Issuu

More about little me

Hello, I’m Marilyn! Growing up the youngest and living in a household with three generations, I was surrounded by love and care as I grew up. Learning to value my relations with family from young, led me wanting to help those around me. I enjoy working with others and sharing new knowledge I have learnt. My strong sense of responsibility and pride in my work, makes me strive to do my best and reach my own set of standards. In this journey of mine, I want to explore all the concepts and little things that interest me as I learn and grow from my experiences and mistakes made along the way!

Lily of the valley (My birth flower)

My Contacts

Email - marilynlaimy@gmail.com

Contact No. - (+65) 8511 4179

LinkedIn - Marilyn Lai

My Education

My logo signifies that whatever I create with my own pencil, I will stay true to my values and standards and standing out as my own person, different from others.

From Secondary School I had experience in Design and Technology, and really enjoyed hands-on projects, unique from typical subjects. Choosing to continue with an education of Design in Ngee Ann Polytechnic, I chose to specialise in Archiecture in Year 2, from my fascination of buildings and little details making every one unique.

I love to sketch, paint and craft anything that interests me, like animals, buildings, landscapes and skies. I like to challenge myself to do new handy crafts and usually use these crafts as gifts to friends and family.

Aquarine Organiika Snuggy Cubby Ekata Serenity Archotta Uchi eVolo 2022 Kallang Segar Others 3

In this year 2 project, we worked with an overseas farm called Organiika, located in Lombok, Indonesia

Introduction Site

Located in Lombok, Indonesia, in Aik Dareq Village, Organiika is apart of Invest Islands Foundation, advocating on organic farming in the village. Most of the villagers owned farms but use pesticides which are harmful to the environment and their health.They are unwilling to change their methods of farming, since they have been using pesticides for so long and would naturally stick to what they know will definitely work. So why would they take the risk and extra effort to go organic?

Using the idea of a community center, I thought of engaging the local farmers through a movie screening exeperience in the farm. This attracts them there as a village activity and bonding time, while allowing them to see and experience how the farm operates and what is done differently. As curiosity grows, they take initiative to ask and learn on their own accord and will be more open to slowly picking up organic farming

The community center is made

Woven Bamboo Mat Roof

Purlin & Rafters

Trusses

Woven Bamboo Mat Roof

Beams & Joists

2nd Floor Bamboo

Split Flooring

Beams & Joists

Bamboo Splits

Screen Ground Floor Bamboo

Splits Flooring

Pad Foundation

Site Plan

Planters Lounge

Movie Screening Dining Area Workshop Benches Toilet Stairs Rest of the farm Reception

Level 2 Plan

Level 1 Plan

In this year 2 project, we designed a home for a family of 4, after learning the principles of DfMA

After learning about DfMA principles and the importance, we were given a typical Singaporean family to design for, including their needs, wants and goals. This project was done in pairs and we started off by listing out activities that could bring the family together and what rooms we need.

Introduction Concept

Most well-off families can afford a luxurious lifestyle but more often then not, they take family time for granted. As a designer, I wanted to create a home that encourages the family to have more opportunities to bond together and really make a house, a home.

Using the hobbies of each family member, like the piano, video games and cooking, we placed them in the living room space, which is connected to the living room and dry kitchen. This allows each member to be together in the same room while enjoying their hobbies in each other’s company.

This void above the living room opens up to the study, which connects the common spaces and lets the family see one another, encouraging more interaction.

Ground

The attic is where all the activities of the family are together. We put the activities and lounge in the attic to create a private and safe environment where the members can be themselves. Away from the spaces open to visitors and neighbours, the attic is quite and a space just for the family.

Ground Floor Plan Axonometric View

2nd Floor Plan

3rd Floor Plan 11

Sectional PerspectiveDfMA panels

In this year 2 project, we learnt how to design a masterplan of Kampong Bugis, which was being redeveloped

Concept

Using the most prominent feature of the site, which is the Kallang River, our concept is based on how water has memory and has seen the many generations and transformations of our country. We were greatly inspired by the water and its organic waves, bringing us to this form for the site.

Vision Statement

Smart Sustainable Sentimental

With efficient automation of power and remote healthcare services for future generations of ageing Singaporeans

With energy-efficient buildings with car-lite surface that preserves nature

How might we create a nostalgic waterfront to reactivate water activities and preserve the river culture?

By creating new memorable experiences while celebrating historical cultures that bonds communities

With energy-efficient buildings with car-lite surface that preserves nature

Statement

HMW

Waterfront Section

Waterfront View I rendered

In this year 2 project, we continued from the masterplan to develop a residential estate in one of the land parcels, individually

Introduction

Continuing from the masterplanning, I targeted elders and focused on the beautiful views to the park and sea. Taking into account how the building would look with the mostly low environment, I wanted to ensure the building blends with the land while still giving residents full view of the river.

Front View

The staggering form introduces the building onto the site gradually, as it slopes up each level. The balcony planters give privacy to each unit while giving the elders their own small garden to plant what they want. The dining tables are placed outside, luring the residents out, viewing the undisrupted view of the river and park, while getting fresh air and natural breezes.

Void Deck View

The void deck opens upwards to the highest level giving the grand impression of the residence. Communal gatherings at the mini cafes, bakery and supermarket are convenient and all together in one area, on the ground floor.

Beams

Unit Balcony

Back View Living Room

Slant Beams

Columns Wood Decking

Raft Foundation

Lift & service cores, Storey Shelters Kallang River Carpark Front Park along Kallang River

In this year 3 project, we were to design a commercial building relating to an action word assigned to us, which would stack up into a vertical city

Concept

Reading is always associated with being serious and boring, so I when I got the action word “read” I really wanted to make the experience fun and different. Thinking of playing with big open spaces and narrow cozy corners, I wanted to make a comfortable and cozy library, for everyone.

The highest floor which is further away, is the quietest and therefore can be used for more focused activities

Drawing platforms of different heights, creates different perspectives. Like when you look up at a big space from the ground or looking down at the ground floor from above.

Ideating with the thought of adding full height windows to let natural light in, which is most suitable for reading as well.

Hierarchy in terms of privacy and the usage of the space

Cantilever

First Floor Plan Sectional Perspective A Sectional Perspective B Second Floor Plan A Third Floor Plan B 22

Usage of Glulam columns and beams, along with curtain walls to allow as much light inside as possible

Cantilever

Link/ Connect

Sustainability features

The form leaves a lot of space for air to flow through, allowing natural ventilation and cooling from the wind.

The use of solar panel windows would allow the library to run on renewable electricity while still allowing light in, for reading.

DfMA components

Plan

Double Volume

6000 x 3000 x 150 2 20 No. of slabsDimension (L x W x H) Floor slab modules 6000 x 3200 x 150 3150 x 2950 x 150 1 2 8 4200 x 3000 x 150 4500 x 1500 x 150 3 2950 x 2900 x 150 2850 x 2000 x 150 3 2 2850 x 1200 x 150 No. of beamsDimension (L x W x H) Glulam Beams 6 2750 x 200 x 350 12 2800 x 200 x 350 7 2850 x 200 x 350 7 2950 x 200 x 350 3 3000 x 200 x 350 19 5600 x 200 x 350 7 7100 x 200 x 350 No. of columnsDimension (L x W x H)No. of panelsDimension (L x W x H) Glulam columns 40 200 x 200 x 2850 4 200 x 200 x 5850 750 x 50 x 2500 850 x 50 x 2500 1000 x 50 x 2500 1250 x 50 x 2500 1500 x 50 x 2500 1700 x 50 x 2500 1800 x 50 x 2500 1900 x 50 x 2500 1800 x 50 x 2500 (Double door) 16 9 23 14 6 7 31 12 8 Curtain wall panels 23

In this Final Year Project, we were to redesign an existing carparks located in Jalan Besar to create new experiences and embraces Singapore’s vision of being car-lite in the near future

Ē ā

How might we improve the well-being of the Bangladeshi migrant workers while socially integrating them with our local community through common interests?

Bangladeshi migrant workers, I thought of engaging the our communities through activities and hobbies that we can enjoy together. Places like the library where we can learn more about Bangladesh culture, and for them to read leisurely or learn. The craft workshop is where we can learn about Bangladeshi crafts which are special to them and learn from and along with the workers. After which, displaying the crafts shows the results after working together and decorates the community center, which gives a sense of ownership to everyone.

DeskerRoad

Road

Extrude from the site Site Analysis Location Plan

programs placed on the sides of the building help to block the direct sunlight from the East and West and the

sunlight

screens

the sides

spaces

Lembu

SyedAlwiRoad

The

void in the center brings in natural

from the top. The

of the building keep the

Cut out void to bring in daylight

Site Long Sectional Perspective Solar panels to generate energy Screens to prevent rain from coming in to the building and shade the sun Forms a nice pattern with the perforated bricks and it gives the Bangladeshi migrant workers a sense of familiarity. Greens to mitigate the heat from the sun and surroundings Extrude from the site Cut out following the natural Cut out void to bring in daylight Chamfer edges to soften the entrances 26 Scale 0 Entrance Scale 0 Scale cale cale

Scale 1:250 d Entrance to Community Center cale 1:250 cale 1:500 27 Scale 1:250 0 15 53 0 N Desker Road Lembu Road Serangoon Road 15 53 0 N Desker Road Lembu Road Syed Alwi Road Serangoon Road Perspective at 2nd level 15 53 0 N

Ground Floor Plan Scale 1:200 0 15 5 30 N Scale 1:200 0 15 5 30 N Scale 1:200 0 15 5 30 N Second Floor Plan Third Floor Plan Cafe Donation Craft Store Consult Rooms Movie Theatre Classroom Workshop Grocery North Elevation Scale 1:200 0 15 5 30 Scale 1:200 0 15 5 30 East Elevation Craft Display Wall Library Wall Cafe Rooftop Garden 28 Scale 1:500 Scale 1:500 Scale 1:500 Scale 1:500 North Elevation East Elevation North Elevation Scale 1:500 0 15 53 0 3rd Floor Furniture Consultation Rooms Movie Craft Workshop Grocery Stor Language Classroom Donation Store Craft Store Cafe Green Roof Pergolas rkshop y

rkshop Stor Classroom Part Section & Connection Details 1 2 2 3 Perspective of 1 2 Concrete Screed Stainless Steel Bracket Stainless Steel Sheet Screws Steel Mesh Steel Mesh Brick Tiles Stainless Steel Anchor Sealant & Firestop Setting Block Desiccant Weep Hole Concrete Slab Insulation DPM barrier Sand Blinding Hardcore Stainless Steel C-Channel Precast Concrete Slab Curtain Wall Facade DfMA componentsC ore DfMA components No. of componentsDimensions (H x W x T)N o. of componentsDimensions (L x W x H) 5350 x 5000 x 5350 x 3000 x 5350 x 2000 x 5000 x 5000 x 5000 x 3000 x 3350 x 5000 x 3350 x 3000 x 3350 x 2000 x 2050 x 5000 x 2050 x 3000 x 2050 x 2000 x 1000 x 5000 x 1000 x 3000 x 10900 x 7550 x 5000 7050 x 2900 x 5000 3 3 27 10 2 3 3 4 1 2 7 6 1 5 5 5000 10900 7550 2900 7050 3000 5000 3000 2000 5000 3000 2000 5000 3000 2000 5350 5000 3350 2050 1000 5000 3000 Exploded Axonometric of Facade Facade DfMA components No. of componentsDimensions (H x W) 5350 x 5000 x 5350 x 3000 x 5350 x 2000 x 5000 x 5000 x 5000 x 3000 x 3350 x 5000 x 3350 x 3000 x 3350 x 2000 x 2050 x 5000 x 2050 x 3000 x 2050 x 2000 x 1000 x 5000 x 1000 x 3000 x 27 10 2 3 3 4 1 2 7 6 1 5 5 Core DfMA components No. of componentsDimensions (L x W x H) 10900 x 7550 x 5000 7050 x 2900 x 5000 3 3 No. of components components Dimensions (H x W) Dimensions (L x W x H) 29 Theatre Store

In this year 3 primer project, we were to design an extension to the previous project, to enhance the placemaking and to bring people together, before drawing them into the community hub

Being the heart of Little India, rich in culture and bustling with people during festivals and weekends, Lembu Road Open Space is where mostly Bangladeshi Migrant workers gather on their day off. On the weekdays, it contrasts the bustling weekends with quiet streets. My concept aims make visitors curious to explore my site, hidden away from the main streets. I want visitors to stop by, curious by the frames and walk through the street, slowly taking in their surroundings. Like in the concept sketch, I want the visitors to have a focused view when they view through the frames. The new perspective paints the picture and story of those in the background, like a painting and its frame.

Wanting the frames to catch visitors’ attentions, I put the frames at the top left, bottom left and bottom right corners, where people tend to walk by, according to the gate count analysis. After placing the concept, the visibility along the pedestrainised street is less visible which masks the view from one side to another, leading the visitors to venture through the frames.

VGA without concept VGA with concept Highest Lowest visibility VGA without concept Section Scale VGA with concept Elevation Viewing Type

Highest Lowest footfall Gate count (per hour) 1140 312 492 108 2112 900 1044 32 ewing

Scale 1:250 Elevation & ewing & seatin pe Perspective from South-West Perspective from North-West 1.30965, 103.85462 Site Plan Scale 1:500 1 5 10 20 50 Perspective of frame types seating A Chatting, seating & viewing Type B Chatting, seating, viewing & eating Type C Chatting, seating, viewing & displaying Type D 1 3 5 10 20 33

This was a development of the Final Year Project, from earlier this year, Ekata, after returning from our 12 week internship

An annual skycrapper architectural competition organised by eVolo, an Architecture and Design magazine

Sea Nomad

The year is 2053 and the world is faced with yet another pandemic. “We have been through Covid, we can handle this.” people pray, hoping to never relive an age of isolation. But, just as fast as people’s hopes rose, the world sank. The new pandemic dubbed The Deviant initiated a worldwide lockdown; borders closed, families separated, cultures divided. It was just like last time…

Now, a miracle has finally arrived. The Sea Nomad proposes an attraction that transcends borders, free from the shackles of pandemics. Using Singapore as a point of reference, the Sea Nomad replicates the country’s attractions through a hybrid of natural and virtual experiences. As it travels to other countries, it allows others to experience Singapore without having to actually travel. Likewise, other countries can dock their Sea Nomads to allow Singaporeans to experience the world outside. Like a traveling circus, the attractions come to you instead, preventing the spread of disease.

The shape of the Sea Nomad, like a manta ray, glides through water using wing-like movements, which drives the water backwards. The top half of the vessel houses Singapore’s natural attractions like the Botanic Gardens. These natural attractions are enhanced with augmented reality that display animals living in forests, to emulate Singapore’s ecotourism. The bottom half of the Sea Nomad projects Singapore’s aquatic life, using the sea as its canvas. Weaved in between the natural environments are Singapore’s built attractions like The Jewel and Clarke Quay, where commercial houses make way for a bustling streetlife mixed with traditional festivals. To facilitate these attractions, 500 vaccinated Singaporean workers live in the Sea Nomad to maintain and sanitize the environment. These attractions are digitally augmented to simulate an authentic experience.

Like the gills of a fish, the Sea Nomad harnesses elements from the sea to sustain itself. At the mouth of the Sea Nomad lies a hydropower farm that harnesses energy from the currents as it glides through the water. This, along with solar farms, power the vessel to enable digital augmentation that enhances the attractions through simulations. The sea water that is harvested is then desalinated to provide drinking water to guests, or runs through the wireframe surfacing the dome, to pump mist into the interior, controlling air quality and temperature. While the fins gather ocean trash which are upcycled into souvenirs.