Portfolio Marta Smektała 201610

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Space is what fascinates me the most in architecture. I am interested in what happens between the walls, how people behave in, and react to space. Architecture, like music, consists of elements, which combined in composition create tension, feelings, reaction. I am interested in stimulating spaces.

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public buildings

urban projects

06/2013

M.Sc. degree

09/2011

Delft University of Technology

06-08/2011

internship Flores Prats, Barcelona

Politecnico di Milano Erazmus Programme

Poznań University of Technology dwelling

02/2011

B.Sc. degree

2009/2010

2007

Director’s house

Urban Greenhouse

Living at the hub

Nerone’s Museum

Multi Functional Accomodation

Milano TuttiFrutti

BINCKoasis

exhibitions

small architecture 4

BK Beats


10/2014--07/2015

Stall

freelance project Wrocław

architectural assistant Arch_it Wrocław

02-07/2014

architectural assistant Atelier Starzak Strebicki Poznań

internship Aquidos, Barcelona

competition

03/2014 10/2015--now

Home Estate Dwelling 07/2016

Space for Culture

Barcelona Analysis

A Way to Modernity Ciałowicz

Summer House

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professional experience

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Ciałowicz. A designer from Wrocław.

location: Wrocław, Museum of Architecture. 51o06’35 N, 17o02’32 E curators: Foundation 102: Marian Misiak, Kalina Zatorska graphic design: Marian Misiak exhibition set-up: Marta Smektała year: 2016 photo: Mirosław Łanowiecki

The exhibition “Ciałowicz. A designer from Wroclaw” shows a wide spread of artist’s artworks, who was a comprehensive designer, making projects of logos, neons, posters, interiors, exhibitions, furniture designs and as well. Most of his works was concentrated in the area of Wrocław, for this reason he became an influential artists for the culture of that city. The exhibition, except his projects, featured a wide collection of Ciałowicz’s photographs, presenting several decades of the history of Wrocław. Thanks to his archive, it was possible to rediscover his artworks both the artistic environment of Wrocław. 8


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A Way to Modernity. The Werkbund Estates 1927-1932. Exhibition due to the programme of The European Capital of Culture Wrocław 2016. location: Wrocław, Museum of Architecture. 51o06’35 N, 17o02’32 E curators: Grażyna Adamczyk-Arns, Jadwiga Urbanik exhibition set-up: Arch_it: Piotr Zybura, Marta Smektała graphic design: Marian Misiak, Olaf Schindler year: 2016

The exhibition “A way to modernity” exhibited experimental housing estates built in Europe between 1927-1932, that significantly influenced the development of world architecture and urbanism of the first half of the twentieth century. These Werkbund model housing estates: Weissenhof from Stuttgart, Nový Dům from Brno, WuWA from Wrocław, Neubühl from Zurich, Lainz from Vienna, and Baba from Prague for the first time were exhibited all together in one place. The museum was presenting the historical plans, documents, models of all the estates and individual houses, photo documentation, original furniture, interior elements and domestic appliances. 10

photos: Thomas Arns


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Home.Estate.Dwelling

Exhibition during Gdynia Design Days location: Gdynia, Pomorski Park Naukowo Technologiczny 54o29’37 N, 18o32’20 E team: Atelier Starzak Strebicki: Jola Starzak, Dawid Strębicki, Maciej Polakowski, Tomasz Dabert, Agnieszka Kotschy, Anna Śmierzchalska, Irina Grishina, Kamila Iżykowicz, Paulina Borucka and sociologists: Marta Skowrońska, Filip Schmidt year: 2015 The exhibition Home.Estate.Dwelling (Dom.Osiedle.Mieszkanie) is a result of the analysis of the group of architects and sociologists. The research theme was dwelling architecture from three periods: neighbourhoods before the World War II, estates built with prefabricated concrete during the communism, and recently constructed housing developments. Three estates from Poznań and Gdynia were selected to this research. The research team was focused on the convergence point of private with public and semi-public spaces as: staircases, balconies, backyards, parking places. Sociologists interviewed dwellers asking them for their opinion about their surrounding space. The aim was lookingfor the answer to the questions: What defines the quality of the common space in the neighbourhood? How are the relations between the neighbours? What happens between the buildings? 12


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house estates drawings, authors: Maciej Polakowski, Tomasz Dabert, Anna Śmierzchalska mapa myśli mieszkańców

I would said that the majority is the range of people from 27 years old, somewhere after graduation from university, possessing relatively fixed job to take the loan until age 40.

Natomiast jeżeli chodzi o samą kwestię śmieci i zlokalizowania śmietnika, to on jest zlokalizowany na parkingu podziemnym.

As a result there are a lot of children, less adolescents, under 20. There are plenty of parents with children and dogs. man, aprox. age 30

For sure there is a vast majority of young people. I assume, that the average is 30 years old.

(...) ten nasz zarządca, firma, która się opiekuje, wynajmuje firmę i my płacimy za sprzątanie, tak że oni utrzymują porządek. Są panie.

FAMILIES WITH CHILDREN

[Na innych osiedlach] trzy bloki są takie, trzy są inne i tyle, nie. A tutaj jest to gdzieś przemyślane, widać, że gdzieś to ktoś projektował, tak mi się wydaje. mężczyzna 2, wiek około 30 lat

SPÓJNA I ZAPLANOWANA CAŁOŚĆ

I have a lot of acquaintances, even without knowing, that they live there I meet them there.

ZLECANIE PRACY ZEWNĘTRZNYM FIRMOM

(...) są takie wydzielone obszary, że nikt niepowołany tam raczej nie wejdzie. Tereny związane z placami zabaw też są tak zaprojektowane, że tam jakieś psy czy inne zwierzęta nie przychodzą. To jest na plus.

(...) no i większością głosów ewentualnie takie projekty [są wybierane], ale one głównie w dużej mierze dotyczą bezpieczeństwa, jakiegoś tam obniżenia kosztów, mniej jakby takich inicjatyw, pomysłów zrobienia czegoś, jakiejś zabawy i tak dalej. kobieta 1, wiek około 30 lat

To był projekt dewelopera, teraz my tylko go utrzymujemy. On też nie pozwala na zmiany tej aranżacji. kobieta 2, wiek około 30 lat

kobieta 2, wiek około 30 lat

kobieta 1, wiek około 30 lat

Bad... I mean in fact great acoustic. It is possible to know everithing about the neighbours. That’s bad (...).

man, aprox. age 30

UZALEŻNIENIE OD SAMOCHODU

CZYSTA, SCHLUDNA, NOWA

(...) bo żeby dokonać jakichkolwiek zmian, takich w zewnętrznej strukturze, czy to nawet ogródka lub koloru - ktoś by sobie chciał pomalować to wszystko, to musiałby mieć zgodę [wspólnoty].

SOME THINGS I DO NOT WANT TO WATCH AND SHOW TO OTHERS

ESTETYKI PILNUJE WSPÓLNOTA Tylko w sytuacjach awaryjnych, wtedy tak, a tak poza tym, to każdy się skupia na sobie. kobieta 2, wiek około 30 lat

PEOPLE BELONGING TO THE SAME SOCIAL NETWORKS

Źle się mieszka na takim osiedlu. Przynajmniej dla mnie. To są takie typowe klocki. Nawet mimo tej zieleni dookoła, to ona nie zachęca cię do tego, by tam spędzać jakoś aktywnie czas (...). kobieta 2, wiek około 30 lat

kobieta 1, wiek około 30 lat

Jeżeli chodzi o sam wygląd osiedla to też jest ciekawie zaprojektowany. Widać, że to tworzy jakąś wspólną całość, a nie, że każdy blok z innej parafii. kobieta 2, wiek około 30 lat

woman, aprox. age 30

Są łąki, gdzie rosną zboża. Jest blisko las. Teraz już coraz rzadziej, ale 2-4 lata temu można było zobaczyć pasące się krowy. To jest takie pomieszanie, które daje takie poczucie spokoju i po prostu relaksu, a nie takiego zabiegania jak w blokowiskach. mężczyzna 1, wiek około 30 lat

GRODZONA

(...) fajnie, że wszystkie te budynki wyglądają podobnie. Ale żeby się wszyscy zgadywać, że w tym roku sadzimy czerwone róże, a w przyszłym niebieskie tulipany, to już jest przesada. Na złość bym posadził coś innego.

STRANGE NOISES AND SMELLS IRRITATE ME

WIELKA PŁYTA

Nie ma za dużo terenów zielonych, bo wiadomo to jest przestrzeń miejska (...). Jakieś tam tereny są, dają namiastkę parku przed oknem. kobieta 3, wiek około 30 lat

SKUPIANIE SIĘ NA KWESTIACH ADMINISTRACYJNYCH I TECHNICZNYCH

DEWELOPER MA DECYDUJĄCY GŁOS TAKŻE PO ZAKOŃCZENIU INWESTYCJI

mężczyzna 3, wiek około 30 lat

KAMIENICE

ZIELEŃ I SPOKÓJ

LACK OF THE CONTACT WITH OTHER PEOPLE

IMPORTANT ACTORS

Myślę, że mimo że patrzymy trochę ze zgrozą jak się rozwija szybko osiedle i trochę zabiera tych dzikich terenów, to równocześnie powstają te tereny rekreacyjne. kobieta 3, wiek około 30 lat

woman, aprox. age 30

woman, aprox. age 30

YOUNG PEOPLE

TRACONA DZIKOŚĆ I WIEJSKOŚĆ

(...) the older I am, the more I can understand, that not everyone likes seeing someone’s underwear.

woman, aprox. age 30

woman, aprox. age 30

WELL-EDUCATED WITH WELL-PAID JOBS

Wszyscy sąsiedzi mają samochody. Przynajmniej jeden na dwie osoby, (...). Samochód ułatwia tutaj życie, bez dwóch zdań. mężczyzna 3, wiek około 30 lat

kobieta 2, wiek około 30 lat

(...) you can watch the interior of the apartment of your neighbour. Even if you don’t want, when you are on your balcony, you can see him. That’s not nice, too.

ISOLATION

ESTETYCZNA

DUŻE ZNACZENIE USTALEŃ ODGÓRNYCH

PODMIEJSKA SPÓJNOSĆ MA SWOJE GRANICE

WHO CAN YOU MEET THERE?

WHAT HAPPENS BETWEEN THE PEOPLE

JAK KSZTAŁTUJE SIĘ OSIEDLE?

HOW IS/SHOULD BE THE SPACE

INNE OSIEDLA JAKO PUNKTY ODNIESIENIA

(...) u nas sąsiedzi wymyślili, że postawimy bramki, ogrodzimy się. Ja bym nie był za tym. Zwłaszcza tutaj, gdzieś na uboczu. Naprawdę, tu się kręcą tylko mieszkańcy, po co sobie jeszcze stawiać furtki.

KONTAKT Z INNYMI

PROBLEMATYCZNE MOMENTY WSPÓLNEGO KSZTAŁTOWANIA OSIEDLA

mężczyzna 1, wiek około 30 lat

(...) sąsiedzi sobie na parterach w ogródkach grillują i ma to jakiś tam urok, (...). kobieta 1, wiek około 30 lat

Wszyscy są życzliwi, uśmiechnięci, pomagamy sobie i zostawiamy paczki. kobieta 3, wiek około 30 lat Właściwie to jedyne miejsce, to tylko place zabaw. I [tam] rzeczywiście sąsiedzi się spotykają i rozmawiają.

Dzieciaki nasze biegają razem. W kapciach można pójść do sąsiadów.

kobieta 1, wiek około 30 lat

kobieta 1, wiek około 30 lat

MIŁE DOŚWIADCZANIE OBECNOŚCI INNYCH

Na osiedlu obok siłownię otworzyli. (...) ale poza tym to nie ma. Nie jest to miejsce, gdzie młody człowiek może znaleźć jakieś miejsce do rozrywki.

To jest kilkadziesiąt osób i każdy wie wszystko najlepiej. Każdy jest specjalistą od wszystkiego, a w szczególności od zarządzania nieruchomościami i tego typu rzeczy.

OTWARTA

mężczyzna 2, wiek około 30 lat

(...) jest piekarnia, jest też sklep osiedlowy – zdrowe produkty, a wieczorem można kupić piwo i wino. 1,5 km stąd są delikatesy, gdzie mają takie fajne produkty, sami robią jakieś wędliny, mają jaja wiejskie.

To osiedle przede wszystkim pełni rolę takiej sypialni i raczej jak chcesz wyjść do kina czy do dobrej knajpy, nie ma co liczyć, że coś takiego tu powstanie. mężczyzna 3, wiek około 30 lat

Fryzjer. (...) jakieś kosmetyczki, coś tam jest. (...) są jakieś tam mniejsze sklepiki. mężczyzna 2, wiek około 30 lat

mężczyzna 3, wiek około 30 lat

Nasza wspólnota dosyć prężnie informuje nas na tablicy informacyjnej lub mailowo o planowanych rzeczach. Tak poza tym, jeżeli widzę, że coś się zaczyna dziać, to mogę zapytać sprzątaczki czy sąsiadów. kobieta 2, wiek około 30 lat KAŻDY „EKSPERTEM”

SWOJSKOŚĆ I BEZPIECZEŃSTWO Powiedzmy nawet, że z niektórymi sąsiadami zawiązały się jakieś relacje towarzyskie. Czasem wpadną na kawę. mężczyzna 3, wiek około 30 lat

(...) jeżeli już, to najbliżsi sąsiedzi się integrują. Tak to nie ma czegoś takiego, że się spotykamy i coś wspólnie robimy czy nawet tak, żeby po prostu się spotkać i pogadać.

PRETEKSTY DO SPOTKAŃ

DZIECI I PRZESTRZENIE DZIECIĘCE

OAZA SPORTU I RUCHU

kobieta 2, wiek około 30 lat

Widzę nieraz. Tam jest taki duży plac ogrodzony, jest boisko, można grać w siatkę - tam po prostu rozgrywają

Wyznaczyli miejsce, w którym są ławeczki, huśtawka i miejsce na palenie ogniska. Jeżeli masz paru sąsiadów, z którymi chcesz zrobić ognisko, napić się piwka.

DOMINACJA USŁUG ZWIĄZANYCH Z PIELĘGNACJĄ CIAŁA I ZDROWIEM

WIELE KANAŁÓW KOMUNIKOWANIA SIĘ: FORUM OSIEDLOWE, MAILE, TABLICE, OSOBY SPRZĄTAJĄCE

Mieszkam w takim, a nie innym budynku, bo zależy mi na tym, żeby ktoś tego przypilnował i zrobił to za mnie bo nie lubię się tym zajmować. mężczyzna 2, wiek około 30 lat

jakieś mecze. kobieta 2, wiek około 30 lat

mężczyzna 1, wiek około 30 lat

PROBLEM DBANIA O PRZESTRZEŃ WSPÓLNĄ

KUMPLUJEMY SIĘ Z NAJBLIŻSZYMI SĄSIADAMI, Z DALSZYMI NIEKONIECZNIE

PALENISKO

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BOISKA I SPORT

mind map, authors: : Jola Starzak, Agnieszka Kotschy, Marta Smektała


model of the exhibition: Agnieszka Kotschy

Based on the interviews, the researchers prepared the mind maps

In addition to this, on the exhibition you could find: the diagrams

describing the experiences of the respondents. There are a lot

presenting analysis of the estates, analysis of several documents about

of tensions and dilemmas in between respondents e.g.: isolation

the quality of urban planning, magazines and books about the quality

or contact with others? Should the neighbourhood be a dormitory

of architecture and housing estates including the newspaper-“Dom

town or the place teeming with life? Should it be coherent or various?

Osiedle Mieszkanie” (Home.Estate.Dwelling), published during

The team of architects drew axonometric projections inspired by

the interwar period, which was a direct inspiration for the topic of

Atelier Bow-Wow’s drawings. The intention was objective analysis,

the exhibition, the movie “Our neighbourhoods” from the 70s and

because of it, the drawings are in monochrome, deprived from

photography and film documentary from current state of the analysed

aesthetic values, and the selected buildings are in similar scale.

neighbourhoods. 15


Summer house

location: Poznań 52o25’ N, 16o51’E team: Atelier Starzak Strebicki, Maciej Polakowski year: 2015

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Stall Project of the stalls for stallholders in Old Market Square in Poznań. location: Old Market Square in Poznań 54o24’30 N, 16o56’01 E team: Atelier Starzak Strebicki, Maciej Polakowski, Bartosz Stanik year: 2015

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Barcelona Analysis Urban analysis for the chief architect of Barcelona City Council - Vicente Guallart. location: Barcelona

41o 23’ N, 02o10’ E team: Aquidos: Marta Milá, Núria Garcia, Carles Barcena year: 2014

The set of the analysis focused mainly on the urban infrastructure. The research considers all the city and a detailed analysis of the administrative districts: Ciutat Vella, Sants-Montjuic, Gracia, Horta-Guinardo, Sant Marti, l’Eixample, Sarria – Sant Gervasi, Sant Andreu, Les Corts, Nou Barris and their neighbourhoods. The research theme was the analysis of the dwellers’ access to green belts, communication, public health centres, schools, libraries, food markets,

sport centres, pitches, cultural centres and other

public facilities. Thanks to the analysis it is possible to see if the neighbourhoods are sufficiently equipped with public facilities and infrastructure. In a result of the SWOT analysis the opportunities of development are conceptualized. Based on these analysis urban strategy for Barcelona 2050 will be defined. 18

Ciutat Vella, urban analysis


Barcelona, urban analysis 19


libraries 20

food markets


public transport and universities

SWOT analysis 21


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competitions

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Space to culture

Young Architects Competitions location: Italy, Bologna, Quarto Inferiore 44o 31’45 N, 11o25’27 E collaboration: Barbara Wielebska year: 2014 The task of the competition was to renovate a factory, situated at the suburbs of Bologna, into a space for culture and leisure. New type

existing situation

of cultural centre contains temporary accommodation, restaurant, auditorium, sport facilities, workshop rooms, exhibition hall and so-called “art hotel”. The typology of the factory has encouraged us to create a plaza. We took advantage of the composition of the modern solids in order to create an urban interior. Our intention was to combine modern solid forms with traditional urban floor, which will provide atmosphere of a vivid Italian piazza active virtually 24h per day. The transparent glass curtain walls and distinctive urban floor connect exterior with interior resulting in a continuous cultural space. Existing material: concrete and glass remained, whereas new elements are made with natural materials such as: timber, stone tiles, and ceramics with sgrafitto covering the upper storey of the building. 24

square


laboratories for artists

ticket office exhibition hall day care mediateka

open auditorium dance hall closed auditorium

administration

restaurant cafe

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ROUTING/EVENTS

EXHIBITION HALL, SPORT FACILITIES, GAMEROOM, DAY CARE, OFFICES, WORKSHOPS

CLOSED AUDITORIUM AND CAFE - opened independently from the exhibition hall

ART HOTEL & HOSTEL - opened independently from the museum

working hours e.g.: 9 a.m. - 8 p.m.

working hours e.g.: 1 p.m. - 2 a.m.

working hours: 24h/day

PUBLIC/PRIVATE

PUBLIC

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SEMI-PUBLIC

PRIVATE


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student projects

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Living at the hub

graduation project location: The Netherlands, Amstedam, Sloterdijk, Teleport O 52o 23’12 N, 4o50’12 E course: Dwelling & Architecture, - year II 2012/2013 semester I and II academic work, individual supervisor: Olv Klijn, info@fabrications.nl The site of the project -Teleport O, is situated in strategic position for

site model

the whole Amsterdam: at the transport hub – Sloterdijk station, and in one of the “green fingers” of Amsterdam, reaching the city centre. The qualities of this location are not efficiently used. The “green finger” is interrupted with the office area. Another serious problem of the district is vacancy. The location does not have good conditions for dwelling, because of noise, mono-functionality and isolation. For these reasons, the challenges posed to the design are: incorporation of housing in mono-functional district and definition of the program with activities for the new coming dwellers, which will make the area pleasant to live. In this way, the Teleport can be potentially transformed from the mono-functional district into a new self-sufficient city centre, strongly related to whole Amsterdam town, located in its “green finger”, next to the Sloterdijk station. 30

site model of the achieved space


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+6.00m

N

entrance to platforms

culture centre hotel entrance to platforms

+5.00m

structural grid

market

0.00m

supermarket/shop

+4.00m

skate park

kindergarten

subspaces leading to the squares

facades aligned with the street with main entrances

+1.50m site plan 32

two squares public and collective

closed collective space in atriums

relation between the atriums and collective square


GRADIENT IN PUBLIC SPACE public public

collective open to public

private collective closed

private

public part - a buffer between the city and residential part residential part collective - open to public

entrances to residential segments from the street entrances to residential segments from collective square

Schemes explaining the composition of the site

The intention of the design was the integration of station with the residential part of the project. The aim was to break the border between the public and private, provide more gradient between these spaces, and make the area liveable in a busy transportation hub. In this way, the dwellers reach their houses passing from the public square in front of the station, through the smaller square, then the open collective, and the closed collective space in the atriums. The process of blurring the border between the public and private make people feel belonging to the outdoor space. 33


section a-a

The typology of atrium also helps in achieving the gradient between public and private. While a typology of block refers more to individualism, atrium has a bigger sense of community and sharing. The atrium balances the built and unbuilt, open and closed. It creates an extra additional space improving wider social life among the dwellers. It provides shelter from noise, wind pollution and contact with nature. Additionally the garden in the atrium is equipped with a living machine system which plays a role in the process of cleaning the grey and rain water. In a result, the water can be reused as a non-portable water.

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B

A

A B

plan of the residential segment

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36


visual connection with garden

public

private/ loggia visual connection with public

collective space, inner garden

public visual conncetion collective open to public

public

collective open to public

collective space inner garden

routing

private/loggia

scheme showing the gradient of spaces in the relation atrium- site 37


“Tetris� typology of apartment with studios on the ground floor. Living rooms has a visual connecction both with street and garden in the atriums.

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louvers timber cladding insulation timber structure concrete panel

aluminium timber insulation timber structure concrete panel

light timber structure

tiles floor heating INFRA + floor conrete slab wood cladding 39


INFRA +

light timber structure in the facade

concrete slab in the overhanging loggia 40


precast concrete panels

Brick

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TIME MAP during the day.

BINCKoasis

LEGEND

Retail trade & repair

08.00 06.00

10.00

04.00

Other industry Retail

12.00

Commercial real estate ser

02.00

location: Binckhorst, The Hague, The Netherlands

14.00

00.00

52o 03’52.37” N, 4o20’18.04” E

16.00

Transport & storage 22.00

course: RMIT - year I 2011/2012 semester II, academic work,

18.00

Health care

20.00

analysis - team work, project - individual

Other services Residence

tutors: Iwert Bernakiewicz, I.Bernakiewicz@tudelft.nl

Government

Source: CBS, 2012, Municipality: Service urban development, 2012.

a daily time line of functions

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139

34

125

Num

Vacancy

Overview of vacancy in the Binckhor

The aim of the course was to provide a set of analysis in order to discover the DNA of the Binckhorst - a district of The Hague. Analysis was the base for the proposal of the scenario and programme for the project. Binckhorst is an industrial district, with a lot of vacant buildings. It is a kind of industrial island within the city. There is one housing estate, so basically the life there happened between 9a.m. – 6 p.m.,within car services, retail trade, construction industry,

LEGEND Office buildings

offices. But, at the same time you can find in the middle of it and

Par ally empty office buildin

monumental castle or cementery. A great advantage of the district are water canals. 42

Industrial buidling

Source: h p://www.joneslanglasalle.nl, h p://www.dtz.nl h p://www.fundainbusiness.nl/, h p://www.denhaag.nl/ home/Den-Haag-op-de-kaart.htm, Google Earth 2012.

vacant buildings

Mixed industrial/office build Wasteland/empty lot


NOISE PROFILE

HOUSING - AGE COMPOSITION

soundlevels in the Binckhorst area. the residents in and around the Binckhorst. source: Gemeente Den Haag (2009), MER Binckhorst (2009)

in each neighborhood, with a slight majority year olds, which would imply a more familyoriented neighborhood. source: www.cbs.nl = 50 HOUSES

Max noise level non-city

A1 2/

UT REC HT SEB AA NZ ON E

63 dB

(A12 / Utrechtsebaan zone) Preferred max noise level

53 dB

Max noise level innercity

48 dB

(permit required) Other

BAM

LEGEND > 70 dB

LEGEND

BASAL

65 - 69 dB

65 + 60 -64 dB 45 - 65

63 dB 55 - 60 dB

25 - 45 50 - 54 dB

53 dB

< 49 dB

48 dB

15 - 25

number of houses and the age composition of dwellers

visual polution (advertisements) vs greenery

0 - 15

noise map

collage showing characteristics of the Binckhorst- industrial island patchworked to the city 43


castel factories

industry

car workshops

offices creative industry

A proposed intervention provides “a silent function”, which will

CLEANING FROM THE POLLUTION urban farming

improve the qualities of the area. Urban farming-Binckoasis might

- cleaning the soil by planting

be a step in the scenario of the Binckhorst, which will contribute

- cleaning the air and providing the acoustical insulation with plants

to cleaning the air and soil, and will mute the noise. Thus, the district will be more attractive in the future for other opportunities as housing or leisure. The urban farming consists of the garden, school garden, place for the workshops, processing food segment, self-sufficient restaurant and SPA. School garden will serve for nursery, primary schools in the surrounding. Workshops are the possibility for people in the surrounding to contribute to the area, gain experience, and attract people from outside to come to Binckhorst. 44

OMA’s plan LEISURE

- preparing the ground for the future (intensive farming, housing) programme - 10-20 years

This is the scenario of the Binckhorst district. The OMA project considers providing there housing and leisure activities. Urban garden is a step before this transition which will clean the suuroung from pollution and provide more pleasant conditions for housing.


functions scheme who is going to use the spot from Binckhorst?

Trees, plants clean the air and soil in the area, thus improve the quality of the Binckhorst. Thanks to it in future the district may be more attractive for another functions like housing or will provide more intensive urban farming

conference meetings addapting building for farming

market

workers during the lunch or after work

products go to the market

parking transport public space contributing to FOKKER TERMINAL green houses

fruit trees

accommodation

green house space for conferences/events

public space by the water magazine for

products from green silent, calm function house, shop, later which make the area more processing efficient during the whole year, providing food while the garden is more to the restaurant efficient during the warm seasons

passers- by on the recreational path

fruit trees

self-sufficient restaurant

parking transport magazine for products from green house, shop, later processing space for workshops magazine for tools

people get experience during the workshops at the same time contribute to the production/exchange of ideas, recipies/ children get education

people participating in the workshops people coming to SPA in the calm, people coming to self-sufficient restaurants surrounded by water area from other district/ whole Den Haag children from the nursery and primary schools from other district/ whole Den Haag in the surrounding districts

who is going to use the spot from Den Haag? 45


Multi Functional Accomodation

location: The Netherlands, Rotterdam, Hillesluis 51o 53’53 N, 4o30’50 E course: Interiors, Buildings and Cities - year I 2011/2012 semester I academic work, individual tutors: Gert Somers: gert.somers@ono-architectuur.be Pelle Poiesz: info@hparchitecten.nl

Multifunctional accommodation (MFA) is a cultural centre with

Model, arrows show the visual connection between the levels

public primary school for a multi ethnic neighbourhood in Rotterdam - Hillesluis. The ambition was to enrich the neighbourhood with a new place of meeting and interaction, a new public space. MFA contains a primary school combined with other programs: a local theatre, a community kitchen and cafe, cultural facilities and rooms for adult education. The form of the building is divided by 2 programmes. The relation between these 2 segments and the mosque nearby creates a new public space. The project was inspired by architect Herman Hertzberger’s works, who designs “The Schools as City”. His work has inspired me to treat the interior of the school as a street, and provide a lot of transparency connecting different levels. 46

Working models, site plan


additional teaching space

lib rar y

restaurant adult education

mu

theater

lti fu nc

classrom

al

classroom

ion

kuchnia

ha

ll

plan, level 0 adult education

offices

classroom

PRIMARY SCHOOL

CULTURE CENTRE

classrooms

8.00

library

extra classes

PRIMARY SCHOOL

16.00

active from 8-15h

kitchen

13.00

restaurant

adult education

CULTURE CENTRE active from 13-23h

theater

23.00 Model, arrows show the visual connection between the levels 47


plan, level 0

facades, primary school 48


section through theater

facades, cultural centre 49


entrance from the corridor

classroom

multifunctional hall MS

O

NG

individual working space

I NG

RO

EXTRA TEACHING SPACE

17,40m²

A

m

CH

16,00m²

16,50m²

PLAY ROOM 59,90m²

entrance form the schoolyard

0.00m -0.15m

CLASSROOM

0.00m

61,20m²

+0.85m INDIVIDUAL WORKING SPACE

CLASSROOM

INDIVIDUAL WORKING SPACE 10,0m²

59,20m²

initial model of the classroom

plan of the classrooms

50 CLASSROOM


section, classroom and multifunctional hall

The irregular typology of the classroom results from the desire of

An individual working space is a small and more intimate, for this

creation stimulating environment for students. In order to avoid

reason the level of this room is lifted in order to provide more

the right angles and provide more dynamic composition, initial

child’s scale inside. Stairs connect the classroom with individual

plan of classroom had a shape of a honeycomb. In the final plan,

teaching space and with schoolyard. Colours play important

the construction is based on the parallel walls, but the other

role in stimulation of the interior environment. Blue colour of

elements such as: individual working space, shelves, suspended

the floor improves the concentration, while yellow in ceiling

ceiling, give to the classroom sophisticated form.

energizes students, according to psychological researches. 51


plaster plywood insulation wood construction cladding bricks

glazed facade, aluminium profiles

52


insulation ventilated roof decked roof truss suspended ceiling

glazed facade

wood costruction

Details of the elevation

The ramp leading to the auditorium , the details are refering to this facade 53


Urban Greenhouse

location: Poland, Poznań, Małe Garbary 52o 24’38 N, 16o56’08 E course: Design of workplaces - year IV 2010/2011 semester I academic work, individual tutor: Piotr Zierke: piotr_zierke@tlen.pl The aim of the project is promotion of the idea of urban agriculture. Farming in the city has ecological qualities, because of limited distance for distribution of the products. Urban agriculture does not only product healthy food but also it promotes healthy life style and improves social relationships of citizens by organizing culinary workshops. Due to limited space in the city the greenhouse is equipped with vertical gardens. There is a different function on each floor: from the ground floor - reception, then a kitchen with a workplace on the first floor, a shop on the second, a little restaurant, and finally there is a demo version of the roof garden on the last floor. The arrangement of green walls results in a friendly microclimate of the interior. Thanks to it the greenhouse can be used in a universal way. It is not only a working space, but also a recreational. The vertical garden is surrounded by a ramp, adjusted to disabled. which works as a path for the visitors. 54


55


section a-a

section b-b

plan level 4

56

plan level 5


57


Nerone’s Museum

location: Italy, Rome, Piazza Popolo 41o 54’38 N 12o28’ 34 E course: Museography-year III, sem.II 2009/2010, academic, individual work tutor: Pier Federico Caliari:

1

2

6

7

11

12

premio.piranesi@gmail.com The museum of Nerone is situated on Piazza Popolo in Rome. The form of the four installations is defined by 4 periods of the Nerone’s biography: childhood, custody, emperor and decline. The works is inspired by Monika Sosnowska’s artworks The aim of the installation was to reflect each period of his life by designing different interiors of each pavilion and remaining their outlook similar. The location of the pavilions provokes visitors to circular movement. The model demonstrates the period of the decline beginning with large entrance which constitutes the start of the gradually shrinking path. The little exit reflects unclear end of his life. 58


3

4

5

8

9

10

13

14

15

59


60


61


Director’s house

location: Poland, Poznań, Antoninek district 52o 24’27.23” N , 17o01’19.27” E course: Housing Design - year II, semester II 2008/2009 academic, individual work tutor: Agnieszka Janowska: agnieszkajanowska2@gmail.com This house was designed for a theatrical director, who wants to take his rehearsal or spectacles from theater to his home. The specificity of the project is a result of half-public character

front facade

of the building. Interior arrangement and exterior form of the building are subordinated by the concept of the stage, directly inspired by the stage of the Theatre “ M o n t o w n i a ” in Warsaw, situated at the bottom of the swimming pool. The home scene is a hole in the ground floor with a depth of 45cm. Thanks to this decrease the ground level takes over the function of an auditorium. Those 45cm are sufficient length to make the place still available and adaptable easily. Scene can be watched from the upper floor, too. Visitors are led to the second level by the rays of light coming from the openwork cover, spreading out from the front elevation to the staircase in the back of the house. The arrangement of the rooms, such as vestibule, corridor, cloakroom and kitchen also lead the visitors towards the stage. 62

back facade


63


south facade

west facade

east facade

north facade

section a-a

64

section b-b


65


The interior space was divided into the rooms visually accessible, inviting the visitors and those disconnected, hidden. The motive of openwork cover with its play of light and shadow invites guests to the open areas. The garden has scenery appearance also, which constitutes the continuation of conception of the interior. It gradually unveils intimate and hidden corners before visitors’ eyes, leading finally to the paved square, easily adopted to the theatrical functions. To make the form of the building legible for theatre-goers its front stays open, without any heavy fence. Thanks to it, the line of the front line can be withdrawn and, consequently, the parking area can be created in the shape of stripes for car wheels’ wake, letting the front garden be grassed over. 66


work room toilet

kitchen

vestibule staircase stage

living room

plan - ground floor

B Bathroom

bathroom Bedroom

bedroom

laundryLaundry

room

Room

y

Mezzanine

mezzanine

A

Tarrace

terrace

B plan - first floor

67


68


not only architecture

69


MILANO TUTTI FRUTTI

location: Italy, Milan and internet course: Town Planning- year III 2009/2010 semester I academic work, collaboration with: Helena Kułak PL, Viola Guroli IT, Masha Zlobina, RUS tutor: Stefano Boeri, s.boeri@iol.it Milano Tutti Frutti can be framed as a non-visual social urban project. Our target was promoting: “0 km production”, use of exisiting fruit tree resources in the city, involving citizens in the realisation of urban agriculture project, educating people about sustainability. We created a google map of city fruit trees scattered in urban space, fanpage on facebook and organised promo actions popularising the idea of using the urban fruit resources. Leaflets, comics, spot movie, our homemade food were used as educating materials.

70


71


Pipebag

This is a project of a bag made from ventilating pipe. The form of the bag is a kind of joke, which is a result of using casual material for elegant purpose.

72


BK beats environment

location: The Netherlands, Delft , Faculty of Architecture course: BK Beats Environment collaboration with: Sko van Delft

BK beats is the biggest faculty festival in the Netherlands and is organized by a group of involved students from D.B.S.G. Stylos. For one night the historical building of the Faculty of Architecture changes into an amazing festival area and a fabulous experience is thereby guaranteed. The theme of BK beats 2012 is 4 miles of light, which is another name of Las Vegas, a sleepless city of entertainment. Our task was to design an installation in corridor connecting different stages. We formed the LED lights in shape of arrows to emphasize the movement in the passage. People reacted to the installation very enthusiastically. Thanks to it, the corridor not only was linking different stages, but also stimulated people to meet.

73


Photography

74


75


76


77


Dawings and Paintings

78


79


80


81


82


83


marta.smektala@gmail.com 84


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