Character Design Development

CHARACTER DESIGN ASSESSMENT 01 + 02 + 03

2 0 1 8 | A N I 1 0 0 0 4 | I N T R O D U C T I O N TO C H A R AC T E R A N D E N V I R O N M E N T D E S I G N

CONTENT 01 - 04

GENERAL VISUAL RESEARCH

05 - 07

CHARACTER CONCEPTS

09 - 12

CHARACTER ONE DEVELOPMENT : RESEARCH + SKETCHES

13 - 16

CHARACTER TWO DEVELOPMENT : RESEARCH + SKETCHES

17 - 18

STORY CONCEPT

19 - 20

ENVIRONMENT FOR CHARACTER ONE AND TWO

22 - 25

PLASTICINE SCULPTS & TURNAROUND POSES

26 - 29

DEVELOPED OF BOTH VECTOR AND RASTER GRAPHICS

32 - 33

CHARACTER PUPPET VIEWS

35 - 38

VISUAL RESEARCH FOR ENVIRONMENT DESIGNS

39 - 41

GENERAL ENVIRONMENT THUMBNAILS SKETCHES

42 - 43

REFINEMENT VISUAL RESEARCH - PODS, CAVES HOMES

44 - 45

REFINED SKETCHES OF THE MOTH CAVE / POD HOMES

46 - 47

REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE

48 - 49

REFINED SKETCHES OF THE ABANDMENT HOUSE

50 - 51

COLOUR VARIATIONS

52

SHADOWS & HIGHLIGHT

53

ENVIRONMENT LAYERS

54

FINAL ENVIRONMENT

55 - 58

REFERENCES

ASSIGNMENT 1

M AS K

1

VISUA L RE SE A RC H

2

3

WO LFS | IN S ECTS

4

CHARACTER CONCEPTS

5

6

7

REFINED RESEARCH AND DEVELOPMENT 8

SRI LANKAN TRADITIONAL MASK

9

CHARACTER ONE

10

CHARACTER ONE

HARVEY

THE MASK BOY

DESIGN EXPLORATION

11

12

ANIMALS INSECTS

13

CHARACTER TWO

14

CHARACTER TWO

ARLO THE HAWKMOTH

DESIGN EXPLORATION

15

16

HARVEY

THE MASK BOY

STO RY/ CONTEXT

Harvey is a Mask boy who just turned 10 years of age. He is mostly misunderstood because of his appearance but he does not give up on making friends and seeing the positive side of things in life. He usually gets into trouble because of his naughty, naive behavior but learns his lesson immediately. This Character brings out the topic of bullying and self-appreciation narratives.

Harvey’s character traits include playfulness, affectionate and stubbornness. Mask boy also represents the traditional attributes of the Sri Lankan mask Gini Raksha, which has the purpose to make the enemies turn to friends and spread happiness among them.

17

ARLO

THE HAWKMOTH

STO RY/ CONTEXT

Arlo’s character was inspired by hawkmoths and silence of the lamb movie. He is an old retired fearless warrior, born evil and mastered his skills in martial arts. The news about the golden spider’s newborn is the beginning of this narrative, Arlo comes back from his retirement to seek revenge, from the one who destroyed his family 70 years ago. Despite his old age, his knowledge and experience make him an outstanding sinister soldier in the moth kingdom. He eats his enemies alive and regains life counts from each one of them. This character was created to deliver dark, depressing negative emotions to the viewer with the hint of an dark humor.

18

CHARACTER ONE

HARVEY

THE MASK BOY

E N V I RONM ENTS

EXPLORATION Classroom, home and the playground are the places he usually spends time for the whole duration of this narrative

19

CHARACTER TWO

ARLO

TH E H AWK M OTH

EN V I R O N M EN TS

EXPLORATION Environments includes the bar where arlo goes

to grab a drink and spend his time. And the forest which leads to the goldern spider gardern.

20

ASSIGNMENT 2 21

HARVEY

THE MASK BOY

PLASTICINE SCULPTS & TURNAROUND POSES 22

23

ARLO

THE HAWKMOTH - SELECTED CHARACTER

PLASTICINE SCULPTS & TURNAROUND POSES 24

NOTES FOR DEVELOPMENT OF ARLO There are couple of development needs to be done to the plasticine Sculpture of arlo.

Firstly, the shape of the wings needs to be changed to show the sharp evil personality.

Secondly, i have sculpted arlo’s nose more simplified but after examining i have decided to add on the sides of the nose to give more emotions to the character. Lastly, the arm length needs to be change to fit his body proportions.

25

ARLO

THE HAWKMOTH

TURNAROUND POSES 26

NOTES FOR DEVELOPMENT OF ARLO This is the sketched version of arlo with the development done to the plasticine Sculpture.

As i mentioned i made the wings sharper and clean edged.

Added the side of the nose to make the character look older, additionally, helps to create a personality.

Body was sketched proportionate.

to

be

more

27

ARLO

THE HAWKMOTH

TURNAROUND POSES RASTER GRAPHICS (PHOTOSHOP) 28

NOTES FOR DEVELOPMENT OF ARLO The Main Colour scheme for Arlo helps to identify him from a line up of other evil characters.

The idea is to keep the colours flow throughout. Showing one deadly side and one softer side of him which the character area to build and develop on.

With Photoshop, i have been able to use airbrush texture details to create depth and give life to the character.

29

Unused Colour Swatches

30

ARLO

THE HAWKMOTH

TURNAROUND POSES VECTOR GRAPHICS (ADOBE ANIMATE)

NOTES FOR DEVELOPMENT OF ARLO First time using Adobe Animate, i was able to create simplified version of the character and able to experiment with the colour scheme.

Among the colours, the purple version and the final version stood out for me. But the body armour seems to blend in to the body therefore i have decided the shown version to be the final. The unique red will help to leave a mark on our eyes with speed moves of the character in action.

31

NEUTRA L V I EW

E X PLOD E D

ARLO

THE HAWKMOTH

C H A RAC T ER P UP P E T VIE WS (A DO BE I LLUSTRATO R) 32

FACIAL EXPRESSIONS

POS E D VI E W

NOTES FOR DEVELOPMENT OF ARLO Construct of the character had issues of connection when its been rotated therefore i managed to simplified the joints for arms and legs and extended the back of the character to have a backdrop to make it seamless.

Facial expressions are important to the character because there are limited number of emotions.

33

ASSIGNMENT 3 34

VISUAL RESEARCH FOR ENVIRONMENT DESIGNS 35

36

37

38

GENERAL ENVIRONMENT THUMBNAIL SKETCHES

39

GENERAL ENVIRONMENT THUMBNAIL SKETCHES

skeleton hands in a pathway gives a bit of depth and excitment for the character to fly through.

40

GENERAL ENVIRONMENT THUMBNAIL SKETCHES

Pathway through the webby forest.

A window to the kitchen with the cabinet open

Old abandoned house with the window open, helps the character to walkinto the situation.

41

REFINEMENT VISUAL RESEARCH - PODS CAVE HOME

42

REFINEMENT VISUAL RESEARCH - PODS CAVE HOME

43

REFINED SKETCHES OF THE MOTH POD - HOME

Experimenting with different perspective and lighting inside & outside of pods.

This will be the area where the moth will be flying in and out, (after restoring all their enegry).

individual pods have its unique light source which illuminate and contains energy.

Moths will be able to meditate inside these light sources.

Landscapes made out of stones and woods.

44

REFINED SKETCHES OF THE MOTH POD - HOME

The Landscapes including caves, underground rivers is the best atmosphere for Arlo’s home ground. The streams will be a power source running and connecting the whole area. The pods are the home base for individual moth insects.

The Psychology Of Color Theory Blue: Trust, security and spirituality Colour harmony between blues to yellow

45

REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE

46

REFINEMENT VISUAL RESEARCH - ABANDMENT HOUSE Abandonment House environment is used to explain the ‘war zone’. Following the story of Arlo, his enemy is a spider, and the enemy grounds are the abandonment house.

House itself has a focal point for the main character Arlo to enter into the scene.

Also, the entry point will indicate as the light side and opposite will be the dark side.

Research visuals taken from horror and abandonment houses with spider webs including gives the creepy vibes setting the scene as a danger zone.

47

REFINED SKETCHES OF THE ABANDMENT HOUSE

Attics are consider to be a very scary enviroment. therefore it can be used to set as the scene where the Protagonist and antagonist meet.

Low angle provides the main character to view as the more prominent opponent.

48

REFINED SKETCHES OF THE ABANDMENT HOUSE

Showing the enemy in the scene sets a mood of danger.

Two perspective view, is a the best way to show the light and darkside in one scene.

49

BLUE/ YELLOW - COLD MOOD

ORANGE/BLUE - HOT MOOD

COLOUR VARIATIONS

GREEN/RED - WILD

50

COLOUR VARIATIONS The First step is to determine a simple colour scheme to set the location.

I have used the green colour scheme to associate with Nature and safety of arlos home grounds. Red toned colour scheme associated with the Energy source for this home, the red energy source and the river flows throughout the whole area space to keep the balance equal.

51

SHADOWS

HIGHLIGHT

RED REFLECTION/HIGHLIGHT AND TEXTURE DETAILS

Adding Shadows and Highlights create depth to the environment briging in the perspective of the landscape.

SHADOWS & HIGHLIGHT

52

ENVIRONMENT LAYERS

BACKGROUND

MIDGROUND

+

53

FOREGROUND

+

T H E EN VIRONM ENT The Final Environment includes the underground green canyon with a Red Light source acting as the sun to this landscape providing energy.

The Red rivers also carry the energy source keeping the environment balanced. Individual pod caves are where the moths are, and it also has a connection with the energy source hence it lights up red insides.

Additionally, the red crystals and light orbits provide the theme of fairytale while the character flying motion leaves the fairy dust vibes as it sets in.

The view has broken into three frames, to show the depth and perspective of the environment.

The Scene will tilt from bottom to the top as the character flies off from the pod cave.

PORTRAIT VIEW 3840 x 2160 pixels x 3

54

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THANK YOU!

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