Marissa Cortez ID Portfolio

MARISSA CORTEZ INTERIOR DESIGN | 2024 | PORTFOLIO

MC

GN

I ES

INTERIOR D

HELLO

CONTACT ME

My name is Marissa Cortez, and I am a fourth-year student at Texas Tech University majoring in Interior Design in the College of Human Sciences. My pursuit of Interior Design started with my passion for improving and enhancing the human condition. I have a deep zeal for creating and designing spaces that value human safety, functionality, and aesthetics. I relish

problem-solving

challenges,

specifically

through design. Interior Design has authorized a unique career enhancing creative freedom. Through my dedicated work ethic and devotion to creativity, I bring adherence and compelling solutions to projects.

310.729.8524 marissa.cortez@ttu.edu

Lubbock, Texas www.linkedin.com/in/ marissacortez1

RESUME

EDUCATION & ACKNOWLEDGEMENT TEXAS TECH UNIVERSITY

DEANS LIST AWARD

BACHELOR OF INTERIOR DESIGN

IIDA SHIFT 2024 ATTENDEE

(2020, 2021, 2022, 2023)

DALLAS, TEXAS

MAINTAINED A GPA OF 3.5 OR ABOVE

CIDA ACCREDITED PROGRAM

TEXAS OKLAHOMA CHAPTER

EXPECTED GRADUATION DATE OF MAY 2024

INTERNSHIP OPPORTUNITIES

[Summer 2023]

INTERSTRUCT INC. DESIGN + BUILD INTERN Orlando, Florida Managed material library, optimizing accessibility and workflow

Engaged in collaborative meetings to enhance communication and teamwork with general contractors, architects, project managers, furniture and material reps, and interior designers Contributed to design and project development using Revit, AutoCAD, and Adobe Creative Suite Ensured product quality for projects through oversight of interior selections

WORK EXPERIENCE SIDELINE PROVISIONS | LUBBOCK, TEXAS

[September 2022-December 2023]

Sales Associate Served customers by answering questions and concerns, gave product suggestions, and answered phone calls Provided suggestions to store owners on store layout and branded to increase customer engagement Oversaw store by conducting detailed inventory and restocking items as needed

TS

SKILLS

INVOLVEMENT

AUTOCAD

International Interior Design Association

[March 2022-Present]

Philanthropy Chair Officer | Texas Tech University

REVIT ENSCAPE

Facilitated and planned volunteer events for members: Habitat for Humanity, Child Development Research Center at Texas Tech University Provided project opportunities to interior design students, and assigned activities such as painting, cleaning up, and assisting with the construction

PHOTOSHOP HAND DRAFTING GRAPHIC DESIGN

Hosted a variety of interior design businesses at university career fairs in order to provide career opportunities to interior design students

MICROSOFT OFFICE SUITE ADOBE CREATIVE SUITE

Phi Upsilon Omicron

[August 2021-December 2023]

PROCORE

Honor Society Service Organization College of Human Sciences | Member Promoted academic excellence, leadership through service, and lifelong learning in the integrated field of family and consumer sciences Strived to promote a rich interaction and exchange of ideas Emphasis on the professional goals that members share within the chapter

Student Mobilization

[May 2022-Present]

Texas Tech University Guided all female members to effectively promote the organization to new potential members through various events during the school year Educated new members about the Gospel to increase their overall understanding of the Bible and discipleship Completed a 9-week discipleship program in Orlando Florida, learned leadership, and became equipped on how to

MC

SI

GN

share the Gospel

American Society of Interior Design Texas Tech University Student Chapter | Member

[January 2023-Present]

INTERIOR DE

CONTENTS 01

02

01

03

04

TEXAS TECH UNIVERSITY HUCKABEE COLLEGE OF ARCHITECTURE COMMERCIAL PROJECT

02

LA CALLISTA WINERY AND RESORT COMMERCIAL PROJECT

03

COMMON BOND CO-WORKING COMMERCIAL PROJECT

04

GERMAN AMBASSADOR RESIDENCE RESIDENTIAL PROJECT

PROJECT COLLABORATIVE STUDIO FALL 2023

PROGRAMS USED: This project was done in collaboration with Alison Cannon (Interior Design student) and Erik Reyes (Architecture student).

REVIT ENSCAPE

The Texas Tech University Huckabee College of Architecture Complex is facing an

PHOTOSHOP

unprecedented increase in student enrollment, which necessitates a substantial

ILLUSTRATOR

renovation and expansion of the existing building. The redesign intends to highlight

RHINO

the historical patterns by composting a vibrant and exclusive reconstruction. The primary objective for the redesign of the College of Architecture Complex is to create a visionary and aesthetically captivating interior design and architecture space.

The redesign involves the transformation of a specific interior space, with meticulous attention to detail and creativity by enhancing the concept of modular light and shadows. The success of this project will be measured by the satisfaction of the endusers, the effective utilization of space, the adherence to budget and timeline constraints, and the incorporation of innovative design elements that distinguish the interior and exterior spaces as an exemplar of creativity and functionality within the interior design, art, and architecture community.

CONCEPT

01

TEXAS TECH UNIVERSITY HUCKABEE COLLEGE OF ARCHITECTURE REDESIGN

COMMERCIAL

The design concept is a revolutionary approach that aims to transform the Huckabee College of Architecture building by incorporating modular light and shadow as internal and external design elements. The concept revolves around creating dynamic and modular spaces that can adapt to different lighting conditions throughout the day, resulting in improved functionality and aesthetics. To achieve this goal, the concept combines natural

FLEX SPACE 3RD FLOOR ART BUILDING RENDERING

and artificial light sources and modular shading to create an adaptable environment that caters to the changing needs of its users. The use of modular components in the design enables easy customization and flexibility.

Overall, this design approach promises to provide a sustainable and adaptable space that will meet the needs of the Huckabee College of Architecture building's users for years to come.

REVIT ENSCAPE

CONCEPT IMAGERY

KEY: PUBLIC SEMI-PRIVATE PRIVATE PRIMARY CIRCULATION SECONDARY CIRCULATION

THE CONCEPT IMAGES WERE SELECTED BASED ON OUR CONCEPT BEING MODULAR SHADOWS AND LIGHT. IN OUR DESIGN, WE WERE INSPIRED

BY THE USE OF LIGHTING DECORATION TECHNIQUES SPECIFICALLY IN THE CEILINGS AND WALLS. THE COLOR SCHEME PAYS HOMAGE TO THE TEXAS TECH UNIVERSITY COLORS AND BEST HIGHLIGHTS OUR CONCEPT FOR DESIGNING A MULTIFUNCTIONAL SPACE FOR STUDENTS AND FACULTY WHO WILL BE USING THE SPACE.

FLOOR 10

STUDIO

ADMIN EXHIBITION / GALLERY

OPEN TO BELOW.

PHD

STUDIO

ADMIN ADMIN

COURTYARD

RECEP.

OFFICE

WMN RR

JURY THE CORNER

WNS. SHOWER/ LOCKER ROOM

MENS SHOWER/ LOCKER ROOM

STUDIO

WNS MENS RR RR

MENS RR

STUDIO

OFFICE

STUDIO

STUDIO

GALLERY

FLOOR 01

FLOOR 02

OFFICES CLASSROOMS

STUDIO

DEAN

STUDIO

EXHIBITION

STUDIO

CONFERENCE

TECH OFFICE

MENS RR

STUDIO

LECTURE HALL

2X STUDIOS

W M RR RR

STORAGE

FACULTY OFFICES

SK YB RI DG E

STAIRS

MAIL ROOM

OFFICE

WMNS.RR

SKYBRIDGE FLEX SPACE

3X STUDIOS

STAIRS

CUBICLES

FACULTY MENS RR

STUDIO

STUDIO

EXHIBITION

WOMENS RR

CUBICLES BREAK / FLEX SPACE

FLOOR 03 & ART BUILDING

JURY SPACE

FURNITURE FLOORPLANS

1. HAYWORTH CABANA LOUNGE

ANNOTATIONS

F.

5.

2. HAYWORTH - ENCLOSE MOVEABLE WALLS

6.

F. 6.

A. FLOOR-TO-CEILING SCREENS HIGHLIGHTING STUDENT

F.

6.

WORK B. MOVEABLE FURNITURE FOR GALLERY LOUNGE SPACE

E.

5.

5.

C. FULL FUNCTIONING LOCKER ROOM SHOWERS AND ADA RESTROOMS

J.

G.

D. EXHIBITION WALK-THROUGH WITH PIN-UP MATERIAL

H.

E.

E. BUILT-IN BENCH SEATING F. GLAZED CURTAIN WALL FOR PRIVACY IN RECRUITING ADMIN OFFICES G. EXHIBITION BUILT-IN FOR ARCHITECTURE MODEL DISPLAY

C.

E. A.

A. 1.

1.

D.

1.

J.

E.

J.

H. WAYFINDING DIRECTIONS TO LOCATE ROOMS AND SPACE FLOW

E.

E.

I. GRAND ENTRANCE INTO THE BUILDING WITH IDENTIFICATION J. FLOW INTO THE COLLABORATIVE SPACE INTO THE EXHIBITION HELPS FOOT TRAFFIC

1.

B.

FIRST FLOOR

NOT TO SCALE

1.

C.

3. STEELCASE - ENEA LOTTUS SEATING

4. OFS - KINTRA TABLE

2.

3.

3.

4.

4.

H.

H.

3.

B.

3.

J.

4.

I.

3.

4.

H.

H.

3.

3.

A.

6. OFS - LONA CHAIR

ANNOTATIONS

B.

2.

I.

5. OFS - BECK TABLE

A. ACOUSTICAL PIN-UP MATERIAL FOR PIN-UPS AND

3.

A.

CRITIQUES B. HAYWORTH MOVEABLE GLASS PARTITION WALLS

5.

5.

6.

J.

OF PRESENTATIONS

6.

6.

C.

C. STACKED BENCH-STYLED SEATING FOR ELEVATED VIEWS 6.

D. PULL DOWN THE PROJECTOR SCREEN

D.

E. PRIVATE PHONE BOOTHS FOR PHONE CALLS, EXAMS, AND

A. 3.

F.

3.

PRIVACY H. 6.

H.

F. VIEWS DOWN TO BELOW OF ENTRANCE INTO THE BUILDING

6.

5.

G.

4.

5.

G.

3.

4.

3.

A. E. A. 3.

A. 3.

H.

H.

4.

3.

3.

I.

H.

4. 2.

3.

4.

NOT TO SCALE

4.

3.

B.

SECOND FLOOR

3.

H.

3.

I.

H.

2.

4.

3.

B.

G. IT OFFICES H. COLLABORATIVE TEAMWORKING TABLES PROMOTING

A.

3.

AND RECEPTION

ENGAGEMENT I. DIVISION IN STUDIO ROOM FOR PRIVACY AND EXTRA

H. 4.

3.

3.

WORKING SPACE J. SIGN FOR FLEXIBILITY IN MIND, EASILY ADAPTION TO MEET CHANGING NEEDS OR ACCOMMODATE DIFFERENT ACTIVITIES.

FURNITURE FLOORPLANS

D. C.

A.

G. G.

C.

A.

E.

A.

A.

A.

J.

D.

G.

J. I.

I.

D.

D. B.

B.

A.

H. A.

A.

F. C.

A.

THIRD FLOOR

NOT TO SCALE

A.

A.

ANNOTATIONS: RIGHT SIDE:

A. ACOUSTICAL PIN-UP MATERIAL FOR PIN-UPS AND CRITIQUES B. ADA MENS AND WOMENS RESTROOM C. HAYWORTH MOVEABLE GLASS PARTITION WALLS D. SKY-BRIDGE ACCESS TO NEW ADDITIONS TO THE ART

1. BUILT-IN BENCH

BUILDING

2. STEELCASE - BARSTOOL

3. OFS - TAPAS TABLE

4. PLANK - MURA TABLE

E. LECTURE HALL SEATING AT A SLOPE FOR VIEWING AT ALL LEVELS F. PRIVATE BREAK AREA FOR FACULTY AND STUDENTS G.

A.

A.

ANNOTATIONS:

ACOUSTICAL PANELED BOOTHS H. PRIVATE PHONE BOOTHS FOR PHONE CALLS, EXAMS, AND PRIVACY I. PRIVATE PROFESSOR OFFICES

B.

A.

2.

A.

J. SKY BRIDGE ACCESS PROVIDES MORE MOVEABILITY OF

A. ACOUSTICAL PIN-UP MATERIAL FOR

3.

PIN-UPS AND CRITIQUES

C. A.

A.

B. HAYWORTH MOVEABLE GLASS

2.

3.

SPACE

PARTITION WALLS

K. ADEQUATE LIGHTING FOR CREATING A COMFORTABLE AND

C. STACKED BENCH-STYLED SEATING

FUNCTIONAL SPACE

LEFT SIDE:

A.

FOR ELEVATED VIEWS OF

A. A.

A.

PRESENTATIONS

A.

D. PULL DOWN THE PROJECTOR

A. ACOUSTICAL PIN-UP MATERIAL FOR PIN-UPS AND CRITIQUES

A.

SCREEN

A.

E. PRIVATE PHONE BOOTHS FOR

B. ADA MEN'S AND WOMEN'S RESTROOM

PHONE CALLS, EXAMS, AND PRIVACY

C. HAYWORTH MOVEABLE GLASS PARTITION WALLS

F. VIEWS DOWN TO BELOW OF

D. SKY-BRIDGE ACCESS TO NEW ADDITIONS TO THE ART

ENTRANCE INTO THE BUILDING AND

G.

BUILDING

4.

4.

RECEPTION

E. LECTURE HALL SEATING AT A SLOPE FOR VIEWING AT

G. IT OFFICES

ALL LEVELS

H. COLLABORATIVE TEAMWORKING TABLES PROMOTING ENGAGEMENT

F. PRIVATE BREAK AREA FOR FACULTY AND STUDENTS

E.

G. ACOUSTICAL PANELED BOOTHS

PRIVACY AND EXTRA WORKING SPACE

H. PRIVATE PHONE BOOTHS FOR PHONE CALLS, EXAMS,

J. SIGN FOR FLEXIBILITY IN MIND,

AND PRIVACY F.

I. PRIVATE PROFESSOR OFFICES J. ADA WHEELCHAIR SEATING IN LECTURE HALL

I. DIVISION IN STUDIO ROOM FOR

TENTH FLOOR

NOT TO SCALE

EASILY ADAPTION TO MEET CHANGING NEEDS OR ACCOMMODATE DIFFERENT ACTIVITIES.

RENDERINGS

RECEPTION 1ST FLOOR RENDERING RENDERING DESIGNED BY ALISON CANNON

EXHIBITION 1ST FLOOR RENDERING RENDERING DESIGNED BY ALISON CANNON

STUDIO 2ND FLOOR RENDERING

FLOOR TILE

WALL ACCENT

PAINT

UPHOLSTERY

PAINT

CARPET

ACOUSTIC FELT/ LIGHTS

STONE

WALL ACCENT/ CEILING

PORCELANOSA BUTAN

THE WOOD VENEER OAK ACOUSTIC PANELS

BENJAMIN MOORE BLACK:HC-190

MOMENTUM TEXTILES LEGACY VELVET IMPERIAL ROSE

SHERWIN-WILLIAMS WHITE SAND

INTERFACE PERFECT PAIR HIFI MONOTYPE

GATHER ACOUSTICAL GOH / CHARCOAL

SANTAMARGHERITA BIANCO NEVE

VESCOM AIKIN - WALL COVERING

EXTERIOR

ELEVATIONS NORTH EXTERIOR ELEVATION SCALE - 1/16"=1'

WEST EXTERIOR ELEVATION SCALE - 1/16"=1'

ELEVATIONS DESIGNED BY ERIK REYES

FACULTY BREAK SPACE RENDERING

WALL ACCENT

RENDERING DESIGNED BY ALISON CANNON

THE WOOD VENEER HUB OAK ACOUSTIC PANELS BACKSPLASH CERAMIC - INAX KUROAYA - RED TERRAZO VETRAZZO CLASSIC BLACK

WAYFINDING RENDERING

WALL ACCENT ECOCARAT ROUGHSAWN CERAMIC WALL ACCENT ARMSTRONG NATURAL VARIATIONS OAK UPHOLSTRY BERNHARDT BELLA - SILVER

RENDERINGS

NIGHT SKYBRIDGE RENDERING

DAY SKYBRIDGE RENDERING THE LAYOUT OF OUR PROGRAMMING IS CENTERED AROUND THE LECTURE HALL WHICH SERVES AS THE FOCAL POINT, WHILE OTHER SPACES SUCH AS THE JURY, CUBICLES, EXHIBITION, AND CLASSROOMS ARE ARRANGED AROUND IT IN A NESTED FASHION. THIS DESIGN EMPHASIZES THE CENTRAL IMPORTANCE OF THE LECTURE HALL AS IT IS THE PRIMARY SPACE FOR LECTURES AND MAJOR PRESENTATIONS. TO ACCOMMODATE OUR NEW PROGRAM, WE HAVE ADDED TWO NEW FLOORS ON TOP OF THE EXISTING ART BUILDING, RELOCATED THE ART FLOOR FROM THE ARCHITECTURE BUILDING TO THE ART BUILDING WHILE MAINTAINING THE SAME SQUARE FOOTAGE, AND INTRODUCED A NEW INTERIOR DESIGN FLOOR TO THE ADDITION.

EXTERIOR

LECTURE HALL RENDERING

EXTERIOR RENDERING RENDERING DESIGNED BY ALISON CANNON

DAY COURTYARD RENDERING

NIGHT COURTYARD RENDERING

WINE AND SPA RESORT La Callista is an enchanting resort where guests are wrapped in a luxurious wine experience while paying homage to the cultural vibrance of Fredericksburg, Texas.

Guests will experience a deep connection with the Spanish Mediterranean ambiance through both architecture and interiors while relaxing in a fantastically comfortable space. 145 breathtaking acres beckon you to connect with memories, wine, food, history,

CONCEPT

02

LA CALLISTA

and an unforgettable getaway. Forty blissful cottages await you with soothing textures, natural materials, luxurious bedding, and special indoor & and outdoor features. With over 4,000 square feet of modern gathering and food spaces, La Callista is an ideal wine country venue. One-part dynamic Spanish and

two-part

romantic

modern

Mediterranean, La Callista is a quintessential Fredericksburg retreat.

HOSPITALITY

PROGRAMS USED:

PROJECT

REVIT

FALL 2023

WINERY EXTERIOR BUILDING RENDERING

ENSCAPE PHOTOSHOP

REVIT ENSCAPE REVIT ENSCAPE

CONCEPT IMAGERY

KEY: PUBLIC SPACE SEMI-PRIVATE SPACE PRIVATE SPACE

COTTAGE A BEDROOM

W R A P

OUTDOOR BATH

LIVING ROOM BAR

CLOSET

A

R

KITCHEN

O

LAUNDRY

U

N

ENTRY

D

P

O R

OUTDOOR BATHROOM

C H

BEDROOM

BAR CLOSET

CLOSET

KITCHEN

LAUNDRY

LIVING ROOM

ENTRY WRAP AROUND PORCH

ADJACENCY MATRIX

VENUE

ALL SPACES

UNIMPORTANT ADJACENCY

Guest Parking lot Staff Parking Lot Lobby

NO ADJACENCY

Reception

SECONDARY ADJACENCY

Restaurant

O U

O R

ENTRY

Bar Outdoor Space Wine Tasting Space

WOMENS BATHROOM

MEN'S WOMEN'S BATHROOM BATHROOM

BRIDE DRESSING ROOM

BRIDE DRESSING ROOM PARKING

OPEN VENUE

OPEN VENUE

BAR

LOUNGE

GROOM DRESSING ROOM

GROOMS DRESSING ROOM

Spa Wellness Center

ADJACENT

CATERING/ STORAGE

Pool Grape Vine Tours

SEMI-ADJACENT

CATERING

Bottling Facilities Tour

BAR

Barrel Room

PUBLIC SPACE

KITCHEN

KITCHEN

STORAGE

Wine Tasting Rooms Cottage A

SEMI-PRIVATE SPACE

Cottage B Cottage C

PRIVATE SPACE

Staff Cottage Storage Space Private Group Space Staff Meeting Room Golf Cart Service

COTTAGE B

COTTAGE C FLOOR #1 CLOSET

N Y

U

P

O R

KITCHEN

FRONT PORCH

C H

A

D

LIVING ROOM LOUNGE

INTIMATE WINE TASTING

E

FRONT PORCH

B

A R

O

BEDROOM 3

N

BAR

WOMENS BATHROOM

L

BAR

R

BEDROOM 2

KITCHEN

O

STAIRS

C

LIVING ROOM

WINE MAKING EXPERIENCE

TABLES SEATING

A

STAIRS

BEDROOM 2

RETAIL MENS BATHROOM

D O O R

BATH

A

CLOSET

BEDROOM 4

LAUNDRY

BEDROOM

BAR

LAUNDRY

OUTDOOR BATH

WINE TASTING U T

LIVING ROOM

COTTAGE C FLOOR #2 O

BACK PORCH

OUTDOOR BATH

W R A P

BEDROOM

CLOSET

OUTDOOR BATH

ENTRY

E A

PARKING

Venue

ENTRY

A R

MENS BATHROOM

Leisure/Lounge Space

PRIMARY ADJACENCY

OUTDOOR BATH

T D O

ENTRY

P O R C H

LIVING ROOM

OUTDOOR BATHROOM

OUTDOOR BATHROOM

BEDROOM

BEDROOM

WINE MAKING EXPERIENCE

OUTDOOR BATHROOM

BEDROOM

RETAIL

CLOSET

BEDROOM

CLOSET WOMEN'S BATHROOM

LAUNDRY

OUTDOOR BATHROOM

BAR

STAIRS

CLOSET

BALCONY

BATHROOM

BEDROOM KITCHEN

BAR

KITCHEN

LIVING ROOM

ENTRY

WRAP AROUND PORCH

WRAP AROUND PORCH

BAR

MEN'S BATHROOM

LIVING ROOM LOUNGE

BEDROOM ENTRY

SEATING

STAIRS

CLOSET INTIMATE WINE TASTING

ENTRY

SITE PLAN

FLOOR TILE

WALLPAPER

WALL TILE

CEMENT

MARBLE TILE

UPHOLSETRY

LARGE PARKING LOT IMMEDIATLEY EXITING HIGHWAY

20' WALKING TRAILS

LOBBY, RECEPTION, RESTAURANT, AND CONFERANCE ROOMS

POOL INCLUDED IN OUTDOOR SPACE

ROUND-ABOUT WITH PATHS OF EGRESS ARROWS

ADA COMPLIENT HANDICAP PARKING GRAPE VINE FIELD EXPERIENCE

SITE PLAN

BRIDGE ACROSS THE RIVER TO GET TO VENUE

KEY: STRAIGHT ARROW TURN LEFT OR GO STRAIGHT HANDICAP PARKING SPACE

NOT TO SCALE

WINERY LOUNGE RENDERING

WINERY PERSPECTIVES WINERY RENDERED FLOORPLAN

4' - 0"

EXTENDED BAR ISLAND FOR MORE GUEST SEATING

20' - 0"

13' - 4 3/32"

NATURAL TEXTILES MATERIAL; GREEN WALL

15' - 10 5/16"

2' - 4 7/8"

SUSPENDED CEILING MATERIAL

WINERY BAR ELEVATION NOT TO SCALE

5' - 1 11/32"

EMPLOYEE TABLE FOR WORKING SPACE GUEST TABLE FOR WINE TASTING

4' - 0"7' - 3 5/8"

7' - 0"

ACCENT WALL WALLPAPER MATERIAL GUESTS GET ONE TO ONE INTIMACY WITH LEARNING HOW WINE ORIGINATED

INTIMATE WINE TASTING ELEVATION NOT TO SCALE

WINERY BAR PERSPECTIVE

COTTAGE A PERSPECTIVES

CURTIAN WALL

MAIN SPACE PERSPECTIVE

SHOWER WALLS

COTTAGE A BATHROOM ELEVATION

2' - 10 1/16"

3' - 8"

FLOOR MATERIAL

10' - 0"

OUTSIDE SHOWER MATERIAL

WINDOW CAN BE OPENED FROM BOTTOM TO TOP

6' - 0 5/8" 2' - 0"

REFRIDGERATOR WITH WINE BOTTLE STORAGE

COTTAGE A KITCHEN ELEVATION NOT TO SCALE

BATHROOM PERSPECTIVE

COTTAGE A FLOORPLAN NOT TO SCALE

2' - 11 3/16"7' - 6 1/4"

NOT TO SCALE

FLOATING KITCHEN SHELVES

CURTAIN WALL ABOVE STOVE TO SEE BIOFILIA

BEDROOM 1 PERSPECTIVE

COTTAGE B FLOORPLAN NOT TO SCALE

OVERHEAD PRIMARY LIGHTING FOR BAR

4' - 0 13/32"

BAR STORAGE OF WINE GLASSES AND EXTRAS

0' - 2" 11' - 11 1/8"

FLOATING SHELVES OF WINE AND LIQUOR ACCENT WALL MOUNTED LIGHTING

LIVING SPACE PERSPECTIVE

COTTAGE B BAR ELEVATION NOT TO SCALE ADJUSTABLE LIGHTING FIXTURE

COTTAGE B LIVING SPACE ELEVATION NOT TO SCALE

2' - 3 9/16"

4' - 6"

0' - 6"

TV MOUNT

COTTAGE B PERSPECTIVES

COTTAGE C PERSPECTIVES WOOD EXPOSED BEAMS

3' - 6 3/4"

8' - 2 1/4"

BUNK PERSPECTIVE

COTTAGE C BEDROOM ELEVATION NOT TO SCALE

KITCHEN PERSPECTIVE COTTAGE C FLOORPLAN - LEVEL 2 NOT TO SCALE

COTTAGE C FLOORPLAN - LEVEL 1 NOT TO SCALE

WALL DETAILING MATERIAL

VENUE BAR PERSPECTIVE

VENUE RENDERED FLOORPLAN

55' - 3 15/32"

VENUE SPACE PERSPECTIVE

8' - 0"

8' - 4 21/32"7' - 11 3/8"

9' - 4 15/32"

0' - 8 9/16"

9' - 7 17/32"

MAIN VENUE ELEVATION

VENUE BAR ELEVATION NOT TO SCALE

5' - 3"

0' - 3"

13' - 5 31/32"

0' - 11 5/16"

NOT TO SCALE

VENUE PERSPECTIVES

CO-WORKING

Japanese culture is notorious for its extreme dedication to work. The level of commitment, time, an

most Japanese employees unhappy. The Japanese are hard-working because they are deeply roote history. Social factors contributing to this are the desire to be the counterpart of the West, the collec the availability of convenient services. Japan desires to reach the same achievements in its econ renowned power industries. The cultural expectation of "convenience" of 24-hour services a customers but exhausts the laborers that house them. History has shown that Japanese people have being able to relax easily. Some workers have other activities or hobbies to attend to, such as d colleagues, or even simply bonding with their family and friends; there's no time to relax.

CONCEPT

03

COMMON BOND

The shared co-working space design will model the importance of spatial planning, the selection of

items, and the execution of following standard building codes. In addition, the space will include th

the users' health and will ultimately secure flexibility for this multipurpose space. Considering the c place, implementing Japan's universal design code and standards will be defined.

The space will entail a vibrant and exciting co-working space built right in the city of Tokyo. Its a

from elements of design and strategic placement of spaces. The resemblance of the Japanese Cher

replicated as the theme for a color scheme, incorporation of the Japanese culture, and a reflecti elements of the space.

COMMERCIAL

PROGRAMS USED:

PROJECT

REVIT

FALL 2022

RECEPTION RENDERING

ENSCAPE PHOTOSHOP

REVIT ENSCAPE

nd strictness leaves

ed in the country's ctivist mindset, and nomics and worldaccommodates the struggled with not drinking with their

commercially used

he overall safety of

co-working space's

attraction will stem

rry Blossom will be on of the physical

REVIT ENSCAPE

CONCEPT

KEY:

IMAGERY

UNIMPORTANT ADJACENCY NO ADJACENCY SECONDARY ADJACENCY PRIMARY ADJACENCY ENTRY ADJACENT SEMI-ADJACENT PUBLIC SPACE SEMI-PRIVATE SPACE PRIVATE SPACE Business Center Library Reception Slipper/Shoe Storage Leisure/Lounge Space Entry Vestibule Booths Stairs and Elevator Coffee Bar/Kitchenette Collaborate Working Space Lockers Private Group Space

Private Office Space Private Meeting Space Mechanical Room Phone Room Patio Wellness Room Restrooms Terrance Cocktail Bar Kitchen/Break Space Classroom Space Cherry Blossom Lounge

FIRST FLOOR BUBBLE DIAGRAM

FIRST FLOOR BLOCKING DIAGRAM Patio

Stairs

Patio

Wellness Room/ Chiropractor/ Sauna

Restrooms Private Meeting Space

Mechanical Room

Coffee Bar/ Kitchenette

Private Office Space

Stairs

Lockers

Classroom Space

Coffee Bar/Kitchenette Booths

Booths

Private Group Space

Mechanical Room

Private Meeting Space

Collaborate Working Space

Stairs and Elevator

Cherry Blossom Lounge

Wellness Room/ Chiropractor/ Sauna

Private Office Space

Classroom Space Lockers

Restrooms

Cherry Blossom Lounge

Entry Vestibule

Reception Phone Room

Stairs and Elevator Collaborate Working Space

Private Group Space Leisure/ Lounge Space

Slipper/ Shoe Storage

Phone Room

Slipper/ Shoe Storage

Reception

Entry Vestibule

Leisure/Lounge Space

SECOND FLOOR BUBBLE DIAGRAM

SECOND FLOOR BLOCKING DIAGRAM Terrance

Stairs

Restrooms

Classroom Space 2

Stairs

Terrance

Restrooms

Cocktail Bar

Shared Work Room/Business Center

Private Office Space

Mechanical Room

Shared Work Room/ Business Center Classroom Space 2 Leisure/ Lounge Space Kitchen/ Break Space

Private Office Space Library, extra seating

Stairs and Elevator

Library, extra seating

Cocktail Bar

Kitchen/Break Space Cherry Blossom Lounge Stairs and Elevator

Phone Room 2

Lockers 2

Lockers 2 Collaborate Working Space Booths

Open Meeting Space

Phone Room 2

Collaborate Working Space

Booths

Open Meeting Space

FURNITURE FLOORPLANS FIRST FLOOR 1

RECEPTION

2

ENTRY VESTIBLE

3

SLIPPER STORAGE

4

PHONE ROOM

5

PRIVATE GROUP SPACE

6

CHERRY BLOSSOM LOUNGE

7

CLOSET

8

LOCKERS

9

COFFEE BAR/KITCHENETTE

10

BOOTHS

11

COLLABORATE WORKING SPACE

12

CLASSROOM SPACE

13

PRIVATE OFFICE SPACE

14

PRIVATE MEETING SPACE

15

PATIO

16

WOMENS RESTROOM

17

MENS RESTROOM

18

WELLNESS ROOM

19

MECHANICAL ROOM

15

13

14

STAIRS

14

17

18

14

6

9

4

11

ELV.

10

7

5

19 12

10

5

16

1

8 3

2 STEELCASE - QUANTITY (5)

HERMAN MILLER - QUANTITY (3)

STEELCASE - QUANTITY (20)

NTS

SECOND FLOOR 1

OPEN MEETING SPACE

2

LOCKERS

3

COCKTAIL BAR

4

PHONE ROOM

5

CLOSET

6

BOOTHS

7

KITCHEN/BREAK SPACE

8

LIBRARY

9

COLLABORATIVE WORKING SPACE

11

12

STAIRS

15

13

14

5

6

9

8

16

ELV.

4

3

10 PRIVATE OFFICE SPACE

7

11 TERRACE 12 WOMENS RESTROOMS 13 MENS RESTROOMS

10

10

2

14 CLASSROOM SPACE 15 BUSINESS CENTER

1

16 OPEN TO BELOW

STEELCASE - QUANTITY (12)

BERNHARD DESIGN - QUANTITY (2)

STEELCASE - QUANTITY (16)

NTS

RENDERINGS

BUSINESS CENTER PERSPECTIVE

UPHOLSTERY

PAINT

COLLABORATIVE WORKING SPACE PERSPECTIVE

UPHOLSTERY

LEATHER

CHERRY BLOSSOM LOUNGE PERSPECTIVE

STEELCASE - QUANTITY (2)

WEST ELM - QUANTITY (2)

TERRACE PERSPECTIVE

MALERIA - QUANTITY (1)

STEELCASE - QUANTITY (6)

REFLECTED

CEILING PLAN SYMBOLS: STEELCASE - TASK QUANTITY (2)

EUREKA/ODEON 80" - DECORATIVE QUANTITY (7)

EUREKA/EMPRESS 22" - DECORATIVE QUANTITY (10)

EUREKA/BLOON 15.75" - AMBIENT QUANTITY (17)

EUREKA/BLOOM 10.5" - AMBIENT QUANTITY (83)

NTS

COCKTAIL BAR PERSPECTIVE

COCKTAIL BAR AND LEISURE SPACE RENDERINGS REVIT ENSCAPE

LEISURE SPACE PERSPECTIVE

The aspiration to shape a collaborative coworking space was to embed an exciting design in the Japanese work culture, right in the city of Tokyo, Japan. The decisions in the light schedule and its placement are to promote energy efficiency and sustainability. Not only this but the illuminance of the space is dedicated to helping promote the productivity of the space and interest in Common Bond. Its attraction will stem from elements of design and strategic placement of spaces.

The resemblance of the Japanese Cherry Blossom will replicate the theme for luminaire selection and the identification of Japanese culture.

WASHINGTON D.C. RESIDENCE The Washington D.C. Ambassador Residence will encapsulate the importance of culture, traditions, and family matters. Emily Haber, the German Ambassador to the United States of America, and her husband Hansjorg Haber, a retired ambassador, purchased a home in the neighborhood of Georgetown, Washington D.C., and have two adult sons. The clients are

RESIDENTIAL PROJECT

SPRING 2022

PROGRAMS USED: AUTOCAD PHOTOSHOP HAND DRAFTING HAND RENDERING

expecting the home to suit their lifestyles that best express some of their German culture and high-end contemporary style. The Ambassador Residence is a 4 million dollar family home remodel. Both clients wish to incorporate their appreciation for cooking and entertaining.

Since his retirement, Hansjorg has painted large abstract paintings from home; thus needs a studio with plentiful natural light and easy access from the master bedroom. A secluded athome office will flatter Emily's needs for occasional at-home work. An enclosed, mirrored yoga room located on the first floor, offers convenience for the client's daily practice. The clients have high expectations of a design that encompasses minimalism and cleanliness. The abstract floor plan to the four-story home features organized sections of private and public spaces. Strategic furniture selection and space design will benefit the importance of aging in place. This forever home will properly satisfy the needs of the clients in the delight of the German culture.

CONCEPT

04

GERMAN AMBASSADOR

FAMILY ROOM 1 POINT PERSPECTIVE

HAND RENDERED

The space will evoke feelings, emotions, and memories that appear familiar to the client's background. Taking culture, hobbies, career, and family into consideration, these unique attributes are a reflection of their own lives. Focusing on this idea, the clients will be able to imitate the act of looking through a mirror, as the interior reflects their own culture. Symbolizing a mirror will allow the space to be personalized and singular to the clients. This concept will come to life by designing a space that’s intimate and exclusive to the client’s hobbies and German culture. Grays, whites, blacks, and green shades will be implemented throughout the space. The materials and finishes will be sleek to balance slightly reflective countertops, accent black fixtures, and comfortable flooring. Edges will have curvature and fluidity.

Thoughtful furniture selection and arrangement will further emphasize the mirror representation.

CONCEPT IMAGERY

KEY: PUBLIC SPACE

SEMI-PRIVATE SPACE PRIVATE SPACE UNIMPORTANT ADJACENCY NO ADJACENCY SECONDARY ADJACENCY PRIMARY ADJACENCY

1ST FLOOR BUBBLE DIAGRAM

1ST FLOOR BLOCKING DIAGRAM

2ND FLOOR BUBBLE DIAGRAM

2ND FLOOR BLOCKING DIAGRAM

3RD FLOOR BUBBLE DIAGRAM

3RD FLOOR BLOCKING DIAGRAM GERMANY IS LOCATED IN THE CENTER OF EUROPE. THEY PRIDE THEMSELVES ON THEIR HARDWORKING BEHAVIOR AND INDUSTRIOUSNESS. THE DOMINANT RELIGION IN GERMANY IS CHRISTIANITY. THE CULTURE IN GERMANY PLANS OUT EVERYTHING, FROM AGREEMENTS TO DAY-TODAY DECISIONS WHERE THERE ARE RARELY ANY CHANGES MADE AFTER THE AGREEMENT. ENGINEERS ARE ALSO WELL RESPECTED. GERMANS HAVE CELEBRATED “OKTOBERFEST” SINCE 1810. GERMANS ARE EXPECTED TO FOLLOW ORDER AND STRUCTURE. THE NEED TO FOLLOW RULES, AND BE TIMELY, AND IN AN ORDERLY MANNER. THIS COMES FROM THE BUSINESS CULTURE IN THAT IF EVERYONE IS DOING WHAT THEY SHOULD BE FOLLOWING, THEN THE NEIGHBORHOODS AND CITIES WOULD FUNCTION SMOOTHLY. MOST GERMAN FAMILY STRUCTURES CONSIST OF A FATHER, A MOTHER, AND ONE KID. THERE IS A DECLINE IN FAMILIES WITH MORE THAN ONE GENERATION LIVING TOGETHER. EXTENDED FAMILIES, INCLUDING GRANDPARENTS, LIVE SEPARATED FROM MOST FAMILIES.

FLOORPLANS

FIRST FLOOR

NOT TO SCALE

SECOND FLOOR

NOT TO SCALE

THIRD FLOOR

NOT TO SCALE

ANNOTATIONS: A. WIDE OPEN ENTRYWAY, PROVIDES MOVING SPACE AND COMFORT FOR AGING

I.

D.

IN PLACE B. BUILT-IN MUDROOM STORAGE SPACES FOR OUTSIDE SHOES, COATS, AND EXTRA CLOTHING ITEMS TO STORE C. FAMILY ROOM BUILT-INS ON NORTH

C.

WALL, PROVIDES STORAGE FOR BOARD GAMES, IN APPRECIATION FOR THE

J.

GERMAN CULTURE D. YOGA ROOM SPACE THAT IS ENCLOSED AND QUIET FOR YOGA PRACTICE, INCLUDING DIMMABLE LIGHTING OPTIONS, YOGA MAT STORAGE, BOOK SHELF, AND A

H.

L.

FLOOR-TO-CEILING MIRROR

K.

E. SLIDING DOORS USED AS SPACE SAVERS F. WALK-IN SHOWERS WITH GLASS DOORS FOR GERMAN CULTURE

B.

G. LAUNDRY ROOM CABINETRY FOR CLEANING SUPPLIES AND UTILITY SPACE H. TWO HORIZONTAL, ADJACENT KITCHEN

F.

ISLANDS FOR ADDED PREPARATION SPACE AND ENTERTAINMENT I. BUILT-IN AT HOME BAR,

E.

CONTEMPORARY STYLE ON GERMAN PUB

A.

J. BUTLER’S PANTRY PROVIDE EASY FLOW OF MOVEMENT FOR FOOD PREPARATION K. ART STUDIO WITH STORAGE

G.

OPPORTUNITIES FOR SUPPLIES L. FRENCH DOORS AND WINDOW PANES ON THE WESR WALL, ELIMINATES ENERGY

FIRST FLOOR

NOT TO SCALE

SECOND FLOOR

NOT TO SCALE

THIRD FLOOR

NOT TO SCALE

USAGE AND MAXIMIZES NATURAL LIGHTING

EXTERIOR ELEVATION BAR 1 POINT PERSPECTIVE

EXTERIOR ELEVATION NOT TO SCALE

ELEVATIONS

MASTER BEDROOM ELEVATION NOT TO SCALE

YOGA ROOM ELEVATION NOT TO SCALE

ART STUDIO ELEVATION NOT TO SCALE

2 POINT

PERSPECTIVE

RATIONALE: THE KITCHEN IS IMPORTANT TO CAPSULATE IN A PERSPECTIVE BECAUSE, IN WAYS, IT IS THE FOCAL POINT OF A HOME. WHERE FOOD IS PREPARED AND WHERE GUESTS GATHER, THE CLIENTS WILL BE ABLE TO VISUALIZE WHERE THE MAIN ENTERTAINING WITH ORIGINATE. THE KITCHEN INCLUDES TWO SEPARATE KITCHEN ISLANDS THAT SHOULD BE ILLUSTRATED FOR THE CLIENTS.

WOOD

FLOOR TILE

KITCHEN HAND RENDERED AND DRAWN PERSPECTIVE

UPHOLSTERY

FURNITURE AND MATERIAL BOARD

11

1 KITCHEN ISLAND CHAIR

9

6

2 FAMILY ROOM COUCH 3 FAMILY ROOM COFFEE TABLE 4 FURNITURE FABRIC 5 AMBIENT LIGHTING 6 FAMILY ROOM CHAIR

7

10

7 AMBIENT LIGHTING 8 BAR STOOLS 9 TASK LIGHTING

8

3

10 BAR MATERIAL 11 ACCENT WALL MATERIAL

4

5

1 2

MC

GN

INTERIO

I S E RD

THANK YOU MARISSA CORTEZ INTERIOR DESIGN

(310)729-8524 MARISSA.CORTEZ@TTU.EDU WWW.LINKEDIN.COM/IN/MARISSACORTEZ1