Entertainment Features / 2010 by Matt Munoz

Thursday, January 21, 2010 The Bakersfield Californian

Eye Street

A breath of fresh airwaves ‘Bakotopia Radio’ brings ‘lowdown’ vibe to KRAB Sunday nights are about to become eclectic. Bakersfield Clear Channel affiliate KRAB Radio (106.1 FM) will be introducing its newest show, “Bakotopia Radio” to the airwaves at 9 p.m. Sunday. The weekly hourlong program will be cohosted by Bakotopia.com web guru Matt Munoz and KRAB on-air personality, Miranda Whitworth. According to Munoz, the show will feature in-studio interviews and news taken from the Bakotopia.com website (a Californian affiliate), which boasts over 10,000 registered users, bloggers and bands. “We're really excited about the show,” Munoz said. “It’s a new opportunity for us to spread the Bakotopia gospel on the airwaves, and continue rallying the arts community together.” Like the local Bakotopia.com social networking site and magazine, the duo plan on keeping “lowdown” local. “We have a lot of creative freedom with the show, and hopefully listeners will have as much fun as we plan on having,” he said. “We're planning on playing some new music, have concert ticket giveaways, have some laughs, and really broaden the concept of local radio.” KRAB program director Danny Spanks, who approached Munoz about hosting the show, is looking forward to the station’s big radio “experiment.” “We wanted to really expand the Bakersfield universe and give some much needed air time to bands that otherwise would go unknown in the radio world. Bakotopia

PHOTO COURTESY OF JOSEPH GOMEZ

Matt Munoz and Miranda Whitworth host “Bakotopia Radio.”

Listen up What: “Bakotopia Radio” When: 9 p.m. Sundays Where: KRAB Radio, 106.1 FM

Radio will be a great way to showcase that local talent and all of the other great events going on in town,” he said. As the Bakersfield arts and entertainment scene continues to grow, Spanks hopes KRAB’s contribution will help local up-and-comers and the city as a whole. “It’s important that we focus on the scene here in town. Getting people interested in local music, artists, theater and

events will only make our city stronger. I hate it when people say you have to travel to LA to have a good time,” he said. It’s simply not true — let’s let Bakotopia Radio kill that myth.” As KRAB commits itself to promoting Bakersfield’s artistic side, Spanks hopes the town will respond with the same fervor. “This is really a great chance for local musicians to produce and promote the best they have to offer. I hope bands out there really step up to show the world that Bakersfield is back on the map when it comes to music and culture.” Visit www.bakotopia.com for more information on Bakotopia Radio. — Bakotopia Radio media release

Howser salutes Kern County in specials KVPT-Valley Public Television will present a two-hour salute to Kern County at 8 tonight with back-to-back episodes of “Road Trip with Huell Howser.” The block will re-air at 6 p.m. Sunday, with an additional hour of content at 8 p.m. Each program includes a special introduction from Howser shot at the Kern County Museum.

The lineup: “Oildorado,” from “Road Trip with Huell Howser” 8 p.m. tonight; 6 p.m. Sunday Howser attends Taft’s 95th anniversary, a celebration filled with food, parades, dances and many other activities. It’s a tribute to the families that make up the community, as well as its rich oil history. “Bakersfield,” from “Road Trip with Huell Howser” 9 p.m. tonight; 7 p.m. Sunday Bakersfield is the destination

PHOTO COURTESY OF HUELL HOWSER PRODUCTIONS

Huell Howser, center in sunglasses, with the families of the Lopez-Hill House before it was moved.

and Howser samples Basque food, visits a Tule Elk reserve and tours country music legend Buck Owens’ Crystal Palace.

“Lopez-Hill House,” from “California’s Gold” 8 p.m. Sunday J.J. Lopez, longtime manager of the Tejon Ranch, built his

Victorian-style home in Bakersfield in 1909. In the 1960s, the home was occupied by Arlin and Lavern Hill, who migrated from Oklahoma after the devastating effects of the Dust Bowl. Now, this long-overlooked California landmark has finally been renovated and preserved, thanks to local fundraising efforts. Howser meets the descendants of the Lopez and Hill families, who share their story of how their house was moved to its permanent location at the Kern County Museum in Bakersfield. “Red Rock Canyon State Park,” from “California’s Golden Parks” 8:30 p.m. Sunday Located just off Highway 14, Red Rock Canyon State Park features scenic desert cliffs, buttes and spectacular rock formations. The park is not only rich in natural beauty, but has a deep human history as well.

Sunday, March 28, 2010 The Bakersfield Californian

Eye Street

Herb Benham CALIFORNIAN COLUMNIST

Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

PHOTO COURTESY OF KENNY REED

Kenny Reed’s dog, Haggis.

Another dog goes to heaven: So long, Haggis

HENRY A. BARRIOS / THE CALIFORNIAN

Chuck Seaton and Billy Russell keep it loose on stage during the Songwriter’s Showcase at Prime Cut.

Music veterans offer advice for a song Writing showcase helps polish tunes BY MATT MUNOZ Bakotopia.com editor

usic lyrics are everyman’s poetry. Be it serious, silly, political or inspired by love — all lyrically driven songs share a narrative of some form. Now local tunesmiths have an opportunity to tell their tales at Prime Cut, at the “Songwriter’s Showcase” hosted by local music vets Chuck Seaton and Billy Russell. The weekly Wednesday gathering runs from 8 to 11 p.m., and there is no cover to attend — just bring your ears and original music. “Writers need good listeners,” said Seaton of the new music series. “There are a lot of talented people in Bakersfield, and they need a good vehicle like this.” A year in the works with Prime Cut owners Michelle and Merv Crist, Seaton and Russell are excited to offer a night for songwriters of all levels to listen and polish their songwriting skills. Similar to MTV’s popular “Unplugged” series, where bands performed on a stylized stage of stools and rocking chairs — Prime Cut transforms into its own song-lab of sorts. “We want to make people comfortable, so we made a living room-type atmosphere, with a loveseat, some plants, a rug and lamp,” said Seaton. “We even have a table set up, just like we do at home during our own songwriting sessions.” Leading the night will be Seaton and Russell, seasoned writers with years of

Please see BENHAM / D5 These are Herb Benham’s opinions, and not necessarily The Californian’s. His column appears Tuesday, Friday and Sunday. Call him at 3957279 or write hbenham@ bakersfield .com.

Chuck Seaton, left, and Billy Russell kicked off the Songwriters Showcase on March 10 at Prime Cut. The showcases will be open to the public and will feature specific songwriters each week.

experience between them. Through their music and words, attendees of all ages will get an earful from two of Bakersfield music’s most respected artists. “You’re going to find out where a song came from and its inspiration, not just a musical hook or beat,” said Seaton. Picking up his first guitar at age 10, Seaton has made a living on local and national stages as both a sideman and bandleader. A current member of country-soul band Big House and local blues rockers Hot Taco, he’s the consummate musician. Surviving the highs and lows of a fickle music industry during the ’80s, Seaton once packed his bags and family and moved to Nashville to chase the big time. Pushing life to the brink, and

GO & DO What: Songwriter’s Showcase When: 8 to 11 p.m. every Wednesday; all ages welcome until 10 p.m. Where: Prime Cut, 9500 Brimhall Road Admission: Free Information: 831-1413

making more money pawning equipment, he came home — but not empty-handed. Along the way he managed to build up a rich repertoire of songs, many inspired by those experiences. “I wrote ‘California to Tennessee,’ Please see WRITERS / D2

George Gilbert Lynch CONTRIBUTING COLUMINST

Bakersfield’s grand movie palace

ome people liked Kenny’s dog more than they liked Kenny. Kenny understood because he knows that he has a temper to go along with a sort of paternal grumpiness. Paternal in that Kenny knows best and he wishes more people would recognize it. Kenny is Kenny Reed, owner of Guthrie’s Alley Cat downtown. Owning a bar may explain the shadows in Reed’s disposition. He’s seen a lot and some of it much too early in the morning. Haggis, his dog, was a 12-year-old border collie. He was one of two downtown dogs of note, the other being Odie. Odie and Haggis had a brittle friendship. Haggis didn’t appreciate Odie prancing around in the Alley Cat (Odie’s owner brings him in). He had mixed feelings when Odie climbed up on a bar stool after a patron left to play pool or use the bathroom, and then whetted his whistle on the unguarded drink. Haggis was popular. When he got sick with cancer, Haggis had a stream of well wishers including a former bartender at the Alley Cat, who knocked on the door of Reed’s downtown house and asked if he could visit him. Haggis jumped up as if he were a puppy again, it was his birthday and the menu included rib-eye steaks. Dana, Reed’s wife, bought Haggis 13 years ago in Arroyo Grande from a litter of five puppies. Dana knew if she waited for her husband to make a decision, the cows would come home and then go out to pasture again. She had a hunch about Haggis and her hunch was right. “He wasn’t sure about me to begin with, but by the time I got out of the shower the first night, we were bonded,” Reed said, intimating that Haggis, along with all his other good qualities, appreciated good hygiene. Haggis (named for a Scottish dish because Reed was too contrary to go with Angus or Riley) has been on a leash once, the first time Reed took him to

t the time, I was totally unaware of the romantic history that permeated the very walls of California Theater, known as Scribner Opera House when it opened. It was March 1945 and I was employed, after school and weekends, as a part-time usher at the Chester Avenue theater. My cousin and his neighbor also worked as part-time ushers and put in a good word, which landed me the job. Bakersfield’s first theaters were called opera houses, and our city welcomed the traveling performers, although most of the shows were stage plays from the East, not operas.

Our earliest opera houses were destroyed in the great downtown fire of 1889. The first new structure to rise after the ashes cooled was Scribner Opera House. Built of solid brick, it was opened on Jan. 16, 1899, with a stage play, “Captain Impudence.” The theater was the first metropolitan building constructed in Bakersfield. Originally, the auditorium and stage were on the second floor, the first floor being occupied by a grocery store, restaurant and other businesses, including the

original Peacock Dairy and The Californian’s photographic studio. These lessees helped pay the overhead of the building. Operas and Shakespearean plays were frequently presented in the gas-lighted showplace, usually to a packed house. On Aug. 15, 1905, a fire that started next door jumped across and gutted the theater. Owner W.H. Scribner immediately began a complete interior reconstruction, using the unscathed brick walls. Six months later the opera house, still on the second floor, had its second grand opening. Famous personalities like superstar Please see THEATER / D2

Give Kentucky bourbon a shot at tasting this week BY SUSAN SCAFFIDI Contributing writer

Forget wine tasting. How about good old Kentucky bourbon? Daring connoisseurs can sample the real stuff, courtesy of Imbibe Wine and Spirits, at a tasting Wednesday at The Bistro, presented by Kentucky Bourbon Distillers company, a family owned distillery out of Bardstown, Ky. “They’re really the only (distillery) left that’s truly an independent-owned company,” said Richard Trachtenberg, coowner of Pacific Edge Sales, a California-based distributer of wine and spirits, and one of the organizers of the event. Kentucky Bourbon Distillers was built in 1935 — just after Prohibition — by Thomas Wil- PHOTO COURTESY OF KENTUCKYBOURBON lett on the family farm. The WHISKEY.COM name of the distillery was Kentucky changed in 1984 after Willett retired and sold the business to Vintage will be served at a son-in-law. The company manufactures several brands, Wednesday’s tasting. including a small batch or “boutique” liquor, old-fashioned sour mash, a vintage collection aged as much as 23 years, and several other brands. “Bourbon is a really cool product because it’s really one of the first true American products,” Trachtenberg said. According to the company’s website, in order to qualify as real Kentucky bourbon, the drink has to meet several criteria, including that corn has to be the main ingredient; it can’t reach Please see BOURBON / D5

GO & DO What: Bourbon Tasting and Dinner Where: The Bistro When: 6:30 p.m. Wednesday Tickets: Must call; $65 per person. Info: 663-9463 or www.imbibewine.com

The Bakersfield Californian Sunday, March 28, 2010

‘Queen’ makes DVD debut says Ron Smith, vice president of restoration for Paramount Pictures. “You can really see the years on Bogey’s face, for instance, BY MIKE SNIDER USA TODAY and the real sweat pouring “The African Queen” has down his face.” finally joined its fellow clasViewers can even make out sics from the vaults of Holly- Hepburn’s freckles, too. wood on DVD. “They both look spectacular Among the classics on the throughout the movie, espeAmerican Film Institute’s top cially as they get more 100 films of all time, the disheveled,” Smith says. Humphrey Bogart/Katharine The story of a boorish Hepburn movie is the last to steamboat captain — for come to home video. For its which Bogart won an Oscar arrival on DVD ($20) and — and a missionary who set Blu-ray ($27), “The African out to sink a German ship Queen” has been digitally was not among those that hit detailed and buffed. DVD during the digital disc’s The John Huston-directed overthrow of VHS. World War I adventure was “I would say certainly first released in 1951. “It those under the age of 50 turned out a whole lot sharp- have only seen it on TV,” says er than we had hoped for,” Lynn O’Leary of Paramount

Classic film has been digitally updated

#P 'PEJCPVGF 'XGPK P I 6JG /WUKE QH $TQCFYC[ April 3, 2010 Doors open at 7:30 pm, Show starts at 8:00 pm You won't want to miss two cabernet singers of distinction, Joanne O'Brien and Kevin Koelbl, together for an evening of songs spanning more than 60 years of Broadway musicals.

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Home Entertainment. (O’Leary oversaw a documentary about the making of the film, included on all editions. A $35 DVD box set and $44 Blu-ray box set also includes a reprint of Hepburn’s memoir about the film.) But the film was a trailblazer, says actor Theodore Bikelk, 85, who played a German officer. “The restoration gives it a vividness of color. It is phenomenal.” Bikel has fond memories of his two famous co-stars. (Bogart died in 1957, Hepburn in 2003.) About Bogart, he says: “I would sit next to him in the makeup trailer, and the script supervisor would sit next to him, and he would sort of go through the lines in

the scenes to shoot and he would kind of mumble the lines, just the pure text, expressionless almost. Twenty minutes later, we were on the set, and there was this full-blown performance. I swear to you, to this day, I don’t know where or when it all came together.” Hepburn, he says, was “very helpful and very kind. In fact, when we were shooting the scenes in the water, she would show up in a little rowboat. She wasn’t even in the shot that we were doing, and ... she had two bottles, one of rum and one of brandy, and she gave it out to everybody in the water so we wouldn’t catch cold.” Paramount is planning to show the film in theaters later this year.

THEATER: Building renovated numerous times

For Tickets call 325-6100

CONTINUED FROM D1

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actress Sarah Bernhardt and famed attorney Clarence Darrow appeared at Scribners. Boxing matches, vaudeville and local plays also were featured occasionally. As the roaring 1920s approached, silent movies and vaudeville became the rage and as a result, in 1919, Scribners was closed for a year in order to convert it into a first-class movie theater. Convinced moving pictures were the entertainment of the future, the Grogg amusement company, led by Mrs. Olive Grogg and Miss Sylvia Grogg, took out an introductionary announcement in The Californian the day before the new California Theater’s grand opening. The ad read, in part: “Ideas have been powerful enough to build empires and found religions. The idea of better motion pictures has consolidated and energised, a world industry. Some of the more magnificent fruits of this idea are the super-theaters dotted all over the land. And here we have buildt a temple so that Bakersfield may worship at the shrine of the cinema art so that YOU, too, may sit in the lap of luxury and catch the spirit of eternal romance.” The original 1899 brick outer walls were used but the second-story floor was removed and a balcony was added in its place. The removal of the second floor resulted in an enormously high ceiling which gave the theater its grand, spacious essence. The theater’s third grand opening was on Sept. 14, 1920. The inaugural movie was the premiere of George M. Cohan’s Broadway hit musical, “Forty Five Minutes From Broadway.” A crowd of Bakersfield’s whos-whos were in attendance to christen the town’s new entertainment landmark. A year later, a great Wurlitzer pipe organ was installed in the orchestra pit to accompany the silent movies, and full-size orchestras were used most of the time during vaudeville acts and stage plays. After talking pictures arrived in the late 1920s, Bakersfield’s famous native son Lawrence Tibbet, the great Metropolitan Opera star, was featured in a few movies that had patrons standing in long lines awaiting admission. After talking pictures arrived, the live house music was gradually eliminated.

PHOTO COURTESY OF BEALE LIBRARY

Children line up at the California Theater in 1923 to see the Jackie Coogan movie “Daddy.”

I recall as a lad in the 1930s, most patrons spent the intermission looking up at the three-story-high ceiling, admiring the paintings. The Grogg family was correct the prediction that movies would one day become the country’s primary source of entertainment and, in the ’20s and ’30s, many more movie houses were opened in Bakersfield: The Empire Theater, Rex, Lyric, Elite, Nile, Union, Kern, Virginia, Granada, Rialto and, finally, the Fox. After the ultra-modern Fox Theater was opened in December 1930, the California Theater was downstaged from its former position of Bakersfield’s premier movie house and it no longer received the top-rated films first. The old building was maintained and repainted through the years but by the World War II era, it was becoming somewhat rundown and the fixtures obsolete. In January 1945, the theater was purchased from the Scribner estate by the Fox West Coast Theater Corporation for $112,500. Fox district manager Homer Gill began a yearlong rebuilding of the historic icon. Steel reinforcing was applied throughout the structure but the original 1898 brick walls were retained because they were perfectly sound. The roof was lowered, a modern balcony constructed and the most modern seating fixtures were installed. Stateof-the-art refrigeration was installed behind the screen and beautiful hand-painted murals adorned the walls and ceiling. Inch-thick plush

A poster for the 1931 Lawrence Tibbett movie, “The Rogue Song.”

red- and blue-flowered carpeting was used throughout the new establishment. A modern multi-speaker sound system was installed, and the acoustics were improved. The completely new theater had the fourth grand opening of its 46-year history on Dec. 7 1945. Four months later I was employed there as an usher. The movie “Saratoga Trunk” was playing when I began ushering there and after seeing and hearing it for a week, I can still remember lines of dialogue. I vividly recall the odor of the theater was like stepping into a new car, so fresh and clean. Our uniforms looked so neat with maroon coat and blue pants with a gold leg stripe, white shirt and black tie. Our manager was Mr. Sizer, who ran that theater as strict as a military post. We ushers were also custodians and security: clean up the restrooms, pick up the cigarette butts and try to calm the noisy patrons. Quite a job for 35 cents an

Rin-Tin-Tin graced the silver screen in Bakersfield in 1922.

hour, but for me it was a great experience. Due to its steel-reinforced structure, the earthquake of 1952 failed to even scratch the sturdy brick building. The revitalized theater continued showing Hollywood’s best until its doors were closed in the mid1960s. From its construction in 1899 until its closing in 1966, this icon provided entertainment for untold numbers of Bakersfieldians. The sturdy brick structure was remodeled inside and became Community National Bank for a few years before housing businesses and galleries of various types. When Community National Bank remodeled the inside in 1969, it preserved some of the old theater’s heritage by leaving the original ceiling and its hand-painted murals intact; false ceilings in the upstairs offices can be removed to expose the colorful paintings.

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WRITERS: Songwriters tell stories, strum, sing CONTINUED FROM D1 bands.

and ‘Don’t Believe Everything You’re Told,’ about our quest for stardom,” he said of those hard travels with friend and musician Ronnie Wayne and the songs they helped produce. But a silver-lining presented itself, as the latter of the two songs was given a major label chance during his time on MCA Nashville with Big House, and featured on their sophomore effort, 1998’s “Travelin Kind.” “It’s kind of like packaging a book. You can change the cover, but it’s still the same song,” he said of the many songs that have made musical rounds through various

Seaton explains that writing a song doesn’t necessarily have to be a serious thing either. It can be as easy as writing about your favorite patch of road (“Highway 58”) or paying homage to local lovelies, as he did in the ’80s with “Bakersfield Girls.” Complete with big-haired line dancers, white shorts, and cowboy hats, the accompanying music video can be found on YouTube in all its Bako honkytonk glory. “That actually started out as a rock song, but I changed it to a country song,” he laughed. “But we all know what that song is about.” Guitarist Billy Russell, also

an early member of the original Big House lineup and now in Hot Taco, adds another dynamic to the evening. Seaton praises the skills of his longtime friend, who also knows the sacrifices involved when committing to a life of music. “Billy and I have been writing songs for over 15 years,” said Seaton. “We hit it off since day one and have been playing together ever since. He’s one of those gifted musicians and was in Big House when I was in the Wayne/Seaton band. We wound up switching bands at one point, but our songwriting comes from the same background.”

Musicians thinking about participating, take note: There are no drums or loud amplification provided. The hosts have two acoustic guitars and an extra spot for a single guest will be allowed onstage. The veterans they are, timing will also be mildly enforced. “One of us will be on the stage the whole time to help keep things moving,” Seaton said. “We wanna get the stories out of the songs from our guests.” But will there ever be a chance Seaton and Russell might run out of stories to tell each week? “Not a chance,” Seaton said.

Sunday, March 28, 2010 The Bakersfield Californian

Mummy exhibit dazzles First time mummies seen outside of Asia

CONTINUED FROM D1 place at the coast,” Reed

BY SUE MANNING The Associated Press

JAE C. HONG / AP

Jennifer Ring, center, and Hu Guizhen examine the Beauty of Xiaohe, a 3,800-year-old mummy discovered in the Tarim Basin in far western China, at the "Secrets of the Silk Road: Mystery Mummies from China," exhibit at the Bowers Museum in Santa Ana.

other factors. The exhibit comes with more than 150 pieces of clothing, implements, coins, documents, masks, jewelry, coffins and other items found at the burial sites. “Everything is beautifully preserved. There’s a pair of shoes in the exhibit that you could wear today, made out of cattails. I could see a designer actually copying them,” Keller said. The child, about 2,800 years old, is displayed next to a sheep’s udder shaped into a conelike drinking vessel. “You can say it’s the world’s first baby bottle,” Mair said. “He’s wrapped in a beautiful purply, red, brown blanket which has a different color from whatever side you look at it. They have used red dye on natural brown wool, so you get the same effect as a woman with brown hair who hennas her hair,” said Elizabeth Barber, a member of the curating team, a prehistorian and noted textile expert from Occidental College in Los Angeles. Barber was impressed with how much the ancient people did with so little. “The baby blanket has a texture stripe in it. By overspinning the yarn and putting three rows of it in every once in a while, it gnarls up in the cloth and makes the texture stripe,” she said. “The face is just beautiful. You can see these long eyelashes and these little reddish brown eyebrows and this little ski-jump nose,” she said, but the mouth is covered by a layered cashmere bonnet. Baby Bluebonnet was found next to a tomb in the south Tarim Basin that held a man and three women, Barber said. Three adults were mummified and one was a skeleton, but the colors and cording on their clothing identified them as a family. About 10 percent of the bodies found in the cemetery were mummified and the rest were not. Natural mummification occurred in the winter, when temperatures dipped to 60

A 2,800-year-old infant mummy, Baby Bluebonnet, is shown at the exhibit.

tomb was closed, so rather than reopen it, they dug a shallow grave for the baby. “Secrets of the Silk Road: Being so small and so close Mystery Mummies of to the surface, the baby’s China” body froze and mummified. Bowers Museum, 2002 N. The third mummy in the Main Street (just off exhibit is just clothing and a Interstate 5) in Santa Ana mask that belonged to Ying714-480-1520 pan Man, who died when he was about 55. He is around Hours: 10 a.m.-4 p.m. 2,000 years old and his Tuesday through Sunday remains were found in the Tickets: Adults — $18 north Tarim Basin. The body weekdays, $20 weekends; was taken out when the seniors, children ages 6clothing was sent for study at 16 and students — $16 the National Silk Museum, weekdays, $18 weekends; Mair said. children under 6 — free. “He has the most amazing, Paid admission good for spectacular, splendid garall the museum’s exhibits. ments that he’s wearing, with classical, Western, European, Mediterranean, Greek and degrees below zero, while dying in the summer, when it Roman kinds of designs on it. It’s kind of tour de force was 110 in the shade, clothing, really showing off. ensured deterioration, BarHe must have been extremeber said. ly wealthy. He had an extra The bodies that were mummified had freeze dried, set of clothing on his belly,” Mair said. then when spring and hot He was at one time weather came, there was no moisture left to aide decom- thought to be 6 feet and 6 inches, but his height has position. been lowered by four to six Barber believes the man inches, Barber said. and two women were laid The mummies are the cenout on the ground and froze terpieces of the exhibit, but while their tomb was dug deep into the rock salt. They Mair said other parts are just as mesmerizing, including were just about to close up bronze eyeshades and the the tomb when the third woman died and they made fried dough twist, men’s pants, combs, fans, games room for her. But she didn’t and masks. spend any time on the surBut his favorite piece is a face so she didn’t freeze. As a result, her flesh deteriorated, 2,500-year-old kneeling bronze warrior, about a foot leaving only skeletal tall, with a bare chest, a big remains. nose and round eyes. The baby died after the

CONTINUED FROM D1

tent and flavor, the samples are very small. “You can get all your information in a Kentucky Vintage very small amount, about a quarter of A 16-year-old Kentucky Vintage an ounce,” Dobbs said. Pure Kentucky XO Trachtenberg, who said his company owns and distributes domestic and Noah’s Mill imported elite brands, said there’s an Rowan’s Creek increasing demand for high-end Willett Pot Still Reserve liquor. “In the liquor industry there’s been a For dinner resurgence in traditional products, Salad of Delta cress, gorgonzola pre-Prohibition products, fresh ingrecheese with peppered bacon, dients, even cocktails,” Trachtenberg candied walnuts, green apple, said. balsamic vinaigrette The tasting will feature several of the distillery’s brands, including its KenBraised short rib with tucky Vintage, Pure Kentucky XO and Cheddar mashed potatoes Noah’s Mill, all San Francisco World Fresh vegetables, braising jus Spirits Competition gold medal winA trifle of Whiskey Sabayon, Fresh ners. Berries The evening will begin with a “signature” drink, the ingredients of which Bread pudding, topped with were still being worked out on Thurscaramelized oats day, Dobbs said. The group will then taste and discuss two bourbons and order dinner. The third and fourth bourexplaining that the temperatures vary bon samples will accompany dinner the most at the top. and the last two drinks will come after. While many people may be familiar Wednesday’s event follows two simiwith the concept of wine tasting — sampling and judging elite vintages — lar tastings hosted by Imbibe that feasampling hard liquor like bourbon may tured scotch and tequila. Both those events sold out, Dobbs said. As of seem unusual. With its higher alcohol content, it is definitely a riskier activity. Thursday, there were 11 of 48 tickets “We always include a meal for safety remaining for the bourbon tasting. Dobbs hopes to book a vodka event sake,” Dobbs said. in coming months and host another Dobbs also said that because bourscotch tasting in the fall. bon is so strong in both alcohol con-

For tasting

said, his bloodshot eyes getting more bloodshot by the minute. “I’m going to let him pee on the lemon tree one more time and I may pee on it too.” Haggis was born in a house across the street from the Reeds in Arroyo Grande. The house has since become home to a retired vet, who calls her business Homeward Bound. She makes house calls. “When the time comes, I want to complete the circle of life,” Reed said. “Take him back to the place where he was born.” Tuesday morning, Kenny called Homeward Bound. The vet walked over and gave Haggis a sedative to relax him and then 20 minutes later the shot. Kenny lay down on the floor with Haggis, which is not as easy as it was 12 years ago. Kenny talked to him and stroked his soft black and white fur. Haggis died like he lived — gently and without complaint. “It’s been hard for me to go on the morning walks the last couple of days,” Kenny said. “The nooks and crannies, the rooster he scurried by because he was afraid of him, the cats he stared at. “That dog made me a better person.” Kenny knows this was a full-time job. Even for a dog as good as Haggis.

If you go

BOURBON: Dinner will offset some of the booze more than 160 proof; and it has to be aged for a minimum of two years in new charred white oak barrels. David Dobbs, coowner of Imbibe Wine and Spirits, says there’s a taste criteria as well. “You want it to be mellow; you want a complexity of flavors,” Dobbs said. “But you don’t want too much charred wood flavor.” How the bourbon is stored has a direct bearing on the flavor. Trachtenberg said a “new” barrel is exactly that — used only for that batch and then thrown away. While in storage, the barrels are subjected to heat and PHOTO COURTESY OF cold as the seasons KENTUCKYBOURBON change, causing the WHISKEY.COM casks to expand and Noah’s Mill will contract, and the be served at liquor to leach in and Wednesday’s out of the wood. tasting. “The more often (the liquor) leaches in and leaches out, the more wood flavor it absorbs,” Dobbs explained. “And the more mellow it becomes.” “The best barrels are the ones at the top of the warehouse,” Dobbs said,

the bar as a 4-month-old puppy. “I put a skinny blue leash on him and he didn’t like it. I told him all right, if you don’t want to wear a leash than you’re going to have to keep up,” Reed said. Haggis kept up. He went everywhere with Reed. Haggis was a calling card with paws. “When I’d go to the DBA meetings, Haggis always walked into the room ahead of me,” Reed said. “As soon as the members saw Haggis they’d say, “we can start, Kenny’s here” and I wasn’t even in the room yet. Haggis went to more meetings than most of the DBA members.” Last Sunday, Kenny drove by our house. He had tears in eyes, which made his eyes seem more bloodshot than usual. Haggis sat in the backseat. This was their farewell tour. “Haggis loved looking at the cats on this street,” Kenny said. “I took him down 20th Street three times yesterday and twice today.” In Haggis’s defense, and I’m not sure dogs need one, he liked to stare at cats rather than chase them. Once, at friend Lois Henry’s house, Haggis sat and stared at a cat perched on a shelf in Lois’ garage for three hours without moving. Haggis was mellow in a way that border collies rarely are. “I’m taking him to our

Get out Today 21st annual Isabella Lake Fishing Derby, fishing derby contest with $200,000 in prizes, through Monday, Lake Isabella. derby.kernrivervalley.com/ or 760379-5236. First Annual Gerifalte Open, judo tournament organized by Gerifalte Martial Arts Academy, 11 a.m. to 5 p.m., Walter Stiern Middle School, 2551 Morning Drive. 496-1157 or gerifaltejudo.com. CALM’s Spring Fling, featuring the children’s railroad, children’s crafts corner; 9 a.m. to 5 p.m., through April 3, CALM, 10500 Alfred Harrell Highway. Children ages 317 are free with a paid adult admission. calmzoo.org or 8722256. Free home classes, 1 to 2 p.m. “Learn How to Install Crown Moulding,” and 2 p.m. “Spring Lawn Prep,” Home Depot. homedepot.com or call 800-430-3376. Open casting call for Frazier Mountain Renaissance Faire, organizers are looking for volunteers, musicians and actors to play knaves, yarlets and more for the event happening May 29 to 31 and June 5 and 6, 10 a.m. to 4 p.m., Tait Ranch, Frazier Mountain Park Road, Frazier Park. frazmtnrenfaires.com. Arts Council of Kern House Concert, with Steve Key, 4 p.m., at the home of Elaine McNearney (call the Arts Council for directions). $22; $20, member; $10, student. Call to reserve, 324-9000. Mommy & Me Cooking Class, 11 a.m. to 3 p.m., Urner’s Kitchen Center, 4110 Wible Road. $50. 396-8400. The Italian Catholic Federation, Branch 281, pasta and meatball dinner, 4 to 7 p.m., Our Lady of Perpetual Help, Parish Hall, 124 Columbus St. $10; $5 for children under 12. 872-0511.

▲

SANTA ANA ystery, dazzle and awe unite the mummies of a man, woman and child who were found in China’s Tarim Basin at different times in different places for an exhibition so rich in history it contains some of the earliest known baby bottles, trousers, sunglasses and pasta. “Secrets of the Silk Road: Mystery Mummies of China,” opened Saturday at the Bowers Museum. Ten years in the works, it will be the first time the mummies will be seen outside of Asia. “The Beauty of Xaiohe” is around 3,800 years old and is one of the most perfectly preserved mummies ever discovered, said exhibit catalog editor Victor Mair, a professor of Chinese language and literature at the University of Pennsylvania. “I call her the Marlene Dietrich of the desert. She is stunning,” he said. A reddish, dishwater blonde, the beauty has long, full eyelashes and is wearing a rakish corded hat with a feather. She probably died in her early 30s, Mair said. Because of her eyelashes, “I keep joking we ought to get Maybelline to sponsor this,” said Peter C. Keller, president of the Bowers. Her remains were found at Small River Cemetery No. 5 (Xaiohe means small river). Bluebonnet Baby, around 9 months old, and Yingpan Man, about 55 when he died, were found at different burial sites a couple hundred miles apart in the Tarim Basin in the Far Western Xinjiang Uyghur Autonomous Region of China. They were all discovered along what would become known as the Silk Road, the rambling, braided trading route between Central Asia and China named for the luxurious fabrics that exchanged hands, along with spices, gold, exotic animals, furs and jade. None of the mummies are Asian-looking, Mair said. They are light-skinned with round eyes, long noses and red or blonde hair. The beautiful woman lived nearly 1,800 years before the Silk Road was established. “They were just isolated people. They are not trading on a large scale. They’re just subsistence, just making do. I call them egg roll pastoralists. They have sheep and goats and cattle, all of which came from western Asia,” Mair said. They also know how to grow wheat, he said, another Asian product. China is protective of its ancient mummies, so many tests have yet to be done, including CT scans and other tests that could tell scientists about the people’s last meals, intestines, hair follicles, diet, cause of death, lungs and

BENHAM: Dog ‘made me a better person’

Submit events two weeks prior at Bakersfield.com/yourwords or send to calendars@bakersfield.com, call 395-7308, fax 3957519, or mail to Eye Street calendar, The Bakersfield Californian, P.O. Bin 440, Bakersfield, CA 93302.

The Bakersfield Californian Thursday, April 22, 2010

Eye Street

Index Doyle Lawson and Quicksilver . . . . . . . . . . . . . . .25 Celebrate CSUB . . . . . . . . . . . . . . . . . . . . . . . . . . . .26 The Lowdown with Matt Munoz . . . . . . . . . . . . . .27 Rory Block . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30 St. Francis Parish School . . . . . . . . . . . . . . . . . . . .33 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .34-35

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

A party for the decade Fishlips to celebrate 10 years of good times downtown BY MATT MUNOZ Contributing writer mmunoz@bakersfield.com

en years and hundreds of shows later, the Fishlips fun hasn’t slowed down a bit. A true survivor of the local economy, this staple of downtown culture is about to celebrate a milestone with a weekend of festivities — and you’re invited. Dubbing it a “Decade of Decadence” to commemorate the venue’s 10th anniversary, Fishlips’ owners — Shauna Haddad-Byers and Andrew Wilkins — don’t plan on sitting in the spotlight too long. They’d rather focus on their loyal customers who’ve helped build this rockin’ “home away from home.” “We call them the ‘Fishlips faithful,”’ said Byers of the establishment’s devoted following. “They’ve kept us going through it all and are pretty protective of the place.” The story of Fishlips is a classic tale of sticking to your guns, even when the chips are down — way down. Originally housed inside the old Padre building from 2000-2003, original owners Kipp Sullivan and Byers wanted to create a casual eatery with a high-end food menu. Sullivan, an avid scuba diver who loves the ocean and anything edible swimming in it, co-creatively helped realize the duo’s passion for seafood, music and art. Byers, who already had experience in retail business, marketing, and music during a previous residence in L.A. and abroad seemed made for the job. Although there were no plans to add “music venue” to the restaurant, that path soon would emerge. “Inside the Padre we always had music going that fit the menu’s mood, and people would always ask who was playing,” said Byers. Running with the idea of hosting a small concert at the restaurant, Byers worked with local promoter Tim Gardea to book one of her favorites: singer/songwriter John Doe, former frontman for the band X. The July 2001 show

GO & DO What: Fishlips’ Decade of Decadence Anniversary Show, featuring The Beat Farmers, 800 Lb Gorilla, Paul Chesne, Weapons of Mass Destruction, Just Dave and other special guests. When: 7 p.m. Saturday Where: Fishlips, 1517 18th St. Admission: $15 Information: 324-2557

would help reshape the venue’s future after a sweaty learning experience. “It was hotter than a Louisiana swamp in there,” she laughed. “But Tim went out of town and I got to handle the whole show myself.” Around that time, Byers and Sullivan spotted a possible new location down the street at 1517 18th St. Previously a bank, the building also was home to a few failed nightclubs that closed within a few years of each other. The two pondered their options, and in April 2003 the new Fishlips was opened. Continuing with their original menu plans, music soon became a big focus. “We started having small, local band shows that June,” Byers said. “By September we had (alt-rockabilly singer) Reverend Horton Heat booked and it grew from there.” Things grew, but slowly. There were only so many local bands the place could book — most of which catered to local baby boomers. Byers, with the help of new bartender Andrew Wilkins, knew the value of having a stage and also booking younger bands in the future. “In 2003 local live music was really at a standstill,” Byers said. “Most of the newer bands didn’t have venues to play. Andrew’s input helped a lot.” Byers and Wilkins became partners officially in 2007 after Sullivan decided to leave the business. “I was just too lazy to get a new job,” Wilkins laughed. Baptized by fire in the ways of small business, Wilkins took the reins right away — leaving Byers to handle the kitchen, so he could book bands and tend bar. Byers simplified the menu, replacing

CALIFORNIAN FILE

Shauna Haddad-Byers and Andrew Wilkins show off the new bar at Fishlips in 2007.

fancy foods with casual eats. “We restructured a lot,” Byers said. “We realized people just want to have fun when they come here, so let’s keep things nightlife friendly.” Crediting Byers’ hard-nosed approach to business, Wilkins also recognizes her softer side — just don’t get too comfortable. Business is business. “Shauna is very upfront and truthful,” he said. “No sugar-coating the way we run business; this is us.” Byers’ shot back with some praise of her own for Wilkins. “Andrew brings a lot of joy to my life,” she said. “He knows how to communicate and can hold a personal conversation with anyone at the bar. Except about politics — we try to stay away from that around here.” And their yin and yang seems to be working well. With 10 collective years of steady business and a roster of returning artists like guitarist Gary Hoey, reggae legend Eek-A-Mouse, The Expendables, Junior Brown, rapper MURS, The English Beat and more, Bakersfield doesn’t have a reason to be bored. There’s also the love of local bands — a list too long to men-

KIM BARRETT / SPECIAL TO THE CALIFORNIAN

Merle Haggard performs at Fishlips in 2008 during a private party.

tion. “How many clubs can say they’ve had the 2 Live Crew and Merle Haggard play on their stage?” Wilkins asked. “Our local bands are always welcome to get a chance to open for their idols too.” And you can’t talk about Fishlips’ flair without mentioning the tricked-out walls, courtesy of local

artist Craig Fraser. Looking forward to the weekend, the dynamic duo of Wilkins and Byers predict Saturday’s party might be a little rowdier than usual, so be prepared. “It’s gonna be more cut loose than usual,” Wilkins said. “Just come out and have a good time with the locals.”

The Bakersfield Californian Thursday, May 6, 2010

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omedian Jo Koy lives in a perpetual state of comedy. Appearing Friday at the Fox, the Filipino-American funnyman can make any room burst into laughs just by entering. A veteran of the comedy club circuit, he’s also been on “The Tonight Show with Jay Leno,” as well as his own Comedy Central special, “Showtime at The Apollo,” and BET’s “Comic View.” More recently seen as a panelist on “Chelsea Lately,” hosted by comedian Chelsea Handler, his self-effacing style has made him one of the show’s most popular guests. Koy realized his life’s calling early on after a brief college experience with bad grades and boredom. Following his 1994 Vegas stand-up debut, Koy followed his hunch to move to L.A. and hit the Strip. Hundreds of shows later, he’s become one of the most recognizable comics on TV. The Californian caught up with Koy via telephone recently while he was backstage at the “Chelsea Lately” show. How does it feel to be representing your Filipino culture in the spotlight? I love it. It’s everything I worked hard for. When I was on “The Tonight Show,” I wore the Filipino flag on my chest. And the reason why I did it wasn’t to be like, “I’m Filipino,” it was more for my mom. When I do stand-up, I want people to appreciate me as a comic, not just Filipino. I was in Nashville once and sold out six shows and there wasn’t one Asian in the audience. It was all white people, along with a few blacks and Mexicans. That felt good because that shows that comedy transcends race — they’re here to laugh and that’s it. Laughter is universal. Plus, Filipino food is the best kept-secret. Once that adobo hits your mouth, oh man! What can Bakersfield fans expect from your show on May 7? This is all new stuff and I got some special guests that are gonna come up with me and kill it. What the best advice you’ve ever received? Don’t be scared of silence. Not silence in a “you’re bombing” way, but silence where you know the crowd is really on your bus and along for the ride. A lot of comics need to hear applause, break, applause, goodnight. … Sometimes the crowd just wants to hear your story. Like Bill Cosby, when he tells a story there’s — you wanna take it all in.

WWW.ES.TV

Jo Koy been on “The Tonight Show with Jay Leno,” as well as his own Comedy Central special, “Showtime at The Apollo,” and BET’s “Comic View.”

GO & DO What: Comedian Jo Koy in concert When: Doors open at 7 p.m., show at 8 Friday. Where: Fox Theater, 2001 H St. Admission: $25.50 Information: www.vallitix.com; 322-5200 What’s the story behind your stage name? My real name is Joseph Herbert. When you do open mics, you get about three to four minutes. Everyone’s trying to be funny, from the MC to the audience. The MC would automatically make fun of my name. I would be introduced as “Joseph Sherbert,” or “Joseph Pervert” or something stupid like that. It was to the point where when I’d get onstage, people would have to get in on it. It would turn into three minutes of me doing material on my last name and I could never get to the jokes. My cousin Mona and I were having dinner and we were trying to come up with a last name for the stage. We thought about my middle name, Glen, but that sucked. Mona’s mom always had a nickname for me. She would pronounce my name, Johoy, and just roll the whole name when she pronounced it. As we were thinking about the name, she said, “Johoy, let’s eat.” Me and my cousin looked at each other and said, “Jo Koy!” Lame story, but that’s literally

where it came from. How did your mother react when you said you wanted to be a comic? She hated me. She said, “You can’t be a clown.” Like every Filpino mom, she wants the same thing for their kids — a college education and two main career choices would be: nurse and postal worker. Those are the fields of choice for Filipinos (laughs). Are you “on” all the time, or do you have to stop to re-energize? I can’t afford to stop smiling. I gotta be on 24/7. It’s so crazy, because I’ve always been this way. It’s not like when I walk into a room I gotta be funny, it just comes out. I guess I’m just a funny guy; I can’t even be depressed. When bad stuff happens to me I’m still trying to crack a joke. Can you remember your first show? I opened up for Bruce “Babyman” Baum in Las Vegas. I remember they gave me $75 and I thought ‘holy (expletive)’! I was even more shocked because I had only been doing standup for about five months, but the management told me I was too strong to be an opener and to think about L.A. What does the future hold for Jo Koy? I just signed a deal with Warner Bros, so be on the lookout for a Jo Koy sitcom. I’m doing it with Tom Werner, who created The Cosby Show, Roseanne, That ’70s Show, and 3rd Rock From The Sun. I think I’m in good hands.

The Bakersfield Californian Thursday, May 20, 2010

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Bassist Billy Haynes will be performing with Tower of Power guitarist Bruce Conte on Friday at Sandrini's.

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Makin’ it funky has always been a way of life for bassist Billy Haynes. The Bakersfield native, who’s lived and traveled the globe in search of the perfect groove, has decided to replant his roots back home. And to celebrate, a jam session with some famous friends has been set for Friday at Sandrini’s, beginning at 9 p.m. “I’ve been back home getting settled for five months,” said Haynes, 60, from his home in east Bakersfield. “I’m looking forward to playing with friends again.” Promoter Michael Cancholla, who organized Friday’s event, has been friends with Haynes for more than 40 years. Telling stories of the Bakersfield music scene during the ’70s and ’80s, Haynes’ name is mentioned often. Cancholla used to run one of downtown’s most celebrated music venues, Suds Tavern (now Azul) in the Wall St. Alley, where he witnessed the bassman in action many times. “I haven’t done a show like this in a while,” Cancholla said. “I miss the music and the people I used to bring to town back during the Suds days. This concert is going to feature some oldschool rhythm and blues music just like we used to.” Haynes’ musical resume starts in 1969 as a member of The Original Souls, which built an enviable reputation and following not only in Bakersfield but in Southern California as well. They even scored a gig opening for ’60s pop idols Gary Puckett and The Union Gap at the Hollywood Bowl. “Once we traveled with the Bakersfield KAFY Radio Caravan of All-Stars,”

GO & DO What: Billy Haynes and Friends When: 9 p.m. Friday Where: Sandrini's, 1918 Eye St. Admission: $10 Information: 322-8900

he said fondly of the mini-showcase, sponsored by what was the most popular local rock ’n’ roll station of its day. “There was so much music going on back then, it was a great time.” By 1976, Haynes had already packed his gear and hit the road, leaving for new digs in Los Angeles and the Bay Area. A chance encounter with the queen of rock, Tina Turner, would keep things rolling like a river. “It was fate,” he said. “When Tina went solo from Ike Turner, she was having auditions for a new bassist. I beat out about 30 other guys, and ended up working with her and living in San Francisco up until her big comeback. Ike of course wasn’t too keen about her leaving his band, and I saw a lot of things go down.” Recording on Turner’s 1978 album “Rough,” he was recruited by silky-soul singer Lou Rawls, and left Turner’s band. What Haynes didn’t expect was Turner’s meteoric rise to the top of the pop and MTV charts. Asked if he has any regrets about his choice to leave, Haynes humbly praises his former boss. “I knew it was gonna happen,” he said. “Tina’s a hard worker and dedicated to the music and her fans. I learned a lot from her.” After leaving Rawls, Haynes and his band Pressure Point made it to the 1985-86 finals of the Ed McMahonhosted TV talent show “Star Search” before being eliminated in the last round. After that, he did what any professional musician would do — find

more stage work, which eventually led to heading various ensembles as warm-up entertainment for shows like “Will & Grace.” Called out to travel, he followed his music’s lead all the way to the Middle East and the Netherlands to do orchestral work. “Two to four good-paying gigs a month helped maintain a nice living during my time overseas,” he explained. “Plus doing workshops at music schools — there were a lot of schools with programs for young people.” Along the way connections and friendships were made, many of which endure. Among them is legendary Tower of Power guitarist Bruce Conte, who will be joining Haynes at the Sandrini’s show along with drummer Les Falconer, known for his work with bluesman Keb’Mo, and keyboardist Nate Ginsberg who’s played with everyone from Larry Graham to Herbie Hancock. The Fresno-raised Conte, who now resides in the Philippines, always looks forward to returning to visit family and lay down some serious grooves with old friends like Haynes and company. “I met Billy around the early ’90s in L.A.,” he said. “He recorded on my 2002 CD, “Bulletproof,” but we haven’t performed together for around seven years. We’re gonna do some covers, original, jazz, and some blues-style funk. This is a great combination of guys to play with.” Promoter Cancholla looks to this show as a way to continue helping reestablish Bakersfield as a live music mecca. On any given night, his former club would be packed with traveling acts. It’s those memories that inspire him to bring things back to basics. “It kind of hurts my feelings that the music scene doesn’t have that many places to play anymore. I wanna give people a good show that’s worth their money,” he said.

The Bakersfield Californian Thursday, May 27, 2010

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Trainwreck brings own ‘wreck and roll’ style BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Hold onto your mullets, your day of “wreckoning” is nigh! Musician/comedian Kyle Gass and his band Trainwreck are coming back to Bakersfield Sunday for a special Memorial Day weekend party at Fishlips. “We have a love affair with Bakersfield,” said Gass via telephone from his home in Southern California. “Or maybe it’s just near L.A.” Formed in 2003 as a side-project to Tenacious D, an acoustic duo he performs alongside with friend and comedian/actor Jack Black, Gass describes this group as a tribute to his heroes. “Trainwreck is Molly Hatchett meets Jethro Tull meets The Runaways,” he said of the band’s assorted influences and live show — which also features Gass on the flute. “I can’t escape the Tull comparison, but I happen to be a virtuoso recorder player too.” Performing onstage as his guitar/flute-slinging alter-ego “Klip Calhoun,” the rest of the current Trainwreck lineup includes — “Daryl Lee Donald” (Jason Reed), vocals and cowbell; “John Bartholomew Shredman” (John Konesky), electric guitar; “Boy Johnny” (John Spiker), bass; and “Dallas St. Bernard” (Nate Rothacker) on drums. “Klip Calhoun is the gentle matriarch,” he said of his vested, wig-wearing character. “I provide the love and support for the younger members. I serve as a mentor, but mainly a mascot … I’m just there to be seen.” Their latest CD “The Wreckoning” is a fair representation of the live Trainwreck experience. Songs like “Bothered & Hot,” “El Mustachio” and

PHOTO COURTESY OF TRAINWRECK

Trainwreck will perform at Fishlips on Saturday.

Trainwreck with Band of Bigfoot, and Members Only When: 9 p.m. Sunday Where: Fishlips, 1517 18th St. Admission: $10 Information: 324-2557

“Brodeo” preach the band’s motto of “Wreck and Roll” till dawn. “Everyone should get it and prepare their minds,” he said. “For faces will be melted.” Opening the show will be local ’80s tribute band, Members Only, and L.A.’s Band of Bigfoot, who collectively perform in costume as the elusive mountain beasts. “They just kind of appeared,” said Gass of his first meeting with the furry

foursome, who also tour with the band. “I told them they should lose the outfits, because they gotta be hot and stinking up the bus.” Often asked whether Black will ever join the band onstage in Bakersfield, Gass is optimistic it may happen someday, but asks locals not to hold their breath. “He has appeared under the guise of “Tuffy Mc(expletive),” the meanest man in showbiz,” he said. “But it’s hard to be near him onstage, because he will rip you apart.” The upcoming Fishlips show marks Trainwreck’s sixth appearance in Bakersfield, and to show their appreciation, Gass and company have plenty of musical surprises in store. “We’ve been hard at work on some new tunes,” he said. “And we’re hoping to give fans a really rockin’ set.”

Actis Jazz Festival gears up tonight Some of Bakersfield’s best 13- and 14-year-old musicians will be on display this evening at the seventh annual Actis Jazz Festival. When the five junior-high jazz bands from the Panama-Buena Vista Union School District get together at O.J. Actis Junior High School, however, the music won’t all be jazz. Several genres of music are on tap, including pop, rock, blues, be-bop, funk, swing, Latin and traditional jazz. Admission is free. The festival started in 2003, when Steve Miniard started teaching at Actis. It is traditionally held during the last few weeks of school so that the students can continue playing

music, with a performance goal in mind, right up until June. “The festival is not a competition, nor is it graded,” Miniard said. “The festival is in existence because the students love to play and this event provides a venue.” The participating schools, in order of performance, are Stonecreek (6 p.m.), Warren (6:30 p.m.), Tevis (7 p.m.), Thompson (7:30 p.m.) and Actis (8 p.m.). The evening will conclude with a performance by members of the Bakersfield Jazz Workshop, under the direction of Steve Eisen. (Visit bakersfieldjazz workshop.com for more about that organization.)

Several students in this event have participated in the Kern County Honor Band and Kern County Honor Orchestra as well as the PBVUSD Strolling Strings. PBVUSD instrumental programs frequently receive superior ratings at California Music Educators Association-sponsored events. Actis is at 2400 Westholme Blvd., just off Ming Avenue, east of Ashe Road. All performances will be held in the Actis courtyard, with lawn seating, but in case of rain the festival will move indoors to the multipurpose room. Outside food is OK (no alcohol) and concession-stand food is available.

Thursday, June 3, 2010 The Bakersfield Californian

Eye Street

Spice up your Sunday Annual Menudo Cook-Off promises good food, fun BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

n musical terms, menudo would be considered three-part “hominy.” Like a symphony of flavor, its celebrated ingredients stir stomachs and indiscriminate taste buds in rhythm. Now fans of the popular Mexican soup can once again test variations on the legendary Latin dish at the Latino Food Festival and 12th annual Menudo Cook-Off at the Kern County Fairgrounds on Sunday. The event is presented by the Kern County Hispanic Chamber of Commerce. “This event has become a tradition for many families and friends to reunite,” said festival chairman Jay Tamsi of the annual event. “Each year the attendance grows by the thousands.” Traditionally made from beef and pig tripe, along with hominy and a clear or chili base, menudo can be traced back to early Mesoamerica. Considered a “family food” meant to feed large groups of people, its popularity continues to reach beyond Latin communities. On the day of competition, participants are given strict rules to follow before the contest. Once they’re signed in and the cooking whistle blows, local celebrity judges await their samples for tasting. For locals, this is seriously fun business. “Some bring their ingredients in under lock and key,” laughed Tamsi. “The competition is fierce. Overall, each contestant is out to have a good time.” Six-year veteran competitor Nora Perez from Delano looks forward to participating again. “It’s a day you put on your calendar, a great family party,” said Perez. “Something you look forward to every year.” Like any good family cook, Perez credits her mom, Josephine, with teaching her the ways of menudo mastery. “I watched my mom cook for years,” she said. “There’s no actual recipe, you rely on instinct and taste. Just turn on the music, open a cold one and get going. My family

FELIX ADAMO / THE CALIFORNIAN

Michael Mendoza, left, and Gabriel Villa stir their menudo before the judging starts at the Latin Food Festival and 10th annual Menudo Cook-Off in 2008.

Latino Food Festival and 12th annual Menudo Cook-Off When: 11 a.m. to 6 p.m. Sunday Where: Kern County Fairgrounds, 1142 S. P St. Admission: $10 advance; $12 at gate; free for children under 5 Information: 633-5495

always lets me know if it’s good and I trust their feedback.” This year, the competition boasts more than 60 competitors with cash prizes of up to $500 awarded to the best soup, as well as awards for best decorated booth. For those who prefer a different kind of heat, festival goers can put their bodies to the test at the wildly popular jalapeno eating contest. “Winning is really all about bragging rights,” said Tamsi. Along with paid admission, attendees also get a chance to taste some of the day’s competition, plus enjoy plenty of live music. This year’s entertainment includes local Latin ska band, Mento Buru, Mariachi Oro Y Plata, Ballet Folklorico Huaztecalli, Freddy Fender Jr. who will perform a special Tex Mex tribute to his father, Latin rock

legends El Chicano, and Peace — an allstar tribute band featuring guitarist Jorge Santana, Aki Starr of Malo, and percussionist Marco Reyes. “Menudo on Sunday is a tradition, especially after going out on a Saturday night,” said Reyes of his fondness for the soup, which many claim can ease the hangover blues. “I like mine prepared really spicy, but clear with lots of tripe and not much hominy.” The Lamont native, who now resides in the Bay Area as a member of ’70s soul jam band WAR, looks forward to coming home to play alongside some of his famous friends, Santana in particular. “It’s great playing with Jorge, because he’ll be doing a lot of his own new original music,” said Reyes of the guitarist whom he’s been a fan of since his youth. “You’re going to hear some great Latin rock with a lot of high energy and dancing.” There’s also plenty of kids’ entertainment, with bounce houses, rock-wall climbing, face-painting, treasure hunts, giveaways for kids and an ice cream eating contest. “The food, competitive spirit of the menudo contestants, kids camp and live entertainment will be spectacular this year,” said Tamsi.

Theaters working together, leaving drama on stage BY CAMILLE GAVIN Contributing columnist gavinarts@aol.com

ncouraging cooperation between local theaters has always been a focus for me. So I was pleased to get this nugget from Hal Friedman about “A Little Night Music,” which opens June 19 at Spotlight Theatre. “The special story in this show is that the heads of Bakersfield Community Theatre, The Empty Space and Spotlight are involved in the show,” Friedman said. “Jason Monroe is the executive director of the Empty Space, Sheila McClure is the artistic director of BCT and I am artistic director of

Spotlight. It has been fun for all of us.” Friedman goes on to say this is a “first, as far as we know” and he hopes it won’t be the last. “We are talking about trying to make this an annual thing and rotate the theater we perform at,” he said. “It proves we can all get along and that competition doesn't have to be negative. We are one theater arts community and we are all hoping to show Bakersfield the depth and talent and willingness to impact Bakersfield by showing the better side of the drama community. Hopefully, one day, other parts of the theatre community can follow and join in.” Wise words, indeed.

FELIX ADAMO / THE CALIFORNIAN

Hal Friedman is the artistic director of The Spotlight Theatre.

The Bakersfield Californian Thursday, June 10, 2010

Eye Street

Index Glennville Rodeo . . . . . . . . . . . . . . . . . . . . . . . . . . .17 Best of the West show . . . . . . . . . . . . . . . . . . . . . .18 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 The Lowdown with Matt Munoz . . . . . . . . . . . . . .21 Battle of the Salons . . . . . . . . . . . . . . . . . . . . . . . .22 Thunder Run . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24-26

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Remembering who they are Country

tour loses performer

Korn looks back for inspiration, says leader Davis in exclusive chat

Throwdown suffers some setbacks, but show still on

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Home is where the art is for Korn. Appearing Friday at Rabobank Convention Center, the local band gone big time is ready to enter the next phase of its longstanding career with a new record label (Roadrunner) and CD —“Korn III: Remember Who You Are,” out July 13. “It’s gonna be a stripped down, raw show,” said Korn lead vocalist Jonathan Davis via telephone of the band’s “back to basics” approach to recapturing the spirit of their early live performances. “It’s all part of the ‘Remember Who You Are’ concept, what we’re all about and who we are.” Formed in Bakersfield in 1993, Davis and longtime bandmates James “Munky” Shaffer, guitar; and Reggie “Fieldy” Arvizu, bass; along with former members guitarist Brian “Head” Welch and drummer David Silveria were instrumental in creating what is now known as “nu metal,” a mix of heavy metal and alternative music styles. Popularized during the mid-’90s, Korn’s worldwide success helped heavy rock cross over into other genres, including hip-hop. Earning critical praise, Grammys and MTV video awards, plus numerous gold and multiplatinum records, the band also experienced its share of pain along the way with notorious tales of drugs and alcohol abuse — all now in the past. Performing and releasing new material in subsequent years with core members Shaffer and Arvizu, plus new permanent drummer Ray Luzier, Davis points to their fiercely loyal fan base and hometown for motivation. “We have such amazing fans that have been sticking with us over the years,” said Davis. “We’re having a great time out on this tour, and things haven’t been better.” Like their newest CD, “remembering” also meant reuniting with the craftsmen of their career, namely producer Ross Robinson. Holding court during the recording of their first two releases — ’94’s “Korn” and ’96’s “Life is Peachy,” Robinson once again spared no mercy in bringing out the band’s best. “For this new record, we went into a tiny room and just wrote and recorded the album the way we used to do it,” said Davis. “It was really hard for me — using 2-inch tape, no click track for tempos. It gives the music kind of a soul.” Opening with “Uber-Time,” an eerie spoken-word intro, the album soon segues into “Oildale (Leave Me Alone”), named after one of their childhood play-

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

COURTESY OF KORN

Korn, from left: James “Munky” Shaffer, Jonathan Davis, Ray Luzier, Reggie “Fieldy” Arvizu.

grounds. Subject to interpretation, the accompanying music video was filmed on location and in true Korn fashion, there’s plenty of twisted imagery. “It was really cool,” said Davis of the video’s filming experience that lyrically makes no reference to the city. “Being in the oil fields around the pumping units, going to places we used to hang out, ride bikes and stuff.” Throughout the rest of the album, listeners will be treated to the band’s strongest material since 1999’s “Issues.” As he is with their current tour, Davis is confident fans will also be pleased upon “Korn III’s” release on July 13. “It wasn’t like we were trying to copy those first two records, just capture the

GO & DO Korn with 2 Cents, and Big Jay Oakerson When: 7 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $23.25 to $35 Information: 852-7777

early vibe,” said Davis. “It really translated well on this one and we’re all really excited about it.” Hitting smaller venues this time around, Davis says that the band looks forward to playing another familiar locale of their youth when they return to Bakersfield on Friday. In other news, Korn is taking a stand on the BP oil spill in the Gulf of Mexico by launching a boycott against using the company’s gasoline while on tour this summer. The band has formally announced that it will not be fueling any of its touring vehicles with BP products and is strongly encouraging other touring artists to do the same. “The daily images are hard to watch,” says KORN frontman Davis. “We need to do our part to let BP know there are consequences for causing something like this. We want to send a message to corporations like BP so that they will take more preventative measures in the future. The more costly their punishment, the more money they will spend to make sure disasters like this don’t happen again. It’s plain and simple capitalism.”

First came the announcement that Bakersfield’s stop on the Country Throwdown tour had been pushed back two days, followed by word that weak tickets sales had scratched some shows from the tour altogether. And now featured performer Ryan Bingham, fresh off an Oscar for his songwriting, has announced he won’t be coming back to Bakersfield, a town where he spent a good chunk of his youth. But tour producer Kevin Lyman said local ticketholders are guaranteed a show. “We are 100 percent committed to making the rest of these shows happen,” said Lyman via telephone Tuesday morning, despite reporting cancellations in Houston, Dallas, San Diego and Phoenix. Tuesday morning the tour was dealt another blow with the announcement that Bingham was dropping off the remainder of the tour. Stating “scheduling conflicts,” Lyman is hoping to have him back. “I was not happy with that,” said Lyman of Bingham’s announcement. Bingham has local ties, having spent his early years in Bakersfield before moving to New Mexico. Earlier this year he was awarded an Oscar for Best Original Song for “The Weary Kind,” from the movie “Crazy Heart.” “I’ve had so many moving pieces on this thing, that we’re hoping to have an announcement that Ryan’s back on.” According to talent handlers SMG, Rabobank ticketholders unable to make the rescheduled date may return them to the box office for a refund. Tickets bought through Ticketmaster must be refunded through Ticketmaster. A mix of new and established country acts, the Country Throwdown tour is modeled after Lyman’s annual VANS Warped Tour, which experienced similar setbacks during its inaugural year. The first part of the festival, at the Convention Center, starts at 1 p.m. and features the smaller-named acts. Seating is general admission. The last half of the festival, which starts at the arena at 6 p.m., features the main acts. Seating will be reserved.

GO & DO The Country Throwdown Tour, featuring Montgomery Gentry, Eric Church and more. 1 p.m. Friday, June 18, Rabobank Convention Center, 1001 Truxtun Ave. $30-$33.50 plus fee. ticketmaster.com or call 800-745-3000.

The Bakersfield Californian Thursday, June 17, 2010

Eye Street

Index Anthony Bourdain . . . . . . . . . . . . . . . . . . . . . . .18 Book discussions at the Beale . . . . . . . . . . . .19 Neon Night . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 The Lowdown with Matt Munoz . . . . . . . . . . .22 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Battle of the Salons finale . . . . . . . . . . . . . . . .24 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . .26-27

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Eddie Montgomery and Troy Gentry of Montgomery Gentry got the party started early by hanging out with customers at the Tilted Kilt in Rosedale on Tuesday. Good times!

Country Throwdown Music festival of this caliber a rare event for Bakersfield BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

A country festival modeled after a long-running alternative music tour is something that Bakersfield, quite frankly, just doesn’t see every day. But a brand new experience is what the ambitious Country Throwdown tour hopes to deliver, with an impressive list of young artists who range from soulful upstarts to mainstream hit-makers. Each exemplifies — or tries to — the current outlaw resurgence in country music. The mere fact that Bakersfield fans will see the festival at all is something of a triumph, considering the tour’s bumpy start: canceled shows, juggled dates and the

defection of at least one artist. The Throwdown kicks off at Rabobank Convention Center at 1 p.m. Friday. The traveling cavalcade of rockin’ country jams promises to get a little rowdy at 6 p.m., when the whole shebang moves into the adjoining arena for the headliners’ shows. That raucous, outlaw vibe is just what country acts Montgomery Gentry, Jamey Johnson, Little Big Town, the Eli Young Band, along with Heidi Newfield, Eric Church, Jack Ingram and a host of others plan to bring to local music fans. “My shows tend to be live and in your face,” said Throwdown promoter Kevin Lyman, organizer of the Please see / 17

“It’s a real killer concept and it’s working. I’m seeing the crowds build and build, and it’s something good coming outside the box for country music fans.” — Heidi Newfield

Jamey Johnson is a leading voice in the outlaw comeback.

COUNTRY THROWDOWN TOUR When: 1 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $30 to $33.50 Information: 852-7777

Thursday, June 17, 2010 The Bakersfield Californian

Eye Street HEIDI NEWFIELD’S KERN CONNECTION

Heidi Newfield makes sure to tip her hat to pioneering women of country like Loretta Lynn. CONTINUED FROM 16

annual VANS Warped Tour, whose youthful, untamed exuberance has provided inspiration for the country tour. “Fans have really been enjoying the shows,” he said. “We’re going to build a little festival ground in the Convention Center building with vendors and stages, then everyone can move into the arena for the evening program.” Tour date cancellations aside, for Lyman it’s all about making first-time connections in crucial cities like Bakersfield, whose date was abruptly changed from a Wednesday to Friday. “When we had that opportunity to take it to Friday, we thought it would be more advantageous for people to ditch out early and head out to the show,” he said. “I believe a tour like this can develop in markets like Bakersfield that don’t necessarily get all the superstar acts sometimes.”

‘Outside the box for country’ Early arrivals can expect a fair share of new talents like Walker Hayes on the The Blue Bird Café Stage or familiar hitmakers like Heidi Newfeld on the Outlaw Stage. “You don’t wanna miss early bands on the sidestage — artists like Jonathan Singleton or Heidi. Last week Jamey Johnson had Little Big Town, Eric Church, and Heidi up on stage

together in the evening,” said Lyman of the surprises fans can expect. “It’s a real killer concept and it’s working,” said Newfeld, formerly of Trick Pony. “I’m seeing the crowds build and build, and it’s something good coming outside the box for country music fans.” If you’re looking for something a little more soulful, both Newfield and Lyman agree that The Bluebird Café Stage — named after an influential Nashville club of the same name — is one of the day’s real treats. Artists like Brad Tursi (former guitarist of Army of Me), Ashley Ray, Dave Pahanish, Heather Morgan and more play for crowds in an unplugged setting. While the performers aren’t household names, many of their songs have become hits for stars like Tim McGraw and Keith Urban. Plan on being well-rested the night before; the festivities start early and end late with Montgomery Gentry and Jamey Johnson capping a full day of country the likes of Bakersfield rarely get a chance to see. But depending on attendance, should fans look forward to more next year? “If I can figure out how to make this an annual event the way I make Warped Tour happen in a place like Boise, I’d love Bakersfield to become a great annual stop,” Lyman said.

Known to throw down musically onstage as a multi-instrumentalist and performer, Heidi Newfield, drawing raves for her solo output after a hit-making run with Trick Pony, credits her rebellious onstage nature to her California roots. “California is very rich in country music tradition,” said Newfield who originally hails from the fertile wine capital city of Healdsburg. “When I was a baby, I remember listening to Merle Haggard, Buck Owens, Johnny Cash, Patsy Cline, and all the traditionalists. As I went on into my teenage years, my sisters would bring home the great rockers like The Stones, AC/DC, Aerosmith, and The Beatles. My influences run pretty wild.” Ready to belt out some new material for fans, plus hits from her Trick Pony days — Newfield also looks forward to returning to some familiar Central Valley turf. “My dad’s side of the family has been living in the outer Bakersfield areas like Shafter for many, many years,” she said. “I was raised in a very agriculturally based lifestyle, of which I’m very proud of.” Paying her dues in a male-dominated industry since leaving home for Nashville after high school, Newfield sees this opportunity as another way of showing off her solo strengths. Mindful of her roots, she always tips her hat to other country music pioneers she respects and covers regularly. “Singers like Loretta Lynn, Reba McEntire, and others … I’m proud of us girls. From day one, we’ve always been an important presence in country music,” she said. “I hope that when people leave my show, they realize a chick can get up there, sing really strong, write a lot of her own material, and be a musician at the same time, be a triple threat, and deliver. We can be pretty on stage, but we can also kick ass.” — Matt Munoz, Bakotopia.com

ERIC CHURCH: ‘10 ROWS OF GUYS WITH THEIR FISTS IN THE AIR’ Traditional Nashville wisdom would dictate that Eric Church — whose rowdy live show conjures the best of Waylon Jennings and Hank Williams Jr. — not tour until he had a top 10 hit. But the country rocker and his team saw things differently. His 2006 debut single, “How ’Bout You,” had peaked at No. 14 after 25 weeks on the chart. Controversial second single “Two Pink Lines,” which dealt with teen pregnancy, barely cracked the top 20. As if that weren’t enough, the independent-thinking Church, 23, had been famously fired from the Rascal Flatts tour for not sticking to his set length. “The career got a little squirrely there,” Church says. So Church, along with his manager and agent, hatched a plan. The artist was going to

hit the road playing small rock clubs. “Everybody thought we’d lost our minds,” Church says. “We got kicked off the biggest tour and we had a teen pregnancy single out there. We went from those big arenas back to the small clubs.” But a funny thing happened along the way. Playing to progressively larger crowds, Church found his fans. “We didn’t find them on the big arena tours,” he says. “We found them in these little sweatbox clubs. “We found a fan base that maybe country wasn’t talking to at the time: young males,” Church continues. “Most artists go onstage and they’ve got pretty girls in the front row. Not us. We’ve got 10 rows of guys with their fists in the air.” — Ken Tucker, Billboard

The Bakersfield Californian Thursday, July 22, 2010

Eye Street

Index Art for Healing . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Chuck Wicks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Celtic music duo . . . . . . . . . . . . . . . . . . . . . . . . . . .23 The Lowdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 A Night Out . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27-29

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Let’s try this again, shall we? Bakersfield-based Adema had it all before breaking up. Now they want it back. BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

A major-label deal, radio and MTV air play, massive tours, thousands of records sold, a worldwide following: Most working bands strive their entire career — and fail — to achieve that level of success. But Bakersfield-based band Adema is trying something even more ambitious than that. They want to do it twice. But this time, they say, will be different: No drugs, no fighting and no falling into traps that self-indulgent rock stars routinely set for themselves. They’ve done that before too. A Friday night concert at The Dome marks a homecoming of sorts for the band, whose members seem to have their heads on straight, their differences firmly behind them. But it took awhile to get there. “I just think that fate had it, that we had to take a break and all explore some different things in our lives,” said original vocalist Mark Chavez of the band's choice to regroup. “I spent the best years of my life with these guys ‘livin' the dream,’ and we did some really special things. It was time.” Adema shot to fame in 2001 with their selftitled debut FELIX ADAMO / THE CALIFORNIAN album. The boys were following Adema singer Mark in the nu-metal Chavez. footsteps of acts like Korn, whose frontman, Jonathan Davis, is Chavez’s half brother. In fact, when the band was signed on the strength of a demo and a few live shows, speculation arose over whether they were really that good or if it was Chavez's connection to Davis that sealed the deal. “There's still this misconception that Korn gave us a handout,” says Adema bass player Dave DeRoo. “We'd been putting in work for years individually, but the band literally got together, recorded a demo, and kind of bull****ed the record label. In the music biz — you might work your whole life. That just gives you a 2 percent chance you might succeed. But, 98 percent is still luck and being at the right place at the right time. I think we kind of capitalized stylistically on that time in music with the ‘nu-

FELIX ADAMO / THE CALIFORNIAN

Adema, from left: Kris Kohls, Dave DeRoo, Mark Chavez and Tim Fluckey. The band is back together and performing at The Dome.

GO & DO What: Adema in concert, with special guests When: 6 p.m. Friday Where: The Dome, 2201 V. St. Admission: $13 Information: 327-0190

metal’ thing happening. Bands like Korn and Limp Bizkit kicked those doors open for a lot of bands to get signed.” Formed in Bakersfield in 2000, Adema was signed to Arista Records by recording industry legend Antonio "L.A." Reid. Many critics questioned the swift move by Reid, who had just been appointed president and CEO at Arista. Chavez can remember the day their lives changed inside Reid's office. “Our manager and I were talking to different labels in Los Angeles, and Reid asked me point blank, ‘What will it take to keep you off the plane to New York to talk to that other label?’ I said, ‘I want 3.5 million.’” Chavez got his wish and soon began calling his bandmates to quit their day jobs. Arista's plan was set in motion with videos, radio airplay and a chance to perform on the “tour of tours” for heavy rock bands, Ozzfest. Young and freshly signed, they

embraced the life and all its excesses. “For this band, it was like the best of times and the worst of times on that tour. Because we had some great times and then we had some craziness,” recalled guitarist Tim Fluckey. Upon their return, the band continued riding high on their debut, which spawned two radio singles and MTV videos, “Giving In,” and “The Way You Like It.” Working non-stop on a follow-up, friction between band members soon began to surface. After the release of 2003's “Unstable,” Arista dropped the band. Chavez, who'd also begun losing interest in the band's artistic direction, quit. “After you spend five years together working non-stop, you get to know the good, the bad and the ugly,” Chavez said. “There's a lot of give and take involved. Some deal with it with women, drugs, or glued to their cell phones. All those things are going to come to the boiling point and explode.” Guitarist Mike Ransom left after Chavez quit, but DeRoo, Fluckey and drummer Kris Kohls chose to move on, re-signing with two other labels as Adema. Recording and touring with vocalists Luke Caraccioli, Bobby Reeves and guitarist Ed Faris — who would replace Ransom in the group — things weren't the same. “We should've probably changed the

“We're concentrating on, for lack of a better word, ‘reintroducing’ ourselves to our fans. We're taking it slow, feeling each other out and we definitely wanna write new material.” — Tim Fluckey

name, because the older we got, the more we realized that Adema is the original five and will always be,” said Fluckey. “We just weren't having a lot of fun towards the end.” Eventually things came to a head and the band chose a “hiatus” in 2008. DeRoo and Fluckey began producing new bands, while Ransom worked out of his own L.A. studio. Kohls, who had been pursuing a fighting career as a Brazilian Jiu-Jitsu champion over the years, still fights today. Achieving his purple belt rank in competition, he remains active in the sport when time Please see ADEMA / 19

Thursday, July 22, 2010 The Bakersfield Californian

Eye Street

FELIX ADAMO / THE CALIFORNIAN

Adema guitarist Tim Fluckey, left, and drummer Kris Kohls. Kohls became a Brazilian Jiu-Jitsu champ during the band’s hiatus.

ADEMA: Time off helped mend their relationships CONTINUED FROM 18

allows. “You might see me competing in a tournament here and there, visiting different schools on the road. We're doing the band full time and that's what I'm focusing on right now,” Kohls said. “I hadn't played drums in almost a year. I miss it.” Chavez stayed busy in Bakersfield, fronting other bands and bartending. Not satisfied with watching

the scene move on without them, time would heal and bring all five friends back together. “Dave and I would keep running into each other downtown and talk a lot,” said Chavez. “It was like, 'Hey I talked to Tim,' and 'Well hey, I talked to Kris.' The relationships started mending.” Collectively agreeing to try and resurrect the Adema name in 2009, they performed their reunion show at San Diego's

Brick by Brick on Jan. 14 of this year. Well-received, they continued booking shows through the rest of the summer. “We're concentrating on, for lack of a better word, ‘reintroducing’ ourselves to our fans,” said Fluckey. “We're taking it slow, feeling each other out and we definitely wanna write new material.” Noticeably absent from the reunion is original guitarist Ransom, who may join them later on in the year.

“Mike's busy with a studio he's working on and we wish him the best. He might perform with us on down the line,” said DeRoo. Anxious to perform for Bakersfield fans Friday, all four remain optimistic about their future together — especially Chavez. “You're going to see a better overall show — the performance, the music. I'm proud of all of us. I'm ready to do this again.”

Skate ‘celebrities’ in Bakersfield today BY MIRANDA WHITWORTH Contributing writer

Want to see the professionals in action? The Faces of Deathwish Summer Tour 2010 is hitting Bakersfield’s Big City Skate Park at 5 p.m. today, and Vonda Peralez, co-owner of the skate venue, said these are the biggest skaters her place has ever hosted. “They are one of the most famous skate teams on the nationwide circuit and we felt really privileged to be contacted by the team to be part of their West Coast tour. They are only hitting about six different shops out here and we are their first stop.” Fans will get the chance to see Deathwish skaters Antwuan Dixon, Erik Ellington, Furby, Jim Greco, John Dickson, Lizard King, Moose and Slash as they hit

GO & DO What: Faces of Deathwish Summer Tour 2010 When: 5 p.m. today Where: Big City Skate Park and Pro Shop, 4350 Wible Road Information: 398-0030; bigcityskatepark.com; vp@bigcityskatepark.com

the park’s street course, mini-ramp and 10-foot half pipe. The boys will sign autographs and meet with fans, giving local skaters a rare opportunity to see firsthand that level of skill and technical ability. “They are celebrities to these kids,”

Peralez said. “This demo allows fans to be right next to the pros while they skate instead of just seeing them on YouTube or in the videos that they buy. The exposure keeps these kids hyped up and helps them feel like they could be that one in a million to hit it big in the future.” In addition to skate demos, Big City offers a summer camp, all-night skate Lock-Ins, where attendees can skate from 8 p.m. to 8 a.m., and two-hour skate sessions that run from 10 a.m. to 9 p.m. Monday through Saturday. Sessions go from noon to 8 p.m. on Sundays. Skaters must be at least 17 and provide a picture ID. The skate park requires waivers, and helmets are mandatory. Big City also sells skateboards, accessories and safety gear.

Thursday, July 22, 2010 The Bakersfield Californian

Eye Street

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Bakotopia.com editor mmunoz@bakersfield.com

Chuck Wicks

taying in step is never a problem for country singer-songwriter Chuck Wicks. Returning to Buck Owens’ Crystal Palace tonight, the 31-year old rising star of song and TV is ready to get back to business — just no dancing, please. “I’m not a dancer, but if you get enough drinks in me I can do a mean ‘Electric Slide,’” he joked via telephone from Nashville in reference to his 2009 appearance on ABC’s “Dancing with the Stars.” “I’m really a true country boy.” Raised on a family-owned potato farm in the small town of Smyrna, Del., Wicks is part of a new generation of young hit makers, with records like “Stealing Cinderella” and his latest single, “Hold That Thought.” Waiting for a plane headed to shows in California, he also boasts other homegrown interests and talents he’d like his fans to be aware of. “I deer hunt, I do all that stuff,” he said. “A lot of people look at me sideways when I say that. Just because I don’t wear camouflage all the time doesn’t mean I don’t hunt.” The story of Wicks’ introduction to country music and Hollywood also reads like other all-American boys before him, with a few twists and swings at bat in the mix. “I grew up listening to county music, plus all that stuff my mom got me into like Journey, Chicago, and I’ve played baseball all my life.” A born athlete with aspirations of being a physical education teacher, Wicks attended Florida Southern College, where he pursued his baseball dreams. Quitting two courses shy of graduation, it was his overwhelming interest in songwriting that pulled him from playing ball to strumming guitar. “When you sit on the bench long enough, you realize you wanna do something else,” he said. “I didn’t think of music as a means to make a living until I started writing songs in college. I taught myself how to play guitar, left school and moved to Nashville.” Immersing himself in Nashville’s

FABRIE JEWELERS

When: 7 p.m. today Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $12.50 to $20.50 Information: 852-7777

COURTESY OF CHUCK WICKS

Chuck Wicks will play the Crystal Palace tonight.

Music Row scene in 2003, Wicks connected with local musicians, continuing to hone his songwriting and guitar skills. Building up an impressive repertoire of original music, he caught the ear of RCA Nashville executives, who signed him four years later. It wasn’t long before Fox Networks also wanted a piece of Wicks, casting him on the reality TV show “Nashville,” which featured him and other fresh faces. “It was actually a great learning curve for me. I was just getting ready to release my first single, which was ‘Stealing Cinderella,’ so they were following me around — visiting country radio and what I was doing back in Nashville, it was a bit much with all the cameras,” he said. But not all opportunities are as golden as they appear, as “Nashville” was canceled after only two airings. “I was thrown into a lot of things really quick,” he said. “Anytime that stuff happens at that level you learn quicker than you normally would. I thought it was good in that way.” RCA released Wicks’ “Stealing Cinderella” in 2007, followed later that year by the full-length “Starting Now.” Performing at the Grand Ole Opry to great response, he then set out on tour

— where continued success, love and opportunity converged. Courted to be a contestant on the hit show “Dancing with the Stars,” with then-girlfriend, singer-dancer Julianne Hough in 2009, he couldn’t pass it up. “I was out on tour with Brad Paisley and Julianne. The casting director for ‘DWTS’ was there too, and I had no idea why at the time. Eventually, I would go and watch Julianne dance with Cody Linley, who was on the season before me. The director kept seeing me hanging around and finally asked, ‘Do you wanna do “DWTS”? I think you’d be great.’ So, that’s how it all panned out. It was interesting but nerve-wracking more than anything,” he said. Eliminated after a successful eight weeks on the show, Wicks soon moved on without Hough to focus on his present goals — more new music and live performances. But like dancing, might there be a chance we may spot him on the silver screen anytime soon? “Timing would have to be right, but right now my main focus is writing songs and making music. That’s what I’m halfway decent at. Now acting … that’s a whole different story. This new record coming out in September is just a fun record — there’s not one depressing song on it. It’s got a lot of great grooves and things like that. It’s just a feel-good party type of record.” Sticking to an onstage promise of returning to Bakersfield with a full band after a previous acoustic appearance, Wicks is ready to give his all for fans tonight. “This is my third time playing there and I’m looking forward to coming back. It’s exciting for me, and I love the crowd they bring in. It’s just gonna be fun.”

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refers to them as “presenters” not teachers. The group includes Rose Lester, Donnel Lester, Kathy Kalson and Elizabeth Hinkle. Joyce Tanner, a local iconographer, is scheduled to begin a workshop in the fall. In addition to working with people with illnesses, the center also is useful for family members who are taking care of someone who is ill, or while waiting for a patient receiving

rence Wheeler Cancer Center. Visitors such as these can choose to simply enjoy a time of quiet reflection or attend a group devoted to caregivers. All of the activities are free, although that could change as time goes on, Dolan said. The program currently is being supported by a grant from the Sisters of Mercy. A majority of the activities are held in the Art and Spirituality Center. The

building is at Truxtun Avenue and A Street at the west end of the hospital’s campus. The space formerly was used as a chapel and one wall features a colorful religious mosaic. “I tell people Jesus may be hanging on the wall there, but we’re open for anyone,” Dolan said. “It’s not a religious space but there is spirituality in what we do there. It’s a place where people can come and express their feelings.”

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Thursday, July 29, 2010 The Bakersfield Californian

Eye Street

PHOTO COURTESY OF LOS LONELY BOYS

Los Lonely Boys, from left, Henry, Ringo and Jojo Garza, will perform Wednesday night at the Fox Theater.

Band to spice it up ‘Texican’ style Los Lonely Boys perform Wednesday at the Fox BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

os Lonely Boys’ love for music extends from their brotherly bond. Appearing live at the Fox Theater on Wednesday at 8 p.m., these proud purveyors of “Texican rock ’n’ roll,” keep it in the family. “We share all of our accomplishments,” said bassist Jojo Garza via telephone during a tour stop in Massachusetts. “It comes with a lot of craziness, but a lot more love than most people are used to, even in their own families.” Growing up with brothers Henry, guitar; and Ringo, drums, in their hometown of San Angelo, Texas, their musical upbringing took them from bars to the big time after being discovered by country legend Willie Nelson. Scoring major label success in 2004 with their Grammy-winning hit, “Heaven,” their rags-to-riches tale also became the topic of a critically acclaimed 2007 documentary titled “Cornfields and Crossroads.” “It all happened so fast,” Garza said. “Seeing the whole country, meeting a lot of different people and seeing other parts of the world.” Producing more studio albums for Epic Records, including a set of holiday classics, they now rock on as independent artists with a new label and imprint, Lonely Tone

Los Lonely Boys with The Delgado Brothers When: 8 p.m. Wednesday Where: Fox Theater, 2001 H St. Admission: $25 to $45 Information: 324-1369

Records. “We’re still playing as much as ever. As far as how many people are at the shows — that’s a whole different thing, and where we’re playing too. But, we’re also making new fans left and right,” he said. “Believe it or not, we’re still playing about 200 to 250 days of the year.” Since releasing a six-song EP of cover songs titled “1969” last October, plans to finish a new full-length release were put on hold after Jojo was forced to stop performing in April. Developing lesions on his busy vocal cords, doctors told Jojo it was time to take a rest or risk losing his livelihood. “My progress is coming along,” he explained. “We were actually in the studio when the whole thing happened with my throat, so it’s going to take awhile to get back to that. I’m trying to sing as much as I can, trying to feel normal.” Looking forward to next week’s show at the Fox, Garza and his brothers promise fans all their hits with some added spice. “We’re gonna bring the music that we play, man. And pour some Texican sauce on Bakersfield,” he said, laughing.

Thursday, July 29, 2010 The Bakersfield Californian

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Eye Street

Get ready to wiggle Hit children’s group bringing show to town

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et ready to jump, shake, and move it all around — The Wiggles are coming to town. Celebrating nearly 20 years of entertaining children around the world, Australia's silliest song and dance men are as popular as ever. Back on tour with a new show, The Wiggles Wiggly Circus at the Rabobank Convention Center Friday night, local preschoolers and parents should be prepared. “It's really a non-stop show from beginning to end,” said Wiggles member and keyboardist Jeff Fatt from his home in Sydney. “There's going to be circus elements including acrobatics, gymnastics and of course music.” Known as the “purple” Wiggle for the color of his shirt, Fatt will be joined by other Wiggle castmates including Murray Cook, red Wiggle; Anthony Field, blue Wiggle; and Sam Moran, yellow Wiggle. “I enjoy the physicality of it all, even though I'm getting up in years — it keeps me fairly young,” said the 57year-old of the fitness aspects of performing nightly. Formed in 1991, The Wiggles gained fame after a song the group recorded began circulating around their neck o' the bush. The song and accompanying video, intended to be a one-time project, helped the group become instant celebs amongst kids and parents. “We began performing a lot of regional shows and doing some suburban touring,” he remembers. “We weren't getting any TV airplay, but the huge word-of-mouth thing got around to lots of parents that we were doing something that the children really related to.” “Wiggling” back into history, Fatt, who is of Asian descent, remembers how the group's transformation from rockers to kid music phenoms evolved. “My brother and I used to perform in a rockabilly band together called The Roadmasters during the '80s, and Anthony used to come check us out. He was quite fascinated by the fact that there were two Asians in the band. It wasn't the sort of typical thing you saw in '80s Australia,” he said, laughing. Also working as a part-time sound engineer, Fatt soon began jamming with Field's band, The Cockroaches, becoming a full-time member. “We toured for about 10 years around Australia as The Cockroaches, and the style of music was not far from what The Wiggles do, in that it was very pop-based, very happy, sort of dance music. It wasn't a big stretch musically to what we're doing today.” Outgrowing The Cockroaches “pub band” status once The Wiggles con-

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PHOTO COURTESY OF THE WIGGLES

The Wiggles, clockwise from top left, Murray Cook, Sam Moran, Anthony Field and Jeff Fatt, bring their Wiggly Circus to Bakersfield on Friday.

The Wiggles Wiggly Circus When: 6:30 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $10 - $75 Information: 852-7777

cept caught on, Fatt and the group's original line-up began focusing on their new identities. Although the thought of entertaining children sounded like easy work, it took the keyboardist some getting used to. “Our first performance was very traumatic, very harrowing for me,” he laughed. “I'd never been in front of an audience of preschoolers. It was at a shopping center, and I had no idea what I was doing. I was behind the keyboard, handling the back-up tracks and had to interact with the children.” Soon the group decided to take Fatt's mild audience anxiety and develop it into the show. Known as the “sleepy one,” because of his affinity for napping on the job, his character soon had his own catch phrase with, “Wake up, Jeff!” “That's the easiest part of being a Wiggle … Sleeping.” Mixing education and entertainment, Field's background in childhood education was instrumental in developing a healthy formula when

writing material for an international audience. “It all really centers on when we ask ourselves, ‘What we do — what is in it for the child?’ The music is great in that regard, in that it makes it fun for the children. It's very engaging for any child in the world in that you don't have to have an understanding of English to be able to relate to it. We just try to make it good quality entertainment, or good quality learning disguised as entertainment.” Creating popular characters for the show including Dorothy the Dinosaur, Wags the Dog, Henry the Octopus and others, their success has also attracted other major stars to the studio. “We've recorded with quite a few big names — John Fogerty of Creedance Clearwater Revival, Kylie Minogue, even Barry Williams (who played Greg Brady in ‘The Brady Bunch’). The key is that they are parents themselves. They're all so passionate about their children, that it's easy to convince them to do a song with us.” Preparing for their big U.S. tour, Fatt doesn't plan on sleeping much during The Wiggles’ latest excursion, and Friday’s Bakersfield audience shouldn't either. Be ready to “wiggle” up a storm. “Our shows are always filled with lots of surprises and always a hoot.”

Mon-Fri 11-2 HOURS Lunch: Dinner: Mon-Thurs 5-10, Fri & Sat 5-10:30

2515 F Street • 322-9910

The Bakersfield Californian Thursday, August 5, 2010

Eye Street

Index Eye Cook . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Tehachapi Food and Wine Festival . . . . . . . . . . . .22 Junior Miss . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .24 Frazier Fiesta Days . . . . . . . . . . . . . . . . . . . . . . . . .25 The Lowdown with Matt Munoz . . . . . . . . . . . . . .26 Splish Splash Summer Fun Days . . . . . . . . . . . . . .27 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29-31

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Movie, milkshake and more Couple return to Bakersfield with cinema tour BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ilm fans are in for a real milkshake of a treat as the 2009 oil epic “There Will Be Blood” will be screened for free Sunday at the Kern County Museum. Sponsored by Levi’s and the Austin-based Alamo Drafthouse, the Bakersfield date is the third of eight stops from L.A. to New York in the Rolling Roadshow tour. “We’re excited about the Bakersfield stop,” said Alamo Drafthouse CEO Tim League. “The location we scouted out couldn’t be better.” The League name might ring a bell. Tim and his wife, Karrie, ran the historic Tejon Theater on Baker Street in Old Town Kern from 1994 to 1996. Now a converted church, it was the Leagues’ first foray into the cinema/concert business before moving to Austin, Texas, to build the successful Alamo Drafthouse franchise. Both Rice University alumni, Tim arrived in Bakersfield in 1992, taking a job with Shell Oil, while Karrie landed a microbiology job in San Francisco. With no plans of entering the entertainment business, life in east Bakersfield helped give way to League’s sudden career change. “I was 22 when I arrived in Bakersfield and moved into a studio above the old Murphy’s Tavern on Monterey Street. I used to drive by the Tejon on the way to work, and one day there was a ‘For Lease’ sign posted. After a night out with friends I said, ‘Wouldn’t it be awesome to open a movie theater?’ I signed the building lease right away.”

Living their art Bankrolling the theater’s opening with money from his two years of employment with Shell, he first set off making a series of renovations with some help from thengirlfriend Karrie and friends. “We put in some new plumbing for the bathrooms, and handupholstered all the seats. Then I bought an old movie projector from (former Bakersfield club owner) John Bentley. The deal was he had to help me install it and show me how to run it,” remem-

bered League. “Everything imploded after two weeks, and I begged Karrie to quit her job and move to Bakersfield to help save everything.” The new Tejon Theater opened for business in 1994, introducing Bakersfield to the world of hip indie filmmaking — including the local premiere of director Kevin Smith’s “Clerks.” In addition to movie theme nights, The Tejon also hosted regular rock concerts featuring everyone from The Ramones to War to a newly signed Korn. “Our bedroom there served as the greenroom for the bands. We didn’t have a staff, so we’d finish cleaning the theater at 3 a.m. and the bands would have just finished trashing our bedroom. Afterwards they’d apologize with, ‘Oh man, I’m sorry I didn’t know this was your bedroom!’” After two years of steady business and a new marriage, the Leagues decided to make their exit after a drive-by shooting outside the Tejon during a concert by R&B singer Montell Jordan. “That was such a horrible moment for us that afterwards we plotted to make a change. I think if we would have been gotten somehow associated with the Fox, or in a more of a nightlife center I think we would’ve been OK. Things weren’t really going that bad business-wise. The incident just enhanced the perception/problem of that space.”

It comes together in Austin Searching for a new beginning, they settled in Austin and began to rethink their Bakersfield business experience. Starting out on a much smaller scale, they stuck with their movie house plans, opening the first Alamo Drafthouse inside a parking garage in 1997. The Leagues’ combination of second-run films, plus food and adult beverages was an instant hit. “All the pieces fell into place in Austin. The opening night was sold out because of all the buzz leading up to the opening, but once word of mouth and the media caught on, things really began taking off.” Always aiming for something fresh, the idea for the Rolling Roadshow was an extension of the Alamo’s special movie nights held throughout the area, including “The Ultimate Deliverance Experience” that required attendees to

PARAMOUNT VANTAGE PICTURES

Daniel Day-Lewis plays oil man Daniel Plainview in “There Will Be Blood.”

Rolling Roadshow screening of ‘There Will Be Blood’ When: 7 p.m. Sunday Where: Kern County Museum, 3801 Chester Ave. Admission: Free What to bring: Blanket, lawn chair, small picnic baskets allowed. No alcohol permitted. Information: 852-5000 or rollingroadshow.com

canoe down the local river to a designated stop. Once they arrived, they were greeted by a roast-pig feast and giant portable movie screening of the 1972 thriller “Deliverance.” Since then, the Leagues successfully expanded the Alamo Drafthouse franchise to nine locations across Texas, as well as Winchester, Va.

Back where it started The Leagues chose to sell a portion of The Alamo Drafthouse company in 2004 while retaining ownership of a few locations and rights to the Rolling Roadshow. Now in its seventh year, their lat-

est tour makes its long-awaited return to Kern County following 2004’s showing of “North by Northwest” at Shafter’s Minter Field. And once again, there’s a cool back story not far behind. “We hosted the world premiere of ‘There Will Be Blood’ back in Austin, but I became friends with Paul Thomas Anderson after we had a screening of ‘Boogie Nights’ about three prior. He came down for the ‘Blood’ screening, and I asked him about locations they used for the film. I told him about my time at Shell, and that I was really into the birth of oil and had gone to the museums in Taft and Bakersfield. I could speak eloquently about oil and oil history. I was apparently the first person that had any film/world ties that: A) gave a damn about the accuracy of oil in his movie, and B) could talk semi-intelligently about oil history. That’s how we randomly bonded — because of my time at Shell in Bakersfield.” While it’s no guarantee the film’s director will show, League and his Roadshow team promise plenty of fun Sunday, including a presentation taken from the museum’s “Oil Experience” tour, plus an “I drink your milkshake contest,” inspired

PHOTO COURTESY OF TIM LEAGUE

Tim and Karrie League will host a free screening of “There Will Be Blood” Sunday at the Kern County Museum as part of their Rolling Roadshow.

by a famous line from the film. “We may actually have to do a little more beta testing, because it’s actually pretty difficult with 27inch straws. We might make a thinner milkshake.”

The Bakersfield Californian Thursday, August 19, 2010

Eye Street

Maya Bakersfield 16 Cinemas

Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, Text Movies to 21321 for 3D presentation add $3.00 to normal ticket price.

Returning to 3D Digital & IMAX Theatres for a limited time only;

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Opening at Maya Bakersfield 8/27/10

PRESENTED IN DOLBY DIGITAL Step Up 3-D – PG-13 4:15 7:00 9:50 Despicable Me in 3-D – PG 10:50 1:35

Eat, Pray, Love – PG-13 10:00 11:00 12:00 1:00 2:05 3:05 4:10 5:10 6:15 7:10 8:35 9:30 10:15 Salt – PG-13 10:05 12:25 2:40 5:05 7:20 9:40 10:25

Scott Pilgrim VS The World – PG-13 9:45 12:30 3:15 5:45 8:20 10:50 The Expendables – R 9:50 10:30 12:15 12:50 2:50 3:20 5:20 5:50 7:45 8:15 10:15 10:45 Cats & Dogs The Revenge Of Kitty Galore – G 10:25 12:45 3:05 5:30 8:00

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Step Up - PG-13 10:10 12:35 3:10 5:40 8:05 10:30

Inception – PG-13 11:45 2:45 6:00 8:45 9:20

Vampires Suck - PG-13 9:55 12:00 2:00 4:10 6:20 8:30 10:40

Despicable Me – PG 10:20 1:05 3:40 6:30

The Other Guys– PG-13 10:00 11:20 12:20 1:50 3:00 4:20 5:35 7:05 8:10 9:45 10:40

Dinner For Scmucks – PG-13 11:50 2:35 5:15 7:50 10:35

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he Bud Light Comedy Jam is back in Bakersfield this weekend with Joey Medina and Darren Carter leading the pack of traveling comics for the Fox Theater show. Carter, a Fresno native, made the jump from opener to national headliner as a regular on the L.A. comedy club circuit before making the jump to TV. Appearing on Comedy Central, BET’s “Comic View” and “The Tonight Show with Jay Leno,” the self-proclaimed “Ginger of Comedy” spared no time praising his Bakersfield fans. “Bakersfield is one of my favorite towns to perform in, and the city has been very good to me.” Currently promoting his latest CD, “That Ginger’s Crazy” — titled in tribute to one of his comedy idols, Richard Pryor — Carter’s conversational style has found success with mixed audiences. Could it be his redhead charm that makes him so appealing? “There’s not a lot of redheaded headlining comedians,” Carter laughs. “Plus, I can relate to just about anyone. I feed off the crowd. I just like giving people their jollies.” It doesn’t hurt that he’s well-versed in hip-hop music either. A fan of rapper Snoop Dogg, one of his popular bits features Carter impersonating the rapper, dancing and telling the news the “Snoop way.” “I got my own set of rapping skills as Darren Carter-Party Starter, plus who wouldn’t like to see and hear Snoop report the news?” Co-headliner Joey Medina, who along with Carter has performed on just about every type of stage imaginable, keeps his roots close during his stand-up. Pulling material from his Bronx/Puerto Rican upbringing, he’s experienced similar success with multi-ethnic fans. Inspired by the Latin comedy legend Freddie Prinze, Medina’s jokes have been embraced from Bakersfield to Bosnia and Australia. “People wanna laugh. It’s as simple as that,” Medina explains. “So much has changed in the Latin comedy scene and a lot aren’t labeled just Latin

PHOTO COURTESY OF DARREN CARTER

Fresno native Darren Carter has appeared on Comedy Central, BET’s “Comic View” and “The Tonight Show with Jay Leno.”

Bud Light Comedy Jam When: 8 p.m. Saturday Where: Fox Theater, 2001 H St. Admission: $20 to $30 Information: 324-1369

comics anymore. This show is one of those bills where everyone is a headliner.” Although the “Latin” label may follow comedians with Spanish surnames, Medina recalls a recent trip to Australia where he also performed. “I just came back from Australia and they weren’t having a ‘Cinco de Mayo’ party because I was there. Nowadays there are Latinos touring all over the place.” Also appearing are comedians Steve Simeone, Lance Patrick, Shaun Latham and DJ Cooch, a personal favorite of Medina’s. “DJ Cooch just starred in something, a DVD I produced and directed called ‘Cholo Comedy Slam’ and I predict he’s going to be a big star.”

PHOTO COURTESY OF JOEY MEDINA

Inspired by the Latin comedy legend Freddie Prinze, Joey Medina’s jokes have been embraced from Bakersfield to Bosnia and Australia.

CASH FOR GOLD Adv. Tix on Sale PIRANHA Adv. Tix on Sale LOTTERY TICKET VAMPIRES SUCK (PG-13) (140 440) 740 1040 SCOTT PILGRIM VS. THE WORLD (PG-13) (1145 230 515) 800 1050 EAT, PRAY, LOVE (PG-13) # (1245 400) 715 1030 THE EXPENDABLES (R) - ID REQ'D (1130 215 500) 745 1015 THE OTHER GUYS (PG-13) # (120 145 420) 720 750 950 1020 STEP UP IN REAL D 3D - EVENT PRICING (PG-13) # (130 430) 730 1010 CHARLIE ST. CLOUD (PG-13) (115 415) 705 930 CATS AND DOGS: REVENGE IN REALD 3D - EVENT PRICING (PG) # (1240 330) 600 845 DINNER FOR SCHMUCKS (PG-13) (1230 345) 630 915 SALT (PG-13) # (100 400) 700 1025 INCEPTION (PG-13) (1115 300) 645 1000 DESPICABLE ME (PG) (1215 315) 615 900 GROWN UPS (PG-13) (505 PM) PIRANHA 3D - MIDNITE (R) - ID REQ'D # 1201 AM LOTTERY TICKET - MIDNITE (PG-13) 1201 AM 800 PM RIFFTRAX LIVE: REEFER MADNESS (NR) © 2010 Times For 8/19/10

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The Bakersfield Californian Thursday, August 26, 2010

Eye Street

Local jazz musician set for performance Morfin preparing to head back to college this fall BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

t’s back to school for local jazz phenom Isaiah Morfin. Making a special concert appearance tonight at Metro Galleries, the 20-year-old saxophonist is looking forward to continuing his music studies at the prestigious Berklee College of Music in Boston this September. But before he begins his next round of studies, he’s throwing a jazzy farewell show. “I just finished my third semester. But it’s a four-year program, and I have some time to go,” said Morfin, who will be performing at Metro backed by an all-star band, including Doug Davis, keyboard; Glen Fong, bass; Jim Scully, guitar; Micah Nactia; Canaan McDuffie on drums; along with Jennifer Scully and Joy Wright on vocals. With a reputation for tearing up local stages and festivals like CSUB’s annual Jazz Festival, Morfin has enjoyed the challenges of being in Boston since fall of 2009. Enrolling with a double major of performance and professional music, he admits adapting to life in the big city away from family and friends took some time. “It was crazy the first time I went, and it was so cold you just don’t know what to do. It’s easy to get discouraged. There are so many musicians in the area and everyone’s trying to gig. But it’s great being around people who are as excited as you are.” Over the past year, Morfin has been under the direction of Berklee faculty music heavies like saxophonist Joe Lovano and drummer Terry Lynn Carrington to name a few. Ready to absorb even more music knowledge upon his return, he plans on

PHOTO COURTESY OF ISAIAH MORFIN

Isaiah Morfin will perform at Metro Galleries tonight.

performing some new jazz originals, plus some inspirational compositions at Metro. “We’ll be playing some Latin and groovin’ swing tunes to make you snap your fingers — music people can emotionally respond, too. It’s going to be a great concert,” Morfin said.

An Evening with Isaiah Morfin and friends When: 7 p.m. tonight Where: Metro Galleries, 1604 19th St. Admission: $8 Information: 634-9598

Oildorado gets its own Dewar’s chew BY ALLIE CASTRO Californian staff writer acastro@bakersfield.com

Now that Dewar’s has passed the 100year mark, the candy and ice cream shop is spreading the love to others in the exclusive club, offering a brand-new peanut butter-filled chocolate chew in honor of the centennial of Oildorado Days in Taft. The chew is available at both Bakersfield locations of Dewar’s and at the headquarters of the festival, a newly refurbished beauty of a building at 430 Main St. in Taft. The two-story brick building, which opened in 1927 as a Masonic temple, has been returned to its former grandeur after remaining in dire need of a makeover these last 20 years. “The store is the centerpiece for all the things going on leading up to Oildorado,” said Taft Oildorado Inc. president Eric Cooper. Events include open-mic coffeehouse

entertainment nights, talks by wellknown residents of Taft, maybe a midnight sale or two, and more. Visitors may also purchase Oildorado tickets and souvenirs, including Oildorado T-shirts, polos, blankets, pocket knives, clocks, belt buckles, glasses, even bronze sculptures from the artists involved in the creation of commemorative sculptures made for the Oildorado event. In addition to the Dewar’s chews, snacks, soda, ice cream and candy are available. For a listing of all of the events the store will host in the weeks leading up to Oildorado, check the official Oildorado website at oildoradodays.com in the coming weeks. Oildorado Days takes place Oct. 14-24. The store will be open now through Nov. 1. The store is open from 10 a.m. to 5 p.m. every day but Sunday. (Hours will be extended during Oildorado Days in October.)

Thursday, September 2, 2010 The Bakersfield Californian

Eye Street

PHOTO COURTESY OF ASIA

Asia, from left: Carl Palmer, John Wetton, Steve Howe and Geoffrey Downes.

Past, present mix in Asia Reteamed 1980s supergroup brings show to Fox tonight BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

eunited rock supergroup Asia will be appearing in Bakersfield tonight. Formed in 1981, the England-based quartet came onto the music scene during the dawn of MTV and the video music revolution. Members John Wetton (vocals, bass), Steve Howe (guitar), Geoffrey Downes (keyboards) and Carl Palmer (drums) — all former members of various ’70s progressive rock bands, including Emerson, Lake and Palmer, Yes and King Crimson — managed to strike the right chord outside of their

Asia When: 8 p.m. today Where: Fox Theater, 2001 H St. Admission: $15 to $45 Information: 324-1369

jam-heavy early works. Their 1982 self-titled debut shot to No. 1 on the Billboard charts, producing two popular radio singles — “Heat of The Moment” and “Only Time Will Tell.” Both songs were accompanied by music videos that became synonymous with the decade of new wave. And although their appearance didn’t seem to fit the times, the group’s crossover appeal kept them going strong for their sophomore album,

“Alpha.” Although not selling nearly as well as their debut, the band continued to sell and tour successfully until Wetton’s exit in 1983. Subsequent lineup changes continued in following years with no original members touring and recording as Asia. Though it retained a cult-like following through the ’90s while producing new material, the group seemed to have been forgotten. But on the heels of a memorable scene in 2005’s comedy hit “The 40Year-Old Virgin,” where the lead character is mocked for having a framed Asia poster, the band coincidentally re-formed the following year. Bakersfield fans will now get a chance to relive the band’s early glory and also hear new music from the band’s latest CD, “Omega.”

REVIEW: RE-FORMED ASIA SOUNDING BETTER THAN IT SHOULD An excerpt from a review of Asia’s show Sunday in Phoenix, written for the Arizona Republic. Asia shouldn’t be this good at this point in the band’s career. The reformed supergroup, whose shortlived run in the early ’80s has come to define the arena-rock cheese of the era, played to an adoring, if small, crowd. But rather than tread on past glories, the band, which features progrock luminaries Carl Palmer (Emerson Lake & Palmer), Steve Howe (Yes), John Wetton (King Crimson) and Geoff Downes (Yes and the Buggles), wowed the audience with a brace of new tunes and plenty of taut playing. Opening the show with “I Believe,” a track from the band’s latest CD, “Omega,” Asia made it clear that this show wasn’t simply an exercise in nostalgia. Four tunes from “Omega” were featured, as well as two from the 2007 reunion album “Phoenix,” all of which fit nicely next to such well-worn hits as

“Only Time Will Tell.” “Holy War” and “Through My Veins” particularly stood out, thanks to some fine keyboard solos from Downes. The group didn’t ignore its hits either, “Don’t Cry” and “The Smile Has Left Your Eyes” were given stripped-down treatments by Wetton and Downes. And of course “Heat of the Moment” closed the evening in bombastic fashion. The band even dusted off a couple of lesser-played tunes from the ’80s — “Open Your Eyes” from 1983’s “Alpha” closed the first set in epic form, and the band even dug out “Days Like These,” a minor radio hit from a brief, Howe-less reunion in 1990. The star of the evening was Howe. The 63-year-old guitarist may look like he is 90, but he played with the energy of a man half his age, jumping around the stage while playing tight, precise solos on tracks like “Time Again.” He also showed off his acoustic prowess with a medley that included the

“Brother of Mine” from the Yes spinoff Anderson Bruford Wakeman Howe as well as his own country-flavored “Intersection Blues,” which was reminiscent of the Yes classic “Clap.” Palmer also shined during his drum solo, an over-the-top affair involving one-handed drum rolls, balancing drumsticks on cymbals and banging gongs. But while his thunderous soloing and nimble fills were exciting and his enthusiasm was infectious, his tempo through the rest of the show was a little shaky, constantly speeding up, slowing down and ending up nowhere near the beat. This was especially evident on “Only Time Will Tell.” Despite the on-again off-again status, the squabbles and recriminations, the four musicians genuinely seem to finally be having a great time, and seem intent on making up for 25 years of missed opportunities to work together. — Michael Senft

W W W. F O X T H E A T E R O N L I N E . C O M

The Bakersfield Californian Thursday, September 9, 2010

Eye Street

Pretty people, booze ... a coincidence? BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

38 ANNUAL TH

September 10th and 11th 4:00 - 11:00 PM on Friday 1:00 PM on Saturday until 11 PM

Donation: $5.00 Adults Kids under 12 free. 401 Truxtun Ave., Bakersfield, Ca Join us for live music, Greek dancers, Kids Fun Zone, lots of vendors & great Greek food! Many food booths or a full plate sit down dinner in Hall.

See you there. Opa!

Good for September 10-11 $2 Off Admission St. George Greek Orthodox Church with this coupon.

Greek Food Festival 2010 Limit one per person.

eer, wine, food and “more beautiful people in one location than anywhere else in Bakersfield?” Where is this place, you breathlessly ask. If you have to ask, you’ve probably never been to Village Fest (or to either of the annual festival’s predecessors: Brews in the Village and Up on the Roof). Now in its 16th year, Bakersfield’s most anticipated social fiesta of the year returns to the Kern County Museum on Saturday. Village Fest founder Rick Peace is the guy promising all the fabulous faces and, considering the festival draws 4,500 paid attendees, the law of averages has got to be on his side. Originally called Up on the Roof because of its location atop the downtown Bank of America parking structure from ’94 to ’96, Peace and co-founder Ralph Fruguglietti, of Frugatti’s restaurant, decided to move it to the warmth of September and out of downtown. Changing the name to Brews in the Village, the annual event grew within the wide open spaces of the Kern County Museum. Since then, it’s been one of the city’s most popular social and fundraising events. “It was great when it was downtown and in October, it had its own aura,” said Peace. “You never saw downtown rock the way it did — but it rained on us twice. The museum is an amazing home for us, and the weather is always great in September.” After a successful run as Brews in the Village, Peace and other coordinators decided it was time for another name change to better reflect the experience. And in 2009, it was renamed Village Fest. No longer a beer-only event (it still boasts more than 60 breweries and 100-plus brews), Village Fest also features more than 20 Central Coast wineries with upwards of 50 wines, plus food from more nearly three dozen Bakersfield restaurants. “It’s been great to see it evolve, since starting as a beer festival then becoming ‘the event’ of Bakersfield.” To keep you sampling in step, 18 local rock, Latin, reggae, soul and jazz bands will be performing throughout the grounds. Some of this year’s artists include Monty Byrom, Fatt Katt and The Von Zippers, Mento Buru, Thee Majestics, Soulajar, Lawanda Smith, and the News Brothers, among others. Plus, to commemorate the lives of those lost during the attacks of 9/11, there will be a special tribute display by the Kern County Fire Department. “What you get is six different stages of simultaneous music with six different themes,” said Peace. “Once you

CALIFORNIAN FILE

Several thousand guests came to sample beers and wines — and lots of food — at the 2007 Brews in the Village. One of Bakersfield’s most popular social events, the gathering is now called Village Fest.

Village Fest 2010 When: 6 p.m. Saturday Where: Kern County Museum, 3805 Chester Ave. Admission: $63 advance; $68 day of event. Tickets available at Frugatti's, Lengthwise Brewery, or through Vallitix.com Information: 323-2739 Website: bakersfieldvillagefest.com *This is a 21 & over only event

walk into a new lawn area, you get a brand new feeling and sound.” According to Peace, the massive undertaking to organize Village Fest requires about 11 months of preparation. From making phone calls, gathering volunteers, permits and vendors, every day leading up to the final big week is important. Then, the Kern County Museum transformation begins. “That Monday morning, we start with a crew of six people to set up Gilligan’s Kon Tiki Lounge, then we keep going until that Saturday afternoon.” Since the festival’s inception, all money raised goes to benefit CARE (Children’s Advocates Resource Endowment), a non-profit organization also started by Peace and Fruguglietti in ’99. Peace explained that while other charitable organizations use much of their funds to pay for administrative costs, all the money raised for CARE is spent on those in need. “We’d like to inspire others to donate,” he said. “We’re seeing big results with the Village Fest fundraiser, and all the money is staying in Kern

County.” Some of the charities CARE has benefited include: The Society For Disabled Children’s Camp Blue Jay; CASA of Kern; the Epilepsy Society of Kern County; and Bereavement Camp, where children who’ve lost a parent can receive peer counseling. Praising the works of volunteers donating their time to these causes, CARE President Jim Luff has witnessed the good works of his organization in the community. In 2009, CARE fundraising campaigns helped set up the Southwest Bakersfield Boys and Girls Club with a new CARE Computer Center. “It’s important for us to share our accomplishments,” Luff said. “These kids can now get help with their homework, plus get valuable life and job skills. We’re making miracles happen in Bakersfield.” Looking to assure everyone enjoys themselves, Peace points out a common sight he felt compelled to change this year. While recommending attendees dress sharp, Peace is trying to avoid any footwear foul-ups. “Women dress to impress at Village Fest, but one thing we see every year are gals stuck carrying their high heels around. So, this year we’ll be selling flip-flops!” Also stepping up this year as the designated driver is Limousine Scene. General manager Luff said his company will again offer attendees a free safe ride home aboard the company’s large multi-passenger vehicle, beginning at 9 p.m. “Get your safe ride home ready before you head to the festival — your mom, dad, whoever your can trust, we want people to get home safely,” said Peace.

The Bakersfield Californian Thursday, September 16, 2010

Eye Street The Lowdown with Matt Munoz

Dad’s music passion guided me Father honored with naming of park

t’s not every day a park is named after your father. But then, not every father was like Arturo Munoz. He had more titles than I can remember in his many years of public service in McFarland: city councilman, school board member, police commissioner, coach — but to me he was Dad. And so on the occasion of the dedication of the park Saturday — an honor that makes my family so proud (but probably would have embarrassed my modest father) — I find myself thinking about yet another passion Dad pursued and passed on to me, his youngest son: music. From his collection of romantic Latin trio records from Mexico to the Duke Ellington and Willie Bobo classics, Dad played music to fit the moment. If friends were over, it might switch from mariachi with Javier Solis, to big band with Glenn Miller, a little Sinatra, or El Chicano. He had eclectic musical tastes, and it influenced me big time. He had the gift of sharing a story directly related to a song while it was playing. If a tune by jazz clarinetist Benny Goodman came on, he would tell me about taking my mother to see him perform live at the Hollywood Palladium for their honeymoon. Then there’s the story about zoot suit-wearing pachucos at local dances who loved the song, “Rum & CocaCola,” like it was an alarm to start trouble. Being the youngest of seven children, I could

Bakotopia Radio 9 to 10 p.m. Sundays on 106.1 FM. KRAB Radio Hosts: Matt Munoz and Miranda Whitworth

This Sunday • In-studio performance by Crash Kings • Interview with comedian Ralphie May, appearing Sept. 23 at the Fox

sit and listen to him talk for hours. I’d ask him about traveling to the U.S. alone as a young man from Mexico, working to find his American dream as a new citizen. He began in Texas, and moved on to Chicago, working in various agricultural labor camps, then made ends meet as a cook for the U.S. War Administration. I admired his bravery and work ethic. Like generations of other locals, my father settled in the Central Valley still holding onto the dream. He missed his family back home in Mexico, especially his mother, Carolina. But this was his new home and he was determined to stay. Around the time of his arrival in Delano in 1946, he joined area Latin band Son Guajiro, as a vocalist. Resembling members of the Desi Arnaz’ “I Love Lucy” orchestra with flashy “mambo king” style outfits, he described the group as quite popular. With shirts like that, how could they not be? Only one photo from his days as a musician survived over the years, and it’s one of my most cherished items. Just looking at the image, you can hear the tropical sounds of the bongos, claves, guiro and maracas keeping time with the guitarist. Standing behind is the horn section, blending together sweet melodies for the neighborhood. Yes, there’s a

PHOTO COURTESY OF MATT MUNOZ

Son Guajiro performs in Delano in 1946. Arturo Munoz is seated second from right.

story attached to the music-making photo too. One evening my father was asked to sing the birthday song “Las Mananitas,” for a band member’s friend — without knowing she would be his future wife, my mother, Socorro. My parents married after a year of dating and started a family in McFarland in 1946. Planting their roots firmly on their block and building a new home for all the children on the way, there was no place they’d rather be together. From that point on, my father’s commitment to family and community involvement was off and running. Landing a job at the Perelli-Minetti winery in Delano, he also worked as a foreman and was a key member of the local Wine & Allied workers union,

Matt Munoz is editor of Bakotopia.com, a sister website of The Californian that devotes itself to promoting Bakersfield’s art scene. Matt’s column appears every Thursday in Eye Street.

Arturo J. Munoz Memorial Park dedication When: 2 p.m. Saturday Where: Ebell and Woodruff streets, McFarland

helping to negotiate contracts with the UFW and Cesar Chavez. He retired after 40 years. Even with a full house and work schedule, he made time to run for public office, becoming the first Hispanic city councilman and police commissioner for the city of McFarland in 1974. Later, he was a McFarland Unified School District board member, secretary and treasurer for the Municipal Water Company, member of the Lions Club, St. Elizabeth Catholic Church, Kern Cemetery District Board, among others. He also loved athletics, and was an active youth sports coach for McFarland

Parks & Recreation. I remember waiting for my father to get home, still in his work uniform, planning baseball practice. “Hello, Mr. Munoz,” my teammates and friends would always greet him respectfully. There simply isn’t enough space for me to condense my father’s amazing life into one column. He passed away in November 2008, and is missed every day. Fortunately, he left us a legacy of love and education, teaching us that there’s a big world out there and life is what you make of it. When the city of McFarland notified my mother they would be naming a new memorial park in Dad’s honor earlier this year, it brought my family a lot of joy. My father was a simple man who didn’t look for the spotlight. He truly loved to serve, and we’re honored that his contributions to the community are being recognized. Congratulations, Dad!

Sunday, September 19, 2010 The Bakersfield Californian

Eye Street Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Fair hopes for cooler weather this year High temperatures were costly during 2009 event BY SUSAN SCAFFIDI Contributing writer

he economy doesn’t affect the Kern County Fair. But the weather does. Kern County Fair director Bill Blair said attendance last year was down 20,000 people in the first six days because of 100-plus degree weather during that time. “It’s not that people don’t want to come to the fair,” Blair said. “They don’t want to stand in line in the heat.” Blair said the drop in attendance translated to $300,000 in lost revenue — money needed to help the virtually self-funded fair operate during the entire year. Without trying to jinx anything, Blair said he’s been peeking at the long-term weather forecast and thinks the temperatures will be on his side this year. “It’s looking good,” he said. Whatever the weather holds, Blair did say the fair is also trying to attract more people by offering an advance ticket sale discount of 20 percent, an offer that expires at midnight Tuesday. But there are plenty of other price breaks this year as well (see accompanying box). Blair said this year’s fair will offer “almost the same” attractions, concessions and other events as last year, and said the number of entries in the juvenile livestock show, food, craft and hobby exhibits and other community events remains about the same. “You kind of wonder with the increasing costs of raising an animal,” Blair said. “People still love exhibiting their stuff. “That’s what the fair is all about.” While the seasonal market fair is as old as civilization itself, the tradition of the county fair in the United States began in the early 19th century. According to the Center for Agricultural History and Rural Studies at Iowa State University, rural fairs were first a private affair, sponsored by individuals or agricultural societies. That changed in 1807, when Elkanah Watson of Pittsfield, Mass., demonstrated sheep-shearing techniques at a market fair. Within four years, that fair had grown to become the Berkshire County Fair, featuring demonstrations, local industries, artisans’ work, products for the home, a band and an annual ball. The tradition spread throughout the United States over the succeeding decades, and by the 1870s, county and state fairs became the place where rural families saw the electric light, the Please see FAIR / D2

onday I went to the doctor to talk about a hip replacement. More and more, I walk like my Grandmother Sidenberg. If I develop a fondness for prelunch-time whiskey sours and a steady stream of Virginia Slims, the circle will be complete. There is no more competitive soil than a doctor’s office. It’s like walking into the opposing team’s locker room. The inclination is to see how one stacks up against the competition. The competition included a man in a walker and a second patient with a side-to-side limp that was worse than mine. Was I even in the right office? These people were whistling by the graveyard. I filled out the patient questionnaire. Given the breadth of possible medical disasters, the questionnaire made me feel like I was brimming with health. When I finished, I walked it to the nurse at the front desk with a spring in my step and then returned to my seat. A brown-haired man with glasses now occupied my seat. He was reading the Fortune magazine I had been reading and was engrossed in the same article I had been engrossed in, titled “Is Google Over?” Had he also assumed the haughty attitude of the seat’s former tenant? What do you know. People with bad hips are quicker than you think. Turn your back and they’ll clean your clock and then sit down

FELIX ADAMO / THE CALIFORNIAN

Hot plates coming through! Denise Canales delivers lunch at Molly J’s Restaurant.

Dining Out

CASEY CHRISTIE / THE CALIFORNIAN

Bacon at Molly J’s just makes this food critic’s day

Two youngsters run toward the midway area of the Kern County Fair. BY PETE TITTL Contributing columnist e-mail: ptittl@bakersfield.com

p.m. Monday Madness: $3 admission for those 6 and older until 9 p.m. Sept. 27. Two for One Wednesday: Two adults for $8 until 9 p.m. Sept. 29. Free admission: Every day for active military personnel with ID; and children 5 and under. Other deals: Senior discount: $1 off for seniors 62 and older; free admission for qualifying students under Kern County’s Reading RoundUp. Plan your itinerary: Go to kerncountyfair.com to plan your visit to the fair. The planner allows you to create and print an itinerary. The link is on the website’s main page in the “What’s New” menu.

Matt Munoz CONTRIBUTING COLUMINST

here are nattering nabobs of negativism in the media today who would have you believe the American dream is dead. Not achievable. That we’ve destroyed the freedom to succeed through persistence and hard work. Don’t tell that to William Reyes. More than two decades ago he started working as a dishwasher at Molly J’s on Panama Lane. It was owned during that time by Leroy and Shirley Neher. As the years went on, he advanced to cook, and then cook manager and finally manager. When Leroy died, Shirley sold the place to William. Fortunately, not a lot has changed about the restaurant, which is something of a neighborhood favorite in the southwest. Seats are nearly impossible to get on Sunday mornings, though the dinner business could use a boost. Reyes has not tinkered with the formula, which includes home-baked wheat bread and the best bacon I’ve ever run across. How good is this bacon? It could inspire poetry. As a Wisconsin native, I have sampled a lot of great bacon in my life, and this bacon has that fresh out of the smokehouse taste. It seems like the kind of bacon you’d get from a country store, Please see MOLLY J’S / D7

Major acts have fair in sights

Everybody knows, it’s hip to be spry

These are Herb Benham’s opinions, and not necessarily The Californian’s. His column appears Tuesday, Friday and Sunday. Call him at 395-7279 or write hbenham@ bakersfield .com.

Bargains Regular ticket prices for the Kern County Fair are touted as a bargain, but if the price is still too much for your wallet, there are a number of discounts available. The fair is offering a 20 percent discount on all tickets purchased before midnight Tuesday, a savings from $1-$5, depending on the type of ticket. There are also a number of deals during the fair’s run, from Sept. Oct. 3: Opening Day: Free admission for all between 3 and 5 p.m. Kids Daze: On Thursdays, Sept. 23 and 30, children 12 and are admitted free. Senior Day: This Friday, Seniors 55 and over admitted free, starting at 9 a.m.; free parking for seniors until 4

he Kern County fair kicks off this week, and there’s a lot of free music to satisfy most deep-fried musical appetites. Gone are the days when country music concerts were held opening night on the rodeo grandstand stage, with artists like Randy Travis or Dwight Yoakum. Santana and Ray Charles each performed too. Since then the smaller Budweiser Pavilion stage has been the place to plan your nightly party. It’s cozy, great seats and sound, and the beer garden is within reach. And the best part: All shows are free with paid admission to the fair.

CALIFORNIAN COLUMNIST

Please see BENHAM / D8

THE 2010 KERN COUNTY FAIR Sept. 22 to Oct. 3 1142 S. P St. Kerncountyfair.com Admission: Pre-sale ticket prices are $6 for adults, $3 for children ages 612, and $25 for a one-day unlimited carnival ride wristband (admission not included); available at Albertsons stores or at the Kern County Fair website, kerncountyfair.com. During the fair, prices are $8 for adults, $7 for seniors, $4 for children, $30 for wristbands. Parking is $5. Hours: 3 to 10 p.m. Sept. 22, 23, 27, 28, 29, 30; seniors admitted at 9 a.m., the general public at 10:30 a.m. Sept. 24, with gates closing at 11 p.m.; noon to 11 p.m. Sept. 25 and Oct. 2; noon to 10 p.m. Sept. 26 and Oct. 3; 3 to 11 p.m. Oct. 1.

Herb Benham

Still “kickin’ it” old school, country, Latin, Christian, rock and retro swing, the baby boomer demographic is once again fully embraced. Here’s a rundown and a preview of the 2010 fair concerts. Morris Day and The Time, 8 p.m. Wednesday, Sept. 22 Immortalized in the rock musical “Purple Rain,” singer Morris Day and his band The Time are cooler than ever. Still performing all the funky hits from their early career, including “Jungle Love,” “The Bird,” and “Fishnet,” they can rock too. During the ’80s,

The Time were Prince’s top protégés. They became so popular, a legendary rivalry ensued during their tours together. Releasing only three full-length albums, the band was also a springboard for Day producers Jimmy Jam and Terry Lewis, who helped make Janet Jackson a star. The original band lineup reunited in 2009 for a few shows, but nowadays it’s usually Day and his Please see MUSIC / D2

The Bakersfield Californian Sunday, September 19, 2010

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dancing sidekick Jerome Benton doing the, “Oeoeohhh!” Big Bad Voodoo Daddy, 8 p.m. Thursday, Sept. 23 These Ventura natives struck gold during a cameo in the ’96 dude film, “Swingers,” with their song, “Go Daddy-O.” Helping lead the nation into a swing dance revival, they were named after an autograph by blues legend, Albert Collins. Touring year-round, they’ve maintained a loyal fan base, especially in Bakersfield. In previous years fair organizers have removed floor level seating to make way for dancing, so mind your partner and practice your lindy hop before attending. PHOTOS COURTESY OF THE KERN COUNTY FAIR

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▲ Tower of Power, 8 p.m. Wednesday, Sept. 29 Local musicians refer to Pam Tillis, 8 p.m. Fri- ▲ this as the musicians’ day, Sept. 24 “reunion,” when Tower Writing and performing comes back to town. Led by Clay Walker her own material, Tillis the original members Emilio made her Grand Ole Opry Castillo and Stephen “Doc” George Jones as his musical stage debut at age 8. The Kupka since 1968, their live hero. Releasing his major daughter of country legend show will have you dancing label debut in 1993, he also Mel Tillis, she emerged from hit the top of the Billboard in the aisles. From the legthe shadow of her father in endary TOP horn section to country charts six times. In the ’90s with a slew of hits the rhythm section and soul2003 he founded his own like “Don’t Tell Me What to stirring vocals, the Bay Area’s nonprofit charity Band Do,” “Maybe It Was Memfinest have yet to slow down. Against MS, to help those phis” and “Shake the Sugar I once interviewed Castillo suffering with the disease. Tree.” Collecting Grammys, and asked his favorite part of His latest CD, “She Won’t Be CMA awards, alongside a playing in Bakersfield every Lonely Long,” is out now. string of platinum releases, year. His response? “The she’s also a best-selling tacos, man.” We’ll take his author. Making the jump to word for it. TV and theater, she can be Kutless, 8 p.m. Thursday, seen starring in “The Goree Sept. 30 Girls” next year with Jennifer Christian rock has come a Aniston. long way since the inspirational, but very un-hip sounds, of bands like Petra and The Rez Band. Thankfully bands like Kutless have helped give life to the genre En Vogue, 8 p.m. ▲ and gain a little crossover credibility at the same time. Monday, Sept. 27 Selling nearly 2 million After Diana Ross and The records over their decadeSupremes, and before Deslong career, they scored their tiny’s Child, the original first No. 1 single last year “Funky Divas” were En with “What Faith Can Do.” Vogue. Formed in 1989 in Expect a packed congregaOakland, vocalists Terry Air Supply, 8 p.m. ▲ Ellis, Cindy Herron, Maxine tion. Saturday, Sept. 25 Jones, and Dawn Robinson The Guess Who, 8 p.m. Keeping FM radio softare responsible for some of Friday, Oct. 1 rock on the map, the Ausmodern soul music’s hottest Leave it to a band of Canatralian duo of Graham hits. Showing it was OK to be dians to get famous talking Russell and Russell Hitchsilky on songs like “Hold about an “American cock sound remarkably the On,” they also showed their Woman.” Featuring original same as they did in the ’80s. rockier side with “Free Your members Jim Kale and Garry The schmaltz is still there, Mind.” They took some Peterson, The Guess Who perfect for reliving high breaks over the years, but in still can rock among all the school memories. Still huge 2009 came out of retirement young guns of today. I did in places like Southeast Asia, with a full reunion, some research on the band there isn’t a karaoke bar in announcing a new musical and discovered that there the world without “The One project in the works. have been over 37 versions That You Love,” or “Even The of the band since 1965. Collective Soul, 8 p.m. Nights Are Better,” on the Some of their former memTuesday, Sept. 28 list. In 2005 they were invited Known for their repetitive bers include Randy Bachto perform a rare show in man and Burton Cummings, verse/chorus radio-perfect Cuba. Could it be that Fidel who went on to form Bachfare, Georgia’s Collective is a fan of their song, “All Out Soul should have everyone man-Turner Overdrive. So, of Love?” will they be performing singing along. Hitting the Clay Walker, 8 p.m. Sunairwaves with 1993’s “Shine,” “Takin’ Care of Business” as day, Sept. 26 they racked up seven main- a friendly gesture to their Born Ernest Clayton “Clay” stream rock hits in the mid- former mates? Your “guess” Walker Jr., this Beaumont, dle of a post-Nirvana grunge is as good as anybody’s. Beatlemajesty, 8 p.m. Texas, native joins a list of music era. Not straying from “hunky” country singers of the formula, their deep cata- Saturday, Oct. 2 Featuring members of the the past two decades. Learn- log can still be heard regularoriginal “Beatlemania” tribing guitar at the age of 9, he ly on the airwaves and in ute band, this Fab Four tribcites country legend and fel- video games like “Alvin and ute is actually quite good. low Beaumont favorite son The Chipmunks.”

Beginning with their early mop-top era to their longhaired hippie farewell, every hit should be covered. According to their website and live videos, they’ve taken the show all the way to Malaysia and back. No word on whether they plan on bringing out a Yoko look-alike to break up the band and say goodnight. I’m kidding. Ninel Conde, 8 p.m. Sunday, Oct. 3 Closing out this year’s Budweiser Pavilion is Mexican actress and singer Ninel Conde. Most Ninel Conde famous for her stint on popular telenovela soap opera “Rebelde,” Conde was also seen on ABC’s “Ugly Betty,” and the Latin version of “Big Brother.” Her dance club hit “Bombon Asesino” is in the vein of her Rebelde pop past, but that’s what her legions of fans love. She’s beautiful, talented, and not afraid to shake her “bom bom,” once the music starts.

That’s not all … Head over to the Villa Festiva stage during the fair for some of the best Latin music you’ll find in one place. Free acts present everything from traditional mariachi, to various regional Latin styles every night. Two must-see acts this year are Mexico’s legendary La Sonora Santanera, appearing at 8:30 p.m. Sunday, Sept. 26, and La Sonora Show from Los Angeles, appearing at 8:30 p.m. Friday, Oct. 1. A combination of Caribbean rooted rhythms dating back to slavery, the Colombian cumbia is probably the most recognizable Latin musical style around. Both of these groups have been around for years and do it better than many of their contemporaries. It’s also really easy to dance while you’re eating a roasted corn layered in chili. I do it every year.

FAIR: Event’s history keeps it in many locals’ minds CONTINUED FROM D1

telephone, airplanes, home appliances, heard political speeches, saw vaudeville performers and rode on carnival rides. Modern fairs include blue ribbon competitions for livestock and exhibits and big name entertainment. According to Steve Chambers, executive director of the Western Fairs Association, the Kern County Fair, which started in October 1925, is among the oldest in California. “Prior to 1933, there were only nine official county fairs,” Chambers said. “Kern County was one of them.” Chambers said horse racing (and betting) was legalized in California in 1933, and by the beginning of World War II, there were 54 county fairs in the state. Today, with fairs all over California, Kern County, with 85 years of experience behind

CASEY CHRISTIE / THE CALIFORNIAN

Cheri Twogood poses next to the wares she was selling for Midway Souvenir Company at the 2009 Kern County Fair.

it, ranks among the best. “We have awards of recognition to fairs for doing smart things,” Chambers said. “Kern County regularly gets recognized in two areas: creative management and communication.” As an example, Chambers pointed to the county fair

board’s relationship with business, such as the transformation of the entrance area to include the Bolthouse Compound. “It was Bolthouse’s idea, but it was really the Kern County Fair that created that area that was accessible to other groups,” Chambers

said. Blair said Kern County also has a strong reputation for steady growth. “I know that because I talk to the concessionaires,” Chambers said. “I know from them that Kern is a fair that they like. That tells me they do well there.” Blair said he’s hoping to see attendance back up to the 385,000 mark this year. Entertainers to help make that number include the usual mix of country, pop and Latino performers, newcomers and vintage acts: the pop-funk group Morris Day and The Time; the jump-jive band Big Bad Voodoo Daddy; country singers Pam Tillis, Williams and Ree and Clay Walker; pop quartet En Vogue; pop and rock bands Collective Soul, Air Supply, The Guess Who and Tower of Power; the Christian band Kutless; and singer-actress Ninel Conde.

The Bakersfield Californian Thursday, September 23, 2010

IN 3D!

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Eye Street

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Enjoy Improv for a good cause at Desi Cafe BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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akersfield’s Buddha Lounge at Desi Cafe will play host to an evening of improvisational comedy and fundraising Saturday night. Hosted by Kern Assistive Technology Center of Bakersfield, the Comedy For Charity event will feature a special performance by local comedy troupe Center for Improv Advancement. All funds raised will go toward financing operating costs of a new center designed with full accessibility in mind for people living with disabilities. According to KATC founding director Aaron Markovits, there are more than 80,000 people living with disabilities in Bakersfield. Founded in 2001, KATC was formed to help such individuals lead independent lives, offering services and education. But to stay active in the community, funds are always needed. “We live in such a generous city, where people care about people with needs,” he said. “One of the challenges we face is being in a rural area. Many services aren’t as readily available as in larger cities.” Helping make life a little easier where needed, Markovits described the center’s clients as being no differ-

Comedy For Charity When: 8 p.m. Saturday Where: Buddha Lounge, inside Desi Café, 4837 Panama Lane Suite B2 Admission: $10 - $15 Information: 861-1346

ent from the average home buyer, looking to make their house a home. “There’s no place in Bakersfield where someone with a disability can look at what they need to live easier,” he said. “We’d like to offer that, and show them about having cabinets low enough to reach built, roll-in showers for people in wheelchairs, outside ramps, and much more.” Described as the “Universal Design Principle,” Markovits detailed some of the other examples of technological advances that aid in making a residence accessible. “There are doors wide enough for wheelchairs, easy access for the blind, bathrooms to easily get in and out, and if a house is two stories, you can even have a lift added. It could also be used by the general public, making it universal.” One of the sites Markovits says they’ve been offered as a home for the

new center is the historic Jastro House at 1811 20th St. The landmark’s current owners would like to donate the home to KATC, Markovits said. The catch: The organization must come up with funds to move the building and a place to put it. “The owners would like to give it to us if we can move it,” he said of the two-story structure, which was moved to its present location from 19th Street in 1917. “Right now we’re speaking with various lot owners to see if it’s something we can feasibly do. But even if that deal doesn’t work out, we’re going to have a place downtown for people to see in the future, no doubt about that.” Markovits said tickets for Saturday’s event, which will include a prize raffle, are selling briskly. Estimating total cost of the building project to reach nearly $250,000, Markovits sees the event as a good early sign of the future. “Things are going really well so far, and this center is something our community needs,” he said.

Coming Sunday Read more about the historic Jastro house in Sunday’s Eye Street.

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Halo: Reach fans, get your game on Test your skills at this weekend’s team tournament THE BAKERSFIELD CALIFORNIAN

ou've spent countless hours torturing your friends with your standard issue MA37 Assault Rifle. And from time to time, you've come across a M247H Heavy Machine Gun to take out an onslaught of alien forces as you try to protect the planet. And we're sure you've lobbed a M9 grenade in a cluster of Covenant. Now it's time to test your skills against some of the best SPARTAN soldiers in Bakersfield. This will be a skills competition like no other, according to GameStor owner Gil Garcia. On Saturday, the locally owned video game store will host a Halo: Reach Team Slayer Pro Tournament at its newest location, 8000 McNair Lane, across from 24 Hour Fitness, near Gosford Road and White Lane. “If you really want to test your skills come out to our tournament,” Garcia said. “You might be good in your own circles but you can put your team to the test and see how good they are here.

Halo: Reach 4 vs. 4 team slayer pro tournament When: Saturday; registration at 11 a.m.; tournament starts noon Where: GameStor, 8000 McNair Ave., southwest location, across from 24 hour fitness Cost: $10 per person, $40 per team Information: 836-3333 or visit www.gamestor.com Extra ammo: Major League Gaming rules apply. Each battle will be first to 50 kills with a 10minute time limit. Best two out of three battles win. Maps will be randomly drawn before matches. Maps used will be Pinnacle, Asylum, Broadwalk, Reflection and Powerhouse. Wireless controllers provided.

“If you can win here, you're pretty good.” Garcia anticipates more than 120 players will convene on GameStor's southwest location for the one-day tournament. And it won't be just gamers from the Central Valley who make the drive.

“We've had calls from San Diego and Sacramento asking about our tournament,” Garcia said. With three fields to play, as many as 16 teams will be battling for bragging rights at the same time. Entry fee is $10 per player or $40 per team. Preregistration is going on now and players will have until 11 a.m. Saturday to sign up. The first battle will start at noon. Cash prizes will be given to the winning team and are based on number of teams that enter. This is the second first-person shooter tournament at the southwest location. In June, GameStor hosted a Modern Warfare 2: Call to Duty tournament and winners received $100 each for their efforts, Garcia said. Halo: Reach, a prequel to the Halo: Combat Evolved, is already the biggest game Microsoft has ever launched on its XBOX 360 platform. Microsoft announced a record-breaking $200 million sales figure on just its first day of release in the U.S. and Europe. “Halo: Reach is the biggest game Microsoft has ever released, and its launch has already surpassed every game, movie and entertainment launch this year,” said Phil Spencer, corporate vice president of Microsoft Game Studios.

The Bakersfield Californian Thursday, September 23, 2010

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Eye Street “I think it’s my best work that I’m doing right now and ever done. I’m not doing anything older than six months old.” — Ralphie May, comedian who will appear tonight at the Fox Theater

Make way for Ralphie May Comic promises fresh, funny insights BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

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omedian Ralphie May believes in consumer freshness. Appearing tonight at the Fox Theater, the funny big man promises fans all-new material, and more. “I think it’s my best work that I’m doing right now and ever done,” said May via telephone of his latest “Too Big To Fail” tour. “I’m not doing anything older than six months old.” Still recovering from a nasty flu, May is surprisingly upbeat. Traveling nonstop since July with only a few days off between shows, he offers to prove his resiliency by sharing a comedic grossout. “I’ve only been off three days from performing, and lately I felt like I was doing that P90X on the toilet with crunches, and bowel confusion.” Ewww … Introduced to audiences on NBC’s “Last Comic Standing” and VH1’s “Celebrity Fit Club,” the Chattanooga, Tenn., native specializes in the socially taboo. Give or take a few pounds o’ jokes, nothing is off-limits in his act. “I’m talkin’ about the Arizona law, the ground zero mosque, Barack Obama, a lot of personal stuff about me and the wife and kids …” Raised in a traditional Southern household, the 38-year-old studied the work of his idols — Richard Pryor, Bill Hicks and Dave Chappelle. Describing himself as the “class clown” growing up (and out), his first big break came at age 17 after he won an area talent show with a top prize of opening for another of his heroes, the late Sam Kinison. “These are all guys that I still learn from today,” he said. “I would say I’ve always been politically incorrect, racially insensitive and culturally controversial, but funny. Originally portraying himself as an urban street dweller who could speak his mind on a variety of topics, lately he’s taken a more country approach to his stand-up. Not to worry though, this mountain living “mouth of the South” is no softie when the lights go down. Asked about his common use of the “N” word onstage, especially in these sensitive times, May believes the power lies solely in the word’s presentation. While many might disagree, it certainly hasn’t hurt May’s popularity. “The current strategy of never saying the ‘N’ word hasn’t gotten rid of the word, it’s only given it more strength. People aren’t being practical about it. People want to get rid of the hate

PHOTO COURTESY OF RALPHIE MAY

Originally portraying himself as an urban street dweller who could speak his mind on a variety of topics, Ralphie May has lately taken a more country approach to his stand-up.

Comedian Ralphie May When: 8 p.m. today Where: Fox Theater, 2001 H St. Admission: $29.50 Information: 324-1369

simultaneously with the word. Just treat it like any other word. Don’t underuse it, overuse it and then it will get out of our vernacular. If it doesn’t have any impact, then it can’t hurt anyone. So by using the words in a way that’s creative, they cease having that much power.” So how does he feel about Dr. Laura Schlessinger’s infamous radio rant that included explicit use of the word? Did she deserve to be criticized? “She made her point and went over too much. She was also very curt about it and dismissive of the moment and disrespectful to the caller, just

beating her up. The caller was talking about a real issue with her neighbors,” he said. “When you come out and see me, you’re coming to laugh so you kinda open your mind up. I’ve said stuff in my act I couldn’t say in common conversation. But in comedy, when I control the context of the word, and you’re open to it, then you can see it for what it really is … Not that big of a deal.” May plans on a return to TV in an upcoming pilot being developed through Comedy Central. In it, May and fellow comedian Lavell Crawford are co-owners of a barbecue restaurant. Lavell, who is African-American, plays May’s brother in the show. Hoping for a hit, May is ready once again ready to push comedy waistlines. “It’s probably one of the most inflammatory things I’ve ever written. We’re gonna catch a lot of hell for this, but we think it’ll be funny.”

Thursday, September 30, 2010 The Bakersfield Californian

Eye Street

Kern County Fair Special

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Dave Alvin: One man, many musical lives Bakotopia.com editor mmunoz@bakersfield.com

ave Alvin’s folk music roots are showing more these days. Returning Tuesday night to Fishlips, the guitarist and singer/songwriter, a legend in roots music circles, has a lot to share with fans. From his days as a young Downey guitar slinger braving the Hollywood punk scene with his band The Blasters to numerous guest spots and solo recordings, Alvin’s edge is sharper than ever. “I still play the same notes, some just louder than others,” he said via cell phone during a recent tour stop. “In the long run, it’s about the purity of the sound.” Not a fan of labels, he does refer to his own particular style as “folk,” but adds … “I have a pretty broad definition of what folk music is. Most people think it’s just acoustic guitar and Opry stages. That’s certainly part of it. But to me folk music is anything that comes out of traditional American music.” There’s no debating his thoughts on that subject either. Becoming one of the most respected artists of his generation, his influence is also steeped in Central Valley history. “My mom grew up in Reedley, so I kind of grew up hearing that Bakersfield and West Coast country sound.”

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The early days: What a Blast A friend to many of alternative rock’s early ’80s voices like Los Angeles’ X and bluesy/punk The Gun Club, two bands he also spent time making music with, Alvin still considers himself a fan. “It was great, because back in those days in the punk rock scene, we all looked out and hung out with each other. It wasn’t about making money. It was about being with your friends.” That rang true through much of Alvin’s early career playing alongside his brother, Phil, in The Blasters. While the band garnered a cult following, they never quite reached mainstream success. However, being able to tell stories of playing for pop impresario Dick Clark on “American Bandstand” in front of millions of TV viewers made the experience all worthwhile … from what he can remember. “It was so early in the morning that you really couldn’t appreciate how surreal it was,” he recalled. “One moment you’re standing next to Dick Clark, then later that afternoon about 5 o’clock, you’re like “Wow, I just did ‘American Bandstand’?” In 1986, Alvin left The Blasters and, like many of his peers, began to carve his own musical niche. He scored a Grammy in 2000 for his album, “Public Domain: Songs From The Wild

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Dave Alvin will perform with The Guilty Women at Fishlips on Tuesday night.

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Land.”

A Buck Owens quote to live by But two of his most noteworthy projects are those associated with a pair of country music’s closest compadres — Dwight Yoakam and Buck Owens. Covering Alvin’s “Long White Cadillacs,” a song originally written for The Blasters, Yoakam’s 1989 version was a shared artistic and financial hit. “Dwight and I were friends before he was a star, and I was very touched and honored by his recording. There were also a few nice checks that came with that.” Hired by pro audio magazine Mix to interview Buck Owens in Bakersfield in 2000, Alvin came to the Crystal Palace hoping for 30 minutes with the legend. What he ended up with was more than he had bargained for. “Buck was supposed to play the sec-

ond set of his show after our interview, but we ended up talking for over two and a half hours, and his band went on without him. We talked about everything, and he gave me one of the best quotes anyone has ever given me. It captured my concept of American music. He said, ‘Back in the old days, I couldn’t say this, but I can say it now … My two biggest influences musically were Bob Wills and the Texas Playboys and Little Richard.’ “When he said that, I was like, ‘Buck, you’re OK.’” Today, the 54-year old is touring with his latest band, a group he handpicked based on what he still loves about his job — friendships. “These are all old friends from different projects, but some of them had never met each other.” Dubbed The Guilty Women, they are: Lisa Pankratz, drums; Cindy Cashdollar, guitar; Christy McWilson, vocals; and Sarah Brown, bass. All veterans and collectively one of the most gifted bands around, the group’s only offense is its extreme talent. “I needed a change, and to jar things up. I said, ‘I’m going to put together the best all-woman roots band ever.’ And I did.”

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Thursday, October 7, 2010 The Bakersfield Californian

Eye Street

Ozomatli brings blend of art, activism to town BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

nergy, art, and activism are at the heart of the Ozomatli experience. Rising from the streets of East Los Angeles, these seven friends have gone from garage jamming to conquering world stages with their socially conscious Latin and hip-hop music blend. A regular on the international music festival circuit, the band is currently celebrating 15 years together with a string of special club shows, including a stop at Fishlips next Thursday night. Guitarist/vocalist Raul Pacheco, speaking via telephone from LAX en route to a gig in North Carolina, is happy with the band’s musical milestone. “We’ve been lucky to keep it together, with as many people that have been in and out of the band. We’ve been able to survive and make music people wanna hear, and try to have the best time doing it.” Calling the tour “Mis Quince Anos,” in joking reference to a Latin “sweet 15” birthday party or quinceanera, Pacheco says the band plans on celebrating more than just a number. “When we go out, we want to create a moment of joy with as many people as we can. We’ve always been into playing music from the get-go — doing high energy shows, getting people involved.” Starting out as a band of entertainers for pickets during a 1995 Los Angeles labor strike, the band named themselves “Ozomatli” after the Aztec god of dance. Crowds identified with the band’s penchant for layering rhythm styles like Afro-Cuban salsa, Brazilian drumming, American rap and everything in between. With that momentum, the band concentrated on touring — not just stateside, but abroad. Pacheco remembers the “epic” 1996 trip to Cuba in detail. You read correctly, Cuba. “We had some friends there who said we should just make our way down there and it would be easy to find gigs. “We had a gig at The Dragonfly club in Los Angeles, and let everybody know about our plans. We took that money, bought ourselves tickets, drove into Tijuana, and from there we took flights into Monterrey, Mexico. Then, from there they take you into Havana.” So how was it being a group of young Yankees in Castro’s yard? “We were learning how to play salsa music as a band, and here we are in Cuba. The people would tell us, ‘If people are dancing, that means they like it.’ They were really into funk and hip-hop music there, because it’s a whole different language for them. So, we hung out for about 10 days, met

Terry & ’s Charlotte

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PHOTO COURTESY OF OZOMATLI

Ozomatli, from left: Mario Calire, Jiro Yamaguchi, Ulises Bella, Asdru Sierra, Raul Pacheco, Justin Poree and Wil-Dog Abers.

Ozomatli When: 8 p.m. Oct. 14 Where: Fishlips, 1517 18th St. Admission: $24. Buy at Vallitix.com. Information: 324-2557

some incredible musicians, played about seven gigs, and had the time of our life.” Bakersfield also got a glimpse of the band in its experimental heyday at the original Bakersfield Reggae Fest both in 1996 and ’97. Pacheco has vivid memories of the heat and the crowd, who’d never seen anything like “Ozo” before. “I just remember we were eager to play. It was out in the park, all hot and crazy. People just set up and played, and we thought it was a cool community vibe.” Signed in 1998 to Almo Sounds, trumpeter Herb Alpert’s record label, the band’s eponymous debut was released to critical acclaim and garnered fans like guitarist Carlos Santana. The band used their visibility on Santana’s successful Supernatural comeback tour to keep their political message going strong. To prove it, they performed in protest across from the 2000 Democratic National Conference alongside political rock bands Rage Against The Machine, among others. “We got known for that,” he said of the band’s continued support of progressive politic organizations and the anti-war movement. “Always helping people raise money all over the city of

L.A. We’ve done that ever since we started. But we knew there was a way to still do both — contribute with some positivity and also have a good time and make some great music.” Despite their best intentions that day, the legendary show was later marred when a riot broke out between the crowd and law enforcement. Ozomatli bounced back, heading back to the studio with more inspiration than they could contain. Earning a 2002 Grammy award for Best Latin Rock/Alternative Album, for their sophomore record, “Embrace the Chaos,” the band would follow up with more well-received releases and awards in years to come, including Los Angeles Mayor Antonio Villaraigosa proclaiming April 23 “Ozomatli Day.” “What we ended up doing was turning it into a day to promote music in schools, because it’s one of the programs that gets cut first, when the budget’s tight. We were able to help create a network for people who work within that scene to keep helping one another.” Looking forward to the band’s return to Bakersfield next week, Pacheco will be joined by bandmates Wil-Dog Abers, bass; Justin Porée, vocals; Asdru Sierra, vocals and trumpet, Ulises Bella: saxophone; Jiro Yamaguchi, percussion; and Mario Calire, drums. In what promises to be a show to remember, Pacheco invites everyone to join their “conscious party.” “We don’t get to the Central Valley enough, and we’re happy to have that opportunity to connect with people again.”

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The Bakersfield Californian Thursday, October 7, 2010

Eye Street

Adv. Tix on Sale SECRETARIAT Adv. Tix on Sale LIFE AS WE KNOW IT CASE 39 (R) - ID REQ'D (145 445) 745 1025 THE SOCIAL NETWORK (PG-13) # (100 130 400 430) 700 730 1030 LET ME IN (R) - ID REQ'D (200 500) 800 1045 LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE (PG) (205 PM) 505 PM 805 PM YOU AGAIN (PG) (140 440) 740 1010 WALL STREET: MONEY NEVER SLEEPS (PG-13) # (115 345 415) 645 715 945 1015 LEGEND OF THE GUARDIANS IN REAL D 3D-EVENT PRICE (PG) # (135 435) 735 950 DEVIL (PG-13) (300) 600 830 1035 ALPHA AND OMEGA IN REALD 3D - EVENT PRICING (PG) # (330 PM) 630 PM 930 PM THE TOWN (R) - ID REQ'D (110 410) 710 1005 EASY A (PG-13) (215 515) 815 1040 RESIDENT EVIL: AFTERLIFE IN REALD 3D - EVENT PRICE (R) - ID REQ'D # (315 PM) 615 PM 915 PM © 2010

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PHOTO COURTESY OF THE DEFTONES

Friday October 8th & Saturday October 9th Free Popcorn with each paid admission. Saturday October 9th meet Shasta the Miniature Pony,

The Deftones, from left: Abe Cunningham, Frank Delgado, Chino Moreno, Sergio Vega and Stephen Carpenter.

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Legend of the Guardians: Owls of Ga ‘Hoole 3D:

12:30 1:15 3:30 4:20 5:45 6:30 7:15 8:40 9:40 10:10

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Resident Evil: Afterlife 3D:

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The Town – R

The Social Network*** - PG-13

BY MATT MUNOZ

11:10 1:55 3:20 4:35 6:10 7:25 9:10 10:20

11:30 12:40 1:25 2:10 3:20 4:05 4:50 6:10 6:50 7:40 9:00 9:40 10:30

Bakotopia.com editor mmunoz@bakersfield.com

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Let Me In – R

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Deftones return, at last, to headline Rocktoberfest

Showtimes Valid Only 10/7/10

ednesday’s Rocktoberfest concert/party at Stramler Park is brewing up to be another monster of a bash. Kicking off in the late afternoon with a pre-show beer garden and food vendor area, early arrivals can get primed before gates open at dusk. But the main attraction is music headliners The Deftones. Touring in support of their latest CD, “Diamond Eyes,” this also marks the band’s first Bakersfield show in more than 16 years. “I have no idea why it’s taken so long to get back,” said Deftones drummer Abe Cunningham of the band’s long absence from performing in a city synonymous with hard rock. “I know it’s just time to rock again, and we’ll go wherever we’re wanted.” Categorized as a “nu metal” band along with longtime buddies Korn, The Deftones were among the genre’s most successful early bands still around today. Making their major label debut with 1995’s “Adrenaline,” an 11-track, riff-heavy introduction to the world, it also helped bring exposure to the Northern California rock scene. “Being in Northern California, where it’s a bit more mellow, it gave us a chance to figure out who we are and what we wanted to do. All these bands started heading south chasing the elusive record deal and into all this crazi-

Rocktoberfest with The Deftones, Middle Class Rut and Evaline When: 4 p.m. pre-festival food and beer garden, main gates open at 6 p.m. Wednesday Where: Stramler Park, 3805 Chester Ave. Admission: $27 (plus service fee). Buy ticket at timgardeapresents.com.

ness. We decided to stay close to home.” Building a reputation for themselves with minimal to no radio airplay, The Deftones’ fanbase was built through constant touring. Their next album, “Around The Fur,” gave them a breakthrough overseas with the songs “My Own Summer (Shove It)” and “Be Quiet and Drive (Far Away).” Both minor chart hits, the new millennium helped them become permanent radio rockers. “White Pony,” the band’s third release featured the hit single “Change (In the house of flies)” and also became the most commercial release of their career. Still heard regularly as if just released, its success pales in comparison to the trials they were about to face. Two years ago, bassist Chi Cheng was severely injured in a car accident while driving with his sister, Mae. Not

wearing a seat belt, Chi was ejected from the car upon impact with another vehicle and suffered severe brain trauma. Cheng’s sister survived with minor injuries. Cunningham still finds Cheng’s recovery hard to discuss as the band has had to make difficult decisions while coping with his medical condition. “I still can’t believe it’s been nearly two years. He’s at home, in what is called a ‘minimally conscious state.’ He’s fighting, and apparently in the last few days he’s been less sedated.” To help with Cheng’s medical expenses, the band set up a website at oneloveforchi.com, where fans and well-wishers can donate money, and get updates on his condition. “He’s got tons of love from around the world, and we’re just waiting for him. He’s making improvements slowly, and he’s still here.” Keeping Cheng’s last recordings with the band in the vault until the time is right, Cunningham says the band’s friendships are stronger than ever. And for that reason, they’ve decided to keep on making music to honor their buddy. “There’s been a lot of re-evaluating how we do things, and how we live our lives. Right now, we’re just having a blast and the best time ever, and really just appreciating that we’re still able to do this.” Also appearing at Rocktoberfest are fellow Sacramento duo Middle Class Rut and Turlock neighbor Evaline.

The Bakersfield Californian Thursday, October 21, 2010

Eye Street

Tubb carries on family music tradition Uncle a legend, but singer his own man BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

t ain’t easy being Lucky Tubb. As the great-nephew to country music pioneer Ernest Tubb, many expect a tribute to the late legend and his music. Opening for Greensky Bluegrass at Fishlips on Friday night, the Texas singer/songwriter and his band, The Modern Day Troubadours, are ready to prove the naysayers wrong. “This isn’t an Ernest Tubb tribute show. I pay homage, but it is my show,” said the singer via cell phone. “I’m a seventh-generation musician in this family along with Billy Tubb, Glenn Douglass Tubb, Calvin Robert Tubb, Scooter Tubb …” Back in the U.S. after a successful tour of Europe, Tubb fully embraces the legacy of his surname, musically and stylistically. “It’s 1950s honky-tonk, a tradition that’s been going for 70-plus years. I enjoy playing it so much. I can’t really get behind the type of songs Nashville wants written, the top 40 country stuff. It all sounds likes pop rock to me.” As you can imagine, Tubb’s upbringing was filled with more than enough music to fill an Opry

Lucky Tubb and The Modern Day Troubadours with Greensky Bluegrass When: 9 p.m. Friday Where: Fishlips, 1517 18th St. Admission: $10 Information: 324-2557

house. Digging for stories on his childhood and famous uncle Ernest — whose hits include the country standard “Walking the Floor Over You” — the conversation quickly turns to influences. “I grew up on Speedy West, Jimmy Bryant, Bob Dylan, Joni Mitchell, CSYN, Bob Wills, Hank Williams and my uncle. There were stacks of wax at my house.”

‘I did a lot of crazy stuff’ But it wasn’t all smiles and backyard jams. When asked about his “outlaw” image, Tubb was ready for the next round of questions, including one he seems accustomed to answering. “I did a lot of crazy stuff before I ever picked up a guitar and got serious,” he said. “Yeah, I got locked up in Texas for five years after being busted with 52 pounds of marijuana. A lot of people sing ‘Folsom Prison Blues,’ or songs about being in prison and living hard. I lived it.” With time on his hands to think about his next move, he turned to

music upon his release. Learning guitar came naturally to Tubb, but surprisingly country music wasn’t his first choice; it was the blues. “I wanted to play blues when I started in this business. I was trained by Guy Forsyth, a great mentor and friend.” Honing his skills in and around the music mecca of Austin, where he was “lucky” enough to catch blues masters like Stevie Ray and Jimmy Vaughan in action, Tubb remembers when things began changing his tune. “One night Guy told me, ‘Ya know, your last name’s Tubb. You might wanna think about doing some country music.’” If that didn’t plant the seed, a late-night chat with one of the original road dogs of country, Wayne “The Train” Hancock, sealed the deal. “We were sitting in his van listening to my first record, and Wayne goes, ‘You like living in motel rooms and eating really crappy food all the time?’ I said ‘Yeah, I love it, I’ll do whatever.’ He said, ‘Well then, you’ll do great in this business, keep it up.’” Like a spiritual awakening, Tubb’s decision to keep the flames of tradition alive turned out to be a winning one. No longer just a basic bluesman, he took his music on the road to receptive audiences across the ocean, who came to “see that boy, Tubb.” “Never did I think that years lat-

PHOTO COURTESY OF LUCKY TUBB

Lucky Tubb, left, performs with Natalie Page Monson of The Modern Troubadours. Tubb will play at Fishlips on Friday night.

er I’d be coming off a huge European tour. We were just signed to Rhythm Bomb Records in the UK, a great rockabilly label, who will be releasing a session we did in Berlin. We’ll be performing some of those songs in our show.”

Tubb’s ‘Bakersfield’ song Tubb’s latest American release, “Damn The Luck,” is a great representation of the Tubb tradition, with enough twang to keep you two-steppin’ in the moonlight. From “Huntsville,” a written about his prison stint, to “Bakersfield,” a song inspired by our city, you’d think you were in a time warp. “I wrote ‘Bakersfield’ because I

always wanted to write a Buck Owens-type song. I wrote it on Christmas Day, right back here in Austin just sittin’ on the river. It came in about 10 minutes, and the song was done. Those are always the best ones, too.” This isn’t Tubb’s first Bakersfield stop. In May, he made an impromptu appearance, even attracting So Cal alt-country legend Big Sandy to town for the show. “It was an honor for us to meet Red Simpson that night. What a player! I’ve done ‘Highway Patrol’ in my set for years, and I never knew it was Red who wrote the song.”

Youngest member of famous jazz family performs Saturday BY SUSAN SCAFFIDI Contributing writer

usicians often retreat to the “woodshed” — hole up and practice — so they can come back refreshed, improved, or maybe even different. Drummer Jason Marsalis, went to the woodshed for eight years and came back a vibraphonist. The performer, the youngest member of the famous jazz family, will perform with his Vibes Quartet on Saturday at the Stars Theater Restaurant. “It’s not a permanent switch,” Marsalis said of his playing the vibraphone. “But it’s a way for me to expand my abilities as a writer.” Like his famous siblings Wynton, Branford and Delfeayo, Marsalis displayed musical talent at a very early age. He was given a toy drum set at the age of 3 and was studying seriously by age 7, while also sitting in with father Ellis’ group in New Orleans. By the age of 9, the young drummer was performing regularly with his father and also making appearances with brother Delfeayo.

Jason Marsalis Vibes Quartet When: Doors open 6 p.m., show 7 to 11 p.m. Saturday Where: Stars Theater Restaurant, 1931 Chester Ave. Admission: $20 Information and tickets: Stars Theater, 325-6100; or Bakersfield Jazz Workshop, 444-0853; 301-4583.

“We grew up in two different households,” Marsalis said. “By the time I was 6 years old, the first four were already out of the house.” “But I definitely grew up with their records, there’s no doubt about that,” Marsalis said. Over the course of his career, Marsalis has earned critical acclaim for his work in many genres, including straight-ahead jazz, Brazilian music, Afro-Cuban and jazz fusion, and collaborations with such artists as pianist Marcus Roberts, Shannon Powell, Dr. Michael White as well as family

members. Marsalis has recorded with all of them, and has recorded three albums under his own name, including “Year of the Drummer” in 1998, and “Music in Motion” in 2000. Like many percussionists, Marsalis studied mallet instruments, such as the vibraphone, to include melody and harmony along with the study of rhythm and meter. It was after “Music in Motion” that Marsalis began focusing on the vibraphone as a main instrument in an attempt to branch out. While he continued performing and recording as a sideman for other performers, he stopped recording under his own name for eight years. “I developed my own style and my own vision of music,” Marsalis said. That style and vision resulted in “Music Update,” recorded in December of 2008 and released in mid-2009, which features Marsalis on vibes, and the rest of his Vibes Quartet, all of whom will be performing in Bakersfield: Austin Johnson on piano, Will Goble on

CHICAGOREADER.COM

Jason Marsalis will play on Saturday night at Stars Theater Restaurant.

bass and David Potter on drums, all of whom he met while in residency at Florida State University. The album, which has received good reviews, has been noted for its musical debt to legendary vibraphonists Lionel Hampton and Milt Jackson, as well as to Jackson’s Modern Jazz Quartet.

“I think it’s good,” Marsalis said about his album. “I think there’s definitely room for improvement.” Marsalis credited some part of his recording hiatus to forces of nature. He said he had planned to record a vibes album in 2005, but was stopped by Hurricane Katrina. Marsalis had been and remains based in New Orleans. “Overall, things are better in the city than they were five years ago,” Marsalis said. “The city has persevered. The overall personality hasn’t changed.” The concert is sponsored by the Bakersfield Jazz Workshop, which also is presenting the Bakersfield Jazz Youth Ensemble at the performance. Proceeds from the concert will benefit the workshop’s educational and outreach efforts for student musicians. A spokesman for the workshop said VIP tables are sold out; however, general admission tickets are available at $20 per person. For more information, contact Steve Eisen at 444-0853, or Fred Sanchez at 301-4583.

The Bakersfield Californian Thursday, November 4, 2010

Eye Street

Index First Friday . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Cory Perry . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Sublime with Rome . . . . . . . . . . . . . . . . . . . . . . . . .23 The Lowdown with Matt Munoz . . . . . . . . . . . . . .24 Rotary USO Canteen . . . . . . . . . . . . . . . . . . . . . . . .25 Monster Truck Night of Fire and Thrills . . . . . . . .27 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30-31

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

A G-rated girl at an R-rated gig Teen queen Miranda Cosgrove teams up with bad boys like Ludacris. What’s a parent to do?

The rest of Hot Fest

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

his might be the most awkward pairing since Elmo and Katy Perry’s cleavage. The talent lineup at Friday's “Hot Fest” at Rabobank Arena sounds almost too odd to be true. Headlining the nine-act showcase is rapper/actor Ludacris, soul singer Ray J, hip-hop quintet Far East Movement, and teen queen Miranda Cosgrove. You read correctly: iCarly is opening for Luda. Scratching your head right about now? You're not alone. Sponsored by local American General Media radio stations Hot 93.1 and Ludacris Hot 94.1, the inclusion of the Nickelodeon star on the bill has been questioned since the show's announcement. What could the wholesome Cosgrove possibly be doing on the same bill as singer Jeremih, who sings a song called “Birthday Sex”? To help avoid any problems with parents planning to bring kids to the show, Rabobank Marketing Manager Ken Ouellette said the venue has taken precautions. “We have had many general inquiries about the show and different performers. If anyone calls asking about the show, we do give a disclaimer that there could be explicit language through the show.” AGM didn’t respond to calls for comment; however, Ouelette did say that Cosgrove will be performing early in the show. “We have also received questions about all of the acts and when they will go on. It is a common question with these types of shows that have multiple bands or acts.”

Cosgrove: ‘I’m a Ludacris fan’ One person who isn't concerned about the bizarre pairing is Cosgrove herself, who spoke to The Californian, direct from “Mom's house” Tuesday morning. “I don't mind,” she laughs. “I'm excited about it. I'm a Ludacris fan, so that's going to be different.” Cosgrove, 17, who made her movie debut at age 7 in 2003's “School of Rock” with comedian Jack Black, was one of the film's breakout stars. Taking her momentum to Nickelodeon, she co-starred in the popular show “Drake & Josh” before being offered the title role in “iCarly” in 2007. The show is one of the basic cable’s highest-rated programs, and has made Cosgrove a brand to build on.

PHOTO COURTESY OF MIRANDA COSGROVE

Miranda Cosgrove will perform at Hot Fest on Friday at Rabobank Arena.

PHOTO COURTESY OF FAR EAST MOVEMENT

Far East Movement

Hot Fest 2010 with Ludacris, Miranda Cosgrove, Cali Swag District, Y.G., Jeremih, Ray J, Far East Movement, New Boyz, Miguel When: 7:30 p.m. Friday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $61.05 to $28.30 Information: 852-7777

After recording a popular soundtrack to the show, her solo debut “Sparks Fly” was released in April, making it to No. 8 on the Billboard Hot 200. “I've always wanted to sing and play guitar since I was a kid. I actually started taking guitar lessons when I was on ‘Drake & Josh.’ I'm really proud of the show (“iCarly”) and I wanna keep making it as long as people enjoy watching it.” Fans should be aware before scooping up tickets that Cosgrove will not be performing all her hits and “iCarly” skits. Short on time,

PHOTO COURTESY OF NEW BOYZ

New Boyz

she hopes to pack as much in as she can. “I'm going to be doing six songs, and there's going to be dancers, hopefully confetti, and maybe I'll bring some people up onstage.” Cosgrove seems to be handling fame fairly well. Asked about recent reports involving 18- year-old Disney star Demi Lovato's entry into rehab for "emotional and physical issues," Cosgrove sent well wishes. “I've never met Demi before, but I love her music. I think she's really talented and I hope everything's good for her.”

Hot Fest 2010 isn't stretching the boundaries of radio, unless you call Miranda Cosgrove “thinking outside the box.” Atlanta-based rapper Ludacris, who's real name is Christopher Brian Bridges, boasts the most hits of everyone appearing. Building a successful acting career like that of his musical peer Ice Cube, he's shown his versatility in front of the camera, appearing in films like “Hustle & Flow,” and on TV's “Law & Order.” His current CD release “Battle of the Sexes,” is certified multi-platinum. The rest of the evening's talent will have no problem keeping audiences on their feet all night. Reminiscent of oldtime Motown traveling hit parades, these young guns will get right to the hits at showtime. Cali Swag District: This Los Angelesbased group was discovered and signed to Capitol after posting a homemade video for their song, “Teach Me How To Dougie,” on Youtube. The hit single also inspired its own silly dance with kids everywhere. Y.G.: A newcomer hailing from the city of Compton, Def Jam records signee Y.G. has one of the most requested songs on Hot 94.1 at the moment with his debut single “Toot It And Boot It.” Jeremih: His new sophomore album “All About You” features songs with fellow Hot Fest artist Ludacris and rapper 50 Cent. Jeremih is best known for his debut single from last year, titled “Birthday Sex.” Ray J: Becoming a household name after his reality show stint on “For The Love of Ray-J” on VH1 (and a sex-tape with Kim Kardashian), he's also singer Brandy's little brother. Making the charts with songs like “Sexy Can I” and “One Wish,” he's also worked with Hot Fest artist, New Boyz. Far East Movement: Introduced through the song “Lowridin',” their latest single, “Like a G6,” is a six-time No. 1 hit on iTunes. They just returned from a tour of Asia with Lady Gaga and were spotted performing at Bakersfield's Nile Bar a few months ago. New Boyz: Their annoyingly infectious 2009 song “I'm a Jerk” also came with a dance that, to this day, won't go away. Since then, they've released the songs “Tie Me Down,” “Break My Bank,” and their latest single “Spot Right There.” Miguel: This Jive Records' newcomer has another hot radio single with the Usher-iffic “All I Want Is You,” Featuring rapper, J. Cole. Sources: The Bakersfield Californian, Hot 94.1

The Bakersfield Californian Thursday, November 4, 2010

Eye Street

Adv. Tix on Sale MORNING GLORY Adv. Tix on Sale HARRY POTTER AND THE DEATHLY HALLOWS 1 SAW IN REALD 3D - EVENT PRICING (R) - ID REQ'D # PARANORMAL ACTIVITY 2 - DP (R) - ID REQ'D PARANORMAL ACTIVITY 2 (R) - ID REQ'D JACKA** 3 (R) - ID REQ'D JACKA** IN REALD 3D - EVENT PRICING (R) - ID REQ'D # HEREAFTER (PG-13) RED (PG-13) LIFE AS WE KNOW IT (PG-13) SECRETARIAT (PG) THE SOCIAL NETWORK (PG-13) LEGEND OF THE GUARDIANS: THE OWLS OF GA'HOOLE (PG) WALL STREET: MONEY NEVER SLEEPS (PG-13) DEVIL (PG-13) EASY A (PG-13) (NR) # MEGAMIND IN REALD 3D - EVENT PRICING - MIDNITE (PG) # FOR COLORED GIRLS - MIDNITE (R) - ID REQ'D DUE DATE - MIDNITE (R) - ID REQ'D # RACE ACROSS THE SKY 2010 (NR)

(245 515) 745 1015 (110 410) 710 1010 (140 440) 740 1040 (200 500) 800 1030 (130 PM 430 PM) (115 PM 415 PM) 715 PM (1240 345) 645 940 (120 420) 720 1020 (100 400) 700 950 (135 435) 735 1025 (1230 330) 630 930 (315 PM) 615 PM 915 PM (300 PM) 600 PM (1235 335) 635 935 730 PM 1201 AM 1201 AM 1201 AM 830 PM

Times For 11/4/10

MICHAEL FAGANS / THE CALIFORNIAN

Drummer Cory Perry gets into the groove on a kit at Guitar Center in Bakersfield on Monday afternoon. Perry was the winner of local drum-off and is off to the regional competition.

Maya Bakersfield 16 Cinemas

Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, Text Movies to 21321 for 3D presentation add $3.00 to normal ticket price.

Advanced Tickets Now on Sale

Megamind 3D opens 11/5 Due Date opens 11/5 For Colored Girls opens 11/5 Harry Potter & The Deathly Hallows Part 1 opens 11/19 PRESENTED IN DLP DIGITAL

Here After – PG-13

3D Saw VII*** - R

11:00 12:15 1:45 3:00 4:30 5:45 7:15 8:45 10:00

3D Jack Ass 3*** - R

11:15 12:45 1:50 3:10 4:20 5:40 6:50 8:10 9:30 10:25

11:00 1:10 3:20 5:45 8:10 9:00 11:30

Red – PG-13

12:00 1:20 2:30 4:00 5:05 6:40 7:25 9:50

Life As We Know It – PG-13

11:10 1:40 4:40 7:20

Saw VII – R

Secretariat – PG

12:10 2:40 5:15 7:45 10:15

10:55 1:35 4:10 6:55 9:35

Paranormal Activity 2*** - R

12:00 12:30 1:30 2:10 2:50 3:40 4:30 5:10 6:00 6:45 7:30 8:20 9:00 9:50 10:40 11:20

Waiting for Superman*** - PG

11:50 2:15 4:50 7:15 9:40

The Social Network*** - PG-13

11:30 2:15 4:50 8:00 10:35

The Town – R

10:20PM

Legend of the Guardian: Owls of Ga’Hoole – PG

11:20AM

Never Let Me Go – R

12:20 2:55 5:15 7:40 10:10

*** Special engagement 1000 California Ave. • 661-636-0484 • mayacinemas.com

Buy Tickets Online www.regencymovies.com

EAST HILLS MALL

3000 Mall View Road

661-871-3456

CASE 39 E 12:20, 2:45, 5:20, 7:50, 10:15 LET ME IN E 1:00, 4:00, 7:25, 10:00 YOU AGAIN B 11:45, 2:15, 4:50, 7:20, 9:55 LOTTERY TICKET C 5:20, 7:45, 10:05 NANNY MCPHEE RETURNS B 11:35, 2:00, 4:30, 7:00 EAT PRAY LOVE C 12:40, 3:45, 6:50, 9:50 THE OTHER GUYS C 12:15, 2:50, 5:10, 7:40, 10:10 SALT C 9:30 PM INCEPTION C 12:30, 2:20, 3:45, 7:00, 8:00, 10:10 DESPICABLE ME B 11:50, 12:50, 2:10, 3:10, 4:40, 7:10, 9:40 TOY STORY 3 A 11:55, 5:30 Showtimes for October 29-November 4

The one to beat? Drummer hopes so BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ory Perry’s funky back beat has helped push him to the front of the class. As the Bakersfield finalist heading down to tonight’s 22nd Annual Guitar Center Drum-Off, in Rancho Cucamonga, the 25-year-old drummer plans to keep it “in the pocket” at all times. Joined by six other store district finalists from Fresno to Palmdale, one winner will go on to a smaller regional competition. From there, five regional finalists will compete for the grand prize in Los Angeles this January. Each of the five finalists will perform for a live audience, opening for a nationally recognized artist and in front of a panel of celebrity judges. “I’ve gotta step it up. I’ve been practicing a lot of little things like showmanship, personality….” Perry, who works by day in the mental health field, is also an active musician at Grace Christian Fellowship church among others. A fan of the energetic gospel groove that keeps smiling congregations rejoicing, his drumming has been

22nd Annual Guitar Center Drum-Off District Finals When: 7 tonight Where: Guitar Center, 12479 Foothill Blvd., Rancho Cucamonga Information: 909-899-9843 or guitarcenter.com

helping keep the faithful in heavenly step for years. “Drumming is something I’ve always been doing since I was 5. I grew up watching people in church, and it became one of those natural things. My dad plays the congas too, so I guess it’s been passed on to me, my hand speed and all.” Graduating from Ridgeview High School in 2003, Perry says he was drawn to the technical rigors of jazz, and eventually began observing the techniques of others while developing his own. “I watch other drummers — Dennis Chambers, Vinnie Colaiuta, drum videos on YouTube, just opening my mind to new things. My favorite is Chris Coleman — his approach to the kit, his style and flavor. He’s really fast.”

This was the third time Perry entered the drum-off, and his first win. Taking the day in stride as he’d done the previous two years, he wasn’t even present when his name was announced. “I was in the keyboard room, and one of the store workers told me I won. I jumped up and everyone else jumped up and gathered around me to give me (a) hug. I finally got it!” Regularly sweating it out with his other drumming buddies, Perry’s practice regimen has been no joke. Gathering for a daily rhythmic ritual he and his friends call “goin’ to the shed,” he and another drummer will set up two drum kits face to face, and trade off beats with one another. It’s an interaction he said helps keep his ideas flowing without pause. “At least two hours a day, sometimes even longer. I also sit with my practice pad, working on different things with a metronome.” Dreaming of a full-time career in music, Perry sees making the finals as another good sign of his future, win or lose. “I have so much passion for it. I’m gonna try to breathe, get loose and do what I know for the judges.”

Thursday, November 4, 2010 The Bakersfield Californian

Eye Street

SFIELD CALIF OR

IN 3D!

2010

Sublime lives as Sublime with Rome — from left: Rome Martinez, Eric Wilson and Bud Gaugh — performing Friday at the Rabobank Convention Center.

AN NI

PHOTO COURTESY OF JASON RODRIGUEZ AND JOE FOSTER

O R S’ C H O I C E P

The Kern County Scottish Society Presents

B Bakersfield akersfield C Celtic eltic Music M usic Festival F estival Nov 13, 2010 CSUB Amphitheater

Sublimely different Reformed group brings its tour to Rabobank on Friday BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

t’s tough getting a full sentence out of Rome Martinez at the moment. But since he landed a gig fronting reggae/rock legend Sublime, you can’t help but feel for the kid. “This tour has been nonstop crazy,” said the 22-year-old singer/guitarist via cell phone on a tour stop in Florida last week. “I’m not going to throw anyone under the bus or anything, but we have our fun.” Appearing Friday under the band’s official new name, Sublime with Rome, at Rabobank, Martinez’s excitement is to be expected. Not only was he handpicked by surviving band members Bud Gaugh and Eric Wilson to step into the shoes of their late frontman and friend, Bradley Nowell, but he hasn’t been booed offstage — yet. “It’s been going great. Every show has been sold out and we’re just having a blast.” Formed in 1988 in their hometown of Long Beach, Sublime’s mashup of reggae, ska and punk sound is pure California fun. Starting as a party band making the rounds at keg parties and dive bars in and around Southern California, their DIY credo helped them build a fiercely loyal fan base. Releasing two independent albums — “40 Oz. to Freedom” and “Robbin’ The Hood” — and a final major label release, “Sublime,” between ’92 and ’96, Nowell’s creativity was boundless. Fans quickly memorized every lyric

Sublime with Rome and The Dirty Heads When: 7:30 p.m. Friday Where: Rabobank Convention Center, 1001 Truxtun Ave. Admission: $33.50 plus service charge Information: 852-7777

and guitar lick they put out. Then there were the unpredictable live shows, whose sloppiness was ignored because of the band’s charm. Soon radio came calling, picking up on the cautionary romp “Date Rape” from the band’s debut and spinning it in regular rotation. From there, the bidding war began and Sublime was plucked from the underground to be primed for stardom. Signed in ’94 to MCA, the label began working with the band to help polish its choppiness at Willie Nelson’s Pedernales Studio in Austin, Texas. There, Sublime completed what would be its musical opus. But just before its release, Nowell died of a heroin overdose on May 25, 1996, while on the road. After singles “What I Got” and “Santeria” became hits, fans were saddened that they would never get to see their favorite band again. Martinez, who was only 8 when the band’s last record was released, never had a chance to catch the band live as a kid in the Bay Area city of Fremont. “After I got the last CD, they became my favorite group. I started learning all of their music. My three favorites to play along with were “Eye of Fatima,” “Perfect World” and “New Song.” After Nowell’s death, remaining

members Gaugh and Wilson continued making music in various incarnations, including Long Beach Dub All Stars and Long Beach Shortbus. Although the sound and faces were similar, no incarnation managed to live up to the band’s original spirit. After a legal battle with the Nowell estate over use of the band’s name, Gaugh and Wilson came to a settlement with strict conditions. Enter the dawn of Rome. Introduced through some mutual friends, Martinez one day found himself jamming with two of his idols. The eerie chemistry was instant. “I knew all the songs because I always played them. When they wanted to jam, it was like, ‘Let’s go!’” Seeing potential, Gaugh and Wilson offered Rome the coveted lead, and made plans to resurface — this time as Sublime with Rome. When news of the quasi-reunion spread, it wasn’t long before the trio decided it was the right time to tour. Set lists of all the classics have been composed and fans have been flocking to shows since the band’s return in February. Plans include a new album of original music and more touring, all while trying to remain in the good graces of the Nowell family. “I just wanted to go up there, be myself, and have fun. Sublime has always been a big influence and I wanted to be a good addition to the family. I’ve met Brad’s sister and (Nowell’s widow) Troy. They’re really cool people, just normal folks like me.” Opening the show will be Huntington Beach quartet The Dirty Heads, who recently scored a radio hit with their song “Lay Me Down,” featuring Martinez on lead vocals.

11am-11pm Adults $15 10 & under Free Students w/ID, Seniors & Military $10 • Come and enjoy

• Banshee in the Kitchen

• The Wicked Tinkers • 1916 • Tempest

• Slugger O’Toole

• Whiskey Galore

• Plus “World’s” Tallest Leprechaun

• California Celts

Tickets available at World Records and at www.kernscot.com

The Bakersfield Californian Thursday, November 18, 2010

Eye Street

Index Enchanted Forest/Festival of Trees . . . . . . . . . . .19 Lisa Lampanelli . . . . . . . . . . . . . . . . . . . . . . . . . . . .20 Chicago review . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Sundai Love . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .23 The Lowdown with Matt Munoz . . . . . . . . . . . . . .24 Abate-A-Weed 45th anniversary . . . . . . . . . . . . . .26 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29-31

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

C’mon: Jump on the band wagon Students take the field in climactic end to competitive season

15th Annual Music in Motion band competition When: 9 a.m. Saturday Where: Centennial High School, 5601 Hageman Road Admission: $8; $6 seniors and students with ASB card; $5 children ages 5-12. Free for children 5 and under

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

niforms buttoned, shoes tied and hats leveled, Bakersfield area bands will be putting their best feet forward at Saturday's 15th Annual Music in Motion band competition. Twenty-four high schools and four junior highs will be in attendance, in what will be a climactic end to a big 2010 local field competition season. The event is hosted by Centennial High School and will feature majestic sounds from some of Kern, Ventura, Santa Barbara, and Los Angeles counties’ best. Second-year Centennial band director Matthew Ouska is excited about hosting the competition once again. “Last year we did pretty well, and this year we're hoping for even better.” Ouska, who came to Centennial after graduating from the University of Illinois, was a member of the famed Marching Illini, assigned to the low brass section on euphonium, or baritone horn. Seeing his share of football fields over the years, he said the enormous help from parents makes all the difference when planning. “There's a lot of work involved with organizing such a large-scale event like this, but we have a lot of veteran parents with kids who've been in the program over the years. They all help a lot.” Senior McKenna Holmes, Centennial Marching Hawks color guard captain, described some of her team's contributions to making the event a success. “It's a lot of work organizing as a host, and we started at the beginning of October. My group is in charge of the color guard vendor booth. We sell cookies, balloons, flower clips, and we make it all ourselves. We normally start out with a list and fill it up as we go.” Color guard's role in the marching band experience is integral to the show's visual aspects. Whether in parades or in an elaborate field show, the flag-spinning dance routines add glitz and color to each musical number. Hoping to continue after graduation and travel with a national drum and bugle corps group, Holmes values the rewards

Performance times for local bands Junior High Rio Bravo Greeley Middle School, 10 a.m. Fruitvale Junior High, 10:10 a.m. Beardsley Junior High, 10:20 a.m. Standard Middle School, 10:30 a.m. Junior high awards, 10:50 a.m. HENRY A. BARRIOS / THE CALIFORNIAN

Host Centennial High will be among the 24 high schools and four junior highs at the 15th annual Music in Motion band competition on Saturday.

her experience she’s gotten as a member of a marching band. “You make a lot of friendships and bonds with people you might normally not have. We become like a family, and we support each other in things outside of color guard too.” Saturday's daylong competition is divided into five categories to create — quite literally — an even playing field for every school. With the exception of the junior high division and the host school, which performs only in exhibition, each will fall into one of the following groups: 1A, 1-50 musicians; 2A, 51-70; 3A, 71-90; 4A, 91-120; and 5A,120-150. Judges rate each band in the categories of music, auxiliary (color guard,) percussion, visual performance, and general effect. Keeping his band in step at all times with an unwavering focus is Centennial senior and percussion captain Matt Buccat. Leading the pit section of non-marching percussion, he's been busy tightening up the band's seven-minute presentation of selections from the Broadway classic “Fiddler on the Roof.” Praising his fellow bandmates for an outstanding performance at a West High School competition two weeks ago, he said this year's choice required a little

Centennial’s band performs before the start of a recent football game.

more work then usual. “The music for ‘Fiddler’ was a little bit more challenging than usual. It has different kinds of rhythm and sounds really good. It's a really fun event and everyone should come.” In the two years he's has been at Centennial, Ouska has been impressed with the quality of many local programs despite the rough economy. Heading into the weekend, he remains confident about

the future of events like Music in Motion. “I'm new to Bakersfield, but there are a lot of good programs and hard-working people keeping things up. Obviously money is tighter, and that's a challenge. The situation is different for each school, as far as growing or declining enrollment for each band. Everybody's doing their very best to support their students.”

High School Foothill High, 11:30 a.m. Robert F. Kennedy High, 12:15 p.m. Highland High, 1:30 p.m. Antelope Valley High, 2:30 p.m. Arvin High, 2:45 p.m. East Bakersfield High, 3 p.m. West High, 3:15 p.m. Bakersfield High: 3:30 p.m. Division 1A, 2A Awards: 4 p.m. North High, 4:45 p.m. South High, 5 p.m. Independence High, 5:15 p.m. Liberty High, 5:45 p.m. Daytime sweepstakes winner / exhibition performance: 6:15 p.m. Golden Valley High, 7:15 p.m. Frontier High, 8 p.m. Centennial High exhibition performance, 8:15 p.m. Division 3A, 4A, 5A Awards, 8:45 p.m.

The Bakersfield Californian Thursday, November 18, 2010

Eye Street

Nice? No, but who said nice was funny? BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

C Adv. Tix on Sale HARRY POTTER AND THE DEATHLY HALLOWS 1 Adv. Tix on Sale TANGLED Adv. Tix on Sale BURLESQUE HARRY POTTER & THE DEATHLY 1 - DP - MIDNITE (PG-13) # 1201 AM HARRY POTTER & THE DEATHLY HALLOWS 1 - MIDNITE (PG-13) # 1201 AM 300 AM UNSTOPPABLE - DP (PG-13) (1200 215 430) 645 900 SKYLINE (PG-13) (1215 230 500) 745 UNSTOPPABLE (PG-13) (130 430) 730 1030 MORNING GLORY (PG-13) (120 420) 720 1020 MEGAMIND IN REALD 3D - EVENT PRICING (PG) # (1230 145 235 405 445) 630 700 845 915 MEGAMIND (PG) (115 PM 345 PM) 615 PM DUE DATE (R) - ID REQ'D (125 205 425) 725 805 1005 1035 FOR COLORED GIRLS (R) - ID REQ'D (105 405) 715 1015 SAW IN REALD 3D - EVENT PRICING (R) - ID REQ'D # (110 345) 705 920 PARANORMAL ACTIVITY 2 (R) - ID REQ'D 740 PM 1040 PM JACKA** IN REALD 3D - EVENT PRICING (R) - ID REQ'D # (1220 230 440) 650 905 HEREAFTER (PG-13) (505 PM) RED (PG-13) (1230 330) 630 930 LIFE AS WE KNOW IT (PG-13) (140 PM 440 PM) 900 PM SECRETARIAT (PG)

Times For 11/18/10

322-SELL Classified *Three lines, Monday – Wednesday. One item per ad.

Maya Bakersfield 16 Cinemas

Maya Bakersfield 16 Cinemas Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, for 3D presentation add $3.00 to normal ticket price.

Please Join us for a Special Midnight Showing of

Harry Potter & The Deathly Hallows Text Movies to 21321

on Thursday, 11/18

PRESENTED IN DLP DIGITAL

3D Megamind*** - PG 12:00 1:30 2:30 3:55 5:00 6:30 9:00 3D Jack Ass*** - R 7:35PM 3D Saw VII*** - R 11:00 1:10 3:20 5:45 7:35 8:10

Morning Glory*** - PG-13 11:45 1:25 2:15 4:00 4:45 6:35 7:20 9:15 10:00 12:01

For Colored Girls – R 11:25 2:05 4:50 7:40 10:25

MegaMind*** - PG 11:15 12:55 1:55 3:30 4:35 6:00 7:05 8:20 9:45

Here After – PG-13 10:40

Unstoppable*** - PG-13 11:30 12:20 2:00 2:50 4:30 5:10 7:00 7:45 9:40 10:15 12:01AM

Skyline – PG-13 11:20 12:30 1:40 3:00 4:10 5:30 6:30 8:00 9:00

Paranormal Activity 2*** - R 12:45 2:55 5:10 7:25 9:35

Red – PG-13 11:10 1:50 4:20 6:50 9:20

Due Date – R 11:50 1:30 2:10 3:50 4:25 6:10 6:45 8:30 9:10 10:50

*** Special engagement

1000 California Ave. • 661-636-0484 • mayacinemas.com

omedian Lisa Lampanelli started her career at a magazine, but she knew she’d found a far more effective way to tell a story the minute she stepped onstage for the first time. Bringing her popular brand of insult comedy to The Fox on Friday night, her only regret was that she didn't start her comedy career earlier. “I got sick of earning 12 grand a year; that was probably the first thing,” she said via telephone from Los Angeles. “But really the fact is, there are like three funny people in the world, and I'm one of 'em.” Currently in the middle of a fall warm-up tour before taping an upcoming Comedy Central special to be titled “Tough Love,” Lampanelli's stance is rock solid. Beginning her career as copy editor and writer for Rolling Stone, she cut her teeth among the legions of '80s hair metal bands. Looking back at her illustrious former occupation, she can't help but sprinkle on the sarcasm. “I don't like to brag, but I used to interview all the big ones — Cinderella, Slaughter, you name it baby.” The story behind the irresistible “Queen of Mean” begins in her hometown of Turnbull, Conn., where she gres up one of three siblings in an Italian household. Her father was a pilot and a painter, while mom worked for the police department. “My mother was loud and Italian. Just put it this way — she could have straightened Precious out in 10 minutes flat. She's really funny, and a great storyteller. Hopefully the people think the same thing about me.” After deciding journalism wasn’t her calling, she took up side jobs as a party DJ to get comfortable behind a microphone, plotting a transition away from writing. Honing a short act to test out the comedy waters, Lampanelli made the bill at a midweek comedy club show in New York one evening. From that moment on, a change in occupation became reality. “I knew I was gonna have to try this eventually. I was really nervous, but for some reason the place was full. I had a couple friends in the audience, and did a quick five minutes. I ad-libbed with the audience, made fun of the emcee. It turned out to be one of the best nights of my life. The next day I called in sick to work thinking, who do they think they are, holding me down?” Crediting the teachers of her craft, including her mother's daily rants, she patiently took time to develop her act from a trash-talking loudmouth, to even worse. “It had to develop. I had a teacher who said, ‘Talk about things that you

PHOTO COURTESY OF LISA LAMPANELLI

Comedian Lisa Lampanelli will perform on Friday night at the Fox Theater.

Lisa Lampanelli with special guest When: 8 p.m. Friday Where: The Fox Theater, 2001 H St. Admission: $38.50 Information: 324-1369

either love or hate to get some passion into the material.’ I clearly hate a lot of things, so there was a lot hate in that act. It kind of moved forward from there.” Her big break came when she caught the ear of New York Friars' Club and Comedy Central. Tapped to give 2002 inductee Chevy Chase the business, the reaction was instant and led to another high-profile appearance at the recent roast for “Baywatch” actor David Hasselhoff. In the tradition of idols' Don Rickles and shock jock Howard Stern, Lampanelli's “truth” has turned to comedy gold. Appearing in subsequent TV specials, including two of her own, she also was nominated for a Grammy award for “Best Comedy Album,” in 2008. “Howard Stern is my hero, because of his honesty. He said, if you expect to be a success in the business, you gotta be honest onstage. Rickles, he's still alive and doing his thing. He's 84 years-old. Isn't it about time to give up the throne? Hurry up and die.” Lampanelli says she plans to unload all-new material on fans at the Fox, so

be prepared. This queen is ready to roar once more. “It's 100 percent new material, no one's ever seen. It's hysterical.”

Lampanelli on ... Marijuana legalization: “I say go for it, because you know what? How are going to get crack legalized if we don't start with pot? Smoke 'em if you got 'em.” Gay marriage: “They should totally allow gay marriage but outlaw gay divorces. If they wanna get married, see how it is to be stuck with somebody.” Immigration: “I say the more Mexicans we can get the better, because they're the only ones who work hard in this country. I'm sick and tired of these spoiled white kids turning down all the jobs, and then getting mad at the Mexicans for coming over. I have 12 Mexicans working for me right at this moment.” Glenn Beck: “I don't think he has a very good stylist, because he should redo his hair. That's pretty much how deep I get with him.” MTV's “Jersey Shore”: “It's the worst thing to happen to the Jersey Shore since erosion and medical waste. First of all there's Snookie, who's so short and orange, she could work part-time as a traffic cone. Then you got The Situation, who, by the way, has a rap CD coming out. I'd feel less embarrassed buying child pornography and vaginal itch cream, OK?”

Thursday, November 18, 2010 The Bakersfield Californian

Eye Street

PHOTO COURTESY OF SASKIA THOMPSON

3 Leg Torso: from left, Mike Murphy, Courtney Von Drehle, Bela Balogh, Gary Irvine, T.J. Arko.

Off-kilter name suits off-kilter band BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

band name like “3 Leg Torso” on any marquee is guaranteed to cause confusion. Making their Bakersfield debut Friday evening at Dove Creek Bible Church, the Portland-based quintet is currently celebrating 14 years of taking musical concepts to the melodic extreme. Mixing the beauty of Eastern European folk music, Latin dance rhythms, jazz, and a cabaret-like shtick into one, listeners will find themselves somewhere between Frank Zappa and Ástor Piazzolla. “We’re actually a chamber punk band,” joked accordion player Courtney Von Drehle about the group’s rebellious style and wit. “Coming and seeing us live, you go on a journey. People are often transported to many different places.” Humor aside, there is some truth to Von Drehle’s statement. Rising from the ashes of another equally experimental but rockier former project, original members — violinist, Béla Balogh, along with Von Drehle, decided it was time to mess with the traditions of chamber music. Not to shame its beauty, but to elevate and update it for a new audience. “My background was in Klezmer — a form of Jewish dance music, and Eastern European music,” said Von Drehle. “After our last band broke up, I really wanted to try incorporating it into something new and play in the streets.” Not the least bit interested in the beginning, longtime buddy Balogh finally gave in after a heartbreaking experience. “Courtney tried to talk me into playing the streets, but I wasn’t havin’ it. Then my girlfriend broke up with me and I had to get outta the house,” he recalled. “We used to dress up like Steve Martin and Dan Aykroyd as the two wild and crazy Czech guys from Saturday Night Live.” As loveable music geeks in the big city, they gained ground in the Portland area and eventually became the core of what would become 3 Leg Torso. Recording a series of independent releases and scoring some

Kern Arts Council presents 3 Leg Torso When: 7 p.m. Friday Where: Dove Creek Bible Church, 5131 Office Park Drive Admission: $20 general / $15 Kern Arts Council members / $10 students Information: 324-9000 or kernarts.org

short films by NPR contributor David Greenberger, they’ve been greasing their imaginative wheels ever since. Currently touring the festival circuit to appreciative audiences, their latest CD “Animals and Cannibals,” epitomizes the sound they’ve worked so hard to perfect. “This is one of those projects that after working it for so long, you’ve gotten to know it well and you kind of recognize its strengths and weaknesses,” said Von Drehle of 10-track release, which will be available for sale the day of the show. “We get some crazy reactions with the combination of jazz and rock. It’s a bigger pot to stir, but we ended up with a pretty well-seasoned stew.” Songs like “The Life and Times and Good Deeds of St. Penguin” and “Bus Stop to Oblivion” are fun listens, packed with technical twists in every measure. Another of the CD’s standout tracks is the soothing “The Last Dream,” the perfect ending to a brilliantly produced CD. Chamber music aficionados shouldn’t take offense — these guys can really play. “We did many things that wouldn’t be done in a classical or chamber setting. I’m not saying our other albums are bad. It’s just that I can listen to this and enjoy listening to it again and again,” said Balogh, who along with Von Drehle and the rest of the band, shine throughout. “Coming to this show, will probably be one of the most exciting times of your year,” he added. Joining Von Drehle and Balogh on Saturday will be musicians: Michael Papillo, double bass; Gary Irvine, drums and percussion; and TJ Arko, percussion.

Presents The 21st Annual

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Thursday, November 25, 2010 The Bakersfield Californian

Eye Street Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com COURTESY OF MILES LABAT

Music by Bakersfield rapper Danny Wayne can be heard in Tyler Perry’s latest film, “For Colored Girls.”

Holiday Lights

Bakersfield rap artist heard in film BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

CASEY CHRISTIE / THE CALIFORNIAN

Holiday Lights at CALM is set for its eighth season. This photo is of the 2009 show.

Lights come out at CALM Eighth annual Holiday Lights expected to bring out thousands of visitors to the California Living Museum this season BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

party of firework-happy elves and the return of a jolly sea serpent are just two surprises fans and families can expect at the eighth annual CALM Holiday Lights, which opens this weekend. “It’s such a big public event,” said California Living Museum zoo director Lana Fain of the fundraiser, which has become a local institution since its inception in 2002. “We used to think it was a big thing for Bakersfield, and now everyone else does.” Lightasmic’s Josh Barnett knows the feeling. His imagination and crew help bring each display to life. But keeping the light bulb on inside his busy head requires that he never stop looking for new ideas. “We keep moving forward along with technology. Sometimes one thing leads to another,” he said via telephone from Grand Prairie, Texas, where he’s preparing to flip the switch on another big display before hopping on a plane back home to Bakersfield. “Walking through the park, listen-

appy Thanksgiving! Before I sit down to enjoy a weekend of tryptophaninduced laziness, here’s some cool local celebrity news. Tyler Perry movie fans should listen closely while watching his latest feature, “For Colored Girls” currently in theaters. According to the Internet Movie Database, Bakersfield rap artist Danny Wayne has a song, “Alone In My Room,” playing during one of the film’s scenes. Although not included in the movie’s soundtrack, he’s listed alongside some pretty famous company, including soul singers Gladys Knight, Sharon Jones & the Dap Kings and more. A veteran of the local hip-hop and rap scene, Wayne made a name for himself as a member of underground hip-hop heroes Pac Nashun. Now going solo with a new CD, “Thin Line” — available through independent music label Artistfinders.com — Wayne’s onscreen music moment should give him another good career push. The song is filled with slick beats, conscious lyrics, plus the catchy LL Cool J-inspired hook you’ll recognize from the ’87 classic “I Need Love.” For more information, visit myspace.com/dannywayne1000 or stop by your local 7-Eleven and pick up a copy of the disc.

Some UnFriendly fun Making the viral rounds is late-night TV host Jimmy Kimmel’s hilarious “November 17th: National UnFriend Day” video. Originally broadcast last week, ’70s funk legends WAR can be seen singing a parody of their ’74 hit single “Why Can’t We Be Friends?” this time with, you guessed it, “UnFriend,” in the title. One familiar face in the video is percussionist and Lamont native Marcos Reyes, who’s been a full-time member of the band for more than 13 years. “When we got to the studio, they gave us a sheet of lyrics and a script of what would happen,” said Reyes. “We recorded the song first and lip-synched the performance during the taping. We had to do it a few times, because they wanted different camera angles. We each had our own little acting debut with four cameras filming at the same time. It took us about three hours to do it.” No word on whether Reyes will be up for an Emmy nomination for his thespian skills, but we’ll keep you posted. To see the video, do a quick search on YouTube. You can also catch Reyes live Saturday at B Ryder’s, 7401 Please see MUNOZ / C8

Matt Munoz is editor of Bakotopia.com, a sister website of The Californian that devotes itself to promoting Bakersfield’s art scene. Matt’s column appears every Thursday in Eye Street.

Please see LIGHTS / C2

GO & DO Eighth annual Holiday Lights at CALM When: 5:30 to 9 p.m. Saturday. Runs through Dec. 23 and Dec. 26 to 30 Where: CALM, 10500 Alfred Harrell Highway Admission: $12, adults; $10, seniors and children 13 to 17; $6, children 3 to 12. $2 discount available Monday-Thursday through Dec. 16. Information: 322-5200 or 872-2256

Share your stories FELIX ADAMO / THE CALIFORNIAN

J. Jesus Gonzalez Lopez has a seat as he wraps one of the few remaining trees with lights for the annual Holiday Lights at CALM.

Actresses take on a more mature role Bessie Delany and Sadie Delany. It depicts the sisters at the ages they were when it was written, 101 and 103, respectively. Willis portrays Bessie; o portray characters Rucker appears as Sadie. twice their age, Sheila Willis learned the Delany sisWillis and Renorvia ters were sturdy and self-suffiKennedy Rucker have done a cient women, even after they bit of hands-on research for reached the century mark. their roles in a play to be pre“They did yoga Monday sented this weekend at The through Friday for many years Empty so they were not hunched over Space. “Hav- or rickety in any way,” she said. ing Our “They cooked, cleaned and Say” by gardened and spoke with clarity.” Emily In other words they were not Mann is feeble in any sense of the word. based In fact, said Willis, her own COURTESY OF SHEILA WILLIS on a mother, Bettye Adams, is much Renorvia Kennedy Rucker, left, and Sheila Willis, the stars of book by “Having our Say,” opening this weekend at The Empty Space. Camille Gavin’s “Arts Alive!” like the Delanys, although she’s still drives, teaches Sunday column appears on Thursday. Write to only 81. school and loves to cook,” her via e-mail at gavinarts@aol.com “She still lives on her own, Please see GAVIN / C8

Clever makeup used, plus a role model

Crumpled lists clutched firmly in their sweaty little hands, countless children have dutifully marched up to Santa to rattle off the toys they hope to see under the tree. The experience can be ho-hum, thrilling or, in some cases, so traumatic that the tyke silently swears off red velvet for life. We want your pictures of the experience. Include the name of the person/people pictured, where the photo was shot and the year, if you know it and your name and phone number, which will not be published. Feel free to include the amusing story behind the photo, but don’t go beyond 100 words. Photos will not be returned. E-mail: sdias@bakersfield.com; Mail: The Bakersfield Californian c/o Stefani Dias, PO Bin 440, Bakersfield, CA 93302. Drop-off: 1707 Eye St.

COMING IN EYE STREET Friday: “Yo Gabba Gabba! Live! There’s a Party in My City!” is being hailed as a whirling tornado of family-friendly fun — and Bakersfield is about to take a direct hit. Check out our preview. Saturday: Navigating December, and the dozens of activities that crop up during the happiest time of year, can create a hollidaze for harried families. Allow our Month Ahead calendar to be your guide. Sunday: The annual Chez Noel tour of holiday-ready homes is a great way to pick up decorating tips and peek inside some of Bakersfield’s finest houses. We offer a preview, with pictures, Sunday.

The Bakersfield Californian Thursday, November 25, 2010

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ing to the ‘oohs’ and ‘ahhs.’ It’s such an intense, yearlong process, but those moments make it all worth it. It’s very rewarding for me and my employees.” Starting out as a Christmas present for his loving grandmother, Barnett’s preteen hobby began with a series of traditional displays. After his grandmother’s passing, he moved the operation to his parents’ home in Haggin Oaks. Covering the structure from every corner, he caught the attention of his curious neighbors, along with the rest of the city. “After The Californian ran a story in 2001 about me, I had a lot of people driving by my house. It drove my neighbors crazy. I had 185,000 lights synchronized to music and a show every 10 minutes.” Seeing the potential, he immediately began thinking of expanding the show to become a citywide attraction the following year. Barnett had approached Stier’s RV with a plan to set up a new holiday attraction in a section of the dealer’s lot. The concept was similar but bigger — a lot bigger. Calling it “Lightasmic,” it was an instant success. “We took a corner of the parking lot. In the center we did animatronics — a snowman, some penguins. We had half-a-million lights set up, and bleachers for people to sit at. NBC ‘Dateline’ came and featured us in a segment called ‘America’s Greatest Christmas Decorations.’ It was really a cool thing.” Fain, who had been looking for ways to help market and attract visitors to the zoo, sought out Barnett to see if he would be interested in further expansion. The answer was simple: “We went out and checked out the zoo, and here we are eight years later,” said Barnett. Carefully accounting for every light, Barnett’s Lightasmic operation now employs six full-time employees on the CALM grounds during setup. Crews work nonstop from 6 a.m. to 3 p.m. beginning in September and usually put in even more time as opening night approaches. “We start designing around the end of February into March, then hard planning begins. We start ordering all of our lights and pull out all the old structures and layouts for testing and repairs.” With help from major sponsors and community volunteers who help set off the cost of fuel and manpower required to produce the event, organizers try their best to supply an environmentally conscious good time.

FELIX ADAMO / THE CALIFORNIAN

Bryan Wooster strings lights on trees in the parking lot at CALM as crews finish up installation for the annual Holiday Lights at CALM.

“All the displays are run FEAST FOR THE BEASTS exclusively on generators, The California Living 5 pounds frozen mixed although we do have an elecMuseum hopes local vegetables trical infrastructure for the animal lovers will set a zoo outside,” Fain said. “So 2-pound jar of peanut place at the holiday table much is donated with all the butter, jam or honey for their furry friends at sponsorships. The asphalt 2 pounds dried fruit CALM — figuratively outside, fuel … everything (raisins, apricots, banana speaking, that is. helps. It was born from a chips, etc.) Friday is Feast for the community event, and that’s 5 pounds yams or sweet Beasts, the annual food how CALM was born. It’s potatoes (uncooked) drive at the northeast amazing how many volun5-pound bag of wild sanctuary. Admission is teer hours we get to make birdseed free in exchange for this happen.” specified food items or Another way they’ve been 3 boxes zipper freezer bags supplies during operating working on conserving ener(quart or gallon) hours from 9 a.m. to 3 p.m. gy from previous years is by 3 12-ounce cans of salmon The food will be stored at replacing outdated painted CALM and used to feed its 1 6-inch stainless steel pet incandescent bulbs with food dish animal residents low-wattage LED lights. throughout the winter. 1 12-inch stainless steel pet Consistent in color and life food dish span, their efficiency helps List of acceptable food item types and quantities to speed setup. $25 gift card from any (any of the following): Last year more than 44,000 pet, grocery, hardware or smiling visitors walked the 3 pounds pecans, walnuts, office supply store will trail of lights at CALM, and admit two adults and two almonds and/or unshelled organizers expect even highpeanuts (all without salt or children. er attendance this year. flavoring) “Sometimes people wait too long, so come early,” Fain said. “Get on the rides first — the train, carousel, then go cocoa-filled thermoses. see the lights. Take your time Since teaming with CALM, out here and take a look at all funds raised by Holiday everything, wear comfy Lights have benefitted the shoes and dress warmly.” zoo’s wildlife awareness Plenty of sweets will be programs and facility UP TO $27 A GRAM on 24Kt PLUS 10% ADDITIONAL with this ad available for purchase before upkeep. And Fain offered 832-5782 or after you hit the trail: ket- assurances that the lights tle corn, hot chocolate, cof- and crowds are no threat to 1304 Wible Road In Business Since 1974 Next to Target on Wible Rd. off Ming Ave. fee and the event’s signature the animals. dish, apple and peach “We take every precaution dumplings. Visitors may also to protect the animals. That’s “ bring their own snacks and our family.”

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Friday, November 26, 2010 The Bakersfield Californian

Eye Street Lifestyles editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com COURTESY OF DAVID HARRISON

Top Story

Big Sandy plays at Fishlips Saturday.

As big as ever: Sandy swings by BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

COURTESY OF YO GABBA GABBA!

The cast of “Yo Gabba Gabba! Live! There’s a Party in My City!”

Grab a ‘Gabba’ ticket — or two Children’s TV hit takes the stage, but creators stress this is a rollicking concert, not one of those orchestrated ‘princess’ shows BY MIRANDA WHITWORTH Contributing writer

he confines of the TV screen were just not big enough to contain the energy and enthusiasm of children’s hit “Yo Gabba Gabba,” so a stage show was born. And the big party is coming to Bakersfield on Tuesday. The theater at Rabobank Convention Center will come alive with retro colors, cool beats and messages like “Don’t bite your friends” as “Yo Gabba Gabba! Live! There’s a Party in my City!” hits the stage for a concert aimed at the band’s surprisingly broad array of fans. Yo Gabba Gabba co-creator Scott Schultz said when it came to adapting the children’s television show to the stage, he knew it would be important to stick with what was familiar. “Since we are from bands and are musicians, it was really important for us to do this live show ourselves.” Schultz’s partner, Christian Jacobs, is the lead singer of The Aquabats, an alternative rock band that formed in 1994 and carries the myths that the costumed members are superheroes that fight evil

DJ Lance Rock of “Yo Gabba Gabba! Live! There’s a Party in My City!” COURTESY OF YO GABBA GABBA!

Please see GABBA / E2

Sister City saluted on its 50th Community invited for dinner, entertainment BY CAMILLE GAVIN Contributing columnist cgavin@bakersfield.com

Youthful dancers, musicians and karate experts provide the entertainment at a Sister City Project fundraising dinner on Saturday, Dec. 4. Each of the performers is a local resident whose families have cultural ties with the particular city or country aligned with the project. Susan Stone, president of the all-volunteer organization, said proceeds from the $50-perperson dinner will help fund events planned for April and May of 2011 in celebration of its 50th anniversary. “Bakersfield Sister City receives no financial support

from the city of Bakersfield,” Stone said, explaining that the organization is charged by the mayor and city council with the responsibility of overseeing the project. “Like so many other nonprofits, we are facing everincreasing financial problems,” she said. “We envision this year’s dinner to be the first of what we hope will become an annual event, thus resolving some of our financial woes.” The city is involved in the project in other ways, however, such as the pavilion gardens to be installed on either side of Mill Creek where it crosses 18th Street. As part of the evening’s program, guests will get an update on the gardens from Diane Hoover, director of the city Recreation and Parks DepartPlease see SISTER / E2

Big Sandy is feeling some serious rock ‘n’ roll jet lag. Just back from headlining the big Rhythm Riot music festival in England last weekend, the Orange County jump-bluesman hasn’t readjusted to our time zone just yet. “I’m awake; how’s it goin’ man?” he said via telephone, and possibly still in bed. “It was a blast. It’s really cool to get lost in that world every once in awhile with bands doing similar music.” Appearing at Fishlips this Saturday, he admits there’s still no place he’d rather be than back in the arms of his U.S. fans. “Those U.K. crowds are very enthusiastic, but I like playing the States better. I also prefer bars and honkytonks to big festivals, where you can see the sweat on the dancers, and hear the drunks at the bar.” The story of “Big Sandy” (born Robert Williams) begins in his old East Los Angeles neighborhood, where the sounds of oldies filled the radio airwaves. Relocating to the suburbs of Orange County with his parents as a pre-teen, he can’t remember a day in his life he wasn’t glued to the stereo. “When other kids were out playing, I was at home listening to my parents’ old records. They weren’t old to me, but I listened to them all the time. I used to daydream that I was that guy on stage.” Raised on a healthy appetite of artists like Elvis Presley, delta blues singer/guitarist Big Boy Crudup, and bluegrass legend Bill Monroe, Williams’ appreciation for vintage sounds and styles wasn’t some teenage identity fad. Encouraged by his parents, music lessons soon became a priority. “When I was 16, my mother saw an ad in the Pennysaver, where you could buy six guitar lessons and get a free guitar. She signed me up for that and it became my first instrument. I learned a few chords and basic structures to play along with the records I used to listen to. That’s how I learned how to structure and eventually write my own songs.” By the tail end of the ’80s, Williams recruited local friends to form his first band. Not picturing his birth name in lights, creative assistance would come courtesy of his uncle Santi. “My uncle Santiago used to work in these garages during the ’50s, and he gave me all of his old clothes, including this jacket that had a patch on it with the name Sandy. What hapPlease see SANDY / E2

Get out Today Winter Playground, ice skating, train rides, arts and crafts room, snow play area, 5:30 to 11 p.m. today and Saturday, noon to 3 p.m. Sunday, Bakersfield Ice Sports Center, 1325 Q St. $10. 8527400. “A Destination for Your Donation,” donate blood and you can be entered into a drawing for a Waikiki vacation, 9 a.m. to 6 p.m. today, 9 a.m. to 3 p.m. Saturday, Houchin Blood Bank, 5901 Truxtun Ave. 323-4222. Nebraska Cornhusker Booster Club, will meet for the game against Colorado, 12:30 p.m., Firehouse Restaurant, 7701 White Lane Suite A3. All Husker fans welcome. 827-8719. Santa's Secret Workshop, for ages 7 and up, paint holiday gifts, pizza, games, and a classic holiday movie, 6 to 9 p.m., Color Me Mine at The Marketplace, 9000 Ming Ave. $38. bakersfield.colormemine.com or 664-7366. Wine Tasting, includes different wines and appetizers, 1 to 5:30 p.m., Cafe Med, 4809 Stockdale Highway. $25 per person. 834-4433. Year End Shootout, gates open at 7 a.m., Bakersfield Kart Raceway, 4695 Alfred Harrell Highway. 472-3828. Please see GET OUT / E2

Share your Santa stories

COURTESY OF JESSICA TRAN

Sisters Meghan, left, and Hannah Tran perform on zithers for sister city visitors from Cixi, China, at Great Castle in April. The sisters will perform a duet at the Sister City 50th anniversary dinner on Dec. 4 at Paradise Palace Hall.

The Bakersfield Californian Friday, November 26, 2010

GABBA: Show helps kids stretch imaginations Adv. Tix on Sale THE FIGHTER Adv. Tix on Sale CHRONICLES OF NARNIA: VOYAGE OF THE DAWN TREADER Adv. Tix on Sale TRON: LEGACY (1000 100) 400 645 930 TANGLED (PG) # FASTER - DP (R) - ID REQ'D (1040 140) 440 740 1040 LOVE AND OTHER DRUGS (R) - ID REQ'D (1010 110) 410 710 1010 BURLESQUE (PG-13) (1045 145) 445 745 1030 (1030 130) 430 715 1000 TANGLED IN REALD 3D - EVENT PRICING (PG) # HARRY POTTER AND THE DEATHLY HALLOWS 1 - DP (PG-13) # (1000 1200 100 315) 415 630 730 945 1045 THE NEXT THREE DAYS (PG-13) (1020 120) 420 720 1020 HARRY POTTER AND THE DEATHLY HALLOWS 1 (PG-13) # (1230 345) 700 1015 UNSTOPPABLE (PG-13) (1050 150) 450 750 1050 (1240 340) 640 940 MORNING GLORY (PG-13) MEGAMIND (PG) (1215 300) 615 900 (1245 330) 645 930 MEGAMIND IN REALD 3D - EVENT PRICING (PG) # DUE DATE (R) - ID REQ'D (1110 210) 510 815 1035 PM RED (PG-13) © 2010

Times For 11/26/10

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through music. Schultz said that after spending so many years on the music scene with Jacobs and then creating the children’s show together, they decided to avoid the path other stage adaptations of children’s programming have taken. “It was really important for us to not have it be some Broadway musical or play. We wanted it to be a concert where all of our friends like DJ Lance and Biz Markey could be there too.” Yo Gabba Gabba features the orangeclad DJ Lance Rock, who guides and assists characters Muno, Fufa, Brobee, Toodee and Plex as they sing and flex their imaginations in scenarios that teach young watchers social skills and interaction. DJ Lance is joined by Mark Mothersbaugh, of the band Devo, for regular art segments and by rapper Biz Markie for Biz’s Beat of the Day, in

GO & DO ‘Yo Gabba Gabba! Live! There's a Party in my City’ When: 6 p.m. Tuesday Where: Theater at Rabobank Convention Center, 1001 Truxtun Ave. Admission: $48.75. Visit ticketmaster.com or call 800-7453000.

which he demonstrates beat boxing techniques. Bands like The Shins, MGMT, Jimmy Eat World and The Roots have performed on the show, along with stars like Jack Black, Elijah Wood and Tony Hawk. Shultz said when it came to his and Jacobs’ vision for a unique children’s program, it really came down to the importance of variety.

“We are trying to expose kids to all different kinds of music. Not all of it they’ll like, but we are just trying to open up the spectrum for kids. We want to let them experience bands like MGMT.” Since it first aired on Nick Jr. in 2006, “Yo Gabba Gabba” has built a following that includes toddlers, their parents, high school and even college students. Schultz said the success has surpassed his wildest dreams. “You have this hope when you do stuff. You try to dream big, hope big and plan for it to be big but there is no way to prepare for something like this. It’s gone bananas. It’s totally above and beyond anywhere I could have dreamed. It feels like we created this show and we are no longer pushing it along, we are chasing it. It’s rolling down the mountain getting bigger and bigger.”

SISTER: Special garden planned at Mill Creek CONTINUED FROM E1

The Town – R 1:00 4:30 7:10 9:40

ment. “Each Sister City garden is unique, due to the nature of the cities that each represents,” Hoover said in an e-mail. “Plant material and design features pull from unique features of the country and city.” Hoover said the gardens are being funded through an Economic Development grant, so there is no direct cost to the city. Parsons Engineering Co. donated the preliminary design work used to develop the theme for each of the four Sister City sites to be constructed, according to Ralph Braboy of the city’s Engineering Division. Currently, that phase is being completed by Dick Meyer, who designed Mill Creek. Construction is expected to be carried out next year between April and November. At a wine reception preceding the

You Again – PG 12:40 3:00 7:30 Despicable Me 3-D - PG 12:20 2:25 4:35 6:45 9:10

Easy A – PG-13 12:50 2:50 4:50 7:00 9:15 Resident Evil Afterlife – R 5:15 9:45

Toy Story 3 3-D - G 12:15 2:30 4:45 7:05 9:20

Alpha & Omega – PG 12:30 2:45 5:00 7:15 9:30

***IN DIGITAL PROJECTION***

Maya Bakersfield 16 Cinemas

Maya Bakersfield 16 Cinemas Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, for 3D presentation add $3.00 to normal ticket price.

COMING SOON The Warriors Way - opens 12/3 Chronicles of Narnia: The Voyage of the Dawn Treader - opens 12/10 The Tourist - opens 12/10 Text Movies to 21321 PRESENTED IN DLP DIGITAL

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3D Tangled – PG 9:30 10:30 11:50 1:00 2:30 5:05 8:00 10:20

Harry Potter & The Deathly Hallows Part 1 – PG-13 9:45 10:15 11:00 11:45 12:50 1:30 2:15 3:00 5:00 5:50 6:50 8:20 9:20 10:10

Harry Potter & The Deathly Hallows Part 1 – PG-13

GO & DO Sister City 50th Anniversary Dinner When: 5:45 p.m. Saturday, Dec. 4 Where: Paradise Palace Hall, 1440 Weedpatch Highway Admission: $50 Information: 326-3711

dinner on Dec. 4, guests will be greeted by Mayor Harvey Hall as a string quartet from the Bakersfield Youth Symphony plays background music. About an hour later, after a dinner of international foods is served, other groups will perform. To represent Cixi, China, two sisters, Hannah, age 12, and Meghan Tran, 10, will play a duet on Chinese zithers. The girls’ mother, Jessica Tran, said her

daughters have been traveling to Los Angeles twice a month for the past two years for lessons on the 21-string instrument, which is plucked with the fingers. They recently entertained a group of visitors from Cixi at Great Castle restaurant. Three high school students — Mina Kirkwood, Janet Yoon and Jennifer Hong — will perform two Korean dances. One is done with fans, the other with drums that are suspended on a framework. “The dances have been part of the Korean cultural pattern for about 500 years,” said Jae Shin, who heads the Sister City committee for Bucheon, South Korea. Other groups performing and the Sister City they represent are: SoLunita, a local folkloric dance company, Queretaro, Mexico; Punjabi dancers, Amritsar, India; and a demonstration of martial arts, Wakayama, Japan.

SANDY: Recording in Spanish a career highlight CONTINUED FROM E1

pened was his boss said his name was too long to pronounce, so they called him Santi for short. When they ordered the patches, they misspelled it as Sandy. One day, I was wearing the jacket and my bass player says, ‘Let’s call you Big Sandy.’ And it stuck.” Debuting as a trio in 1988, they played in Orange County area bars, molding their vintage sound and helping Williams to realize his dream to be “that guy onstage.” Since then, the name Big Sandy has been synonymous with the Southern California roots Americana scene. Highly respected as a musician and songwriter, his smooth voice and suave Latino style onstage have helped him secure a place in the area’s music history. Ten albums later, plus a string of EPs and vinyl singles, Williams has proven he’s no novelty act. “It’s cool to be part of a line of musicians who’ve helped the scene devel-

GO & DO Big Sandy & His Fly Right Boys When: 9 p.m. Saturday Where: Fishlips, 1517 18th St. Admission: $10 Information: 324-2557

op.” His latest release, “Turntable Matinee,” is a collection in the signature Big Sandy style, reminding fans he hasn’t lost his touch. But even a diehard like Williams can get the itch to try something different. He teamed up with Tennessee surf rockers Los Straitjackets for their 2007 tribute CD, “Roc en Espanol Vol. 1,” which featured covers of American rock classic covered in Spanish. Recording with Cesar Rosas of Los Lobos and Thee Midniters’ Little Willie

G, Williams let his Chicano rhythm roots hang out. “My mother is Mexican, but I didn’t grow up speaking Spanish very often. I was really nervous about doing that CD. Not only do I have a reverence for that era, but I’m a little shaky with my Spanish.” Sounding perfectly at home on his cover of The Kinks’ “De Dia y de Noche” (“All Day and All of the Night”) along with The Coasters’ “La Hiedra Venenosa” (“Poison Ivy”) and others, the Spanish-language theme is one of many projects he’d like to revisit. “I have a pretty long wish list.” Looking forward to his Bakersfield show after a long absence from the Central Valley, Williams says the audience usually picks the evening’s set list. “It varies from night to night, and the crowd ends up dictating what we’ll be playing. I just call it out and we go.”

The Next Three Days – PG-13

3:40

10:30 1:15 4:10 7:00 10:20

Burlesque*** - PG-13 Skyline – PG-13

7:00 9:50

GET OUT: Annual Christmas parade on Saturday

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3D Megamind - PG 11:00 1:30 3:55 6:30 9:00

Unstoppable*** - PG-13 11:50 2:10 4:40 7:20 10:00 10:40

Love & Other Drugs*** - R

CONTINUED FROM E1 free. Proceeds benefit Boys &

Morning Glory*** - PG-13

11:10 1:45 4:40 7:15 9:50

Saturday

10:25 1:00 3:40 6:35 9:25

Faster – R

Due Date – R

10:45 12:30 1:05 2:50 3:35 5:10 6:05 7:40 8:35 10:15

4:00 6:15 8:30 10:45

Tangled 2D – PG

10:40 12:55 3:30 6:00 8:25

MegaMind 2D - PG

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33rd Annual Christmas Parade, Southern Sierra Christmas with Smokey Bear & Friends honoring our local firefighters, 11 a.m., starts at Lake Isabella Post Office Center and ends at Crestview Ave., Lake Isabella. 760-3795236. Big Sandy & His Fly-Rite Boys, 9 p.m., Fishlips Bar & Grill, 1517 18th St. $10 plus fee. vallitix.com or 322-5200. “Christmas Around the World” Holiday Event, with nutcrackers, collectibles, antique Bibles, Nativity displays and more, 11 a.m. to 7 p.m. Mondays through Saturdays, now until Dec. 30, Timeless Design Center, 1918 Chester Ave. $20 family of four; $8 individual; $5 children; children under 8 are

Girls Club of Kern County. christmasworldevent.com or 326-0222. Condors vs. Utah Grizzlies, 7 p.m., Rabobank Arena, 1001 Truxtun Ave. Prices range from $7 to $25 advance; $8 to $26 day of. Tickets: Rabobank box office, bakersfieldcondors.com or 324-7825. Craft Bazaar, featuring handmade items such as fabric art, kitchen accessories, quilts, children's items and more, 10 a.m. to 4 p.m., The Villas at Scenic River, 4015 Scenic River Lane. 871-3340 or 619-4153. Deck the Halls, Trees & Wreaths, 10 a.m., Beladagio, 9500 Brimhall Road, Suite 705. Free. 829-2288. Free How-to-Work Workshops, Saturday

(9:30AM, 12:10, 2:40, 5:15), 7:50, 10:25

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classes: 10 to 11 a.m. “New & Innovative Home Appliances”; 11 a.m. to noon “Building & Maintaining your Toolbox”; 1 to 2 p.m. “Fall Energy Saving Workshop”; and Sunday class: 1 to 2 p.m. “Last Minute Touch Ups & Repairs,” Home Depot. homedepot.com or call 800-430-3376. Holiday Lights @ CALM, see more than 2 million lights, colorful displays, giant carousel, Candy Cane Express for rides around the zoo and more, 5:30 to 9 p.m. Saturday and Sunday, CALM, 10500 Alfred Harrell Highway. $12; $10 seniors and children ages 3-17; $6 ages 3-12. $2 off admission Mondays through Thursdays. vallitix.com or 322-5200, 872-2256. Kern River Valley Hiking Club, short but steep hike to Black Mountain and Split Mountain to the top of the highest peak in the immediate area, see great views of Lake Isabella and the Greenhorn area, leave at 6:30 a.m. from

Chevron, junction of highways 178 and 184 (Weedpatch). For directions, visit lakeisabella.net/hiking or 7475065 or 778-3453. KV Bike Park BMX Race, sign-up at 1 p.m., race at 2 p.m., KV Bike Park, Kernville. $10 to race. kvbikepark.com or 760-223-6165. Street Teams, opportunity to reach the hurting and needy parts of our community with food, love and prayer, 10:30 a.m., Jesus Shack, 1326 30th St. jesusshack.com or call 324-0638. Thanksgiving Dance, with music by Prisoners of Love, 8 p.m. to midnight, Eagles Hall, 1718 17th St. $10 and invited guest. 747-1628. Veterans of Foreign Wars Post 97 Taco Dinner & Horseshoe Tournament, sign-up at 11 a.m., tournament at noon, dinner from 2 to 8 p.m., VFW Post #97, 5350 S.Union Ave. $1 Dinner; $20 per team. 834-3656.

“YOU WILL LAUGH. YOU WILL CRY. YOU WILL FALL IN LOVE.” KEVIN MC CARTHY, CBS/CBS-RADIO

Scott Mantz, ACCESS HOLLYWOOD

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THE NEXT THREE DAYS (PG-13)

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UNSTOPPABLE (PG-13)

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Thursday, December 2, 2010 The Bakersfield Californian

Eye Street

Malo still a maverick, band or no band BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

s frontman for critically beloved country act The Mavericks, singer Raul Malo had it all — multiplatinum records, hit radio singles and an international fan base. But one thing always came up missing: creative freedom. Returning Wednesday to Buck Owens’ Crystal Palace, a happier and wiser Malo said he’s more content today as a solo artist away from the constraints of a major label. “I don’t have anyone to answer to anymore,” he said while on tour to promote his new CD, “Sinners & Saints.” “I’m in a situation where I can pretty much do whatever I want now.” Born into a small family of musicians — Mom played piano, while his aunt strummed the guitar — Malo was introduced to American rock ’n’ roll during his youth. He recalls the impact of hearing Elvis Presley and others the first time. “Elvis covered gospel, blues, even opera. When I first heard ‘It’s Now or Never,’ I was just floored. My mom played me the original Italian aria (‘O Sole Mio’) and so that just made me really curious about how an artist could do all these different things. Then, bands like The Beatles introduced me to Buck Owens and Chet Atkins.” Playing along on guitar with his parents’ records, most of which traveled with them in the 1950s from their Cuban homeland, Malo’s curiosity would eventually pull him to the stage as a rocker at age 12, then a country crooner in various Miami area bands. Signed to MCA Records as a member of The Mavericks in ’91, Malo’s operatic tenor and Roy Orbison-like vibrato helped score the group several country music awards and a Grammy. During that time, Malo began experimenting with some of the other sounds of his youth: Cuban, mariachi and Tex-Mex music. Together, those influences would inspire the creatively ambitious 1994 album “Trampoline.” “As each record came along, the Latin stuff was coming in. With ‘Music for All Occasions,’ we had ‘All You Ever Do Is Bring Me Down,’ and that did really well for us. And then we did ‘Trampoline,’ and that scared the living crap out of the label. I remember when we first played it for them, they were just stunned silent. I was like, ‘Awesome.’” Parting ways with MCA in 1999, Malo decided to release his first solo album, “Today,” in 2001. Leading off with the Spanish-language title track, it was a big musical departure and a glimpse of things to come. “I knew creatively The Mavericks were done, and that I had said everything creatively I could do with that vehicle,” said Malo of the band’s 2003 breakup. “It was a great band, and it was a gravy train for a lot of people who didn’t want it to stop, but I

PHOTO COURTESY OF RAUL MALO

Raul Malo will perform Wednesday at Buck Owens’ Crystal Palace.

Raul Malo When: 7 p.m. Wednesday Where: Buck Owens’ Crystal Palace, 2800 Buck Owens Blvd. Admission: $15 to $21 Information: 328-7560

wanted to try other things.” His five subsequent independent releases kept him on the crossover map, but his sixth full-length CD, “Sinners & Saints,” represented a challenge for Malo, who produced the record at his home studio and played many of the instruments himself. “It just evolved. I started recording the first song, ‘Matter Much to You,’ to see what it was going to sound like and what I could make here in the studio. I liked that first result and where it was going. The vibe sounded really organic and alive.” From the surfy, instrumental opening title track, to the accordion-fused bounce of “San Antonio Baby,” then back to the sweet romanticism of “Sombras,” Malo’s personal touches make it his strongest release to date. “The more I recorded, the more I learned. It was a nerve-wracking experience at times, because you’re working in a bubble. You don’t have anyone to sound

ideas off of, or someone to tell you, ‘You’re losing your mind here.’ Not that I would have listened anyway,” he laughed. “It’s not that I’m some sort of egomaniac that wanted to play all the instruments; I just had an idea and I wanted it executed a certain way.” Malo said one of his favorite moments was including a cover of Los Lobos’ “Saint Behind The Glass.” “Anybody who grew up in a Latino household, those were the images you saw in your house, especially from the older generations. The curtains blowing around, the coffee in the air — that was me going to my grandma’s house. That Catholic saint behind the glass case placed in your living room really sees your whole life. I thought, ‘What a beautiful song and sentiment.’ I’ve run this whole record of ‘Sinners & Saints’ about that duality and struggle we go through in life. Then to finish it off with this song that has a beautiful, watchful saint that kind of guides and nurtures your family. That was the fun part.” In addition to new material and classics from the Mavericks’ catalog, Malo says he’ll be treating Bakersfield fans to selections from his 2007 holiday release, “Marshmallow World and Other Holiday Favorites.” “California didn’t get a Christmas show three years ago, so it’ll be a pretty substantial night.”

The Bakersfield Californian Thursday, December 2, 2010

Eye Street

Theater duo getting their acts together Short works run the gamut from tragedy to light comedy BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ove your theater in small doses? Then make plans to attend Random Writers “One Acts” opening this Friday at Bakersfield Community Theater. Produced by local actor/director Thomas G. Robinson and author Nick Belardes, the event is the first in what they hope will become an annual holiday “break.” “December is a great time to have something like this,” said Robinson, who works at Russo’s Books, presenter of the festival. “You can separate yourself from all the holiday theater productions going on.” Robinson, who approached BCT about hosting the festival after some concerns involving space and staging from another event held in June, was initially inspired by a submission from Belardes. Tapped to direct his play, “Stonewall,” Robinson pulled it from the June show with hopes for a future presentation. “As a director, I thought of the layout to Nick’s play and felt it wouldn’t work at the time,” he said. “BCT continued with their event, and I pitched my idea to Nick and BCT. Thankfully, they were very receptive to it.” Taking the name from Belardes’ weekly Random Writers Workshop, held at Russo’s, both immediately went to work seeking participants and submissions. “I sent out the request in early summer, with an October deadline,” said Belardes. “I got about 10 responses. I sent them over to Thomas G. Robinson and suggested my favorites.” This is Belardes’ first foray into the world of theater after years of involvement in the national literary scene. A self-published paperback writer who also boasts a best-selling trivia book titled “Random Obsessions,” he says the experience has so far kept him at a comfortable distance. “They’re the theater experts, not me. I gave them some recommendations. We didn’t agree on everything and that was OK.” At 10 to 20 minutes in length, the six plays range from drama to comedy. Some submissions arrived from Los Angeles and Chicago, through Belardes’ connections at national literary site thenervousbreakdown.com. “We branched out to work with more experienced writers for this rather than students from the workshop. Many at The Nervous Breakdown have been published in magazines and books — guys like Rich Ferguson, who’s performed at the Walt Disney Concert Hall in Los Angeles. His piece is just incredible.” When asked about Belardes’ piece “Stonewall,” Robinson described the scope of his vision and the work involved to make it effective onstage. “The difference with Nick’s play is that I have 13 actors, and the burden is to find the right actors to fit each part. I was really fortunate this time.” A fictionalized account loosely based on Belardes’ own previous experiences, “Stonewall” examines the inner workings of mass media.

Russo’s Books presents ‘Random Writers One-Acts’ When: 8 p.m. Friday and Saturday and Dec. 10 and 11 Where: Bakersfield Community, 2400 South Chester Ave. Admission: $10 Information: 831-8114 From a band of thieves to a therapeutic group of tiny fish, “Random Writers OneActs” offer everything from the funny to the controversial. Here's a brief synopsis of each play. “Stonewall” A daring reverend enters a TV newsroom to reveal his theories in this fictional account of a shooting that leaves a reformed gang member dead and a cop wounded. Written by Nick Belardes (Bakersfield). Directed by Thomas G. Robinson. “Everyone Else's Fault” On their fourth date, Steve explains his philosophy of blame to Kathy by using a series of examples from his dark past. Written by Gregory Boose (Chicago). Directed by Julie Jordan-Scott. “Interlude with Guppies” Tom talks to his guppies about his problems at work while a forceful presence offers “her” solution. Written by Judy Prince (Norfolk, Va.) Directed by Justin Thompson. “Three Sisters” After the death of their father, it becomes all about “the stuff” as the three sisters meet the night before the funeral and all hell breaks loose. Written by Patty Wonderly (Bakersfield). Directed by Thomas G. Robinson. “Sorcerer's Swan Song” A down-on-their-luck band of Congolese sorcerer-thieves goes in for one last haul and must ultimately face a series of unpleasant and extremely naked truths. Written by Tyler Stoddard Smith (Austin, Texas). Directed by Eric Tolley. “The First Time” This mesmerizing spoken-word piece is a lyrical urban journey through the raw consciousness of American lovers and dreamers. Written by Rich Ferguson (Los Angeles.) Directed by Eric Tolley. — Synopses courtesy of Nick Belardes

“Having worked in the media and observing the decision-making process to see how news stories are pulled, it’s a strange experience. My play illustrates how sometimes there seems to be no rationality at how news stories are prioritized and the madness of a newsroom. I’m doing that through extreme controversy. I have to hit them with something really hard to drive that point home.” Looking forward to opening night, Robinson is amazed with the work from everyone involved. “Bakersfield’s in for a really nice treat if they come out.”

CONTINUED FROM PAGE 25

Jazz Cafe Med, 4809 Stockdale Highway., 834-4433; Richie Perez, 7:30 to 11 p.m. Thursdays. Wine & Cheese Cellar, 695 Tucker Road., Suite C, Tehachapi, 822-6300; Richie Perez, 6:30 to 9:30 p.m. Friday. Live Jazz & Wine Bar, featuring Jazz Connection, along with 24 wines, 7 to 9:30 p.m. Saturday, Imbibe Wine & Spirits Merchant, 4140 Truxtun Ave. 633-WINE. Padre Hotel, Prospect Lounge, 1702 18th St., 427-4900; Jazz & Martinis featuring Lawanda Smith, 7 p.m. Tuesday. Le Corusse Rouge, 4647 White Lane, 834-1611; Bakersfield Jazz Workshop, 6:30 to 10:30 p.m. Wednesdays.

Karaoke Bellvedere Cocktail Lounge, 3090 Brundage Lane, 325-2139; 9 p.m. to 1 a.m. Thursdays and Sundays. Cactus Valley Mexican Restaurant, 4215 Rosedale Highway, 633-1948; 6:30 to 9:30 p.m. Thursday; beer pong and happy hour all day Sunday. Cataldo’s Pizza, 4200 New Stine Road, 397-5000; 6:30 to 9:30 p.m. Thursday. Don Perico Restaurant, 2660 Oswell St., Suite 133, 871-2001; 7 to 11 p.m. Thursdays. Pour House, 4041 Fruitvale Ave., 5899300; 9 p.m. Thursday through Saturday. Que Pasa Mexican Cafe, 9000 Ming Ave., 664-1400; 9:30 p.m. to 1 a.m. Thursdays. T-Bones Steakhouse, 8020 District Blvd., 398-1300; with Irish Monkey Entertainment, 6:30 to 11 p.m. Thursdays. The Old River Monte Carlo, 9750 Taft Highway, 837-0250; 8:30 p.m. every Thursday. The Wright Place, 2695-G Mount Vernon Ave., 872-8831, 8 p.m. every Thursday. Tomi’s Cowgirl Cafe, 1440 Weedpatch Highway, 633-1949; Karaoke King Show, all ages, 7 to 10 p.m. Thursdays and Fridays. Banacek’s Lounge, 4601 State Road, 387-9224; 9 p.m. Fridays and Saturdays. Casa Lopez, 8001 Panama Road, Lamont, 845-1000; 7:30 to 10:30 p.m. Friday (country) and Saturday (Spanish). Julie’s The Branding Iron Saloon, 1807 N. Chester Ave., 6 to 10 p.m. every Friday. Maria Bonita Mexican Restaurant, 10701 Highway 178, 366-3261, 7 to 11 p.m. Fridays. All ages. The Prime Cut, 9500 Brimhall Road, 831-1413; hosted by Ed Loverr, 9 p.m. to midnight Friday. Pyrenees Cafe, 601 Sumner, 3230053; 8 p.m. to midnight Saturdays. Rocket Shop Cafe, 2000 S. Union Ave., 832-4800; 8:30 p.m. to midnight Saturday. Sports & Spirits, 6633 Ming Ave., 398-7077; 9 p.m. Thursdays and Saturdays.

Tejon Club, 117 El Tejon Ave., 3921747; 6 to 10 p.m. Saturday. Camino Real Restaurant, 3500 Truxtun Ave., 852-0493; 9:30 p.m. Sundays. The Playhouse, 2915 Taft Highway; 397-3599; 7 to 10 p.m. Sundays. Schweitzer’s Pit Stop, 10807 Rosedale Highway, 587-8888; 8 p.m. Mondays and Thursdays. The Wrecking Yard, 9817 S. Union Ave., 827-9192; 7 to 10 p.m. Mondays, Tuesdays and Thursdays. B. Ryder’s Sports Bar & Grill, 7401 White Lane, 397-7304; 8 p.m. Tuesday. Buck Owens Crystal Palace, 2800 Buck Owens Blvd., 328-7560; 7:30 to 10 p.m. Tuesdays. Cataldo’s Pizzeria, 6111 Niles St., 3637200; 6:15 to 10:15 p.m. Tuesdays. DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court; 8 p.m. to midnight Tuesdays. Le Corusse Rouge, 4647 White Lane, 834-1611; Wild West Entertainment, 8 p.m. to midnight Tuesdays. Lone Oak Inn, 10612 Rosedale Highway, 589-0412; 8 p.m. Tuesday and Thursday. Magoo’s Pizza, 1129 Olive Drive, 3997800; 6:30 to 9:30 p.m. Tuesday. McMurphy’s Irish Pub & Sports Bar, 14 Monterey St., 869-1451; 7 p.m. to 1 a.m. Tuesdays. Round Table Pizza, 2060 White Lane, 836-2700; 6 to 9 p.m. Tuesday. The Bull Shed Bar & Grill, at Hotel Rosedale, 2400 Camino Del Rio Court, 327-0681; 7 p.m. Tuesdays and Thursdays. Trouts & The Blackboard Stages, 805 N. Chester Ave., 399-6700; 7 p.m. Mondays and Thursdays, 8:30 p.m. Tuesdays, Wednesdays, Fridays, Saturdays and Sundays. B. Ryder’s Sports Bar & Grill, 7401 White Lane, 397-7304; 8 p.m. Tuesday. Rockstarz Party Bar, 7737 Meany Ave., Suite B5, 589-6749; 9 p.m. every Wednesday. Ethel’s Old Corral, 4310 Alfred Harrell Highway, 873-7613; 6 to 9 p.m. every Wednesday.

Latin/salsa Latin Salsa Dancing, 8 p.m. Thursdays, DoubleTree Hotel, Club Odyssey, 3100 Camino Del Rio Court. 323-7111. Padre Hotel, Prospect Room, 1702 18th St., 427-4900; Rumba Bongo featuring DJ Frank & DJ Kosmo, 9 p.m. Thursday. Camino Real Restaurant, 3500 Truxtun Ave., 852-0493; Son Tropical, 7 to 10 p.m. Fridays. Tam O’Shanter, 2345 Alta Vista, 3246774: Salsa dancing, 7:30 p.m. Fridays and Saturdays.

Mariachi Camino Real Restaurant, 3500 Truxtun Ave., 852-0493; Mariachi Imperial, 6 to 9 p.m. Sundays.

Oldies KC Steakhouse, 2515 F St., 3229910; Jimmy Gaines, Bobby O and Mike Halls, 6:30 p.m. Thursday through Saturday. Please see PAGE 27

The Bakersfield Californian Thursday, December 9, 2010

Eye Street

Index KRAB Acoustic Show . . . . . . . . . . . . . . . . . . . . . . .20 Bakersfield Toy Run . . . . . . . . . . . . . . . . . . . . . . . . .21 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Bakersfield Museum of Art Show . . . . . . . . . . . . .23 The Lowdown with Matt Munoz . . . . . . . . . . . . . .24 Bakersfield Blades Holiday Showcase . . . . . . . . .26 Nutcracker . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28-29 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30-33

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

On the count of three, ladies Rockettes are in sync (and in sequins) for stop in Bakersfield BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

ontinuing a 75-year-old New York City holiday tradition for a new generation of fans, The Radio City Rockettes invite you to get your Christmas kicks — all 300 of them. Best of all, you won’t have to travel far to get to Times Square. “We are excited about coming back to California,” said Jeff Capitola, vice president of production of the Radio City Christmas Spectacular, making its Bakersfield debut for two shows Monday at Rabobank Arena. “This is a beautiful version of the show, and we’re so proud of what it looks like.” Describing the traveling road show as a “mini-city,” with enough equipment and manpower to construct itself within hours, Capitola compared it to the some of today’s mammoth rock shows. “By rock ‘n’ roll standards, it’s huge at 22 equipment trucks, which is the size of the last Madonna and Rolling Stones tour. It’s a lot of stuff — pretty crazy.” One of three traveling versions of the show currently on the road, Bakersfield will be treated to a larger-arena version, while other cities will be seeing the scaled-down theater productions. Carefully planned to suit any location, each show is the work of some of today’s most skilled entertainment production engineers. “We built this production that could move across the country pretty rapidly, through a company called Tait Towers out of Pennsylvania,” said Capitola. “They do a lot of that Super Bowl half-time staging that just rolls out on the field. They’re great craftsman, but they were also amazing engineers. We’re up in about seven hours, ready to go, and load out in about 31⁄2 hours. It’s pretty shocking, because the theatrical version takes several days to load in.” According to the Radio City news release, it takes more than 165 people to stage the Radio City Christmas Spectacular arena tour, featuring 18 Radio City Rockettes, 16 ensemble actors, eight singers, six children, and, of course, Santa. On the road, Capitola makes sure his performers are treated like fam-

The Radio City Christmas Spectacular starring the Rockettes When: 4 and 7 p.m. Monday Where: Rabobank Arena, 1001 Truxtun Ave. Admission: $33.45 to $102, plus fee. Special group and child discounts available. Information: 800-745-3000 or ticketmaster.com

ily during their 47-day trek. “One of the things important to us is the quality of life on the road. We try and use higher-end hotels, and travel with our very own catering staff. You got the crew who are working really hard to load the show, then you have the performers who, although they need a certain amount of carbohydrates to get through the day, also watch what they eat.” After the stage is set, Capitola assured Bakersfield will get the full holiday show treatment with all the pageantry Radio City can supply: 13 elaborate scenes featuring traditional song and dance numbers including “The Nutcracker,” “Parade of The Wooden Soldiers,” “The Living Nativity” and more. Led by the legendary Rockettes, technology advancements should also cause a lot of jaw-dropping amazement for both kids and grown-ups. “One of things we do is called ‘New York at Christmas,’ where suddenly revealed onstage is a doubledecker tour bus that the Rockettes are riding on. There’s a 45-by-60foot LED wall behind them, programmed with a certain amount of content that actually makes it look like they’re driving this bus through New York City. The number right before the Nativity is called ‘Let Christmas Shine,’ where The Rockettes make their entrance on a metal staircase that brings them down on a sort of triangular formation. They’ll be wearing these $6,000 crystal-beaded costumes that are totally reflective. It’s pretty wild.”

Rockette dream fulfilled As a young girl, Katie Russell marveled at the sight of the Radio City Rockettes during the Macy’s Thanksgiving Day parade. A young, bright-eyed ballerina in her hometown of Medina, Ohio, she recalls telling her mother that one day they’d be watching her on TV. “I’ve been dancing since I was 5 Please see PAGE 19

PHOTO COURTESY OF THE ROCKETTES

The Rockettes are in town for two shows Monday at Rabobank.

Thursday, December 9, 2010 The Bakersfield Californian

Eye Street CONTINUED FROM PAGE 18

CASEY CHRISTIE / THE CALIFORNIAN

Members of the Bakersfield Dance Company practice their routine. Former Bakersfield ballerina Tiler Peck helped the girls win a spot opening for the Rockettes.

Tiny chicks get their kicks at holiday show Ballerina from Bakersfield gives dancers big break BY CAMILLE GAVIN Contributing columnist cgavin@bakersfield.com

hanks to a Bakersfield native who hasn’t forgotten her roots, 18 local dancers will perform the opening act for the Radio City Music Hall Christmas Spectacular shows on Monday. Tiler Peck, now a principal dancer with the New York City Ballet, is the link. Georgia Peck, the ballerina’s mother, explained how it happened. As a child, Tiler performed in the Rockettes’ touring company shows in 1998 and 1999 at Universal City and became acquainted with the show’s choreographer. “When Linda Haberman, the choreographer, learned they were going to do a show in Bakersfield this year, she contacted Tiler and asked if she knew of a local dance group,” said Georgia. Not surprisingly, Tiler suggested the Bakersfield Dance Company, which is owned and directed by her mother. Although Tiler won’t be performing in Bakersfield, she will have a starring role as the Sugar Plum Fairy in a production of “The Nutcracker” in Thousand Oaks on Dec. 18 and 19. Georgia said her dancers, ranging in age from 6 to 17, are excited about appearing at the Rabobank. She did the choreography for their act, which will be done to the music of “We Need a Little Christmas.” Following the opening act, the show begins with a 3-D movie where the audience sees Santa Claus flying to New York City from the North Pole in his magic sleigh, according to a news release. Once he arrives there, he flies his sleigh around some of the city’s landmarks, such as the Statue of Liberty and the Empire State Building.

years old,” said the 29-year-old via telephone from Glendale, Ariz., site of their latest tour stop. “And it was 100 percent a childhood dream of mine to be a Rockette.” Already a five-year veteran of the high-kicking dance troupe, Russell’s story is a familiar one. Studying dance throughout her childhood, she continued her training through college performing in various productions, before finding her way to New York for auditions. Confident in her own skills, it wasn’t enough to land her a place in line the first time around. Unlike other forms she was accustomed to, she was Russell reminded that Rockette dance style is about precision, not free form. “The first time I auditioned, I didn’t make it. I guess it just wasn’t the right time, and I needed to familiarize myself with the choreography. I knew they were going to see me again,” she said. Studying Rockette routines and their favored techniques, Russell returned to audition again with renewed ambition. “Rockettes’ dancing is a very unique style. It’s precision dancing. You can’t be a hair off. So, you really have to pay attention to detail when you go into the audition. They’re very specific about how they want each move precisely done. When I made it, I was so excited!” Standing among her fellow Rockettes entertaining crowds nightly, Russell said while the job is her dream, it’s also a lot of hard work to maintain their level of perfection for the holiday tour. But for her, the experience and payoff make it all worthwhile. “It’s a monthlong rehearsal process: six hours a day, six days a week. It’s very intense, because we are known for our precision. Everything has to be right on. We sometimes do four shows a day, and 300 kicks per show. That’s really, really hard, but it’s amazing what happens once you get onstage. People think we can’t see them in the audience. We can, and love to see them excited and surprised.”

Bakersfield Dance Company dancers have some fun while waiting their turn at a recent practice. From left, Braya Alire, Riley Thompson and Bella Estrada, along with other Bakersfield dancers, will open for the legendary Rockettes.

It continues with live onstage singing and dancing, along with visits to Santa’s workshop. As always, the high-kicking Rockettes with their precision dance style are the “wow” element of the show, especially in such numbers as the traditional “March of the Wooden Soldiers.” “The Living Nativity,” is the final act. It tells the biblical Christmas story with moving pageantry and exquisite costumes and has been a tradition since the show first opened in 1933.

PHOTO COURTESY OF THE ROCKETTES

According to the Radio City news release, it takes more than 165 people to stage the Radio City Christmas Spectacular arena tour, featuring 18 Radio City Rockettes, 16 ensemble actors, eight singers, six children, and, of course, Santa.

Thursday, December 9, 2010 The Bakersfield Californian

Eye Street

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Motorcycle riders and those on other vehicles of all types make a run of Christmas gifts and food for the needy in the community during the annual Bakersfield Toy Run in 2009.

Toy Run set to get revvin’ Event starts at Beach Park on Sunday BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

on’t be alarmed by the sound of an early morning buzz this weekend. It’s just the 27th annual Bakersfield Toy Run revvin’ up a big parade of smiles Sunday. One of Bakersfield’s most rip-roaring holiday spectacles, it’s also one of the most popular charity events of the year. “We have quite a few people that have been watching us for years,” said John Mullin, Toy Run committee president. “It’s been a family event since the beginning, and many of the families say it’s the highlight of their holiday season.” Fueled by toy and food donations, the hugely successful gathering attracts thousands of area motorcycle and car enthusiasts to Beach Park, before hitting the street on a caravan of love. “It’s almost an indescribable feeling. I think the best word that comes close to describing it is ‘awesome,’” said Mullin. Keeping close tabs on every detail — including road permits, participants, securing locations, vendors and more, Mullin and his crew know there is no room for error with an event of this magnitude. “We meet 12 months of the year, and starting the first of November, we meet weekly. It’s an ongoing venture. We’re really good at delegating duties. We identify the areas that need work, and have people working where their strengths are needed,” he said. As they have since the inception, all

27th annual Bakersfield Toy Run When: 7 a.m. meet at park, parade leaves at 10 a.m. Sunday Where: Beach Park (Oak and 21st Street) to Kern County Fairgrounds (1142 S. P St.) Admission: Donate an unwrapped toy or nonperishable food items valued at $20 or $20 per person. Information: 809-2001 or 2831262

proceeds from the Toy Run have gone to benefit the Salvation Army. Operating as a 501(c)(3) nonprofit corporation since 2005, the run works toward what Mullin calls a labor of love. “First of all, we know what we’re doing is a good thing. We have fun working together, we’re very close, good friends. It’s not work to us, and none of us have ever gotten paid. We try to accomplish the work we have to do, and enjoy ourselves while doing it. You’d see all of that at one of our meetings — a lot of laughing and camaraderie.” Last year, parade goers were treated to more than 4,000 motorcycles and assorted vehicles. This year they hope the public and local clubs will return to participate with not just two-wheelers, but four. Simply put: If it rolls, it can run. “We have a lot of different types of groups on the committee, including close to 100 all-terrain vehicles, which will be at the end of the parade. We’ll also have bicycles, motorized golf carts and Derby Revolution roller derby.” If you’re concerned about the legality of your vehicle for the parade, there’s no need to worry. Participating for a

good cause has its benefits. Just make sure it’s safe. “Because it is going to be a parade from the park to the fairgrounds, normal DMV rules don’t apply. So, if you have a motorized lawnmower that’s capable of keeping up with the parade, you can drive that in the parade.” On the day of the event, participants will meet at Beach Park downtown, beginning at 7 a.m. There, organizers will gather the entry fee: an unwrapped toy or nonperishable food items valued at $20. A cash donation of that amount is also acceptable. After all the donations are gathered and order is established for a smooth ride, the parade route is as follows: Exit Beach Park down 21st Street, to Chester Avenue heading south to Belle Terrace, left on P Street, into the Kern County Fairgrounds. Along the way, crowds can bring out a chair and enjoy the sights and sounds, and, should they choose, offer up some curbside donations of their own. “We will have committee members accepting toys and cash contributions along the parade route,” said Mullin. Once at the fairgrounds, food and other vendors will be available, plus live music, door prizes and a trophy presentation for best Christmas-decorated bike, car and “kart.” Hoping to outdo last year’s number of donations, Mullin, who also acts as the Toy Run committee’s chaplain, is confident Bakersfield will once again rise, and ride, to the occasion. “We fed Christmas dinner to over 1,200 families last year, and provided at least two toys for children in each of those families. We’re thankful that God has blessed us for 26 years, and we’re counting on him to bless it again this year. We believe we’re going to have the biggest toy run ever this year.”

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Thursday, December 16, 2010 The Bakersfield Californian

Eye Street

Vision, imagination Core values Web-casters have big plans for multimedia dominance BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

The Core Live is no longer Bakersfield’s best-kept secret. Broadcasting a multimedia blend of entertainment via their website thecorelive.com, their format-free buzz has been gaining steam since relaunching in June. “Our mix of reality TV, music and video is perfect for today’s crowd,” said Michael Urioste, who runs marketing and advertising for The Core Live. “I knew it was gonna be cool from the very beginning.” Started as an underground radio project between friends John Uranday and Phillip Zaragoza in 2000, the two originally stationed themselves in a small office above 19th and Eye Street downtown. Transmitting through now-defunct hosting website pixelradio.com as The Core, they managed to find themselves an audience during a formative time in Web radio. “If you had a high-speed net connection, you could hear us pretty well, but a lot of people were still running slow 56k modems,” said Uranday. “We built an audience through word of mouth and what I call hand-to-hand combat — talking to people, passing out fliers. We had rap artists like Method Man of Wu-Tang Clan, and Jam Master Jay of Run DMC on the phone calling in. DJs would bring three to four crates Some of The Core’s on-air staff. Pictured in front row, from left: Phat E, 24KG, Phillip Zaragoza; second row: DJ Shag, Nicole "Mary of vinyl records and do their show.” Jane" Newman, Melody Symone, DJ Wyld One, DJ X-Ray; 3rd row: Just Macking, John Uranday, Michael Urioste; 4th row: Zapp Loc, DJ Calling it quits after nine months due to Redeemed, Joseph Gomez. Photo by Carly Watts lack of funding, they went their separate ways but remained in close contact. room where listeners can interact once they many of the regular station DJs were wellZaragoza began working as an electrician, start their free online profile. known in the scene, no prior experience while Uranday pursued another passion: The Core Live “We get people from everywhere in the was necessary to become a host. That making movies. Attending the prestigious 1823 Chester Ave. chat rooms. Mainly the hard-core listeners, opened the doors for an unusual cast of Los Angeles Film School in Hollywood from A complete list of programming is who have a favorite show,” said Uranday. guests and sloppy production, which 2005 to 2007, Uranday also started his own available at thecorelive.com Checking out their extensive list of eclecplagued them for the first few months. To film company, CUTM films, specializing in tic programming, there are plenty of shows avoid future problems, they introduced music videos, TV shows, and independent to choose from. From the morning films aimed at urban audiences. With titles The Core all the time,” recalled Zaragoza. “It rules and expectations for talent. comedic antics of the “Wake N Bake Show” checking qualifications, and started “We like “The 99 Cent Show,” “Cruisin’,” and felt like the right time to do it. I knew we to the weekend woman-to-woman advice every DJ had to start submitting a mixtape “Stereotype,” a 2007 film that reportedly had to do something right now.” show “Juicy Girls,” Uranday sees their sucin order to be considered,” said Uranday. “It moved more than 25,000 DVD units Purchasing the Web domain to secure an cess as a result of listeners becoming disjust took off so fast, people just started through a distribution deal with Wal-Mart online destination — Uranday, Urioste and enchanted with mainstream hip-hop and showing up. We finally had to turn people and Amazon.com, his entrepreneurial spirit Zaragoza immediately laid out their plans urban radio. away.” helped establish him as up-and-coming for a new 24-hour live streaming music and “I think commercial radio has reached a independent entertainment producer. video website. Redubbing it, “The Core ‘100,000 Web hits our first week’ stagnant point. They don’t want to take “We did everything ourselves, with no Live,” they scored office space inside the old The party had finally begun for The Core chances anymore. How many times can marketing budget or promo. People just Costco complex on Rosedale Highway and Live, but did anybody care? Looking into you hear the same Eminem and Rihanna gravitated to the bins and bought the went to work. their early online streaming numbers, it song? I’d much rather play an unknown movie,” Uranday said. Accustomed to functioning on shoewas apparent someone was watching and artist than Lil’ Wayne.” string budgets, they pulled as much money listening. Asked about present funding for the sta‘We started building the first day’ together as they could. But thanks to “We were getting 100,000 Web hits our tion, Urioste says they still work mainly Around that time, self-employed market- Zaragoza’s electrical skill and Uranday’s first week, and finding out that on average through donations but have attracted a ing guru Michael Urioste of Delano was media and computer expertise, the studio many visitors were staying logged in four to small group of advertisers. developing websites for area businesses. saw life in a matter of days. eight hours at a time,” said Uranday. “I “People have really come together to help While partnering with Uranday to help pro“We started building the first day we remember hoping for at least 50 visitors. us out, and that’s been a really positive mote “Cruisin’” in 2009 through his own moved in,” recalled Uranday. Now our numbers are even bigger, especial- thing,” added Uranday. “Everyone donates social networking site, 66one.com, future Debuting this past June through a new ly on college campuses and military bases.” their time.” projects were always on the table, including hosting site, Flash Web Town, The Core Six months after their launch, The Core Looking to 2011, the trio also plans on reviving The Core. Live’s studio set-up was, by commercial Live continues to evolve. Now with three expanding into clothing circles. Remodel“I started seeing all these FM radio staradio standards, pretty rough: One Web multi-angle, high-definition cameras, ing their Chester Avenue location to make tions switching to Internet streaming, camera positioned in front of a graffitiupgraded software and familiarity with how way for a hip-hop-themed clothing store because of the economy,” said Urioste. “We emblazoned wall, one microphone, a DJ, to keep things operating smoothly around inside, shows will soon be projected from all started throwing around ideas.” and a set of turntables. Sound quality was the clock, visitors to the site can check out storefront window displays. As the conversation intensified, so did “good enough for the Web,” as they say, but music videos taken from Uranday’s library “We’d like to be the MTV TRL of downthe excitement. nowhere as clean as FM. and more. There’s also the popular chat town Bakersfield,” smiled Urioste. “John and I used to bring up memories of On-air talent was also a problem. While

Thursday, December 16, 2010 The Bakersfield Californian

Eye Street

Casino has winning hand Huge tournament features poker pro BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

rofessional poker player Humberto Brenes will serve as host at this weekend’s PokerStars Caribbean Adventure Series No Limit Hold ‘Em Satellite Tournament at Golden West Casino. The three-day event is open to the public and organizers are excited to offer local players an opportunity to rub elbows with some pros, while raising money for a good cause. “The PCA is expected to be one of the largest and most significant poker events this season,” said Jim Barbo, general manager at Golden West Casino. “We welcome the community to take part in this event and we are excited to give a portion of the proceeds to benefit the Society for Disabled Children.” Nicknamed “The Shark” for his winning reputation at the table, Brenes is a Costa Rican native with two World Series of Poker bracelets to his name.

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“Brenes is a true ambassador for the game of poker,” said Barbo. “He is a positive role model for so many in the industry through his fun personality, commitment to family and generosity in the community.” The tournament will also feature music by local Latin singer Daisy Sanchez, who just wrapped up a concert tour opening for Mexican mariachi legend Vicente Fernandez. The winner of the tournament will qualify for the PokerStars Caribbean

POKERSTARSBLOG.COM

Humberto Brenes displays a shark that he brings along when he is playing poker.

Adventure at Atlantis Resort and Casino in the Bahamas plus airfare and hotel accommodations. Tournament applications are available at Golden West Casino. Organizers recommend applying early as they are expecting large crowds throughout the weekend.

PATHWAYS HYPNOSIS Vaughn Barnett

SANTA DEADLINE TODAY! Crumpled lists clutched firmly in their sweaty little hands, countless children have dutifully marched up to Santa to rattle off the toys they hope to see under the tree. The experience can be ho-hum, thrilling or, in some cases, so traumatic that the tyke silently swears off red velvet for life. We want your pictures of the experience, but we need them by noon today. Include the name of the

person/people pictured, where the photo was shot and the year (if you know it) and your name and phone number, which will not be published. Feel free to include the amusing story behind the photo, but don’t go beyond 100 words. Photos will not be returned. E-mail: sdias@bakersfield.com or drop off at our downtown offices, 1707 Eye St., Bakersfield, CA 93301.

THE WARRIOR’S WAY E 12:30, 5:20, 10:10 FASTER E 7:45, 9:15 MORNING GLORY C 12:00, 2:30, 5:00, 7:30, 10:05 HEREAFTER C 12:40, 3:45, 6:40, 9:45 PARANORMAL ACTIVITY 2 E 12:50, 3:10, 5:30, 8:00, 10:15 JACKASS 3 IN 2D E 3:00, 7:50 RED C 12:20, 3:30, 7:00, 9:35 LIFE AS WE KNOW IT C 1:00, 4:00, 7:15, 10:00 LEGEND OF THE GUARDIANS: THE OWLS OF GA’HOOLE B 11:35, 2:00, 4:30 DEVIL C 12:10, 2:50, 5:10, 7:40, 9:55 EASY A C 11:45, 2:15, 4:50, 7:20, 9:50 DESPICABLE ME B 11:50, 2:10, 4:40, 7:10, 9:40

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December 4, 5, 8, 9, 10, 11, 12, 15, 16, 17, 18, 19, 22, 23

Purchase tickets at bmtstars.com or call the Box Office,

661.325.6100

SFIELD CALIF OR

2010

Showtimes for December 17

AN NI

www.themelodrama.com

O R S’ C H O I C E P

1931 Chester Ave. Follow us on Facebook

Thursday, December 16, 2010 The Bakersfield Californian

Eye Street

Vision, imagination Core values Web-casters have big plans for multimedia dominance BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

‘We started building the first day’ Around that time, self-employed marketing guru Michael Urioste of Delano was developing websites for area businesses. While partnering with Uranday to help promote “Cruisin’” in 2009 through his own social networking site, 66one.com, future projects were always on the table, including reviving The Core. “I started seeing all these FM radio stations switching to Internet streaming, because of the economy,” said Urioste. “We all started throwing around ideas.” As the conversation intensified, so did the excitement. “John and I used to bring up memories of

PHOTO COURTESY OF MATT MUNOZ

The crew of The Core Live’s “Wake N Bake Show,” from left: Joseph Gomez; Kimble Woods, aka “Just Macking”; and Luis Santoyo.

The Core Live 1823 Chester Ave. A complete list of programming is available at thecorelive.com

The Core all the time,” recalled Zaragoza. “It felt like the right time to do it. I knew we had to do something right now.” Purchasing the Web domain to secure an online destination — Uranday, Urioste and Zaragoza immediately laid out their plans for a new 24-hour live streaming music and video website. Redubbing it, “The Core Live,” they scored office space inside the old Costco complex on Rosedale Highway and went to work. Accustomed to functioning on shoestring budgets, they pulled as much money together as they could. But thanks to Zaragoza’s electrical skill and Uranday’s media and computer expertise, the studio saw life in a matter of days. “We started building the first day we moved in,” recalled Uranday. Debuting this past June through a new hosting site, Flash Web Town, The Core Live’s studio set-up was, by commercial radio standards, pretty rough: One Web camera positioned in front of a graffitiemblazoned wall, one microphone, a DJ, and a set of turntables. Sound quality was “good enough for the Web,” as they say, but nowhere as clean as FM. On-air talent was also a problem. While

many of the regular station DJs were wellknown in the scene, no prior experience was necessary to become a host. That opened the doors for an unusual cast of guests and sloppy production, which plagued them for the first few months. To avoid future problems, they introduced rules and expectations for talent. “We started checking qualifications, and every DJ had to start submitting a mixtape in order to be considered,” said Uranday. “It just took off so fast, people just started showing up. We finally had to turn people away.”

‘100,000 Web hits our first week’ The party had finally begun for The Core Live, but did anybody care? Looking into their early online streaming numbers, it was apparent someone was watching and listening. “We were getting 100,000 Web hits our first week, and finding out that on average many visitors were staying logged in four to eight hours at a time,” said Uranday. “I remember hoping for at least 50 visitors. Now our numbers are even bigger, especially on college campuses and military bases.” Six months after their launch, The Core Live continues to evolve. Now with three multi-angle, high-definition cameras, upgraded software and familiarity with how to keep things operating smoothly around the clock, visitors to the site can check out music videos taken from Uranday’s library and more. There’s also the popular chat

room where listeners can interact once they start their free online profile. “We get people from everywhere in the chat rooms. Mainly the hard-core listeners, who have a favorite show,” said Uranday. Checking out their extensive list of eclectic programming, there are plenty of shows to choose from. From the morning comedic antics of the “Wake N Bake Show” to the weekend woman-to-woman advice show “Juicy Girls,” Uranday sees their success as a result of listeners becoming disenchanted with mainstream hip-hop and urban radio. “I think commercial radio has reached a stagnant point. They don’t want to take chances anymore. How many times can you hear the same Eminem and Rihanna song? I’d much rather play an unknown artist than Lil’ Wayne.” Asked about present funding for the station, Urioste says they still work mainly through donations but have attracted a small group of advertisers. “People have really come together to help us out, and that’s been a really positive thing,” added Uranday. “Everyone donates their time.” Looking to 2011, the trio also plans on expanding into clothing circles. Remodeling their Chester Avenue location to make way for a hip-hop-themed clothing store inside, shows will soon be projected from storefront window displays. “We’d like to be the MTV TRL of downtown Bakersfield,” smiled Urioste.

Wednesday, December 22, 2010 The Bakersfield Californian

Local news

Former Korn guitarist Welch to sign his book at Russo’s BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

Former Korn guitarist Brian “Head” Welch will be signing copies of his new book, “Stronger: Forty Days of Metal and Spirituality,” at Russo's Books today. This is the second book authored by Welch. “Save Me From Myself,” his 2007 spiritual testimony, chronicled his life as a founding member of multi-platinum band Korn, his struggles with substance abuse, and new life as a born-again Christian rocker and committed father. “Stronger” is a continuation of Welch's personal journey, featuring a 40-day devotional of biblical scriptures that have helped him to mold his Christian faith and find light during his darkest moments. In the book, he also speaks candidly about his bouts of depression since finding God and the struggles he's faced trying to understand his faith. A passage taken from “Stronger”: “In January 2005 I found God, and I've never been the same since. For years before that life-changing decision, I had been the lead guitarist for the band Korn, traveling the world and making millions of dollars, all while being hopelessly addicted to crystal meth. I had a daughter I was responsible for, and I was failing her. I had a life I was throwing away, and I woke up each day wishing that some force would simply take me out of my misery. Thankfully that didn't hap-

Saw Vll – R 12:40 2:50 6:45 Paranormal Activity 2 – R 4:45 9:25 Secretariat – PG 12:15 2:45 5:10 7:35 10:00 Jackass 3 – R 12:30 2:30 7:15 Red – PG-13 4:30 9:30 Life As We Know It – PG-13 12:20 2:40 5:00 7:20 9:45

Legend Of The Guardians 3-D – PG 12:45 2:55 7:30 Jackass 3 3-D – R 5:15 9:50 Despicable Me 3-D – PG 12:35 2:35 4:50 7:00 Saw 3-D – R 9:40 ***IN DIGITAL PROJECTION***

BRIAN ‘HEAD’ WELCH BOOK SIGNING When: 6:30 p.m. today Where: Russo's Books at The Marketplace, 9000 Ming Ave. Information: 665-4686 HARPERCOLLINS PUBLISHERS

“Stronger” by Brian Welch.

pen. Instead of that force taking me out of my misery, I got a new reason to live.” Fellow Korn bandmate Reggie “Fieldy” Arvizu authored his own 2009 book about finding spirituality

HOLIDAY SCHEDULE Most banks and savings & loans: Some banking institutions will be working a half day Friday; closed Saturday GET buses: Saturday schedule Friday; no service Saturday City offices: . . . . . . . . . . . . . . . . . . . . . .Closed Friday County offices: . . . . . .Closed Thursday and Friday Department of Motor Vehicles: .Closed Saturday State offices: . . . . . . . . . . . . . . . . . .Closed Saturday Federal offices: . . . . . . . . . . . . . . . . . . .Closed Friday Courts: . . . . . . . . . . . . . . . . . . . . . . . . . .Closed Friday Trash services: . . . . . . . . . . . . . . . .Regular schedule

Donate Your Vehicle Your tax deductible donation of a car, boat or RV can come true for a local Central California child with a life-threatening illness.

1-866-470-WISH (1-866-470-9474)

titled “Got the Life: My Journey of Addiction, Faith, Recovery, and Korn.” Copies of “Stronger” will be available for purchase at Russo's the day of the event.

Here’s today’s clue in the downtown Bakersfield “Spot Chester” game: Yee-haw! Chester's gone Western. Find him on 19th Street trying on some wranglers. The object of the game is to spot Chester in a downtown business. Players can win prizes from participating merchants. Clues will appear this week in The Californian and on the Bakersfield Downtown Business Association’s Facebook page.

Ready-Mix Rock Sand Landscaping Materials Septic Installation Delivery Available 161 Quantico Ave Bakersfield

www.centralca.wish.org

Showtimes for December 22

Where’s Chester?

E. A. Shields 325-5969 CENTRAL CALIFORNIA CHAPTER

FASTER E 12:50, 3:10, 5:30, 7:45, 10:10 THE NEXT THREE DAYS C 1:15, 4:15, 7:05, 9:55 MEGAMIND B 11:40, 1:00, 2:00, 3:20, 4:30, 5:40, 7:00, 8:00, 9:20, 10:20 HEREAFTER C 12:40, 3:45, 6:40, 9:45 PARANORMAL ACTIVITY 2 E 12:10, 5:10 RED C 12:20, 3:30, 6:50, 9:30 LIFE AS WE KNOW IT C 1:00, 4:00, 7:15, 10:00 DEVIL C 2:50, 7:40, 9:55 EASY A C 11:45, 2:20, 4:50, 7:30, 9:50 DESPICABLE ME B 11:50, 2:10, 4:40, 7:10, 9:40

Open 7 Days A Week

Maya Bakersfield 16 Cinemas

Maya Bakersfield 16 Cinemas Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, for 3D presentation add $3.00 to normal ticket price.

Text Movies to 21321

Happy Holidays from our family to yours!

PRESENTED IN DLP DIGITAL

Tron: Legacy 3D PG-13 10:00 1:00 4:00 7:10 10:15 Yogi Bear 3D – PG 10:15 12:35 2:50 5:05 7:20 9:40 True Grit*** - PG-13 12:15 2:45 5:20 8:00 10:40 Chronicles of Narnia: Voyage of the Dawn Treader 3D PG 9:40 am Little Fockers – PG-13 9:45 11:00 12:00 1:15 2:15 3:40 4:40 6:05 7:10 7:40 8:20 9:45 10:15 10:50

True Grit*** - PG-13 11:15 1:45 4:25 7:00 9:35

The Fighter*** - R 10:30 11:50 1:10 2:25 3:50 5:05 6:30 7:45 9:20 10:30

How Do You Know*** - PG-13 11:25 2:05 4:50 7:30 10:10

Tron: Legacy 2D – PG-13 10:40 11:20 1:40 2:20 4:40 5:15 8:05 10:55

Yogi Bear 2D – PG 11:10 1:20 3:45 6:00 8:10

The Tourist*** - PG-13 10:25 12:40 3:05 5:30 7:50 10:20

Voyage of the Dawn Treader 2D*** - PG 12:50 3:55 6:40 9:25

Tangled – PG 10:05 12:25 2:45 5:10 7:35 9:55

Due Date – R 10:35 PM

Harry Potter and The Deathly Hollows Part 1 PG-13

9:55 am

Black Swan*** - R 10:10 12:45 3:10 5:40 8:15 10:45

*** Special engagement

1000 California Ave. • 661-636-0484 • mayacinemas.com

The Bakersfield Californian Thursday, December 23, 2010

Eye Street

Index Shari Fortino . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 John Doe and X to perform . . . . . . . . . . . . . . . . .20 Arts Alive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22 Scott Cox’s favorite holiday movies . . . . . . . . . . .23 The Lowdown with Matt Munoz . . . . . . . . . . . . . .24 Best movies of 2010 . . . . . . . . . . . . . . . . . . . . . . . .25 Movie reviews . . . . . . . . . . . . . . . . . . . . . . . . . .26-28 Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29-31

Editor Jennifer Self | Phone 395-7434 | e-mail jself@bakersfield.com

Countdown to the countdown Plenty to do New Year’s Eve, but it’s smart to plan now

NEW YEAR’S CELEBRATIONS

BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

hat are your plans this New Year’s Eve? Depending on what you have in mind, there won’t be a shortage of options in Bakersfield. From bigticket extravaganzas to scaleddown affairs, many local restaurants, nightclubs and bars, will be vying for your dinner reservation or spot on the dance floor. Despite the less-than-festive economy, local venues have taken some creative steps to assure you won’t have a reason to stay home this year. To help get you in the mood, we’ve compiled a list of Bakersfield’s best bets to get your New Year’s Eve groove on. Put together your favorite party duds and plan accordingly. As always, make sure you have a designated driver and party responsibly.

TINA FINEBERG / AP

Revelers enjoy New Year’s Eve in New York’s Times Square.

announcement that Buck was about to come onstage, the crowd just rushed the stage. He was definitely the star of the evening. I had to sing backup, and got to see the magic that the guy created.”

Darren Gholston at DoubleTree

The Bellvedere’s Double Header One local bar making party time accessible is the Bellvedere. Offering not one but two chances to celebrate, early birds can start at 10 a.m. with a potluck lunch. Once the clock strikes noon, attendees can shout “Happy New Year,” with everyone in attendance. Bellvedere bartender Sissy Garrett, who’s celebrated her share of parties mixing up festive libations, decided to bring back the daytime event this year after getting requests. “It’s been about four years since we’ve held it last,” she said. We have a lot of regulars that don’t go out at nighttime, so we celebrate the whole day. Everyone brings a little something to eat. There’s no dress code, so we get a wide variety of people. Who doesn’t want to start partying at 10 a.m. on New Year’s Eve?” The nighttime soiree starts with live music, but no potluck. Garrett advises guests to plan their own meal unless they like salted peanuts for dinner.

Duck Soup at The Crystal Palace Buck Owens’ Crystal Palace is changing its tune this year. Known for throwing some of the city’s big-

PHOTO COURTESY OF DUCK SOUP

Sam Irwin is the lead vocalist for Duck Soup.

ger New Year’s shows starring Hollywood actors like Vince Vaughn and Gary Sinise, this year they’ve decided to go golfing, so to speak. “We’re the unofficial band of the PGA Tour,” said Sam Irwin, lead vocalist of Austin-based band Duck Soup, of his group’s claim to cover fame. “We do everything you can imagine: The Beatles; Rolling Stones; Earth, Wind & Fire; The Who; Alabama; lots of Motown.” Discovered by PGA organizers 18 years ago during a show in Austin, Irwin and crew have become a regular fixture at tournament parties from Phoenix to New Orleans. Traveling to Bakersfield for the first time, Irwin said he’s been bragging to friends since getting booked for New Year’s Eve. “We did a big charity show at a golf course backing up different singers. When I made the big

Saxophonist Darren Gholston is reviving his annual New Year’s concert party at the DoubleTree next Friday to offer Bakersfield another great party alternative. “I stopped doing my New Year’s show in 2005 because I wanted to bring my family, and I know there are others who’d like to do the same with theirs.” Known for his soulful live shows, Gholston has been a popular draw around Bakersfield for years as a featured performer at the Cal State Jazz Festival. He’s also thrown regular concerts around town with some big-name guests, including actor/musician Malcolm-Jamal Warner. “I’ll doing my jazz show, but I’m also incorporating a lot of old school for dancing. I call it contemporary jazz with some soul,” he said. “This is for the grown folks.” Joining Gholston onstage will be: Robin Bramlett, bass; Kevin Teasley, keyboards; drummer Lamont Sydnor; bass; and Jorge Evans, guitar. “I’m happy that so many quality things are going on. “You can’t say that there aren’t things to do in Bakersfield,” he said. Gholston’s New Year’s Eve concert will be begin at 8 p.m. with DJ music until 10 p.m., followed by the Gholston and band from 10 to midnight. After the concert, DJ music will return until 1:30 a.m.

Bellvedere Cocktail Lounge: two parties: 10 a.m., food, party favors, champagne, early bird countdown at noon; music by Catch 22, party favors, free champagne toast at midnight, begins at 9 p.m., 3090 Brundage Lane. 3252139. Buck Owens’ Crystal Palace: with Duck Soup, 7 p.m., 2800 Buck Owens Blvd. Dinner tickets $85 to $100; show-only $45 to $55. vallitix.com or 322-5200. Sandrini’s: New Wave New Year’s Party, music by Members Only, 8 p.m., 1918 Eye St. $5 with ’80s costume; $10. 322-8900. DoubleTree Hotel: with Darren Gholston, 10 p.m., 3100 Camino Del Rio Court. $30 to $35. vallitix.com or 322-5200. Fishlips Bar & Grill: Bakotopia & Fishlips New Year’s Eve Pachanga!, with Mento Buru, Velorio, DJ Mikey, party favors, champagne toast, midnight buffet, 8 p.m., 1517 18th St. $15. 324-2557. Cafe Med: two dinner (full buffet) seatings to choose from: (meal only) 4 to 8 p.m., $39.95 for adults, $15.95 for kids 12 and under; 8 p.m. $49.95, includes champagne toast at midnight, dancing, music by John Ranger and the Cougar Town Band, 4809 Stockdale Highway. 834-4433. The Prime Cut: music by Foster & Friends, dancing, dinner, drinks, doors open at 7 p.m., 9500 Brimhall Road. $100 or $180 per couple. 8311413. Nile Theater: party favors, champagne toast at midnight, music by DJ Reflex, 8 p.m., 1721 19th St. $15. 805-2520479. Valentien Restaurant & Wine Bar: with two seatings: four-course menu at 5:45 p.m. and a full seven course at 7:45 p.m. based on the Titanic’s fabled first-class passenger menu, which includes champagne, oysters, live music, party favors, dessert bar and dancing, 1310 Truxtun Ave., Suite 160. $45, four course; $110, seven course.

864-0397. Eagles Hall: dinner, party favors, the Feliz Band, mariachi group, DJ Joe Sanchez, 8 p.m. Friday to 1 p.m. Saturday, 1718 17th St. $30 and invited guest. 747-1628. Kern River Brewing Company, music by Slideways, Out of the Blue, champagne toast, 7 p.m. Friday to 1 a.m. Saturday, 13415 Sierra Highway, Kernville. 760-376-2337. Salon Juarez: Party by Sociedad Juarez, bring favorite drinks/appetizers, 7 p.m. to 1 a.m., 815 E. 18th St. $15 or $25 per couple. 8322613 or 638-0444. Elevation Lounge: with Elevation 406, party favors, champagne toast, choose either New York steak or chicken dinner with all the fixins, 7 p.m., 818 Real Road. $20 or $35 per couple. Special room rates available at Days Inn. 325-6864. Rollerama West: New Year’s Eve Skate Party, 7:30 p.m. Friday to 12:30 a.m. Saturday, 7850 Brimhall Road. $10; $3 skate rental. 589-7555. Ethel’s Old Corral Cafe: with Blonde Faith, 8 p.m., 4310 Alfred Harrell Highway. Free. RV space available for overnight parking. 873-7613. T-Bones Steakhouse: with The Beagles, party favors, champagne toast at midnight, dinner and drink specials, 8 p.m., 8020 District Blvd. $10. 398-1300. The Dome: with Orquesta Son Kache, DJs Michael Anthony, Mark Anthony, Art Hollywood and Juan R. Gonzalez, 7 p.m., 2201 V St. $10; $15 after 8 p.m. 327-0190. The Padre Hotel: choose from four themed venues, champagne toast at midnight, 8 p.m., 1702 18th St. $25 advance; $35 at the door. Dinner/dancing package in the Belvedere Room from 4 to 8 p.m. $75 to $100. Special room rates available. 427-4900. Stars Theatre: with Bakersfield Jazz Workshop Orchestra, appetizer, dinner, dancing, champagne toast at midnight, 7 p.m., 1931 Chester Ave. $80 for table of 8; VIP: $325 for table of four. 301-4583 or 444-0853.

The Bakersfield Californian Thursday, December 23, 2010

Eye Street “I live in Oildale, and I think it's great. There are plenty of characters and I kinda like that. Some people have no shame and I have to tip my hat to that. Very punk rock.”

— John Doe, member of the punk band X

Showtimes for December 23

“Give the Gift of Laughter with a Melodrama Gift Card or Season Pass” Opening January 21st Shootout at Ethel’s Old Corral

For reservations 587-3377 12748 Jomani Drive

PHOTO COURTESY OF FRANK GARGANI

Los Angeles-based band X — from left, Billy Zoom, John Doe, Exene Cervenka and D.J. Bonebrake — in 1980.

SFIELD CALIF OR

2010

AN NI

www.themelodrama.com

O R S’ C H O I C E P

READING C

F O R M E R LY PA C I F I C T H E AT R E S

VALLEY PLAZA MALL, WIBLE ROAD AT HI-WAY 99

ADVANCE TICKETS AT READINGCINEMASUS.COM 1-800-FANDANGO #2703 “LIKE” READING CINEMAS VALLEY PLAZA 16 ON FACEBOOK FOR SPECIAL PROMOTIONS! GENERAL ADMISSION ONLY

MATINEES BEFORE 6PM ONLY

SENIORS (55+) AND KIDS ONLY

3D $11.00

3D $8.00

5 5

50 $

EVERY THURSDAY

FREE POPCORN VALUE SIZE

ANYONE 55 OR OLDER

(PG-13)

(11:30AM, 12:30, 2:00, 3:00, 4:30, 5:30), 7:00, 8:00, 9:30, 10:30 I

TRON: LEGACY (PG)

YOGI BEAR (PG)

3D: (11:30AM, 2:15, 5:00), 7:45, 10:30 2D: (12:30PM, 1:15, 3:15, 4:10), 6:00, 7:00 8:40, 9:45

(11:25AM, 12:25, 1:25, 2:25, 3:25, 4:25, 5:25), 6:25, 7:25, 8:25, 9:25, 10:25 THE FIGHTER (R)

(11:20AM, 2:10, 4:40, 5:40), 7:10, 8:10, 9:50, 10:40 HOW DO YOU KNOW (PG-13)

(11:15AM, 1:50, 4:35), 7:30, 10:10

Bargain Shows in ( )

(11:00AM, 12:15, 1:20, 2:30, 3:40, 4:50), 6:00, 7:20, 8:20, 9:40, 10:40 BLACK SWAN (R)

(12:10PM, 2:45, 5:15), 7:50, 10:20 THE CHRONICLES OF NARNIA: THE VOYAGE OF THEDAWN TREADER (PG)

3D: (11:10AM, 1:45, 4:25), 7:05, 9:40 THE TOURIST (PG-13)

(12:00PM, 2:40, 5:10), 7:40, 10:10 TANGLED (PG)

(11:50AM, 2:20, 4:45), 7:15, 9:35 HARRY POTTER 7 (PG-13)

(11:25AM, 2:35)

I Pass/Discount Restrictions Apply

Showtimes Valid Only 12/23/10

X marks the spot — and it’s Bakersfield Show marks milestone for SoCal punk icons BY MATT MUNOZ Bakotopia.com editor mmunoz@bakersfield.com

he spirit of punk rock is where you find it, according to no less an authority on the subject than John Doe. The frontman for X found that vibe in Los Angeles in the ’70s when the groundbreaking band was formed at the dawn of the Southern California punk rock movement. And he’s found it once again in, of all places, Oildale. “I live in Oildale, and I think it’s great. There are plenty of characters and I kinda like that. Some people have no shame and I have to tip my hat to that. Very punk rock,” he said. “I saw some guy wearing spurs on Chester Avenue just like a week ago. He wasn’t wearing them for fashion. He was a cowboy that had just come into town. That’s pretty awesome.” And Doe is bringing his old friends to his new hometown to celebrate a

X When: 7 p.m. Monday Where: Buck Owens' Crystal Palace, 2800 Buck Owens Blvd. Admission: $18 to $24, general admission standing and reserved seating available for show. Information: 328-7560

career milestone for the band. Appearing Monday at Buck Owens’ Crystal Palace is the original lineup: Doe, bass; Exene Cervenka, vocals; Billy Zoom, guitar; and D.J. Bonebrake, drums. Currently in the midst of a 30th anniversary tour commemorating the release of their 1980 debut, “Los Angeles,” the band will perform the album in its entirety and screen their 1986 documentary, “The Unheard Music,” before the concert. “We’ve been calling this tour ‘More X than you bargained for,’” said Doe via telephone of the group’s planned feast for longtime fans. “Maybe too much X.” Formed in 1977 by guitarists Doe and Zoom, the quartet became popu-

lar performing at a handful of Hollywood clubs, including the Whisky, The Roxy, and The Masque, alongside other genre-bending bands such as Fear, The Germs and others. Frowned upon by the mainstream, Doe and his youthful compatriots took their underground sound from the garage to the streets, igniting an undercurrent of revolution in the city throughout the ’80s. “It was time for a change,” he said. “On one side there was Linda Ronstadt, Peter Frampton, Fleetwood Mac — bands that were overindulgent and had lost the kind of essence of rock ’n’ roll music. And then on the other side, you had punk rock.” “Punk rock” was a loud, fast, and rowdy response to the stranglehold Doe and his mates felt the music industry had on listeners. “It was a struggle for sure, but everyone loves a struggle,” explained Doe. “A struggle pulls people together. There was a lot of community in Los Angeles, because in order to find a hall and put together a show, everyone had to pull together their resources. We didn’t realize it at the time that if you identified Please see PAGE 21

Thursday, December 23, 2010 The Bakersfield Californian

Eye Street COMING IN EYE STREET • Restaurants live and die by consistency. Just one unfavorable dining experience can turn a loyal customer into a vocal detractor. After hearing wildly different reports about Grandview Asian Cuisine, Californian restaurant critic Pete Tittl knew he needed to find out what was what. • Herb Benham is sleeping in a strange bed. But before you call the marriage counselor on his behalf, check out his column to find out why.

Saturday If your New Year’s resolution is to get out more, let our January events calendar be your guide.

Sunday Merle Haggard caps off what could go down as the year of his life — at least professionally — on Tuesday when CBS airs a celebration of his career with “The Kennedy Center Honors.” We catch Haggard up with the country music legend and ask him about meeting the president and fellow honorees Oprah Winfrey and Paul McCartney. • Mark Huggs, the visionary behind the 24th Street Cafe, one of Bakersfield’s best breakfast spots, was born to the food business. In

FELIX ADAMO / THE CALIFORNIAN

Naomi Denton delivers two arms full of food to customers on the patio of the 24th Street Cafe.

fact, he still runs into people who remind him that he predicted as early as the seventh grade he would one day own a restaurant. Mission accomplished.

CONTINUED FROM PAGE 20

yourself like that you were like a pariah to the music industry, but we didn’t really give a (expletive). It was about being concerned with good music and art, and not doing the status quo.” That sense of community helped bands like X continue to perform despite being targets of harassment in a city known for excess. “There was a lot of prejudice against people that looked like us. People would get beat up or wouldn’t get served in restaurants. If you look at the pictures, people didn’t even look that weird. I mean, what is so weird about a black leather jacket and ripped-up jeans? The thing that I always thought was: ‘This is Hollywood. Isn’t this where you’re supposed to be allowed to look like that?’” Fashion statements aside, what made X stand out were their exhilarating live shows and musicianship. Looking to bring rock ’n’ roll back to its rebel roots, X’s style was more akin to Eddie Cochran than Sid Vicious. Guitarist Billy Zoom, in his signature leather-jacketed Elvis stance, was a proficient ax man, smiling with teen idol charm. On the opposite end was Doe, handling bass and vocal duties, sporting a ’50s greaser look. On colead vocals was the striking Exene, whose haunting off-key vocals blended in dissonance with Doe’s melodic vibrato. Behind the drums was classically trained percussionist D.J. Bone-

HANDOUT PHOTOGRAPH

In addition to his musical pursuits, John Doe, seen in 2007, has also become a part-time actor with a variety of television and movie roles.

brake, keeping time amidst the chaos. “We were always thought of as the hippies of punk rock in Los Angeles, because we played slower songs, there was more melody, song structure, and Billy could play rings around anybody else. So, we were never like the ‘punk rockest of the punk rockers,’” he said. Getting signed to Hollywood indie label Slash in 1980, X also caught the attention of Doors’ keyboardist Ray Manzarek, who took the band under his wing.

Adv. Tix on Sale GULLIVER'S TRAVELS Adv. Tix on Sale THE GREEN HORNET LITTLE FOCKERS (PG-13) # (1000 1030 100 130 400 430) 700 730 1000 1030 TRUE GRIT (PG-13) # (1045 145 445) 745 1045 TRON: LEGACY (PG) # (1245 345) 645 945 HOW DO YOU KNOW (PG-13) (1040 140 440) 740 1040 YOGI BEAR IN REALD 3D - EVENT PRICING (PG) # (1010 1215 235 435) 710 915 TRON: LEGACY IN REALD 3D - EVENT PRICING (PG) # (1015 115 415) 715 1015 THE FIGHTER (R) - ID REQ'D (1020 120 420) 720 1020 THE TOURIST (PG-13) (1050 150 450) 750 1025 CHRONICLES NARNIA: VOYAGE IN REALD 3D -EVENT PRICE (PG) # (1230 330) 630 900 BLACK SWAN (R) - ID REQ'D (1100 200 500) 800 1035 HARRY POTTER AND THE DEATHLY HALLOWS 1 - DP (PG-13) (1130 245) 600 930 YOGI BEAR - DP (PG) # (1145 205 405) 640 845 (1250 350) 650 950 TANGLED (PG)

Maya Bakersfield 16 Cinemas

Maya Bakersfield 16 Cinemas Matinee $6.00, Children/Seniors $6.00, General Admission $9.00, for 3D presentation add $3.00 to normal ticket price.

Next Thursday A year on the entertainment scene usually begins in a gin-soaked New Year’s party blur — and ends exactly the same way. But there are a lot of highs and lows in between. We’ll run down the list of the most noteworthy things that happened in 2010 in the world of entertainment, culture and arts.

“Ray saw us at the Whisky. We were playing ‘Soul Kitchen’ at about triple speed. I think he saw a similar connection with us and our audience that The Doors had,” explained Doe. Joining the band in-studio for the “Los Angeles” sessions, Manzarek acted as producer and performer, laying down keyboard tracks on much of the album. It was an opportunity Doe says the band couldn’t refuse, even by punk standards. Manzarek stayed with the band for three more releases: “Wild Gift,” “Under The Big Black Sun” and 1985’s “Ain’t Love Grand.” Finding some crossover rock success with their cover of The Troggs’ “Wild Thing” in ’89, they’ve remained DIY heroes for most of their career. Staying musically active during band hiatuses, Doe also became a part-time actor in movie and TV shows, including “Road House,” “Roswell” and “Boogie Nights.” Preferring music to the bustle of Hollywood, one thing Doe also currently enjoys is his new family life in and around Bakersfield. Making comparisons between his hero, Merle Haggard, and punk rock’s outlaw spirit, Doe looks forward to Monday’s show with one small concern. “I hope Buck Owens isn’t spinning in his grave for the fact that we’re playing there. I have a lot respect for Buck and all his crazy things.”

Times For 12/23/10

Text Movies to 21321

Happy Holidays from our family to yours!

PRESENTED IN DLP DIGITAL

True Grit*** - PG-13 11:15 1:45 4:25 7:00 9:35

The Fighter*** - R 10:30 11:50 1:10 2:25 3:50 5:05 6:30 7:45 9:20 10:30

How Do You Know*** - PG-13 11:25 2:05 4:50 7:30 10:10

Tron: Legacy 2D – PG-13 10:40 11:20 1:40 2:20 4:40 5:15 8:05 10:55

Yogi Bear 2D – PG 11:10 1:20 3:45 6:00 8:10

The Tourist*** - PG-13 10:25 12:40 3:05 5:30 7:50 10:20

Voyage of the Dawn Treader 2D*** - PG 12:50 3:55 6:40 9:25

Tangled – PG 10:05 12:25 2:45 5:10 7:35 9:55

Due Date – R 10:35 PM

Harry Potter and The Deathly Hollows Part 1 PG-13

9:55 am

Black Swan*** - R 10:10 12:45 3:10 5:40 8:15 10:45

*** Special engagement

1000 California Ave. • 661-636-0484 • mayacinemas.com

HOLIDAY LIGHTS SCHEDULE EXTENDED BECAUSE OF RAIN Due to the number of postponements caused by rain, Holiday Lights at CALM is being extended a week to include New Year’s Eve and Day. Everything except food is covered in the price of admission, including parking and rides on the giant carousel and the Candy Cane Express train. Admission prices are $12 for adults, $6 for children ages 3-12, $10 for children ages 13-17 and senior citizens. Tickets can be purchased at the gate or through Vallitix at 3225200 or at http://vallitix.rdln.com.

New to visitors this year are giant animated insects on the nature trail, native animals building a snowman, elves loading a train with holiday fireworks and roasting marshmallows with a dragon’s fire. A big crowd favorite is the synchronized symphony of multi-colored, musical trees, as well as a sea featuring animated, aquatic animal, antics. Holiday Lights is closed Christmas Eve and Day, but otherwise open from 5:30 to 9 p.m. each night through Jan. 2. Information: 872-2256. — Kern County Superintendent of Schools

CHECK LOCAL LISTINGS FOR THEATERS AND SHOWTIMES MOBILE USERS: For Showtimes - Text FOCKERS with your ZIP CODE to 43KIX (43549)!

Friday, December 31, 2010 The Bakersfield Californian

Eye Street Concert review

Punk rocks the Crystal Palace X as potent as when it hit the scene in ’77

Buck was a rebel back in the day, and X has that raw edge that Buck had with his band. He would’ve approved.”

BY MATT MUNOZ

For more photos from the concert, visit Bakotopia.com.

Bakotopia.com editor mmunoz@bakersfield.com

Punk showed its grownup side with a sold-out show by Los Angeles music legends X at Buck Owens’ Crystal Palace on Monday night. The original members — John Doe, Exene Cervenka, Billy Zoom and D.J. Bonebrake — who formed in 1977 during the dawn of the Hollywood punk rock movement, proved they still pack the power of their younger days. Kicking off the evening with a screening of their 1986 rockumentary, “The Unheard Music,” on the Crystal Palace’s big screens, the mixed crowd of middleaged rockers and twentysomethings filled the main floor and multi-level musical hall/museum. Guitarist and vocalist Moe Adame, a veteran musician of Bakersfield’s own punk rock scene going back to the early ’80s with his band Burning Image, arrived early to claim his spot in front of the stage. Eagerly anticipating the band’s arrival, Adame shared a common sentiment overheard in the audience. “The first time I read that X was coming to town I said, ‘It’s about time that somebody like X performed there.’ I’ve always thought the Crystal Palace could stage shows like this. It really lends itself to a more diverse lineup of bands. It’s a great venue all around.” Like many of his peers, Adame’s introduction to the band came through the 1981 Penelope Spheeris documentary “The Decline of Western Civilization,” a film that depicted life inside Hollywood’s burgeoning rebel rock youth movement. Adame recalled seeing X perform for the first time in the film back in ’82. “‘The Decline’ was an epiphany for me. When I saw X perform ‘Beyond and Back,’ I knew that’s what I wanted to do musically. It was new, fresh and exciting.” Releasing seven fulllength albums over the course of their career, X spent most of 2010 com-

PHOTOS COURTESY OF HOLLY CARLYLE

Legendary Los Angeles punk band X performs in front of a sold-out crowd at Buck Owens’ Crystal Palace on Monday.

X bassist John Doe performs during the show.

X guitarist Billy Zoom kept it all smiles during the band’s show at the Crystal Palace.

“I thought concerts were for dancing.” — X singer Exene Cervenka, after Crystal Palace security broke up an attempted mosh pit at the show.

memorating the 30th anniversary release of their landmark debut, “Los Angeles,” an album considered to be one of the cornerstones of the genre. Guitarist Billy Zoom, who entered the darkened Crystal Palace stage first to briefly tune his guitar, was greeted immediately by a

wave of cheers. A few moments after the house lights were raised, the rest of the band entered blazing into “Your Phone’s Off the Hook, But You’re Not,” before performing the rest of the “Los Angeles” album in its entirety. Giving a quick shoutout to his new Oildale neighborhood, bassist John Doe was well-dressed in a suit and tie. Heading up in age, he and vocalist Exene Cervenka sounded uniquely refined after all these years, segueing tightly through each number. Opening the next segment of their show with “The Hungry Wolf” from ’82’s “Under The Big Black Sun,” classically

trained drummer D.J. Bonebrake never missed a beat, while Zoom planted himself at the corner of the stage. Grinning for photos throughout the night, his riffs acted as the band’s compass. With only one false start, they ran through a major portion of their catalog nonstop. Enthusiastic fans sang-along, even attempting to start a small circle mosh-pit, before being halted by Crystal Palace security. “I thought concerts were for dancing,” said Cervenka, drawing a roar of approval from the crowd. Leaving the stage and returning for a lengthy encore, the night ended on a high note with fans like Adame who said the band was right at home in the house that Buck built. “This was without a doubt the best show I’ve seen them do. I was amazed at how great they sound.”

FASTER E 12:50, 3:10, 5:30, 7:45, 10:10 THE NEXT THREE DAYS C 1:15, 4:15, 7:05, 9:55 UNSTOPPABLE C 11:45, 2:20, 4:50, 7:30, 9:50 MEGAMIND B 1:00, 3:20, 5:40, 8:00, 10:20 MEGAMIND 3D B 11:40, 2:00, 4:30, 7:00, 9:20 HEREAFTER C 12:40, 3:45, 6:40, 9:45 PARANORMAL ACTIVITY 2 E 12:10, 5:10 RED C 12:20, 3:30, 6:50, 9:30 LIFE AS WE KNOW IT C 1:00, 4:00, 7:15, 10:00 DEVIL C 2:50, 7:40, 9:55 EASY A C 9:40 PM DESPICABLE ME B 11:50, 2:10, 4:40, 7:10, 9:40

Showtimes for December 31