Portfolio - Maxwell Gendler

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P O R T F O L I O PORTFOLIO

M A X W E L L G E N D L E R MAXWELL GENDLER

M A X W E L L MAXWELL G E N D L E R GENDLER

CELLPHONE:

1.402.779.6064

THE UNIVERSITY OF KANSAS

Bachelors of Art in Architecture (May ‘19)

Certificate in Architectural Acoustics*

THE ILLINOIS INSTITUTE OF TECHNOLOGY

Master of Architecture (May ‘21)

2-year Advanced Track*

R E F E R E N C E S

EMAIL:

maxwellcgendler@gmail.com

Matt Gilbert Associate Architect

LINKEDIN:

Maxwell Gendler

Rebecca Snow

Senior Interior Designer

Wiel Arets

Professor - IIT

Solomon Kane

Director of OSRUI

ABOUT:

Hi! My name is Max, I am an Architectural Designer from Papillion, Nebraska currently practicing architecture in Chicago, Illinois.

As a designer my biggest concern is building green architecture that leaves a minimal footprint on our ever changing planet. I am most interested in developing new ways of sustainable living within our urban fabric that challenges the current norm and furthers positive change in our industry. I am currently pursuing LEED, WELL and NCARB Licensure to further my develop my skillset as an architect and better inform my design thinking.

In the past, I have held many job titles including a camp counselor, music coordinator, outdoor gear specialist, wilderness medic, wrangler, valet, DJ, unit-head, grounds keeper, and best of all - a designer. The experience I have had in other job roles greatly influences the way I think about design and architecture. I am grateful to have been a part of so many great communities in my life and I look forward to working in architecture typologies that positively impact surrounding communities and the people that live within them.

S

K I L L S

SOFTWARE (* specialty)

matthewbgilbert@gmail.com

1.847.903.6590

rebeccasnow12@gmail.com

1.847.977.6182

warets@iit.edu

31.20.577.6000

skane@urj.org

1.847.509.0990

Rhino* - Revit* - Lumion* - Photoshop*

Illustrator* - Indesign* - Grasshopper - AutoCAD

SketchUp - Vray - Cove.tool - Sheets & Excel - Oculus VR

PHYSICAL

Model Making - Building - Photography

Illustration - Woodworking - Metalworking

HOBBY

The Great Outdoors (rock climbing, hiking/backpacking, biking, camping etc.) - Music (guitar, vocals, piano, production) - Travel

E D U C A T I O N

VALERIO DEWALT TRAIN

SUMMER ‘21 - PRESENT

ARCHITECTURAL DESIGNER I

Supporting my project team within the architecture studio through various phases of design and construction. Typically producing complex computer models, renderings, drawings, diagrams, and other coordination tools.

SUSTAINABILITY COORDINATOR

Coordinated sustainability efforts for the entire firm on our “buildGREEN(or)die” team of 3 members including our Chief Sustainability Officer.

As a team we:

-plan project check-ins to help ensure project teams are meeting their sustainability goals and firm guidelines

-provide energy modeling support to project teams using Cove.tool to accurately measure the performance of buildings to help guide project design

-plan and execute a week-long event called “Sustainability Action Week” where we plan events, lectures, and presentations around a specific theme related to sustainability in architecture. This past year’s theme was Embodied Carbon

ACE - ARCHITECTURE MENTOR

The Architecture Construction & Engineering Mentor Program (ACE) is an after-school program for high school students that is designed to expose students to the architecture, construction, and engineering industries. During the school year, students become a part of project teams that meet with designated architecture, construction, and engineering firms acting as mentors to help guide them through an integrated building design process. At the end of the ACE term, students present their projects to their families, firm participants, and sometimes competition juries.

FIRM INITIATIVES:

-DE&I Team Member

-Culture Committee Member

-Performance Design Team Member

OLIN SANG RUBY UNION INSTITUTE (OSRUI)

SUMMER ‘14 - SUMMER ‘19

MANAGER - HEAD OF OUTDOOR UNIT

Managed 20 staff members and oversaw day to day activities, made schedules, held meetings, made teams, appointed positions, and directed programs in our unit. My staff members cared for over 100 kids and guided them on trips across Wisconsin. While managing my staff, I worked with 6 other unit managers and 20 specialist staff across the summer camp to ensure all events, scheduling and programming ran smoothly.

OUTDOOR TRIP LEADER/MEDIC/SPECIALIST

Planned, lead, and delegated tasks to a group of kids and staff members (10-25 people) on hiking, biking, canoeing and rock climbing trips across Wisconsin 3-4 days in length. Instructed climbing safety/skills and canoeing safety/skills.

W O R K

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PROFESSIONAL WORK

Valerio Dewalt Train

Team Project (16)

THE SHEDD AQUARIUM

PROFESSIONAL WORK

Valerio Dewalt Train

COME HOME INITIATIVE THE ART HOUSE

2nd YEAR M.ARCH FINAL PROJECT

Illinois Institute of Technology

2nd YEAR M.ARCH THESIS PROJECT

Illinois Institute of Technology

HOW TO GROW 09 017
Team Project (4)

LAYER

1st YEAR M.ARCH

Illinois Institute of Technology

Group Project (3)

ROCK CHALK PRAIRIE ACRE

3rd YEAR BA DESIGN BUILD STUDIO

The University of Kansas

Team Project (22)

GUITAR DESIGN & BUILD

3rd YEAR BA INDUSTRIAL DESIGN

The University of Kansas

OSRUI CAMP MAP DESIGN

FREELANCE GRAPHIC DESIGN

Chicago, IL

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COME HOME INITIATIVE

LOCATION:

Chicago, Illinois

PROJECT TYPE:

Family Housing Competition

KEY RESPONSIBILITIES:

• Concept Studies

• Design & Development

• 3D Modeling, Rendering,

• and post production

• PROGRAMS USED:

• Revit

• Lumion

• Photoshop

• Illustrator

• Cove.tool

• STATUS:

Awaiting Competition Results

To revitalize Chicago’s South and West Sides, new and innovative approaches are needed. Our team had the idea to build eight rowhouses on four standard lots, with each three-story unit consisting of a spacious living, kitchen, and dining area, three bedrooms, three bathrooms, a study alcove, in-unit laundry, and a garage space.

The rowhouses are designed in “T” and “L” shapes to maximize density and access to light, with private gardens, balconies, and skydecks. Four of the homes face the street, while the others face a rear yard with a passage on both sides for residents to walk through. The construction is made of concrete blocks and precast concrete plank floors with an economical aluminum storefront window system.

The outcome is an unexpected modernist design that provides light-filled urban rowhouses for families to thrive.

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VACANCY - Chicago is a place of invention and reinvention. The 10,000 vacant lots on the City’s south and west sides are an opportunity to serve and reinvest in our great city.

DENSITY - Density is the first step toward building a community. Can we build 8 units on 4 lots?

OPPORTUNITY - Front and back units can provide different price points to reduce the threshold to entry, and provide greater access to light & air.

SMART DESIGN - 3 story units can be shaped and nested to maximize space and daylight on public floors, and minimize frontage on private levels

SOCIAL & SUSTAINABLE - Solar shading, clerestories, a roof deck and front porches are important components to creating a sustainable, social, and truly Chicago experience.

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The “L” shaped homes have large frontyards and in some cases, an exterior balcony over the alley. The “T” shaped homes have large balconies on the second floor and 300-sf skydecks on the third floor.

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LEVEL 1 FLOOR PLAN
LEVEL 2 FLOOR PLAN
LEVEL 3 FLOOR PLAN TYPICAL SECTION
FORM
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EXTERIOR RENDER
KITCHEN STAIRWELL
BEDROOM DEN & TERRACE

Four of the homes face the street, while the other four face a wide rear yard. A generous 7’ wide passage on both sides allow residents to walk from street-side to the rear yard and back. A secure, shared outdoor deck is located above the garages, accessed by two stairs.

Construction is copmosed of concrete block demising walls with 8” precast concrete plank floors and a concrete topping; the floor to floor height is 10’-6”. HVAC furnaces are located on the second floor with rooftop condensers. Window systems are an economical aluminum storefront with operable hopper vents

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FRONT ELEVATION

THE SHEDD THE AQUARIUM

LOCATION: Chicago, Illinois

PROJECT TYPE:

Historic Institution

KEY RESPONSIBILITIES:

• Assisting to develop and complete

• D.D. & C.D. drawing packages

• FF&E Tracking

• Client interface and coordination

• Rendering & 3D Modeling support

PROGRAMS USED:

• Revit

• Rhino

• AutoCAD

• Lumion

• Bluebeam

• Sheets & Excel

• STATUS:

Under Construction

Valerio Dewalt Train (VDT) has been a strategic partner in the Shedd Aquarium’s renovations over the year, prompting VDT to be chosen as the aquarium’s architect for their major renovation set to begin the summer of 2023. The project has been planned as a four-phase construction project that is predicted to be completed in 2026. This transformative project aims to modernize the aquarium’s facilities, create immersive and interactive experiences for visitors, and enhance the aquarium’s mission of inspiring conservation and stewardship of the aquatic world. Our team is thrilled to be a part of this major undertaking, which includes the creation of new galleries, programs, and experiences that will be rolled out on a staggered basis over several years.

Due to the nature of this project, I am not allowed to share content via my portfolio - please ask directly for more information.

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THE ART HOUSE

LOCATION:

Amsterdam, Netherlands

PROJECT TYPE:

Public Intervention

PROGRAMS USED:

• Rhino

• Grasshopper

• Lumion

• Photoshop

• Illustrator

• InDesign

The Art House is located in Amsterdam’s city center. It is nested in the Jewish Quarter at the site of Meester Visserplein which has seen history through the eyes of the oppressed and witnessed movements that changed the course of history.

During the February Strike of 1941, the city of Amsterdam rallied together in protest of the German occupation and persecution of the Jewish people. Their vehicle for the protest being the word. Words on a poster are so powerful that they are the driving force for change - the “word” allows itself to be totally silent yet deafeningly loud. The Art House uses the “word” as a vehicle for change, protesting for the movement of caring for our Earth, for the return of Nature to the City.

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CONCEPT

Protest using “words” - exclaimed from a platform or pasted to a sign. Nature lifted atop the platforms, as if the protest were the trees themselves.

USING THE SITE BOUNDARIES, AN ORGANIC “VORONOI” SCRIPT WAS CREATED, ALLOWING FOR MULTIPLE ITERATIONS AND SHAPES. VORONOI CELLS WERE SCRIPTED IN 3 DIFFERENT SIZES WITH CENTRAL COLOMN CIRCLES WHERE SUPPORTS WOULD BE DERIVED FROM.

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2

AFTER FINDING A SCHEME THAT FIT THE SITE AND CONCEPT, THE CELL’S OUTER RIM BECAME PETALS OF COLUMNS, EXTRUDED 14 METERS ABOVE THE SITE BELOW. EXTRUSION ABOVE THE SITE ALLOWS CIRCULATION AND PROGRAMMING TO OCCUR BELOW.

COLUMNS WERE THEN SHAPED CLOSER TO AN “ORGANIC MUSHROOM” FORM, THEN SHIFTED UP AND DOWN CREATING VARIATION IN HEIGHTS AMONG THE CANOPY.

PROGRAM ELEMENTS SUCH AS TREES, VERTICAL CIRCULATION AND ART HOUSE HOMES PLACED UPON THE PROJECT. BENEATH THE CANOPY, THE SITE IS SUNKEN DOWN INTO AN AMPHITHEATRE TYPE SPACE USED TO GATHER VISITORS FOR EVENTS.

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012 4 3 2 1
VORONOI SCRIPT

INFORMAL PROTEST

The public platform intervention acts as a vehicle for all forms of life to constantly thrive. When the platforms are not being used for Art House functions, Informal Protest can take place throughout the platforms. Thus, supporting the movement at all times while also facilitating the elevated park as an integral component of the public realm.

PUBLIC VS PRIVATE

The Art House dwellers live in homes protruding above the public platforms, placing them in a complex juxtaposition of Public versus Private - placing the Art House curators within the protest itself.

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FORMAL PROTEST

The Art House functions can take form of exhibits or events, but Formal Protest will also be integral to facilitating the protest for this movement. Art House dwellers not only curate the art, but cultivate the gathering of city inhabitants to take part in and learn from the protest.

NATURE VS THE CITY

The Art House is an intervention composed of platforms in which protest happens. Similar to platforms of the February Strike in 1941, the Art House platforms support the arguement for Nature’s return to our cities. The Nature atop the platform shouts this protest, like a protester shouting phrases atop a platform to others in the crowd.

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015 N GROUND FLOOR PLAN

SITE INFLUENCES

The site Meester Visserplein so perfectly houses a program such as this due to its immense vulnerability to be seen. It is surrounded on all sides by vectors of travel and transportation, it also happens to be split down the middle by the city’s tram. These vectors of movement allow the art curators to utilize the site as a vehicle for protest by making the site a part of the exhibit.

A rotating artwork using the “word” will be exhibited publicly at the plaza level in 3 principal directions towards the tram, street, and entrance to the lower plaza. These vectors of movement throughout the site will allow the art to be publicly exhibited spreading the seed of protest and change as the rest of the exhibit does below

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Mr. Visserplein Mr.Visserplein Mr.Visserplein Waterlooplein
M M N
Mr.Visserplein
CLAY CONCEPT MODEL

HOW TO GROW

LOCATION: Chicago, Illinois

PROJECT TYPE:

Mixed-Use Tower (Thesis)

PROGRAMS USED:

• Rhino

• Lumion

• Photoshop

• Illustrator

• InDesign

How to Grow is a self-sustainable microneighborhood in the city of Chicago on the corner of Illinois and Rush, between Wabash and the historic Michigan Avenue. The 800,000 square foot tower is designed to make the city greener through educating and practicing food sustainability principles.

My vision is to create an example of innovative and responsible architecture that serves its community positively by teaching people how to grow and source their own food responsibly, and teach them to be aware of the impact they have on the planet through food.

How do we grow? How do we change the way we live on this planet to benefit everyone?

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CORE MASSES EXTRUDED FROM CORNER OF SITE, ALLOWING ROOM FOR PUBLIC REALM.

MASSES OFFSET FROM EACHOTHER, ALLOWING TWO CENTRAL CIRCULATION SYSTEMS TO OCCUR SIMULTANEOUSLY.

PROGRAM BUILT AROUND CORE MASSES, ROTATED TO ACHIEVE OPTIMAL SOLAR ACCESS.

3 PROGRAM SPLIT UP INTO “PODS” HOUSING EACH FUNCTION, ALLOWS FOR ELEVATED PARKSCAPE AND GREEN SPACES TO INFILTRATE ENTIRE PROGRAM (RIGHT FIG. A).

DOUBLE FACADE CREATED TO ALLOW CIRCULATION AND GREEN SPACES TO OCCUR INDOORS ALONG THE EXTERIOR OF THE BUILDING’S SKIN. (RIGHT FIG. B).

GREEN POWER HOUSE (TOP) AND LOBBY SPACES (BASE) ADDED, ALONG WITH SITE CONTEXT AND COMPONENTS TO FACILITATE THE

REALM.

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PUBLIC
6
2
5
1 4 6 5 3 2 1

PROGRAM

GREEN POWER HOUSE

GREEN HOUSE (FOOD PRODUCTION)

COMMUNITY PROGRAMMING

RESIDENTIAL (ONE & TWO BED UNITS)

COMMUNITY PROGRAMMING

RESIDENTIAL (MULTI-FAMILY UNITS)

COMMUNITY PROGRAMMING

RESIDENTIAL (STUDIO & ONE BED UNITS)

FARMERS MARKET & ADMIN

LOBBY & CAFE

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B
FIG. FIG. A
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CLOSED-LOOP SYSTEMS:

Humans produce a massive amount of waste that in many cases can be repurposed for food production and building functions. By mimicking nature’s “closed-loop” systems, the building can save energy, reduce waste, and support all functions of life sustainably.

022 FARMERS MARKET CIRCULATION FOOD PRODUCTION/DISTRIBUTION PARKSCAPE COMMUNITY PROGRAMMING BROKEN LOOP CLOSED LOOP CO2 O2 PRODUCERCONSUMER DECOMPOSER

HOW DO WE GROW?

We grow as architects by building responsible, aware architecture that directly responds to the pressing issues in our world today. This is accomplished by coming up with solutions that turn into examples, which then become practice.

We grow food in responsible ways, lessening our impact on the earth by creating better growing technologies, and by taking responsibility for our cycle of food.

We grow together as communities through food. By growing, sharing and sustainably sourcing food together as communities, we can solve a lot of the unsustainable and problematic practices in our food supply and distribution that negatively impact our planet.

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N TYPICAL RESIDENTIAL FLOOR
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LAYER

LOCATION: Chicago, Illinois

PROJECT TYPE:

Community Housing

PROGRAMS USED:

• Revit

• Rhino

• Grasshopper

• Lumion

• Photoshop

• Illustrator

• InDesign

Designed for the youth of Chicago, this housing center helps the younger homeless population get back on their feet in the form of community based, supportive housing. Chicago Public Schools struggle with a massive number of homeless students who might be fighting identity crisis, addiction, and other hardships.

The mission is to provide these youth with a place to live, learn, and rehabilitate in order to reintegrate them into the world as independent people, functioning as self-sufficient parts of society and the larger community. The goal for the design of the building mass and interior spaces is to maximize comfort and wellness for its residents.

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027 FACADE SCREEN PROGRAM VOIDS 2 1

MASSING

Layering the program from the East (lake/park side) to the West (city side) created a strategy for organizing our building and finding its shape. The biggest concern is figuring out a way for a building to translate someone from the city, through our program and onto a life full of opportunity.

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UNIT PLANT BOXES STRUCTURAL SUPPORT 3 4
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030 CONCRETE TOPPING CAP FLASHING WATER PROOF MEMBRANE INSULATION WIDE FLANGE STEEL BEAM 12" X 24" TILE PAVER SCREWJACK PEDESTAL BOLT JOINT WIDE FLANGE COLUMN STEEL BEAM 8" X 8" INSULATION WIDE FLANGE STEEL BEAM 12" X 24" CONCRETE PLANTER BOX WATER PROOF MEMBRANE DRAINAGE CELLS GEOTEXTILE FABLIC WRAPPING SOIL WIDE FLANGE STEEL BEAM 12” X 24” TILE PAVER SCREWJACK PEDESTAL INSULATION WATER PROOF MEMBRANE CAP FLASHING CONCRETE COMPOSITE ON 3” METAL DECK BOLT JOINT WIDE FLANGE STEEL BEAM 12” X 24” WIDE FLANGE COLUMN STEEL BEAM 8” X INSULATION SOIL GEO-TEXTILE FABRIC WRAPPING DRAINAGE CELLS WATER PROOF MEMBRANE CONCRETE PLANTER BOX PLAN ) GLASS BLOCK SKYLIGHT STEEL ROOF STRUCTURE 1” FROSTED GLASS CEILING INTERIOR TRIM RIGID INSULATION CONCRETE COMPOSITE ON 3” METAL DECKING WIDE FLANGE STEEL BEAM 12” X 20” N A-01 DETAIL A-01 DETAL A-01 DETAL

ROCK CHALK PRAIRIE ACRE PRAIRIE

LOCATION:

Lawrence, Kansas

PROJECT TYPE:

Outdoor Pavilion (Design Build Studio)

PROGRAMS USED:

• Revit

• Rhino

• Lumion

• Photoshop

• Illustrator

• InDesign

• Sheets/Excel

• KEY RESPONSIBILITIES:

• Canopy Design & Modeling

• Contsruction Documents

• Material Procurement

• Manual Labor

• STATUS: Completed

Rock Chalk Prairie Acre (R.C.P.A.) is an outdoor classroom for the Environmental Studies program at the University of Kansas built by our design-build studio. The location of the Rock Chalk Prarie Acre sits atop the historic hill of the University of Kansas campus, looking over the flint hills.

Our project is designed to be moment within a major circulation path for students going to classes. The design fosters a scenic area on campus to stop, sit, and take in the surroundings. It doubles as an interactive prarie experience for the Environmental Studies program, filled with native prarie grasses and educational boards educating the broader university on its goals of environmentalism.

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CONSTRUCTION

Our team of 19 students lead by our professor designed the structure in the first 3 weeks of studio. After presenting it to the University of Kansas we got approval and began construction. This studio was extremely powerful in terms of educating myself and peers about the cost, time and critical thinking that goes into a built piece of architecture.

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PLANK ADDED ON TOP OF PRIOR, LIFTED ABOVE

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3

PLANK ROTATED ABOUT POINT AT END, ROTATED UNTIL CORNERS ALIGN

REPEATED THE PROCESS 22 TIMES TO CREATE CANOPY STRUCTURE

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2’x6’x12’ CEDAR PLANK PLACED AT SITE 1

2’x6’x12’ CEDAR PLANK PLACED AT

PLANK ADDED ON TOP OF PRIOR, LIFTED ABOVE

PLANK ROTATED ABOUT POINT AT END, ROTATED UNTIL CORNERS ALIGN

PROCESS REPEATED 22 TIMES TO CREATE CANOPY STRUCTURE

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SITE
2 3 4 1

GUITAR DESIGN & BUILD

LOCATION:

Lawrence, Kansas

PROJECT TYPE:

Industrial Design Studio

PROGRAMS USED:

• Rhino • Photoshop

Illustrator

• InDesign • Sheets/Excel

In the Spring of 2018, I took a Guitar Design & Build course to further my skills in design, building, and guitar skills. The class curriculum started with an in-depth look at designing and building guitars from scratch using a box-style ukulele project to learn basic string instrument building before moving onto an electric guitar. The ukulele is built out of kerfed and laser-cut oak plywood with a sound hole in the shape of a tree. I designed my guitar with an 80’s type flair, similar to that of a vintage Thunderbird guitar. For the body, I used glued pieces of tongue and groove plywood and curly maple for the neck.

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MAP FOR MAP O.S.R .U.I. O.S.R.U.I.

LOCATION:

Lawrence, Kansas

PROJECT TYPE:

Outdoor Pavilion (Design Build Studio)

PROGRAMS USED:

• Rhino

• Photoshop

• Illustrator

• InDesign

After 6+ years of working as a staff member at a summer camp called Osrui, I got the opportunity to design the new grounds map for the camp. Using my software modeling skills, I used Rhinoceros 3D, I modeled the buildings and areas of the summer camp from scratch then used Adobe Illustrator to add detail and color.

Throughout the process of designing the map, I was in close communication with the camp administration to create a useful navigation tool for year round visitors and residents at the camp. Along with the camp map design, I have also used my graphic design skills to design apparel and logos for the camp store and summer units.

Camp Eidot

Kallah Gesher

Tiferet

Chalutzim

Tzofim

Moshavah

Residential Facilities Bayit

High Ropes, and Stables

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9 SKI SLIDE ROAD
Recreationa Misrad (Office) Mirpa’ah (Healt Jeff’s Place Lorge Bitan (Lor Greenhouse The Dardick Fam and Tennis Com Merkaz Sport (S Pool Etgar (Challenge
Nerenberg
Center Lakeside Cabins 1 2 3 4 5 6 7 8 10 11 12 13 14 15 16 17 21 20 19 18 17 16 1 18 19 20 21
Schaalman Lodge Daniel M. Soref Education, Alumni Center & Rotunda
Family

Center)

rge Pavilion)

mily Archery mplex Sports Center)

e) Course, d Zipline

038
LAC LA BELLE DRIVE al Facilities h
Merkaz Omanut (Art Center) Beit Am Chalutzim Moadon Chadar Ochel (Dining Hall) Heichal HaTarbut (Cultural Center) The Barn Gan (Garden) Merkaz Ivrit (Hebrew Center) Sang Hall Agam (Lake) and Chof (Beach)
23 22 24 25 26 27 28 29 30 31 31 30 29 28 27 26 25 24 23 22 15 14 13 12 11 11 10 9 8 7 2 3 4 5 www.osrui.org osrui@urj.org N 600 Lac La Belle Drive Oconomowoc, WI 53066 847.509.0990
Beit T’fillah (Chapel)
039 CELLPHONE: EMAIL LINKEDIN: 1.402.779.6064 maxwellcgendler@gmail.com Maxwell Gendler M A X W E L L MAXWELL G E N D L E R GENDLER
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T H A N K THANK Y O U ! YOU!

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