The McGill Tribune Vol. 04 Issue 9

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Volume 4, Number 9

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Published by the Students’ Society of McGill University, Montréal, Québec

D o es M A P

Red And W hite Revived

was “like a fraternity” . Like frater­ nities, a product of the traditional oldtype universities, it was almost a ceremonie tradition. Members of the company tended to stay with the group throughout their stay at McGill, pro­ gressing to positions of greater respon­ sibility as the years went by. Pride came with being a member of the com­ pany. Indeed, the Red and White Revue was known as “the premier showcase of student talent in the city of Montréal,” and it annual production was looked forward to each year with anticipation. The unity of the Revue deteriorated during the 1960s. The last time the Revue was able to stage a large-scale production was in 1974, following which it was inactive for five years. It was re-established in 1979 as a musical variety-talent show, but was not entire­ ly sucessful in sparking the enthusiasm it once generated. The last showing of the Red and White Revue was in 1982, the year when part of the cast of “My Fur Lady” celebrated its 25th anniversary at the Sheraton Center with a large scale two-day reunion. This may have been the spark to set the thoughts behind this year’s production, “ When I’m Elected,” in motion. This produc­ tion’s script has been the collaborative effort of Remy Kawkabani and Yona continued on page 8

D is to r t P r io r itie s

by Michael Smart The brochure of the McGill Ad­ vancement Program (MAP) has the slick and glossy air of a prospectus of a high-tech firm embarking on its first stock issue. The booklet is intended to help MAP attract $61 million dollars in private funds to McGill by 1986. Much of the money is expected to come from corporations and private foundations, so perhaps the Program’s marketing techniques are appropriate. The University’s increased reliance on private donations is seen by some students as an alarming trend. Some feel that funding by business will lead to too great an emphasis on program­ mes of interest to the private sector, such as business courses and industrial research. Over half of MAP funds is expected to be raised from corporations and foundations. Almost two-thirds of the total will be in the form of “major gifts” . Projects in the Arts Faculty are ex­ pected to receive $6.4 million from the Progam, less than half the figure allot­ ted to Medicine and Dentistry. Arts will receive less than Engineering and substantially less per student that Science. Tom Thompson, Deputy Director of MAP, admits that donations to Arts projects are well below goals. The

An unearthly trio who haunted the successful (in many ways) tri-media party

by Heather Clancy McGill University’s theatrical organization, The Red and White Revue, is one rich in history. A tradi­ tion bom in 1924, the Revue styled its first musical revue after the vaudeville type, so popular in that day. Gradual­ ly, the Revue progressed to full scale musical comedies, and presented “ My Fur Lady” in 1957, soon to become the most popular Canadian theatrical pro­ duction up to that time with a record number of 84 on the road perfor­ mances. Ironically, The Red and White Revue’s bright past is relatively unknown to the majority of McGill’s student population. The Red and White Revue is one of four theatrical groups affiliated with McGill University. In the Revue, each show is written, performed, and pro­ duced by McGill students or alumni. It is by no means a pre-requisite to be ex­ perienced in theater. Rather, the Revue draws participants from virtually every faculty on the main McGill campus, and also from the much forgotten MacDonald campus. Much hidden talent has been nurtured by the ex­ perience of the Revue, including that of Tim Porteous, Director of the Canada Council for the Arts, and Galt McDermott, musical composer of the rock opera “ Hair” . To producer-writer-actor Remy Kawkabani, The Red and White Revue

Tuesday 6 November 1984

donors “want to maintain tradition and yet build to reflect the changing needs of society,” he said. Thompson doesn’t believe donations will “ squeeze out” Arts or any other faculty. “ I think our fundraisers will be able to convince (the donors) of the value of Arts,” he said. Vice-Principal E.J. Stansbury, who is responsible for planning, says “it’s just not fair to evaluate the Program in mid-term.” He points out that fun­ draisers have been concentrating on at­ tracting money to other projects, such library automation. Doctor Michael Maxwell, the Dean of Arts, says he hopes “we can also ap­ peal to business. Many of our pro­ grammes, such as East Aisan Studies are obviously of deep interest to businessmen.” He admits “there is the problem” that universities are forced to tailor their programmes to business interests. “ It’s a lot easier to attract money to Science, and we’re desperately anxious not to be left behind.” Maxwell discounted reports that Arts projects aren’t popular donors. He stressed that “we’ve got to see the final figures. We remain confident that (MAP) is aware of the great needs of Arts.” Professor Myron Frankman, Acting continued on page 2

P r in c ip a l J o h n s to n W e lc o m e s F o r e ig n by Kathy Murray On Tuesday, October 30th over two hundred people flocked to the Union Ballroom for Principal Johnston’s of­ ficial welcome to foreign students at­ tending McGill. The majority gathered around the food and beverage table which was laden with sandwiches, olives and cauliflower. Students from many nations, in­ cluding Japan, Indonesia, England, Pakistan, India and the United States, were represented. Milling about too, were the Principal’s wife and delightful young daughters. The fact that Dr. Johnston met as many students as he could made the ensuing speeches much more friendly. Grace Permaul opened with an en­ thusiastic oration on the importance of appreciating the individuality of each McGill student, foreign or Canadian, f

S tu d e n ts who comprises the student c o m m u n ity . Dean Stevenson then followed with in­ vitations to make full use of the ser­ vices offered at McGill specifically designed for typical student quandries. And finally, Principal Johnston, in a short speech, reiterated Permaul’s message that foreign students con­ tribute character and diversity to the community of McGill. Paraphrasing St. Exupéry’s little prince, Principal Johnston’s maxim was: though I am different from you I don’t diminish but enrich you. In general, the reception went decidedly well. From the comfortable and friendly atmosphere it seemed that the students were already quite ensconced at McGill. Principal Johnston’s message, however, added a personal touch and reinforced the en­ couragement to simply enjoy.

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