Mariana Fartaria Portfolio_2017

architecture

PORTFOLIO 2017

MARIANA FARTARIA @gmail.com

MARIANA FARTARIA @gmail.com

2

Mariana Fartaria Ferreira 17 Oct. 1985 . Leiria Portuguese OA nº23148

CONTACTS

marianafartaria@gmail.com skype - mariana.fartaria Chemin du Village nº15 1032 Romanel-sur-Lausanne

EDUCATION

2013. Master Degree in Architecture, Universidade de Évora, Portugal.

2008. Degree in Architectural Culture, Universidade de Évora, Portugal.

2003. High School Degree in Design, Ceramics and Sculpture. Colégio de São Miguel, Fátima, Portugal.

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EXPERIENCE TARDIN & PITTET ARCHITECTES (April 2017 — December 2017 . 9 months) architect

PERSONENI RAFFAELE SCHÄRER ARCHITECTES (October 2015 — September 2016 . 1 year) intern architect

PARATELIER

(April 2014 — August 2015 . 1 year and 6 months) architect and graphic designer internship for OA admition (9 months)

LISBON OPEN HOUSE 3rd edition

Lisbon Architecture Triennale (11-12 October 2014) Guide visits at Palácio Pombal- CarpeDiem Arte e Pesquisa.

ARQUITECTURAS FILM FESTIVAL LISBON (April - June 2014 . 3 months) Production team

‘CLOSE, CLOSER’ - “The Real and Other Fictions” 3th edition Lisbon Architecture Triennale (July - December 2013 . 6 months) production assistant/curator assistant assembly/disassembly assistant exhibition assistant/guide visits

LISBON OPEN HOUSE 2nd edition

Lisbon Architecture Triennale (05-06 October 2013) Guide visits at Reitoria da Universidade de Lisboa and also Museu Bordalo Pinheiro.

COMPETITIONS

Hôpital d’Aubonne - réalisation d’un EMS et d’un CAT, with Tardin & Pittet Architectes.

Schulanlage Walka mit auditorium Zermatt, with Personeni Raffaele Schärer Architectes.

Transformation du Stade Pierre de Coubertin, with Personeni Raffaele Schärer Architectes.

Parque urbano para Arruda dos Vinhos, 1st place, with Paratelier e Pedro Campos Costa.

Accessibilitá e riqualificazione del sistema terra mare per Torregrande, with Paratelier and Giulia de Appolonia.

Water is alive, 1st place, with Paratelier, Giulia de Appolonia and Stefano Riva.

A House For..., finalist project, with João Deus Ferreira e Miguel Pereira.

COMPUTER SKILLS: autocad 2D, photoshop, ilustrator, indesign, sketchup, maya, lightroom, vectorworks, archicad - windows, mac, linux.

4

SEMINARS

“O tempo na arquitectura” - 2nd edition seminar, Universidade de Évora.

“O tempo na arquitectura” - 1st edition seminar, Universidade de Évora.

“Sociedade e Arquitectura” - II Jornadas da Arquitectura, Universidade de Évora.

“A interdisciplinaridade na arquitectura” - I Jornadas da Arquitectura, Universidade de Évora.

“Sharing architecture culture across the Maghreb and India” - seminar, Universidade de Évora.

CONFERENCES

Bijoy Jain - Studio Mumbai, final talk with Pedro Bandeira, CCB, Lisbon.

Kenneth Frampton - Lisbon Architecture Triennale and Millennium BCP career award 2013, CCB, Lisboa.

“Uma reflexão teórica a partir da profissão. Materiais de arquivo (1961-2013)”, conference with Rafael Moneo, CCB, Lisboa.

“Vida da cidade e da sua relação com a vida - Évora”, conference with Gonçalo Byrne, Escola das Artes - Universidade de Évora.

“Desenho, uma forma de pensar”, conference with Gonçalo M. Tavares, Escola das Artes Universidade de Évora.

“Fragmentos ilustrados sobre a “Escola do Porto”, conference with Alexandre Alves Costa, part of the cycle “Lições de mestre, arquitectura hoje e amanhã”, Escola das Artes - Universidade de Évora.

“O ensino da arquitectura— A escola ideal”,conference with Nuno Portas, part of the cycle “Lições de mestre, arquitectura hoje e amanhã”, Escola das Artes - Universidade de Évora.

“Medida e desmedida em arquitectura” - cycle of conferences with Paolo Portughesi, Escola das Artes - Universidade de Évora. “Últimas obras”, conference with Eduardo Souto de Moura, Escola das Artes - Universidade de Évora.

“Teses de arquitectura em conferência - interiores, novos territórios”- cycle of conferences, Escola das Artes - Universidade de Évora.

“Alta entre vistas”, conference with Álvaro Siza Vieira, Universidade de Coimbra.

SITE VISITS

Maison du Peuple, Lausanne, Switzerland. Transformation project by Tardin & Pittet Architectes.

Ice Rink/ Curling hall, Ycoor , Crans Montana, Switzerland. Project design by Personeni Raffaele Schärer Architectes.

Angelus-Watch factory conversion into lofts, Chaux-de-Fonds, Switzerland. Project design by Personeni Raffaele Schärer Architectes.

Museu dos Coches, Lisbon, Portugal. Project design by Paulo Mendes da Rocha.

Recovery and restoration of the Museu de Évora, Portugal. Project design by Hestnes Ferreira.

Recovery and restoration of the Museum Laboratory of the University of Coimbra, Portugal.

Project design by João Mendes Ribeiro.

Viana do Castelo municipal library, Viana do Castelo, Portugal. Project design by Álvaro Siza Vieira.

LANGUAGES: portuguese (native), english (conversational), french (conversational), italian (basic).

ARTISTIC AND TECHNICAL: good abilities with freehand drawings as well as model making.

Easily adaptable to new situations and work contexts. Great team work and cooperation skills.

5

RUA SĂƒO MAMEDE 8a 1100-534 LISBOA / PORTUGAL www.paratelier.com

Lisbon 28/08/2015 Dear Sir/Madam, I’m very pleased to present Mariana Fartaria, she worked in our office from may 2014 to august 2015.

During this period Mariana worked full time as intern and she followed the development of multiple projects at different scale from initial concept design to executive project with related drawings Mariana is a skilled architect, with great ability to work in team and individually and able to take on different responsibilities; she proved to be responsible, regardless of the task that was assigned to her, rigorous and creative in finding solutions to any given problem.

This skills have been evident in all the works in which Mariana has worked more extensively, she revealed exceptional organizational capacities, creative and technical capacities especially in design and graphic elaborations.

Mariana Fartaria with the work performed during this period has been a major contribution to the office, so I recommended her and I’m very interesting in following her promising career.

Best Regards, Arq. Leonardo Paiella

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7

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SELECTED WORKS 2007 - 2017

TARDIN & PITTET architecture EMS AUBONNE competition MAISON DU PEUPLE

10

24 PERSONENI RAFFAELE SCHÄRER architecture ZERMATT competition STADE PIERRE DE COUBERTIN competition PARATELIER architecture THE BLACK CONTAINER A CASA IMPERFEITA workshop WATER IS ALIVE competition THE GREEN CONTAINER

34

52 graphic design HEXACORK

56

other PROJECTS THE GREENHOUSE A HOUSE FOR... competition LISBON ARCHITECTURE TRIENNALE THE REAL AND OTHER FICTIONS Close, Closer

68

ACADEMICS COLECTIVE HOUSING

indice 9

64

all projects

EMS AUBONNE architecture competition MAISON DU PEUPLE architecture - detail drawings CHALET LA FRASSE architecture - project study

10

ARCHITECTURE selected projects

studio

TARDIN PITTET

Lausanne, Switzerland. www.tp-arch.ch 11

MEP - EMS AUBONNE

PLANS, COUPES, FACADES 1:200

RENDU FINAL _ 13.10.2017

TARDIN & PITTET ARCHITECTES EPFL-SIA-FAS

EMS AUBONNE competition

espace livraison

1

2

3

4

5

6

7

8

9

10

11

entr e parking ext rieur (niv. +2) parking ext rieur + livraisons 38 places

livraisons NUI_16

abri VEH_15 chambre froide positive PL_15 VEF_50

CFP_viande +MEP_20

CFN_20

12

services EMS

13

14

15

16

17

18

19

20

laverie_30

DNE_10

chambre froide positive F&L_15

39

marchandises et livraison_23

EMS _ services

PER_30

DCO_20

parking ext rieur 4 places + Lavotel

MAT_1

MED_12

MAT_1

stockage_21 PHA_12

cuisine production_100

bureau chef_10

NET_6

WCP

WCH_4

service

SAS

MAT_1

public

service

EMS _ espaces communs

ADMIN.

CAT WCH_5

sas_5

22

23

24

25

26

27

28

29

30

31

32

33

34

35

36

506.15

sas_12

BIE_12

21

EMS

hall_62

bar accueil

dressage

CUI_279

40

public

CAT

ENT_9 BUR_12

WCH_4

41

couvert_16

CAT douche_8

37

38

REC_15 MAT_2

ANI_3

ANI_3 DOU_6

MAT_1

BUR_12

ANI_3

CAT hall, vestiaire

BIE_12

CAT repos_20

public public

SMC_100 DIR_22

COL_26

GYM_43

COM_43

COI_13

ANI_43

terrasse animation

terrasse restaurant

CAT

CAT repas,

CAT animation_59

,

10 places deux roues

CAT bureau_18

42

terrasse CAT

couvert fumeur

vignevignevigne

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potagerpotagerpotager potagerpotagerpotager potagerpotagerpotager potagerpotagerpotager potagerpotagerpotager potagerpotagerpotager

)

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The new EMS is defined like an extension of the existing garden, below to the existing Hospital.

Defined like a terrace building, it is organized with an entrance floor with common areas and two down floors intended to accommodate geriatric and psycho-geriatric units. This principle not only takes advantage of the slope of the land, but also takes advantage of the orientation of the lakeside rooms. In this way we can easily limit the impact on the neighborhood buildings and leave all the top area of the terrain for the new CTR construction.

The generous esplanade serves as a garden for the geriatrics and for visitors. It offers a safe and flat stroll outdoor, ideal for disabled people. The terrace also allows the organization of meals and outdoor activities, directly related to animation rooms and the cafeteria. The main floor of the EMS (common spaces) opens up to a large garden terrace to the south, including cafeteria, animation rooms and well-being. The service program is built against the shelter and the existing hospital basements, having in this way a directly connection with teh existing buildings and the future one (deliveries and kitchen). The psico-geriatrie is located on the lower floor, creating the possibility to have a securized garden directly connected with the living and eating rooms. Three different levels defines three different kinds of programs and needs. couvert fumeur

jardin (

terrasse jardin

entr e parking couvert (niv. +1)

TN

TN

EMS ENTREE PERS.

TN

for Ensemble Hospitalier de la CĂ´te with Tardin et Pittet Architectes 12

+2

REC_15

couvert fumeur couvert fumeur

vignevignevigne

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TN

Aubonne switzerland

13

34

35

36

MAT_1

MAT_1

stockage_21

SMC_100

+2

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33

42 10 places deux roues CAT bureau_18 CAT animation_59 , CAT CAT repas, COI_13

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) jardin (

terrasse CAT terrasse restaurant terrasse animation

ANI_43 COM_43 GYM_43 DIR_22 COL_26

32 ADMIN.

CAT repos_20 CAT hall, vestiaire

31 CAT WCH_5 sas_5 BIE_12 EMS _ espaces communs

BIE_12 DOU_6

entr e parking couvert (niv. +1) 38 30

37 29 hall_62 bar accueil dressage CUI_279

CAT douche_8

28

service

ANI_3 ANI_3

506.15

27

public

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public public

BUR_12

EMS

26

MED_12

ANI_3 MAT_2

41 couvert_16

25

sas_12

24

CAT

23

ENT_9

40 public service

SAS WCH_4 WCH_4 WCP NET_6

39 marchandises et livraison_23 DNE_10 chambre froide positive F&L_15

parking ext rieur 4 places + Lavotel DCO_20 EMS _ services PER_30

20 19 18 17 16 15 14 13 12

22

MAT_1

VEF_50

bureau chef_10 cuisine production_100 PHA_12

laverie_30 CFN_20 CFP_viande +MEP_20 chambre froide positive PL_15

21

BUR_12

MAT_1

VEH_15

services EMS

abri NUI_16

parking ext rieur + livraisons 38 places livraisons

11 10 9 8 7 6 5 4 3 2 1 espace livraison

TARDIN & PITTET ARCHITECTES EPFL-SIA-FAS RENDU FINAL _ 13.10.2017 PLANS, COUPES, FACADES 1:200

MEP - EMS AUBONNE

entr e parking ext rieur (niv. +2)

CH1_16

CH1_16

CH1_16

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ignevi vignevignevignev ignevig vignevignevignev

14

ignevig vignevignevignev ignevig vignevignevignev ignevign vignevignevignev

plan lower floor

ignevign vignevignevignev ignevign vignevignevignev

ignevigne vignevignevignev ignevigne vignevignevignev ignevigne vignevignevignev

igne evignev

EMS

CH1_16

CH1_16 CH1_16

CH1_16

DOU_5

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DOU_5

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CH1_16 CH1_16

CH1_16

CH1_16

DOU_5 DOU_5

CH1_16

DOU_5

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ignevigne vignevignevignev ignevigne vignevignevignev

CH1_16

CH1_16

CH1_16

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CH1_16

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DOU_5

CH1_16

DOU_5

jardin

_510 DOU_5 VID_9

CH1_16 DOU_5

CH1_16

DOU_5

public

DOU_5

WCH ICU_12 SOI_30 TIS_15 ROL_10 WCH_5

SUN_50 SMU_63 SUN_26 DRE_40 BAI_15

DMA_7 DLP NET_6 _3 CH1_16

500.15 DOU_5

Sservice Vpublic

CH1_16

CH1_16

D _3 DOU_5

DOU_5

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CH1_16

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DOU_5

CH1_16

CH1_16 CH1_16

CH1_16

DOU_5 DOU_5 DOU_5 DOU_5 DOU_5

DOU_5

DOU_5

DOU_5

DOU_5

CH1_16

DOU_5

DOU_5

CH1_16

DOU_5

DOU_5

CH1_16

DOU_5

CH1_16

CH1_16

DOU_5

DOU_5

CH1_16

DOU_5

DOU_5

CH1_16

DOU_5

CH1_16

DOU_5

CH1_16

DOU_5

CH1_16 DOU_5

DOU_5

DOU_5

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psycogeriatrie and garden

ENTREE PERS.

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DOU_5 DOU_5

igne vignevignevignev igne vignevignevignev

CH1_16

parking ext rieur 4 places + Lavotel

igne vignevignevignev ignev vignevignevignev

EMS_services 500.15

TEC_36

entr e parking couvert (niv. +1) VID_9

15

+1 ignev vignevignevignev ignevi vignevignevignev

DOU_5 DOU_5

parking Lavotel WCP_5 DNE_ 14 DLP 3

public service

DMA_6 H_5

DOU_5

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DOU_5

photomontage - dinner room 16

MEP MEP -- EMS EMS AUBONNE AUBONNE

vue vue

CONCEPT ET DETAILS CONSTRUCTIFS CONCEPT ET DETAILS CONSTRUCTIFS

RENDU FINAL _ 13.10.2017 RENDU FINAL _ 13.10.2017

TARDIN & PITTET ARCHITECTES EPFL-SIA-FAS TARDIN & PITTET ARCHITECTES EPFL-SIA-FAS

wc / douche wc / douche

m2 plan chambre _ 1:204.5 depuis la salle plan manger chambre _ 1:204.5 m2 depuis la salle manger

1 12 23 34 45 56 67 78 89 910 11 10 11

room plan and section - facade detail

12 13 12 13 14 15 14 16 15 16 17 17

17

18 19 18 19 20

TOITURES - JARDINS TOITURES - JARDINS main-courante multifonctions > + ligne de vie pour entretien plantations , fleurs, ... arrosage goutte main-courante multifonctions > semi-automatique + ligne de vie goutte pour entretien substrat 30 ,cm. plantations fleurs, ... arrosage semi-automatique goutte goutte panneaux solaires 30 cm. , supports par le substrat substrat revêtementsolaires poreux sans joints, porostone ou panneaux , supports par le substrat support poreux revêtement poreux sans joints, porostone ou natte de protection drainante support poreux multicouche natte de protection drainante isolation thermique multicouche dalle en thermique isolation enduiten / faux-plafond dalle enduit / faux-plafond DALLES DALLES revêtements de sols parquet ou ou haltopex chape cimentde ousols anhydrite revêtements parquet ou ou haltopex chauffage de sol, avec si production par chape ciment ou anhydrite isolation thermique / phonique chauffage de sol, avec si production par dalle en thermique / phonique isolation enduiten / faux-plafond dalle enduit / faux-plafond FACADES FACADES fenêtre , triple vitrage isolant, fenêtre , H contre-coeur permettant la vue pour les personnes assises protection chutes verre (pourpermettant les ouvrants = pour les personnes sur cadres) triple vitrage isolant, H contre-coeur la vue assises manipulation des ouvrants pour les ouvrants personnes protection chutes verre (pour = sur cadres) double rail pour et/ou voilages manipulation desrideaux ouvrants pour les personnes stores rail pour rideaux lamelles projection en toile pour les parties publiques double et/ouorientables, voilages parties pleines , hors sol : murs en en toile apparent sur publiques place stores lamelles orientables, projection pour les parties (partiespleines pleines : idem, avec et chemise de drainage) parties , hors solenduit : mursbitumineux en apparent sur place bandeaux horizontaux en : idem,apparent sur place, aux têtes de dalle (parties pleines avec enduit bitumineux et chemise de drainage)

MAISON DU PEUPLE

transformation - execution

Maison du Peuple is a building built between 1960 and 1964 in Chauderon square, Lausanne, designed by Mayor, Ramelet and Pahud architects. Like his name says, it is a house for the people, formed by a housing bloc directly connected with Chauderon square. The other part of the building it was a cinema during the 60`s and 70`s, called Eldorado, today used for other kind of activities like theater classes or small cultural events.

This is a quite particular building, mainly because of the connection between two different topographic levels, creating in this way two different and independent entrances. It is the main entrance, in Chauderon square, the one which separate the two different programs. If we go up we find the housing blocs, if we go down we are in the cinema.

Today we can still find some of the original materials or details from the 60`s but mostly of the building was transformed during and after the 90`s.

This is a transformation project not only searching to explore and maintain the essence of the original building but also trying to inovate using diferent kind of materials and relations.

for COL - Cercle Ouvrier de Lausanne with Tardin et Pittet Architectes 18

Place Chauderon, Lausanne Switzerland 19

facade study - service entrance 20

facade study - public entrance - rue de geneve 21

material study 22

entrance from Rue de Geneve 23

all projects

IN WALKA ZERMATT architecture competition STADE PIERRE DE COUBERTIN architecture competition YCOOR CRANS-MONTANA architecture - detail drawings GRANDSON architecture - detail drawings ANGELUS architecture - detail drawings CHALET À GOUBET architecture - survey GRANDE SALLE À MIES architecture - presentation model TEMPLE Á TOUR-DE-PEILZ architecture - presentation model PIANO architecture - presentation model

24

ARCHITECTURE selected projects

studio

PERSONENI RAFFAELE SCHÄRER

Lausanne, Switzerland. www.prsarch.ch 25

IN WALKA ZERMATT competition

The place “in Walka” is a natural terrain on the north of Zermatt .Situated in a valley in the south of Switzerland, Zermatt has a unique vernecular architecture wich one is directly relacionated with this kind of territoire.

The existing school buildings are linked to the existing rock wall, as if they wanted to hide something. The interface between the rock and the back wall remains unsolved. The new school building will clarify the relationship between the rock wall and the village and it will be the connection element. The building’s reduction permits on the one hand, the permeability to the rock wall, and on the other hand, the dialogue with the village’s houses. The smallest new building - the nursery - is related to village structure and scale. On the opposite side is the Primarschulhaus.

It is a tower shaped, like the opposite “Petit Hotel” and the Villa Taugwalder. Together they form a triangle configuration that marks the entrance area of the school Metzggasse.

The primary school building which includes the library, is primarily developed through the western part of Metzggasse. This results in a short effective connection between the three school buildings. Kindergarten, nursery, auditorium and community halls are directly linked to the church square. The auditorium’s foyer is visible from there. Concerning the future tunnel Tschugge, the second access to the double gym and the auditorium’s backstage is settled. Seating steps connect the two exterior levels. A green area which extends along the rock wall completes the outdoor play spaces.

for ZERMATT with Fabrizio Raffaele, Collete Raffaele, Jean Bourdele e Rita Pires.

26

zermatt switzerland 27

implantation plan 28

sections 29

STADE PIERRE DE COUBERTIN competition

Located at the site of the Pierre de Coubertin Stadium, the new stadium must both blend into the existing natural world and be able to offer contemporary and functional facilities. In this spirit, road networks have been redesigned to lead more directly and naturally to its main entrance. The present entrance and the old beer cellar’s dome are removed to createon his place an entrance façade that represents Lausanne’s Coubertin stadium. This arrival is a landmark and organizes the traffic on the lake shore. The project fits naturally in the succession of existing cells and reshaped landscape, the operation also allows to incorporate existing elements on a large scale.

The new stadium’s shape is born from the desire to create a natural monument, by the regularity of its contours evokes the stage or theater in ancient or original state, which uses the shape of the place to install track, stage and bleachers. This symbolic architecture can be found on the surround area with the pyramids of 1964 exhibition. The stadium’s shape evokes the waves that propagate from the point of impact of a drop on the water’s surface. Radiant, she has neither forward nor back. The top of the wave is a slightly sloping plateau towards the lake, following the natural slope of the land. However, plateau never meets with him: he remains independent and separate. Recognizable from all directions of approach, even so with an uniform expression, the stadium creates an identity to that place. The stadium is the focal point that connects the various parts of the site.

The stadium’s shape can offer a large number of fixed seats: more than requested by the program.

The concentration of temporary bleachers and roof on one side becomes possible. This radical and minimalist solution enables spatially link the north-south axis with the Pierre de Coubertin Stadium’s landscape. Its western grandstand enhanced becomes a promontory on the extent of Vidy, the lake and the mountains.

for LAUSANNE with Personeni Raffaele Shärer architects and Maurus Schifferli Landschaftsarchitekt 30

lausanne switzerland 31

site plan 32

sections and photomontage 33

all projects

PARQUE ARRUDA architecture competition THE STARTUP ROOM architecture THE BLACK CONTAINER architecture A CASA IMPERFEITA architecture construction WATER IS ALIVE architecture competition TORREGRANDE architecture competition THE GREEN CONTAINER architecture and construction PĂ TIO DO GOES architecture MONTE DA TEIMA architecture KIDS ZONE architecture construction

34

ARCHITECTURE selected projects

studio

PARATELIER

Lisbon, Portugal www.paratelier.com 35

THE BLACK CONTAINER project . not built

On a smooth Alentejo’s plane of expressive cork trees and vigorous soil came the idea of creating small shelters merely shaped by the spaces and essential objects to their living allowing a direct relationship with its natural surroundings. The wavy wooden paths sketched in between the cork trees would be their connecting elements.

An economical and easy assembly structure was targeted with the ability of easy transportation thus highlighting its ephemeral character.

Besides these conditions the possibility of materials and objects that no longer perform their function being reused gives another interesting as well as important role to this process. The sea transport containers, steel objects of well defines and durable structure provide likable characteristics to this type of re-usage process giving it a rapid and economical aspect.

From the industrial container to welcoming and comfortable shelter this object can perform a new function and bring back is own value through the usage of noble and natural materials such as cork agglomerate for isolation and wood as interior paneling.

In this way the container stands as a protective and space defining box with the added possibility of being able to connect with the outside. From this we search to explore different ways of organizing their interior with the goal of obtaining an practical and functional system inside an area of 13.70m2. Two programs are created, C to Sleep and C to Cook.

for A CLIENT with Monica Ravazzollo - Paratelier 36

cercal do alentejo portugal 37

section - C to cook 38

section - C to sleep 39

C to cook plan and section 40

C to sleep plan and section 41

A CASA IMPERFEITA workshop . part 1

A Casa imPerfeita is an experimental project created by Paratelier, in which we seek to explore and simplify the construction process. It is a house designed to be partially built by those who will reside in it, giving an ‘imperfect’ character to the craftsmanship.

We become directly connected to the beauty of natural materials, building with our own hands what was previously developed in the studio, seeking to forego the use of prefabricated and standardized elements.

An unfinished, irregular, imperfect space; a concrete structure, open to the landscape. This is the basis of the experience in which, with basic construction techniques, it is possible to be part of the preparation, construction and finishing process of the elements that define the space.

It is this relationship between space and body, between materials and building with our own hands, that leads us to include ‘A Casa imPerfeita’ in an experimental workshop in which anyone can participate.

This was a first phase where the Paratelier’s team worked on the exterior wooden (cedar) wall construction. Made of two different sections, fixed above a simple wooden structure. (treatment, fixation, finishing)

with PARATELIER 42

www.acasaimperfeitadoparatelier.tumblr.com 43

WATER IS ALIVE - La depurazione come risorsa competition - 1st prize

The Maggiori lake placed between sedimentary origin mountains and hills was for centuries a source of inspiration for Europe’s writers, artists, musicians.

The entire area is now a living museum. Place of art and nature telling the history and culture of a ‘living’ space profoundly linked to its traditions.

The proposal of ‘Water is Alive’ aims to create a space and time dynamic structure, a lab experience of territory narrative where sustainable solutions are searched for. This is a new way of thinking about science, ethics and daily practices in an interactive, innovative way and reproducible in similar regional areas.

for Ordine degli Architetti della Provincia di Varese with Paratelier, Giulia de Appolonia e Stefano Riva 44

Maggiore Lake Italy 45

46

47

THE GREEN CONTAINER project . construction

Container: what contains, intended to transport goods by land, river, sea or sky.

Constructed of steel and obeying to a standard size, the containers have incredible structural features. It must be able to be transported anywhere and through different media, why were conceived and designed to withstand shock, resist aggression of the salt and also to be easily stacked, optimizing space up to a maximum of 12 units (empty).

Since the ‘50s, these containers began to travel and carry merchandise anywhere in the world. An excessive import/export has resulted in an excessive production of these’ containers’. Obviously it was more economical and faster to buy back a new container at the point of origin of the load, rather than waiting for the return of the empty container from the point of arrival ... in this dynamic, containers began to be stored and accumulated forming real steel cemeteries.

On the occasion of the Green Fest 2014, the largest sustainability event in Portugal, we were invited to design a multifunctional space where you can make laboratories of different nature: creative reuse of waste materials, planting and pruning, cutting and sewing.

So the Green Container born from the idea of re-use this box, experimenting new solutions for the conversion of these bulky useless objects, industrial garbage, wanting to redeem the quality and value.

An Amorim Isolamentos panel composed of coconut fiber and cork, guarantees the thermal/ acoustic insulation. As finishing is applied a wood surface perforated systematically through a numerical control machine where can ‘fit’ pegs of different lengths which will then serve to support shelves, boxes, tables, a sink or a bed ... a blank page, in short, where any person can freely and independently build their own space according to their needs.

So the ‘dots’ design the interior surfaces of the container, defining an image, a design, each one creates its own structure: a carpenter, a small study, a library, a music room, an outbuilding for gardening, a tool shed... until you reach a minimum house, a small shelter.

Economic and natural materials, in record time, build a place to stay.

for GreenFest 2014 with Paratelier 48

Estoril Portugal 49

fragil

e

container section 50

container assembly 51

all projects

ABC CORK DESIGN product/graphic design MUZZLE DESIGN production HEXACORCK product design THE GREEN CONTAINER graphic design ICE CREAM STORE graphic design SITE MAPS graphic design A CASA IMPERFEITA BLOG graphic/web design POST CARD graphic design

52

GRAPHIC DESIGN various

graphic

DESIGN

for PARATELIER 53

HEXACORK

graphic design . product

Hexacork is a product designed for pavement covering through a simple dry fit system. This simplicity allows for easy cut and assembly of a pavement by everybody. The idea was to create a cork hexagon that could be attached to other hexagons just by cutting vertexes and using wooden coins creating in that way a natural and economical pavement. After searching for a name and image the product was presented to the biggest Portuguese cork company, Amorim.

This product’s created image and its presentation stems from the simplicity of its design and final shape. The prototype will be put to use on an ongoing construction from which the project a Casa imPerfeita was created. (assembly workshop in acasaimperfeitadoparatelier.tumblr.com)

shape material dimension

toutch caracteristics

for RAV HOUSE - PARATELIER 2015 54

assemble packing

ilustration for Amorim Company presentation 55

56

ARCHITECTURE

competitions . projects

other

PROJECTS

57

THE GREENHOUSE ephemeral project . built

When we moved to switzerland we had the lucky to find an old farm with a house and a huge barn. Between these two buildings there was a garden, aparently needing for some care and some life. We mowed the lawn, took care of the flowers and decided to adopt 5 chickens. Since the beginning we had the idea to build up a greenhouse where we could grow fresh vegetables.

Almost an year after, we decided to build it taking just an afternoon. The old animals water through, situated in front of the south barn’s façade, was already reused to plant some aromatic herbs, so we decided to make use of the façade as a support to the main greenhouse’s structure.

This was a project of the moment, using pieces of wood that we found without use. We bought an ordinary plastic and covered the wood structure, fixing it with golden pins. The greenhouse as an ephemeral project designed and built on site can be quickly removed and reused for another momentaneous ideia.

october 2016 with João Deus Ferreira 58

romanel-sur-lausanne photomontage 59

A HOUSE FOR... competition . finalist

Maria Callas, a lyric opera singer from the twentieth century, with her intense perfect voice, conquered audiences. Best known by ‘La Divina’, Callas was a perfectionist who, through her voice, expressed intense dramatic and scenic emotions. In the sixties, with her voice in decline, she stepped away from the stages for years only to return for one final performance. Mentally and physically frail, Callas hid away from the world in her own solitude.

Surrounded by a rapidly morphed landscape, we find an unique area where silence imposes itself.

An abandoned quarry. A place of perfection, man, nature, machine. Between the defined texturized form and the raw matter, a place abound with scenographical and acoustic characteristics from which it manifests itself absorbing us in its scale.

Placed away from this massive rock formation, a meeting point for the natural landscape and the high rate mechanized process takes place. Nature versus quarry. An house affirms itself as a reference point in this landscape only to make notice its existence by the proximity brought with the natural meandering walk.

A slick concrete bulge rises next to the quarry. Delicate curves cut away its textured surfaces and get lost from within. Golden curtains, restless from the wind, complement the arches in its front, faced towards both the pure river holding quarry matter and the audience to whom it shows itself.

House images follow two way flows, the flow toward the inside of us and from us within back to it. Maria Callas house draws itself as communicative despair. This is a set, a state. The house is the opera like her life as always been. A seductive place, transporting us along in a poetic sensed dream to an utopic future of boundless drawn contours.

“An opera begins long before the curtain goes up and ends long after it has come down. It starts in my imagination, it becomes my life, and it stays part of my life long after I’ve left the opera house.”

for Opengap.org with João Deus Ferreira and Miguel Pereira 60

vila viรงosa portugal 61

front side . back side 62

sections more info: divisare.com 63

64

THE REAL AND OTHERS FICTIONS exhibition

Lisbon

ARCHITECTURE Triennale

Lisbon, Portugal www.trienaldelisboa.com 65

THE REAL AND OTHER FICTIONS exhibition

The Lisbon Architecture Triennale is a non-profit association whose mission is to research, foster and promote architectural thinking and practice. It holds a major forum every three years for the debate, discussion and dissemination of architecture across geographic and disciplinary boundaries.

Close, Closer, the third edition of the Lisbon Architecture Triennale examined the political, technological, emotional, institutional, and critical forms of global spatial practice.

Led by chief curator Beatrice Galilee and curators José Esparza, Mariana Pestana, and Liam Young, the Triennale provided a platform for emerging practitioners and protagonists whose work and interests are far from a traditional client-architect model. The exhibitions, conferences, talks, and fringe events organised by the curatorial team should introduce to the public, and a new generation of architects, this expansive and often unchartered field.

The Real and Other Fictions takes place in Palácio Pombal, a building that has had diverse uses and programmes through the course of its history. From residence to embassy, it hosted numerous events and situations. The exhibition brings back the past uses of the building through spatial interventions that foster encounters between the palace and the visitor. Departing from historical facts, the interventions present there construct ideological fictions materialized in real spaces and programmes to be used by the public. For the first time agglomerated in synchrony, the past uses, now re-enacted, re-imagined, are juxtaposed.

The preoccupation underlying this exhibition has to do with the ambiguity and the paradoxes beneath the practice of hospitality, with the laws and norms that define and influence the ways in which architecture is used. The subjects and situations generated by the works presented destabilize the rules and compromises inherent to the occupation and use of space. They raise questions about the places in which we move everyday, the ways in which we relate to them and how they make us relate to the other. In the intimacy that they establish between place and occupant, each work practices a form of hospitality. Either to note the conflicts embedded in its exercise or to remind us of the urgency of its application, to prompt unexpected encounters, or to promote oppositions, convergences, battles or consensus.

Curator - Mariana Pestana Participants - Alex Schweder (US), Carlos Azeredo Mesquita (PT), Carlos Vaz Marques (PT), Carsten Höller (DE), Friendly Fire (PT), Paulo Moreira (PT) & Kiluanji Kia Henda (AO), Maria Fusco (IE), Noam Toran (US) & Onkar Kular (UK), The Center for Genomic Gastronomy (NO/US), Zuloark (ES).

Lisbon, Portugal 2013 66

www.close-closer.com www.trienaldelisboa.com 67

68

ACADEMIC PROJECTS selection 2007-2012

Selected

ACADEMIC Projects

ARTS SCHOOL university of évora 69

COLLECTIVE HOUSING BLOCK a place in the middle of lisbon

A proposal which aims to occupy a free and cluttered space, inserted in an urban area built up over centuries, in Ajuda, Lisbon, it has as main objective the connection between what is proposed and the existing environment. The limited ground by a series of mixed occupancy buildings, predominantly comercial, is currently occupied by illegal constructions.

By analyzing the different occupations of this site, which was initially a monastic cultivation field and later a playground, the redevelopment is proposed of most of the space as a play area, able to revitalize the surrounding space and the social attitude towards the same.

This space is intended for a load distributed throughout the day, including school trips or simple activities of population daily life that surrounds it.

High on a platform, the building seeks to tear it smoothly, connecting the lower deck space with its superior outer space. The building features four different typologies: T1 (100m2), T2 (150m2), T3 (200m2) and T4 duplex (300m2) with vertical access by stairs and elevator, with more than three floors. Floor -1 is located in the parking area, garden and a small commercial area. Each apartment consists of the key areas of the house, from eating space, standing, cleaning the bathroom space and sleeping. Wanted create open spaces of free movement allowing greater use of the area, making the eating areas and cleaning as the core of home. These areas act as a core which can be closed or open to adjacent spaces depending on the need. The natural light is made via the faรงades of both spans as well as the ventilation of the interior space.

thirdyear 2008 70

Ajuda, LISBON, portugal site view 71

cc

2nd floor, 1st floor, floor plan 72

1:20

sections 73

detail section 74

photomontage 75