Brighter Place (a winds master premeire)

The amazing concert band wind presentation of

“Brighter Place”

Composer: Maxwell Majors

Instrumentation • • •

Piccolo Flute 1 & 2 Oboe 1 & 2

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Clarinet in B♭ 1, 2, & 3 Bass Clarinet 1 & 2 Soprano Saxophone Alto Saxophone 1 & 2 Tenor Saxophone Bassoon 1 & 2 Horn in F 1 & 2

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Trumpet in B♭ 1 & 2 Trombone 1 & 2 Tuba 1 & 2 Timpani Vibraphone Marimba Chimes Bass Drum Hi-hat Triangle Claves

Grade Grade: 3

Rhythm and Tempo • • •

Tempo: Allegro (quarter note = 144 bpm) Time Signature: 4/4 Rhythm Considerations: o Frequent syncopated passages across sections. o Sixteenth-note runs and accents in winds and percussion for energetic transitions. o Long, sustained notes in lower brass and woodwinds providing harmonic stability.

Part-Specific Difficulties • • •

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• • •

Piccolo o Challenging high register passages, especially around measure 40.

Flute 1 & 2 o Fast, syncopated rhythms from measures 18-24.

Oboe 1 & 2 o Requires strong control in exposed melodic lines, especially at softer dynamics.

Clarinet in B♭ 1, 2, & 3 o Crossing the break at measures 30-35; smooth transitions needed.

Bass Clarinet 1 & 2 o Low register clarity, especially in measures 45-50.

Alto Saxophone 1 & 2 o Rapid dynamic shifts in measures 15-20.

Tenor Saxophone o Grace note articulation challenges around measures 32-34.

Horn in F 1 & 2 o Range challenges with both high and low notes in measures 25-27.

Trumpet in B♭ 1 & 2 o High range demands around measure 40; crisp articulation on staccato notes.

Trombone 1 & 2 o Requires smooth slurring in lower registers, especially in measures 22-24.

Tuba 1 & 2 o Maintaining pitch stability during sustained notes in measures 35-40.

Percussion (Timpani, Vibraphone, Marimba) o Vibraphone requires smooth mallet transitions; marimba part is fast-paced with precise articulation.

Styles •

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•

Energetic Sections: Emphasize the upbeat and lively character with clear articulation on syncopated rhythms and a full, bright tone across woodwinds and brass.

Legato Passages: Use a smooth, connected style in softer, lyrical phrases, especially in the woodwinds and saxophones, providing contrast to the rhythmic intensity.

Dynamic Contrasts: Emphasize the shifts in dynamics, moving seamlessly between powerful fortes and delicate pianos for dramatic effect.

Articulation Notes • •

Staccato: Short and detached notes, especially in fast passages for trumpets, clarinets, and flutes. Ensure clarity without harshness.

Legato: Smooth and connected, particularly for lyrical phrases in oboes and saxophones. Focus on airflow and blending between notes.

• • •

Accent Marks: Accents should be firm but not overly aggressive. Brass sections should emphasize accents for power, while woodwinds should focus on crispness.

Slurs: Brass and low woodwinds should aim for smooth slurs, especially in lower ranges. Trombones should work on slurring without loss of tone.

Marcato: In louder sections, marked notes should have a distinct attack and resonance, particularly in the brass section, while maintaining rhythmic precision.

Song Feelings & Transitions •

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Opening (Measures 1-8): The introduction is bright and inviting, setting a cheerful and uplifting tone. Aim for an airy, light sound in woodwinds and a balanced blend with brass.

First Energetic Section (Measures 9-20): An upbeat and rhythmic feel dominates, with syncopated patterns in winds and percussion driving the music forward.

Emphasize excitement and energy, maintaining a crisp articulation.

Transition to Lyrical Passage (Measures 21-30): Shift to a softer, more connected style, highlighting warmth and expressiveness in the woodwinds. This section is reflective and serves as a contrast to the previous high-energy passage.

Build-Up (Measures 31-40): Gradually increase in dynamic and intensity, adding a sense of anticipation. Use crescendos to build excitement leading to the climax, with brass providing depth and power.

Final Energetic Push (Measures 41-end): The piece returns to a lively, joyous feel with strong rhythmic drive. Encourage full sound from all sections, aiming for a celebratory tone. End with a strong finish, projecting confidence and enthusiasm.

Bands for premiere Nothing to see here yet.....

Letter from Max Hi, I would like to thank you for choosing this piece for Concert band. I would like to give a bit of backstory on why I wrote this piece. Every year there is someone or multiple people that are depressed that leads to worse places. Every year half or less than half of those people get out of depression. So, I created this piece that there is a brighter place for them than darkness. I hope you and your band enjoy playing this piece.

Have fun!

Maxwell Majors

"Brighter Place" "Mental" Maxwell.Majors

 = 144 Gracefully      

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Flute 1

     

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Flute 2

     

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Oboe 1

     

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Oboe 2

     

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Piccolo

5

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         

Clarinet in B♭ 1



  

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Clarinet in B♭ 2



  

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Clarinet in B♭ 3



  

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Bass Clarinet 1



  

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Bass Clarinet 2



  

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Soprano Saxophone



  

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Alto Saxophone 1





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Alto Saxophone 2



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Tenor Saxophone



  

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Bassoon 1

     

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Bassoon 2

     

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

    

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    

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Horn in F 1

Horn in F 2

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Trumpet in B♭ 1

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  mute 

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Trumpet in B♭ 2

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  mute 

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Trombone 1

    

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Trombone 2

    

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Tuba 1

    

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Tuba 2

     

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Timpani

    

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

Vibraphone

Marimba

Chimes



                                    soft mallets

      

      

  

   

    

 



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  

 

  

  

  

   

  

      

  

  

     

     

 



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



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Hi-hat



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Triangle



  

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Claves

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 

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                                                                        

Bass Drum

 

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Maxwell Majors copyright issued 2024 "All rights reserved"

2 

Picc.

   

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10 

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            

 

Fl. 2

  





Ob. 1

  

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

Ob. 2

   

        

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        

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           

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           



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Fl. 1

Cl. in B♭ 1

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

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Cl. in B♭ 2

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

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Cl. in B♭ 3

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B. Cl. 1

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

B. Cl. 2

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

        

S. Sax.





A. Sax. 1



A. Sax. 2



T. Sax.



Bsn. 1

  

Bsn. 2



  



                  



        

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 

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        



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 

 







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 

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   

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

  

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







 

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Hn. in F 2

  

        











 

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Tpt. in B♭ 1





        







Tpt. in B♭ 2







Tbn. 1

  



 

Tbn. 2

   



Tba. 1

           

Hn. in F 1

   

Tba. 2



Vib.

Mrm.

      



        









  

 

     







 



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 

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

  

  

 

  

  

  

  

 

     







  

  

 

 

     

                                                                     





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BD











  

Hi-hat











Trgl.



 





  



 

 













 

  



  



 









 

Clv.





  

Cme.





 











     

Timp.

  













   

      

   

          





 

     







           

3 







15

Fl. 1

   







Fl. 2

  







Picc.











 





Ob. 1

   





        

Ob. 2

  





 









Cl. in B♭ 1







     

      

  

     

    







        

  

     

Cl. in B♭ 3









B. Cl. 1







  

     



        

B. Cl. 2









S. Sax.









A. Sax. 1







A. Sax. 2







T. Sax.









Bsn. 1

   



   





  



Hn. in F 2

  



Tpt. in B♭ 1







Tpt. in B♭ 2







Tbn. 1

  



Tbn. 2

   



Tba. 1

  



Tba. 2

   







Timp.

  







Bsn. 2

Hn. in F 1



Vib.

Mrm.

Cme.

        

  

                 























    

      

  



  





    





      

       

 



       

 











 

 



       









       

 





 

 







 







   















   

  

   

 

     

    



 













 





 

     

           

 





 

              

















     

    

    



 

     

                                                              









  









       







open



 



   





 

      

 



       



  

Trgl.





 

         



 

 



     

Hi-hat

   



       

 



 

 

            



 



   

  







        

 









 

 





 

open





 

   





       

        

          

  



 

  

               

BD

Clv.

  





 

     





   

  





 







 





Cl. in B♭ 2

 





        

 







   















                                                                      





  

  

 



 



         

4  = 144 25        

rall.



Picc.

      

      

Fl. 1

     

Fl. 2

  

Ob. 2

20  

      

 

      

  

  

 

 



    



 

        

    

 

 

     

Ob. 1

      

 

  

 

 



   



 







 



Cl. in B♭ 1





Cl. in B♭ 2





Cl. in B♭ 3





B. Cl. 1





B. Cl. 2





S. Sax.





A. Sax. 1



A. Sax. 2



T. Sax.



Bsn. 1

   

   



Bsn. 2

     

   

   



Hn. in F 1



  

Hn. in F 2

  

Tpt. in B♭ 1





Tpt. in B♭ 2







Vib.

Mrm.

Cme.





 

  



 







 

 

  



  



  



  



  



  



 

 

 

  

   





 

 

 

  

   





 

  

 

 



    





 

   



 

  

 

 



    





 

   



        

  

    

 



      

  

  

  

 











    

 















Solo

   

  

 



Trgl.



 

 



   





    





   





   

























    















   













     

   

   

     



 







  





  

 



  







 

 





     





 



     





  





  





  

      





 

      







 







    







    





     

 

           



                                                                                                                                   

                 



  

 

       





    

                 

                                                                                                                             

  





                             







                  



  





   



         



                                                            

   

 





                     









                     

   

 





 

   

 

 













   



                                   



  











Hi-hat

Clv.

   

   

                  

BD

 

  



      

Timp.



 

      

Tba. 2

 

 

     

Tba. 1





 

  

Tbn. 2













 

     

Tbn. 1

  

  





 





 

                         





 



 

                                                                                           

                                 











































  







  









 



 



 

5 rall.

          

30           

Fl. 1

    



Fl. 2

  

Ob. 1

     

Ob. 2

   



Picc.

Cl. in B♭ 1





Cl. in B♭ 2





Cl. in B♭ 3





B. Cl. 1



B. Cl. 2









       

 



        



            

  

  

       

   

  

 

 

  

 = 144         





  

 

      

 



  



 



    

 



   





   

35         





  

  

  

  







    

 









  

   







  

   





 



 





  



    

  



   



       



      

  

 





      

  



    

 



   



   





    

       

  





      

  



    

 



   



   





    

      

  







       

  



     

 



   



    





    

        

  









       

  



     

 



   



    





    

        

  



S. Sax.







    

 



   



   





    

      



A. Sax. 1

        

   









        

        

    

A. Sax. 2



        

        

    

T. Sax.







Bsn. 1

          

Bsn. 2

Hn. in F 1



  





 

  

        

    



        



        

   

    





  

        

    

        

        

    

        





















        

    

        

    

        

        

    

        





                  

      

       

      

               

      

      







Hn. in F 2

           

        

    

        

    

        

        

    

        





           

        

    

        

    

        

        

    

        





Tpt. in B♭ 1





     

      

    

       

    

      

        

    

      





Tpt. in B♭ 2





     

      

    

       

    

      

        

    

      





 



 



 









    

        

    

        

    

        





 



 



 









Tbn. 1

   

Tbn. 2

         

        

Tba. 1

    

 









 





























         









Tba. 2

          

        

    

        

    

        

        

    

        





Timp.

         

        

    

        

    

        

        

    

        





                  

            

           

             

           

            

              

                             





 







Vib.

       





   



   

BD

Mrm.

                   

    

 

 



























Hi-hat











Trgl.



 

Clv.







 



 



    



Cme.



         



    



                 











































































6 rall.



 

  

    





Fl. 1

    









  

Fl. 2

     

 









  

Ob. 1

    









 

Ob. 2

    









Picc.

           

 

 

40   

 

      

    

    



Cl. in B♭ 2



  









Cl. in B♭ 3



  









B. Cl. 1



B. Cl. 2



S. Sax.

 

 



                  





  









A. Sax. 1











A. Sax. 2









T. Sax.



  



Bsn. 1

    

Bsn. 2



  













         

       

    









   



 

      

      





gliss.

lentando

       



           

gliss.

gliss.

  

 = 140        



       

Cl. in B♭ 1



           

      

  



      





































           

     











    



Hn. in F 2

    



Tpt. in B♭ 1



  



Tpt. in B♭ 2



  



Tbn. 1

    











Tbn. 2

    











Tba. 1

    











Tba. 2

     











Timp.

     





Hn. in F 1



Vib.

Mrm.

Cme.

              



     

  

     mute      mute     

 

     

                             

  

  

   





       

   

  

  

   



 





 

  

  







  







  

    

 

       

   

                                 





 

  

  

       

 

                                  

  

  

       

 

  

            

       

        

     

To Glockenspiel



 

   

 

      



   

  

 



        





 

          

 





     



   

  







  

 



     

  



BD



















Hi-hat



















Trgl.



   













Clv.



 

 

 







 

 

 

 

7 45   (lentando)     

































Fl. 1

    





































Fl. 2

    





































    





































Ob. 1

  

Ob. 2



 

Cl. in B♭ 1







Cl. in B♭ 2



































Cl. in B♭ 3

































B. Cl. 1































B. Cl. 2











































S. Sax.















A. Sax. 1





A. Sax. 2





T. Sax.













































 



 





 





 





 

 











 





























   













Tpt. in B♭ 2





 

open

 







      



 



 



 



Tbn. 2

    



 



 



 



Tba. 1

   

Tba. 2

    

Timp.

   

Glock.

Cme.

      



  





  

Hi-hat





Trgl.





 









 



 







































    













 

  





  

BD

Clv.







    













 

Tbn. 1

Vib.







 

Bsn. 2

Tpt. in B♭ 1







     









Hn. in F 2







 







     





  



 



Bsn. 1

Hn. in F 1







  











    

 





  



 

 





  



 



  





Picc.

 





 

































 



 

8 An Unwelcome Flashback 50    = 105.              

Picc.

Fl. 1

Fl. 2

   

Ob. 1

   

Ob. 2

  

 



























      

Cl. in B♭ 1







Cl. in B♭ 2







Cl. in B♭ 3





B. Cl. 1



B. Cl. 2

55



















































          



Solo

60



















































    

    

 

        



 

65





























































































































































































S. Sax.







































A. Sax. 1

























   











A. Sax. 2





































T. Sax.







































Bsn. 1

  



































Bsn. 2

   





































  























Hn. in F 2

  























Tpt. in B♭ 1

























Tpt. in B♭ 2























Tbn. 1

   

















Tbn. 2

  















Tba. 1

  













     









  









   

   

Hn. in F 1

Tba. 2

Timp.



Vib.





         

 

 

 

 

                       expression 

    













































































































































  









            

    

   

 

 

   

                   

 

   

 

         

   



































  



































   



































BD







































To Tam-tam

Tam

 

































Trgl.



 

































































Glock.

Cme.

Clv.









 

9 

Picc.

Fl. 1

  





70

           

  

 







rit.





 



75













  



















Fl. 2

   





Ob. 1

   





















Ob. 2

   





















           

 













Cl. in B♭ 1





Cl. in B♭ 2





Cl. in B♭ 3





B. Cl. 1





B. Cl. 2





S. Sax.





A. Sax. 1



A. Sax. 2



Bsn. 1

Bsn. 2











 





























































           

 











































































       

  

 



























  

















                                           

 





















 





















 























Hn. in F 1







T. Sax.

                                                     









        



open               

Hn. in F 2

Tpt. in B♭ 1

 

Tpt. in B♭ 2



Tbn. 1

Tbn. 2

  





 

 









                              

 



           

 





 





    



    

               

    



    

              

  











    



    











   



  

                      













  















  

 



 









Tba. 1

  





























Tba. 2

   





























Timp.

   

























Vib.

        

     

                                       

 

                                         

   

























  

























  























BD























Tam





















Trgl.





































Glock.

Cme.

Clv.







 



 



















































To Grand Piano







Ending the former reminds of Sadness

10 80    = 132      

Picc.

   

         

Fl. 1

         

Fl. 2

 

 

rit.

  





 = 132





85

  

  







 

  























  

  

  

  

  



 



 

  

  

  



 



 

   



 



 



 



 

  



 



 

Ob. 2

    









Cl. in B♭ 1

   











  

  







 

Cl. in B♭ 2



  











  

  

Cl. in B♭ 3

   











  

  

  

  

  



 



 



  

  



 



 







    











 













B. Cl. 1



   

 



B. Cl. 2



      

  



S. Sax.

   





    

  

A. Sax. 1



A. Sax. 2



T. Sax.



Bsn. 1

    





Bsn. 2

     







Hn. in F 1





      



Tpt. in B♭ 2



           

  



 



       



Timp.

    



   



























  















































      

















  

  



 

 

 

 

 

 

 

 



mute

 

















mute

 











 

 









 











 











 













 





   

 





   

 









   

























                

 

 







  

 

 



 





 





 

  









 





  



 







   

   

  

  



 



 



 

  



  



 







   

   

  

  



 



 



 

  





















  

  

  

  



 



 



 

  



 



 











 

  



 





  



 





















 







Tam



   

Trgl.





































   

 





BD

Clv.





 

 



   



 





     



Tba. 2

       

 





Cme.

   

  

       







Tba. 1

Pno.

 





 

                       







      





  

Tbn. 2

Vib.





 







      







Tbn. 1

 



   

Tpt. in B♭ 1





  

    



 



        

Hn. in F 2





                                 



  

         



90



rall.

  

Ob. 1





  





 

Resolving





















































11  = 72 Soft resting



Picc.

Fl. 1

  



smorz.

    

 



 

 







      





      







      







95

Fl. 2



Ob. 1

   









      

Ob. 2

   









      



Cl. in B♭ 1













    

Cl. in B♭ 2













    

Cl. in B♭ 3













    

B. Cl. 1













    

B. Cl. 2













    

S. Sax.













    

A. Sax. 1











 



A. Sax. 2











 



T. Sax.











    

    









    

     









    

         

 







     







     









    









    





    







    

Bsn. 1

Bsn. 2



Hn. in F 1



Hn. in F 2

Tpt. in B♭ 1





Tpt. in B♭ 2













Tbn. 1

    

Tbn. 2

  

Tba. 1

   











    

Tba. 2

    











    

Timp.

  







    

Pno.

Cme.





    





 

    







   



     





 

 

 

   

     

  





 



                   





 







      





 











BD



Tam















Trgl.





























Clv.



















Vib.



12 Grand Finale (Peace and Joy) (Evocated) 

Picc.

 = 80, Graceful, Peaceful          

Fl. 1

     







Fl. 2

      







Ob. 1

      





Ob. 2

     



Cl. in B♭ 1

    

Cl. in B♭ 2



100 

 



 













105





























































    







Cl. in B♭ 3

    







B. Cl. 1

    







B. Cl. 2

    







S. Sax.

    







 



               110                                                     



       

       

      



       

       

      



       

       

      

     

           

     

     

           







 



 

 

 

 

 

 

       

 



 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 



 

 

 

 

 

 

 



 

 

 

 

 

 

       

       

     

           

    





















A. Sax. 2





























T. Sax.

    









Bsn. 1

     







  



Bsn. 2

      











     







 

Hn. in F 2

     









Tpt. in B♭ 1

    







Tpt. in B♭ 2

    







 

 

 

   

 

    



 

  

 













 

 

    

      

     

 

open 1st Part solo

 

 



 

  

 





 

      

      

               



 



   





       

     

           

   







 

  

       

     

           

    





 

  

open





 

 

 

 

 

 

     

 

 

 

 

 

   

 

 

 

 

 

 

   

 

 

 

 

 

   

 











Tba. 2

      









    







               

    













     











 

  



        



 



 







   

 

 

 

 



 

 



  

 

 

 

 

 

To Concert Toms

 

 

 

  

 

 

 

 



 

 

 

 





 

   

 

    

 

       

       

      

 

   

 

 

 

   

     

 

 

 





 









 

   





 

 

   

  

 

   







normal







   tremolo   











   

  







 















 













 

 









BD











Tam











Trgl.



 



























 

   





 

    

     

Clv.

   

   

Tba. 1





  



 



   



        

   





Cme.

 



    



 



Tbn. 2



 





Pno.

 



                           



 

 

 



   

 

 



 

 

 



  

           

 

 



 

     

 

 

 



       

 

Top Part Solo Only

             















Vib.

  





Timp.



 















Tbn. 1

















A. Sax. 1

Hn. in F 1

accel. = 150



 

To Hand Cymbals





  

 

 





   







13 

 = 92 Relaxed rit.

125  = 80       





smorz.



Picc.

   







Fl. 1

   

 

Fl. 2

   

 

Ob. 1

   

 

Ob. 2

   

 

Cl. in B♭ 1

  

 

Cl. in B♭ 2

  

 

Cl. in B♭ 3

  

B. Cl. 1

  

B. Cl. 2

115 

 

    



120

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 













  





 

 













  

 

 

 

 













S. Sax.

  

                             

A. Sax. 1





  

A. Sax. 2







T. Sax.

  

Bsn. 1

Bsn. 2

  

















 

 

  

  

  









   











Hn. in F 1



     

      

Hn. in F 2

   



Tpt. in B♭ 1

  

  

Tpt. in B♭ 2

  

   

Tbn. 1

   

Tbn. 2

       

Tba. 1

  

Tba. 2

            

Timp.



 

   

 

 

 

       

  









  



   

   

   







 

 

 

  

 

mute

 

  



 

 

 

 

 

 



 



       



 





 

  

 

 



 





   









 

 



 

 

 



 











 



 

 

 

 

 

 



 

 

 

 

 

 

 

 



 

 

 

 

 

 

 

 



 





   

   

   







   







  







 





 











 







   





 







 





 











 



   



 





    

     

  









 

















 









    









  









  

  









   

   









  

               

  



    

Solo

 

   



 

      

 



    

     

   



   





   











 

 

  

  

  





 

 

 

open



   

   

      

   

  

 



open

         





  





 

 

     

mute







 





 









 















 







 

 

               

 

 







 

 

rall.









  

   



 





   









hard mallets

   

  

  

  

  

  

   

  

   

















 

 

 

 

 

  

 

 

  

  



   

   

   

 

 

 

 

 

 

 

 













BD



   

   

 

 

 

 

 

 

     

 













Tam



  

 

 



 



Trgl.









Pno.

Toms

Cym.





orchestral

 

   

    

























 



hard mallet













  

 







 

   









 





3

     

  

 

     







 







          

To Mark Tree







 

 



 

      

 

   



Vib.













  

14 rit.

130    











Fl. 1

   













Fl. 2

   













Ob. 1

     

















Ob. 2

     

















Picc.

135



Cl. in B♭ 1

  



















Cl. in B♭ 2

  



















Cl. in B♭ 3

  



















B. Cl. 1

  

















B. Cl. 2

  

















S. Sax.

  

















A. Sax. 1





















A. Sax. 2





















T. Sax.

  

















Bsn. 1

  

















Bsn. 2

   



























Hn. in F 1

    

Hn. in F 2

   

Tpt. in B♭ 1

  

Tpt. in B♭ 2

  

 







 























































Tbn. 1

     









 

Tbn. 2

     









 

Tba. 1

        

  

  

  

  

Tba. 2

        

 

 

 

 

Timp.

  









    

  mallets   soft     

  

  

  

  



Pno.



  

         

  

  

  

  

   

  

















BD















Tam













Mk. Tr.



Toms

Cym.









 

 











Vib.



   

 

 





 





 