Portfolio

2021

spatial designer

interior designer

graphic designer

content creator

video maker

* * *

creative mind

Selected projects

Mauro Magarelli Mauro Magarelli and more

* * *

Milan (Italy) +39 392 6830552 mauromagarelli@outlook.it

Mauro Magarelli Mauro Magarelli I am a creative. My mind is always full of ideas for new projects and I cannot wait to give them life. Like my projects, I am both extremely ambitious and determined. I am very meticulous in what I do and I always try to overcome my limitations. That is the only way to achieve high standards in what you do.

I would define myself an esthete, attracted to beauty and everything that derives from it.

Even though my academic career was mainly related to interior and spatial design, I think that my biggest strength is versatility. Indeed, I have always been able to cope with projects in various creative fields (show design, communication design, service design and so on).

Italian - native speaker English - IELTS Overall score 7.5 (2019) Spanish - lower intermediate

WORK EXPERIENCE

DIGITAL SKILLS

LANGUAGES

creative mind spatial designer interior designer graphic designer content creator video maker and more

2021 ongoing June

2020 2021

October /April

2019 February

Mauro Magarelli @mauromagarelli @mauromagarelli

2018 ongoing

September

2018 June

STUDIES

Junior marketing designer

2018 2021

6-month internship at Moviri

Interior and Spatial Design Politecnico di Milano, Milan (Italy)

Master’s Degree | 110/110 with honors

Graphic designer and event organiser

Corporate relations office (150 ore) - Politecnico di Milano

2020

January / May

Communication Design

Adobe Photoshop, Adobe inDesign, Adobe Illustrator, Adobe Premiere, Adobe After Effects, Adobe XD, Figma, Keynote, AutoCAD, Blender, KeyShot, Rhinoceros, Microsoft Office, Procreate

Carnegie Mellon University, Pittsburgh (USA)

Exchange program

Trainee workshop (art installation)

Two-week workshop with architect Giovanna Piccinno

2015 2018

Graphic designer

Freelance - StudioProgress Brescia

Bachelor degree in Interior Design Politecnico di Milano, Milan (Italy)

Bachelor Degree | 110/110 with honors

Trainee workshop (art installation)

One-week workshop with architect Garofalo Francesco

2021

2010 2015

SOFT SKILLS

Scientific lycee

Public speaking, concept creating, team working, leadership, project manager, attention to details, self-confident, empathic, creative, curious and versatile

* * *

table of

of content

content

SHOW DESIGN

INTERIOR DESIGN

COMMUNICATION DESIGN

1

6

ANIMAL VILLA

10

EYE ON DESIGN

7

FLO

11

BENEATH CLOTHES BODIES

12

videos

THE CHROMATIC EXPERIENCE Lady Gaga’s concert

SPATIAL DESIGN

2

FENICE

3

[ad]VENTURE

4

SHINRIN YOKU

5

lighting design project

floating room

urban redevelopment

data visualization

photographic project

video making

UX DESIGN

COMPUTER SKILLS

8

13

image editing

14

3D modeling

floating pavilion

ephemeral space

REBELLION IS EVOLUTION art installation

9

ATM

app re-design

OLLIE

Trip Advisor virtual assistant

1

/ SHOW DESIGN

THE CHROMATIC EXPERIENCE Lady Gaga’s concert

The Chromatic Experience is thought as a concert to finally introduce to the world Lady Gaga’s sixth studio album, Chromatica. Hypotetically, the show will take place at Radio City Music Hall, in New York City. That is because the album has been defined by music critics as the artist’s return to her dance music roots. Consequently, no place could have been more appropriate than New York, the artist’s hometown and the city where she moved her first steps into the world of music before becoming the acclaimed popstar everyone knows.

For this project, I took care of the whole creative process. Indeed, I worked on the stage design, on the show design and finally on the lighting design of the show.

The show, which is divided into acts plus the encore, was thought as a journey on planet Chromatica. It starts with the artist that lands on this mysterious planet, her planet, thanks to a sinusoidal spaceship. With the help of the inhabitants of the place (the dancers) who belong to different warrior tribes she will explore various faces of this planet. Unfortunately, these tribes have been fighting for a long and the artist’s mission is to heal the wounds restoring peace on the planet through the power of her music. Once she succeedes, it will be time for her to go back on planet Earth.

WATCH THE VIDEO

The sine (on the left) is a 3-meter-diameter structure that comes from above at the beginning of the show carrying the artist. It is inspired by the metal structure that lies down on the artist on the artwork for the album this show is intended for. The sine is meant to be visible throughout the show as its symbolic meaning is the core of the concept behind Chromatica. Therefore, its lighting system was designed in order to obtain as diverse aspects as possible thanks to the use of RGBW led strips.

The mountain (on the right) is the main piece of scenography. It is inspired by the visuals of the album which are set on this mysterious planet that is being explored throughout the show. Because of the importance of this scenic piece, its lighting is fundamental to give it the right value, as explained by the schemes on the right.

The scaffolding structure is covered with AluShape, a moulding fabric to create three dimensional scenic sculptures with a rocky appearance.

The space is articulated in a series of balconies and caves intended for the members of the artist’s band.

1. Washlights on truss

2. Washlights inside the caves

3. Washlights around the mountain

https://vimeo.com/536341671

4. UV black light on truss

school Politecnico di Milano course thesis project year 2021 supervisors Paola Bertoletti, Giovanni Pinna, Carlotta Renzi

2. UV black light on truss

During the second part of the third act, the artist moves to the thrust stage where a rocky sculpture, which reminds of the mountain to show continuity in terms of scenography, appears with a grand piano placed on top of it.

During this moment of the show most lighting will be turned off, with just a spotlight on the artist to evoke a feeling of intimacy

The Plastic Doll Box appears at the beginning of the second act of the show that is opened by Plastic Doll. It is a song where she desperately repeats she is “not a plastic doll”, referring to the early years of her career when she had felt like a money machine chained in men’s hands. She is not a traditional doll: she is the state of the art, she is microchipped. As a result, the doll box she comes in has to be as technological advanced as its content.

In this case, the technology used consists of video tiles (Martin VC-Grid 15) both on outside and inside.

As a matter of fact, on the outer frame the tiles will display sliding writings with a techno vibe. In contrast, in the inside the video tiles are simply used as a very bright light source to create color contrast with the frame.

The third act of the show is the most intimate one. It is the moment during which the artist opens up about her fears and mental issues. “My biggest enemy is me”, this is what she says in 911 a song about an antipsychotic medication which she is prescribed. When she does not assume those pills, everything is confounded and apparently meaningless. To represent this

idea of misperception of reality, two revolving platforms covered with mushrooms of different dimensions have been designed. Indeed, this element has always be associated with hallucinations by popular culture.

Again, RGBW led strips are used to give the mushrooms different appearances.

3. Grand piano washlights

that is needed when the artist plays the piano. As a result, the rock lighting has to be as soft, emotional and less intrusive as possible. The artist is the focus now.

As explained by the schemes on the right, there are three typologies of lighting.

/ SHOW DESIGN

1. Washlights on truss

2

/ SPATIAL DESIGN

FENICE urban redevelopment

Fenice is what Murano needs right now. Not only because of tide but also because of climate change, the island is going to be underwater by 2100. The project starts from the idea that it is possible to coexist with water by leaving it its vital space. The urban redevelopment project consists of actually shifting the city in hight creating new layers. The NEW MURANO departs from water and this defines a reversed reality where people walk on the existing roof and enter their houses from above.

The project will be develeped in steps and it will take around 75 years for it to be spread all over the island.

The masterplan below shows the situation in 2100.

WATCH THE VIDEO

https://www.youtube.com/watch?v=T4I8NIiPYeo high tide

water floor

shops

path

First layer in 2025

BUILDABLE

Public

2020

BUILDABLE

houses

Second layer

Based on Scirocco wind Based on Murano facades

Net “square”

2025 Garden roof

school Politecnico di Milano course Contest Studio year 2019 lecturers Peter Di Sabatino, Frank Clementi, Barbara di Prete, Monica Mazzolani team Cristina Brena, Martina Gorio, Samane Qashqaei

/ SPATIAL DESIGN

Whereas the NEW MURANO apparently departs from water, the connection with it is well preserved through an intervention on the water floor and a land art installation.

The former features different experiences to get people in touch with the ancient Murano.

SHOP The latter aims to show them that water needs its spaceSHOP and SHOP that has to be respected.

SHOP

SHOP

MUSEUM

MUSEUM

tide information

Murano in 2100

PRODUCTION

PRODUCTION

green house

plants

1. Touristic spots: Acqua Alta museum PRODUCTION water exploitation

SHOP

SHOP

SHOP

SHOP

SHOP

SHOP

A new Murano

MUSEUM

PRIVATE SPACE MUSEUM

PUBLIC SPACEMUSEUM

tide experience

boat parking SHOPtide collection

boat tour

Walls covered with copper slabs: interaction with water

SHOP

Tide Experience

PUBLIC SPACE

SHOP

tide and material

Pla is ity us y wit e h n Tid mu m co

tide game

SHOP

FENICE TOUR

SHOP

SHOP

SHOP

floor

House

SHOP

PRODUCTION

PRODUCTION

green house

plants

PRODUCTION

fr

water exploitation

om

2. Production SHOP spots

SHOP

PRODUCTION

PRODUCTION

green house

plants

PRODUCTION

water exploitation

House

Fenice boat tour

SHOP

f

PRODUCTION

m ro

2n

rd o3 t d

SHOP

Tide collection

1s

floor nd 2 o tt

water exploitation PRODUCTION

PRODUCTION

PRODUCTION

plants

green house

plants

Shop

SHOP

Shop

PRODUCTION green house

Hydroponic plants

PRODUCTION

Vegetable sale

water exploitation

SHOP

SHOP

Water floor SHOP

SHOP

SHOP SHOP

PRIVATE SPACE

PUBLIC SPACE

PUBLIC SPACE

boat parking

boat tour

tide game

SHOP 3. Private/public spaces

SHOP

Pla s ity us y wi i SHOP e n th Tid mu m o c PRIVATE SPACE

SHOP

SHOP

boat parking

PUBLIC SPACE

PUBLIC SPACE

boat tour

tide game

FENICE TOUR

2019

PRIVATE SPACE boat parking

2025

FENICE TOUR

PUBLIC SPACE

PRIVATEPUBLIC SPACE SPACE

boat tour

boat parking tide game FENICE TOUR

Pla is ity us y wit e Tiden game h Tid mu m co

Boat garage PUBLIC SPACE

PUBLIC SPACE

boat tour

tide game FENICE TOUR

Pla is ity us y wit e h n Tid mu m co

Pla is ity us y wit e h n Tid mu m co

floating pavilion

[ad]VENTURE is a travelling pavilion designed for Adidas to promote the release of [Futurecraft 4D] shoe. The aim is to translate the brand identity and ethos into a three-dimensional immersive experience.

Adidas is “creating the future now” and their hashtag #HERETOCREATE reflects this philosophy. In fact, [Futurecraft 4D] is characterized by a made-tomeasure sole, meeting the needs of every individual.

Similarly, [ad]VENTURE guarantees an experience shaped by the uniqueness of its user.

WATCH THE VIDEO https://vimeo.com/287088480

school Politecnico di Milano course Final Sintesi - Studio year 2018 lecturers Fiammenghi, Ottomanelli, Ratti, Piardi, Villa team Alessia Bianco, Irene Maurizi

?

Evening fluxes

Volumes

Daily fluxes

Entrance/exit

/ SPATIAL DESIGN

3

[ad]VENTURE

Access is regulated by some hostesses who invite users to register on a digital interface and give them tokens. Then, the user is invited to make a short, fast trip inside one of the six tunnels with psychedelic lights. The token will record the time of the performance that is later displayed on interactive screens.

/ SPATIAL DESIGN

#HERETOCREATEPERFORMANCE

#HERETOCREATECREATORS Beyond the square, the user goes into a second room where videos are shown both on the walls and on the floor. The aim is to amaze, engage and excite visitors by telling them how Adidas imagines the future through new production methods.

This room opens completely onto the outside square through the packaging of the sliding doors that make up the façade. The resulting space is used for events at night.

#HERETOCREATEFUTURE Finally, [FUTURECRAFT 4D] is exhibited and the process of creation is illustrated on the wall of the last room. The shoe is displayed in the middle and it is highlighted by a light cage which adds a sort of holy atmosphere to the space.

Before leaving, visitors can take a cube made of the same material as the sole.

4

/ SPATIAL DESIGN

SHINRIN YOKU ephemeral space

SHINRIN YOKU is a project to design the void of a building’s anonymous courtyard. The starting point is the sparse grass that grows between the cracks of the pavement. It represents the contrast between nature and architecture. Shinrin Yoku is a forest, the exaggerated version of this weak nature, which creates tension with the host space.

WATCH THE VIDEO https://vimeo.com/350494577

ENTRANCE (A) The entrance is a very important part in the experience that people would have. The existing corridor that leads to the courtyard is interrupted by a horizontal grill that stretches out to block the way.

Visitors cannot go anywhere else than downstairs and then back upstairs again to finally enter to the space.

GROUND FLOOR LEVEL (B) At this point, the users find themselves surrounded by an unexpected lonely, silent artificial forest. In this space, people could get lost as if they were in a labyrinth. However, when they are at the most hopeless moment of their adventure, all of a sudden a nest appears, ready to embrace them and all their insecurities.

(A)

(B)

BASEMENT LEVEL (C) By working on the underground level too, a new layer has been added to the experience.

As a result, the users dive into the darkest and most mysterious face of the forest, where everything starts. This level consists of a narrow passage in which people have to pass through trunks without being aware of what’s going on above. They can only make anything out by looking through the grills above that are the only link between the two floors.

TIME

school Politecnico di Milano course Ephemeral / Temporary Spaces I year 2018 lecturers Anna Barbara, Ron Gilad, Francesca Molteni team Asli Kundem, Anisiya Shelevaya, Francesco Perruccio

Trees are made out of copper mesh. This means that their color is related to time.

Originally they are brown but, since the material reacts with weather, they change to blue-green.

(C)

/ SPATIAL DESIGN

NIGHT ATMOSPHERE As the sun goes down, the lights are turned on. Soft lights coming from the inside of some of the trunks illuminate the space.

This other face of the space contributes to create an additional interpretation of the already enigmatic forest.

HOW TO CATCH THE HIDDEN FOREST In addition to the soft lights, six trunks are equipped with stronger lamps that reach the sky creating shining columns of light.

This is a hidden forest, the only thing seen from the street are those six columns of light which create a lot of tension.

These strong lights come on when people passed between them. They interfere with the distance from some sensors. The diameter covered by the sensor was around 2.5 m.

art installation

school Politecnico di Milano course Ephemeral/Temporary Spaces II year 2019 lecturers Michele De Lucchi, Francesca Balena Arista, Mario Greco team Erika Grigis, Martina Gorio, Chiara Zeni

Rebellion is Evolution is an art installation.

In a world that is based on unbridled consumerism, tons of accumulated waste are produced daily. What if waste evolved into brick for the architecture of the future?

Milk is probably one of the main products of primary consumption. Its package is usually made out of Tetrapak, a cardboard plastic mix which ideally can be reinvented.

In this way, there will be no more waste in the future. In fact, it would become a gold mine to exploit.

Our rebellion has led to the creation of iconic Renaissance architecture: Brunelleschi’s dome.

WATCH THE VIDEO https://vimeo.com/348861205

/ SPATIAL DESIGN

5

REBELLION IS EVOLITION

/ SPATIAL DESIGN

THE MILK BRICK The Tetrapak dome is based on the repetition of one small module (1x1x2 cm) which is the miniature of a milk package. One side is covered with gold leaf. These milk packages become the bricks of the entire architecture.

LANTERN

OCTAGONAL GOLDEN CROWN

GOLDEN RIBS

SHELL OF THE DOME

6

/ INTERIOR DESIGN

ANIMAL VILLA lighting design

Animal Villa is a holiday residence. It is situated on sheer rock facing the sea on the Caribbean island of Saint Barts. The natural location provides a relaxing environment.

The concept starts with the analysis of the target users.

In fact, guests are usually VIPs used to a stylish life-style.

As a result, eccentricity becomes the main key word in this project. That is why animal lamps have been placed both in the interior and in the exterior. They contribute to create ironic and iconic spaces.

school Politecnico di Milano course Lighting Design Studio year 2019 lecturer Chiara Bertolaja team Cristina Brena, Erika Grigis, Martina Gorio, Chiara Zeni

MAIN HOUSE - giraffe room

FLOS | S-LINE 45 Recessed led in the pitched roof

16

20

14.5

16

FLOS | S-LINE HF Recessed led in the wall shelves 125 14.5 11

30

FLOS | S-LINE HF Recessed led in the TV niche

OUTDOOR ALDABRA | FLEXI Recessed led in the bathtub step

14

50 30

FLOS | S-LINE 45 Recessed led in eighteen steps

16

70 16

140

20

0

ALDABRA | EK2 Recessed led in the rock wall

ALDABRA | EK2 Recessed led in the window frame outdoor

15 23 15

35

ALDABRA | EK2 Recessed led in the swimming pool 30 30

70

70

13 187

ALDABRA | FLEXI Recessed led in the perimetral wall

L&L | KLEO 1.0 spotlight sunk in the ground with a spike

200

10

53 35

16

17 23 25

55

16

/ INTERIOR DESIGN

MASTER BEDROOM - monkey room

23 70

/ INTERIOR DESIGN

7

FLO

1. terrace

floating room

outside pool bedroom 2. terrace indoor pool bedroom

bathroom

3.

bathroom docked walkway

4. skylight

pools

school Politecnico di Milano course Final Sintesi - Studio year 2017 lecturers Fiammenghi, Ottomanelli, Ratti, Piardi, Villa team Alessia Bianco, Irene Maurizi

FLO derives from “floating” and “flowing” and reflects the way we perceive water as a dynamic element, something that is never completely still and flows endlessly. Guests will have a fulfilling experience where water, which is at the center of the space, defines the movements within it. In addition, FLO represents the ongoing relationship between water and light. The light enters directly from a large skylight in the middle of the room. It traces the shape of the indoor pool. The union between these two elements

generates a space perceived as a natural cave. It is situated in the docklands of Milan.

The starting idea of “vortex” and “movement” (1) has been applied to 3 circles that follow a Pythagorean triple: 3, 4, 5 Ø m. Each circle corresponds to a use of the space (2).

The heart of the concept lies in the relationship between water and light: in fact, a fourth bigger circle (3) is used to define the two pools and the skylight which is above the indoor pool (4.)

8

/ UX DESIGN

ATM app re-design

The project aims to redesign the ATM (Azienda Trasporti Milano) digital platform by improving its usability and making the layout not only more intuitive but also more vibrant and eye-catching.

To achieve this, a user-centered approach was adopted and several competitors of the brand were analyzed.

In addition, some new sections were added to te service.

For example, the app was implemented with a chat box.

Every user can select the transport mean they are on to enter that line’s chat to talk with other users on the same platform. This community will make even faster the spread of information related to issues that affect people’s journeys.

BRAND IDENTITY COLOUR PALETTE #f4bd98 R: 244 G: 189 B: 152

#6c6d6d R: 108 G: 109 B: 109

#f08338 R: 240 G: 131 B: 52

#1e1d1e R: 30 G: 29 B: 30

#ce6322 R: 206 G: 99 B: 34

#3e3e40 R: 62 G: 62 B: 64

TYPOGRAPHY

ORIGINAL LOGO

Aa Arial

Regular The quick brown fox jumps over the lazy dog

Bold The quick brown fox jumps over the lazy dog

Italic The quick brown fox jumps over the lazy dog

NEW LOGO school Politecnico di Milano course Interactive Systems for Usability Design year 2019 lecturer Dadda Roberto team Alessia Bianco, Marco Da Re, Daniela Dell'aversana, Sara Valassina

NEW APP ONTOLOGY

“Continuously recording my everyday life as a commuter and as a dreamer. Always looking for new routes”

ANSHUL The geek Age

25

Education

Marital status

student

single

Occupation video maker

Devices

Typology of ticket

He was born in Bombay and has just moved to Milano to take up a postgraduate course in IED. Videos are his greatest passion.

Because he did not know the city, he rented an apartment in Villapizzone. Consequently, he has to change different transportation means.

Where are you going?

PROFILE

under 27 subscription

Favourite places

Where are you going?

HOME

Check the routes

Get me home Favourite places

Filters

Map

Wallet

TICKET

Buy Ticket What’s my ticket

Tickets available

Select zone Subscription

• the news section in the app does not work well • some tools in the information section are displayed but do not open

Check the routes All Metro

Skills

LINES

Bus

Technology

Train

Intuitive

Favourite

Patient

CHAT

Environment friendly Time management

Frequency of use rarely

Atm Point

MENU always

rarely

Website

always

rarely

App

always

new sections

Qr Code

Purchase history

Type of ticket

Pains

Get me home Map

Needs

• possibility to have more than one option to reach the destination • possibility to have a place to share and to get in touch with new people

Personal data

News

Nightbus

Atm points

Information

Points of interest

Settings

Tourists

Facebook

BikeMi

Instagram

Car Park

TikTok

RadioBus

Twitter

Buy Log In

/ UX DESIGN

PERSONA

AI STATUS

virtual assistant

ONBOARDING PROCESS 6:10

school Carnegie Mellon University course Communication Studio IV year 2020 lecturer Kyuha Shim team Christine Chen, Mimi Jiao, Hyun Jae Son Ollie is Trip Advisor’s virtual assistant designer to help people with their trips. Planning a trip is usually a lot of work. The aim of Ollie is to help users with this issue.

Ollie will take part to two different moments of trip.

Firstly, the onboarding process where it will ask users some basic information about the trip as well as some preferences.

Based on that, Ollie will build a personalized trip itinerary.

Secondly, Ollie will be active during the trip to help the users in any occurrences.

Ollie’s appearance comes from Trip Advisors’s logo, the owl.

normal

confirmation

WATCH THE VIDEO

listening

speaking

notification

loading

https://vimeo.com/426768833

BRAND IDENTITY COLOUR PALETTE TripGreen #34E0A1 R: 52 G: 224 B: 161 Pine #7fc19e R: 127 G: 193 B: 158 Mustard #F2B203 R: 242 G: 178 B: 3

TYPOGRAPHY

Aa

Object Sans

Bold The quick brown fox jumps over the lazy dog

Regular The quick brown fox jumps over the lazy dog

Italic The quick brown fox jumps over the lazy dog

PRIMARY LOGO

Sand #FAF1ED R: 250 G: 241 B: 237 Rose #FFCCCC R: 255 G: 204 B: 204 Salmon #FF6666 R: 255 G: 102 B: 102 Orchid #7446AF R: 116 G: 70 B: 175

OTHER LOGOS Ollie will help to create a collaborative space for every member of the trip.

6:10

/ UX DESIGN

9

OLLIE

USE CASE 1

running behind schedule

USE CASE 2

weather update

USE CASE 3 asking for info

USE CASE 4

suggestions based on preferences

/ UX DESIGN

DURING THE TRIP

data visualization

Customizable cover

school Carnegie Mellon University course Communication Studio IV year 2020 lecturer Kyuha Shim team Zoe Attwood, Christine Chen, Ikjong Koi

Eye on Design is a book about the level of satisfaction of designers in 2019.

The data were taken from the 2019 AIGA Design Census.

AIGA is a professional organization for design based in the United States.

The survey aimed to explore deeply who is designing today, what kind of work they are doing, how they are doing that work, how much they are getting paid, how satisfied they are, and much more.

In this book, 300 of the designers surveyed are each represented by a single eye, which tells a unique story about that person’s experience in the design industry. The eye was chosen for two reasons: firstly, it is AIGA’logo; secondly, it is the most expressive part of human body, therefore the most appropriate to describe the idea of satisfaction.

The book is divided into three chapters that arrange these eyes by variables that have an impact on the overall state of the designer, creating a broad visualisation of what it means to be a designer in 2019. The tree chapters are Age (green eyelid), Location (gray eyelid)&RPPXQLFDWLRQ 6WXGLR ,9 6SULQJ and Employment type (blu eyelid).

&RPPXQLFDWLRQ 6WXGLR ,9 6SULQJ

&RPPXQLFDWLRQ 6WXGLR ,9 6SULQJ

/ COMMUNICATION DESIGN

10

EYE ON DESIGN

photographic project

school Carnegie Mellon University course Photographic Narrative year 2020 lecturer Charlee Brodsky Beneath Clothes Bodies is a photographic project about sexuality, a topic I’ve always wanted to explore through a project.

I made this book during my study abroad experience at Carnegie Mellon University in Pittsburgh.

When this project started in January, I did not know many people at CMU. I decided to hang eye-catching flyers all around the university asking students to join. Honestly, I felt little hope.

I didn’t expect so many people to respond to me. Within a few days, I had a lot of people signed up.

The aim of my exploration was to find an answer to the question I have persistently asked myself for the past 24 years. “What is sexuality?”

If I was expecting one answer to be definitive, then I failed.

Sexuality is freedom. It is a form of expression. It is something strange and at times feels unknown. It is sensuality. It is transcendence but also the more drive to reproduce.

Sexuality is not one thing, it is many.

If there is one thing I clearly understand, it is that sexuality is never wrong, it is always right.

/ COMMUNICATION DESIGN

11

BENEATH CLOTHES BODIES

12

/ COMMUNICATION DESIGN

videos video making

Mythomaniac

Shopping cart

One hour at the table

Tiktok

WATCH

WATCH

WATCH

WATCH

https://vimeo.com/286951832

https://vimeo.com/349734403

https://vimeo.com/426573982

https://vm.tiktok.com/ZMeqfGrHj/

Photoshop

/ COMPUTER SKILLS

13

image editing

14

/ COMPUTER SKILLS

3D modeling view A-A B

B

A

C

view B-B

A

C D

D

view C-C

view D-D

01 2

5

10 m