A R C H I T E C T U R A L
P O R T F O L I O
selected works by Mateo S Penafiel
“An idea is only as good as its execution”
mateopenafi@gmail.com
New York City, NY
Mateo S Penafiel
4 - 11
CONTENT
Kingsbridge Armory
Urban Nature Center
*RFP - Adaptive Reuse of the Kingsbridge Armory
Advanced Studio
Professor: Fabian Llonch
12 - 17
The Wall - Learning by Doing
*CCNY Competition - Students Work Gallery
Design-Built Project Design, Project Management and Fabrication
18 - 25
Harlem Civic Center
*Multipurpose Event Space + Supporting academic program
Studio VI: Integration
Professor: Julie Nelson
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- 31
Rhythmic Frames
*Manhattan Town House Typology
Studio V: Assemblies
Professor: Christian Volkmann
32 - 49
Individual Work Samples
Diagraming
Rendering
Photography
KINGSBRIDGE ARMORY Urban Nature Center
Advanced Studio: RFP - Adaptive Reuse of the Kingsbridge Armory
Collaboration with Rustam Domullojonov & Florjan Plepi
Professor: Fabian Llonch
The program adapted to this NYC Historical Landmark building seeks to activate Food Production Industry as a social and economic change tool. Inspired by the local community need for a healthier lifestyle.
The food production infrastructure displays itself and its activities to local upcoming generations to motivate them into seeking career opportunities in the Urban Farming and Food Production Industry. At the same time, for a unique building like this, a powerful meandering form of architecture takes the form of an elevated green space that will attract tourists and locals while generating a series of different spaces that vary on their nature and intimacy by breaking down the massiveness of the armory.
Responding to the potential of such a large space, the armory displays a level of interaction in between a rational production-focus plan layout for its vertical farming installations, and this multi-level structure of elevated green space that interconnects the most important points of the building . Moreover, the renovated interior head house will hosts local business and activate the ground level according the community needs such as performance, health and gathering.
The largest Armory in the world will house a unique and diverse program focused on the community of the Bronx, their economic, educational and social development.
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Site Axonometric
6 Experiential Entrance - Understanding Landmark Condition Important Exterior Connections Multi-level Exploring Structure A B C D E F Existing Landmark Building Initial Concept Exploration
7 Site Plan
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Biophilia at the Kingsbridge Armory
Biophilic Design as a tool of health and well being enhancement seeking to re-connect the human being to the nature throughout different tools of design such as:
*Nature in Space: Direct, physical and ephemeral presence of nature in space
*Natural Analogues: Organic, non living, and indirect evocations of nature
*Nature of the Space: Spatial configurations in nature
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A) EXISTING ROOF STRUCTURE - SUSTAINABILITY
-Photovoltaics Panels (Solar Power)
-Operable Windows (Natural Ventilation)
-Rainwater Collection
-North & South Glazing
B) VERTICAL FARMING TOWERS
-Modular Design
-Transparent Envelope -Responsive to the existing structure
C) MULTI-LEVEL GREEN STRUCTURE
-Outside important connections
-Mezzanine
-MTA Transit
-Underground Entrance
- Housing -45’ Peak Height
D) DRILL HALL
-Indoor Landscape
-Common Areas
-Adaptable Spaces
-Recreational Activities
-Biophilic Experiential Spaces
D2) HEAD HOUSE
Level 1
-Local Commerce Spaces 11,600 SqFt
Level 2
-Cultural Development Spaces 4,650 SqFt
-Community Organizations 4,650 SqFt
-Observatory Mezzanine
E) CELLAR 1
-Vertical Farming Facility 100,000 SqFt
-MEP
-Distribution Center
-Urban Farming
-Trade Educational Center
F) CELLAR 2
-Parking
-Rainwater Collection Systems
Program Assembly & Self-Sustainable Practices
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6’x6’ Physical Model Built in 6 Weeks
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THE WALL - Learning by Doing
Design - Built Project
1st Place - Under The Stair Case SSA Competition
$ 5,000 Awarded towards construction
THE WALL is the response to a design competition promoted by The Bernard and Anne Spitzer School of Architecture Dean Marta Gutman during the end of my 3rd year in the program. The competition was open to every student from the under-grad and grad programs at SSA. The competition only restrictions were sticking to a budget of $5,000 and do not remove the existing stainless steel wire mesh.
In collaboration with Rodrigo Montano, I submitted a schematic design proposal that intended to activate this unconventional space into a dynamic canvas to display students’ work and give them and their work more exposure within the Spitzer Community while increasing our networking platform. Its modular design allows the exhibit to change every semester.
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During the final year of my B-Arch program, I co-led the construction process of The Wall along with my former professor, Christian Volkmann. I presented him with the idea of this being an opportunity to gain hands-on experience for myself and my peers at SSA. We concluded the project by December of 2023, and now The Wall is a permanent gallery for students’ work located in the lobby of the SSA building greeting every person who enters the building.
Design and Project Management
Mateo Penafiel
Secondary Designers
Florjan Plepi
Rodrigo Montano
Curation and Social Engagement
Shiva Abbaszadeh
Ashley Gordon
Mouhamadou M Dieng
Grace Lombardo
Mateo Penafiel
General Assembly: Leora Santoriello
Nilly Baratian
Enna Sezaire
Juan E Jimenez
Panels Fabrication and Installation: Gema Cabrera
Maria Manukovskaya
Mateo Penafiel
Lighting Design and Installation
Fabrizio Chamorro
Loui Apostol
Lolita Bogdanova
Mateo Penafiel
Shelves Fabrication
Miriam Perel
Evelyn Krutoy
Juan E Jimenez
Lighting Consultant
Ilva Dodja (Faculty)
Construction Advisor & Class Lead
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Photo courtesy of Albert Vecerka - ESTO
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2023 Fall Semester Fabrication & Assembly by Students
THE
THE WALL
THE WALL WALL DETAILS
THE WALL
THE WALL
ELEVATION
METAL FRAME
METAL FRAME
WALL PANELS W/ CONCEALED JOINERY 2X4 WOOD W/ LIP CUTOUT
WALL PANELS W/ CONCEALED JOINERY 2X4 WOOD W/ LIP CUTOUT
INSTALL 2X4 FRAMING
INSTALL 2X4 FRAMING
USE CNC'D HOLES
USE CNC'D HOLES AS GUIDE TO DRILL HOLES IN 2X4 WOOD USING FORSTNER BIT
AS GUIDE TO DRILL HOLES IN 2X4 WOOD USING FORSTNER BIT
INSTALL CNC'D WALL PANELS
INSTALL CNC'D WALL PANELS
DRILL HOLES
DRILL HOLES
USE CNC'D HOLES AS GUIDE TO DRILL HOLES IN 2X4 WOOD USING FORSTNER BIT
USE CNC'D HOLES AS GUIDE TO DRILL HOLES IN 2X4 WOOD USING FORSTNER BIT
15 05 SHELF 03 WALL 04 SHELF DETAILS N.T.S. 01 ELEVATION N.T.S. 02 WALL PANEL DETAILS N.T.S. SEE CALLOUT A METAL FRAME 1/4" REVEAL SELF TAPPING SCREWS 3/4" PLYWOOD 3 4 " 1 2 " 3 8 3 8 3 8 3/4" PLYWOOD 2X4 WOOD SEE SHELF DETAILS 1'-0 1 4 " 3 1 2 " 3 1 2 " 3 1 2 " SEE ELEVATION FOR FURTHER DIMENSIONS 3 8 " 3 4 " 4" 5 1 4 " 7" 7" 4" NOTE: BUTT JOINT AT END 5/8" DOWEL CUTOUT 3/8" MDF PAINTED EGGSHELL BLACK WALL DETAIL FLOOR TO WALL DETAIL 3 8 JOINERY | CALLOUT A WOOD GLUE
SEE CALLOUT A METAL FRAME 1/4" REVEAL SELF TAPPING SCREWS 3/4" PLYWOOD 3 4 " 1 2 " 3 8 3 8 3 8 3/4" PLYWOOD 2X4 WOOD SEE SHELF DETAILS 1'-0 1 4 " 3 1 2 " 3 1 2 " 3 1 2 " SEE ELEVATION FOR FURTHER DIMENSIONS 3 8 " 3 4 " 4" 5 1 4 " 7" 7" 4" NOTE: BUTT JOINT AT END 5/8" DOWEL CUTOUT 3/8" MDF PAINTED EGGSHELL BLACK WALL DETAIL FLOOR TO WALL DETAIL 3 8 JOINERY | CALLOUT A WOOD GLUE
DETAILS SEE CALLOUT A METAL FRAME 1/4" REVEAL SELF TAPPING SCREWS 3/4" PLYWOOD 3 4 " 1 2 " 3 8 3 8 " 3 8 " 3/4" PLYWOOD 2X4 WOOD SEE SHELF DETAILS 1'-0 1 4 " 3 1 2 " 3 1 2 " 3 1 2 " SEE ELEVATION FOR FURTHER DIMENSIONS 3 8 " 3 4 " 4" 5 1 4 " 7" 7" 4" NOTE: BUTT JOINT AT END 5/8" DOWEL CUTOUT 3/8" MDF PAINTED EGGSHELL BLACK WALL DETAIL FLOOR TO WALL DETAIL 3 8 JOINERY | CALLOUT A WOOD GLUE
WALL
WALL WALL DETAILS FRONT SECTION E SECTION D SECTION C A 8" PLAN 5 8 " 3'-5" 9" 3'-5" 1 2 4'-0" 3" 4'-0" 1 2 3" 5 1 2 " 8 1 2 " 1'-4" 8" 1'-4" 5 8 " 5 8 " 3" 1 2 3 1 2 3 1 2 1 2 B 3" 2" 1 2 " 5 8 " 9" 3 1 2 " SECTION B SECTION A E D C 3/4" PLYWOOD 3/4" PLYWOOD 3/8" MDF 3/4" PLYWOOD 3/8" MDF 2X4 WOOD WALL ASSEMBLY SHELF DETAILS
WALL FRONT SECTION E SECTION D SECTION C A 8" PLAN 5 8 3'-5" 9" 3'-5" 1 2 " 4'-0" 3" 4'-0" 1 2 " 3" 5 1 2 " 8 1 2 " 1'-4" 8" 1'-4" 5 8 5 8 3" 1 2 " 3 1 2 3 1 2 1 2 " B 3" 2" 1 2 5 8 " 9" 3 1 2 " SECTION B SECTION A E D C 3/4" PLYWOOD 3/4" PLYWOOD 3/8" MDF 3/4" PLYWOOD 3/8" MDF 2X4 WOOD WALL ASSEMBLY SHELF DETAILS
WALL LAYER 1 THE WALL SHELF ASSEMBLY 3/8" MDF 3/4" INSTALL 2X4 FRAMING INSTALL CNC'D WALL PANELS WALL W/ JOINERY 2X4 WOOD W/ LIP CUTOUT METAL FRAME THE WALL WALL ASSEMBLY 27'-4" THE WALL 6'-61 4 " 7" 5'-1112 " 27'-312 " 11'-2" 3'-7" SEE CALLOUT A 3/4" PLYWOOD 2X4 WOOD SEE SHELF DETAILS 5/8" DOWEL CUTOUT SEE CALLOUT A 3/4" PLYWOOD 2X4 WOOD SEE SHELF DETAILS 5/8" DOWEL CUTOUT CALLOUT A PLYWOOD WOOD SHELF DOWEL USE CNC'D HOLES AS GUIDE TO DRILL HOLES IN 2X4 WOOD WALL PANELS W/ CONCEALED JOINERY 2X4 WOOD W/ LIP CUTOUT
FRAME WALL ASSEMBLY
2X4 FRAMING
WOOD W/ LIP CUTOUT METAL FRAME
WALL WALL ASSEMBLY DIAGRAM N.T.S. DRAWING. ALL DISCREPENCIES TO THIS ISSUANCES SHEET LIST 6 5 8 " 12'-5" 7" 5'-1112 " 11'-2" 3'-7"
Scale: 1/4" = 1'-0" 3 2X4 WOOD W/ 3/8" MDF 3/4" PLYWOOD WALL ASSEMBLY 2X4 WOOD W/ CNC'D 5/8" HOLES 3/8" MDF 3/4" PLYWOOD 3/4" PLYWOOD DRILL HOLES
THE
THE
METAL
INSTALL
2X4
THE
ELEVATION
DRAWING. ALL DISCREPENCIES TO THIS ISSUANCES SHEET LIST ARCHITECT: 6 5 8 " 12'-5" 7" 5'-1112 " 11'-2" 3'-7"
WALL ASSEMBLY DIAGRAM N.T.S.
2X4 WOOD W/ 3/8" MDF 3/4" PLYWOOD WALL ASSEMBLY 2X4 WOOD W/ CNC'D 5/8" HOLES 3/8" MDF 3/4" PLYWOOD 3/4" PLYWOOD DRILL HOLES
Scale: 1/4" = 1'-0" 3
WALL ASSEMBLY
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Photos courtesy of Albert Vecerka - ESTO
ELEVATION
17
Scale: 1/4" = 1'-0"
HARLEM CIVIC CENTER
Studio VI: Integration - A Multipurpose Special Events Center
Collaboration with Shiva Abbaszadeh and Florjan Plepi
Professor: Julie Nelson
This project serves as a multi-purpose urban complex that offers recreational, educational, and cultural development spaces for the City College Students and the Harlem community.
By understanding the complexity of its site, our project substitutes the existing parking lot with a project that embraces the location of this site and celebrates the transition between the north and south of the CCNY campus.
Context analysis revealed the geometry and character of the surrounding building fabric and understood the dramatic change from organic spaces on the southern campus to more orthogonal and rational spaces on the northern campus. The existing condition of this site acts more as a division in the big picture of the CCNY campus; opposite to this, Harlem Civic Center, acts as a symbolic bridge that welcomes all the flow of people coming from the south campus while simultaneously offering multiple points of access to the surrounding community. This ease of access is supported by the versatility of these spaces, which support the diversity of the program.
Site Concept
Norther Campus
Souther Campus
20 Existing Site Condition (Parking Lot) Floor Plan - Great Lawn Level Site Plan
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Community Great Lawn - Street Level
Academic Supporting Program - 2nd Level
22
Longitudinal Section
Cross Section
23 great lawn level educational level lobby level main event hall level flexible performance spacedressing roomsmain underground entranceticketboxoutdoor flexible performace spacegallerycafeofficesclassroomsconference room-
24 22" DEPTH STEEL BETHLEHEM OPEN WEB JOIST 6' ON CENTER SPRINKLER SYSTEM 7" RIGID INSULATION 6" CONCRETE CORRUGATED DECKING 3-PLY WATERPROOFING MEMBRANE W14 PERFORATED CORTEN STEEL PANEL CORTEN STEEL PANEL EXTENDING 42IN UPWARDS OF ROOF 22" DEPTH STEEL BETHLEHEM OPEN WEB JOIST 6' ON CENTER SPRINKLER SYSTEM 7" RIGID INSULATION 6" CONCRETE CORRUGATED DECKING GRAVEL 3-PLY WATERPROOFING MEMBRANE HSS EXPANSION 1" ARMARTHERM THERMAL BREAK 4" X 4" X 3 8" 6' GROUND MULLION WITH BACKER AND SEALANT 4" X 4" X 3 8" HSS COLUMN 6' ON CENTER W14 STEEL I-BEAM TO SUPPORT HSS WINDOW MULLIONS
Facade Assembly
25 LOW PROFILE METAL COPING HSS BEAM SUPPORT FOR ROOF MULLION 4X6 STEEL TUBE MOUNTING TO CORTEN STEEL PANEL 4X6 STEEL TUBE MOUNTING TO C-CHANNEL TO SUPPORT PANELS FROM ROOF SLAB C-CHANNEL WELDED TO STEEL PLATE AND ANCHORED TO CONCRETE SLAB 3" ARMARTHERM FRR THERMAL BREAK 1 4" THICK CORTEN STEEL PANEL, SIZE VARIES CORTEN STEEL PANEL INTERMITTENT BRACING FOR LATERAL SUPPORT EXPANSION BOLTS ARMARTHERM FRR BREAK PLATE HSS COLUMN 6' ON CENTER FIRE STOP W12 STEEL I-BEAM 22" DEPTH STEEL BETHLEHEM OPEN WEB JOIST 6' ON CENTER 2' X 6' STONE WALKWAY PANELS W24 STEEL I-BEAM 6" CONCRETE CORRUGATED DECKING SHEAR BOLT CONNECTION 24" WIDE SOIL FOR VINES GRAVEL ANCHOR FOR MESH SYSTEM THAT SUPPORTS VEINS METAL TENSION MESH MULLION BACKER ROD SEALANT COLUMN CENTER Wall Section
RHYTHMIC FRAMES
Collaboration with Sthepanie Gonzales and Kingsley Chong
Design Studio V : Assemblies
Professor: Christian Volkman
A series of frames is mounted to the rock, establishing an intimate spatial relationship and circulation sequence that begins with a sense of enclosure. From narrow to broad, this spatial sequence leads to an interior dual-dimension, where detail and material reflects a distinct variation of usage according to the frames’ rhythm. In experiential qualities, the facades harmoniously express instances of seeing and being seen, shifts between transparent and translucent, as an articulation of light. Inspired by the architectural promenade, the project aims to narrate a progressive itinerary within, and above all, to accentuate this feature from the exterior.
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STREET ENTRANCE
FIRST FLOOR
YARD BACK YARD
SECOND FLOOR
BACK
STREET ENTRANCE
The Rhythm
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29 STREET ENTRANCE West Section
THE ENTRANCE Intimacy
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1/2” = 1’-0” Physical Model
Street Facing Facade - Moments
DIAGRAMING - RENDERING WORK SAMPLE
Computation and Design- Fall 2022
Professor:
Alejandra Rojas
With the exploration of parametric design tools in order to iterate our results in form finding exercises. The design of a parametric pavilion that would adapt to an irregular surface or landscape was the main driver of this project. Also, the creation of meaningful spaces that support human interaction and community practices were crucial features. The human-centric scale of a shape that is not common of our contemporary architecture is the form finding exploration challenge.
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33 A B C D E F
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DIAGRAMING WORK SAMPLE
Architecture Seminar: Articulating an Idea - Spring 2022 Professor: Fabian Llonch
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NEW PROPOSED BUILDING
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Site Analysis
Transition from the Souther to the Northern Campus of City College implementing a community center in the vacant lot behind the NAC building.
DIAGRAMING WORK SAMPLE
Design Studio III - Fall 2021
Professor: Timothy Collins
38 S O H O ’S URBAN F A B R I C
39 0 250 500 125 Feet Building Footprints Pavement Edge Shoreline
SoHo - URBAN SCALE ANALYSIS.
This section shows the buildings’ change in height across Manhattan from the Hudson River to the East River (left to right). Moreover, the transition of the colors in their facades. These layers form part of the city’s fabric and need to be addressed to highlight the uniqueness of Soho within New York City.
Coast to Coast Section + Facades Color Diagram
CONCEPTUAL RENDERING WORK SAMPLE
Advanced Studio: Choreography Borders - Spring 2022 Professor: Ali Hocek
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SUN SEEKERS ARCH. Photography
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Whitney Museum of American Art by Renzo Piano New York, United States
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WINTER CITY - SUNSET SEEKERS
MERCAT SANTA CATERINA ARCH. Photography
By Miralles, Tagliabue - EMBT Barcelona, Spain
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BOSCO VERTICALE ARCH. Photography
By Boeri Studio
Milan, Italy
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PUNTA DELLA DOGANA ARCH. Photography
By Tadao Ando Venice, Italy
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