The McGill Tribune Vol. 21 Issue 4

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S o cce r

O u t

e x tr a v a g a n z a S p o r t s 2

3

o f

b o u n d s

10

F e a t u r e s

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McGILL T R IB U N E

www.mcgilltribune.com

T

H

E

le n ts ’ S o c iety o f M cG ill U n iv e rs ity

P u b lish e d

1 981

Venus rising Annely Zonena________ T h e sh o ck o f th e n e w is an issue th at has insp ired creativity in artists th r o u g h o u t tim e. H o w do w e respond to a n e w typ e o f any­ th in g en co u n tered in our daily rou­ tine? A re w e u n d erstan d in g and a ccep tin g or prejudiced and in to l­ erant? M cG ill’s A ltern ate T heatre C o m p a n y poses th ese q u estion s in its p ro d u ctio n o f

Venus this

m o n th

at th e P layers T heatre.

Venus

is th e true story o f a

y o u n g w o m a n , p lu ck ed from servi­ tu d e in 1 9 th cen tu ry A frica to be exh ib ited in L o n d o n as an exam ple o f w h a t w as th e n k n o w n as Africa’s H o tte n to t race.

Venus is

a story o f

personal tragedy, b u t the focus o f this p ro d u ctio n is o n m ore than sim p ly th e tale o f a tragic hero. T h ere rages “a p olitical and ethical debate ab ou t th e issue o f slavery, an

Scene from Venus, now perform ing a t P layer’s Theatre

ep ic love story a b ou t tw o p eop le

Hate crime on McGill campus

w h o w eren’t m ea n t to be together, an d a b itin g and hysterical satire o f th e E uropean preoccu p ation w ith all th in gs A frican ,” states M ich elle B r o d o v ich ,

a

m e m b er

of

A ltern ate T heatre C om p any. T h e p ro d u ctio n o f

M

e d

s tu d e n t

v ic tim

o f

v a n d a lis m

a tta c k

th e

Venus is

as

Mike Bargav and Neil Schnurbach_________

tragedies. L ast w e e k ,

stu n n in g as th e story is fascinating.

M c G ill

becam e

n o th in g really.

I'm d isa p p o in te d .

c h o se to v a n d a lize h is car. In stead

I'm

b e c a u se

not

o f p la c in g th e b la m e o n society, h e

I'm n o t really

in ste a d b la m e d it o n an in d iv id u a l

su rp rised

h o m e to su c h acts o f in sa n ity as

A rab, I'm Iranian.

m e d ic a l stu d e n t a n d fo rm er p resi­

Iranian fro m

A m erican ," said H a sh e m i o n h is

A t first, th e a u d ien ce m ay be sur­

In a tim e w h e n a c o n tin e n t is

prised at th e representation o f 1 8 1 0

g a lv a n ized b y cries fo r rev en g e an d

d e n t o f th e

L o n d o n . It is b y n o m ean s entirely

r etr ib u tio n , attacks b a sed o n e th ­

S o c ie ty A li H a sh e m i's car w as v a n ­

in itia l

accu rate, b u t te c h n ic a l d irecto r

n ic

d a lize d w ith an ti-A rab e p ith e ts.

hatred.

M ik e

fu rth er fro m th e p o s sib ility o f an

W o z n ie w sk i

s h o u ld

be

app lauded for his su ccessfu l in te­ gration o f v id e o m on tages in to a period piece. T h e set is n o t lavish, b u t sparse an d m alleable en o u g h to a cco u n t for the fact that th e play spans culture, tim e an d place.

g e n e ra liza tio n s

d etract even

a c ce p ta b le s o lu tio n .

F o llo w in g

M e d ic a l

S tu d e n ts'

Iran, I'm

r e a c tio n

to

th e

actu a lly act

of

— w h o se b roth er a c tu a lly lives a

p ark ed o n D r. P en fie ld th e m o r n ­

C en ter.

car o r n o t.

b een s o m e d r u n k k id s w h o se in h i­

to be greeted b y th e u n w e lc o m e

q u ic k to n o t o n ly p o in t fin gers at

sig h t o f a sm a sh e d rear w in d o w

on.

a h a n d fu l o f m ilita n t Isla m ic fu n ­

a n d th e ph rases "Arab g o h om e"

a n d ex p ressio n , a n d I m ig h t as

d a m e n ta lists,

and

w e ll le t p e o p le see it."

s lig h te s t

c o n n e c t io n

to

th e se

b lo c k aw ay fro m th e W o r ld Trade

g o in g to leave th e graffiti o n h is

in g o f S u n d a y S e p te m b e r 1 6 , o n ly

o f th e

"I'm su rp rised th a t s o m e o n e has th a t audacity," said H a sh e m i

H a s h e m i w a s u n su re i f h e w as

o n th e U S , m a n y h ave b e e n all to o

b u t th o s e

lack o f ju d g m e n t.

H a sh e m i r etu rn ed to h is car,

th e S e p te m b e r 11 terrorist attacks

M u slim faith w h o d o n o t bear th e P lease s e e V E N U S, page 15

I'm

"You d o n 't fu c k in g b e lo n g " W h at d o

"I th in k I'm g o in g to leave it

b itio n s m ig h t h ave b e e n a little

I see it as a fo r m o f art w o rk

lax."

H ash em i

here," c o v er in g th e v e h icle . I think ? T h e r e's

"O r it m ig h t h ave ju st

m ore

f o r tu n a te ly

m a tu r e

th a n

M any

M u s lim s

m in o r itie s a r o u n d th o s e

w as

and

M c G ill

s tu n n e d b y th is in c id e n t.

who

3 4 8 0

M c T A V IS H

B R E A K F A S T , D A IL Y H A P P Y

B U IL D IN G

S T R E E T , M A IN

S P E C IA L S , L A R G E

H O U R

C A F E R A M A

» • » <i n n u « m

* G IA N T - C A F E

m

• * *V♦*

F L O O R M E N U

S C R E E N - R E S T O

W

w ere Som e

Please s e e RACIST, page 3

N O W O P EN ! S H A T N E R

o th e r

T V

C H O IC E S


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