BoBo #1

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BoBo

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Dobl ement Bo!

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B o B o #1

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Dobl ement Bo!


Ín d ex

BoBo #1 ~19 de J uliol del 2010 ~

Editorial

Sumari

L a re v is ta per Tontos i Sel ec tes

3–

Editorial

4–

Remena Nena

PA STAFARISME 6–

H i h a h a g ut b ess o n a d a

At autas doloris maionse dipsunt quae venim as magnatibus magniendes seque qui volum et ut re volorpo rioribus, sit re nihil iunti totassu sciati re, eicimincius, solesectenda que eos est, vellores sundus modit et remped quis rerum eum fuga. Bererum volupiet eos et dicab imincil liquae non porionesequi omnis quatis dus eum et et vercil il id quaspe eum hiliqua simoloriam qui nitiandit voloris magnam, cus nonsent. Soluptas sequi nus. Magnis vero volorernam cus iur? Optiusdam quo quamusda idunt estibus ut volorpo remporem ut lia voluptatis aspitatempe de repta pedis ipistior ad et, saeptat velis doluptaspe lam fugiaec aborae volo maio berumqui dolecus apistet la volupta qui bercipsam fugiam nis rehent dem. Ut in none est et ut fuga. Sum in rercipsam quid et quatios quo temperit alis est maxim recate dolum facerci issed modissequia verovidestia inim iusda in prorati oribus. As et fuga. Ant ad mincien ditemque pedia demquiamet ea ium vidis etur aut invelen iandam et, occuptatet eaquam, que quo beremos miliciam re parciis si odit quam autae quatios dolessit rero officit volore con re, quiaspe rerupis di cumenimi, que nullibusam ducimus di alit, nim nonserum fugias et at alis utatur serion pratiati conserepro dollaborro mo enim ium ratur, quam, illa comniscim enitiisquo vel minti comnia doluptust fugia non et aut endio ipsam eum veligenda ipienis sunt voluptatur aut ad quistiati odit optatia ndelis de voluptis que omnis nem ides sum fugia quiat laborest officipsam quis es eseristibus sus ut quiam vidus non nisciis ium fuga. Et quatus estessi id molendiam, accus, que quossi volut quat eius pore, eost molutas int, sape videlia quaecati consed miliquiam raestore la sum fugit apideles re nos pelisciet accusant mod modigent, illendi nus, quibusa ndiame vollabo. Ut quia sim rempor siminci berum qui repe simoluptae. Pit ut maio. Bo. ¨¬I

12 –

Porteu Faixa

Omplena’m aquest bol tant gron, sisplau BBB

TEENS IN TROUBLE! 24 –

El Des mit if icador

Himitsu Sentai Goranger

18 –

Pollast re amb Síndria

Succeda ni de Xor iço

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B o B o #1

REMENA NENA

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A v u i p a r l a r e m s o b r e…

P A S T A FARISME Maroun Shami

Bobby Henderson

Hello, I have purchased and read your book, The GosI am writing you with much concern after having read pel of the Flying Spaghetti Monster and I would just of your hearing to decide whether the alternative like to share with you a constructive feedback of your theory of Intelligent Design should be taught along book. For its objective purpose of proving the illogicaliwith the theory of Evolution. I think we can all agree ty of the provincial-minded nature of those who stand that it is important for students to hear multiple in opposition to allowing the scientific theory of the viewpoints so they can choose for themselves the Big Bang/Theory of Evolution from being taught publitheory that makes the most sense to them. I am cly, it served its purpose well. However I would like to concerned, however, that students will only hear one call to mind the hypocritical nature of the book. I believe consistency with one’s own theory of Intelligent Design. message is important to achieve a total victory and it satirically charges Christians with creating blind assumptions. I understand the comparison of pirate decrease to global temperature increase was to further the point of the illogicality of religion, but you assumed there Let us remember that there are multiple theories of was a lesser amount of pirates. In fact there are more Intelligent Design. I and many others around the world pirates now than there was in the 1700’s, the lack of are of the strong belief that the universe was created the Pirates of the Caribbean-esque romanticism is the by a Flying Spaghetti Monster. It was He who created only reason this fact is not widely spread. You made all that we see and all that we feel. We feel strongly an assumption which went against fact which defeathat the overwhelming scientific evidence pointing ted your principle of factual basis. One may argue that towards evolutionary processes is nothing but a coinwas the continuation of satire but that would be most likely incorrect as the faux- cidence, put in place by Him. correlation of coincidence is the satire and not the actual analyzes as global temperature is indeed rising since the last minor ice age in the Napoleonic Era. It is for this reason that I’m writing you today, to formally request that this alternative theory be taught in your schools, along with the other two theories. In fact, I will go so far as to say, if you do not agree to do this, we will be forced to proceed with legal action. I’m sure you see where we are coming from. If the Intelligent Design theory Furthermore it appears you attack religion as a whole is not based on faith, but instead another scientific entity as illogical and we’d be better off it was notheory, as is claimed, then you must also allow our nexistent as the end of the book turns into repetitive theory to be taught, as it is also based on science, bashing. This is the same mindset as the illogical fundamentalists whom do not hear the logic of scientific theory who completely disregard science not on faith. as it is alien to their beliefs.Some find that hard to believe, so it may be helpful to tell you a little more about our beliefs. We have evidence that a Flying Spaghetti Monster created the universe. None of us, of course, were around to see it, but we have written accounts of it. We have several lengthy volumes explaining all details of His power. Also, you may be surprised to hear that Religion is extremely important in its influence in there are over 10 million of us, and growing. We tend sociology as it combats the modern mainstream to be very secretive, as many people claim our beliefs schools of thought such as widespread apathy, post-modernism and rampant sensationalism. It teaches values are not substantiated by observable evidence. of selflessness and charity opposing the media advocacy of self-service which even in an evolutionary sense is not nature as we are social animals which rely upon societal advancement, not just the advancement of self. Religion plays a large role in academic studies as What these people don’t understand is that He built well, I’m sure you’re aware that one of the theorists the world to make us think the earth is older than of the Big Bang Theory was a Catholic priest. To the it really is. For example, a scientist may perform a (logically) theistic, the belief in God does not interact carbon-dating process on an artifact. He finds that with evolution or creation as God is a theory pertaiapproximately 75% of the Carbon-14 has decayed by ning to spiritual well being while evolution pertains to electron emission to Nitrogen-14, and infers that this physical creation. artifact is approximately 10,000 years old, as the half-life of Carbon-14 appears to be 5,730 years. But what our scientist does not realize is that every time he makes a measurement, the Flying Spaghetti Monster is there changing the results with His Noodly Appendage. We have numerous texts that describe in detail how this can be possible and the reasons why Religion (or belief in God) does not isolate one from He does this. He is of course invisible and can pass logic, rather the fallacy assuming that because one through normal matter with ease. is religious they must abandon reason. I think if you had pulled back on the 4


Pa stafa r is m e

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senseless bashing of theists and made it rather a I’m sure you now realize how important it is that your criticism of the solely illogical due to their ignoring of students are taught this alternate theory. It is absoblatant scientific evidence even the Pope would have lutely imperative that they realize that observable agreed with you. Book such as the one of your own evidence is at the discretion of a Flying Spaghetti writing are dangerous as human beings tend to take Monster. Furthermore, it is disrespectful to teach our the extremity of each end, by the extensive mockery beliefs without wearing His chosen outfit, which of of the religious you isolate them while creating a course is full pirate regalia. I cannot stress the impormalicious current in atheists against theists, which tance of this enough, and unfortunately cannot descriis academically wrong as scholarly debate should be in detail why this must be done as I fear this letter be through procedure of logic but your book goes is already becoming too long. The concise explanation from such to foolery. Such anti-God contempt creates social hysteria ma– is that He becomes angry if we don’t. king people, for example, atheistic in assumption of its logic while in fact they have little intelligence to even contemplate the bane of their existence.This correlates with the thesis of The Prince as one should be firm in their own beliefs and adhered to logic but they can You may be interested to know that global warming, also not crush the other side as that creates blatant earthquakes, hurricanes, and other natural disasters opposition for the sake of opposition rather than foare a direct effect of the shrinking numbers of Pirates llowing a conventional and more satisfying procedure since the 1800s. For your interest, I have included of scholarly victory. a graph of the approximate number of pirates versus the average global temperature over the last 200 years. As you can see, there is a statistically significant inverse relationship between pirates and I hope your book has accomplished your objective and enlightens the close-minded Kansas global temperature. Board of Education. In conclusion, thank you for taking the time to hear our views and beliefs. I hope I was able to convey the importance of teaching this theory to your students. We will of course be able to train the teachers in this alternate theory. I am eagerly awaiting your response, and hope dearly that no legal action will need to be taken. I think we can all look forward to the time when these three theories are given equal time in our science classrooms across the country, and eventually the world; One third time for Intelligent Design, one third time for Flying Spaghetti Monsterism (Pastafarianism), and one third time for logical conjecture based on overwhelming observable evidence.

Sincerely Yours,

T h e U n it e d C h u r c h of t h e F l y i n g S p a g h et t i M o n s t e r P e r a m é s i nf o r m a c i ó: w w w.ve n g a n z a .o r g

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P O R T E U F AI X A

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– Omplena’m aquest bol tant gron, sisplau. Idelendae debitat restiae maio. Officid ellaboria soluptam qui sam, ullabo. Itatem reperit ut ut vit ut et inis essimusciis evelitiandi ipsunt aut et atia volupta alitae necea pellaborro officaepe es venis eati. Ullabor amus, sam hillore mquamus. Dolut arumquo consequi optus vero temodit vereper feratent ullupta tiation secuptas in pori atumquatae. Et am quate et aut laudit eos dus debis delliciis que etur? Vita prae doluptus cus minvel eum doloreped esequi vollabo. Lo cus, non pedi berem andus et, ium sunt. Vitam estio toremporem volore ped utae nosae. Magnatu sandit volori nusa nonsedi sum qui ad enis a inulpa volorpos restrum reprent aut aceat officium quaepel modi blan. Uptate renima consed que veniminum quatur sequo magnatem. Ut apie6

nis sedigen imiliqui renimus magnisi nvelia que officiti dolutem asinum rest apiendit quo te odicatiis ut et laborep edipistrum ne doluptur, offic to enihicidi ducidendia int ium, coremo eos del iurit aperibu scidel in etus velenist adipictur, corumquatur, eruptaeptam laborem volorenis elitis simus milisqui dus aliqui occusam usdaepudant ut ut aut occus ea nectur rempore, omnihictat. Ipid eserumet officid uciisquost ut aut acia nonse exceatem ipidestibero corrore sentistinum es eate inctota di nostrum re sandis doluptat. Nit volese esti ad millab ipsam aut res aut magnam alique as essimus dit aut poritas molorecto intis as seque eatiur.

L a p er s p ec ti va d el c er vel l d a va nt d’u n em b a r b u ssa m ent


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G r o n, o m p l en a r i a lt r es em b a r b u ssa m ents

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Gron = = gran + gros Gran

+

Gros

1 1 adj. [LC] De dimensions superficials, de capacitat, en quantitat, d’intensitat, considerables, que excedeixen la mida ordinària o usual. 1 2 [LC] en gran loc. adv. En grans proporcions. 1 3 m. [LC] Grandària. 2 adj. [LC] De més edat. 3 1 adj. [LC] Que ultrapassa el nivell ordinari quant a la condició, els mèrits, les qualitats intel·lectuals, morals. 3 2 m. [LC] [HIH] [PR] Personatge elevat en dignitat.

=

Gron

1 1 adj. [LC] Que té un volum considerable, que ultrapassa el volum ordinari. 2 1 adj. [LC] De major volum respecte a d’altres coses similars. 3 adj. [LC] estar grossa Estar prenyada. 4 1 m. [LC] Part principal, més nombrosa, d’un tot. 4 2 [LC] en gros loc. adv. Sense atendre als detalls. 5 1 f. [LC] Primer premi d’una rifa. 5 2 f. [LC] [FIM] Dotze dotzenes. 6 1 m. [NU] Moneda grossa, de plata o rica en plata.

+

1 adj. [LC] Que té un volum considerablement considerable, que ultrapassa el volum considerat ordinari. 2 adj. [LC] De major volum respecte a d’altres coses de volum major. 3 adj. [LC] estar gron Estar prenyada de bessonada. 4 adj. [LC] De molta més edat. 5 1 adj. [LC] Que ultrapassa el nivell no ordinari quant a la condició, els mèrits, les qualitats intel·lectuals, morals. 6 2 m. [LC] [HIH] [PR] Personatge elevadíssim en dignitat. 7 1 m. [NU] Targeta de crèdit.

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= Grr…! + On Grr…!

+

On

1 Onomatopeia de ràbia continguda.

Grr… On!

1 Ang. A sobre.

+

8

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1 Ang. Phrasal verb que indica l’acció d’enfadar-se.

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G r o n, o m p l en a r i a lt r es em b a r b u ssa m ents

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Omplenar = =

ૐ + emplenar ૐ

+

Emplenar

1 Mantra sagrat de les religions dhàrmiques, simbolitza el diví Brahman i l’univers sencer.

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Omplenar

1 1 v. tr. [LC] Ocupar la capacitat (d’un receptacle, d’un buit). 1 2 v. tr. [LC] per ext. Aquesta feina m’omple tots els matins. 1 3 [LC] Emplenar el cap a algú. Atabalar-lo contant-li, explicant-li, etc., un munt de coses. 1 4 [LC] Emplenar el pap [o emplenar el ventre, o emplenar la panxa]. 1 5 [LC] omplir la mesura. Arribar a l’últim límit d’una cosa. 1 6 [LC] omplir-se les butxaques Enriquir-se. 1 7 intr. pron. [LC] Un receptacle, un buit, esdevenir ple. 1 8 intr. pron. [LC] Engreixar-se.

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1 1 v. tr. [LC] Ocupar la capacitat (d’un receptacle, d’un buit) amb ૐ. 1 3 [LC] Omplenar el cap a algú. Atabalar-lo contant-li, explicant-li, etc… 1 4 [LC] omplenar el pap [o omplenar el ventre, o omplenar la panxa]. 1 5 [LC] omplir la mesura. Arribar a l’últim límit d’una cosa. 1 6 [LC] omplir-se les butxaques Enriquir-se. 1 7 intr. pron. [LC] Un receptacle, un buit, esdevenir ple. 1 8 intr. pron. [LC] Engreixar-se.

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= Omple + Ná Omple

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1 Tercera persona del singular del present d’indicatiu del verb omplir.

+

=

Omplená

1 Del castellà Nada, el·lisió.

1 Omplert de res, que està buit.

=

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B o B o #1

P O R T E U F AI X A

¨¬o

“Omplena’m aquest bol tant gron, sisplau”

1

2

Emplena’m d’Oms

Emplena’m d’Oms

No m’omplis de

No m’omplis de

aquest bol que

aquest bol que

res aquest bol

res aquest bol

ult rapassa con-

em fa emprenyar. que ult rapassa

siderablement el

considerable-

volum d’un bol

ment el volum

ordinari.

d’un bol ordinari.

Els cereals (de la deessa romana del gra; Ceres) són plantes que s’aprofiten pel gra, que botànicament s’anomena Cariopsi, la qual té l’endosperma amb midó que es pot ransformar en farina que es presta a diverses preparacions alimentàries (pa, pasta, coca, etc.) i són la matèria primera per a la frabricació de begudes alcohòliques (cervesa, whisky, sake) també del germen a més del seu ús dietètic i en alimentació animal, se’n treu oli, especialment del blat de moro.

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Un entrepà o sandvitx és un tipus d’aliment consistent en dues llesques de pa o un pa obert per la meitat amb algun greix (oli o mantega) i embotit, formatge, amanida, truita... Habitualment el mot sandvitx s’usa només quan el pa és anglès (de motlle), i entrepà fa referència a tots, o només els de barra o fets amb dues llesques de pa de pagès. Tanmateix, els diccionaris no fan aquesta distinció.

Un barret o capell és una lligadura (una peça de roba que serveix per a cobrir el cap) que consta de copa (part que cobreix el crani) i ales (que envolten la copa); sol ornar-se amb una cinta. Es pot portar com a protecció contra els elements, per motius religiosos, per seguretat o com a accessori de moda. En el passat, els barrets eren un indicador d’estatus social. En els militars, poden denotar graduació i arma.

4 que em fa emprenyar.

El gos, ca, cus o cutxo (Canis lupus familiaris) és un mamífer domèstic de la família dels cànids. Les proves arqueològiques demostren que el gos ha estat en convivència propera amb els humans des de fa com a mínim 9.000 anys, però possiblement des de fa 14.000 anys. Les proves fòssils demostren que els avantpassats dels gossos moderns ja estaven associats amb els humans fa 100.000 anys. ¨¬I


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P u b l i c itat

A L TEU RI O T A TAN ! ! T I R PR EF E

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B o B o #1

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BBB


B

TU

Teen s i n t r o u b l e!

tambĂŠ ho pots aconseguir! 13


B o B o #1

BBB

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Només has de seguir

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Teen s i n t r o u b l e!

B

uns quants passos 15


Esforç

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BBB


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Teen s i n t r o u b l e!

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Supera-

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ció

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BBB


B

Teen s i n t r o u b l e!

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Constàn-

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cia

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BBB


B

Teen s i n t r o u b l e!

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i creure

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en tu mateix

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BBB


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Teen s i n t r o u b l e!

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B o B o #1

E L D E S M I T I F IC A D O R

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Himitsu Sentai Goranger

L’eq u i p o r i g i n a l d el s c i n c a m i c s d isfr essats er a d el J a p ó.

1, 2, 3… C oreografia! SENTAI (Sen’tai): Adjective. Fighting Team or Task Force; as in the long-running Toei superhero sub-genre, consisting of between 3 and 6 members, with matching costumes. See also Super Sentai. The “fighting team” concept predates the premiere of Toei’s Secret Task Force: Goranger in 1975 - but it would take the sheer inventive energy and successfill track record of Toei to bring the first true Sentai Series into the light of day. The Sentai’s origins may be seen as far back as Tatsuo Yoshida’s Ninja Squad: Moonlight (Ninja Butai Gekko; 1964-66), a live-action series featuring the missions of a band of modern day martially-dressed ninja, equipped with all manner of weapons augmenting thier ninjutsu techniques, against a number of communist/facist threats. Shotaro Ishimori and Fujiko Fujio’s 1966 animated series: Rainbow Task Force: Robin (Reinbo Sentai Robin), showcasing the exploits of the jet-pilotting’ youth, Robin and his task force consisting of six automatons. Very similar to Ishimori’s own comicbook and animated series, Cyborg 009 (Saibogu Zero Zero Nain) - which in itself has all the trappings of a Sentai. Next we have another animated entry: Tatsuo Yoshida’s ground-

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breaking Science Ninja Team: Gatchaman (Kagaku Ninja-tai Gacharnan; 1972-74), which introduced the archtypal Sentai hierarchy, a secret HQ, color-coded uniforms w/helmets, an airship to transport them, and the recurring villains, with their threat-of-the-week. Liveaction got closer with Kokusai’s Blitzkrieg! Stradder 5 (Dengeki! Sutorada Faibu; 1974), but failed to ignite any sparks in its viewers. Meanwhile, Tsuburaya Productions’ Ultra Brothers, began to team up on more occassions in shows like Ultraman Taro (1973-74), and likewise with Toei’s ever-popular Kamen Riders. This approach towards Sentai-ism, becomes especially evident in watching the theatrical featurette: The Five Riders vs. King Dark (1974), wherein all five Riders must employ a team-work manuever to defeat the hulking Frankenbat mutant. This is where the creative team at Toei said “Hey, there could be something to this ...!” Later that same year, Toei producers Toru Hirayama and Susumu Yoshikawa, NET producer Takashi Ogino, and cartoonist Shotaro Ishimori came together at a meeting to create a new kind of superhero series for Japanese television; the first Toei “Sentai” series. There were three main topics set for the meeting


H i m its u S enta i G o r a n g er

R

“What type of Heroes will they be,” “Character Design,” and “Naming.” It was discussed that the origins of the heroes ranged from aliens from another world to robots to cyborgs; it was eventually agreed that the heroes should be mortal, but endowed with super-powered fighting suits. The first proposal was entitled “Red-l” (Redo Wan) -and the characters were to be “Red Mask” to “Green Mask,” but this was changed shortly to “Five Rangers” (Faibu Renja). Here, the heroes were to be named - in English - “Red Ranger.” (Redorenja), “Blue Ranger” (Bururenja), etc. Next came “Go-Rangers” (Gorenja; a double-entendre that plays on the Japanese word for “five”, and the English command verb “go”), where the characters’ colors were pronounced in Japanese: Red Ranger (Akarenja), Green Ranger (Midorenja), etc. The following draft, “Secret Task Force: Goranger” (Himitsu Sentai Gorenja) has the

protagonists tagged as “Red Mask” (Kaijo Tsuyoshi), “Blue Mask” (Shinrnei Akira), “Yellow Mask” (Oiwa Daita), “White Mask” (Peggy Matsuyama) and “Green Mask” (Asuka Kenji), and equipped with the jet-helicopter “Red Bruun.” The final draft kept the latter title, and emphasized a spy setting - with the heroes part of an international secret peacekeeping organization, called the “S.P.O.”, eventually renamed “EAGLE” (Earth Guardian League) in the aforementioned final draft. At last, our heroes became Red Ranger (Akarenja), Blue Ranger (Aorenja), Yellow Ranger (Kiirenja), Green Ranger (Midorenja) and Pink Ranger (Momorenja)...Battling the oppresive might of the “Black Cross Army” - five together, they are GORANGER. The names of the human identities from the “Go-Ranger” draft were retained into the actual series, but thier jet-helicopter became an APC/Assault Airship: the “Varibluun” (an pun of the sound of an engine igniting and rewing).

E l s h er o is p en sa nt q u è p o d en fer a m b u n a es p a sa

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E L D E S M I T I F IC A D O R

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Ts u yos h i Ka i j o u

A k i r a S h i n m ei

D a ita O o i wa

Peg g y M ats u ya m a

Ken j i A s u ka

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L a descendència The only other vechicles included two sidecar superbikes and one sigle for the leader, and the team possessed individual weapons to suit their style: Red (gun, whip, & spear), Blue (bow & arrow), Yellow (strength), Pink (explosives ), and Green (boomerang). With cast members who were veterans in the superhero genre - Kaijo was played by Naoya Makoto from Tsuburaya’s 1973 series Fireman (Faiyaman), Asuka by Yukio Ito, who appeared in Ultraman Leo (Urutoraman Reo; 1974), and most importantly, Shinmei by Hiroshi Miyauchi who exploded on television screens across Japan as Kamen Rider V3 (Kamen Raida Buisuri; 1973) - Goranger created a sensation in Japan, and was the only other superhero series, in league with the original Kamen Rider, that ran two consecutive years yielding 84 episodes in total. For the second season, the teams older weapons and machines were destroyed or were simply upgraded: the new aiship “Varidoreen” carried the armored “Varitank,” the bikes were changed over, new personal weapons were given to our heroes, and Yellow Ranger invented his own variation of a hitech hot-air balloon, the “Varikikyuun.” Finally, after numerous battles and adventures, the Goranger team were able to defeat Generalissimo Blackcross and his minions forever...setting the stage for a new series, with a new motif. Jacker: Blitzkrieg Squad aka J.A.K.Q. - along road from the Mighty Morphin Powr Rangers to be sure - but, no other Sentai series has come close to the success of the original Secret Task Force: Goranger.


H i m its u S enta i G o r a n g er

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When world peace is threatened by the emergence of an international secret society of evil called the “Kuro Juujigun” (Black Cross Army/Black Crusaders), the United Nations sets up an “EAGLE” (EArth Guard LEague) (Kokusaiteki Heiwa Soushiki Iiguru) to combat the threat. This special army is distributed to various parts of the world (designated as “Blocks”). One of the largest “Blocks” is Japan. The “Kuro Juujigun”, fearful of this united threat against them, decides to launch a surprise attack against the Japan EAGLE Block and sends five of its most dangerous cyborg operatives to attack Japan’s various EAGLE branches. Across Japan the Kuro Juujigun decimates its targets, killing all those who oppose them. Yet from the ashes of these destroyed bases, five young recruits miraculously survive and vow vengeance. Given a special interlocking “key”, the various survivors are summoned to snackshop “Gon”, secret gateway to EAGLE Japan’s main command center by Japan’s EAGLE Commander Edogawa Kenpachi. There they are given special formfitting electronic battlesuits, which empower its wearer with various superhuman abilities. Edogawa tells them that they are the Secret Squadron “Goranger”, the world’s best chance against the forces of the Kuro Juujigun. Armed with these battlesuits and other special weapons created by EAGLE scientists, they extract their revenge upon the Kuro Juujigun operatives who killed their comrades and dedicate themselves to crushing the remaining forces of the Kuro Juujigun and its sinister leader Kuro Juuji Soutou (Black Cross Fuhrer/Generalissimo). Cyborg 009, created in 1963, became the first superpowered hero team created in Japan. That same year, Kazumasa Hirai and Jiro Kuwata created Japan’s first cyborg superhero, 8 Man (which predated Kamen Rider by eight years). The success of the tokusatsu superhero TV series Kamen Rider, produced by Toei Company Ltd. in 1971, led to the birth of the “Transforming” (henshin) superhero (human-sized superheroes who transform by doing a pose, and use martial arts to fight henchmen and the weekly monster), and resulted in many sequel shows to this day. Ishinomori then created many similar superhero dramas, including Android Kikaider , Henshin Ninja Arashi, Inazuman, Robotto Keiji, Secret Task Force Goranger (the first Super Sentai series), Kaiketsu Zubat, Akumaizer 3, Sarutobi Ecchan, the Toei Fushigi Comedy Series and countless others. He even created popular children’s shows such as Hoshi no Ko Chobin (Chobin, Child of the Stars, 1974, a co-production with Studio Zero which was a major success on Italian television), and Ganbare!! Robokon. ¨¬I

S h ota r o Is h i n o m o r i i el seu a j u d a nt

E l f i lt r e a n g l osa xó: Power Ra n g er s

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B o B o #1

P O L L A S T R E A M B S ÍN D R IA

¨¬9

Un menú (nostàlgic) a l’abast de tothom Die berühmteste regionale Variante ist die Chorizo riojano, sie ist durch eine Herkunftsbezeichnung (D.C.) geschützt. Zu ihrer Herstellung wird das Fleisch und der Speck kastrierter weißer Schweine verwendet. Im Gegensatz dazu wird die Chorizo ibérico aus dem Fleisch von schwarzen Cerdo-Ibérico-Schweinen hergestellt, einer alten iberischen Rasse, die eng mit dem Wildschwein verwandt ist. Weitere beliebte Sorten sind Chorizo asturiano, Chorizo de Pamplona, Chorizo de Cantimpalos aus

Segovia, Chorizo de Soria, Chorizo extremeño und die Chorizo de Zamora. Eher als lokale Kuriosität werden Chorizos auch aus Wildschwein, Hirsch, Ziege oder Lamm hergestellt. In Portugal wird die Wurst als Chouriço bezeichnet und ist genauso beliebt wie in Spanien. Jedoch gibt es hier andere Varianten, da die portugiesische Chouriço normalerweise fetthaltiger ist und die Portugiesen sie normalerweise mit weniger Paprika mögen als die Spanier.

s. X V I

Carne de puerco magra y gorda picada, harina muy cernida, ajos mondados, clavos molidos, vino blanco, sal la que fuere menester. Amasarlo todo con el vino y después de masado, dejarlo en un vaso cubierto un día natural. Y después henchir las tripas de vaca o puerco, cual quisiéredes, de esta masa y ponerlas a secar al humo.

Manual de mugeres en el qual se contienen muchas y diversas reçeutas muy buenas

s. XXI

Patates bullides i picades, sal iodada, alls ben picats, pebre negre, pebre vermell, Don Simon i si voleu colorant. Fregir l’all amb els pebres i bullir les patates. Trinxar les patates i remenar-ho tot plegat. Donar-li forma de xurro i embolicar-ho amb paper Albal. Deixar-ho a la nevera. superreceptesgratis.com

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S u c c ed a n i d e Xo r i ç o

A

Succeda ni de Xor iço U n p l at b a r at i a pte p er a veg eta r i a n s

Ingredients 4 Dents d’all 4 Patates Pebre vermell Pebre negre Oli Sal

Mentre fem bullir les patates, sofregir els alls a foc molt lent juntament amb el pebre vermell i el pebre negre, afegir-hi un raig de vi negre per donar gust i color. Un cop les patates estiguin bullides les retirem del foc i esperem que es refredin. Fredes, les triturem amb l’ajut d’un morter i les acabem d’aixafar amb un forquilla. Ha de quedar una pasta, que serà la base del succedani. Afegim sal. Aboquem la pasta de patates a la paella amb els alls i remenem una bona estona a foc alt fins que veiem que la barreja comença a quedar una mica sòlida. Apartar del foc i deixar que es refredi per tal de no escaldar-nos en el següent pas. Quan estigui tot fred farem un xurro amb la barreja, ho embolicarem amb paper Albal i ho desem al congelador perquè acabi de solidificar. Esperada mitja hora ja està llest per menjar! ¨¬I

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