Trujetter May June 2016

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TRUJET MAGAZINE

FOR INFLIGHT READ ONLY

Volume 1 Issue 3 May-June 2016

The joys of

birding

Textile

Trail Tracing fabrics & handlooms across South India

A date with winged friends

Chennai

Talkies A potpourri of urban & traditional

Exclusive at

Outlets.

Editorial Dear Trujetter, The airline is in an exciting phase with the newly launched services to the cities of Nagpur and Kadapa, and reestablishing services to Vijayawada. TruJet now offers a well-connected network spanning 10 destinations across the southern region of India.

In the May-June issue, we embark on a textile trail through the wonderful heritage of Kalamkari, Pochampally and Kanjeevaram; we explore the cultural coastal city of Chennai and enjoy a short getaway to the temple town of Lepakshi from Bengaluru. The myriad flavours and varieties of biryani found in the southern region are astonishing as showcased in the inside pages.

Padma Vibhushan Dr Sonal Mansingh shares the rich tradition and history of classical dances, while we’re taken on a journey to some of India’s fabulous bird sanctuaries, discovering more about our feathered friends.

All this and much more to keep you occupied while you travel with us.

Happy travelling!

Sudha Reddy Group Director Trujet Airlines

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May-June 2016

ON THE

COVER The richness and depth of the textiles in the southern region are staggering, and we embark on a textile trail tracing the origins of Kalamkari, Pochampally and Kanjeevaram

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TRUJET MAGAZINE

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Volume I Issue 3 May-June 2016

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DISCOVER Around the World | 8 News/Events/Festivals/Book Reviews/Films Snapshot | 14 Coast to coast City Guide | 16 Chennai Calling Lead Story | 22 Woven Heritage Getaway | 30 Lepakshi The Joys of Birding

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FACE2FACE

Nimrat Kaur

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CULTURE CURRY Cuisine | 44 Biryanis of the south Dance | 48 The Dance Sutra

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INSTA CLICK

70-72

TRUJET WORLD

World Heritage Sites of India

Schedule / Route map

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May-June 2016

AROUND THE WORLD

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Save the date

EXHIBITIONS

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DANCE

DRAMA

FOOD

EVENTS

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INTERNATIONAL DAY OF YOGA

DISNEY’S BEAUTY AND THE BEAST

CANNES FILM FESTIVAL 2016

WEEKEND THEATRE WORKSHOP

June 21st is recognised as International Day of Yoga by the United Nations General Assembly (UNGA).

Various government and private organisations take up different activities and initiatives, to spread awareness on the benefits of yoga.

A Broadway-style musical of Disney’s famous story, Beauty and the Beast, will be performed on a magnificent scale again in Mumbai.

It was opened to packed houses last year, but is back for a limited time on popular demand.

The 69th annual festival, held in Cannes, previews new films from around the world.

George Miller, of the Mad Max fame, has been announced as the President of the Jury for the main competition.

Cafe Society, a film by Woody Allen, will open the festival.

The Samahaara Weekend Theatre Workshop is for everybody, professionals, students, serious actors and amateurs.

A good way to refresh from the daily grind, learn something new, and develop a new craft.

When: June 21 Where: World over

When: May 6-15, 2016 Where: Dome, NSCI, SVP

When: May 11-22 Where: Cannes, France

When: May 14-July 3, Where: Delta Seacon,

Stadium, Mumbai

Banjara Hills, Hyderabad

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AROUND THE WORLD

News updates ANDHRA PRADESH SEEKS TO BOOST TOURISM SECTOR The state of Andhra Pradesh, in a bid to boost the tourism sector, has set a target of investments worth `10,000 crore by 2020, and `20,000 crore by 2029. District and theme-based projects worth `36,000 have already been initiated. The financial year 2015-16 witnessed the tourism sector track investments worth `12,000 crore from almost 160 projects. This helped generate an employment potential of about 35,000. The state government is strengthening the infrastructure by adding more national highways, developing a 1,000-km long beach corridor and creating six tourist hubs – Visakhapatnam; Rajahmundry-KonaseemaKakinada; Vijayawada-Amaravati; Tirupati; AnanthapuramuPuttaparthi and Srisailam.

KARNATAKA PROMOTES GOLF TOURISM With a clear goal to promoting golf tourism, Karnataka recently unveiled plans to offer incentives in development of golf courses in the state.

This is part of a longterm strategy to attract domestic and international golfers as well as host tournaments.

At present, most of the golf courses in the State are concentrated in Bengaluru, Mysuru, Hubballi, Kodagu, Chikkamagaluru and Mangaluru.

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MUMBAI TO GET AMPHIBIOUS BUS SERVICE

During the recent Maritime India Summit, the Maharashtra Tourism Development Corporation (MTDC) signed a pact with Jawaharlal Nehru Port Trust (JNPT) to launch an amphibian bus service for the port city of Mumbai.

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Celebrations...

When May, 2016 Where Ooty

When June 20, 2016 Where Champakkulam, Alappuzha

OOTY FLOWER SHOW 2016 The three day annual flower show is a major tourist attraction during the month-long summer festival in this hill resort town.

The 120th Flower Show will have on display 35 new varieties of Dalia, along with other major flowers, in the sprawling and picturesque government botanical gardens. Nearly 15,000 flowers of various types will be on display during the show.

Similarly, the 58th Fruit show will be organised at the famous Sim’s Park in nearby Coonoor on May 21 and 22.

CHAMPAKKULAM BOAT RACE In Kerala, the season of boat races starts with the renowned Champakkulam Moolam Vallam Kali. The festival takes place at Champakkulam, a serene village in Alappuzha district.

On the day of the race, locals and tourists flock the river bank to enjoy the race. As the day begins, boats in various categories like thechundan (snake boat), veppu, iruttu kuthi, churulan and others assemble at the starting point of the race. Among these boats, the snake boats with its fascinating design catch the attention of all. The boat race takes place in the placid waters of River Pamba. The race is considered as the ultimate test of endurance, speed and skill.

When June 24, 2016

SAO JOAO FESTIVAL

Where Goa

Dedicated to St. John the Baptist, this festival is celebrated as a feast on June 24 during Monsoon. It includes villagers jumping into the wells, streams and ponds. This jump is to signify the joy that St. John felt when Jesus was born.

During monsoons this event is the major attraction for tourists. Pool parties and private Sao Joao parties in Goa serve as a complete package of merriment and joy.

Guests are made to wear crowns made of leaves and flowers called ‘Kopel’.

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NEW RELEASES

Cine magic

MOVIE OF THE MONTH MAJHA NAAV SHIVAJI May 27, 2016* Directed by Pranita Pawar, Chakraborty is debuting as an actor in the Marathi film industry with this film. Chakraborty essays the role of Shivaji, who doesn’t have a job despite having an engineering degree. His younger brother is studying and working, and is more respected in the family. The film goes on to show how the protagonist struggles to get a job, and all the difficulties he faces at work. Siyaa Patil, Aditi Sarangdhar and Abhijeet Chavan are also part of the cast.

OTHER RELE ASES

KABALI May 27, 2016* Cast: Rajnikanth, Radhika Apte, Dhansika, Prakash Raj Director: Pa Ranjith *Release dates are subject to change

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KOTIGOBBA 2 May 6, 2016* Cast: Sudeep, Nithya Menon Director: KS Ravikumar

DISCOVER

SNAPSHOT

Coast to coast A lone villager paddles his coracle boat across Sanapur Lake in Hampi. Shot by Manish Kumar, an award-winning photographer, ardent trekker and traveller, the lake is set amidst a vast landscape of hills piled high with massive boulders. A tourist attraction, the calm waters offer a splendid location to relax in quietude.

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CITY GUIDE

Chennai Calling Arguably the least flamboyant of all the metros, Chennai is probably the most culturally rich of the lot.

While a big deal is made of the sweltering heat and love for everything Tamil, the city is a potpourri of culture, tradition, heritage with a contemporary twist.

So while you are in Chennai next make sure you stop by at these places and discover the great culture.

Words: BINDU GOPAL RAO

C

hennai is one of the oldest cities of India with a rich cultural heritage along with highly urbanised population. It has been one of the most important places in Indian history which was part of many landmarks.

Apart from the Superstar Rajinikanth and the Mozart of Madras - AR Rahman, Chennai has a lot more to offer - the authentic filter coffee, the beautiful marina beach, India’s

first bookshop at Higginbothams, hot and steaming idlis, the Madras Music Season, countless temples, automobile industry, and the list goes on.

The best part of living in a coastal city is the easy access to the sea. Water sports like wake boarding, water skiing, and even boat rides of every kind are available.

Start your journey with a hot cup of filter coffee accompanied with pakoras or batter-fried vegetables, and vadas.

Trujet offers direct services to Chennai from Hyderabad, and easy connections from Aurangabad, Rajahmundry and Goa among others. Log on to www.trujet.com for further details.

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CITY GUIDE

In the lanes of

history

Revisit the glorious past of the city through forts and museums

AMAZING FACTS

Above: Government Museum; Below: A canon at the Government Museum

Government Museum Started in 1851, it is the second oldest museum in India and has an enviable set of archaeological and numismatic collections.

In fact, it is said that it has the largest collection of Roman antiquities outside Europe.

This is an excellent museum that also has the National Art Gallery, Contemporary Art Gallery and Children’s Museum.

A key highlight here is the Bronze Gallery that has sculptures dating back to the 7th century Pallava era through to the modern times. Check out the statues of Shiva as Nataraja, the cosmic dancer and a Chola bronze figurines of Ardhanarishvara, the manifestation of Shiva and Parvati. There are several archaeological representations

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of Hindu, Buddhist and Jain sculptures as well Anthropology galleries that actually trace South Indian human history back to prehistoric times!

Fort St George The Fort St George Museum started with a small collection of objects of the British Raj donated by the then Madras Presidency Government and today houses over 3,600 registered antiquities in the collection. The best of these are on display in the 10 galleries.

The building housing the museum is believed to be one of the oldest surviving buildings built within the fort. As you enter this place, an imposing marble statue of Lord Cornwallis greets visitors here.

An imposing display of swords, daggers, rifles, pistols, mortars,

helmets, batons, bows, arrows and more is seen here. There are also uniforms of various ranks of the British Army. Tableware porcelain, portraits, canvas oil paintings, church silverware and a palanquin of Arcot Nawabs can also be seen here. The Indo-French Gallery has fine, decorated porcelain, clocks, stamps and coins, furniture, lamp shades and clocks.

The Chennai Snake Park Trust is India’s first reptile park.

Today, it is known as Guindy Snake Park. It houses a multitude of snakes, crocodiles, turtles and other reptiles.

St Mary’s Church was completed in 1680 and is India’s oldest surviving British church.

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Beyond the

faith

Striking architecture across many cultures enthralls visitors and residents alike

San Thomas Basilica A beautiful Roman Catholic cathedral in pristine white, this church has Portuguese origins dating back to the 16th century.

It has been rebuilt in neo-Gothic style in 1896 and is said to be the final resting place of St Thomas the Apostle. A small cross on the tomb wall contains a tiny bone fragment referred to as the ‘Relic of St Thomas’. An underground tomb chapel is worshipped here and the devout believe that sand from the tomb has miraculous healing powers. A beautiful stain glass window at the basilica portrays the story of St. Thomas and the central hall has 14 wooden plaques that depict the stations of the cross. The cathedral also has a 3 feet high statue of Virgin Mary believed to have been brought from Portugal in 1543!

Above: Detailed carving of Kapaleeshwarar Temple; Below: St. Thomas Basilica

Kapaleeshwarar Temple Located in the most traditional areas of the city in Mylapore, the Kapaleeshwarar Temple has a majestic multi-hued gopuram or gateway tower, pillared pavilions and a huge tank towards the West and is dedicated to Lord Shiva. The name is derived from the words kapalam (head) and eeshwarar or Shiva. Built around the 7th century in the Dravidian style of architecture, this is where Shiva is worshipped as Kapaleeswarar and is represented

by the lingam and his wife Parvati is depicted as Karpagambal. Apart from the main deities, there are numerous shrines here and the temple complex houses many halls. There are six main rituals conducted through the day from 5:30 am to 10 pm. The annual Brahmotsavam festival held in March/April is celebrated with much fanfare when the festivities spill onto the streets. Noteworthy here are also the 63 bronze idols of Saivite saints that are flawlessly sculpted.

Did You Know?

Kathipara flyover in Guindy, the southwestern part of the city, is the largest clover leaf shaped flyover in Asia.

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CITY GUIDE

Admire the

nature Marina Beach

Above: A view of the Marina Beach; Below: Guindy National Park

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Believed to be the second longest beach in the world stretching a whopping 13 km long, the Marina Beach is in the centre of the city and is naturally quite crowded.

However, it is advisable to reach here at the stroke of dawn when it is still quiet and you can catch a breathtakingly stunning sunrise.

Enclosures with palm trees compel you to take a slow and relaxed walk. You can even opt for a horse ride here. The interesting part of visiting the Marina beach is that you can also take a look at some of the historical monuments surrounding it like the Annadurai and MG Ramachandran memorials, statues of heroes from Tamil culture and the effigy of the Triumph of Labor by Debiprasad Roy Choudhary. The beach is a melting pot of action with children playing cricket, flying kites, vendors selling everything from ice cream to corn to snacks and families having fun on the seaside. Make sure you visit the adjacent aquarium to get up close with the marine life of the city.

Also check out the Ice House, said to have been used for storing ice brought from lakes in North America during the British era.

Head to the beach at dawn, enjoy the sea breeze and a leisurely stroll on the sandy strip

THE BEACH IS A MELTING POT OF ACTION WITH CHILDREN PLAYING CRICKET, FLYING KITES, VENDORS SELLING SNACKS, AND FAMILIES SPENDING TIME TOGETHER Guindy National Park Spread over a vast 2.7 sq km, this park has a unique tropical dry evergreen vegetation and is probably amongst the smallest of national parks. Home to black bucks, spotted deer, jackals, a variety of snakes, geckos, tortoises and over 100 species of birds and over 60 species of butterflies and spiders all the free-ranging fauna here live with minimal human intervention. And also this is a botanist’s delight with over 350 species of plants on its premises. Some part of this space has a zoo and a children’s park and the Guindy Snake Park is next to this place housing king cobra, pythons, vipers and other reptiles.

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AUTO HUB It is also known as the Detroit of India because of its automobile industry which produces more than 40% of the auto parts and motor vehicles in India. Being a major port city, it is a prime location for export-import of automobiles and car parts. Thus, numerous manufacturers prefer to set up factories close to this automobile hub, cutting down on their transportation costs, while foreign brands often import certain parts, and thus prefer Chennai as a centre.

LOVE FOR THE GAME Cricket is the popular sport in Chennai and was started as a result of the foundation of the Madras Cricket Club in 1846. The MA Chidambaram Stadium, in Chepauk, was set up in 1916 and is among the oldest stadiums in the country. The first ever match of the Ranji Trophy was held on November 4, 1934 between Madras and Mysore at Chepauk.

Know the

City

RICH LEGACY This city is renowned for Bharatnatyam, one of the oldest classical dance forms in India, that originated in Tamil Nadu.

The earlier name of the city, Madras is believed to be originated from Madrasapattnam, a fishing village located north of the St George Fort. It is also known as the ‘Gateway to South India’.

DAKSHINA CHITRA This heritage village is an attempt to preserve traditional South Indian way of life. This place is a living museum of art, architecture, lifestyles, crafts and performing arts and has a collection of 18 authentic historical houses with contextual exhibitions in each house.

These houses have been painstakingly recreated by a team of architecture students, carpenters and workers and are original houses that have been dismantled systematically under the

guidance of experts, transported to the museum site and in their exact original form! Apart from shopping for some good souvenirs, you can also try your hand at simple art and craft activities and play traditional games apart from watching a traditional leather puppet show on the weekend. Founded in 1984 by the Madras Craft Foundation (MCF), an NGO, the entire space is spread over 10 acres.

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LEAD STORY

Woven Heritage Vibrant, luscious and most importantly, relatively untouched and unfettered by external influences, the South Indian textile trail is historical and terrifically exciting, all at once. We’ve tracked Pochampally, Kalamkari and Kanjeevaram back to their origins and dug out their contemporary definitions today.

Words: SHRUTI TOMAR

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LEAD STORY

Pochampally

the pride of Deccan

Pochampally, or what should rightfully be called the pride of the Deccan, hails from the town of Bhoodan Pochampally, situated in the Nalgonda district of Andhra Pradesh in India. The town of Pochampally, with its rolling hillocks and lush fields, was a cluster of about 80 villages that originally began weaving the intricate patterns with traditional looms. The beautiful artwork that adorns a Pochampally can be

traced back to the 18th century, but it wasn’t until the 1970s that this textile rose to the occasion, so to speak.

While cotton weaving already existed, the silk blend only started in this period when a board of village headmen took the decision to weave cotton and silk together to improve their standard of living. In no time, the town of Pochampally came to be popularly called the silk city of India.

Did You Know?

Pochampally holds place of pride in the UNESCO tentative list of world heritage sites as part of ‘iconic sari weaving clusters of India’.

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POCHAMPALLY FABRIC IS SPECIAL BECAUSE IT ABSORBS AND BLENDS COLOURS BEAUTIFULLY

This textile is woven with delicate patterns and motifs that imprint the fabric with the finest cotton and silk marriage. The geometrical patterns are coloured onto the warp and weft threads and then beautifully woven onto the Pochampally textile. The essence of this textile lies in the lovely blend of silk and cotton also known as ‘sico’. Designer Krishna Mehta, says, “My all time favourite is Pochampally silk. The intricate geometric and ikat motifs and designs are hand woven with the smoothest and finest thread-work of cotton and silk and the end result is mesmerising. Besides the comfort, the contemporariness

that this most ethnic fabric can portray makes it stand apart from the rest.”

Today, the patterns, motifs and designs that make this fabric have come a long way from conventional times. Fast-paced changes in fashion sensibilities and the race to keep heritage textiles alive have called for innovations in fabric, silhouettes and styles. Now, apart from the sari, one can also see Pochampally textile usage in bed covers, bed sheets, teliarumals, dresses, cushion covers, handbags, potlis and so much more. Krishna says, “Pochampally fabric is so special because it absorbs and blends colours beautifully. I have made kimonos, jackets, shirts, tunics, pants, you name it. Besides, the most elegant saris, Pochampally walks the ramp at every fashion show of mine, in some way.”

Has Pochampally then stood the test of time? Krishna says, “You don’t need to revive something that is living. The weavers have worked hard to keep this textile alive with the mixing of cotton and silk and controlling costs, besides modernising the designs and creating them in today’s fashionable colours. It is an amiable textile to work with and as long as there are ardent lovers of handwoven textiles like me alive, it’s not going anywhere.”

QUICK FACTS

On an average, a handloom weaver takes about four days to make one sari and prior to that, the yarn, design and colours are worked on for 20 days to ensure it’s ready to be weaved.

Pochampally is claimed to be the largest handloom Tie & Dye constellation with approximately 2,000 pit looms and about 5,000 artisans, who are largely from the Padmasali community.

It is said that the ikat method of weaving came to Pochampally around 1915 from Chirala in Andhra Pradesh.

In Andhra Pradesh, which is home to this textile, Pochampally Ikat is also called Pogudubandhu, Chitki and Buddabhashi.

Pic courtesy: Krishna Mehta

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Pic by www.harikacreations.com

The ‘Kalakari’ of

Kalamkari

Over 3,000 years ago, an art form originated that’s still the centre of many a wardrobe’s attention.

Kalamkari, when broken down is Kalam meaning ‘pen’ and kari meaning ‘work’, the literal translation being pen-work.

Now, fondly popular as a textile art, Kalamkari’s epicentre was Machilipatnam (or Masulipatnam) along with Srikalahasti in Andhra Pradesh. The two places have inspired different design concepts in Kalamkari.

From the older of the two, Machilipatnam, that was for centuries, a bustling port on the

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eastern coast, came the ‘Tree of Life’ concept. Due to its strategic location and export trade, Masulipatnam Kalamkaris were also open to a lot of influences, in both design and technique, from outside. Srikalahasti is a well-known temple town that saw swarms of pilgrims and hence, the designs here were reminiscent of religious canvasses portraying life from the two Hindu epics of Mahabharata and Ramayana.

Here, Kalamkaris were viewed as items to be worshipped akin to Jagannath

Puri pattachitras or Nathdwara picchwais.

Bright yet rustic look The prime colours that take centre stage on a Kalamkari are red, black, blue and yellow.

Did you know other colours are a result of over-dyeing? The main ingredient in preparing these colours are jajakku leaves and root of the madder boiled in water to acquire the natural colour pigments. The kalams are, in some instances, blocks that are helpful with outlines or in other instances, balls of yarn

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QUICK FACTS

Kalamkari paintings were used as a form of currency world over; interestingly, spices, oils, nuts and special woods were exchanged in lieu of these paintings in various pockets of Southeast Asia.

When musicians and artists in the olden days started illustrating stories as opposed to narrating them, Kalamkari took birth. From village to village, canvas paintings of tales from Hindu mythology were created, employing locally grown plants and minerals.

Srikalahasti cultivated free style painting of scenes from Hindu mythology.

Machilipatnam Kalamkari flourished under Mughal patronage and used wooden blocks to create motifs.

are wrapped around a bamboo or a date palm stylus to design freehand-style.

Today, Kalamkari is practised on cotton, silk as well as other fabrics and the art includes both printing and hand-painting.

What makes this textile and this art form so attractive to designers in the contemporary context? “I love the complexity of Kalamkari, the motifs and the way it all is so busy yet so beautiful. I have made Aladdin’s pants, lehenga skirts and kaftan tops, crop tops and kurtis,” says Mamta Mamta from Buzzaria.

The natural organic dyes are another reason that this textile art looks as great as it does. Ashish Parikh from Virtues explains, “The beautiful formation from nature and the usage of natural as well as organic dyes and fabric inspired my spring summer collection this year. Utilising the craft and maintaining its traditional essence is the responsibility of the designer. Silhouettes make a lot of difference in the craft; we’ve brought a twist with different cuts like kedia, short dresses, trousers etc., keeping the craft traditional but using in a contemporary/fusion style.”

On the question of surviving the test of time and technology, Gautam Gupta of Vinayak Couture says, “No matter how much technology advances, the touch of the hand is very essential to keep the art in fashion alive. We get a lot of Kalamkari saris developed from artisans as it’s a beautiful art work done with very natural technique.

We do Kalamkari patchwork on chiffon and georgette saris and pair it with contemporary blouses.

Earlier we used to design jackets and tunics using Kalamkari as well through patching.”

Kalamkari, as Shilpa Sharma from Jaypore puts it, has remained in the people’s collective consciousness by virtue of being such a visually arresting technique

of surface embellishment. “But it has come a long way from being used as temple scrolls and decorating chariot banners. More than being revived, Kalamkari has been re-interpreted in different times to keep it a part of the current artistic narrative. In the recent times, it has been used on everything from wall art to women’s bags,” she adds.

Pic courtesy: Studio Virtues

KARRUPUR, A FORM OF KALAMKARI DEVELOPED DURING MARATHA RULE, WAS USED TO DECORATE BROCADE WORK ON WOVEN TEXTILES. May-June 2016

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LEAD STORY

Kanjeevaram the heir-loom weave The town is Kanchipuram.

The weavers—legendary. The ancestors of these weavers—sage Markandeya. Folklore has it that Markandeya took lotus fibre and wove tissue from it as gifts to the gods. This opulent textile has thrived due to royal benefaction right from the Pallava dynasty in the 7th century to the support of Vijayanagar Emperor Krishna Devaraya who encouraged time-honoured weaver groups, the Saligas and Devanghas to settle in Kanjeevaram in the 16th century. “The Kanchipuram cluster of South India is famous for its heavily plied silk saris, ornamented by silk yarn interlaced with pure metallic gold and silver (zari).

The luxurious use of silk and gold is representative of the affluence of the great dynasties of the south, the Cholas, Cheras, Pandias and the Pallavas.

Incidentally, Kanchipuram, the great religious town (90 km off present day Chennai) was the capital city of the great Pallava dynasty. The popular motifs used to adorn these saris draw direct inspiration from the visual artistic symbols of the area. Popular motifs such as the ‘temple’ border for instance are inspired by the grand entrance gateways that dot this famous temple town of South India,” explains K Radharaman, CEO, The House of Angadi.

Circa 1999—Biwi No. 1, Karisma Kapoor, complete with ethnic Kanjeevaram and jasmine-covered bun. But she came before the Kanjeevaram clad Vidya Balan and after the

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QUICK FACTS

With tigers, peacocks, elephants and other animal motifs, the weave itself pays homage to folks, folklore and legends of South India.

It is also said to be a mark of respect to the Vaishnavite sect, since legend has it that Lord Vishnu favoured silk above cotton.

It takes anywhere close to 4 months to weave a single Kanjeevaram sari.

The weavers of Kanchipuram adhere to specific rituals whilst creating the bridal Kanjeevaram making the sari even more special.

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stunning Rekha, dream-girl Hema Malini and Kirron Kher, to name a few. The quintessential Kanjeevaram with its expansive borders, vivid colours and quirky motifs are a spin on the Kornad temple saris of Tamil Nadu that were customarily used to drape deities. This beautiful textile comes into being only after a long, scrupulous weaving process wherein the signature temple border, the wide pallav and the main body of the sari are woven individually and then delicately woven into one single piece. The traditional patterns depicted local fauna like tigers, elephants, peacocks and fabled creatures such as the yali and annapakshi, surrounding flora such as jasmines, temple flowers, mangoes, trailing vines and temple architecture.

The abstract and the elaborate also found space on a Kanjeevaram as time went by.

Designers Ashima-Leena brought an entire Kanjeevaram collection, obviously called Dakshna, on ramp at the last BMW India Bridal Fashion Week that paid tribute to temple worship as a glorious tradition and elements of South India via motifs, jewels, fabrics and drapes. Tarun Tahiliani sent a beautiful Shilpa Shetty in a gorgeous Kanjeevaram lehenga, Neeta Lulla has taken inspiration from this traditional textile and translated it onto fabric such as net. Needless to say, the Kanjeevaram has been reinvented to suit the modern palate. You

A TYPICAL FABRIC IS A SPIN ON THE KORNAD TEMPLE SARIS OF TAMIL NADU THAT WERE MAINLY USED TO DRAPE DEITIES get semi-draped saris these days making this heavy sari easy to wear. Style it with a modernistic blouse or wear with a kurta, get a Kanjeevaram dupatta, try wearing it like a lehenga sari, or wear it in Gujarati style—there’s just so much you can do with the Kanjeevaram that’ll make sage Markandeya proud, we hope!

Did You Know?

A Kanjeevaram saree that has beautiful motifs will have Zari interwoven with the silk. In the border and pallu areas, the zari work is mostly woven in gold dipped silver threads. Thus, more the zari, more expensive the saree will eventually be.

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GETAWAY

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Date HISTORY With

If you live in Bengaluru and are looking for an off-the-beaten-track day outing, head to Lepakshi, located in Anantapur district in southern Andhra Pradesh.

Words: BINDU GOPAL RAO

Pic courtesy: Bindu Gopal Rao

L

epakshi makes for an ideal weekend destination from Bengaluru being only about 120 km away. The main focus here is a 16th century temple dating back to the times of the Vijayanagar empire and the sights and sounds of an era gone by is a fun way to spend a day. There are also a few interesting legends associated with this temple. It is believed that this temple has been built on the spot where Jatayu fell after being injured by Ravana who was kidnapping Sita. When Rama reached the spot, he saw Jatayu and remarked, ‘Le Pakshi’ which translates to ‘rise, bird’ in Telugu from which this town gets its name! There is a belief that the original temple has been constructed by Saint Agastya himself and has been developed by the Vijayanagar Kings.

The Structure As you approach the town, the first thing you see is a colossally

large spectacular Nandi, 27 feet in length and 15 feet in height, amongst the biggest monolithic Nandi in the country. The smooth structure and finely-carved ornaments make this a must stop by as well. The sculpture is designed in a manner that it faces the shivalinga inside the temple. As you enter the outer enclosure of the temple there is a huge Ganesha in stone, leaning against a rock as well as a massive Naga with three coils and seven hoods. The temple is divided into three parts, the ‘Mukha Mandapa’, the ‘Artha Mandapa’ & ‘Garbha Griha’ and the ‘Kalyana Mandapa’ with 38 carved monolithic pillars. Legend also has it that Lord Shiva and Parvati were married on the spot where the Kalyana Mandapa now stands.

The temple is surrounded by an outer enclosure and a second inner enclosure has the main temple. The temple’s main deity is Veerabhadra, created by Shiva and there are other manifestations of Shiva like the Kankala Murthi,

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Clockwise from right: The massive statue of a naga with seven hoods; the pillared corridors; the famous painted storks that visit Veerapuram Bird Sanctuary; the 15-ft high monolithic statue of Nandi, and the intricate artwork on the pillars

Dakshinamurthi (Guru of Gurus), Tripurasurasamhara (vanquisher of demon Tripura) and the Ardhanareeshwara (the halffemale, half-male form of Shiva and Parvati) seen here.

Temple Nuances With the help of a guide you will be able to understand the nuances of this architectural marvel. The famed Hanging Column or Pillar requires specific mention, as it is actually a pillar which does not rest fully on the ground! And your guide will actually do a ‘newspaper test’ and pass the newspaper from one end of the base to the other!

The temple has over 70 pillars each of which are carved with intricate designs and patterns that make it today amongst the most photographed elements here.

There are two red stain marks on the western wall of the inner enclosure which is believed to be

Did You Know?

Fresco is a kind of mural painting wherein wet plaster that is freshly laid is mixed with the coloured pigments. Water is used to help blend the plaster and colour, and as the plaster sets, the painting becomes part of the wall.

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FACT FILE

fact, the 24 ft by 14 ft fresco of Veerabhadra on the ceiling, before the main sanctum sanctorum, is said to be the largest in India.

All the frescoes are beautiful and the attention to detail is amazing.

Even the colours used, orange-red background, green, white, black, ochre-gold and brown make for a stunning visual spectacle.

While a lot of these are now fading and need restoration, it is said that they were originally done using natural pigments and are representations from the Ramayana and Mahabharata.

Lepakshi can be approached from Bengaluru’s Kempegowda International Airport and you need to drive straight ahead until you reach Bagepalli. From there on, continue and follow the marked signs that lead you to an exit on to country side roads. This is a toll road.

The climate is usually hot throughout the year and early mornings are the best time to visit.

It is better to carry your own food as there are no places to eat close by.

Looking Around

THE FINE MURAL PAINTINGS OF VIJAYANAGAR KINGS MAKE LEPAKSHI STAND APART

of Virupanna, the royal treasurer, who was accused of using money without the king’s permission from the state treasury to build these shrines. He is supposed to have blinded himself and these spots are believed to be the marks left by his bleeding eyes.

What makes the Lepakshi temple stand apart are the fine specimens of mural paintings of the Vijayanagar kings. In

While you are here, it is worthwhile to check out the Veerapuram Bird Sanctuary, home to the migratory painted storks which have chosen this village as their breeding centre! You cannot miss a large statue of painted storks right on the road towards Lepakshi. A left turn at this junction will take you to the Veerapuram village. Also check out the famed silk sarees of Hindupur which is at a distance of 15 km from here.

Check out Dharmavaram, a renowned silk weaving centre and Hindupur, where cottons and silks are woven.

Lepakshi is 120 km from Bengaluru, and Trujet has direct service to Bengaluru from Hyderabad.

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The Joys of

Birding Spreading across primordial geographical formations, lofty mountain ranges, awe-inspiring deserts, fertile plains, lush fields, picturesque islands, placid backwaters, dense rainforests, barren scrub, large grasslands... with rivers, lakes, marshlands, mangroves and a long coastline, India enthrals with its vast and varied landscape.

Words: BRINDA GILL

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cross the country, whose size and diversity often has it being referred to as a sub-continent, dwells a wonderful variety of birdlife.

About 1,300 bird species, an estimated 13% of the world’s birds, have been recorded in the Indian sub-continent; of these about 60% are resident. As a large part of the country is blessed by mild winters, when compared with north regions of India, the country is also

witness to the arrival of thousands of migratory birds of different species, whose presence adds to the richness of India’s birdlife.

While most neighbourhoods have a variety of birds, bird sanctuaries offer ideal spots to identify many bird species not seen in urban areas; offer a chance to see birds in breeding plumage if their breeding season is on, and see migratory or passage migratory birds during the winters. There are scores of

official bird sanctuaries as well as informally demarcated bird sanctuaries in India.

From the painted storks that visit India to the large numbers of flamingoes and pelicans in the Rann of Kutch, witnessing the fascinating murmurations of the rosy starling in Gujarat - India is home to a wide variety of habitat and climate.

Some of the easily accessible and rewarding sanctuaries are:

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Thattekad Bird Sanctuary Pic by Satyajit Gill

Translated as flat forest, the Thattekad Bird Sanctuary, named Salim Ali Bird Sanctuary after the acclaimed ornithologist, is set at the foothills of the Western Ghats and located on the Kochi-Munnar route in Kerala’s Idukki district.

The 25 sq km compact sanctuary encompasses diverse habitats watered by branches of the Periyar River. Blessed by forests, bamboo thickets, swamps, scrub, water bodies and more, the sanctuary is home to a spectrum of natural life from spiders to elephants and is a

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birdwatcher’s paradise.

In 1933, Dr Salim Ali had visited the forests of Thattekad, as part of his year-long Travancore Cochin bird survey, and remarked that it had the richest bird habitat in peninsula India. Dr. Ali’s visit is also remembered for his prized spotting of the Ceylon Frogmouth, a small forest-dwelling nocturnal bird, that was till then believed to be endemic to Sri Lanka.

According to Thattekadbased, renowned ornithologist Dr R Sugathan, Thattekad has

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Left: Purple Sunbird; Inset: Ceylon Frogmouth; Above: Black Drongo; Bottom: Asian Fairy Blue Bird

a wonderful diversity of bird life as the sanctuary comprises nine different habitats, namely, deep water habitats, shallow water habitats, marshy areas, land near water bodies, semi-evergreen forests, deciduous forests, scrub forests, grasslands and open rocky areas. He says 322 bird species have been spotted in Thattekad of which 60% are resident species and 40% are migratory.

Bird spotting at Thattekad depends on the habitat and spots one visits, which range from open outcrops to water bodies and meandering forest trails. At the open rocky Kalipara that offers a view of the forested valley in front and mountains around, one may spot Vernal Hanging Parrot, Crimson-backed Sunbirds, Malabar Grey Hornbills and gorgeous Asian Fairy Bluebirds.

Walking a forest trail one may spot the brightly coloured Malabar Trogon; a Greater Racket-tailed Drongo, Black-rumped Flameback Woodpecker, Little Spiderhunter, the Green Imperial Pigeon and more. After sunset, one may spot the Indian Pitta, and later hear the Indian Nightjar, Collared Scops Owl and the Jungle Owlet call. Of the birds, spotting the resident nocturnal Ceylon Frogmouth is the most treasured.

Local guides, who know the roosting spots of the Ceylon Frogmouth, will silently indicate them to birders, so they remain undisturbed as they rest during the day. It has a broad head with a flattened, broad and hooked beak. Its brilliant camouflage and nocturnal behavior makes it difficult to spot.

BLESSED BY FORESTS, BAMBOO THICKETS, SWAMPS, SCRUB, WATER BODIES AND MORE, THE SANCTUARY IS HOME TO A SPECTRUM OF NATURAL LIFE.

QUICK BITES

Those who indulge in birding must ensure that they don’t disturb the natural surroundings, stick to the track/trail and avoid artificial lighting.

When birding, carry ample water and a cap to cover your head. The heat can get intensive.

The distance from Kochi to Thattekad is 65 km. To enjoy the best of nature, one could opt for a homestay at Thattekad.

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Bhigwan Bird Sanctuary Bhigwan, an informal bird sanctuary, spreading across vast wetlands is often referred to as the Bharatpur of Maharashtra!

A providential by-product of the Ujjani dam, some 50 km away, the wetlands spread long and shallow in the absence of hills to contain them. And so it is that birds – terrestrial and water, resident, visitors and migratory - frequent its waters and transform it into a wonderful haven for birds.

As winter sweeps across Central Asia and the Himalayas, flocks of long distance flyers set out to touch down at its vast and serene waters, adding to its beauty and bird life; about 400 bird species have been spotted here.

Diksal, Kumbhargaon, Badalwadi and Dhalaj are the four main birding spots around Bhigwan, of which Diksal is the most popular for the variety of birds seen and the ease of spotting them. At the town of Bhigwan, one has to take the left turn off the busy PuneSolapur National Highway to access the sanctuary and birding spots. Driving along this quiet countryside road, water bodies soon come into view, and about 6 km later, the road is flanked by scenic sheets of water, vegetation and birds.

As the eyes take in the vista and with the assistance of a spotting scope, one can spot many bird species at the water

AT DUSK, THE SIGHT OF THE BIRDS HEADING TO ROOST MAKES FOR A FABULOUS, SCENIC VIEW 38 May-June 2016

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Pic by Satyajit Gill

Bhigwan is 100 km south-east of Pune.

It makes for a great day trip from Pune, or a night-stay at Baramati.

This is an informal birding area spread across a vast expanse. It is best to go with a naturalist who knows the area.

Do enquire from locals about boating facilities for getting a closer view of the birds.

Left: Baya weaver bird nests; Top: Greater Flamingo; Above: Grey Heron; Inset: Black Winged Stilt

and its edges. Depending on the season, different bird species are spotted. One may spot Little Green Bee Eaters, Little Brown Doves, kingfishers, a colony of Baya weaver birds with the tree full of their pendant nests,

different species of storks, Common Coot, egrets (Little, Great, Intermediate, Cattle), Purple Moorhen, herons (Grey, Purple, Pond), cormorants, gulls, terns and more. Winter visitors include Eurasian Wigeons,

Northern Shovellers, Black-tailed Godwits, Ruddy Shelduck and Greater Flamingos among others.

The natural growth of keekar, ipomoea and cassias also attracts birds like the Purple Sunbird, Blyth’s Reed Warbler, and Ashy Prinia. In the distance may be heard the Grey Francolin, similar to a partridge, calling its double note call. As the day fades, one sees solitary and flocks of birds heading to roost, that along with the scenic beauty of the area make for an unforgettable sight.

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Dandeli Wildlife Sanctuary Pic by Satyajit Gill

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The promise of sightings at Dandeli’s legendary forests unfolds as one drives towards the popular sanctuary that is located in northern Karnataka, while being contiguous with the Bhagwan Mahaveer sanctuary in Goa. The road hems stretches of teak and mixed forests much before the 866 sq km Dandeli Wildlife Sanctuary that - along with the adjoining Anshi National Park - offers naturalists a wonderful tryst with nature.

The sanctuary’s dense tree cover spreading across an undulating terrain speaks of a world within it and the deep forests of the core area.

Driving through the sanctuary and walking forest trails, one experiences a sense of cultural and natural heritage as one comes across old forests and villages, rivers and reservoirs, hills and valleys, ancient shrines and sacred groves.

The spreading, diverse and scenic land quietly reveals the wealth of its natural life. Yet, among them all perhaps the diversity of birds stands out as bird calls and songs float by and an amazing variety of resident and migratory; arboreal, aerial and water; diurnal and nocturnal birds are spotted. About 350 bird species have been spotted here.

The area has scores of sites for spotting birds. Marked trails and beaten paths through woods, jungles, open grassy areas; vantage spots by water bodies, on a bridge or embankment, the occasional watch tower offer rewarding birding spots. From the forested area across the road from Kulgi Nature Camp to the vast waters at Bommanahalli Intike to the Nagzari Valley

THE DIVERSITY OF BIRDS STANDS OUT AS BIRD CALLS AND SONGS FLOAT BY AND ABOUT 350 BIRD SPECIES HAVE BEEN SPOTTED HERE.

Pic by Satyajit Gill

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viewpoint, the embankment overlooking the backwaters of Supa dam and the Syntheri Rocks, there are many spots to sight a variety of birds.

Among the typical sightings are those of hornbills (Malabar Pied and Malabar Grey), Ruby-throated Bulbul, Nilgiri Flowerpecker, the Malabar Barbet, Scarlet Minivet, Pompadour Green Pigeons, House Swifts, sunbirds, leaf birds and many more.

One of the most coveted bird sightings at Dandeli is of a mixed hunting party that comprises a loose group of insectivorous birds of different species. These birds gather together to increase their foraging efficiency and reduce predation. As different bird species have different foraging techniques, they are successful in their intent!

The forests are also home to the Malabar Giant Squirrel. It is a prized sight to see the squirrel leap between canopies. Butterflies are also spotted here, specially at the path going up to the Old Magazine House at Ganeshgudi.

There is a choice of accommodation available; Kulgi Nature Camp of Karnataka Tourism to Hornbill Resort and Bison Resort.

Left: White Eye; Top: Sunbird; Bottom: Scarlet Minivet

KNOW MORE

Wear neutral coloured clothes, keep silent, carry a bird guide and binoculars.

Dandeli is 150 km from Goa; and 480 km away from Bengaluru.

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FACE2FACE

NIMRAT KAUR

Audience’s actor I am an

- Nimrat Kaur

A self-made, honest, and adventurous girl with a strongly independent mind set, Nimrat Kaur is in Bollywood to make a mark in acting. For nine long years she did modelling assignments and excelled in theatre when The Lunchbox propelled her to fame with a role that changed her life.

Words: JAIDEEP PANDEY

How does it feel to be associated with movies like The Lunchbox and Airlift ?

I feel blessed and extremely fortunate. It was a wonderful opportunity for me to be a part of these two films that were accepted in the genre in which they were made. It really feels lovely and gratifying to know that people from all ages seem to have loved my films.

The stint before The Lunchbox ?

Even before The Lunchbox , I did a lot of work that inspired me and constantly kept me going. I never allowed myself to sit in the house wondering what I will do next. I was busy doing short films, plays, advertisements, etc.

Of cinema, modeling and theatre, which one is the most demanding?

All these mediums are very challenging in their own unique ways. Some are physically very demanding, some need a lot of patience; but theatre for me, ends

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up being the most challenging medium. The skill sets that one requires are very different from other mediums. There is a live audience, you rehearse for a long time and you live that part or character for a long time. So, for me, theatre has been a little more demanding than the other two.

How important are critics for you?

It firstly depends on who the critics are. You know the kind of people I consider credible critics are the ones who don’t criticise just for the heck of it or without knowledge of the medium. But critics who genuinely understand the film for what it is and what it caters to, their opinions really matter to me. They can be friends, they can be family, they don’t necessarily have to be professional critics.

Are you a director’s actor?

I am an audience’s actor.

Your definition of success?

Peace and happiness.

Your journey in Bollywood so far?

It’s very gratifying and I feel so happy.

Don’t you find it ironical that some Indian movies do exceptionally well abroad, but don’t get the same response at home?

Well, that happens in some other countries also. A lot of time it’s about what the audience of a country wants to watch and like that, it’s a very different kind of business. As I have come to understand it, there is a clear commerce behind a movie doing better abroad.

How has theatre impacted your acting?

I have learned everything I know today in theatre. All my skills, my experience, the people that I worked have with, all the plays that I have watched, everything is due to my theatre background.

QUICK BITES Favourite holiday destination New York Script or Director Script A place you like the most in Mumbai Valkeshwar Saree or a Gown Saree Upcoming projects American series ‘Wayward Pines’, I am doing season two for that.

Nimrat in short An adventure seeker who go with the flow Nimrat’s travel statement I like to travel easy and comfortable.

Wear clothes that you can stretch in.

I don’t like to fuss too much, or dress too much when I am travelling. I like it easy and casual.

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Tell us something about your childhood?

I come from an army background, and have lived in a number of places and studied in different schools. I have had a very beautiful childhood and got to interact with new people all the time.

Male actors have an easier time in Bollywood than female actors. How far would you agree?

I don’t think it’s like that.

Ultimately it’s your work and talent that get you noticed in the industry.

One actor you have the best chemistry with?

I think it’s got to be Akshay.

We’ve had some really wonderful time together.

Do awards and recognitions mean a lot to you?

The love of my audience does mean a lot to me. Their reviews, their appreciations and thoughts on what I have done matters the most.

One character which was the most difficult for you to play?

I think it was playing Tasleem Qureshi in Homeland. She is an ISI agent who is sympathetic to terrorists.

How did western television happen?

It was destiny I think and also perhaps it was because of The Lunchbox. If you keep working hard, you keep fulfilling your destiny.

What kind of a person would you describe yourself as?

I am more of a social person. I love people, I love meeting them and talking to them. But I don’t have a huge circle of friends, I have few but good friends.

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CULTURE CURRY

CUISINE

Biryanis of the South Hyderabadi biryani may be the ‘piece de resistance’, but there are plethora of biryanis too in the southern states of India, which boast of unique and scintillating flavours.

Words: MINI RIBEIRO

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T

he mere mention of the word biryani, conjures images of the waft of the delectable Hyderabadi gosht biryani filling the room. With succulent pieces of lamb and fragrant basmati rice, this biryani is without a doubt, one of the most popular biryanis among gourmets. Yet, there are several other, perhaps lesser known biryanis in Southern India, which equally tantalise the taste buds of gourmands.

Cooking techniques, spices used and quality of rice, are what make all the difference to the flavours and textures of a biryani, opine chefs unanimously.

Chef Saji Alex, Chef De Cuisine, Cassava Restaurant, Kochi Marriott Hotel, reiterates. “The preparation method and the usage

of certain ingredients, is the main difference between the various biryanis in Southern India. For example, for Moplah (Thalassery Biriyani) we use Khaima Rice and for Hyderabadi Biriyani, Basmati Rice is generally preferred. Nutmeg, Mace, Fennel, Cardamom, Cinnamon, are some of the important spices that contribute to the flavours in biryanis.”

Thus, while, Thalassery or Moplah biryani from Kerala’s Muslim community is aromatic, the Ambur Biryani from Tamil Nadu is spicy and the Bhatkal Biryani from Karanataka, is sweet and spicy, as opposed to the light and fragrant Konju Biryani, made

by Syrian Christians.

King of Biryanis No biryani lover can go through

life without having savoured this Hyderabadi delicacy. Hyderabadi biryani, that soars popularity charts with biryani aficionados, is prepared with kacha gosht or uncooked meat and is layered at the bottom of a heavy bottomed pan with long grained, flavourful basmati rice in various stages of doneness.

A veritable feast awaits one, when this biryani is served on special occasions in households or at restaurants. Typically made with mutton, this biryani is always accompanied by a bitter, tangy and spicy mirchi ka salan, to further perk up the taste buds.

Another variety of the Hyderabadi biryani is called Doodh Biryani, where the rice is cooked with milk and cream along with the meat. Naturally then, this one is richer and heavier

Top: A light aromatic chicken biryani served with raita

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than the original version and is comparatively uncommon.

Tangy Treats From Tamil Nadu

Yoghurt and mint are what impart a unique flavour to the Ambur or the Arcot Biryani from Tamil Nadu.

The chicken is marinated in these two ingredients, thus lending this biryani a distinctive spicy and tangy taste.

KNOW MORE

In Kozhikode, a flavoursome seafood biryani is cooked with fennel and black pepper, using coconut milk and stock only.

The Kunda Biryani of Andhra Pradesh is served in the pot in which it is cooked to retain the original flavours.

Dum Pukht is an old cooking technique wherein a round heavy-bottomed pot is used. The lid is sealed with a paste of flour and water. Often, the lid is topped by hot coals, to help in the even distribution of heat.

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The slow cooking process further enhances its flavours, as it is laboriously cooked over wood fire, infusing the spices into the rice and chicken. The accompaniment for this biryani is usually Khattay baigan or a sour brinjal dish, that sets it apart.

Generally made with mutton or chicken, this biryani is a musthave at weddings or feasts.

Tamil Nadu is also home to the flavoursome Chettinad Chicken Biryani. This is made with regular raw rice (ponni rice) or with zeera samba rice. The other ingredients used in this biryani are freshly ground spices, coconut milk and country chicken, which imparts a rustic, yet robust flavour.

Biryani lovers generally don’t even

acknowledge a vegetarian biryani, yet, the carnivores too, relish the unique Thalai Vaazhai biryani from the Nadar cuisine of Coastal Tamil Nadu. Made with the banana fruit, flower and stem, along with rice, this biryani, is one of a kind.

From God’s Own Country One can’t visit Kerala and not savour the aromatic Thalassery or Moplah Biryani from North Kerala.

Resplendent with ghee, this dish has a strong Arab influence and is cooked using a dum technique.

The cooking vessel is sealed, with a strip of dough, and heat is applied from both the top as well as below. This results in the soft meat or erachi pieces and separate fluffy rice grains.

It is the shortgrained jeerakashala (khaima) rice that lends this biryani a unique flavour. Equally

COOKING TECHNIQUES, TYPE OF RICE AND SPICES USED MAKE ALL THE DIFFERENCE TO THE FLAVOURS AND TEXTURES OF A BIRYANI pivotal to this biryani is the use of the eight spices as part of a khada garam masala (use of whole spices), of which star anise and Thalassery pepper, are prominent and render the characteristic fragrance and spicy notes.

Moplah Chef, Begum Abida Rasheed, who is considered the ambassador of this cuisine, says, “What makes this biryani unique is its flavours from natural ingredients that are not overpowered by the spices and the fact that, it is not heavy.

Mutton biryani maybe the most popular one, but chicken or seer fish maybe used too, as per

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preference. The uruli (brass cooking pot) and cheena chetty (frying pan) are critical to the flavours of this biryani, so I always carry these along.�

With fish and seafood being abundant in this region, fish biryani or prawns (chemeen) biryani with spices and herbs, is a popular delicacy too. The tantalising flavours of the Malabar Fish Biryani made with short-grained khaima, are kept intact by frying the fish before layering it gently within the rice and spices.

QUICK BITES

Flavours of Karnataka

Topmost: Fish biryani; Above: Bhatkali Biryani; Facing page: A medley of spices

Fine basmati rice cooked in a vessel and then addition of a spice mix that is abundant with caramelised onions and chicken added, is what results in a delicious Bhatkal Biryani from coastal Karnataka.

The pungency of the spices, juxtaposed with the sweetness from copious amount of slowcooked onions, is what makes this biryani different.

The onions laced with garlic, chillies and spices, with scattered curry leaves, lends a unique flavour to Bhatkal Biryani. Onions are obviously much eaten in this region because apart from the customary salad and pickle, this biryani is served with a mashed onion masala.

With separate cooking techniques and ingredients, each of these southern biryanis are inimitable and appease the taste buds of any food lover.

Garam masala, a spice blend, usually contains black and white peppercorns, bay leaf, cloves, cinnamon, cumin, nutmeg, mace, coriander seeds and black and green cardamom.

Bhatkali biryani originates from Bhatkal town in Karnataka.

The meat is not marinated and yoghurt is not used in the meat base.

Did You Know?

The Dindigul Biryani from Tamil Nadu made with whole spices, green and red chillies, gets its name from the place Dindigul. The particular rice used in this biryani soaks in the spices and flavours of the meat.

May-June 2016

47

CULTURE CURRY

DANCE

Dance The

Sutra

Like a drop of perfume culled from million roses, classical dance forms of South India present just the idea, a whiff of the rich treasure.

Words: PADMA VIBHUSHAN DR. SONAL MANSINGH

I

ndian classical dance has a distinct character that reflects the great cultural and traditional endeavour.

There are numerous classical dance forms in India and each dance form can be

48 May-June 2016

traced to different parts of the country. Each form represents the culture and ethos of a particular region or a group of people. The Indian Classical Dance is often regarded as a form of worship and meditation.

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May-June 2016

49

CULTURE CURRY

DANCE

BHARATNATYAM The term ‘Bharatnatyam’ has two connotations – first, Bharata is considered to be the name of a sage-scholar to whom is attributed the first comprehensive treatise on theatre, music and dance, called the Natya Shastra; the second connotation breaks up the word Bharata into three syllables: bha for bhava (emotion), ra for raga (music) and ta for tala (rhythm).

The term natyam implies theatre, though today the term signifies a classical dance system that has made the southern states of Tamil Nadu and Karnataka its home. In the 17th, 18th and 19th centuries, this dance was also known as Sadir, Nautch or Dasiattam. The origins, as with other classical styles, are in the time-honoured traditions systematized and codified by Bharata. The form consists of nritta and Nritya, meaning ‘pure dance’ and ‘narrational dance’.

Once the student masters the co-ordination of movements, she moves forward to complicated patterns as the hands fold and unfold in flower-like movements to make different hasta (hand gestures used in pure dance.)

Bharatanatyam revels in neatness of line which gives the pure dance a geometrical majesty comparable to the architectural grandeur of south Indian temples.

Great dancers have been known to perform abhinaya for a considerable length of time purely with their eyes – summoning, rejecting, yearning, mocking or beseeching.

The ancient verse translated below sums up the concept of aesthetics of movement and

50 May-June 2016

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QUICK BITES

expression very aptly: “Where the hand goes the glance follows; where the eyes go, the mind follows; where the mind is involved, emotions arise; and where emotions ripple, rasa (flavour) permeates the work of art.”

The classical repertory called MARGAM consists of Invocation Alarippu, Jatiswaram, Sabdam, Varnam, Padam, Shlokasm and Tillana.

Solo dancing in temples and in the royal courts was known as Sadir, until early 20 th century, when it was christened Bharatanatyam.

KATHAKALI

The martial training in Kerala includes exercises to add grace and elegance to deportment. Steps and stances used for attacking, parrying, side-stepping and defending in Kalaripayattu are used later in dance.

The earlier use of masks gave way to elaborate make-up and headgear clearly defined into different types. The legend has it that the Raja of Kottayam saw Lord Vishnu emerging from the Milky Ocean in a dream. Just as his vision took in the details of the Lord’s beauty and magnificence, attributes of the dream ended

leaving behind memory of billowing waves after which he fashioned the voluminous skirts of his dancers. Such a legend must be given credence to account for the unexpected sight of many yards of cloth whirling around.

Highly stylised vocabulary of hand gestures and eye movements characterise this dance-theatre. Also, specialised make-up in vivid colours and designs on the face distinguish each character-type.

To savour multi-layered subtleties of Kathakali, indeed of any of the classical dance forms of India, the audience is expected

The make-up for Kathakali takes almost three hours.

The colours signify the character being played and their emotions.

The colour green signifies godliness, white is associated with spirituality, red with ambition & violence, yellow with passivity, and black with evil.

May-June 2016

51

CULTURE CURRY

DANCE

to be equally receptive and knowledgeable. The term often used for such an informed viewer is Rasika- a lover of beauty.

KUCHIPUDI Kuchelapuram is a small village in Andhra Pradesh. The descendants of 300 Brahmin families lived here to continue a tradition that dictates that only men may dance. The village and the land are gifts from the Nawab of Golconda, in 1675, after witnessing a performance of a Kuchipudi dance-drama by migrant Brahmins. The tradition of natya using poetry, drama, dance and music has a long history in the regions now known as Tamil Nadu, Andhra Pradesh and Karnatka, the thematic content always being based on a glorified devotion to god, i.e. Bhakti, therefore the participants came to be known as bhaktas, while the form is called the Bhagvat Mela Natakam.

A great devotee of Vishnu Siddhendra yogi had a dream in which he witnessed the enchanting vision of Lord Krishna with his two favourite consorts, Rukmini and Satyabhama. Overcome with joy and devotion, Siddhendra yogi began a search for dancers and actors who could enact this play of his dream. He found suitable young men among the Brahmin families of Kuchelapuram.

The technique of Kuchipudi is natya that includes the twin arts of dance and music besides acting. The acting is of two kinds – one where the sutradhar (narrator) dialogues with the characters, using speech as an instrument of narration. Naturally, therefore, the accompanying gestures and expressions are direct and simple. The other kind of acting involves the dancer-

52 May-June 2016

GREAT DANCERS HAVE BEEN KNOWN TO PERFORM ABHINAYA FOR A CONSIDERABLE LENGTH OF TIME PURELY WITH THEIR EYES – SUMMONING, REJECTING, YEARNING, MOCKING OR BESEECHING

actors performing on music, using the prescribed hand gestures, facial expressions and footwork.

Some of the well-loved and oft-repeated dance-dramas in Kuchipudi are Bhama Kalapam taken from the famous work

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Parijataapaharana (stealing of heavenly tree Parijata) by Siddhendra Yogi, Golla Kalapam

by Ramayya Shastri, Krishna Lila Tarangini by Tritha Narayana Yati, Gita Govinda of Jaidev, Telugu songs of Kshetrayya and Kritis by Thyagaraja. Dance-dramas are performed regularly in Kuchipudi and the surrounding villages, especially on festival days.

MOHINIATTAM

The five dance forms of ancient India that signify the 5 elements of Earth and human body are Odissi, Kuchipudi, Mohiniattam, Bharatanatyam and Kathakali.

Hand gestures or mudras are extremely important in classical Indian dances. Each has their own significance.

This dance style from Kerala in South India derives its name from two words – Mohini means ‘enchantress’ and attam means ‘dance’. The grand dance-theatre of Kerala called Kathakali made strenuous and strong demands on the body which could be answered only by male dancers.

So, a graceful form of dance, more suited to the female body, gradually took shape based on existing dances performed during marriages, festivals and other social occasions.

Mohini means ‘Enchantress, seductress’. In ancient puranas and legends, Vishnu had to take the form of Mohini twice to save cosmic situations. The dances display full array of body undulations, glances and techniques to create seduction.

The costume is invariably in white, bordered with gold. The hairstyle sports a big bun to the left side of the head, encircled by flowers and jewels.

Mohiniattam does not have a temple background but rather a social and secular one with inclination towards sentiments and emotions of love in all its glorious manifestations.

A judicious use of beckoning eyes and fluttering eyebrows summon the viewer’s attention at will, justifying the form as a dance of the enchantress. For this is a dance form for and by women only.

May-June 2016

53

INSTA CLICK

PHOTO FEATURE

Exploring

World Heritage Sites in India India is a fascinating country. Resplendent in natural resources and scenic landscapes, the nation’s cultural heritage showcases the magnificent history. From ancient relics to cave paintings, humongous monolithic statues to intricately carved temples, stunning vistas of floral plateau tops to verdant green cover – India is breathtaking in every aspect.

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The facade of the seashore temple in Mamallapuram in Tamil Nadu. It received the status of a UNESCO World Heritage Site in 1984.

May-June 2016

55

INSTA CLICK

PHOTO FEATURE

The complex of 13th century Sun Temple in Konark, Odisha is designed as a chariot of the Sun God, where there are twelve pairs of intricately carved wheels pulled by horses. In 1984, the temple received the status of a World Heritage Site.

56 May-June 2016

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‘Toy Train’ or the Darjeeling Himalayan Railway is a treasured heritage site in India. In service since 1881, the train runs from New Jalpaiguri to Darjeeling in West Bengal. It was declared a World Heritage Site in 1999, as part of the Mountain Railways of India.

May-June 2016

57

INSTA CLICK

PHOTO FEATURE

Located in Aurangabad district of Maharashtra, the rock-cut Buddhist caves of Ajanta are a popular heritage destination. The caves date back to 2nd century BCE, and the mural paintings depict artistic creativity at its height. In 1983, it received the status of a World Heritage Site.

58 May-June 2016

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Elephanta caves are situated on an island, off the coast of Mumbai. The main cave has a 7-mt high bust of ‘Sadashiva’ that represents three aspects of Shiva: the Creator, the Preserver, and the Destroyer. It received the status of a World Heritage Site in 1987.

A soaring 73-mt high tower, Qutb Minar was built in 1193 by Qutabud-din-Aibak. Made of dark red sandstone, it has intricate carvings and verses etched, and in 1993, became a World Heritage Site.

May-June 2016

59

INSTA CLICK

A natural beauty, the Valley of Flowers National Park in Uttarakhand has sprawling meadows of alpine flowers, interspersed with rolling mists. In 1988, it received the status of a UNESCO World Heritage Site.

PHOTO FEATURE

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Forming an ecosystem of much importance, the Western Ghats are slated to be even older than the Himalayan mountains. It has a rich diversity in terms of flora and fauna, and run parallel to the western coast of India. It became a World Heritage Site only in 2012.

May-June 2016

61

PREDICTION

TAROT

Tarot Predictions M AY - J U N E

2 0 1 6

CAPRICORN//THE ACE OF WANDS This month, the Ace of Wands ushers in a lot of new opportunities, a happy time for creative and inspiring career growth. Towards end of the month, some travel is indicated to religious and spiritual places.

TAURUS//THREE OF CUPS A wonderful month ahead, it is a time for celebrations and reunions. Mid June you may reshuffle your business portfolio, and you may work yourself into the good books of your employer.

Lucky Day: Wednesday Lucky number: 9 Lucky colour: Light Brown

Lucky Day: Monday Lucky number: 2 Lucky colour: Yellow

PISCES//KING OF SWORDS You may receive valuable advice from your superiors. Take balanced decisions in business and financial matters.

Teamwork will serve you best if you go with the flow. Work related travel is indicated in June.

Lucky day: Sunday Lucky number: 7 Lucky colour: Green

AQUARIUS// QUEEN OF WANDS This month, stretch your wings and fly and believe in all that you do. Good time for those seeking a job promotion and business ventures will be favourable as well. Travel with family and friends is on the cards towards the end of June.

GEMINI//QUEEN OF PENTACLES

Lucky Day: Monday

This month your business will flourish, and a partnership deals could be well established. At work, teamwork will serve you best so flow with the tide .

Lucky number: 10 Lucky colour: Topaz Blue

ARIE S // T WO OF P E NTAC L E S In May, getting your priorities right will be vital. After mid June, the Pentacles in your reading will boost your self confidence and you will benefit the rewards of your past efforts in your professional life.

62 May-June 2016

Lucky day: Tuesday Lucky number: 3 Lucky colour: Black

Lucky Day: Monday Lucky Number: 5 Lucky colour: Green

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BHUVANA SHRIDHAR Tarot Reader & Crystal Healer www.tarotcosmic.com

bhuvanashridhar@gmail.com

VIRGO/ / PAG E OF C U P S Some changes in your life are inevitable, so be prepared for the same. Luck helps in attaining prosperity.

Towards end of June, travel is indicated with your family. A time for regeneration and healing.

Lucky Day: Tuesday Lucky number: 8 Lucky colour: Blue

SC ORP IO//T WO OF C U PS

CANCER//EIGHT OF WANDS The Eight of wands indicates a hectic work schedule. Some of your ventures may bring financial benefits. A time for family reunions and travel plans may materialise.

Lucky Day: Thursday

The Two of Cups could bring in successful gains in career matters and it’s a good time to consider moving to the next level in corporate hierarchy. Pamper yourself with a vacation.

Lucky number: 7 Lucky colour: White

Lucky day: Tuesday Lucky number: 4 Lucky colour: Purple

LIBRA//FIVE OF CUPS There is a need to weigh every aspect before taking any final decisions at work.

Relationships with near and dear ones will be harmonious.

By month end, a trip may materialise.

LEO//NINE OF WANDS There is a need to balance professional and personal life and be open to accept assistance from others. Towards mid June, group activities and projects are indicated at work.

Lucky Day: Friday Lucky number: 5 Lucky colour: Sea Blue

Lucky Day: Sunday Lucky number: 9 Lucky colour: Yellow

SAGIT TARIUS//THREE OF WA NDS An encouraging month ahead where most of your plans are achieved and a sense of wholeness is realised. By end of May, a well planned holiday or celebration is on the cards.

Lucky Day: Friday Lucky number: 6 Lucky colour: White

May-June 2016

63

MÉLANGE

HOT PICKS

In style

2

1

1. Street style chic

Breakbounce offers chic menswear casuals with the experience of international ‘off-the-peg’ street styles.

The brand includes tees, chinos, denims, footwear, etc., blending current trends with excellent workmanship.

Price: `799 to `5,599 Available at: Pan India

2. Rejuvenate & revitalise

Bottega Di LungaVita launches a new range of products to keep your skin looking youthful. Choose from a variety of products, the brand combines age-old traditions with science.

Price: `1,500 onwards Available at: www. bottegadilungavita.in

3. Divine soles

Intoto presents specially curated shoes. Sift through a collection of heels and flats, perfect for weekend getaways, casual wear, formal wear, etc. The brand offers a bold look.

Price: `1,000 onwards Available at: www.intoto.in

5 4 64 May-June 2016

4. A starry affair

Bringing together modernity with classic designs, Cord blends traditional methods with innovative explorations.

The Natsukashii collection is inspired from the constellations, with each piece focussing on comfort.

Price: `2,000 onwards Available at: info@cordstudio. in

5. Flavours of travel

3

A chocolate brand, All Things celebrates the simple joys of life. Using premium cocoa, each bar has hand-picked ingredients from across the world, translating inspiration into a box, to make the whimsy come alive.

Price: `360 for 100 gm Available at: www. allthingsshop.com

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6. Summer trends

10

With temperatures rising, the wardrobe undergoes a swift change. Being Human, the clothing line, introduced its spring-summer collection, comprising tunics, longline tank tops, t-shirts, chinos, polo t-shirts, and vast range of comfortable apparels.

Price: `1,599 onwards Available at: Across India

6

7. The floral collection

7

With spring in the air, turn to Ayesha Accessories and their range of flora and fauna inspired earrings, necklaces and bracelets. Inspired by the modern gypsy, go wild and free with the boho collection of hair accessories, hats, caps and more.

Price: `198 – 1,799 Available at: Across India

8. Femme care

Ozone Ayurvedics recently introduced 1m Intimate Cream Wash for Women.

Enriched with Lactic Acid, Sea Buckthorn Oil and Tea Tree Oil, this mild intimate hygiene cream wash cleanses, soothes, moisturises, and provides long lasting freshness.

Price: `70/ `38 Available at: www. myintimateaffairs.tumblr. com

9. Hit the outdoors

9

8

Adidas recently launched its new product, PureBoost ZG, a running shoe for runners who run in style. The product offers endless energy, supreme fit, breathable support and unstoppable comfort. The shoe provides ultralight fit superior support.

Price: `11,999 Available at: Adidas stores

10. Future is here

Titan recently unveiled JUXT, a stylish smartwatch, in partnership with HP Inc. It can be paired with smartphones having either Android 4.4 or iOS 8.1, and has three colour variants.

Price: From `15,995 to `19,995 Available at: Select stores

May-June 2016

65

MÉLANGE

HOT PICKS

15

11. Comic mania

12

Splash recently introduced character tees based on Batman, Superman, Star Wars, Iron Man, the Minions, and more, as well as sweatshirts and jogging pants.

Price: `499 – `1,299 Available at: Pan India

12. Spirit of innovation

Ray-Ban launched an all-new icon: Ray-Ban Club round that is made for modern intellectuals who love the unique identity of a contemporary look that is essentially cool.

Price: `6,000 onwards Available at: www.ray-ban. com/india

13. Freshly scented

11

13

Denver has introduced Superman range of deodorants that come in two variants. The scents are intense yet soothing, masculine yet gentle. From blend of sparkling grapefruit and orange scent to woody aromatic fragrance, it is perfect for those who want a super personality.

Price: Rs 249 Available at: Pan India

14. Stylish peepers

Let your eyes do the talking with Johara’s new Expert Eyeliner perfect for all daywear. The new range is bold yet tender, made with a unique smudge and fade proof formula.

Price: `575 Available at: www. joharacosmetics.com

15. Funky luggage tags

14 66 May-June 2016

An e-commerce site, Funcart.in recently launched its new range of adorable ‘luggage tags’ to give a unique look to your luggage.

These luggage tags can stand-up to the travel demands of any road warrior or adventure seeker. With an easy recognisable message on one side, they can also be a perfect gift to one who likes to travel.

Price: `199 onwards Available at: www.funcart.in

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16

16. Ethnic hues

Contemporary ethnic wear brand, Indianink launched a new collection that has a blend of light-weighted and vibrant hues. It offers crop tops, palazzos, kaftans tops, dresses, tunics, kurtas, pants and shirts that make an apt summer statement.

Price: `999 onwards Available at: Leading e-commerce sites

20

17. Stay protected

Spawake introduces new products that help you block the sun like never before. The aqua-enriched sunscreen gel protects the skin from harmful rays and the whitening toner removes impurities from skin.

Price: `249 onwards Available at: www.spawake.in

18. Fashionably yours

17

19

Clarks marries heritage techniques with contemporary designs in their Authentically Clarks collection. The 70s style clogs are back with buckle straps and studs, that bring an ultra-comfortable interpretation.

Price: On request Available at: Select stores across India

19. Punk style chic

Fendi introduces its limited edition spring-summer Karlito collection that features unique small leather goods accessories such as wallets, purses and pouches including iPhone and iPad covers.

Price: On request Available at: Fendi stores across India

20. Natural skin care

18

This summer, opt for natural skin care products from Vert to battle the many effects of weather on your skin. The French And Mint Clay Face Wash is suitable for oily and acne skin types providing real nourishment, moisture & helps reveal healthy skin.

Price: `250 onwards Available at: www.verthpc. com

May-June 2016

67

DISCOVER

BOOK REVIEWS

Reading list HAPPINESS IS A STOMACH FULL

By Sreeja Jayaram Westland `495

Food

Sreeja Jayaram unravels the food of her childhood, the food of her roots through a fine collection of recipes. Drawing on the stories of her mother and local Kerala folklore, she shares easy to understand recipes on breakfast, a plethora of chutneys, seafood, curries, desserts, and snacks, while explaining the subtle nuances of honestto-goodness Kerala cooking. From shrimp chutney to avial, clam curries to sweetened rice cakes, there is much to discover. The book is based on an old Malayalam proverb – ‘When the stomach is full, sleep comes easily even under a banana plant.’

Fiction

Non-fiction

THE BOOK OF SHIVA

By Ravi Shankar Etteth Harper Collins `299

Ravi Shankar Etteth, editor of The Sunday Standard, penned his fourth novel, The Book of Shiva. This work of fiction traces the journey of a monk from Rishikesh, who belongs to the Order of Hope, to the Himalayas to find the mystical book of Shiva. The book relates his experiences with the people he meets on the way.

“THE MORE THAT YOU READ, THE MORE THINGS YOU WILL KNOW. THE MORE YOU LEARN, THE MORE PLACES YOU’LL GO.” DR SEUSS, “I CAN READ WITH MY EYES SHUT!”

68 May-June 2016

BUSINESS AS USUAL

By Deepak Chawla The Write Place `250

A collection of short stories, Deepak Chawla bases his characters in an urban setup, where despite the many hurdles, challenges and changes, it is always business as usual. Every story raises interesting questions that often sparks numerous realisations in the reader. The characters showcase a certain tenacity and convictions that push them to rise to the occasion, even though their personal life and emotions may be tested to the extreme. Whether life comes a full circle or sacrifices are made to honour commitments, the stories make for an engaging read.

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Play it by

EAR

If you are among those who dread the plugged ear feeling that comes with air travel, renowned ENT surgeon Dr Vikas Agrawal tells you how you can make your flight comfortable the next time you travel by air.

W

hen the flight is taking off, the atmospheric pressure outside decreases. This means the pressure outside the ear drum decreases and at this point the Eustacian tube opens to equalise the pressure on each side of the eardrums.

Dr Vikas Agrawal explains, “Our ears are connected to the nose by the Eustachian tube.

It is a membrane-lined thin tube that connects the back of the nose with the middle ear, and its job is to help equalise the pressure on both sides of the eardrum.” Sometimes the change in pressure is too much for your Eustachian tubes to handle. “In such a case, you can close your nose and try to swallow, which will help to take out the air from your ears and make the pressure equal,” advices Dr Vikas.

On the other hand, while landing as the flight approaches

the earth, where the atmospheric pressure is higher, the pressure outside the ear increases. At this point, the Eustacian tube again has to open so that more air goes inside the middle ear.

“You can also opt for Valsalva manoeuvre. In this, you pinch your nostrils, so that your nose is shut, and you close your mouth, and then try blowing air through your nose. This pushes air inside the middle ear and equalises the pressure,” explains Dr Vikas.

People suffering from colds or allergies may be especially susceptible to clogged ears.

“If you are flying with a cold, in which your Eustachian tube is blocked, then you can land up with a pain in the ear. You must consider taking anti-cold or decongestant medicines, in consultation with your doctor, at least a few days ahead of schedule so that you don’t suffer a pain in the ear,” advises Dr Vikas. Follow these tips and make sure you have a comfortable flight the next time you travel.

SIMPLE TIPS

Yawn or swallow repeatedly.

Alternate the two actions until your ears have popped.

Chew gum during the flight or when you land. The chewing action may be enough to pop your ears and relieve the pressure.

May-June 2016

69

MÉLANGE

SCHEDULE

Trujet Schedule May-June 2016 From

To

FLT NO

DEP

Days

A/C

Bengaluru

2T104

13:15

16:25

Daily

ATR-72

Via - Hyd

2T104/2T207

13:15

19:50

Daily

ATR-72

Connection - Hyd

2T104

13:15

14:35

Daily

ATR-72

Direct

Vijayawada

2T104/2T207

13:15

21:00

234

ATR-72

Connection - Hyd

Vijayawada

2T104/2T207

13:15

20:15

1567

ATR-72

Connection - Hyd

Hyderabad

2T106

16:50

18:15

Daily

ATR-72

Direct

2T106

16:50

20:00

Daily

ATR-72

Via - Hyd

2T106/2t309

16:50

21:00

234

ATR-72

Connection - Hyd

Chennai

Aurangabad

Bengaluru

Chennai

Cuddapah

Hyderabad

Tirupati Vijayawada

Flight type

Vijayawada

2T106/2t309

16:50

20:15

1567

ATR-72

Connection - Hyd

Aurangabad

2T202/2T102

08:50

12:50

Daily

ATR-72

Connection - Hyd

Goa

2T202

08:50

12:45

Daily

ATR-72

Via - Hyd

Goa

2T202/2T304

08:50

16:45

1567

ATR-72

Connection - Hyd

Hyderabad

2T202

08:50

10:30

Daily

ATR-72

Direct

Hyderabad

2T209

20:15

21:45

Daily

ATR-72

Direct

Rajahmundry

2T202/2T206

08:50

16:20

Daily

ATR-72

Connection - Hyd

Vijayawada

2T202/2T309

08:50

21:00

234

ATR-72

Connection - Hyd

Vijayawada

2T202/2T309

08:50

20:15

1567

ATR-72

Connection - Hyd

Goa

2T305/2T304

11:35

16:45

1567

ATR-72

Connection - Hyd

Hyderabad

2T305

11:35

14:05

1567

ATR-72

Via - Tir

Tirupati

2T305

11:35

12:20

1567

ATR-72

Direct

Vijayawada

2T307

15:05

16:10

234

ATR-72

Direct

Chennai

Goa

ARR

2T206/2T207

13:10

19:50

Daily

ATR-72

Connection - Hyd

Hyderabad

2T206

13:10

14:45

Daily

ATR-72

Direct

Hyderabad

2T309

17:10

18:50

1567

ATR-72

Direct

2T206

13:10

16:20

Daily

ATR-72

Via - Hyd

2T309/2T106

13:10

20:00

Daily

ATR-72

Connection - Hyd

Rajahmundry Tirupati

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Tirupati

Hyderabad

Nagpur

2T206/2T106

13:10

20:00

Daily

ATR-72

Connection - Hyd

Vijayawada

2T206/2T309

13:10

Vijayawada

2T206/2T309

13:10

21:00

234

ATR-72

Connection - Hyd

20:15

1567

ATR-72

Connection - Hyd

Vijayawada

2T309

Aurangabad

2T102

17:10

20:15

1567

ATR-72

Via - Hyd

11:30

12:50

Daily

ATR-72

Bengaluru

2T104

Direct

15:00

16:25

Daily

ATR-72

Direct

Chennai Chennai

2T200

07:00

08:25

Daily

ATR-72

Direct

2T207

18:20

19:50

Daily

ATR-72

Direct

Cuddapah

2T305

10:05

11:10

1567

ATR-72

Direct

Goa

2T202

11:05

12:45

Daily

ATR-72

Direct

Goa

2T304

15:05

16:45

1567

ATR-72

Direct

Nagpur

2T301

05:50

07:30

Daily

ATR-72

Direct

Rajahmundry

2T206

15:10

16:20

Daily

ATR-72

Direct

Tirupati

2T302

10:15

11:30

234

ATR-72

Direct

Tirupati

2T101

08:00

09:20

Daily

ATR-72

Direct

Tirupati

2T106

18:40

20:00

Daily

ATR-72

Direct

Tirupati

2T305

10:05

12:20

1567

ATR-72

Via - Hyd

Vijayawada

2T309

20:00

21:00

234

ATR-72

Direct

Vijayawada

2T309

19:20

20:15

1567

ATR-72

Direct

Aurangabad

2T302/2T102

07:55

12:50

Daily

ATR-72

Connection - Hyd

Bengaluru

2T3022T104

07:55

16:25

Daily

ATR-72

Connection - Hyd

Chennai

2T302/2T207

07:55

19:50

Daily

ATR-72

Connection - Hyd

Cuddapah

2T302/2T305

07:55

11:10

1567

ATR-72

Connection - Hyd

Goa

2T302/2T202

07:55

12:45

Daily

ATR-72

Connection - Hyd

Goa

2T302/2T304

07:55

16:45

1567

ATR-72

Connection - Hyd

2T302

07:55

09:40

Daily

ATR-72

Direct

2T302/2T206

07:55

16:20

Daily

ATR-72

Connection - Hyd

Tirupati

2T302

07:55

11:30

234

ATR-72

Via - Hyd

Tirupati

2T302/2T305

07:55

11:10

1567

ATR-72

Connection - Hyd

Tirupati

2T302/2T106

07:55

20:00

Daily

ATR-72

Connection - Hyd

Vijayawada

2T302/2T309

07:55

21:00

234

ATR-72

Connection - Hyd

Vijayawada

2T302/2T309

07:55

20:15

1567

ATR-72

Connection - Hyd

Chennai

2T207

16:45

19:50

Daily

ATR-72

Via - Hyd

Hyderabad

2T207

16:45

17:55

Daily

ATR-72

Direct

Hyderabad Rajahmundry

Rajahmundry

Aurangabad

Tirupati

Vijayawada

2T102

09:45

12:50

Daily

ATR-72

Via - Hyd

Goa

2T102/2T304

09:45

16:45

1567

ATR-72

Connection - Hyd

Goa

2T305/2T304

12:45

16:45

1567

ATR-72

Connection - Hyd

Goa

2T309/2T304

11:55

16:45

234

ATR-72

Connection - Hyd

Hyderabad

2T102

09:45

11:05

Daily

ATR-72

Direct

Hyderabad

2T108

20:25

21:45

Daily

ATR-72

Direct

Hyderabad

2T309

11:55

13:15

234

ATR-72

Direct

Hyderabad

2T305

12:45

14:05

1567

ATR-72

Direct

Vijayawada

2T303

11:55

13:10

234

ATR-72

Direct

Vijayawada

2T309

18:15

19:35

234

ATR-72

Via - Hyd

Cuddapah

2T306

13:35

14:40

234

ATR-72

Direct

Hyderabad

2T310

21:25

22:25

234

ATR-72

Direct

Hyderabad

2T310

20:40

21:40

1567

ATR-72

Direct

Tirupati

2T310

16:35

17:50

234

ATR-72

Direct

May-June 2016

71

fly your dream...

NAGPUR

TruJet flight network

GOA

KADAPA

a journey well begun CHENNAI

Every route we take is yet another milestone we achieve. Leaving no milestones unturned, TruJet is now flying across ten cities

Turbo Megha Airways Pvt. Ltd. Level 4, Wall Street Plaza, Above ICICI Bank, Beside Begumpet Airport Hyderabad 500 016 India | info@turbomegha.com | +91 40 4090 4090

trujet.com

India’s most loved salon & spa chain

Successfully participated in the last 7 editions of India Fashion Week Glamming up models for the catwalk

Redefining

fashion

For Franchise/ Partner Queries,

please contact franchise@monsoonsalon.com

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Call Toll Free: 1800-103-2665

1800-103-BooK

Ambar Pariddi Sahai, Mynah Reynu Tandon, Valliyan, Vasundhara, Mandira, Niki Mahajan, Joy Mitra, Rina Dhaka for AIFWAW2016.

Delhi: Greater Kailash-II, South Extension-II, Connaught Place, Rajouri Garden, Punjabi Bagh (W), Dwarka, Vasant Kunj - Ambience Mall GurGaon: Ambience Mall

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