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McGILL T R IB U N E
www.mcgilltribune.com
T
H
E
le n ts ’ S o c iety o f M cG ill U n iv e rs ity
P u b lish e d
1 981
Venus rising Annely Zonena________ T h e sh o ck o f th e n e w is an issue th at has insp ired creativity in artists th r o u g h o u t tim e. H o w do w e respond to a n e w typ e o f any th in g en co u n tered in our daily rou tine? A re w e u n d erstan d in g and a ccep tin g or prejudiced and in to l erant? M cG ill’s A ltern ate T heatre C o m p a n y poses th ese q u estion s in its p ro d u ctio n o f
Venus this
m o n th
at th e P layers T heatre.
Venus
is th e true story o f a
y o u n g w o m a n , p lu ck ed from servi tu d e in 1 9 th cen tu ry A frica to be exh ib ited in L o n d o n as an exam ple o f w h a t w as th e n k n o w n as Africa’s H o tte n to t race.
Venus is
a story o f
personal tragedy, b u t the focus o f this p ro d u ctio n is o n m ore than sim p ly th e tale o f a tragic hero. T h ere rages “a p olitical and ethical debate ab ou t th e issue o f slavery, an
Scene from Venus, now perform ing a t P layer’s Theatre
ep ic love story a b ou t tw o p eop le
Hate crime on McGill campus
w h o w eren’t m ea n t to be together, an d a b itin g and hysterical satire o f th e E uropean preoccu p ation w ith all th in gs A frican ,” states M ich elle B r o d o v ich ,
a
m e m b er
of
A ltern ate T heatre C om p any. T h e p ro d u ctio n o f
M
e d
s tu d e n t
v ic tim
o f
v a n d a lis m
a tta c k
th e
Venus is
as
Mike Bargav and Neil Schnurbach_________
tragedies. L ast w e e k ,
stu n n in g as th e story is fascinating.
M c G ill
becam e
n o th in g really.
I'm d isa p p o in te d .
c h o se to v a n d a lize h is car. In stead
I'm
b e c a u se
not
o f p la c in g th e b la m e o n society, h e
I'm n o t really
in ste a d b la m e d it o n an in d iv id u a l
su rp rised
h o m e to su c h acts o f in sa n ity as
A rab, I'm Iranian.
m e d ic a l stu d e n t a n d fo rm er p resi
Iranian fro m
A m erican ," said H a sh e m i o n h is
A t first, th e a u d ien ce m ay be sur
In a tim e w h e n a c o n tin e n t is
prised at th e representation o f 1 8 1 0
g a lv a n ized b y cries fo r rev en g e an d
d e n t o f th e
L o n d o n . It is b y n o m ean s entirely
r etr ib u tio n , attacks b a sed o n e th
S o c ie ty A li H a sh e m i's car w as v a n
in itia l
accu rate, b u t te c h n ic a l d irecto r
n ic
d a lize d w ith an ti-A rab e p ith e ts.
hatred.
M ik e
fu rth er fro m th e p o s sib ility o f an
W o z n ie w sk i
s h o u ld
be
app lauded for his su ccessfu l in te gration o f v id e o m on tages in to a period piece. T h e set is n o t lavish, b u t sparse an d m alleable en o u g h to a cco u n t for the fact that th e play spans culture, tim e an d place.
g e n e ra liza tio n s
d etract even
a c ce p ta b le s o lu tio n .
F o llo w in g
M e d ic a l
S tu d e n ts'
Iran, I'm
r e a c tio n
to
th e
actu a lly act
of
— w h o se b roth er a c tu a lly lives a
p ark ed o n D r. P en fie ld th e m o r n
C en ter.
car o r n o t.
b een s o m e d r u n k k id s w h o se in h i
to be greeted b y th e u n w e lc o m e
q u ic k to n o t o n ly p o in t fin gers at
sig h t o f a sm a sh e d rear w in d o w
on.
a h a n d fu l o f m ilita n t Isla m ic fu n
a n d th e ph rases "Arab g o h om e"
a n d ex p ressio n , a n d I m ig h t as
d a m e n ta lists,
and
w e ll le t p e o p le see it."
s lig h te s t
c o n n e c t io n
to
th e se
b lo c k aw ay fro m th e W o r ld Trade
g o in g to leave th e graffiti o n h is
in g o f S u n d a y S e p te m b e r 1 6 , o n ly
o f th e
"I'm su rp rised th a t s o m e o n e has th a t audacity," said H a sh e m i
H a s h e m i w a s u n su re i f h e w as
o n th e U S , m a n y h ave b e e n all to o
b u t th o s e
lack o f ju d g m e n t.
H a sh e m i r etu rn ed to h is car,
th e S e p te m b e r 11 terrorist attacks
M u slim faith w h o d o n o t bear th e P lease s e e V E N U S, page 15
I'm
"You d o n 't fu c k in g b e lo n g " W h at d o
"I th in k I'm g o in g to leave it
b itio n s m ig h t h ave b e e n a little
I see it as a fo r m o f art w o rk
lax."
H ash em i
here," c o v er in g th e v e h icle . I think ? T h e r e's
"O r it m ig h t h ave ju st
m ore
f o r tu n a te ly
m a tu r e
th a n
M any
M u s lim s
m in o r itie s a r o u n d th o s e
w as
and
M c G ill
s tu n n e d b y th is in c id e n t.
who
3 4 8 0
M c T A V IS H
B R E A K F A S T , D A IL Y H A P P Y
B U IL D IN G
S T R E E T , M A IN
S P E C IA L S , L A R G E
H O U R
C A F E R A M A
» • » <i n n u « m
* G IA N T - C A F E
m
• * *V♦*
F L O O R M E N U
S C R E E N - R E S T O
W
w ere Som e
Please s e e RACIST, page 3
N O W O P EN ! S H A T N E R
o th e r
T V
C H O IC E S