queer community members painted the butterflies in a series of fun, queer community Maker Days in May. These WAYYY OUT HERE Maker Day Workshops were cohosted with Fireweed Print Shop at Twisp-Works and Methow Pride.
Subhaga Crystal Bacon, local author of Transitory, and a Lambda Literary nominee hosted a Queer Writing Workshop at The Confluence: Art in Twisp.
The collaborative installation of individually painted glass butterflies is available by donation in a fundraiser for Methow Pride and OKFyre, a social services organization in Okangan county. Each butterfly is inspired by a 2SLGBTQIA+ person, creating a beautiful representation of loved, queer community members.
Curator Maddie Morgan invited artists to consider the theme of celebrating beautiful, queer existence while pondering the question, “What does it mean to be other?” Those outside the heterosexual normative culture may, as a default, be seen as other.
“Who we are to ourselves is most important,” writes Subhaga Crystal Bacon in their WAYYY OUT HERE queer writing workshop description, “Our identity may be hidden or expressed. It might morph and show up differently in different settings and situations. Sometimes being other can cause us to feel shame, but it can also mean
living a big, beautiful, queer existence.”
The WAYYY OUT HERE Workshop series aimed and succeeded in building connection, collaboration, and belonging. LGBTQIA+ community members have worked independently and collectively to help produce the exhibition.
The WAYYY OUT HERE exhibition seeks to inspire community dialogue and build solidarity among rural queer community members and allies. In our conservative rural region, this visibility is powerful and necessary, showing that 2SLGBTQ+ individuals can not only exist but thrive and create meaningful work in rural spaces.
Intern Asher Fisher and curator Maddie Morgan have inspired a shattered mirror piece that will encompass an entire gallery wall. This participatory installation invites community members and gallery viewers to draw and to write on the mirror pieces. This prompts them to see themselves contribute to and expand on their impressions of the exhibit.
The accompanying debut is the WAYYY OUT HERE zine. The zine is a magazine or catalog that features writing and artwork not showcased in the exhibit. This gives queer artists, especially writers, a chance to contribute words and images in a different form. The zine is a way to give a platform to queer voices and to deepen the experience of the exhibition.
WAYYY OUT HERE is a truly collaborative feat with interactive installations for gallery viewers to join the conversation. It includes individual artworks of paintings, photography, poetry, weaving, jewelry, drawing, print, writing, and mixed media pieces produced by professional, students, and community members.
Over the last two years, The Confluence: Art in Twisp has provided the support and platform to showcase queer creativity in Okanogan County. It has been a beacon of support, celebrating diversity of expression.
“Ultimately, WAYYY OUT HERE is an invitation to participate,” exclaims curator Laura Gunnip, “whether you are a queer artist, writer, community member or a treasured ally.”
Come to enjoy the expression of several LGBTQIA+ artists at the WAYYY OUT HERE opening on June 7, 5-7 PM.
“WHAT DOES IT MEAN TO BE OTHER?”
Scanhere to follow M et woh
The Merc Playhouse is proud to continue its 25th Anniversary Season this fall with a landmark of American theater: Our Town, the Pulitzer Prize-winning classic by Thornton Wilder, directed by Jane Orme.
Just as Our Town captures the spirit and shared memory of one small town, The Merc’s 25-year journey reflects the collective memory of our own community—shaped by those who support it, believe in it, and bring it to life.
The play tells a deeply human story—set in a single town, yet resonating across all towns, everywhere. It invites us to appreciate the everyday: the small moments, the relationships, the connections that give life its meaning. Moving through the stages of life—childhood, marriage, and death—Our Town reveals timeless truths about what it means to be human.
Before production begins, Our Town play needs a cast! Auditions will be held this summer. We are calling all actors ages 11 through 60, with all levels of experience, to audition for Our Town on June 15th and 17th from 5:00 - 7:30. Actors will be reading selections from the script; no prepared readings are necessary. Many roles are gender and/or race neutral. Bring your calendar and be prepared to list all rehearsal conflicts in advance of casting.
Young actors should bring an adult to help list rehearsal conflicts. Forms will be provided at auditions. Come join our theater family!
Our Town opens on Thursday, October 9th. 7 p.m. performances, Oct. 9–11 & 16–18 2 p.m. performances, Oct. 12 & 19
Tickets are $20 - $23 for adults and $5 for youth. Reserved-seat ticket sales begin September 8th. There is an Admission-by-Donation performance on Thursday, October 16th. For more information about auditions and performances, and to set a reminder to grab tickets as soon as they’re available, visit mercplayhouse.org
Our Town is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
July Directing Workshop
Led by Carolanne Steinebach
Four days of instruction from July 10 to July 13
July 10 & 11, 6:00 am – 8:30 pm
July 12 & 13, 10:00 am – 12:30 pm
Cost is $25 to cover materials
Come learn directing skills from a seasoned director, and The Merc’s founder, Carolanne Steinebach. No experience necessary!
Carolanne will lead actors in scene study, how to block the actors’ movement through scenes, and how to communicate with actors and a design team. She will begin with analyzing a script and move participants through the entire process of directing a production - all the way to opening night. Advance registration required. Learn more and register at mercplayhouse.org.
Disney’s Finding Nemo, Kids
Musical theater camp will be bustling this summer at The Merc. Directed by Megan Fox Hicks and Angie Pederson, campers ages 8 and up learn theater skills while creating a show to be performed at The Merc in August. Disney’s Finding Nemo, Kids is a 30-minute musical adaptation of the beloved 2003 Pixar movie Finding Nemo, with new music by award-winning songwriting team Kristen Anderson-Lopez and Robert Lopez.
Marlin, an anxious and over-protective clownfish, lives in the Great Barrier Reef with his kid Nemo, who longs to explore the world beyond their anemone home. But when Nemo is captured and taken to Sydney, Marlin faces his fears and sets off on an epic adventure across the ocean. With the help of lovable characters such as optimistic Dory, laid-back sea turtle Crush, and the supportive Tank Gang, Marlin and Nemo both overcome challenges on their journey to find each other and themselves.
Come see the show and follow the adventure!
August 1 & 8, 4:00 August 2 & 9, 2:00
Admission is by donation.
DISNEY’S FINDING NEMO KIDS is presented by special arrangement with Music Theatre International (MTI). All authorized performance materials are also provided by MTI. www.MTIshows.com
Learn more about the rest of The Merc’s season and how to audition for future productions, buy tickets, and register for workshops at mercplayhouse.org. Click the link on the website to join our mailing list and stay in-the-know.
Rythm and Blues
The Winthrop Rhythm & Blues Festival is a three-day event — located at the Blues Ranch on the Methow River in the resort town of Winthrop, Washington — packed full of exciting national and regional entertainment for all ages. There’s on-site camping, food and craft vendors, portable showers, a beer garden, and easy access to the river for recreation and cooling, which all help make the Blues Ranch the perfect setting for Washington’s “best little festival.”
WINTHROP RHYTHM & BLUES FESTIVAL: A COMMUNITY TRADITION WITH SOUL
Each summer, just as the sun lingers longer over the Methow Valley and the outdoors begins to buzz with life, something extraordinary takes root along the banks of the Methow River. It’s not just music—it’s a feeling, a reunion, a weekend where the rhythm of a small town syncs with the beat of something much bigger. Now in its 38th year, the Winthrop Rhythm & Blues Festival returns July 18–20, 2025, bringing a world-class lineup, scenic camping, and a deep sense of community to the Blues Ranch.
The festival has grown from humble beginnings into Washington’s longest-running and largest blues event, drawing artists and audiences from around the globe. But while the talent onstage is undeniably impressive—this year’s lineup includes heavy hitters like Samantha Fish, Robert Randolph, and Tab Benoit—the heart of the festival has always been local.
Hospitality is something the festival is known for—both on and off the stage. “Artists tell us all the time that playing Winthrop is a highlight of
their touring season,” says Erika Olsen, a longtime festival organizer. “It’s not just the beautiful setting. It’s the people—the artists, the volunteers, the fans, and the locals who show up with heart and help make it all happen.”
Blues knows no borders and this year, Winthrop is bringing the world to the stage. From the deep soul of Canada’s Angelique Francis, to the gritty blues-rock fire of Australia’s Lachy Doley, to the vintage swagger of the UK’s The Heavy Heavy, and the slide guitar mastery of Italy’s Roberto Luti (performing with Luke Winslow-King), these international artists are keeping the roots alive and well.
They’ll be joined by a powerhouse lineup of homegrown legends and rising stars: Samantha Fish, Robert Randolph, Tab Benoit, Sugaray Rayford, CJ Chenier & The Red Hot Louisiana Band, Diggin Dirt, Ben Rice & The PDX Hustle, Too Slim & The Taildraggers, Caitlin Kristo & The Broadcast, and Joel Astley.
From the Delta to the dance floor, the swamp to the soul stage, it’s all coming together in the heart of the Methow.
And while the music takes center stage under the beautiful sky of the Methow Valley, the festival experience extends far beyond the main stage. With on-site camping under the stars, river access for cooling off, a vibrant vendor village, and those legendary late-night Beer Garden jams, the Blues Ranch becomes its own summertime village.
This year’s Beer Garden All-Star shows are hosted by the Methow Juke Joint Allstars—featuring powerhouse Northwest vocalists Lady A and Polly O’Keary—and promise to deliver unmissable, only-in-Winthrop musical moments.
The festival is produced by the nonprofit Winthrop Music Association, whose mission is to build community through music. True to that mission, proceeds from the event support local causes and regional nonprofits. Over the years,
the organization has given more than $100,000 to groups like The Cove Food Bank, Room One, and Liberty Bell High School’s music program.
“The economic impact is real, but the emotional one is just as big,” Olsen says. “The festival has become a place where people come back year after year—camping next to the same neighbors, seeing friends they may see only in Winthrop. It’s where lifelong memories get made.”
The festival has weathered its share of storms— literally and figuratively. In 2014, when the Carlton Complex Fire swept through the region, the festival pressed on. That year, the grounds were blanketed in ash, the skies heavy with smoke, but the music played—and proceeds helped fund fire relief efforts. The Blues Foundation later honored the festival with its “Keeping the Blues Alive” Award for that spirit of resilience and generosity.
Looking ahead, organizers are both excited and pragmatic. “These are challenging times for small
festivals,” Olsen notes. “Costs are rising, and every year we adapt. But we’re committed to keeping this going. It’s too important.”
One of the ways the festival stays strong is through its partnerships—with volunteers, with artists, and with regional businesses. “This festival is rooted in community,” Olsen says. “It’s powered by people who care.”
As July approaches, the Methow Valley gets ready to welcome thousands of music lovers to this sun-drenched corner of the North Cascades. Whether you’re a longtime festival-goer or a curious first-timer, there’s a place for you at the Blues Ranch.
Pack your sunhat, your sunscreen and your love of live music. The Winthrop Rhythm & Blues Festival isn’t just a music festival. It’s a tradition, a gathering, a love letter to the Methow and the music that brings us together.
For tickets, lineup details, and camping info, visit winthropbluesfestival.com
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Our mission is to inspire artistic curiosity, empower creativity, and propel the creative economy in Okanogan County. Because art weaves the fabric of humanity, awakens the spirit, enables self-expression, and supports belonging, we believe: Art matters – for all of us.
