Bath Life – Issue 537

GROUND LEVEL

Exploring flooring with expert help

TUNNEL VISION

One woman’s mission to grow green

FLIGHTS OF FANCY

The new doves exhibition at Bath Abbey

UPGRADE THE

ENTRECONF AWARDS 2025 SPECIAL

THAT WARM FEELING Home accessories to help you get cosy BUILDING BLOCKS

The architects who’ve influenced the architects

It’s kind of a relief, isn’t it, when the ‘big coat’ comes out. When autumn proper makes itself known with golden leaves, a ‘nip’ in the air, and shorter days. We’re slowly retreating indoors, using Traitors as a perfectly acceptable excuse not to go out, and have given up the will-it-won’t-it dilemma of the central heating. It’s going on and we’ll say no more about it.

The hunkering down and get comfy tendencies of this time of year are reflected in this issue, starting with the glorious Royal Crescent Hotel & Spa lobby on the cover, which, along with some of the bedrooms, has had a recent opulent makeover from the Bath-based designers Woodhouse & Law (page 78). We also have a cosy house accessories special on page 58 that’s giving us all the feels – double deep duvets here we come.

A particularly fascinating read is the architecture special on page 20, in which local architects discuss those who have influenced their own paths. And there’s more architecture exploration over on page 30. In his innovative, justpublished, book, Paul Gooch approaches photographing Bath’s remarkable architecture by capturing the buildings’ stories of both then and now. The ethereal images tell a beautiful story of Bath’s enduring beauty, and the slightly haunting quality is deliciously ghostly –an ideal read for 31 October.

So light the fire, snuggle down and enjoy this perfectly autumnal issue.

SARAH MOOLLA

PHOTO BY NARRATED FRAMES;

Issue 537 / November 2025

COVER The lobby of The Royal Crescent Hotel & Spa styled by Woodhouse & Law, and photographed by Pete Helme. Turn to page 78 for the full story

ARCHITECTURE

20 THE INFLUENCERS Local architects on the professionals who have had an impact on their careers

30 PHOTOGRAPHY Capturing a building’s past and present

THE ARTS

37 ARTS INTRO The new Bath Abbey exhibition

38 WHAT’S ON People to see, places to go

40 CULTURE CLUB The arty picks of Anna Munden

42 BOOKS What’s on the big screen at The Little

FOOD & DRINK

46 RESTAURANT Pub-tapas dining at the fabulous Sydney’s

49 NEWS FEED Nuggets from Bath’s foodie scene

LIFESTYLE

54 GARDENS Farmer Kate Collyns and her green mission

57 SHOPPING INTRO Salcombe Trading Company’s renovation

58 EDITOR’S CHOICE Getting tactile with cosy accessories

61 EDUCATION Victoria Bond on researching schools

NETWORK

65 NETWORK LEAD The 2025 EntreConf Awards – all the thrilling winners, and all the glamorous action

71 CAREER PATH The story behind The Salcombe Trading Company with co-founder Michelle Sames

INTERIORS

78 REDESIGN Woodhouse & Law and working with The Royal Crescent & Spa on refreshing its berooms and lobby

84 FLOORS ase studies loo ing at di erent t pes o flooring

PROPERTY

91 PROPERTY LEAD Preview of the upcoming Bath Property Awards, including those all-important judges

97 PROPERTY SCENE The Finalists and Sponsors’ reception

108 SHOWCASE Explore a Frankleigh House apartment

DEPARTMENTS

8 SPOTLIGHT A Regency wedding at Parade Gardens

11 SCENE Hello party people!

17 FLATLINE Flats wants our kindness back

114 BATH LIVES eet the niversit o ath s i an a lor

Editor Sarah Moolla sarah.moolla@mediaclash.co.uk Managing editor Deri Robinsderi.robins@mediaclash.co.uk Senior art editor Andrew Richmond Cover design Trevor Gilham Contributors Victoria Bond, Elsie Chadwick, David Flatman, Paul Gooch, John Law, John Mather, and Nick Woodhouse Commercial director Pat White pat.white@mediaclash. co.uk Business development manager Annabel North annabel.north@mediaclash.co.uk Business development manager Dan Nichols dan.nichols@mediaclash.co.uk Business development executive Ruby Coburn ruby.coburn@mediaclash.co.uk Production and distribution manager Kirstie Howe kirstie.howe@mediaclash.co.uk Chief executive Jane Ingham jane.ingham@mediaclash.co.uk Chief executive Greg Ingham greg.ingham@mediaclash.co.uk Bath Life MediaClash, Media House, 1 Widcombe Parade, Bath, BA2 4JT. tel: 01225 475800; www.mediaclash.co.uk. Instagram @TheMediaClash ©All rights reserved. May not be reproduced without written permission of MediaClash. We’re a Bath-based publisher, creative agency and event organiser Magazines Our portfolio of regional magazines celebrates the best of local living: Bath and Bristol. Agency From the design and build of websites to digital marketing and creating company magazines, we can help. Events We create, market, promote and operate a wide variety of events both for MediaClash and our clients Contact: info@mediaclash.co.uk

PHOTO BY PAUL GOOCH

PHOTO BY BETTY BHANDARI

BRIDE AND PARADE GARDENS

Pictures by Betty Bhandari; www.bettybhandari.com

A a pshire couple returned to ath to rea r their love in a unique Regency ceremony after winning Bath & North East Somerset Council’s wedding ceremony competition, exactly one year after marrying in the city with the same registrar.

Lydia and Joe, who married at Bath’s Guildhall on 1 Septe er , were inspired to revisit the cit that ar ed the start of their marital journey. Their winning entry in the council’s competition, which followed the Jane Austen annual parade on Septe er, earned the a vow renewal at arade ardens. o enter, couples were as ed what the title o their love stor would e i it were a novel. he council s li raries team selected Lydia and Joe’s entry – Poise and Pandemonium: The Unlikely Triumph of Miss Bumble’ – which nods to Joe’s calm demeanour, Lydia’s self-confessed clumsiness, and the dating app that brought them together.

he date held e tra significance as it ar ed si ears since their first date, which too place on Septe er after meeting on Bumble. The renewal ceremony, held at the andstand in arade ardens, was witnessed ane Austen estival enthusiasts, with oth dia, oe, and the registrars dressed in full Regency attire. The couple said: “We’re excited to cele rate our anniversar in this uni ue, Austen inspired cere on in ath. e ell in love with the cit and its rich o an and egenc histor while dating and are loo ing forward to celebrating our future together.”

For more: www.bathnes.gov.uk | www.bathvenues.co.uk

SCENE

THE LATEST ADVENTURES IN PARTY-GOING ACROSS BATH

GOOD NEIGHBOURS

Garry and Lisa Rosser invited neighbours, locals, family and friends old and new, to o ciall toast the opening o their new venture, Sydney’s Bar & Kitchen on Monmouth Place last month.

Located just next door to their restaurant, he Scallop Shell, at the or er ew nn, guests gathered out on the terrace for drinks and menu tasters. The sun came out, wine and eer flowed, and the hot air alloons sailing past the roo tops provided the per ect ac drop or a e ora le su er s evening. urn to page or our news o our visit.

For more: www.sydneysbath.co.uk

Richard Knighting, Pippa Russell, Halena Coury and Dan Baker

Jacqui Fear and Kyra Hardy

Garry Rosser, Steve Morris, Becky Morris, Harper Morris, Ryan Rosser, Angie Rosser, Lisa Rosser and Lexie Rosser

Ian Taylor and Angela Mount

Alex and Elaine Torrance

Gerry Paddock and Kate Authers

Caroline Samin, Jessica Parkhouse and Claire Thatcher

Jake and Annie Torrance

Sarah Baker and Vicki Cheadle enjoy the terrace space

Jamie Barrow, Garry Rosser, Kirsty Lake, Tom Kennedy and Jamie Watkins

Lisa and Garry Rosser with Marco Pierre White

Alongside our store in Central Bath, Coopers now has a beautiful showroom at Dunsdon Barn. Showcasing the very best in range cooking and home appliances. This showroom is dedicated to the heart of the home - the kitchen. With brands such as AGA, Everhot, Lacanche, Miele, Fisher & Paykel, Bora and many more.

BRAND NEW

The luxury fashion retailer Pockets Townhouse launched on Brock Street at the end of September, hosting an evening that drew over 150 guests to its opening night.

Tanners Extra Réserve Brut Champagne and strawberries were served, while founder Paul Platt was on hand to meet and greet, and, along with the Pockets team, help guide people through the store’s collections.

After the event Paul commented, “Our launch celebration was the perfect way to

welcome the Bath community into our newest boutique and let them see firsthand ust how di erent the space is. There’s still something to be said about the power of physical space. Creating an environment where people can feel the fabrics, speak to experts, and experience truly great service. Bath has the kind of character and independent spirit that we really value, and after this evening, I’m certain that oc ets will fit right in.

Store photos by Jen Allan; wwwjenallanphotography.co.uk

For more: www.pockets.co.uk

Pockets already has stores in Shrewsbury, Newcastle-under-lyme,

Paul Platt

Sam Boland

The Brock Street store

Rebecca Banks and Jo Lund

Helen Baker and Jessica Morgan

Pockets' stylish interior

Jo Mitchell, Tony Ward, and Anwen Ward

Lola, pooch of Paul

Dominic Browne, Paul Platt, Roy Osborne and Jamie Dillon

Brands stocked include as Moncler, Paul Smith and Emporio Armani

Nantwich and Hanley

“There’s too much… sheer ignorance invading my screens and my cauliflower ear at the moment”

Sure, help to raise i portant cash or these causes on the da , ut don t do an thing. thin should, and thin ou should. ot through obligation – though there is that – but ecause thin it ll a e ou us all start to eel etter. thin it ight represent a s all step towards healing what eels li e a national wound. t ight serve as an antidote to so e o the divisive, unloving, inhuman rhetoric being rammed into us for breakfast, lunch and dinner.

I want our kindness back

Let’s start feeling better about the world by doing something for it

This isn t an thing to do with what going write a out, ut ust want to sa that so eti es get rustrated at how many businesses in Bath don’t open on Mondays. Be it a sandwich, a flat white or a t shirt that a ter, alwa s see to e loo ing or the on onda s. now there are co ercial reasons ou needn t write in to waspishl in or e, ut ust sa ing that people li e runch on onda s, too. a e should open a place o own, ut onl on onda s. eah, not terribly commercial.

An wa , in a tac shi t not, pro ise, designed to regain any favour lost as a result o opening paragraph, d li e to discuss charit . A road old su ect, and one that can, as the ‘sponsor-me-please’ emails and orwarded hatsApps co e flooding in, can overwhel so ewhat. t s not that the re not all worth , o course, it s ust that there are so many of them.

a neither su cientl intelligent nor inclined to get all political on this page, but

it seems safe to observe that the atmosphere around the country is a mite tetchy. For my liking, at least, there’s rather too much attempted alienation, under-researched blame and sheer ignorance invading my screens and cauliflower ear at the o ent, and d li e it all to stop. d rather li e countr ac , actuall . he one where we all ru along together, laughing at ourselves, arguing a bit, chatting in school gate queues, bemoaning unreliable plumbers, talking about the insanely good series on which we are hoo ed this wee , eing disproportionatel resent ul o footballers’ salaries.

ve got a cure. o so ething or a charit that does so ething a a ing. o so ething ig well, ig or ou and do it all or the enefit o others. ver luc to e invited to host lots o events or lots o di erent charities, so get to see so uch o the e ort that people put in or other people. So stand on the stages, sa all the stu , co end all the doers and do est to convince the crowds to donate and support and to id. hen go ho e and watch tell .

Maybe doing something challenging in order to raise one or a lovel charit who need it might actually be easier than physically spea ing out against the loudest voices we hear. Perhaps this could be a passive means of redressing some balances.

People need food, they need shelter, and under unded diseases need cures. ou don t have to run a arathon won t e lood doing that – and you don’t have to climb Everest. But if you sit and think for a moment now, there will e so ething ou could do to raise a hundred uid or so eone who needs it really, really badly.

ve o ten o ed ah, d rather donate a ew uid than do the running, ate and to a point stand that hate running ut that s not good enough. ot reall . t s help ul enough and it’s kinder than not donating, but it doesn’t do enough or our co unit , one that we should ai and wor to love and protect.

This is about the charities, but it’s every bit as much about all of us. Lives are massive and fast and relentless now, and we all get wrapped up in all that we have to achieve in a wee . a e we d all enefit ro donating so e o our time, for a time, to other people. Just a thought.

S. not doing a arathon. thin d rather do Everest to be honest.

David Flatman is an ex-Bath and England rugby star turned TV pundit and rent-o-mic. Follow him on X/Twitter @davidflatman and Insta @dflatman

THE INFLUENCERS

Bath architects talk about those who have inspired them and helped shape their work

Bath s leading architects reflect on the i pact that peers and predecessors have had on their own creative architectural ourne s. ro pioneering techni ues to uni ue philosophies, an o these influences have shaped their career choices, as well as the wa the approach their cra t, challenge conventions, and rei agine spaces.

Ewan Tavendale, founding director and architect, TEA Architects; www.teaarchitects.co.uk Architects, ased in arcelona, approach each pro ect with creativit and flair. heir designs are distinctive and i aginative, et alwa s eel grounded and in har on with their surroundings. also thin their landscaping design and how it lends with the uilding philosoph is alwa s wonder ul.

heir design philosoph pushes the oundaries o what is possi le, through using organic shapes and or s, to create uni ue, eauti ul uildings. hilst the a see stri ing in their environ ent, the uildings alwa s have a connection to the local conte t and co unit .

he wor we do is ore controlled and practical, due to the clients we wor with. owever we do approach each pro ect with a resh pair o e es, alwa s loo ing to e innovative and responding to conte tual, ph sical, e otional, environ ental, aterial, and client driven para eters.

iving and wor ing in ath, surrounded histor and an ever changing cit , it s great to see other architects pushing the oundaries o what is possi le, through odern architecture. hen the Scottish arlia ent uildings were finished, this showed that an thing is possi le and that we should e using odern architecture to co ple ent and enrich historical places. perception and understanding o this has developed over career, along with a greater appreciation o .

LEFT: The exterior of the Scottish Parliament Buildings designed by EMBT Architects; ABOVE: The building’s striking interior

ARCHITECTURE

Rob Wigley Architect SRA Architects; www.sra-architects.co.uk

“I particularly admire Thomas Heatherwick’s approach to renovation/refurbishment projects which so often act as catalysts for regeneration. His ability to repurpose vacant properties, breathing new life into them, shows the potential of some of the fantastic existing buildings we already have. Instead of potentially taking the easier route of demolition and replacement, he demonstrates how existing buildings can be reimagined to their full potential. This approach is increasingly important in the construction industry as we shift towards more sustainable construction practices.

Both Coal Drops Yard in London and Zeitz MOCAA in Cape Town successfully used simple but bold design statements to transform former industrial buildings into highly successful, publicly accessible spaces. The curved roof that bridges the two former industrial units at Coal Drops, and the hollowing out of the former grain silos to form the dramatic atrium at Zeitz, being the prime examples of how existing buildings can be respected and enhanced when their original purpose becomes redundant.

hilst wor di ers so ewhat ro repurposing former grain silos in South Africa, the broader creative solutions he used to deliver his projects can often translate across project sectors and sizes. A recent example of this approach at SRA was our award-winning refurbishment of 140 Milton Park, Bee House, where we reimagined a tired 90’s block, transforming it into a variety of new o ce, co wor ing and events spaces that serve as the hu of that business community.

I see precedents you admire as inspiration rather than a template, as no two projects are the same and each has its own unique opportunities and challenges. There are so many factors that inform a project, whether that’s existing buildings on site, topography, key views, points of access, regulatory constraints, the client’s brief and budget, to name just a few. Every site and project is totally unique, so what may be suitable for one project may be completely unsuitable for another. As such, you always maintain your own design independence.”

Simon Gould, architect and director at Mitchell Eley Gould; www.mitchelleleygould.co.uk

“For me the architect whose buildings embody the energy and creative thin ing that find inspiring is Le Corbusier. His dynamic and playful exploration o light, colour, spatial flow, drama, and intrigue continues to resonate deeply with my own architectural outlook. I admire him for his design philosophy and the creative ways in which he manipulated surfaces and structure to craft unique spaces. I also admire his use of materials, with which he worked with in innovative and sensory ways. La Tourette in France is a masterpiece that is remarkable in terms of its spatial, visual, and architectural form. The building is a monastery, but it is not what one typically imagines when thinking of such a place. Concrete dominates

ABOVE: Coal Drops Yard in King’s Cross by Thomas Heatherwickx; BELOW: And his design featuring former grain silos hollowed to form the atrium at Zeitz

as the primary material, which grounds the building within the landscape. From the moment you arrive, it is immediately clear that you are entering somewhere extraordinary. The work of Le Corbusier demands a deeper, ore philosophical reflection on architecture and its relationship to place. When a building lifts you, stirs contemplation, or makes you question your existence, it demands your full attention.

Le Corbusier’s approach: what is revealed and what is concealed, how elements are supported or seemingly suspended, and the tactile experience of materials, is both raw and richly nuanced. In an era dominated by digital technology, this type of making and inhabitation reminds us of something greater than ourselves.

“A masterpiece that is remarkable in terms of its spatial, visual, and architectural form”

Although a phenomenal architect, Le Corbusier’s work invites scrutiny when one looks more deeply at his approach to large-scale urban projects, such as Plan Voisin. His promotion of isolated high-rise housing, detached from the surrounding urban fabric, can inadvertently undermine social cohesion. The lack of streets, neighbourhoods, and other key elements that form public space raises important questions about how people truly inhabit and experience a city. By working closely with Planning Sphere and Greenhalgh Landscape Architecture, our housing and employment project , Tannery in Holt, sought to adopt place-making principles for streets and lanes that helped create a neighbourhood where families could dwell within a community.”

Katy Morrison, architect and director, Morrison Studios; www.morrisonstudios.co.uk

“Charles Rennie Mackintosh has been a great inspiration in my professional career. He didn’t just design structures, he crafted atmospheric experiences. His work is so individual and unique that it is instantly recognisable, and known world-wide. I admire him for his holistic design philosophy.

He was a master of synthesis, seamlessly integrating architecture, interior design, furniture, and even typography into a singular, poetic vision. He created spaces that were highly individual, deeply human with intricate attention to detail.

Having studied at the Mackintosh School of Architecture in Glasgow, I attended many lectures and life drawing sessions within the Glasgow School

ABOVELEFT: Le Corbusier’s La Tourette masterpiece seen from inside; ABOVERIGHT: And from the outside; BELOW: The Glasgow School of Art building designed by Charles Rennie Mackintosh

o Art uilding which he designed sadl its since een a ected two destructive fires . t has le t a trul lasting i pression on e, its li rar in particular was a su li e piece o spatial stor telling and aster ul control o light and detail. ts structurall honest design and eauti ul cra ts anship was utterl uni ue. hrough e periencing his uildings first hand, o ten re er to the techni ues that he e plo ed to deal with orientation, natural da light and dra atic contrasts. orrison Studios relish in creative earl stage concept design, and speci ing eauti ul natural aterials that last, ensuring that even the s allest detail contri utes to the whole. or ing alongside specialist cra ts en such as stone asons and carpenters is e to a success ul pro ect. ac intosh s greatest lesson was to e authenticall o our own ti e, and true to our own st le. assi ilate his general principles the har on o light and or , the integrit o aterial and cra ts anship ut appl the to the heritage conte t o eorgian uildings, with the use o local aterials, ensuring designs re ain distinct, relevant and conte tual to the localit o ath.

Jonathan Hetreed, architect and director, Hetreed Ross Architects; www.hetreedross.com

he sli ut se inal volu e Architecture without Architects ernard udo s , ro the e hi ition o the sa e na e was pu lished in and was vital to architectural education, ut ore significantl to li e as an architect ever since, stressing as it does the e traordinar sophistication and delights oth environ entall and aestheticall o vernacular uilding across the world.

t s the all e racing design philosoph recognising so an e otional and technical delights when pic ed up the oo or writing this it opened at the three photos o he air conditioners o dera ad Sind , contrasting happil with the anthropo orphic granaries o the vor oast and Sudan a ew pages earlier. he glo al s nerg o udo s s great wor e phasises the social and environ ental rather than the individual so alance co es naturall .

t s had an i pact on approach and appreciation o the s nerg etween rie , design and cra ts anship success in architecture is a ove all a tea e ort ro clients through to designers and uilders, along with the onus o appreciating uilt e a ples around the world.

“Looking at how a building tells a throughstory its use”

Frazer Watson, architectural assistant RIBA Part II, CMS Architects; www.cms-group.co

“One architect in particular who has influenced approach and architectural outloo is avid hipperfield Architects, in particular, its approach to heritage and restoration pro ects and their care ul consideration surrounding or and aterialit . ad ire the or their design philosophies, loo ing at how a uilding tells a stor through its use or through the uilding s e or and evolving stor over ti e.

ne specific pro ect is the eues useu in erlin. he uilding was heavil da aged during orld ar and alongside ulian arrap Architects, A undertoo the restoration. he design philosoph strongl aligns with so e o ohn us in s writings, specificall his oo The Seven Lamps of Architecture which touches upon ruth, e or and eaut . he proposal restores what re ained, reco pleting original volu es o the uilding and care ull inserting new aterial into the e isting a ric where necessar , respecting the original design whilst adopting a odern approach to aterialit and technolog .

t is clear to see what is pre and post war, eing truth ul with what is new rather than tr ing to disguise the da age inflicted during the war as i it never happened. his, in turn, adds to the stor o the

ABOVE: The Neues Museum in Berlin restored by David Chipperfield Architects; BELOWRIGHT: The museum’s exterior

The ‘air conditioners’ of Hyderabad Sind feature in Architecture without Architects by Bernard Rudofsky

architecture and respects the building’s memory, resulting in a carefully considered end result.

When taking on heritage projects, I try to employ a functional approach whilst clearly designing to show what is existing and what is new alongside designing to ensure a cohesive whole between the two. Every project is di erent and elieve ou can never trul design something that does not echo your unconscious bias, your own unreasoned personal taste. Whilst this project inspires my fundamental approach, there are many other design considerations involved in every project that allows me the space to think and design independent of direct influences and continue to add to developing design experience and architectural outlook.”

Mark Lord, Lord Architecture; www.lordarchitecture.co.uk

“In my early studies I wrote a paper on Venetian architect Carlo Scarpa (1906-1978) and was fortunate to visit several of his celebrated and lesser known buildings in Venice. He was a ousl influenced light, materiality and intricacy of detail, with landscape also playing a key role. Scarpa’s work has been a great inspiration, in particular his ability to carefully balance new and old, revealing and celebrating historic buildings and their unique attributes whilst reimagining the spaces through a contemporary use of materiality, detail and control of natural light.

One of his stand-out projects is Fondazione Querini Stampalia in Venice, a 16th century palace reimagined by Carlo Scarpa in the 20th century. Originally the family home of the noble Querini Stampalia family, considered to be one of the founding families of Venice, the building and its contents were left to the public by Count Giovanni Querini Stampalia in 1869. Of particular interest is the use of water, both controlled within the landscape via rills and features, and within the building itself with a semi-

ABOVE: The Fondazione Querini Stampalia in Venice is a 16th century Palace re-imagined by Carlo Scapra in the 20th century; BELOW: Of particular interest is the use of water, both controlled within the landscape via rills and features, and within the building itself

ARCHITECTURE

submersible interior landscape capable of rising and falling whenever the unpredictable acque alta strikes.

Carlo Scarpa’s approach to historic buildings and their renovation was a revelation in the mid 20th century, his works continue to inspire and have helped shape the way in which many architects and other specialists renovate, restore and re-imagine historic buildings today. Outside of the approach to re-imagining heritage, a focus on detailing and the control of spatial experience through design has een and continues to e a e influence and passion for me as an architect. The subtle use of contrasting materials, light control through glazing and depth of reveal, as well as the use of landscape both internally and externally can all add to the overall aesthetic success of a building and ultimately the enhancement of the user experience.

Scarpa s influence on wor is ulti aceted ro a philosophic approach to research and design, to the specifying of physically contrasting materials, plays on light and framing of views. Our initial approach involves a deep understanding of the historic building, its attributes, uniqueness and constraints, allowing these elements to inform the design alongside the client brief. Almost all of our projects are unique from their age and cultural importance to their setting and orientation, this individuality drives opportunity and ultimately the success o the final sche e. initial perceptions o Scarpa and his work experienced as a student nearly two decades ago, have evolved as my understanding of technical detailing has evolved in parallel. Looking for inspiration is a key component of an architect’s progression, whether this is in the smallest of intricate details or the grandest of spaces.”

Amanda Taylor, director of placemaking, Nash Partnership; www.nashpartnership.com

One of my greatest inspirations is the Pritzker Architecture Prize winner Alejandro Aravena, who developed the concept of building ‘half a good house’ in a former slum area of Chile. For this social project, the brief was to provide high density housing on a tight budget. Aravena worked with residents to understand density and cost constraints, and while a home of 80sqm was agreed to be a ‘good house’, the udget could onl a ord s .

Rather than badly building a small and complete house, Aravena proposed to build ‘half a good house’ and then enable the families, using their own innovation and s ills ac uired ro slu living, to finish the uildings within their own means. The homes were built as a terrace which had half of the frontage complete, and a gap was le t to the ne t house which could later e filled in. This created structure and rhythm along the street, but it s the variet o the infills that li e. his innovative idea has left a lasting impression as, simply put, it has pride and personalisation at its heart.

“The model ties together so many important social, economic and design ideas”

The model ties together so many important social, economic and design ideas: involving and empowering residents, sticking to a budget, and prioritising a good ualit asic structure over uantit . ad ire Aravena s innovative solution ust as uch as ad ire the a ilies, who are bringing variety, character and a clever use of colour to each and every home.

As every family has improved their own individual ho e, each one is rich in character and identit . nvolving residents was central to Aravena’s idea and it’s something that’s crucial to my own design work, too. With over 30 years of experience in the housing industry, many of my projects have involved presenting design possibilities and empowering community members to engage in discussions to help a e the final decisions.

Aravena s innovative idea is one d li e to test here in the UK, as a chance to personalise modular selfbuild homes within a framework that unites the street or development as a whole. By using the budget for the crucial parts of the building, families could then put their own stamp on the property – so giving residents an independent voice, too. Also, Aravena’s idea is the ulti ate solution in ter s o ena ling fle i ilit to accommodate a family as it grows.” n

ABOVE: Alejandro Aravena developed the concept of building ‘half a good house’ in a former slum area of Chile;

BELOW: The project won the Pritzker Architecture Prize

TIME LINES

A new photography book honouring the architecture of the historic buildings in Bath, and the whispers of stories they tell

Words and photos by Paul Gooch

The historical structures of Bath have stood for centuries, witnessing generations of people come and go. Paul Gooch’s photobook The City of Bath –Enduring Structures and Transient Lives employs photographic techniques that render people as ethereal, fleeting figures against these enduring buildings. This contrast emphasises the idea that people are merely transient custodians of the city’s enduring and historic architecture. “Traditional architectural photography rarely includes people, aside ro occasional figures to provide scale, e plains aul. “While my photobook does feature purely architectural compositions, I was keen to push the boundaries of the genre by incorporating the transient people who live, wor , and socialise in ath.

KINGSTON PARADE (NEAR THE ABBEY)

his captures riends, rela ing and chatting in ingston Parade, near the Abbey, amidst the bustling energy of tourists and street per or ers. t reflects how ath s eorgian architecture reflected th centur social ambitions. The city became a prime destination for fashion, fun and playing out the social aspirations of popular spa culture. Today, Bath remains a popular tourist hotspot, drawing visitors who come to admire its historic architecture and enjoy the city’s lively social scene.

Paul captures the spirit of Bath’s social scene through years at Kingston Parade, near Bath Abbey

FORMER FRIENDS MEETING HOUSE, YORK STREET

In 2020, a proposal was submitted to repurpose the former Friends Meeting House on York Street from a place of worship to a retail space. The historic building, an elegant early 19th-century Quaker meeting house designed by illia il ins that showcases clear alladian influences, re uired odification and the trans or ation serves as a positive e a ple o how an underutilised historic uilding can be adapted for sustainable, modern use.

QUEEN SQUARE

The photobook references the Italian Renaissance architect Andrea alladio, a pivotal figure in the histor o architecture and a a or influence on the architects o Georgian Bath. This photograph captures the north side o ueen S uare. his was ohn ood the lder s first speculative develop ent. ood designed and uilt the grand acade in the alladian st le, then su let individual plots to builders who constructed the structures behind his ornate e terior.

This image was intentionally composed as a pure architectural shot, captured ro a low perspective and care ull e cluding people, vehicles, and the tar ac street. By eliminating modern elements, the photograph emphasises the Palladian-inspired design and the Georgian architectural detail. The photograph also features the iron railings and the square in the foreground, which were typical components of Georgian architecture. goal was to create an i age that closel reflects ood s original th centur vision or ueen S uare.

“Photographic techniques that render people as et erea fleetin res against these enduring buildings”

an image that closely reflects Wood’s original 18th century vision for Queen Square;

THE CIRCUS – FUNERAL FOR NATURE

Photographed in the Circus in 2024, and organised by tinction e ellion, a theatrical uneral procession too place for the natural world destroyed by climate change. The ‘mourners’ in the performance, many dressed in vi rant red outfits with white ace paint, wal ed to a slow, sombre drumbeat. An international assembly of some 400 Red Rebels marched through Bath. This peaceful protest aimed to sound a ‘code red’ warning for nature and to highlight ‘the UK’s position as one of the most naturedepleted countries in the world.’

Staged against the backdrop of Bath’s classical architecture, delivers a power ul essage in the odern da , serving not onl to highlight the transience o hu an li e, ut also the negative i pact o hu an li e on the delicate transience of the natural world.

TOP: The former Friends Meeting House on York Street is now Topping & Company Booksellers of Bath; MIDDLE: Paul’s aim was to create

BOTTOM: The Circus photographed last year showing the Red Rebel procession organised to highlight the danger the world faces from climate change

ARCHITECTURE

“I placed the face carefully in the window frame, as if trapped in time”

BRIDGE STREET

This was taken in Bridge Street holding the camera high a ove head. he reflection rings ath s eorgian architecture into the composition. The face is from a painting hanging in a side window of the Victoria Art aller . placed the ace care ull in the window ra e, as i trapped in ti e, watching transient passers in the current day.

QUIET STREET

Photography provides a very useful visual reference when assessing historic changes that have evolved over the passage o ti e. decided to loo ac and to investigate vintage photographs taken in Bath and to search for clear signs o hu anit s transient and evolving condition. his picture, ta en in uiet Street , is u taposed against a picture ta en ro an angle nearl ears ago. hilst the architectural structures endure, it is interesting to observe the vintage photograph and to see how the odes o transportation, dress st les and retail habits have evolved. The then and now chapter also provides a sense o ath s population e pansion. he edieval walled cit was ho e to appro i atel , people the eorgian it e perienced a ten old increase to around , inha itants and the census shows that the it o ath has since grown to a population o , in the odern era.

PIERREPOINT STREET

have included a chapter o photographs using reflections as a ascinating wa to o serve and capture the fleeting nature o people that live, wor and socialise within ath s classical ur an scene. en o this approach, which creates a surreal, ulti la ered, painterl perspective.

This section brings colour into the frame and scenes are captured using reflections ro a variet o sur aces, including glass, paintwor and water. he resulting se i abstract images foster a sense of mystery that is designed to stimulate the imagination of the viewer and also invite the viewer to look at the familiar with fresh eyes. n

For more: www.pauljgooch.com

TOP: The reflection in a window on Bridge Street is of a painting hanging in Victoria Art Gallery; MIDDLE: This picture, taken in Quiet Street 2023, is juxtaposed against a picture taken from an angle nearly 100 years ago; BOTTOM: This image of Pierrepoint Street demonstrates Paul’s almost ‘painterly’ approach to photographing Bath

The City of Bath – Enduring Structures and Transient Lives by Paul J. Gooch is available through his own website, as well as Topping & Company Booksellers and le fou de bassan on Green Street.

BUILDING BETTER: REAL SUSTAINABILITY IN CONSTRUCTION

‘Sustainability’ has become everyone’s favourite buzzword, but how often do we really understand it? From “eco” paints to “carbon-neutral” developments, the language of green living has become blurred by marketing spin says KATE ORCHARD-LISLE, founder of Carbon

Carbon Chaos is here to change that — by communicating the facts and helping both consumers and businesses make sense of what real sustainability looks like in everyday life.

Because sustainability isn’t a single action or a shiny label, it’s a mindset. It’s about awareness: knowing where materials come from, how they’re made, and what happens to them at the end of their life. The same is true for the choices we make every day, from what we buy and build to how we travel, heat our homes, and design our cities. When we understand the impact behind our

Chaos

consumption, we can make better, braver choices.

In construction, this awareness matters more than ever. The industry contributes around 40% of global emissions, but it also holds enormous potential for change. By focusing on circular design — reusing, reclaiming, and designing for longevity — we can start to build not just greener structures, but fairer systems.

Here in Bath, there’s real progress. Bath & North East Somerset Council has introduced ambitious planning policies requiring net-zero operational energy and strict embodied carbon targets, among the first local authorities

in the country to do so. And the award-winning Keynsham Recycling Hub is showing what’s possible when construction waste becomes a resource, not a problem.

At Carbon Chaos, we want to shine a light on these stories — the facts, not the fluff. Our goal is to bridge the gap between ambition and action, helping businesses communicate honestly and consumers engage consciously. Because when we understand our impact, change becomes inevitable. n

Coming soon: Carbon Chaos — a new platform exploring sustainability without the spin. Follow for updates and future features.

Expert installers of Solar Panels, Battery Storage and EV Charging Solutions, in Bath

All tailored to your energy needs, helping you to achieve grid independence and saving up to 80% on your electricity bills.

Contact us today for a free survey, bespoke custom designed system and FREE NO OBLIGATION quote.

ZERO

AVOIDING THE PITFALLS OF A DREAM RENOVATION

Turning renovation dreams into reality should be exciting, not exhausting. Yet, as many homeowners discover, projects can easily spiral through rushed planning, budget surprises or last-minute decisions

With almost fifty years’ experience in luxury kitchen, bathroom and whole-home design, Richard Carter, Managing Director of Hobson’s Choice, knows exactly where things go wrong. His new guide, 6 Renovation Mistakes to Avoid, reveals the most common pitfalls — and how to sidestep them with confidence.

“With the right partner, every step, from first sketch to final polish, can be a pleasure.” Richard Carter, Hobson’s Choice

START WITH A MASTER PLAN

One of the biggest mistakes, Richard says, is diving into design without an overall vision.

“Without a clear overview, you risk creating beautiful spaces that don’t work together as a home.” Online renovation forums echo this: homeowners often regret tackling one room at a time, only to find the result feels disjointed.

BUDGET REALISTICALLY

Underestimating true costs is another widespread frustration. Transparent, itemised pricing and a realistic contingency protect both budget and peace of mind.

DECIDE EARLY, DESIGN SMART

Late decisions on layouts or finishes can delay builds and inflate costs. And while style draws attention, Richard stresses that function must always lead: “When function is properly addressed, beauty follows naturally.”

The full guide explains how avoiding simple missteps can transform not just your home, but your entire renovation experience.

Scan the QR code to download 6 Renovation Mistakes to Avoid and begin planning your project with confidence.

Visit Hobson’s Choice Bath Studio, London Road, or call 01225 433 511. www.hobsonschoice.co.uk – Bath | Winchester | Swindon n

Hobson’s Choice, London Road, Bath, BA1 6AJ

www.hobsonschoice.co.uk

email: info@hobsonschoice.co.uk tel: 01225 433511

THE ARTS

SNAPSHOTS OF BATH’S CULTURAL LIFE

TAKE FLIGHT

Peace Doves is a mass participation artwork by Peter Walker. Thousands of handmade paper doves containing notes of peace, love, hope and friendship are suspended in an illuminated installation in the crossing of Bath Abbey.

The messages have been written by visitors to the Abbey from May onwards who were invited to write a message, or prayer, about peace, love, hope and friendship on a paper dove.

As part of Bath Abbey’s half term activities, on 30 October and 1 November the learning room will host workstations where you can make your own clay or origami dove.

Peace Doves by Peter Walker can be seen at Bath Abbey until 14 November; www.bathabbey.org

A S ON

25 October –22 November

EXHIBITIONS

Until 20 December IN BLOOM

A eauti ul e hi ition that de onstrates how flowers have inspired generations o artists ro ast and Southeast Asia. o ar the change o seasons, several new e hi its have een added, including e roider conte porar artist eehwa o and a new co ission o paper flowers ondon ased artist risten ong ro a p ell or shop. Museum of East Asian Art; www.meaa.org.uk

Until 4 January

BEYOND INFINITY

his special e hi ition showcases innovation, colla oration, and the su li e agic o space, eaturing a giant oon installation, a a ing roc et and spacecra t odels, ga es, acts, out o this world stories, and interactive pla . American Museum & Gardens; www. americanmuseum.org

Until 4 January

SCULPTING THE EARTH

Sculpting the arth rings together the wor s o three wo en artists, atalie evan, siche ughes and

Ann Stokes. The ceramic art of all three finds echoes in the char ing, figurative output o th centur porcelain actories such as eissen and ow, e a ples o which are held in the ol urne s own collection. Holburne; www.holburne.org

Until 5 January

CAPTURING THE COSMOS

eatures the incredi le planetar , deep s , and nightscape photograph o our local a ateur astrono co unit .. Herschel Museum; www.herschelmuseum.org.uk

Until 1 February

MYTHS & MACHINES

he e hi ition is dedicated to artists i i de Saint halle and ean inguel , cele rating their visionar artistic output and enduring creative colla oration over three decades. nseen wor s on paper eature alongside onu ental open air sculptures. Hauser & Wirth Somerset; www.hauserwirth.com

31 October – 1 November

MAYOR’S ART SHOW

rganised athavon otar lu , all the proceeds ro the sales o local artists on displa at ath uildhall are shared etween

the a or s elie und and other otar charities. www.rotary-ribi.org

4 – 10 November

MICHAEL PELL

he paintings on displa at A are ased on locations visited in and around ath and the Southwest, and are a out a specific o ent o inspiration. he ai is to capture the essence o that instance gli pse and place. ight and shade, weather, the at osphere and strong co positional ele ents are e influences. 44AD Gallery; www.44ad.net

15 – 16 November

MODERN ARTBUYER OPEN HOUSE

Showcasing a curated selection o original wor s including that o aul ennett, i illon and Susanna las at li e rive, i ple Sto e, ath A www.modernartbuyer .com

THEATRE / MOVIES

28 October – 1 November

LITTLE WOMEN

Step into the world o sisterhood, courage, and a ition, and ollow

the sisters as the progress into wo anhood and navigate the challenges o the ivil ar. Theatre Royal Bath; www.theatreroyal.org.uk

31 October & 1 November

MISSRED – THE MUSICAL ost their din urgh estival ringe success, the cast o nearl oung people ro ath and surrounding areas, are at the oper heatre per or ing our shows over two da s to tell the stor o ran thel ed, a lonel girl in care who has given up on people, until she eets a grieving widow. www.missredthemusical.co.uk

15 November

LOOK AFTER YOUR KNEES atalie ellingha cele rates the ess usiness o eing hu an, sprin led with o , ridiculousness and a touch o surrealis . Ustinov; www.theatreroyal.org.uk

COMEDY

Every Friday and Saturday

KROWD KEEPERS

he Ale ouse on or Street has a secret roo where so e o the world s finest agicians per or , hosted resident con urer ill

Enjoy autumn adventures at Westonbirt Arboretum

PHOTO BY JONNNY HATHAWAY

CLOCKWISEFROMTOPLEFT: It’s a Modern ArtBuyer Open House 15 – 16 November; Writer and comic Michelle de Swarte is heading to the Rondo 19 – 20 November; The strong compositional work of Michael Pell will be on display at 44AD between 4 – 10 November; Natalie Bellingham urges, Look After Your Knees, at the Ustinov 15 November

Kidd when she’s in town, and who promises us no rabbits or top hats www.krowdkeepers.com

1 November

SARA PASCOE

Her children don’t sleep, and her kitchen won’t clean itself, and her husband “doesn’t want to be in it”, but she still promises to be funny. The Forum; www.bathforum.co.uk

5 November

SCUMMY MUMMIES

Helen and Ellie are back on the circuit and are one hot mess. This is mainly down to the menopause and mansplaining, and teenagers and Tinder, all lamented with brand new songs, fast-paced sketches, funny stand-up, and sparkly catsuits. Komedia; www.komediabath.co.uk

8 November

DAME CHERRY POPPIN

Join Mandalyn’s icon, Dame Cherry Poppin, for a night of cheeky cabaret and cracking karaoke. Hosted by the club’s gorgeous resident queen of MC’ing, Phillupa Bucket. Mandalyns; Instagram @mandalynsbath

11 November

TWO PINTS PODCAST LIVE

Two Pints of Lager and a Packet of Crisps stars and good pals Will Mellor and Ralf Little, bring antics, proper banter and good humour to Bath. The Forum; www.bathforum.co.uk

18 November

JIM JEFFERIES

The Aussie’s Son of a Carpenter tour continues with his signature style of blunt, provocative, politic, cultural, and brutally honest comedy. The Forum; www.bathforum.co.uk

19 & 20 November

MICHELLE DE SWARTE

Former model, and writer and creator of the absolutely wonderful and critically acclaimed BBC comedy Spent, is on the road to talk part powder , too uch filler, and using tarot cards as therapy The Rondo; www.rondotheatre.co.uk

MUSIC

1 November

BATH BACH CHOIR

Bath Bach Choir’s autumn concert at Kingswood School Theatre brings together an array of exciting international musicians, with Carl r s a ous Cantata Carmina Burana at the centrepiece of the programme. www at o o e or

7 November

FRANCIS ROSSI

An evening with lead singer, lead guitarist, and songwriter Francis Rossi and his fascinating story starting with Pictures of Matchstick Men, going onto the phenomenal Status Quo songbook, and present day. The Forum; www.bathforum.co.uk

HALLOWE’EN AND BONFIRE NIGHT

31 October

SPOOKY SPECTACULAR AT BATH RACECOURSE

ith daring fire eaters, classic un fair rides and attractions, the return of the Light Up Lansdown hot air balloon display, and a few spooky surprises along the way. The night finishes with a huge firewor displa . www.bath-racecourse.co.uk

1 November

FIREWORKS ON THE REC

Bath Rotary’s Annual Fireworks

Display on the Rec is a professional displa o firewor s acco panied usic, with all proceeds going to charity. www.rotary-ribi.org

5/7/8 November

FIREWORKS TO MUSIC AT AVON VALLEY

ADVENTURE PARK

Avon alle is tea ing up with Aardvark FX for a world-class p rotechnics and special e ects spectacular. www.avonvalley.co.uk

8 November

BONFIRE NIGHT AT BATH CITY FARM

A ree co unit cele ration with fire, ood, per or ers and a lantern parade. onations welco e to support the ar s ongoing wor . www.bathcityfarm.org.uk

CHILDREN

Ongoing EXPLORATREE AT WESTONBIRT

he ational Ar oretu s rand new Exploratree area at Westonbirt creates an e citing natural pla space or children o all ages to

eco e e plorers, scavengers and plant hunters, venturing out into the woodlands to discover natural treasures and then investigate the further back at the Explorers’ Lab www.forestryengland.uk

OTHER

Until 16 June 2026

RENAISSANCE: JOURNEYS OF DISCOVERY

A ear long ascinating progra e of talks and events at Bath Royal iterar and Scientific nstitution, e ploring how the glo al ani estations o the enaissance were intrinsically linked to the new age o scientific and technological advance ent. www.brlsi.org

20 November

JEANETTE WINTERSON he literar pheno enon eanette Winterson is at St Swithin’s Church to talk about her new oo , One Aladdin Two Lamps. eaving together fiction, agic and e oir, this re ar a le oo is a tri ute to the age old tradition o stor telling and a radical step into the future – an invitation to loo ore closel at our own stories, and to i agine the world anew. www.toppingbooks.co.uk

Remember, remember the fifth of November

CULTURE CLUB with Anna Munden

Anna Munden stars in the Harper Lee classic To Kill a Mockingbird, adapted for the stage by Oscar-winner Aaron Sorkin, and coming to the Theatre Royal Bath 11 – 22 November.

The last great film I saw The 2023 Cannes Film Festival winner How To Have Sex written and directed by Molly Manning Walker about three young women on a rite-of-passage holiday.

A film I could watch over and over again

The South Korean black comedy Parasite.

A painting that means something to me Making Feet For Children’s Shoes by Nettle Grellier.

The book that changed my life

The Breadwinner by Deborah Ellis. It’s a children’s book that tells the story of an 11-year-old girl and her family’s struggles under the control of the Taliban in Afghanistan.

Best TV show ever Broad City, which ran from 2014 to 2019. It was written by and starred Ilana Glazer and Abbi Jacobson, and was developed

from their independent web series. It tells the story of their real-life friendship, and their attempts to make it in New York.

My TV guilty pleasure RuPaul’s Drag Race.

Last live music gig I went to Primavera Sound festival in Barcelona.

The first song I remember hearing Miracle Theatre’s version of Oh Mistress Mine, which is sung by Feste the Clown in Twelfth Night.

My karaoke go-to Man Down by Rhianna

For more:

www.theatreroyal.org.uk

PHOTO BY JOHAN PERSSON

Making Feet For Children’s Shoes by Nettle Grellier is the Anna’s chosen artwork

Anna Munden plays Scout Finch alongside Richard Coyle as Atticus in To Kill A Mockingbird

THE REEL THING MARTHA HOLLINGSWORTH

From

FilmBath premières to early Oscar hopefuls, here are just a few of the movies headed to the Little

Springsteen: Deliver Me from Nowhere

Release date 24 October

From The Bear to The Boss, everybody’s favourite chef Jeremy Allen White lights up the screen in this electrifying Springsteen biopic playing the man himself. Adapted from Warren Zane’s 2023 biography of the same name, Springsteen: Deliver Me from Nowhere defies the traditional biopic formula.

Here, we meet a troubled young Springsteen on the precipice of global stardom. Torn between recording more personal, acoustic tracks and the pressure from his record company to focus on the big hits (those that would later feature on Born in the U.S.A,) we witness the birth of Springsteen’s 1982 album Nebraska. Director Scott Cooper (The Pale Blue Eye) and a stellar supporting cast, including Jeremy Strong (Succession, The Apprentice) and Stephen Graham (Boiling Point), craft a grounded and introspective image of Springsteen over two key years of his life and career.

We have been spoilt for choice with great biopics in the past few years, including Timothée Chalamet in A Complete Unknown, and this one, which has the seal of approval from Springsteen himself, looks to be a worthy classic. Rather than a run-through of Springsteen’s greatest hits, this is a fascinating snapshot in time of one of America’s most famous and enduring musicians.

After The Hunt

Release date 24 October

This latest feature by Italian director Luca Guadagnino (Queer, Call Me By Your Name) is a iting insight into generational di erences, intellectual spaces, and cancel culture, and is drawing comparisons to the morally provocative TAR, which starred Cate Blanchett. Featuring a career-best performance from Julia Roberts, After the Hunt is a gripping psychological drama that centres on Alma (Roberts) a much loved philosophy professor at Yale. Alma’s perfect world is brought to a standstill when an accusation is raised against her colleague, an Andrew arfield , by her star student, Maggie (Ayo Edebiri). Concurrently, Hank accuses Maggie of plagiarising her PhD thesis. Caught in the crossfire o these accusations, Al a is orced to reconcile with her past, her morals, and her professional future.

Cinematographer Malik Hassan Sayeed, known for his collaborations with Spike Lee, represents Alma’s inner turmoil by guiding us from the lush, warmly lit interiors of Alma’s house through to the cold, narrow corridors and cra ped universit o ces o ale highlighting Alma’s comfort zone is now a source o conflict and con usion. After The Hunt is a ature and thought provo ing fil exploring blurred lines and social complexities, that continues to challenge us long after the credits have rolled.

The Choral Release date 7 November

Ralph Fiennes, currently starring in Small Hotel at Theatre Royal Bath, trades the Vatican and meddling cardinals and Bath and a curated season, for the Yorkshire countryside and a rag-tag bunch of teenagers in this charming historical drama.

In the midst of World War I, the choral society o the fictional or shire village a sden has seen its number of young male singers dwindle. Dr Guthrie (Fiennes), is the village outsider who has recently returned from Germany, and despite the locals’ suspicions and gossip, is selected to be the new choirmaster.

As conscription letters pour into the village to take more to battle, Dr Guthrie starts to believe that music may be a way to unite a village that’s een rag ented the e ects o war.

ritten Alan ennett, his first original screenplay in 40 years, and directed by The National Theatre’s Nicholas Hytner, The Choral is a li e a r ing stor a out the power o co unit and togetherness that harmonises history and heart without becoming overly sentimental.

Bugonia

Release date 7 November

Much to our delight, director Yorgos Lanthimos and actor Emma Stone are teaming up again in yet another collaboration (The Favourite, Poor Things and Kinds of Kindness).

Based on the South Korean uir sci fi horror Save the Green Planet!, Bugonia follows two obsessive conspiracy theorists who enact a plan to kidnap a high-powered CEO (Stone) in order to expose her as an alien and her plot to destroy the planet. Fans of Lanthimos can expect the director’s usual brand of the weird and wacky, along with some familiar faces, including Alicia Silverstone and esse le ons. lending science fiction and black comedy, Bugonia is another successful outing ro oundar pushing fil a er anthi os, delivering a poignant, contemporary update to a cult classic.

Martha Hollingsworth is the cinema manager at Little Theatre Cinema, St Michael’s Place, Bath; www.picturehouses.com

CLOCKWISEFROMTOP: After The Hunt with Julia Roberts and Andrew Garfield; Jeremy Allen White in Springsteen: Deliver Me from Nowhere; Ralph Fiennes plays the new choirmaster in The Choral; Yorgos Lanthimos’s new dark comedy stars Emma Stone

SMILING WITH CONFIDENCE

At BATH DENTAL EXCELLENCE, part of PortmanDentex, we believe dental implants don’t just restore smiles – they can also enhance confidence and quality of life for many people.

Dental implants have increasingly become a favoured solution for those with missing or failing teeth. Unlike removable dentures, dental implants don’t require removal for eating or sleeping, making them a really convenient option.

They’re made mostly of titanium and once inserted, they replace the missing tooth

MEET ED, OUR RESTORATIVE DENTIST

Whether you’re aiming to replace a single tooth or restore your entire smile, Ed Boursin, is on hand to help. Ed is a highly experienced restorative and implant dentist, providing advanced implant and cosmetic dentistry since 1996. With multiple postgraduate qualifications, including a masters-level diploma in implant dentistry from the Royal College of Surgeons, he combines world-class training with a patient-centred approach.

Ed carefully discusses all options before treatment, ensuring results that restore both function and confidence. While his mentoring of other dentists ensures he stays at the forefront of implant and restorative dentistry.

FREE INITIAL CONSULTATION OVER THE PHONE

We’re delighted to offer you a FREE telephone implant consultation with our friendly treatment coordinator (TCO), Sharon. Following this, if you feel having implants is the right path for you, we can arrange a full clinical assessment with Ed. During this appointment, Ed will carry out a thorough examination and discuss your treatment options in detail, supporting you to make an informed decision that’s right for your individual needs.

A LIFE-CHANGING SOLUTION

Dental implants are designed to integrate with your jawbone, offering a stable foundation that can help restore function and support your confidence when smiling, eating, and speaking. With regular check-ups and good dental hygiene, implants can last for many years. To book a free telephone consultation with our TCO, call our friendly team on 01225 422695. n

SYDNEY’S

Turns out pub-style tapas, cooked exquisitely, is a culinary unifier

By Sarah Moolla

“Tender, waxy new potatoes in a citrussy dressing,muscatel studded with briny capers”

It’s a rare family meal out. The eldest child is at uni, the youngest is always out, and the two grown-ups aren’t made of money. Dining in nice restaurants is an expensive business when you’ve got two plus ones – two plus ones with plus-size appetites, and who have never heard of the phrase ‘paying your way’. Then there’s the small matter that NONE of us can agree on where to eat. I love my family, but we can be pretty fractious when we leave the house as a four in search of food. I hate air con and chicken; the eldest is not keen on fancy food or formality; the youngest is all about the protein and hurrying up; and the family elder, well, actually, he’s pretty chill as long as the menu comes with clear pricing and there’s tap water on tap. Turns out Sydney’s is the perfect venue to host our contrary selves.

Situated in the former New Inn pub on Monmouth Street, Sydney’s bar and kitchen is the new venture of Garry and Lisa Rosser, who just happen to own next door’s awardwinning The Scallop Shell. The immediate impression is the vibe is still relaxed and publike and that’s no bad thing –the New Inn was actually a lovely ‘side street’ boozer. You don’t have to eat at Sydney’s, but you’d be missing a trick, or six, if you didn’t. Our lovely server’s advice is between two and three plates per person, so we go for the max, which actually means we get to order the whole menu and try everything in proper pub-tapas style.

DINING DETAILS

salsa verde atop adds a tangy tartness. Another piggy delight is the Somerset reared potted pork. Rich and delicately spiced, slicked with a herby oil and a silky smooth consistency, perfect for slathering over the rounds of soft sourdough toast. The roasted meaty portobello mushroom with spicy tomato, comes with an intriguingly complex, and aubergine caviar, to create an earthy, garlicky, umami, chunky marvel. The whole shell on prawns are so darn fresh they’re at risk of swimming back to the North Atlantic from whence they came. Juicy, delicate, pearl white and super sweet ever single one is worth all that e ort of snapping, prying and peeling.

Sydney’s 23 Monmouth Place, Bath BA1 2AY.

Tel: 01225 260260; www.sydneysbath.co.uk

Opening hours Monday to Saturday 8am - 11pm (kitchen until 9.30pm); Sunday 8am - 5pm (kitchen until 4pm)

Owners Garry and Lisa Rosser, who also own The Scallop Shell next door

Chef Mike Mills, who has also worked at The Scallop Shell

Established May 2025

Covers 40 inside and 24 on the terrace

Recommendations Order a bit of everything and share.

Make the most of the roof terrace on sunny days.

Prices Plates are between £2 - £9.50

Disability access A shallow step to the ground floor main bar/dining area and restrooms, and there is a few steep steps to get up to the roof terrace.

Worth noting It’s walk-ins only for drinkers and diners, with bookings available for groups of 6 or more. Children are welcome until 9.30pm; dogs always.

The plates come thick and fast, and one of the unanimous thumbs up is that our sturdy wooden table can actually accommodate all 12 dishes. There’s no moving vases / drinks cutler to floor to acco odate, which is an a solute ga e changer when it comes to swapping, tasting, and leaning over to quietly steal the last prawn.

There’s also an upstairs bar for ease of service.

Also Sunday live music and Sunday roasts have launched

On the menu, there are, of course, a few of the favourites from next door. If you’re from Bath and you’ve not been living under a rock, then you’ll already be aware, The Scallop Shell can do no wrong. They are legendar fish and chip heaven.

But we are surprised at a variety we didn’t expect to see. Coming in at a unifying number one was the slow roast Old Spot pork belly. One gentle press of the salty crisp crackling shell, and the layers of meat and fat disintegrate into soft, sinewy, shredded strands. The accompanying gravy is a herby and subtly sweet stock, while the generous dollop of

Normally, a potato salad would leave me cold, but Sydney’s one is threatening to disrupt the family’s newfound culinary peace. Tender, waxy new potatoes in a citrussy muscatel dressing, studded with briny capers, and finel inced shallots, dressed with strands o peppery watercress. This is a potato salad, but not as you’d know it, and we all want more of it, to get to know it better.

In hindsight (which also translates as notes for the second visit), we’d have doubled up on the potato salad, and maybe dropped the teeny weeny ploughman’s, which is nice enough ut doesn t o er uch co pared to the other dishes. Another – we should have gone times two – is the scrumptious meatballs with spiced tomato sauce and roasted garlic aioli. Trying to carefully cut these little delights into equal quarters did them a disservice.

What works really well with this style of dining is not only the range of options and the price point, but the talking points it provides. It’s a beautiful late summer’s evening and there’s been no shovelling of the ood then scooting o and ver ew ic ers potato salad ownership and size of meatball portion aside). Family elder is even eyeing up the extensive cocktail menu, and done a recce to see about securing a spot on the buzzing sun trap outdoor terrace, to prolong the night.

find out later that S dne s is na ed in tri ute to isa s dad, who passed awa suddenl five ears ago. arr sa s, As a plu er, he was instrumental in the set-up of The Scallop Shell and lovednothing more than bringing people together.” And they have managed exactly that –they have created a great new foodie spot that brings people together in a rela ed, welco ing and a orda le wa . he have honoured hi well and they should be proud.

FOOD AND DRINK

RAISING THE SPIRITS

Bardacious on Quiet Street will be cele rating a o the ead with two nights o colour, flavour and fiesta ro the cto er to ove er. All guests will receive a cursed coin token which can be exchanged for a co pli entar shot o al e uila. here will also e usic, ta le ga es and a anc dress co petition with a pri e or the winner o the est a o the ead attire.

For more: www.bardacious.co.uk

THREE IS THE MAGIC NUMBER

The Beckford Group, which currently owns six hospitality businesses, including the Beckford Bottle Shop and Beckford Canteen in Bath, is opening three new venues in iltshire within the first three onths o next year.

he e pansion egins in e ruar with orsha ouse, a odern ritish rasserie with edroo s on orsha igh Street. he restaurant will o er a cover rasserie, a wine led enu, and a dedicated ec ord ottle Shop and asting oo . n arch, it s he ing s Ar s in on ton arleigh, which the redevelop ent o the local co unit helped und. he th centur inn will eature traditional ec ord pu are, eight edroo s, and space or guests across indoor and outdoor dining areas.

he third pro ect, opening in April, is e ont ouse, the group s first hotel. Situated in the adder alle , the th centur stone propert will reopen with edroo s, e tensive gardens, and wellness acilities including a sauna, wild plunge pond, and treat ent ca in. he cover oranger restaurant will showcase enus inspired the group s Beckford Canteen in Bath.

t is an a itious plan, sa s an rod, who co owns the ec ord roup with harlie u ton and att reenlees, ut we are delighted to e de ing the nor cra or not and opening three sites in three onths and creating up to new hospitalit o s in the process.

For more: www.beckford.group

AT THE HEAD

ath Spa otel has appointed Ale anger as its new restaurant head che , who rings ore than ears e perience across luxury hotels and restaurants. e will lead the nine strong che tea at the hotel s award winning Vellore Restaurant, which was recently recognised with two AA osettes, and showcases a creative blend of traditional and conte porar nglish cuisine.

For more: www.macdonaldhotels.co.uk

GOLD PLATED

he ia oldstone, or erl at he lder has launched his new restaurant Goldstone Food at The Curfew Pub on the London Road.

ia , who descri es his culinary style as ‘real ood, no uss, ust flavour , is working with Larkhall utchers, ornwall s l ing Fish Seafoods and the food wholesaler Lovejoys based in el sha . ecent sell out dishes have included katsu chicken arancini, cara elised onion ontgo er cheese turnover, and Larkhall utchers s sirloin ee in a potato bun.

ia will also e hosting onthl set enu supper clu s in the upstairs unction roo .

For more: Instagram: @Goldstonefood

Dressed to kill

Liam Goldstone has oepned his own restauarant within The Curfew

Alex Manger is the new restaurant head chef at Bath Spa Hotel; INSET: Alex has introduced a new menu

Liam is also hosting monthly supper clubs

Beckford, co-owned by Dan Brod, Charlie Luxton and Matt Greenlees, is opening three more venues

HITTING THE MARK

WITCHMARK DISTILLERY Unveils New Make Spirit and Announces Multi-Year Partnership with Bath Rugby

Set in the historic village of Fonthill Bishop in southwest Wiltshire, lies a distillery that takes its name from the medieval ‘witch marks’ carved into Fonthill’s stone buildings. Witchmark Distillery sits at the heart of the 9,000-acre Fonthill Estate, housed in a Grade II listed barn dating back to the 1600s.

Witchmark is B Corp certified, with a score of 124.4 making it the highest-scoring distillery in England. Everything about its operation is created with sustainability in mind and doing things the right way from the very start: barley grown in the nearby fields, water drawn from limestone-filtered aquifers beneath the estate, and energy generated through renewable biofuels.

English whisky is at the forefront of Witchmark’s ambition with the first casks laid down in 2024, however the distillery has already built a reputation for their awardwinning range of gins and vodkas. Their range includes the bold, spice-laden Black Lime Gin; the floral and citrus-forward Wiltshire Gin; the juniper-led London Dry; and a Single Origin Vodka known for its creamy, pure character. Their latest release is their New Make Spirit: Distiller’s Cut. Bottled at 60% ABV, the new make offers whisky enthusiast a taste of what’s to come from Witchmark’s whisky-to-be. Made from estate-grown barley, fermented slowly under controlled temperatures to preserve the character of the malt, and distilled with generous cut points to achieve lightness and fruit, the result is astonishingly elegant. Fresh and malty on the nose, with notes of toasted biscuit and apple tart, it is creamy and rich on the palate, warm but without the harshness that once defined new make spirit. “At Witchmark we believe great whisky starts with great raw materials,” shares Eddie Large, Co-Founder and Head Distiller. “Which

is why we’re so proud that our Distiller’s Cut New Make Spirit is crafted from barley grown on the Fonthill Estate in Wiltshire. It’s creamy, smooth, and already full of character, a true reflection of the land and our distilling principles. While our first whisky won’t be ready until 2027, this limited release offers a rare glimpse of the quality and style that will define Witchmark in the years ahead.”

The distillery recently announced a multi-year partnership with Bath Rugby, becoming the club’s Official Spirits Supplier. It’s a collaboration rooted in local pride, the distillery sits just 30 miles from The Rec. “A large proportion of our team are lifelong Bath fans,” shares Jon Carson, Co-Founder and Commercial Director. “To collaborate with the treble-winning club with such a rich history, is frankly, a no-brainer. We share a connection that’s shaped by provenance and integrity, and we can’t wait to share our range of awardwinning spirits to fans, players, and visitors, in Bath and beyond.”

Witchmark’s journey is as much about connection as it is about craft, between the land, the community, and the future of English whisky. Its story is still being written, but one thing is already clear: Witchmark Distillery is distilling a new legacy for English spirits. n

Email: everything@witchmark.co.uk

Phone: 01747 356110 www.witchmark.co.uk

THE PERFECT SPOT FOR YOUR STAFF CHRISTMAS PARTY

When it comes to staff Christmas parties, businesses in Bath have plenty of optionsbut few can match the energy, atmosphere and sparkle of BARDACIOUS

Since opening in 2024, this stylish Southern Californian-inspired venue on Quiet Street has earned a reputation as one of the city’s liveliest destinations, and at Christmas it becomes a true festive showstopper.

The space itself sets the tone. Housed in a grand former bank, Bardacious already has striking proportions and a vibrant aesthetic. For December, it’s dressed to impress with twinkling lights, garlands, a glittering tree and plenty of festive sparkle, creating a backdrop that feels both elegant and fun.

What makes Bardacious especially suited to work celebrations is its ability to host groups of all sizes. With capacity for 85 guests, it’s perfect for both small team dinners and full-scale company parties. The restaurant offers exclusive reserved spaces that give businesses privacy while still allowing them to enjoy the venue’s buzz. Tables are festively decorated, complete with crackers, while service is designed to make organising a group effortless.

Festive party menus focus on sharing, with set platters and sides served in the middle of the table, encouraging colleagues to relax, talk and celebrate together. Dessert is included, ensuring no one leaves without something sweet. Drinks packages are flexible, covering wine, beer, and Bardacious’s famed

cocktail list, which gets a seasonal makeover with spiced margaritas, mulled wine, cider and alcohol-free mocktails.

Adding to the atmosphere are live music nights, DJ sets and festive surprises, which bring an extra dose of fun to the celebrations. From midweek team get-togethers to larger end-of-year celebrations, Bardacious offers the perfect balance of setting and spirit.

For businesses wanting to treat their teams to something memorable, Bardacious offers the right blend of festive cheer, stylish surroundings and organisational ease. It’s professional enough to impress, relaxed enough to let staff unwind, and lively enough to guarantee that the Christmas party is remembered long after the decorations come down. n

Photo: Eddie Hayes

Photo: Eddie Hayes

Sow one wo an is changing ar ing, one vegeta le ed at a ti e

Words by Nick Woodhouse

Photos by Kate Collyns

For ost o us gardeners autu n is a us ti e there s the need to harvest and clear ature crops, prepare the soil or winter, and store ood or the colder onths ahead. ut it s a particularl us ti e or ar er ate oll ns, ounder o insle ased ar et garden rown reen, as she has pol tunnels to e pt . hat in itsel is uite so e tas . owever ate too the o to another level and when she decided to prepare the tunnels to host her first unnel o a le harvest supper.

ort guests at the sold out event were welco ed with arrival coc tails speciall prepared or the event using produce ro the su er onths. here s So ething A out ar a i ed ath in with to ato conso , to ato and straw err shru , resh her s, citrus and soda. his was sipped during the guided wal at dus around the ar et garden ahead o the three course east o the season s ho e grown harvest in the largest o the site s pol tunnels, a ectionatel nown the tea as lephant unnel. he enu, which included eetroot ocaccia, ale pesto, and raised carrots with sunflower seed and coriander hu us, was put together the che s ro neigh ouring artle ar .

Following the previous year’s universally di cult harvest, has, ortunatel , een a productive one or the ar et garden, with u per crops o produce such as s uash, red onions and eans. t s also proved a success ul ear or its first potato crop, with ore than ilos o potatoes having een gathered so ar. and planted on ridges, these were harvested last onth using an old ohnsons harvester ought at auction earlier in the su er.

“The more I learnt, the more answers organic farming seemed to o er

ate however has not alwa s een a ar er. A ter universit , she wor ed in pu lishing ut soon eca e un ulfilled with o ce ased wor , turning instead to volunteering or a conservation charit . een to adopt ore a sustaina le li est le, she started growing vegeta les on a s all scale at ho e. hilst this et with li ited success, it didn t dissuade ate ro persevering. he ore learnt, sa s ate, the ore answers organic ar ing see ed to o er lower car on ootprints and greater sel su cienc rel ing on clovers and ar anures or ertilit greater iodiversit etter soil health and water ualit . er research led her to discover the Soil Association s uture rowers sche e, and in she eca e one o the first to train as an apprentice on the progra e.

pleasingl ree o the stone ound in an o the neigh ouring fields ut was low on organic atter. ro the outset, ate was clear that an such venture was to e run according to strict organic standards. n the a sence o artificial treat ents, ate used traditional ethods, incorporating anure ro the neigh ouring ar to increase organic atter, and introducing plants such as clover to naturall pull nitrogen ro the air and fi it in the soil. ot onl is the ar et garden now certified with theSoil Association ut ate is also a e er o oth the rganic rowers Allianceand the andwor ers Alliance.

PHOTO BY ED SCHOFIELD

ot wasting a o ent o the war er da s o autu n, the ollowing da saw the start o the ver sa e pol tunnel then eing planted with rain ow chard, su er purslane, radicchio, winter lettuce, spinach eet, watercress, ustards, i una and wild roc et. hese as with all the ar et garden s produce through the ear will go to an oodie outlets including the ca and shop at artle ar , alcot Street s andrace, iddle round rower s veg o sche e, and hristine s Sustaina le Super ar et in rad ord on Avon.

n co pletion o the two ear course, ate started her search or land on which to turn that theor into practice. And so, the Soil Association s head o horticulture, en as in, put her in touch with artle ar near insle , who were loo ing or a grower to set up a vegeta le usiness on the ar to suppl their ca and ar shop.

ollowing a visit to assess the land, ate decided she could a e it wor , ta ing on the . acre plot in . he pro ect saw the field returned to its original state as a ar et garden a ter decades as paddoc s or horses. o e once to rows o rhu ar , the field was

he usiness has grown ro strength to strength over the last ears, with ate recentl u ing another two and hal acres o neigh ouring land to eet the de and. ollowing a rowd under ca paign in , ate was a le to u a ordson e ta tractor as well as a s all asse erguson two urrow plough or it. As ou ight e pect however, ate is not resting on her laurels, having ost recentl created a wildli e pond in the new field. She s also wor ing on her third oo , The Vegetable Grower’s Year, ollowing the success o her two previous pu lications, ardenin or ro t and Philosophy for Gardens ate s ourne is ar ro one o si ple ac to land ro anticis . t s prag atic, hard gra ting, with its eet in the soil, hands so ewhat udd , and the vision clear. n an age where we are earning or so ething genuine in how our ood is produced, ate is showing how integrit , persistence, and co unit can cultivate change one vegeta le ed at a ti e.

For more: www.growngreen.wordpress.com

Nick Woodhouse is the codirector of interior and garden design company Woodhouse and Law at 4 George’s Place, Bathwick Hill, Bath; www.woodhouseandlaw.co.uk

OPPOSITEPAGE: Forty guests attended the recent sold out Tunnel To Table harvest supper; THISPAGE, CLOCKWISEFROMTOPLEFT: All food is grown according to strict organic standards; Grown Green’s first potato crop has already yielded more than 800 kilos; the market garden now certified with the Soil Association; farmer Kate Collyns is the founder of the market garden Grown Green; this year has seen bumper harvests

Hello, I’m Dr. Carla Wilcox, a local GP with a passion for skin health.

At my twice-monthly clinics at The Porch Surgery, Corsham, I treat unwanted blemishes to help people feel more confident.

I offer cryotherapy using the precision CryoPen® to remove skin tags, warts, verrucas, and seborrhoeic keratoses. Treatments take just seconds and deliver excellent results — whether for larger lesions or delicate areas such as the eyelids. I also provide microsclerotherapy for thread veins on the legs. This safe and effective treatment involves carefully injecting a sclerosant solution into the tiny vessels, causing them to collapse and gradually fade over the following weeks.

Book your no obligation consultation today. after before

www.drcarlaaesthetics.com

CLEAN LIVING

The Salcombe Trading Company is at the heart of this barn transformation in the countryside south of Bath. As well as the retail aspect of the company, founded in 2000 by Michelle Sames, it also specialises in property restoration.

he espo e urnishings, elegant fi tures, and curated accessories eatured here de onstrate the Scandi influences that a e Salco e Trading Company’s clean and classic look so distinctive.

Turn to page 71 for an interview with Michelle about how she started up the business, and its progression over the 25 years.

For more: Salcombe Trading Company, 16 Margarets Buildings, Bath; www.salcombetrading.co.uk

BIRCH ORGANIC COTTON TOWELS, PRICES FROM £7 TO £39 ra ted ro high ualit gs co ed cotton, these certified organic towels are thic , highl a sor ent, and re ain so t and flu wash a ter wash.

From Piglet in Bed, 20 Old Bond Street; www.pigletinbed.com

SHEEPSKIN QUAD RUG, £325

rape over the so a, or underneath the co ee ta le, this su ptuous, supersoft rug comprises four pieces of 100 per cent natural sheeps in.

From Cox & Cox; www.coxandcox.co.uk

ALL THE FEELS

We’re warming up to being more tactile this season with these cosy home accessories

HALSTON DINING CHAIR, £195

The curved metal frame has a walnut e ect finish and is cross fi ed, a ing the alston dura le and long lasting. ra ted or co ort, the seat is upholstered in sustaina l sourced oucle that is so t and te tural to the touch.

From Salcombe Trading, 16 Margarets Buildings, Bath; www.salcombetrading.co.uk

COTTON VELVET QUILTED BEDSPREAD, £260

IVORY SHEEPSKIN BEANBAG, £795 pholstered in the so test sheeps in, this plush ean ag ad usts to our position, providing cocooning rela ation.

From Graham and Green, 92 Walcot Street, Bath; www.grahamandgreen.co.uk

Promising cosy comfort and timeless st le in the edroo , this lu uriousl so t ivor velvet uilted edspread, is beautifully complemented by a natural linen reverse.

From French Bedroom; www.frenchbedroomcompany.co.uk

SALFORD RUG IN NATURAL

MARL, £299

Bringing warmth and texture to your home, the Salford rug made from pure wool, is handwoven in India by artisans using a blend of traditional and odern techni ues.

From The Cotswold Company Bath, 12 Northgate Street, Bath; www.cotswoldco.com

WOODLAND

STRIPE THROW, £69.50

Add style and warmth to your home with this beautiful and versatile 100 per cent pure Australian wool throw.

From Biggie Best Bath, 3 Broad Street Bath; www.biggiebest.co.uk

STONEWASHED

LINEN CUSHION COVER, £75

These large, square, soft stonewashed linen cushion covers have a strokable lace-fringed border to enhance the classic design.

From OKA, 26-27 Milsom Street, Bath; www.oka.com

ETTA COTTON BEDSPREAD, £149

Jacquard-woven from pure cotton in Portugal, the Etta bedspread with an elegant two-sided design, combines artisanal craftsmanship with a conte porar twist on vintage floral designs. From Neptune, One Tram Yard, Walcot Street, Bath; www.neptune.com

LITTLE PETRA SOFA, WAS £6,020, NOW £5,117

Based on architect Viggo Boesen's original drawings from the 1930s, the Little Petra sofa, which features hand-stitched upholstery and a wooden frame built hand, o ers the sa e exceptional craftsmanship as the lounge chair – but with even ore space to sin into. From Holloways of Ludlow, 37 Milsom Street, Bath; www o owa sofl d ow om

SCHOOL GUIDE VICTORIA BOND

Search terms

Ofsted, Instagram, Google,

Searching for information on schools used to look more like research you’d do for a tax return than a school application. i cult to decipher monochrome datasets greeted you on the government website and the only school videos we had were those starring our own tea towel-clad children in a nativity play.

Fast forward a decade and mums and dads have the opposite problem. There are so many options on school information, it’s hard to know where to start when making one of the most important decisions of family life. One recent national poll revealed that less than a third of parents used Ofsted reports to help them choose a school; and less

Mumsnet…is there a right way to choose a school?

than half looked at the school’s website before applying for a place. (Apologies to hard working IT departments across the land.)

TikTok is on the rise for classroom tours and our favourite Instagram influencers take us on curated journeys through school corridors with a stop for a canteen latte with the headteacher. As parents, we know these shiny short-form videos are the educational equivalent of an elaborate makeup contouring tutorial: no one / no school looks like that every single day. But they save us time, especially when we are at the stage of shortlisting schools, and help fuel our

DAY OF THE DEADLINES

voracious appetite for intel.

You see, parents always want to press submit on their school application safe in the knowledge they have done all their homework.

“You know your child better than anyone else”

In fact, since I set up School Guide in 2014, I’ve never once met a parent who told me they wished they spent less time researching their child’s school. So I always encourage them to look through a kaleidoscope of media until the glittery crystals form a lightbulb.

Clarity, however, depends on reliability. ChatGPT can be like catnip to wannabe hive minds as it’s more than happy to have a decent stab at presenting performance data or catchment

maps. But these really do need to come from a trusted and wellestablished source so always click the links to check. Ideally treat A tools li e an overl confident pupil who always puts their hand up in class even if they don’t really know the answer.

You’ve chosen the school, when do you apply?

Primary

15 January 2026 is the deadline for reception primary school applications for the September. National offer day is 16 April 2026.

Secondary

31 October 2025 is the deadline for Year 7 secondary school applications for September 2026

entry. National offer day is 1 March 2026.

Independent Private schools have individual application deadlines but most are in the autumn the year before your child would start the following September. Selective schools have entrance exams in January.

In fact, when it comes to the right way to choose a school, there is only one person who has the answer: you. You know your child better than anyone else and are best placed to navigate the pixels and PDFs until something clicks. Plus – and herein lies the rub for tackling information overwhelm – most of us parents have lived through one huge tech revolution and have already acquired the smarts to tackle another one. We know the value of going back to basics and that there isn’t a Reel in the land that can replace standing in a playground with your child on a wet October school open evening and having that feeling. Old school homework club assemble: your lightbulb moment awaits…

Victoria Bond is the founder and CEO of School Guide, an easy-touse website that helps parents explore the best schools in the area including catchment maps and parent reviews. For more: www.schoolguide.co.uk

Choosing the right school can be a big deal

WHERE BUSINESS MEETS EXCELLENCE

In a city celebrated for its innovation, culture and community, CALIBRE 100 is redefining business networking in Bath

THIS EXCLUSIVE MEMBERSHIP network brings together leaders, entrepreneurs and professionals who value substance over sales, and meaningful connections over mere transactions.

Calibre 100 offers a refreshing alternative to traditional referral clubs, focusing on inspiration, collaboration and calibre. Each gathering is meticulously designed to create an

atmosphere where relationships flourish, ideas spark and opportunities unfold naturally.

Calibre 100 support the Bath Rugby Foundation, donating 3% of profits annually to local social causes.

UPCOMING

SIGNATURE EVENTS

12th November 2025

An Evening with Chris Lubbe Experience an unforgettable

night featuring Chris Lubbe, former close protection officer to Nelson Mandela. A gifted storyteller and motivational speaker, Chris shares powerful lessons on leadership, courage and humanity drawn from his extraordinary life alongside one of history’s most inspiring figures. Guests will be greeted with champagne on arrival, indulge in exquisite canapés by awardwinning chef Dan Moon, and enjoy an inclusive selection of premium alcoholic and nonalcoholic drinks throughout the evening.

Venue: Newark Works, 2 Foundry Lane, BA2 3DZ, Bath, 6pm – 8:30pm

4th December 2025

Calibre 100 Christmas Wine & Cheese Evening Round off the year in sophisticated style at our festive Wine & Cheese evening, featuring a keynote and expert wine tasting, hosted by The Canned Wine Co, Bath’s celebrated pioneers

in fine, sustainable wines. Guests will once again enjoy canapés by Dan Moon and an evening of exclusive, highcalibre networking with Bath’s most dynamic professionals and business leaders.

Venue: Newark Works, 2 Foundry Lane, BA2 3DZ, Bath, 6pm – 8:30pm

At Calibre 100, every detail, from our keynote speakers to our menus, is designed to create an exceptional experience that elevates business relationships beyond the ordinary. This is networking reimagined: elegant, insightful, and genuinely rewarding.

Join the network that’s setting a new standard for professional connection in Bath and beyond. n www.calibre100.com; 01225 690250; info@calibre100.com

NETWORK

FLYING HIGH

THE SOARAWAY SUCCESS OF THE ENTRECONF AWARDS 2025

SCENE SETTING

Aerospace Bristol hosts the illustrious ceremony

PLAY TO THE GALLERY

Smile for the camera! CELEBRATION & CHEERS

260 gather to honour the finalists ALL THE WINNERS

18 crowning moments

NOW THAT’S WHAT WE CALL FLYING HIGH WITH SUCCESS!

Bringing together its largest-ever group of entrepreneurs from across the region, the EntreConf Awards shone a spotlight on some truly remarkable local success stories – and, as GREG INGHAM reveals, the evening had a little help from one very iconic aircraft…

As Concorde’s signature sonic boom echoed through the venue at the start of the EntreConf Awards, there was no mistaking this would be no ordinary evening. Held beneath the legendary supersonic aircraft at Aerospace Bristol, the setting was a deliberate – and powerful – statement. Concorde stands as a symbol of bold ambition and visionary thinking: the kind of entrepreneurial spirit that makes the impossible possible. Yet it’s also a product of extraordinary collaboration – between countries, sectors, engineers and artists –mirroring the partnerships between entrepreneurs and professional services that the awards also sought

to honour.

The evening opened with a dynamic joint presentation from Amanda and Nick Spicer of Your Eco, this year’s Headline Sponsor. What followed was a powerful story of tenacity, strategy and ambition –building on last year’s win to push their business even further.

Next came a whirlwind 15-minute keynote that covered cutting-edge facilities, a tech revolution, economic transformation and a £500 million regeneration vision. Delivered with cool confidence ane hawa a, director of Bristol Innovation, the presentation revealed exciting plans for the Bristol Temple Quarter and its future as a hub for forwardthinking entrepreneurs.

Celebrating entrepreneurial excellence across the region – from early-stage startups to established businesses and across

diverse sectors – the Awards were co-hosted by the ever-engaging Lucy Stone, head of marketing at ath Spa niversit . ou ll find the full list of winners on page 66 – and every one of them is worth a deeper look, whether via their websites or social channels.

One standout was DRIFT Energy, whose ‘Oceans of Energy’ concept highlights a gamechanging use of marine power. The company’s decision to base itself in Bath was driven by the city’s strong marine talent pool, rich investor networks, and thriving tech ecosystem.

And one of the night’s most upli ting o ents he final award – Entrepreneur of the Year went to a es ourtne o Rewards. The judges praised his “visionary leadership, resilience through setbacks, and smart pivots,” ultimately leading to an

“CONCORDE STANDS AS A SYMBOL OF BOLD AMBITION AND VISIONARY THINKING”

eight figure e it. t s the ulti ate entrepreneurial narrative arc,” they said.

But beyond the celebration, the Awards were also about something deeper: connections. When you bring hundreds of ambitious minds together, shining a light on dozens of success stories, extraordinary things can happen. Serendipitous encounters, shared energy, and fresh ideas – the kind of magic that makes events like EntreConf so impactful.

Entrepreneurs get to set their own trajectory – shaping new worlds from scribbled-down hunches to fully-formed ventures. And the define success in their own way. Well… almost. On this night, success was defined our panel of judges – and awarded to the creators, builders and dreamers driving their businesses forward. And just like that supersonic aircraft overhead, their businesses are boooooming…

For more: www.entreconf.com

Buckling up for the thrilling ride that is the EntreConf Awards

PHOTO BY

CATEGORY WINNERS

ADVISOR

WINNER: THIRD HOUSE

EMPLOYER

WINNER: DIGITAL WONDERLAB

FINANCIAL ADVISOR

WINNER: GS VERDE CORPORATE FINANCE

CATALYST

Sponsored by

WINNER: HUM4NS

ENTREPRENEUR OF THE YEAR

Sponsored by

WINNER: JAMES COURTNEY

HEALTH & WELLBEING

Sponsored by

WINNER: RIPPLES WELLBEING

ECOMMERCE

Sponsored by

WINNER: SUSAN MOLYNEUX COSMETICS

FEMALE ENTREPRENEUR

Sponsored by

WINNER: JULIA KEMP

LEGAL ADVISOR

WINNER: RWK GOODMAN

PHOTOS BY SHARAYAH WILLIAMS

MEDIA

Sponsored by

WINNER: FOURTH FLOOR

SCALE-UP

Sponsored by

WINNER: LUX REWARDS

SUSTAINABILITY

WINNER: DRIFT ENERGY

PRE-REVENUE

WINNER: PAWPASS

SCIENCE

WINNER: ENSILITECH

TECHNOLOGY

Sponsored by

WINNER: MOLENDOTECH

PROPERTY

WINNER: ASPIRE TO MOVE

SMALL BUSINESS

WINNER: UNFOLD

YOUNG ENTREPRENEUR

Sponsored by

WINNER: CAMERON MILLS

CAREER PATH

MICHELLE SAMES

THE SALCOMBE TRADING COMPANY

everything running smoothly. As part of our extended team, we collaborate with skilled upholsterers, tradespeople, and suppliers who bring our projects to life—all of whom share our passion for detail and craftsmanship.

How does being based in Bath help your business?

Bath is the perfect home for Salcombe Trading. The city’s beauty, heritage, and designconscious community align perfectly with our brand. It’s a mix of residents and visitors who appreciate ualit and ti eless style, and the local network of independent creatives makes collaboration easy and inspiring.

“OUR CORE MISSION REMAINS THE SAME – CREATING BEAUTY AND JOY THROUGH DESIGN”

see our values carried forward.

I’m also proud of our property restorations, particularly the transformation of a derelict inn near Bath. It was our largest project yet, and we successfully created three beautiful homes.

What changes have you seen over the past 25 years?

Founded by Michelle Sames in 2000 with her husband Barry, the Salcombe Trading Company has grown from a small coastal homeware store into a multifaceted design usiness, o ering not onl carefully curated interiors and homewares but also full-scale property renovations and interior styling. Here, Michelle takes us through the highs, lows and achievements of the last 25 years.

Tell us about you... I’m from a small village in Yorkshire, where I learned the value of hard work early on. At 20, I met my husband, and we began a shared adventure – running a farmhouse B&B in Kent, making our own produce, and travelling widely.

And how did you come to be in this part of the world?

A romantic weekend in Salcombe led us to the South West, where we ran hotels and a kitchen shop.

Tell us a little about the inspiration behind setting up Salcombe Trading Company

It began with a love of timeless design and beautifully crafted homeware that blends Scandinavian simplicity with British warmth. From day one, our goal has een to o er ualit , practical, and beautiful products that people will treasure for years.

and growth

managing director on 25 years of independent trading

What did you do before this?

I was at ballet and stage school, then worked in London where I developed a fascination with period buildings. Meeting my husband led to running a farmhouse B&B, renovating properties, and eventually blending retail with interior design.

What were the early days like?

Exhausting but exhilarating. We were running two hotels, our own B&B, and a shop – all while raising three small children. It was a constant juggling act.

What are the highs of running your own business?

The highs are our loyal customers – seeing people return time and again because they trust our taste and service.

And the lows?

Brexit made sourcing goods trickier, and Covid transformed retail overnight. Competing with online giants means we’ve had to constantl innovate and refine how we serve our customers.

How were these challenges overcome?

By building a fantastic team. an o our earl sta are still part of the wider Salcombe Trading family. Their support gave us the breathing room we needed to grow and focus on ualit .

Tell us more about the team. It’s a small and dedicated group of like-minded people who feel ore li e a il . ur shop sta deliver warm, knowledgeable service, while the o ce eeps

Time over, anything you’d do differently? I wish we’d embraced social media earlier, especially during Covid.

A stronger online presence then would have helped us adapt faster. Social media, especially Instagram, has been instrumental in driving growth. It allows us to connect with customers and share our story visually. Unfortunately, we lost our original 10,000-follower account due to it being hacked, but rebuilding it has reminded us of the importance of digital connection.

Any moment you’ve been particularly proud of?

Seeing our eldest child join and now co-run the business is a huge source of pride. It’s rewarding to

usto ers now value ualit and longevity more than trends. There has also been a shift toward online shopping, which has prompted us to make our digital experience as personal as visiting our Bath store.

And how have you developed professionally and personally?

Running Salcombe Trading Company has taught me to balance creativity with business sense. I’ve grown more adaptable and resilient, and learned the importance of nurturing strong relationships – with customers, suppliers, and fellow independents. Personally, it’s taught me patience and the power of community.

How do you see the company developing over the next few years?

We’re currently working on an exciting renovation project just outside Bath – a perfect showcase of our design and restoration expertise. Over the next year or so, we’ll continue expanding online and completing standout pro ects. n five ears, we hope to grow our collaborations and digital presence further. In ten years, I hope Salcombe Trading remains known for its timeless design, craftsmanship, and creativity – a brand that continues to bring beauty and authenticity to British homes.

For more: Salcombe Trading Company, 16 Margarets Buildings, Bath; www.salcombetrading.co.uk

LEFT: Founders Barry and Michelle Sames; INSET: The business was established in 2000

EXPLORE OUR COLLECTION OF LUXURY. EXPERIENCE VOUCHERS FOR EVERY OCCASION.

Moments of indulgence create lasting memories. From elegant stays in the heart of Bath and exquisite dining in Montagu’s Mews to relaxing treatments and rejuvenating spa days in The Spa — each experience o ers something truly special.

Vouchers can be sent instantly by email or presented in a bespoke wallet, making them perfect for birthdays, festive gifting, or simply to show you care.

Discover the full collection at: royalcrescent.wearegifted.co.uk

16 Royal Crescent, Bath BA1 2LS

+44 (0) 1225 823333 events@royalcrescent.co.uk royalcrescent.co.uk

Tel: 01761 232906

Mobile: 07901 712232

Email: nortonmasonryltd@hotmail.co.uk www.nortonmasonryltd.co.uk

The most sophisticated audience is just a

Repairs, Restoration

Alteration of Stone Buildings

Build

Stone Cleaning

IS YOUR WILL STILL WORKING FOR YOU AFTER THE 2024 INHERITANCE TAX CHANGES TO PENSIONS?

This Labour government’s first budget last October saw some fundamental changes to inheritance tax. Some of which, such as the ‘family farm tax’ (the restriction on relief from inheritance tax for farms and trading businesses which will kick in from 6 April 2026) and the change of system from charging people domiciled – as in from – the UK, to charging those resident here (taking effect from 6 April this year), have been given a lot of publicity.

Whilst both those issues are reason to take professional advice at the earliest opportunity if you are caught by them, a less publicised change will hit a majority of working age and retired people.

INHERITANCE TAX ON PENSION FUNDS

Under the current rules brought in in 2015 unused pensions and lump sums payable on death are (broadly speaking) exempt from inheritance tax and capable of being passed from generation to generation without charge to tax if the funds are undrawn. However, as of 6 April 2027, those sums will be subject to inheritance tax on death.

This change is potentially a double-whammy. For many, a pension pot is their second most valuable asset after their home – bringing this into charge will draw many more people into the tax net who would not otherwise have been caught. Further, the resultant increase in the estate risks valuable inheritance tax reliefs being lost causing the marginal rate payable to shoot up to 60 per cent from the usual 40 per cent.

LOSING NIL RATE BANDS

Each person has a nil rate band for inheritance tax purposes of £325,000. That is the amount up to which Inheritance Tax is charged at 0 per cent on a person’s death. Most people are familiar with the idea that the nil rate band will reduce by the amount of any gifts made in the seven years before death.

Additionally, where a person is leaving their home to children or other descendants

“A MARRIED COUPLE WILL POTENTIALLY HAVE £1M INHERITANCE TAX RELIEF BETWEEN THEM. THOSE AMOUNTS ARE FROZEN UNTIL AT LEAST 5 APRIL 2030”

(grandchildren and so on) there is a further residence nil rate band of £175,000.

Both these amounts if unused are transferable between spouses and civil partners meaning that a married couple will potentially have £1m inheritance tax relief between them. Those amounts are frozen until at least 5 April 2030.

The potential trap is in relation to the residence nil rate band which will taper away if an estate exceeds £2m. Every £2 above that limit would cause a £1.20 increase in the tax liability – a huge 60 per cent marginal rate.

An inflationary economic environment, Bath’s high value property market and these new pension rules all mean that even those not currently within the inheritance tax net might soon be caught by a trap which sees them liable to it at a very high marginal rate.

A will which leaves everything to a surviving spouse creates a significant risk of this happening. Redrafting your will to account for this can alleviate the issue for many and we would be glad to advise anyone who may be affected. n

Helen

Starkie Solicitor 38 Gay Street, Bath, BA1 2NT; 01225 442353; www.helenstarkie.co.uk

Stephen Horton from HELEN STARKIE SOLICITOR explains…

Turning sunshine into sales

With Floresco, FUNKIN COCKTAILS had their most successful summer month ever

loresco partnered with FUNKIN COCKTAILS across Paid Search & Digital Advertising, boosting Return on Ad Spend by 48% year-onyear and revenue by a huge 105% monthon-month.

THE CHALLENGE

FUNKIN COCKTAILS entered May with strong seasonal potential – warm weather, long weekends, and bank holidays. The challenge was to convert

that momentum into real commercial impact with a robust and high-performing digital strategy.

THE RESULTS

Floresco delivered record-breaking performance for FUNKIN COCKTAILS. May was their most successful month across digital advertising outside of the traditional Christmas peak. +48% Advertising Return +105% Revenue

WHERE CAMPAIGNS FLOURISH

Floresco is Bath’s fresh-thinking paid media agency, trusted by ambitious brands to build sustainable growth for long-term success.

“We couldn’t be happier with the results. The team has also been a huge pleasure to work with throughout” Zoe Greenwood, Funkin Cocktails

JON MILES

MILSTED LANGDON

01225 904940; www.milstedlangdon.co.uk

Tell us a little about your business...

At Milsted Langdon, we provide awardwinning accountancy, tax, and business advice to help our clients innovate and embrace change. With a team of over 200 people across our offices in Bath, Bristol, London, Taunton, and Yeovil, we share one clear vision – to help our clients thrive.

Although we’re rooted in the South West, our reach is global thanks to our membership of MGI Worldwide. This gives us access to more than 250 locations worldwide, enabling us to offer creative, pragmatic tax solutions wherever our clients do business.

What is your firm’s philosophy?

Our philosophy is simple: helping you thrive. It’s a message that goes beyond the services we deliver – it’s embedded in the culture of how we work with both clients and colleagues.

In the tax team, this means being proactive, strategic, and highly personal in our approach. Whether we’re working with individuals, business owners, or large corporate groups, our focus is on building long-term relationships, delivering clarity, and making a real difference through smart, forward-thinking advice.

How has accountancy – and tax – changed in recent years?

The landscape has evolved dramatically. Technology has transformed how we communicate, manage data, and deliver services. Clients expect more than just compliance – they want advisors who understand the bigger picture and can help them plan with confidence. From a tax perspective, the pace of change is particularly fast. Increasing

DUNCANNICHOLAS

MOORE SCARROTT

01225 234294; www.moorescarrott.co.uk

What is Moore Scarrott’s philosophy?

complexity in legislation, growing international tax considerations, and tighter compliance requirements mean that businesses and individuals need expert guidance now more than ever. Our role is not just to keep up – it’s to stay ahead and ensure our clients are future-ready.

What tax tips do you have for your personal and business tax clients?

Tax planning isn’t just something to think about at the end of the year –it should be a year-round conversation. Here are a few key tips we often share with personal tax clients:

• Utilise allowances and exemptions – Make full use of your personal allowance, capital gains tax exemption, dividend allowance, and pension contributions. These can significantly reduce your overall tax liability.

• Plan ahead for Inheritance Tax (IHT) – IHT planning is something many people leave too late. By taking early steps – such as making gifts, using trusts, or exploring business reliefs – you can manage your estate more efficiently. With the changes planned to come in from 6 April 2026 restricting IHT Business Property Relief, how your business is structured may now come into sharper focus too.

• Be smart with investments – Tax-efficient investment vehicles like ISAs, pensions, and the Enterprise Investment Scheme (EIS) can offer strong tax benefits. Understanding how they fit into your overall financial picture is key.

• Don’t overlook international implications – For clients with overseas assets, residences, or income streams, it’s essential to understand how different jurisdictions interact from a tax perspective. This is where our international network really adds value.

• Speak to your adviser regularly – Circumstances change. Whether it’s a large transaction ahead for your business, a property sale, a change in family situation, or an upcoming retirement, keeping us informed means we can help you make the most of every opportunity.

Above all, it’s about having a personalised strategy that evolves with you and, if applicable, your business. No two clients are the same, and that’s what makes the job so rewarding.

At Moore Scarrott, we believe the work we do for clients should always be seen as an investment, not an expense. That means your needs and goals come first – we commit to understanding your business, your ambitions, and your challenges. We blend rigorous compliance and reporting with bespoke, forward-looking commercial advice.

What do you personally specialise in?

I specialise in supporting owner-managed businesses, providing commercial and strategic advice. My focus is assisting owners to define their medium to long term strategies, optimise profitability, and prepare for a successful future exit.

What advice would you give a new business startup?

Define your goals early, set sales targets, understand your margins, and above all, monitor and manage your cash flow. From the outset, build strong financial habits with regular management accounts, variance reviews, and key performance indicators. Surround yourself with trusted advisors, it is far more cost-effective to prevent mistakes than to fix them later.

What key mistakes should be avoided by businesses?

Cash is king and a profitable business can still fail without it. One of the biggest risks we see is over-extending credit or failing to anticipate cash flow swings. We advise clients to forecast rigorously, stress-test regularly, and never assume today’s cash position reflects tomorrow’s. It’s not about being cautious – it’s about being in control.

What key bit of advice would you give a client in the current climate?

Agility is critical. In a climate defined by uncertainty, businesses need to be able to pivot quickly. That starts with tracking performance in real time, reviewing forecasts regularly, and making sure decision-making is informed by up-to-date management information.

EMMA D’AUBYN MUTU ACCOUNTANCY

01225 582 582; www.mutu.uk

What do you enjoy most about your job?

I absolutely love our clients! There’s a common misconception that accountancy is dull – it’s often a real conversation stopper when you tell someone what you do at a party! But the truth is, we spend very little time on traditional ‘number crunching’. Most of our work involves talking to clients, helping them streamline their business processes, strengthen cash flow, boost profitability, and plan effectively for tax. We also work with many non-profits and charities, which is incredibly rewarding – it’s wonderful to support organisations that are making a difference.

What do you think of the talk of AI replacing accountants in the near future?

It doesn’t look likely to happen any time soon. Right now, AI is brilliant at speeding up routine tasks like notetaking, bookkeeping (to an extent), and writing emails. But automation in the accounting world has actually been evolving rapidly for over a decade. There was a time when accountants spent their days manually adding up columns of numbers in paper ledgers! These days, we’re completely paperless and use apps and software to streamline workflows and reduce errors.

Most accountants now use some level of automation, though at Mutu we like to think we’re ahead of the curve when it comes to adopting new technology. I love it – it helps us keep our prices competitive while focusing on what really matters: providing valuable advice and insights rather than just processing data.

Hopefully, AI will take this even further – as long as we can maintain strong data protection and ensure accuracy. I’m part of a mastermind group of other accountancy practice owners where we regularly brainstorm ways to harness AI to benefit both our firms and our clients. We’re genuinely excited about its potential. That said, businesses and individuals will

BEN BRADLEY & PAIGE MAHONY

RICHARDSON SWIFT

01225 325580; www.richardsonswift.co.uk

Both began on apprenticeship schemes and have gone from strength to strength as fully qualified accountants

Ben: What areas do you specialise in?

I specialise in UK company accounts, VAT compliance and corporation tax, also assisting with tax planning and personal tax. I use Xero, QuickBooks, and other cloud platforms to help businesses and individuals streamline their finances, stay compliant, and plan ahead. My focus is delivering tailored, technologydriven accounting solutions that enhance efficiency, reduce tax burdens, and support long-term growth of our clients.

Can you tell us about your career journey so far?

I’ve worked in practice for the past seven years. I began with AAT Levels 3 and 4, which gave me a strong foundation, and have since gone on to complete my ICAEW ACA exams. Each stage has helped me grow both technically and personally, giving me the skills and confidence to support our clients. It’s been a rewarding journey, and I’m excited to keep progressing.

What makes you different from others in your profession?

I combine a passion for numbers with a strong focus on building personal connections. I believe strong relationships are at the heart of good accounting, which is why I enjoy getting out of the office and meeting clients face-to-face. Building that personal connection helps me understand their goals beyond the spreadsheets. Outside of work, I’m dedicated to fitness and an active lifestyle, which keeps me both energised and focused.

always need human expertise to design systems, offer tailored tax planning and strategy, and provide advice that no computer can replicate. And for now, AI still has a habit of confidently giving incorrect answers to accounting and tax questions, which is worrying – especially for non-accountants who may not know when it’s wrong.

What sort of clients do you work with?

We work with a wide range, but have particular expertise with tech companies, creative businesses, and charities. Each has their own challenges – whether it’s a digital start-up scaling fast, a creative agency balancing cash flow with innovation, or a charity navigating complex reporting rules. I really enjoy tailoring advice so clients can focus on doing what they do best.

What aspects do you enjoy about being based in Bath?

Bath has such a vibrant business community – especially in the tech and creative industries and at the same time it’s a city that cares deeply about charities and community. I feel lucky to work in a place that combines innovation with heart.

Paige: How has accountancy changed over the years?

In recent years, accountancy has transformed through cloudbased software such as Xero and QuickBooks, alongside automation and HMRC’s push for ‘Making Tax Digital’. Routine tasks like data entry and reconciliation are now streamlined, freeing accountants to focus on advisory roles and strategic planning. Remote collaboration tools have also made working with clients more flexible. Overall, the profession has shifted from traditional number-crunching to offering real-time insights and guidance that help businesses make smarter decisions.

What inspired you to become an accountant?

I’ve always enjoyed working with numbers and problem-solving, but just as importantly, I value building relationships. Accountancy allows me to combine technical skills with the opportunity to support local businesses here in Bath. I enjoy helping business owners understand their finances, make confident decisions, and grow sustainably. It’s also a profession that keeps me connected with other local professionals, creating a strong network where we can share knowledge and support the wider community.

What is the biggest misconception surrounding accountancy?

A common misconception about accountancy is that it’s all about crunching numbers. In reality, much of the role is about working with people: helping clients understand their finances, exploring options, and guiding decisions. Strong interpersonal skills, analytical thinking, and the ability to translate complex financial information into practical advice are what make the job both rewarding and strategic.

What advice would you give to a new business startup?

For new business startups, my key advice is to focus on what you do best and find your niche, while also working with a good accountant. A skilled accountant can guide you through tax, cashflow, and compliance, allowing you to concentrate on growing your business. Partnering with the right financial professional early on helps you make better-informed decisions and sets your business up for long-term success.

GRAND DESIGNS

John Law of Woodhouse & Law on upgrading the luxe interiors of The Royal Crescent Hotel & Spa

Photos by Pete Helme; www.petehelme.co.uk

It’s one thing creating and designing décor for someone’s home, but quite another thing altogether when you’re asked to interior design the rooms in one of the world’s most recognisable hotels. This was the challenge facing John Law, creative director with the interior and garden design Bath-based company Woodhouse & Law, when his company was approached to transform the lobby, drawing room and bedrooms of The Royal Crescent otel Spa. ere, we catch up with ohn to find out ust how he approached adding more luxury to an already five star space.

When did The Royal Crescent Hotel and Spa commission you, and what was the brief?

Under the leadership of general manager Lorraine Jarvie, the hotel had recently seen the launch of a new indoor-outdoor dining concept in Montagu’s Mews, as well as a chic new bar and the renovation of its largest suites. We were initially appointed by the hotel in 2023 to transform its lobby, drawing room and bedrooms. We hoped to complement this recent modernisation with our own schemes and signature style; schemes that would be sympathetic to the building’s history and original architectural features, whilst feeling vibrant, playful and contemporary at the same time.

ABOVE: Woodhouse & Law were appointed to work with the five-star landmark in 2023; BELOW: The team fell in love with IKSEL’s Italian Promenade fresco design seen here

What were the initial considerations?

Guests to the hotel are welcomed from the iconic crescent to The Lobby, with architectural eatures such as the original fireplace and handso e pedi ents. o etter connect this roo to the ad oining reception spaces, we drew inspiration ro the hotel s eauti ul and une pected gardens. estled etween the crescent and the ower ouse to its rear, the garden is in or all divided into a series o individual spaces, which are ho e to evenings, a nights, and various unctions, including weddings. e were een not onl to ring this outside in, ut also to pa ho age to the uch loved agnolia that previousl occupied the a ade and was sadly removed due to the damage it was causing to the Grade I uilding.

What else inspired you along the way?

In our search, our team fell in love with the Italian Promenade fresco design by London-based duo IKSEL, reminiscent of the rural scenes so en o ed eorgian ho eowners. he s lvan design is also a re erence to the influence that talian architecture, with its e phasis on s etr and proportions, had on the architects o the ti e.

How did the adjoining drawing room influence your design approach?

he ad oining drawing roo is a wonder ul space, so it was e to ring the original detail o the ornate plasterwor and triple sash windows to the ore here. alls were painted in o an Quarter Mushroom and co ple ented with o an Mushroom or su tle definition. Against these sit original, anti ue portraits, now contrasted with a old, conte porar piece ritish artist e ie olds ith to ring a resh, new energ to the roo . ew upholster in lues, war neutrals and oranges was la ered with colour and pattern ro the li es o inc, s orne ittle, and asa ance to provide urther interest and depth.

TOP: The bedroom designs told a story of luxury and comfort; MIDDLE: Energy-efficient LED lighting and USB ports were introduced; BOTTOM: The new interiors have helped reinvigorate the spaces

What was the design intent for the bedrooms?

It was essential to us that our designs for the hotel s edroo s provided a lu urious and co orta le retreat or guests. he hotel is renowned for the wonderful uniqueness of each o its edroo s ro grand suites with triple sash windows overloo ing the o al rescent at the front of the hotel, to cosy attic rooms with verdant garden views. nspired the views e ond, those roo s loo ing out to the gardens now en o palettes in vi rant greens and lues. n s aller spaces with li ited natural light, a older use o colour is e plo ed to provide depth and interest. ro right sunshine ellows to a stri ing ris Ap el a ric on an oversi ed head oard, we adopted a pla ul approach to each sche e, with conte porar furniture and lighting sitting alongside restored antique ar oires.

How would you describe your approach to the work overall?

“The intention was always to evolve the space, not revolutionise it”

he design tea were een to introduce a sense of evolution rather than one of revolution to the hotel odernising in a sensitive wa that wouldn t alienate long standing and lo al guests. he tea wor ed closel with the hotel sta to drill down into what would help i prove the spaces on a practical level a challenge when not wor ing in a purpose uilt hotel. or e a ple, espo e ta les were designed that provide hidden storage or luggage.

How did you rethink the use of space in the hotel?

he tea also e a ined how the or er li rar space was eing utilised, transforming the layout from a more formal drawing room to a lounge with smaller, more intimate seating arrangements that acco odated groups ideal or private events and gatherings. he architectural lighting introduced has also helped trans or these

Massive Stock Clearance as we are re-locating to our New Studio at Little Notton Farmhouse, 16 Notton, SN15 2NF (near Lacock) from the 1st December, 2025.

Perfect Rooms will continue to provide a superior interior design service, for the home or office, with all aspects covered from floor to ceiling. We can make and supply made to measure curtains and blinds, a bespoke upholstery service, paints, wall papers and designer flooring to suit all tastes and budgets.

Please also visit our online shop which showcases a select range of products.

We can help you achieve the perfect vision for your

Whether you live in a Georgian mansion, a

a new-build, or are planning an extension or renovation

we have the flooring solution to suit your interior design.

www.perfectrooms.co.uk | 01249 716445 | interiors@perfectrooms.co.uk

to

and Level 3 Building Surveys using the latest tools — including drones, damp meters, and advanced inspection tech.

Expect excellent service, quick turnaround, and a personal call from your surveyor to talk you through the results. info@dundasbuildingsurveying.com

reception spaces, adding character, depth and interest. This also provided the design team with the opportunity to introduce energye cient lighting, ena ling the hotel to eet its sustaina ilit targets. This upgrade to electrical schemes also allowed for those more practical touches, such as S ports, to ena le uic and eas tech charging for guests.

How did you ensure the hotel’s character wasn’t lost?

Throughout, the design team ensured that their own signature style was not i posed on the hotel. nstead, the wor ed to understand what a es the hotel uni ue, and pla ed to these strengths. or e a ple, rather than pushing for entirely new pieces across each space, they wor ed to reinvent pieces o upholster , anti ues and lighting. he tea wor ed alongside the hotel to curate their traditional pieces, su tl co ining the with conte porar art and o ets, ensuring a ore odern loo and eel or the hotel.

How did you go about planning and implementing the work?

e wor ed closel with the hotel anage ent to ensure the wor s were phased in a way that minimised disruption to guests, ensuring that the hotel stayed open throughout.

What was the broader cultural context for your design approach?

Bath is internationally renowned as a historic Georgian city, with S orld eritage status. hilst cele rating its histor , the cit is, however, een to avoid eco ing a pastiche instead, it gives e ual i portance and support to its urgeoning creative digital industries and to its vi rant cultural, arts, and entertain ent scene.

How does the hotel’s transformation reflect this balance?

The modernisation of the hotel very much mirrors this evolution. The hotel s structure a e classical in st le, ut the new interior designs have helped reinvigorate the spaces, al eit in a sensitive anner, protecting and enhancing the historic character.

What design achievements stand out to you?

he design success ull alances a deep respect or the uilding s eorgian roots with pla ul, odern touches that spea to toda s guests. he care ul integration o restored anti ues and conte porar ele ents de onstrates that heritage and innovation can eauti ull coe ist.

What practical innovations were introduced as part of the upgrade?

The new architectural lighting provided the opportunity to introduce energ e cient s ste s and odern electrical upgrades. hese not onl enhanced the a ience o the roo s ut also supported the hotel s sustaina ilit goals and guest convenience, such as easily accessi le S charging ports.

How did the project maintain sensitivity to the hotel’s loyal guests?

The intention was always to evolve the space, not revolutionise it. ver decision was guided respect or the hotel s lo al clientele, ensuring the modern updates enhanced, rather than replaced, the traditional char that eeps guests returning.

What recognition has the project received so far?

“Playful, modern touches that speak to today’s guests”

n the ac o its new loo , the hotel was the onl one in the cit to e awarded two Michelin Keys when the new distinction was launched last cto er. he ear also saw the hotel na ed as one o The Times’ prestigious est laces to Sta in the , as well as eing shortlisted at he outi ue otelier Awards and he orld ravel Awards.

What’s next for Woodhouse & Law?

ollowing our wor on these initial spaces, we have since een awarded the contract to design and renovate their conference and event facilities, as well as additional suites and athroo s, and a new residents ar. e are soon to egin the ne t design phase, which involves the re ur ish ent o the hotel s renowned spa and fitness acilities at he ower ouse. n

For more: www.woodhouseandlaw.co.uk

ABOVE: The renovated hotel was awarded two Michelin Keys last October; BELOW: The team worked alongside the hotel to curate their traditional pieces

THE ROYAL CRESCENT HOTEL MOODBOARD

The pinboard ideas of Woodhouse & Law that helped refresh the five-star landmark

Elephants from Barbara

in pure flat emulsion, by Paint & Paper Library

Designs for bold, warming colour tones, with contemporary furniture and lighting sitting alongside restored antique armoires

The Raffles nightstand by Andrew Martin

Osorio Fabrics

The V.Venere Henry Dean, a family-owned business in Belgium who produce artisanal glassware

Resurgence Berry fabric by Fabricut

Artwork by Debbie Goldsmith

The hotel’s colour schemes are complemented by regular floral displays by Bristol-based Edward Allen Flowers

Phileas rechargeable table lamp by Pooky

Les Dames fabric by Zoffany in peacock and copper

The hotel’s inspiring gardens

The Italian Promenade fresco design by IKSEL vase from

TAKE TO THE FLOOR

Experts on three recent flooring projects

By John Mather

From the natural patina and uniqueness of limestone to the acoustic enefits o carpet, here we loo at three distinctive t pes o flooring through real li e case studies and discover the advantages and design potential o each chosen sur ace. hese include the practical considerations, aesthetic decisions, and long ter per or ance.

FLOOR TYPE: Dijon tumbled limestone from Mandarin Stone

Used by John Law, creative director of Woodhouse and Law; www.woodhouseandlaw.co.uk

e o ten use natural stone within our sche es, as the natural patina o the aterial adds interest and, when chosen care ull , can e a relativel ti eless choice. e were also een to ensure a sense o cohesion etween the itchen and the garden onto which it leads. ith the right treat ent and thic ness o tile, the sa e li estone can e used oth inside and out, allowing or a sea less transition etween spaces.

e did consider porcelain or this pro ect. ten, in a roo that needs to withstand the high tra c o odern a il li e such as a itchen ou a wish to consider porcelain. It’s easier to clean and maintain than many other aterials and will tolerate anti acterial cleaning products too. So e porcelains now e ectivel i itate natural stone and o er variation etween tiles so that it s ver di cult to see an repetition, even across a large sur ace area. hat said, ou do need to ta e care to consider

ABOVE: Woodhouse & Law often use natural stone within their schemes; INSET: Mandarin Stone’s dijon blend tumbled limestone

whether you will need to cover stepped areas within the space; as the aterial isn t solid, there are ewer porcelain options that o er profiling such as ullnosing on step tread edges.

Whilst stone products aren’t necessarily renewable or recyclable, the can e applied in large uantities and, as a natural resource, don t re uire actor anu acture. t s also a dura le aterial that will stand the test o ti e and outlast fleeting design trends. ncorporating these natural materials – whether stone, timber or marble – also helps us reconnect with nature and create an innate sense o cal . ith their rich diversity of life, shapes, and colours, these natural elements are fast gaining a dedicated ollowing or their a ilit to greatl i prove our well eing and creativit .

FLOOR TYPE: Textured worn oak plank

Used by a client of Broadleaf; www.broadleaftimber.com

he top floor o the house had een neglected, so needed a ull renovation. t would once have een the living uarters o the household sta , ut the proportions are still wonder ul, eing on the third floor. e wanted this floor to eel cohesive, with flooring that flowed throughout, and we wanted a war oa that reflected so e o the age and character o the house, having een uilt in , ut that was pale enough to ounce the availa le light around. eing in the eaves, there are dar er corners and we wanted the whole space to eel light, right and welco ing. he te tured worn oa plan ro Broadleaf’s Nuances Textured

“We wanted the whole space to feel light, bright and welcoming”

Collection was the perfect mix of warmth and character without eing too dar , still eeling rich and lived in, so it wor s eauti ull with the period eatures we ve restored. t also see s to wor per ectl with every colour we’ve tried it with, and the grain reall co es alive when the light hits it. he results are great. t eels li e it s alwa s een there, loo s so at ho e in the period setting, and we couldn t e ore pleased. t s wearing eauti ull too still i aculate and was a ree e to fit.

FLOOR TYPES:

Amtico Spacia LVT and Cormar Sensation carpets

Used by managing director Sam O’Connor of The Floorsmith; www.thefloorsmithltd.co.uk

e are wor ing with it and ountr on the prestigious ath ress develop ent a regeneration pro ect in the heart o ath. his land ar develop ent eatures eight espo e townhouses and over pre iu apart ents. he interior design tea set a high end specification rie that alances lu ur with practicalit , ensuring the ho es are not onl elegant ut also a il riendl . or the ground floor, we have used A tico Spacia in oth herring one and straight la plan s, o ering a slee , odern aesthetic. hese are water resistant and eas to clean, per ect or the de ands o ever da a il li e, and are ac ed a ear do estic warrant . or the upper floors, or ar Sensation carpets provide a so t, lu urious eel under oot, and are covered a ear stain and wear warrant . a spill can t e re oved, the carpet will e replaced giving ho eowners peace o ind. t was installed over all oung loud irrus underla , a thic , high per or ance underla nown or its e cellent ther al and acoustic insulation. n

ABOVE: The sewing room of a Broadleaf client; INSET: Textured worn oak plank

ABOVE: An example of the use of Cormar Carpets in a bedroom; INSET: The Floorsmith are working on the floors of the Bath Press development; INSETBOTTOM: Amtico Spacia LVT in herringbone

The prestigious Bath Property Awards take place on 7 November

IF WE BUILD IT…

THE BATH PROPERTY AWARDS are returning for the biggest round yet! The movers and shakers of the region’s property sector will be coming together at Apex City of Bath Hotel on 7 November to celebrate the finest of local companies. So, how’s it shaping up?

Thank you to all our Sponsors including: S&J Roofing (Headline), MEA Consulting (Winner of Winners), Alide Hire Services, APS Homes, Bedstone Developments, BLB Solicitors, Creative Bath, Elements Studio (a sister company of Wraxall builders), EntreConf, Floresco, Goughs Solicitors, Kingswood School, M2 Civil and Structural, Marsh Commercial, Milsom Metalworks, Mogers Drewett and Tile and Floor.

And to our Partners: AGM, Bath Demolition, Berkeley Group, H Mealing & Sons, Lord Architecture, Native Communities (Signal Box Yard), Synergy Construction & Property Consultants and Surveybase.

Partner Tables and tickets are available. Please check on the website or Bath Property Awards social media channels for the very latest updates.

Last November, Bath’s most prestigious property professionals collaborated for the Bath Property Awards, a spectacular event that once again recognised the achievements of this incredible sector. From commercial properties to residential homes, rising stars to dynamic developers, everything was celebrated. And this year will be the biggest after a record number of entries!

On Friday 7 November we’ll be crowning the deserved champions of 2025, with hotly contested categories including sustainability, which was aimed at any business who has delivered an eco-conscious project, pushed the boundaries of design and ethics with consideration to environmental impact, lifecycle and the local community.

The Rising Star Award is also popular each year and is given to the individual in a company that is making a huge industry impact, and is on the path to future success.

There are also brand-new categories this year for outstanding individuals and for the cities long-standing pillars, the property legends.

The Bath Property Awards have been created, designed, promoted, sold and organised by MediaClash, the South West’s leading events company.

It also produces client events, from parties to launches, talks, receptions to conferences. Please contact: pat.white@mediaclash.co.uk

Like in 2024, it won’t be all about the winners though. The daytime event will be packed full of informal networking opportunities, with plenty of time for socialising and catching up with clients and friends before the three-course lunch and awards ceremony and, indeed, afterwards at the convivial meetings (that might involve a bar!).

A huge congratulations and good luck to this ear s finalists, and a ig than ou to ever one involved in this year’s Bath Property Awards, from our spectacular sponsors to our esteemed judging panel. Speaking of judges, you can turn over the page and find the ull list o the . See you all at midday on 7 November at Apex City of Bath Hotel!

For more: www.bathpropertyawards.co.uk

OUTSTANDING ARRAY OF FINALISTS

ARCHITECT

• Greenaway Architecture

• Hetreed Ross Architects

• Lord Architecture

• Mitchell Eley Gould Architects

• Morrison Studios

• Nash Partnership

• Studio Four Point Ten

• TEA Architects

CIVIC & COMMUNITY

Sponsored by Bedstone Developments

• Bath Cats and Dogs Home by MEA Construction Consultants

• Hollis Wharf by Alumno Group

• Theatre Royal by AGM Planning Consultants

CONSULTANCY

Sponsored by APS Homes

• AGM Planning Consultants

• Dundas Building Surveying

• MEA Construction Consultants

• Mode Consult

• Nash Partnership

CONTRACTOR

Sponsored by Alide Hire Services

• BPD Joinery

• Build Twenty Two

• Sulis Electrical Services

• Surveybase

• Virtuoso Flooring

DEVELOPER

Sponsored by BLB Solicitors

• Aequus Group

• Alumno Group

• APS Homes

• Ashford Homes

• Collstone Developments

EMPLOYER

Sponsored by

Marsh Commercial

• BLB Solicitors

• GreenSmart Services

• Mitchell Eley Gould Architects

INTERIOR DESIGNER

Sponsored by Elements

Studio/Wraxall Builders

• The Curator’s House

• Design Seven

• Interaction

• Interiors by Chloe

• Woodhouse and Law

KITCHENS

• Bath Granite & Marble

• Kelly Marie Kitchens

• Kutchenhaus Kitchens Bath

• Vicky Elmore Kitchens

LEGAL & FINANCIAL

• BLB Solicitors

• GA Energy

• Weisberg Legal

• Windsor Hill Mortgages

ONE TO WATCH

Sponsored by EntreConf

• Altitude Lets

• Camella Estate Agents

• The Curator’s House

• Design Seven

• insight-space

• Interiors by Chloe

• TEA Architects

• Zero Dry Time

OUTSTANDING INDIVIDUAL

• Daniel Jones, Windsor Hill Mortgages

• Duncan Greenaway, Greenaway Architecture

• Gary Fisher, Mode Consult

• Jake Richardson, Mitchell Eley Gould

• Kelly Marie Hawker Hicks, Kelly Marie Kitchens

• Mark Saint, MEA

Construction Consultants

• Victoria Cranwell, BLB Solicitors

PARTNERSHIPS

Sponsored by Tile & Floor

• APS Homes & Partners

• Build Twenty Two & Partners

• Funlab, Corella

Construction, FOLD & Premier Oak Buildings

• Mitchell Eley Gould

Architects & Partners

• Surveybase & Aaron Evans Architects

• Woodhouse and Law & GEM Solutions

PROPERTY AGENT

Sponsored by Mogers Drewett

• Aspire To Move

• Camella Estate Agents

• Clean Break Properties

• Joint Living

• Otters Home Search

• Rosie Marlow Personal Estate Agent

PROPERTY LEGEND

• Alide Hire

• BLB Solicitors

• MEA Construction Consultants

• Mitchell Eley Gould Architects

• Nash Partnership

• Surveybase

• Wraxall Builders

PROPERTY MANAGEMENT

• Aspire To Move

• Clean Break Properties

• Joint Living

• Native Communities

• Rococo of Bath

RESIDENTIAL DEVELOPMENT

Sponsored by

M2 Civil & Structural

Consulting Engineers

• 12 & 13 Queen Square by APS Homes

• Argyle Works by Aequus Group & Mitchell Eley Gould

• Hollis Wharf by Alumno Group

• The Old Glove Factory by Ashford Homes

• The Old Manor House & Spa by Collstone Developments

• One WatersideThe Former Bath Gasworks by Berkeley Group

• Signal Box Yard by Native Communities

RISING STAR

Sponsored by Kingswood School

• Emerald Rymer, Aspire To Move

• Marsinta Pasai, Windsor Hill Mortgages

• Matthew Chater, Camella Estate Agents

• William Kennett, MEA Consult

SUPPLIER AND SERVICES

• Alide Hire

• Bath Granite & Marble

• BPD Joinery

• Dundas Building Surveying

• GreenSmart Services

• HyRez

• Jitty

• Laura Campbell Designs

• Pete Helme Photography

• Surveybase

• Williams and White

SUSTAINABILITY

• Bath Garden Design

• GA Energy

• Greenaway Architecture

• Hetreed Ross Architects

• Sulis Electrical Services

TRANSFORMATION

• 37 Brougham Hayes by Altitude Lets

• Lynwid Cottage by Lord Architecture

• The Old Glove Factory by Ashford Homes

• One WatersideThe Former Bath Gasworks by Berkeley Group

• Rivers Street Townhouse by Wraxall Builders

• Royal Crescent Hotel & Spa by Woodhouse and Law and GEM Solutions

• Sanremo by AGM Planning Consultants

• Uplands Cottage by Funlab

WORKSPACES

• Rengen House

• Runway East by Interaction

• UBC Bath

THE JUDGES WILL DECIDE…

A panel of independent judges, drawn from all areas of the property sector, will select the winners of the prestigious BATH PROPERTY AWARDS 2025

KEVIN HAMBLIN, CEO AT BATH COLLEGE

Kevin has more than 30 years of management experience in further education, private and public training and education roles. He is an educationalist with proven leadership experience in delivering significant transformative growth and innovation.

LOUISE HESSIAN, FOUNDER AT THE HESSIAN COLLECTIVE

Louise is part of a family of architects and interior designers who for years have explored markets and shops for beautifully crafted objects from around the world. She specialises in finding items with character and history, with a hand-picked collection of furniture, lighting, ceramics and decorative objects helping clients add the finishing touches to their homes.

ALEX WRIGHT, PROFESSOR OF ARCHITECTURE AT UNIVERSITY OF BATH

Professor Alex Wright is head of architecture at the University of Bath. He is a graduate of the University of Bath, University of Cambridge, and Harvard University, where he studied as a Harkness Fellow. Alex worked in private architectural practice for 15 years before accepting the full-time academic position in 2005.

LIBBY CARTER,

DIRECTOR AT LIBBY CARTER & CO

Libby is an interior designer with 20 years of experience in the property industry. She specialises in bespoke interiors for period properties and her portfolio contains a diverse range of projects, from full reconstructions planned in conjunction with architects to room-byroom bespoke interiors.

MARK LORD, DIRECTOR AT LORD ARCHITECTURE

Mark is a multi-disciplined creative with a passion for design, contemporary architecture and the re-imagining of historic buildings. He was educated at the Oxford School of Architecture, and Westminster University where he obtained his architectural qualifications. He has since built an impressive portfolio pushing the boundaries of heritage.

CATHERINE SMITH, MANAGING PARTNER AT BLB SOLICITORS

Catherine is managing partner at BLB Solicitors and has specialised in family law for over 20 years. She advises on complex finance and children matters, combining legal expertise with straightforward, practical guidance and a strong focus on fairness.

LIONAH KAWONZA, ASSOCIATE DIRECTOR PROJECT MANAGEMENT AT ARCADIS

Lionah is a member of the Royal Institution of Chartered Surveyors (RICS). She brings a wealth of expertise gained from her extensive career in both the public and private sector. Her professional foundation is underpinned by an MBA and she’s passionate about driving equity, inclusion, and innovation within the housing sector.

MELISSA ANDERSON, DIRECTOR AT CAMELLA

After nearly 15 years as a director at Rightmove, Melissa set up Camella to offer a more ethical, personal approach to property. She’s passionate about supporting women returning to work and creating opportunities for young people through apprenticeships.

FULL HOUSE

More than 70 people gathered at Ludo Sports Bar & Kitchen on 13 October for the Bath Property Awards Finalists and Sponsors’ reception. The evening event at the bar on Brunel Square was an opportunity to catch up and networ ahead o the final at the Apex Hotel on 7 November. Photos by Narrated Frames; www.narratedframes.com For more: www.bathpropertyawards.co.uk

Nick Woodhouse, Pete Helme and Rowena Rutherfoord

Les Redwood and Stephanie Dodd

Oliver Cotterell, Jamie Cope and Marsinta Pasai

Tamara Ross, Paul Garland and Pascale Grenie

Mansi Chavan and James Tavernor

Marie-Leticia Vinolo-Young, Ruby Coburn and Daisy Barton

Ewan Tavendale and Andrew Taberner

Lisa Anderson, Gary Fisher, Neil Radnedge and Justin Menozzi

Caroline Entwistle, Caroline Baxter, Emerald Rymer and Mike Hansom

Simon Gould, Juliette Domage, Imogen Kemp and Robert Mitchell

Kirsty Lake, Tom Blower and Mark Lord

Melisssa Anderson, Rebecca Field, Matthew Chater and Neil Atkinson

Andrew Taberner

Rhodri Jones and Louis Channer

Daniel Blower and Mark Saint Alex Neal

Adam Adamopoulos, Elliot Andrew Cotterell and Jamie Barrow

Robert Mitchell

Hannah Jackson, Grace Davies and Eden Wey

Abbie Long and Helen Carey Mansi Chavan

Marie-Letecia Vinolo-Young

MEET THE TEAM

BATH STONE PROPERTY talk about the benefits for landlords when they use local and dedicated in-house property management

For landlords, handing over the keys to a letting agent is as much about trust as it is about efficiency. You want to know your property as well as your tenants are in safe hands, and that any problems are resolved quickly. Yet across the industry, an increasing number of agents are outsourcing their management services to call centres or national providers.

On paper it can look like a cost-saving measure, but in practice it often creates frustration. Tenants can find themselves explaining the same issue to several different people, while landlords rarely get to speak to

“ MANY AGENTS RELY ON WHICHEVER NATIONAL MAINTENANCE FIRM THEIR OUTSOURCED

PROVIDER INSTRUCTS, WITH LITTLE OVERSIGHT OF WHO ACTUALLY TURNS UP ”

someone who knows their property in detail.

Here at Bath Stone Property we have taken a different approach by building our very own in-house management team, rather than outsourcing, and the advantages are clear to see.

Each landlord who chooses their full management option is paired with a dedicated property manager. This is a single point of contact who oversees the property from day one of a tenancy, not just a name on an email footer! That same person carries out the routine inspections, building a direct understanding of how the property is being looked after and catching small issues before they become costly repairs.

Another crucial factor is the contractors. Many agents rely on whichever national maintenance firm their outsourced provider instructs, with little oversight of who actually turns up. Our team, on the other hand, work with a handpicked group of local tradespeople. These are contractors we know, trust and use regularly, and are professionals who deliver consistently high standards. This means tenants often see the same familiar faces over the course of their tenancy which helps build trust and reassurance.

This results in a smoother experience all round. Landlords benefit from the continuity of a single, knowledgeable contact who understands their property, while tenants feel supported by a team that is local, responsive and genuinely invested in their home. And because our property managers live and work in the same community, they can act quickly and effectively when needed.

At Bath Stone Property, property management is a core part of what we do, rather than a bolt-on service. With our dedicated property managers Simon and Kim leading the way, landlords know their properties are being overseen by experienced professionals who take the time to understand each home and its tenants. Overall, our service is rooted in personal relationships, local knowledge and a genuine commitment to looking after both property and people.

Bath Stone Property

Bath branch; 01225 422224

Midsomer Norton branch; 01761 360144

sales@bathstoneproperty.com

www.bathstoneproperty.com

A S

rganic allot ents, an orchard, a s all woodland, a orest garden, a rose garden, an oranger , and an open air swi ing pool are ust a ew o the enefits o this rad ord on Avon apart ent

By Elsie Chadwick

Frankleigh House lies on the leafy fringes of Bradford on Avon, a charming Saxon town first ade prosperous the th centur te tile oo and defined hone hued stonework, much like Bath. First constructed circa , ran leigh ouse was significantl e tended in the id th centur architect enr lutton or the ailward a il . he uilding later served as a series o private schools e ore eing divided into several houses. t is one o these apart ents that is now up for sale.

Spanning so e , s t, the handso e our edroo apart ent occupies the ground and first floors o ran leigh ouse. A private drivewa lined with lush trees and oliage leads to this agnificent th centur uilding. ra atic pitched roo s, parapets, and chi ne s cut an i posing et elegant figure, with intricatel carved stone gargo les and eagles perched atop the house. wo par ing spaces in a large co unal car par are allocated to apart ent residents, with an additional overflow car par availa le.

Stone steps descend ro a grass terrace to a grand

“Intricately carved stone gargoyles and perchedeaglesatop the house”

shared entrance, which opens into a co unal hallwa adorned with decadent ar le colu ns, wood panelled walls, and leaded windows. he apart ent entrance is on the ground floor, in the east and southeast wings o the house, leading to a private hallwa with oa floor oards. right ellow accents add a splash o colour to the other wise neutral walls, while a glass panelled wooden door opposite the ain entrance athes the hall in light and provides private access to the garden e ond.

A door leads ro the entrance hall to a generous open plan living space with towering ceilings and stone ullion windows overloo ing the garden. istinct itchen, sitting, and dining areas are delineated ut re ain connected. n one side o the roo , a log urner in the fireplace o ers cos co ort. i er itchen units and a claret coloured gas Aga create rustic char , co ple ented a wood topped island that adds a conte porar edge.

Across the hall lies a re ar a le li rar , an ideal retreat or oo lovers and those see ing solitude. i er ra ed windows ra e views o the peace ul garden, and white geo etric ceiling ouldings contrast with walls painted in Farrow & Ball’s Studio Green. here is also a fireplace with a wooden antle piece and uilt in shelving or oo s.

he ground floor also eatures a downstairs toilet and a utility room with additional cabinetry and a ceiling clothes airer for garment drying. An internal staircase leads to the upperlevel bedrooms and bathrooms. The main bedroom has windows on three sides, framing wonder ul treetop views and filling the roo with natural light. Fitted wardrobes provide ample storage, and there is an en suite bathroom with shower.

An adjacent bedroom has wood-panelled windows and an original picture rail, while another bedroom features integrated sage-green cabinetry. A athroo with ti er floor oards, white tiled walls, a pedestal sin , and a athtu also occupies this floor. An additional ‘secret passage’ small staircase leads to the fourth double bedroom, a bright and inviting space with sunshine yellow walls. The apartment also has a large private cellar with a window, currently used as a workroom, which is thought to have once been the wine cellar for the main house.

The exquisite detailing retained throughout the apartment, with remarkable period features such as

HOUSE NUMBERS

Guide

For more Inigo; www.inigo.com

moulded ceilings and ornate cornices crowning the living spaces make this apartment a cut above but let’s not forget the outside space is also something very special. The remarkable communal grounds of seven acres extend around the building, with lawns dotted with mature trees, including redwoods and cedars o e anon. here is a eech tree field, an orangery, a rose garden, parkland, and a newly planted forest garden comprising 500 trees and plants that provide fruits, nuts, and medicinal products. or those see ing sel su cienc , an orchard and organic allot ents o er ho e grown produce. There is even shepherd’s hut that could accommodate the many guests you’ll get, or be used as an occasional short term holiday let.

The area is also a haven for wildlife, with barn owls, tawny owls, woodpeckers, Muntjac deer, hedgehogs, dragonflies, grasshoppers, and utterflies sighted within the grounds. After all that walking, foraging, and wildlife spotting, one mustn’t forget Frankleigh House’s secluded, open-air swimming pool, perfect for exercise, relaxation, and reflecting on the true eaut o this per ect ho e.

MySTAYINN stress free end to end management company for short term lets in Bath and Bristol

• Comprehensive property management

• Marketing on 20+ platforms

• 20-40% additional revenue on average

• Professional cleaning and maintenance

• Price optimisation to boost income with our state-of-the-art software

• Customer service 24/7

• Direct access to expert team

• Over 50 years combined STL experience

• Simplified licensing solutions ensure your property meets all your requirements

Get in touch today with Carol: 07818 203350 management.mystayinn.com

AMAZING GLAZING

At Newmans Joinery, we’ve been crafting and restoring timber windows and doors in Bath for over 30 years. Our skilled team combines traditional craftsmanship with the latest glazing technology to give period homes warmth, comfort, and lasting beauty.

As Bath’s approved installer of FINEO glass, we upgrade existing sash and casement windows – or create new bespoke timber windows and doors – that deliver modern performance without losing their heritage character. With Newmans, you don’t have to choose between tradition and innovation — you get both. 6

Ultra-slim glass,

Triple-glazing performance at just 7.7mm thick

Eliminates draughts and cold spots

Reduces traffic noise

20-year warranty

100% recyclable

FOR THE HOME

Our local businesses are poised and ready to help with all your home needs for summer

TILE & FLOOR For over 50 years, Tile & Floor has been synonymous with the supply of a range of top-tier design-led materials and professional installation services. Our commitment to quality has forged enduring relationships with discerning homeowners overseeing their personal projects, as well as with design and construction professionals serving the property industry. Exciting news! We are now also conveniently located at Chippenham M4. Tel: 01225 310561; www.tileandfloor.co.uk

SANDRIDGE STONE is a local craft-skills business specialising in all aspects of building and restoring local ath Stone properties. t can suppl and fi all stone re uire ents or new uilds or e tensions. he tea s heritage s ills ualified stone asons are also expert in repairing and restoring existing stone on listed properties in order to ulfil planning requirements. o ndar arm err e d e s am 6EF; Tel: 01225 703733; www.sandridgestone.co.uk

BATH KITCHEN COMPANY

Based in the heart of Bath and specialising in bespoke, handmade kitchens, Bath Kitchen Company become personally invested in every kitchen they design and uild. t s a out attention to detail at ever stage – creating a beautiful space that enhances the way you live. ort arade i din s at Tel: 01225 312003 www.bathkitchencompany.co.uk

BATH GRANITE & MARBLE LTD has over 25 years experience honing their skills in crafting exquisite kitchen worktops, bathroom cladding, vanity units and more. With their excellent reputation for high quality and delivering exceptional service they are confident in ringing the natural eaut o stone into your home. Mention ‘BathLife’ to secure a 5% discount on your next order. Tel: 01373 472325; email: info@bathgranite.co.uk; www.bathgranite.co.uk

NO17 INTERIORS

o ers a range o espo e interior design services. Based in Bath and with vast experience in designing and installing developer show homes, hotels and residential properties for private clients, Lisa has the knowledge and skills to work to any brief or budget, whether looking to redesign, update existing furnishings or simply commission new curtains. email: lisa@no17interiors.co.uk; tel:07977 271503; www.no17interiors.co.uk

CLAIR STRONG INTERIOR DESIGN

lair Strong nterior esign is a outi ue, creative company based in Bath, providing a wide range of services or oth residential and co ercial clients. er port olio of projects includes the design, project coordination and sourcing for some of Bath’s most beautiful residences, as well as hotels, sports clu s, o ces and other co ercial venues. Contact Clair on 07855 797311 or 01225 426905; www.clairstrong.co.uk

MENDIP FIREPLACES BATH

ath s leading fireplace, wood urner, gas fire, chi ne and flue specialist. ro classic to conte porar , concept to completion, their team of experts can work with you to achieve your perfect interior. Brands include Chesneys, ar as ellfire, estfire, Stova , a co and unter. et in touch or visit the showroom. Mendip Fireplaces, Monkton om e at in o@mendi re a es at o Tel: 01225 722706; www.mendipfireplacesbath.co.uk

JENNIFER MOSSE DESIGN STUDIO

A bespoke, tailor-made, client-focused interior design consultanc service ased in ath. Specialising in residential interior design and providing a truly personal service adapted to each client’s needs, Jennifer’s unique style blends seamlessly between period and contemporary homes. The aim is simple – to create spaces that bring joy, reflecting her clients li est les and personalities. Tel: 07738289189; www.jennifermosse.com

NEXUS OF BATH is a Bath based family business specialising in painting and decorating, plastering, tiling, sash window restoration and other property restoration. Nexus have built a reputation for the highest standards of workmanship with experience across a range of projects from listed buildings through to new builds, with a complete commitment to customer service and health and safety

Tel: 01225 300414; www.nexusofbath.co.uk

BATH LIVES

TIFFANY TAYLOR

The uni professor on running, writing and evolution

“Watching bacteria evolve right in front of your eyes never gets old”

Tiffany Taylor, who grew up in Burnham-on-Crouch, a small riverside town in Essex, is a professor of microbial ecology and evolution at the University of Bath whose research uses bacteria to explore evolutionary questions. She is also a passionate advocate of early years science communication and has authored three books on evolutionary biology and genetics for children.

I enjoyed school, although my local secondary school wasn’t particularly strong academically. I transferred to Chelmsford High School for Girls for my A-levels because I knew I wanted to go to university. It was tough going from being a top student at my old school to an average one at a grammar school, but it was a humbling experience that prepared me well for university.

My mother passed away when I was 19, and the years leading up to her death were incredibly tough for our family. Looking back, I think I threw myself into school work as a way to cope with everything that was happening at home.

I was always fascinated by evolution, but it wasn’t until I got to university that I started to think about how scientists went about studying evolution – a process that takes millions of years. There are lots o di erent wa s ou can go about it, but when I learned you could use bacteria to watch evolution in real-time and test big evolutionary questions in the lab, I was hooked. Watching bacteria evolve right in front of your eyes never gets old.

My work focuses on evolutionary biology. I design experiments to understand how bacteria evolve and adapt, exploring everything from the environmental factors to the genetic changes that drive evolution.

We now know that small quirks in the DNA code can make evolution more predictable in certain contexts. One exciting development is the potential for applying this knowledge in synthetic biology. Synthetic biology involves engineering organis s to per or specific tasks, but just like any living thing, these organisms will continue to evolve. While we

can’t stop evolution, we might be able to use what we know to help engineered organisms evolve in ways that maintain their intended function more reliably.

I moved to Bath in 2016 to establish my own research lab. Prior to that, I had lived in Edinburgh, Oxford, and Reading. My husband, who was an o cer in the ar , and were used to moving frequently, but ath was the first place we settled after he left the military.

The best part of my job is mentoring people. I love seeing the grow in confidence and develop belief in their own abilities. I consider mentoring the next generation of scientists a big part of my legacy – one of them might even make a discovery that changes the world!

I’ve written children’s books on evolution and genetics. I’m a big kid at heart, and I love reading to my children. My books are written as rhyming bedtime stories, designed to be as fun as they are educational. You can read them for free at the Little Stories website. I’m also proud to have one of my non-science poems included in Midnight Feast s,

a collection of foodie poems curated by A.F. Harrold.

In my younger days, I was a singer-songwriter. I recorded a couple of EPs and performed gigs in Edinburgh and Essex.

Having two young children, I don’t get to eat out very often, but I went to Noya’s Kitchen with two close friends to celebrate becoming a professor. The food was absolutely delicious!

I enjoy running, and before having kids, I used to enter a lot of races. I even won a couple of medals. These days, running is more about the mental escape and gaining a rare moment of solitude.

We recently moved to Batheaston. I love being so close to both the countryside and the city, and the views down to the Avon River are spectacular. Hiking up Solsbury Hill with my family is a favourite activity, and I always end up humming Peter Gabriel on the way up.

For more: www.bath.ac.uk | www ti an ta or word ress om