Feb 28 1.15 the SWACDA connection

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FromthePresident’sPen

PastPresident’sCorner

R&RRepertoire

BeOurGuest-Repertoire

MembershipMonthly

Noteworthy

TimeCapsule

SWACDABoard(2024-2026)

JonathanOwen,President

JoshuaOppenheim,President-elect

JeffreyMurdock,PastPresident

JeffWall,Treasurer

MargieCamp,ConferenceChair

Children’sandCommunityYouth -NathanWubbena

JuniorHigh/MiddleSchool -CristiMiller

SeniorHighSchool -SpencerWiley

4-YearCollegeandUniversity -RayvonTJMoore

2-YearCollegeandUniversity-TatianaTaylor

StudentActivity-JenniferSengin

CommunityChoirs-AndyWaggoner

MusicinWorship-BryanTaylor

VocalJazz-BethEnloeFritz

ContemporaryACappella-LeiaBrowning

ShowChoir-MichaelShimp

WorldMusic&Cultures-EduardoGarcia-Novelli

Tenor/BassChoirs-ReginalWright

Soprano/AltoChoirs-TannerOglesby

FromthePresident’sPen

In just a few days, Dallas, Texas, will welcome choral musicians from across the country for the NationalACDAConference!IamthrilledtoattendandrepresenttheSouthwesternRegion TheACDA leadership and planning team have worked tirelessly to create an outstanding experience for all who attend

One of the highlights for me will be meeting with the SWACDA board during the conference Many boardmembersandIhaveneverhadthechancetomeetinperson,andIcan’twaittoconnectface-toface!Ifeelincrediblyfortunatetoworkwithsuchadedicatedandtalentedgroupofpeople.Ifyousee me or any SWACDA board members during the conference, please say hello! We’ll have Albuquerquethemedstickerstoshare,aswellasaspecialbookmarkthatentersyouintoanexcitingdrawing.

All SWACDA members attending the conference are invited to our SWACDA Reception a great opportunitytoconnectwithcolleaguesyoumaynotoftenseeinperson.Thereceptionwilltakeplace onThursday,March20,at10p.m.intheSheratonHotel-DallasBallroomD1.Besuretopickup an Albuquerque bookmark, as you’ll have the chance to fill it out at the reception and enter our drawingforFREEREGISTRATIONtothe2026SWACDAConferenceinAlbuquerque!Onelucky winnerwillreceivethisincredibleprize butremember,youmustbepresentatthereceptionwhen thedrawingtakesplacetowin

Finally, I know there are many of you I haven’t had the chance to meet yet If you see me at the conference,pleasestopmeandintroduceyourself I’dlovetoconnect! Safetravels,andIlookforwardtoseeingyouinDallas!

Best,

PastPresident’sCorner

TonyGonzalez

Conference-2018OklahomaCity LivesinNorman,OK

Tony Gonzalez is retired after serving eight years as Associate Director of Choral Activities at OCU. His University Singers performed at the 2018 and 2023 OkMEA State Conferences and the SWACDA Conference in 2020. He spent 17 years at Norman North High School where his choirs earned 17 consecutive State Sweepstakes, won festivals in 10 major cities, performed at OkMEA, OCDA, SWACDA and ACDA, and performed on NPR’s From the Top. He has been an adjudicator and guest conductor throughout the Southwest. He has been named Who’s Who Among American High School Teachers. NAfME named him as one of the country’s outstanding music educators. He is the 2007 NFHS National MusicEducatoroftheYear,2008OkMEAExemplaryTeacher,andthe2015OCDADirectorofDistinction Award Heearnedhisbachelor’sdegreefromTexasA&MUniversityatKingsvilleandhismastersfromthe UniversityofOklahoma HeisABDontheDMAfromtheUniversityofOklahoma HetaughtinAliceand Edinburg,Texas,wasDCAattheUniversityofScience&ArtsofOklahoma,wasconductoroftheNorman CommunityChoralSocietyandtheOklahomaVocalArtsEnsemble(SWACDA1988) Tonyhasservedas presidentofOCDAandSWACDA

ACDA enriched my career with countless artistic and leadership opportunities, and meeting and learning fromsomanyoutstandingleadersinourprofession.OneofthegreatesthonorswastoserveasSWACDA President Thankyou,ACDA!

FavoriteUnisonChoralPiece

BenjaminBritten:Fancie

Favorite2-partchoralpiece

GabrielFaure:AveVerum

FavoriteSSAchoralpiece

RuthW.Henderson:WhenMusicSounds

FavoriteTBchoralpiece

JosephMartin:TheAwakening

FavoriteSABchoralpiece

MaryLynnLightfoot:AfternoononaHill

FavoriteSATBchoralpiece

JohannesBrahms:DerAbend

FavoriteSATBdivisiORanyotherpieceyouwouldliketoshare

ElaineHagenberg:MeasureMe,Sky

Ifyou’dliketoconnectwithTony, youcanemailhimat tonytoni92@gmail.com

R&R Repertoire

SWING:

Route66-JeremyFox

https://anchormusiccom/produc

Mediumswing,12barBlues

Freshtakeonvocaljazzstandar

Level3,SATB

GiveMetheSimpleLife-Jenn

https://www.kerrymarsh.com/se options%5Bprefix%5D=l ast

FastswingwithHalf-timefeelonbridgeandatstrongending

Level3,SATB,SSAAB&SSAA

Fully-notatedpiano,acousticbassanddrumsparts,withoptionalguitar

YardbirdSuite-JenniferBarnes

https://www.sheetmusicplus.com/en/product/yardbird-suite-22322289.html

Hardswing

Level3-4,SSATB

FunImprovisationsoloopportunitieshonoringRoyHargroveandCharlieParker

LittleDidIDream-DavidVonKampen

https://www.sheetmusicplus.com/en/product/little-did-i-dream-22555114.html

Easyswing

Bookendscatsoli

Level35,SATB

LATINSTYLES:

AlmostLikeBeinginLove-KatSherman

https://anchormusic.com/product/almost-like-being-kat/ ContemporaryBossafeel,ballad

Lovelybackgroundpartsforsolo

Level2,availableinSSAA,SATB,SSAB,SAB

ForeverBlue-RosanaEckert

https://rosanaeckert.com/product/forever-blue/ SwayingSamba,Mediumfast Soloopportunitiesandgroup“jam”ending

Level3,SSATB

ACAPPELLA: IShallNotBeMoved-CedricDent

https://anchormusic.com/product/shall-not-be-moved-den/ Acappellagospel,jazzharmonies,mediumslow Layeredrepeatedparts,lyricallines,soulfularticulations

Level3,SATB

WalkWiththeWind-MattFalker

https://anchormusic.com/product/walk-with-the-wind-mfm/ Acappellaballad(optpiano&cajon),6/8meter

Inspirationallyricsandbuildinggroupharmonies(optgraduationpiece)

Level2,SATB+Solo

SomeoneWhoLovesMe-KerryMarsh

https://wwwkerrymarshcom/products/someone-who-loves-me-ssatbabl4 pos=1& sid=2fdc0bd9c& ss=r

Acappellaballad,SaraBareillestune vocalaccompanimentandgroupsections

Level4,SSATBB+smallSASolo

CONTEMPORARY: ThemChanges-KerryMarsh

https://www.kerrymarsh.com/products/them-changes-ssatb-l4-5? pos=1& sid=542a60645& ss=r

Supercooljazz-funkarrangementofThundercat’stune

Straightaheadon-beatpulses

Level4.5,SSATB+Solo

Rest-MichaelEngelhardt

https://www.kerrymarsh.com/products/rest-ssatb-l3? pos=1& psq=Rest& ss=e& v=1.0 DrivingContemporaryGospel,mediumfast Ifyouhaven’tdonethisonewithyoursmallorlargegroup-evenchoir-GetOnIt! Level3,SSATB,bestwithdrumsandbass

BlueSkyRising-JeremyFox

https://anchormusic.com/product/blue-sky-rising-fox/ Contemporarywordless,mediumfast Layeredpartending Level3,SATB&SSAA

AgnusDei-MarkHayes(from‘Requiem’) SATB,pianoororgan,chamberorfullorchestration)

BeckenhorstBP2165-2

https://wwwjwpeppercom/AgnusDei/10954523item? srsltid=AfmBOoripvuqNHuamy6707smDNpPr9385fIhVbcWRiZUeARkvwl7BD-a

CrownMyHeart-JamesWhitbourn

SATB,organ encorepublicationscom

https://youtube/GuGJdMQUkRc?feature=shared

Faith’sCall-PaulMealor Baritonesolo,SATB,PianoorOrgan NovelloNOV293865

https://wwwgooglecom/gasearch?q=faiths%20call%20%20MEALOR&source=sh/x/gs/m2/5#fpstate=ive&vld=cid:6d7217a5,vid:4VsrMvU5o4g,st

FourteenAngels-JeffreyVan SATB,HarporGuitar ECSchirmer8461B

https://www.google.com/gasearch?q=fourteen%20angels%20jeffrey%20van&source=sh/x/ gs/m2/5#fpstate=ive&vld=cid:d80409b3,vid:92Gz9qc2a w,st:0

Gloriainexcelsis-WillTodd

SSA-organorpiano HalLeonardHL48023487

https://www.google.com/gasearch?q=gloria%20%20will%20todd&source=sh/x/gs/m2/5#fpstate=ive&vld=cid:8fb12b3b,vid:21ChhiZeJ2s,st:0&vuanr=8

GodGivestheSong-CraigCourtney

SATB,piano BeckenhorstBP2211

https://www.google.com/gasearch?q=god%20gives%20the%20song%20craig%20courtne y&source=sh/x/gs/m2/5#fpstate=ive&vld=cid:d1b82be4,vid:8GWGC77lGs8,st:0

R&R Repertoire

HereIAm,LordIncorporating“HaveThineOwnWay”-arr.MaryMcDonald SATB,accompanied Alfred42956

https://www.google.com/gasearch?q=here%20i%20am%20lord%20incorporating%20hav e%20thine%20own%20way&source=sh/x/gs/m2/5#fpstate=ive&vld=cid:78b9ee16,vid:abRQIvPZuUc,st:0

Hodie!(ThisDay)-Z.RandallStroopeParticularlytheIIIMovement SATB,brass,percussionandorgan(opt.Children’schorus)

OriginalPublishing:MarkFosterMF572(1990’s)

https://youtu.be/VsMfDTgKGR0?feature=shared

MakeaJoyfulNoise-AndrewLloydWebber(fromKingCharlesIIICoronation)

SATB,organ

HalLeonardHL01236346

https://youtu.be/NmFve1wrfO4?feature=shared

MaytheMindofChristMySavior-LloydLarson

SATB,piano,violinorflute BeckenhorstBP1658

https://beckenhorstpress.com/may-the-mind-of-christ-my-savior/

OGodBeyondAllPraising-GustavHolst/arr.MackWilberg

SATB,organororchestra

Oxford

https://www.jwpepper.com/sheet music/search.jsp?keywords=wilberg&sort=newDate&perPage=12&pageview=list view&srsltid=AfmBOorFTNdHdfRJaLExfTaZXy3jFrOMLeQVKH1jo5fQ2IVD21N85L36

WeAreClimbingJacob’sLadder-arr.HoraceClarenceBoyer

SATB,piano GIAG-5826

https://giamusic.com/resource/we-are-climbing-jacobs-ladder-print-g5826

Be Our Guest Repertoire Edition

Paula Martin has been an active choral director and music educator for more thanfortyyears.Shehastaughtgeneralmusic,alltypesofchoralensembles,and music education courses for students from preschool through graduate school, includingtwenty-threeyearsasDirectorofChoirsatOakvilleSeniorHighSchool, inSt.Louis,Missouri.DuringhertenureatOakvilleHighSchool,herchoirsperformedattheSouthwestern Regional Conference of ACDA, Kansas City in 2008. Martin's choirs were selected and performed for the MissouriMusicEducatorsAnnualWorkshopandConferencefivetimes.Mrs.Martinservedtwotermsfor the Missouri Choral Directors Association as the Chairperson for Treble Choirs, and served as Vocal Vice President for the Missouri Music Educators Association from 2015-2017. Paula Martin currently serves as DirectorofChoirsatJeffersonCollege,inHillsboro,Missouri.

My esteemed colleague and friend, Jonathan Owen approached me and asked if I would be willing to write a short article about some of my very favorite choral pieces and why they are special to me. Of course, that soundedlikealotoffun!So,offIwent,onlytorealizethatIneededtodosomeseriousnarrowingofthefield!

What follows are some thoughts about pieces that affected my singers and me in impactful ways. I have limited myself to pieces that were written or arranged for Treble Choir. Whether made up of Children's voices, middleschoolagedsingers,highschoolagedsingers,collegeagedsingers,oradultsingers,Ihaveaspecialplace inmyheartforTrebleChoirs.Enjoy!

IntheSweetByandBy-SSAAw/divisi,pianoaccompanied,arrangedbyDanielJ.Hall WaltonMusic,HL08501694,WLG130.

MyOakvilleWomen'sChoralesangthispiecefortheMissouriMusicEducatorsConferenceinJanuaryof 20113. The performance of this piece will always be my favorite moment as a music educator! I can not describe it, except to say that my singers and I were IN IT! The Chorale that year was a group of 18 top notchhighschooltreblesingers.Butthebestpartwasn'ttheperformance.Thebestpartwastheprocessof learning this exquisite piece! The way that Daniel J. Hall set this traditional hymn text is astonishing! While studying the text our singers shared their feelings about loss and the importance of friends and family while working through grief If you have singers with mature voices who can be vulnerable with oneanotherinamatureandsupportiveway,pleasetakealookatthisamazingpiece

EgyetemBegyetem-SSA,acappella,ZoltanKodaly,editioMusicaBudpest JWPepper#10079153

WhydoIlovethispiece?It'saRomp!It'safantasticopenerforaconcertorconferenceprogram!It'sshort, fast, and fun! The possibilities for exploring timbre and vocal placement abound! A recording to get your singersacclimated-givealistentotheCantemusChoralInstitute'srecordingonYoutube.

VivosVocos-SSAAw/divisi,accompaniedbypianoandhandbells,JoanSzymko SantaBarbaraMusicPublishing,SBMP615

IfyoudonotknowthemusicofJoanSzymko,youmuststartstudyingherwork!Szymko'smusicisdeeply emotional, yet cerebral and theoretically complex. If you often find yourself looking for treble choir literature that is challenging, calls for truly advanced musicianship, and is emotionally mature, look into themusicofJoanSzymko.VivosVocosisaterrificopenerorcloser.It'slengthy,butsoworthit!.Thepiece begins in Latin and tells of dangerous destruction. There follows a section in Latin that tells of the communitycomingtogetherinordertoaddresstheimmediatesituation.

Be Our Guest Repertoire

The third and final section of the piece transitions into English and is a simple layering of the text "All Shall Be Well" The handbells and piano accompaniment are integral to the story The bells literally are used the use of church bells in early times to warn of danger, such as intruders or fire The bells in Vivos Vocosfunctiontocallthecommunitytogether Thesettingofthetextandtheinstrumentationandpiano accompanimentaremagical WhenmyOakvilleWomen'sChoralestudiedthispieceinpreparationforour conference performance of the Missouri Music Educators Association, Symko's Vivos Vocos was our openerandbecameourfavoritepieceontheprogram.Tothisday,somanyyearslater,"AllshallbeWell" continues to be an affirmation of hope for me and for those of us who first performed this work back in 2011.IamproudtosaythattheOHSWomen'sChorale,underthedirectionofChelseaAyres,isperforming this piece as part of their program for the January 2025 Conference of the Missouri Music Educators Association.Icannotwaittoheartheirperformance!

Ifyou’dliketoconnectwithPaula,shecanbereachedat JeffersonCollege 1000VikingDrive HillsboroMO,63050

636-797-3000Ext.3358

pmartin5@jeffco.edu

Congratulations to Janice Vlachos, Colorado Choral Directors Association President, for receiving the ColoradoMusicEducatorsAssociation2025HallofFameAward

Congratulations to Jonean Ratliff, Missouri Choral Directors Association Past President (1987), on being inductedintotheMissouriMusicEducatorsAssociationHallofFame

Congratulations to Janice Bradshaw. Janice recently retired from being the Missouri All-State Choir Coordinator, a position she had held for 46 years. Janice was presented the Dr. John G. Patterson LeadershipAward

With Past MMEA President, Brian Hartman andCurrentPresident,ChrisSacco

MCDA recognition with President, Kevin McBeth andPastPresident,AmyKrinke

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