Mother of Exiles

Martin Hebel

Mother of Exiles

For Soprano, Flute, and Piano 2021

Mother of Exiles

For Soprano, Flute, and Piano

Instrumentation

Soprano Voice

Flute

Piano

Program Notes

Mother of Exiles explores the contradiction between the United States welcoming immigrants and the socioeconomic pressures which force some immigrants and their families to enlist in the armed forces to survive in our society, perpetuat i ng the wars they fled.

Mother of Exiles examines th is conflict between American ideal s and reality by collaging two poems that articulate each side into a single libretto. Lazarus’ The New Colossus evokes the image of the Statue of Liberty as a metaphor for the US government’s historically welcoming policies toward immigrants and refugees. Cannan’s August 1914 presents a stark vignette of an unnamed soldier and the emotional impact of his death.

Contrasting dark and light harmonies, Mother of Exiles renders the disparity between truth and ideal in musical terms. Soprano and flute soloists trade melodies in dialog, stretching over long, elided chords in the piano. Somber , lyrical sections depict the unnamed soldier’s death, contrast ing with bright , bold sections evoking Lady Liberty . T he flute returns in the epilogue, leading Mother of Exiles to a solemn conclusion as the ensemble fades away.

2023 National Finalist for The American Prize in Vocal Chamber Music Composition

Mother of Exiles is available in two versions:

• Soprano and Orchestra

• Soprano, Flute, and Piano

Duration: 12 minutes

www.martinhebel.com

Libretto – Mother of Exiles

The sun rose over the sweep of the hill

All bare for the gathered hay,

And a blackbird sang by the window-sill,

And a girl knelt down to pray:

‘Whom Thou hast kept through the night, O Lord, Keep Thou safe through the day.’

Here at our sea-washed, sunset gates shall stand

A mighty Mother of Exiles, a woman with a torch, From whose beacon-hand glows welcome.

The sun rose over the shell-swept height,

The guns are over the way,

And a soldier turned from the toil of the night

To the toil of another day,

The sun sank slow,

And a bullet sang by the parapet

To drive in the new-turned clay.

Cries she with silent lips, “Give me your tired, your poor, Your huddled masses yearning to breathe free.

Send these, the homeless, the tempest-tost to me.”

The sun sank slow by the shell-swept height, The guns had prepared a way,

And a soldier turned to sleep that night

Who would not wake for the day,

And a blackbird flew from the window-sill, When a girl knelt down to pray.

Martin Hebel

Written 2021

Excerpts collaged from August 1914 by May Wedderburn Cannan and The New Colossus by Emma Lazarus

August 1914

The sun rose over the sweep of the hill

All bare for the gathered hay,

And a blackbird sang by the window-sill,

And a girl knelt down to pray:

‘Whom Thou hast kept through the night, O Lord,

Keep Thou safe through the day.’

The sun rose over the shell-swept height,

The guns are over the way,

And a soldier turned from the toil of the night

To the toil of another day,

And a bullet sang by the parapet

To drive in the new-turned clay.

The sun sank slow by the sweep of the hill,

They had carried all the hay,

And a blackbird sang by the window-sill,

And a girl knelt down to pray:

‘Keep Thou safe through the night, O Lord,

Whom Thou hast kept through the day.’

The sun sank slow by the shell-swept height,

The guns had prepared a way,

And a soldier turned to sleep that night

Who would not wake for the day,

And a blackbird flew from the window-sill,

When a girl knelt down to pray.

May Wedderburn Cannan (1893-1973)

Written 1917

The New Colossus

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

“Keep, ancient lands, your storied pomp!” cries she

With silent lips. “Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!”

Emma Lazarus (1849-1887)

Written 1883

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Hebel-MotherofExiles-Soprano,Flute,andPiano-FullScore