Wayne State University Press Spring 2024 Catalogue

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wayne state university press

WAYNE STATE UNIVERSITY PRESS • SPRING/SUMMER 2024

ON THE COVER

Portrait of Mary Lou Williams, New York, NY c. 1946 (William P. Gottlieb Collection, LOC; public domain). The artistry of Williams is discussed in On Rhetoric and Black Music (page 11 of this catalog).

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Recent award-winning books from Wayne State University Press!

Psych Murders

Gold Medalist, Midwest Book Awards

Bronze Medalist, Independent Publisher Book Awards

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The Forgotten Iron King of the Great Lakes

Winner, State History Award, Historical Society of Michigan

Finalist, Society of Midland Author Awards

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You Cannot Resist Me When My Hair Is in Braids

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Raising Bean

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The Plum Tree Blossoms Even in Winter

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“No Equal Justice”

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Nothing Special

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Hadha Baladuna

Winner, Arab American Book Awards

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Finalist, Society of Midland Author Awards

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FOR TIMES SUCH AS THESE A Radical’s Guide to the Jewish Year

Rabbi Ariana Katz and Rabbi Jessica Rosenberg

A revolutionary guide to Jewish practice rooted in social justice, feminism, and queer liberation.

This contemporary companion to the Jewish year cycle is not only a bellwether for radical Jews who want their lives and practice to be rooted in their political commitments but also an educational resource in Jewish tradition, holidays, and ritual. With a chapter for each month of the Hebrew calendar, For Times Such as These offers spiritual practices and holiday rituals rooted in movements for racial justice, decolonization, feminism, and queer and trans liberation. Each chapter opens with an invocation by liturgist and healer Dori Midnight and illuminated by artist Sol Weiss. Highlighting each month’s spiritual and cultural qualities, Rabbi Ariana Katz and Rabbi Jessica Rosenberg summarize and provide commentary on Torah readings; examine the texts, histories, and contemporary customs of Jewish holidays; and offer questions to reflect on and engage spiritually with the month. This work provides a guide for creative action and ritual making throughout the seasons, an exploration of anti-Zionist Judaism, and spiritual-cultural invitation to embody and expand decolonial, anti-racist, queer, and feminist Jewish practice.

March 2024

6x9, 392 pages, 12 b&w illustrations

ISBN 9780814350515, $29.99t Paperback WorldWide rights AvAilAble

Rabbi Ariana Katz is the founding rabbi of Hinenu: The Baltimore Justice Shtiebl, a warm and joyful congregation in Baltimore, Maryland. She is a graduate of the Reconstructionist Rabbinical College.

Rabbi Jessica Rosenberg is an organizer, educator, and writer based in South Minneapolis. She is a graduate of the Reconstructionist Rabbinical College and core organizer of the Radical Jewish Calendar project.

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WOMEN REMAKING AMERICAN JUDAISM

Edited by Riv-Ellen Prell 2007

ISBN 9780814332801, $27.99 Paperback

JEWISH WOMEN'S HISTORY FROM ANTIQUITY TO THE PRESENT

Edited by Federica Francesconi and Rebecca Lynn Winer 2021

ISBN 9780814346310, $49.99 Paperback

ISBN 9780814346303, $99.99 Hardcover

THE SALMON CAPITAL OF MICHIGAN

The Rise and Fall of a Great Lakes Fishery

Local voices reveal the personal stories and cultural legacy of a once-flourishing fishing town impacted by environmental change.

Weaving together the stories and voices of residents, anglers, community leaders, and environmental workers and researchers, this ethnographic account details the lives and livelihoods impacted by a once-unrivaled Michigan salmon fishery. From the introduction of Chinook salmon to the Great Lakes in the late 1960s, a thriving recreational fishery industry arose in Northern Michigan, attracting thousands of anglers to small towns like Rogers City each week at its peak. By the early 2000s, a crisis loomed beneath the surface of Lake Huron as the population of a prey fish species called alewife unexpectedly collapsed, depleting the salmon’s main source of food. By 2007, the salmon population had collapsed too, leaving local fisheries and their respective communities lacking a key commodity and a bid on fishery tourism. Author, angler, and ecologist Carson Prichard artfully incorporates fisheries science and local news media into an oral history that is entertaining, rich, and genuine. Complementing an ecological understanding of events, this narrative details the significance of the fishery and its loss as experienced by the townspeople whose lives it touched.

OF RELATED INTEREST

PAPER VALLEY

The Fight for the Fox River Cleanup

P. David Allen II and Susan Campbell

2023

ISBN 9780814349588, $26.99 Paperback

LAKE INVADERS

Invasive Species and the Battle for the Future of the Great Lakes

William Rapai

2016

ISBN 9780814341247, $27.99 Paperback

April 2024 6x9, 256 pages, 9 b&w images

ISBN 9780814351130 , $26.99t Paperback WorldWide rights AvAilAble

Carson Prichard is an avid angler and outdoorsman. He received his PhD in earth and ecosystem science from Central Michigan University in 2018. His research in fisheries science, Great Lakes ecology, and the fish populations in Lake Huron and Lake Michigan has been published in several peer-reviewed journals. Raised in Jenison, Michigan, Prichard now resides in Gainesville, Florida.

Great Lakes Books Series

DIVER BENEATH THE STREET

Poems by Petra Kuppers

True crime meets ecopoetry at the level of the soil, bringing together life and death.

A decaying psychogeography unfurls the landscapes of the 1967–69 Michigan Murders, the 2019 Detroit serial kill er, and the COVID-19 lockdown in this visceral poetry collection. Author, performance artist, and disability culture activist Petra Kuppers dissects traces of violence in the richness of the soil while honoring lost community members. Dynamic and somatic poems traverse the realms of urban space, wild rivers, and the hinterlands of suburbia, glimpsing the decay of bodies, houses, carpets, hair, and bones by way of ecopoetry. Poems like “Reintegration” and “Earth Séance” delve into cycles of decomposition and decreasing biodiversity across the micro- and macroworlds. Others such as “Dancing Princesses” tie timeless fairy-tale tropes of violence toward women to modern murders and lived experience. Moments in lockdown are embodied through somatic exploration of nature and self in works like “Dear White Pine in My Garden.” This evocative entanglement of life and death, joy and horror, natural and artificial processes and particles offers an intriguing lyrical and poetic quality as well as unique perspectives through the lenses of feminist, queer, and disability studies.

February 2024

6.5x8, 72 pages

ISBN 9780814351116, $17.99t Paperback WorldWide rights AvAilAble

Petra Kuppers is a disability culture activist and a community performance artist. She is the Anita Gonzalez Collegiate Professor of Performance Studies and Disability Culture at the University of Michigan, a 2023 Guggenheim Fellow, and codirector of the somatic writing studio Turtle Disco.

Made in Michigan Writers Series

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GUT BOTANY

Poems by Petra Kuppers

2020

ISBN 9780814347638, $17.99 Paperback

THE SECOND STOP IS JUPITER

Poems by upfromsumdirt

2023

ISBN 9780814350539, $19.99 Paperback

IRREGULAR HEARTBEATS AT THE PARK WEST

Bold yet vulnerable poems that traverse family, friendship, grief, Americana, and the writer’s life.

With musical language and vivid imagery, Irregular Heartbeats at the Park West attunes us to the sheer wonder of being alive. Intimate reflections on family histories, hardship, and everyday life reveal the ways art and nature can lift us from grief and serve as lodestars in an increasingly uncertain world. Russell Brakefield’s poems span American landscapes and personal experience, dropping down in music venues and dark barrooms, back alleys and suburbs, brightly lit galleries and lonely graveyards. How do we manage the weight, one poem asks, of carrying all our histories inside us? The poet hunts for answers everywhere, seeking insights into the particulars of the natural world and the minutiae of everyday life. Inspired by an assemblage of Americana and a litany of literary landmarks—from spiritual epiphanies at the Hemingway house to a reckoning with privilege in Lucille Clifton’s Baltimore—Brakefield explores how poetry can be influenced, propped up, and contorted by the American canon. Drawing on a depth of emotion, wit, and reverence for nature, this striking new collection captures the beautiful and often poignant complexities of the human experience.

January 2024

5.25x8, 88 pages

ISBN 9780814351024, $17.99t Paperback WorldWide rights AvAilAble

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FIELD RECORDINGS

Poems by Russell Brakefield

2018

ISBN 9780814344965, $17.99 Paperback

WHAT TO COUNT

Poems by Alise Alousi

2023

ISBN 9780814350706, $17.99 Paperback

Russell Brakefield is an assistant professor in the University Writing Program at the University of Denver. He is the author of Field Recordings (Wayne State University Press) and a graduate of the University of Michigan’s Helen Zell Writers’ Program. His poems have been published in over thirty literary magazines, and he has been awarded fellowships from the University Musical Society, the Vermont Studio Center, and the National Park Service.

Made in Michigan Writers Series

MA LINEAL A Memoir of Race, Activism, and Queer Family

An inspiring memoir about love, race, identity, and contested narratives told with unflinching mettle.

Through her childhood spent in 1940s New York being raised by two mothers, her work with the Student Nonviolent Coordinating Committee during the Civil Rights Movement, and raising her own children in the coalfields of West Virginia, Faith S. Holsaert has been defined by the intertwined forces of race, activism, and family. As a young woman on the front line of the Civil Rights Movement, she learned the power of contested narratives and came to understand her whiteness, her queer identity, and her stakes in overturning racism. Later in life, she confronted sexual abuse and mental illness across three generations of women in her family to find that these painful histories have played a significant role in the development of her identity as a woman, activist, and mother. Through a lifetime laid bare in prose and poetry, Holsaert beautifully quilts memoir, social history, and historic events into a gripping and inspirational narrative. This powerful and structurally innovative work lends new categories of meaning to those who would strive to find their place, hope, and sense of belonging in efforts to fight against systemic racism and lead lives characterized by openness and love.

April 2024

6x9, 304 pages, 14 b&w images

ISBN 9780814350799, $29.99t Paperback WorldWide rights AvAilAble

Faith S. Holsaert is an activist, poet, and author. She began her life as an activist during the Civil Rights Movement of the 1960s with the Student Nonviolent Coordinating Committee (SNCC). She has since remained active in the community and has published two collections of poetry and coedited a collection of stories of women in SNCC. She and her partner, Vicki Smith, reside in Durham, North Carolina, and have eleven grandchildren.

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INVISIBLE INK

A Memoir by Guy Stern

2020

ISBN 9780814347591, $27.99 Hardcover

BLACK INDIAN

A Memoir by Shonda Buchanan

2019

ISBN 9780814345801, $26.99 Paperback

SCIENCE FICTION THEATRE

J. P. Telotte

Embark on an odyssey through the series that galvanized the television sci-fi anthology genre.

Following the juvenile space operas of the early 1950s, a groundbreaking series debuted and paved the way for one of viewers’ favorite genres today: adult-oriented science fiction. Science Fiction Theatre aired with a fresh anthology-style narrative from the vision of veteran producer Ivan Tors and with compelling narration by Truman Bradley. Created by industry-leading syndicator Ziv Television Programs, the show pioneered a scientifically based approach to aliens, telepathy, and the mysteries of the universe that provided a model for Rod Serling’s The Twilight Zone (1959–64) and a myriad of acclaimed programs that followed, including The Outer Limits (1963–65), The Ray Bradbury Theater (1985–92), and Black Mirror (2011–present). This book contextualizes Science Fiction Theatre within the budding American television industry of the 1950s, as powerful networks and independent producers and syndicators vied to create and distribute programming to an audience eager to embrace this new, free medium. Including a complete videography of this historically neglected series, author J. P. Telotte illuminates Science Fiction Theatre as a touchstone for understanding the development of science fiction media and the dynamic nature of early television broadcasting.

January 2024 5x7, 120 pages, 20 b&w images

ISBN 9780814350294, $19.99t Paperback WorldWide rights AvAilAble

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WILL & GRACE

Tison Pugh

2023

ISBN 9780814349069, $19.99 Paperback

DOCTOR WHO

Jim Leach

2009

ISBN 9780814333082, $19.99 Paperback

J. P. Telotte is professor emeritus of film and media studies at the Georgia Institute of Technology, where he taught courses in film history, film genres, animation, and science fiction. He has also served as the coeditor of the journal Post Script and has published eighteen books on film and television with a special emphasis on science fiction media. He is the author of the earliest volume in the TV Milestones Series, Disney TV (Wayne State University Press), and is the editor of The Oxford Handbook of New Science Fiction Cinemas.

TV Milestones Series

WHEN DETROIT PLAYED THE NUMBERS Gambling's

History

and Cultural Impact on the Motor City

Felicia B. George

How Detroit entrepreneurs created a thriving lottery system to support themselves and uplift their communities despite scandal.

A testament to the tenacious spirit of Detroit culture and history, this account reveals how numbers gambling, initially an illegal enterprise, became a community resource and institution of solidarity for Black communities through times of racial disenfranchisement and labor instability. Author Felicia B. George sheds light on the lives of Detroit’s numbers operators—many self-made entrepreneurs who overcame poverty and navigated the pitfalls of racism and capitalism by both legal and illegal means. Illegal lottery operators and their families and employees were often exposed to precarity and other adverse conditions, and they profited from their neighbors’ hope to make it through another day. Despite scandal and exploitation, these operators and their families also became important members of the community, providing steady employment and financial support for local businesses. This book provides a glimpse into the rich culture and history of Detroit’s Black Bottom and Paradise Valley neighborhoods, linking the growing gambling scene there with key characters and moments in local history, including Joe Louis’s rise to fame and the recall of a mayor backed by the Ku Klux Klan. In succinct and engrossing chapters, George explores issues of community, race, politics, and the scandals that sprang up along the way, discovering how “playing the numbers” grew from a state-proclaimed crime to an encouraged legal activity.

March 2024

6x9, 286 pages, 32 b&w images

ISBN 9780814350768, $29.99t Paperback

ISBN 9780814350775, $94.99s Hardcover WorldWide rights AvAilAble

Felicia B. George is a native Detroiter who loves Detroit history and culture. She earned her doctorate in anthropology from Wayne State University, where she is now an adjunct professor.

OF RELATED INTEREST

A PEOPLE'S ATLAS OF DETROIT

Edited by Linda Campbell, Andrew Newman, Sara Safransky, and Tim Stallmann

2020

ISBN 9780814342978, $39.99 Paperback

SHADES

Detroit Love Stories

Esperanza Cintrón

2019

ISBN 9780814346884, $19.99 Paperback

RUM RUNNING AND THE ROARING TWENTIES

Prohibition on the Michigan-Ontario Waterway

Philip P. Mason

A fascinating look at the excesses and failures of Prohibition in the United States, and specifically in Michigan.

On January 17, 1920, the Eighteenth Amendment took effect in the United States, prohibiting the manufacture, sale, use, or importation of alcoholic beverages. Many thought this action would bring peace and tranquility to the country, but that was not the case. Instead, the Prohibition experiment failed dismally in the United States, and nowhere worse than in Michigan. The state’s proximity to Canada, where large amounts of liquor were manufactured, made it a major center for the smuggling and sale of illegal alcohol. Although federal, state, and local law enforcement agencies attempted to stop the flow of liquor into Michigan, an astounding 75 percent of all illegal liquor brought into the United States was transported across the Detroit River from Canada.

Philip P. Mason regales readers with stories of the bungled efforts by officials at every level to control the smuggling and sale of illegal alcohol. Most entertaining are the creative smuggling efforts undertaken by citizens from all walks of life—from the poor to the affluent, from upstanding citizens to organized criminals and gangsters. Using police and court records, newspaper accounts, and interviews with those who lived during the time, Mason has constructed a fascinating history of life in Michigan during Prohibition.

OF RELATED INTEREST

"OLD SLOW TOWN"

Detroit during the Civil War

Paul Taylor

2013

ISBN 9780814336038, $19.99 Hardcover

ARSENAL OF DEMOCRACY

The American Automobile Industry in World War II

Charles K. Hyde

2013

ISBN 9780814339510, $39.99 Hardcover

*NEW IN PAPERBACK!* May 2024

7x9.5, 192 pages, 206 b&w images

ISBN 9780814351048, $25.99t Paperback WorldWide rights AvAilAble

Philip P. Mason (1927–2021) was an American archivist and founding director of the Walter P. Reuther Library Archives of Labor and Urban Affairs at Wayne State University. He was the author or coauthor of eleven books, including Tracy W. McGregor: Humanitarian, Philanthropist, and Detroit Civic Leader and Labor History Archives in the United States: A Guide for Researching and Teaching (both Wayne State University Press). Mason was the recipient of several awards and honors including a Society of American Archivist fellowship and the Lifetime Achievement Award from the Historical Society of Michigan. Great Lakes Books Series

MICHIGAN’S VENICE The Transformation of the St. Clair Maritime Landscape, 1640–2000

A chronicle of a unique waterscape and how its inhabitants navigated, claimed, and reshaped the region.

Few maritime landscapes in the Great Lakes remain so deeply and clearly inscribed by successive cultures as the St. Clair system—a river, delta, and lake found between Lake Huron and the Detroit River. The St. Clair River and its environs are an age-old transportation nexus of land and water routes, a strategic point of access to maritime resources, and, in many ways, a natural impediment to the navigation of the Great Lakes. From Indigenous peoples and European colonizers to the modern nations of Canada and the United States, this work traces the region’s transformation through culturally driven practices and artifacts of shipbuilding, navigation, place naming, and mapmaking. In this novel approach to maritime landscape archaeology, author Daniel F. Harrison unifies historiography, linguistics, ethnohistory, geography, and literature through the analysis of primary sources, material culture, and ecological and geographic data in a technique he calls “evidence-based storytelling.” Viewed over time, the region forms a microcosm of the interplay of environment, culture, and technology that characterized the gradual shift from nature to an industrial society and a built environment optimized for global waterborne transport.

April 2024

6x9, 280 pages, 29 b&w images, 19 maps

ISBN 9780814349472, $39.99s Hardcover WorldWide rights AvAilAble

Daniel F. Harrison, PhD, is a maritime archaeologist, sailor, and diver specializing in the Great Lakes region. Recently retired from a forty-year career as an academic librarian, he has had his research in maritime archaeology published in peer-reviewed journals including Historical Archaeology, Ethnohistory, and Michigan Historical Review. Harrison’s research and theoretical motivations are focused on community-centered preservation and interpretation of maritime heritage and submerged cultural resources.

OF RELATED INTEREST

EIGHT STEAMBOATS Sailing Through the Sixties

Patrick Livingston Foreword by Neal Shine

2004

ISBN 9780814331750, $32.99 Paperback

QUEEN OF THE LAKES

Mark L. Thompson

2017

ISBN 9780814343364, $29.99 Paperback

ON RHETORIC AND BLACK MUSIC

How Black musicians and composers used their craft to define and influence public discourse.

This groundbreaking analysis examines how Black music functions as rhetoric, considering its subject not merely reflective of but central to African American public discourse. Author, musician, and scholar Earl H. Brooks argues that there would have been no Harlem Renaissance, Civil Rights Movement, or Black Arts Movement as we know these phenomena without Black music. Through rhetorical studies, archival research, and musical analysis, Brooks establishes the “sonic lexicon of Black music,” defined by a distinct constellation of sonic and auditory features that bridge cultural, linguistic, and political spheres with music. Genres of Black music such as blues and jazz are discursive fields, where swinging, improvisation, call-andresponse, blue notes, and other musical idioms serve as rhetorical tools to articulate the feelings, emotions, and states of mind that have shaped African American cultural and political development. Examining the resounding artistry of iconic musicians such as Scott Joplin, Mary Lou Williams, Duke Ellington, John Coltrane, and Mahalia Jackson, this work offers an alternative register in which these musicians and composers are heard as public intellectuals, consciously invested in crafting rhetorical projects they knew would influence the public sphere.

June 2024

6x9, 232 pages, 20 b&w images

ISBN 9780814346488, $36.99S Paperback

OF RELATED INTEREST

KEEPIN’ IT HUSHED

The Barbershop and African American Hush Harbor Rhetoric

Vorris L. Nunley

2011

ISBN 9780814333488, $26.99 Paperback

HEAVEN WAS DETROIT

From Jazz to Hip-Hop and Beyond

Edited by M. L. Liebler with a foreword by Dave Marsh

2016

ISBN 9780814341223, $24.99 Paperback

ISBN 9780814346471, $94.99S Hardcover WorldWide rights AvAilAble

Earl H. Brooks is a musician and assistant professor of English at the University of Maryland, Baltimore County. His research and previous publications focus on African American expressive culture, rhetoric and composition, and sound studies.

African American Life Series

QUEER JEWS, QUEER MUSLIMS Race,

Religion, and Representation

Groundbreaking essays on the intersection of Jewish, Muslim, and LGBTQ identities.

Through a curated selection of scholarship, Adi Saleem demonstrates that representations of Muslim and Jewish sexuality are often racialized and gendered in parallel ways as non-Western, deviant, and dangerous within Euro-American modernity. Contributors reckon with the intertwined past and present of Islamophobia, antisemitism, racism, coloniality, misogyny, and homophobia through distinct and complementary perspectives. In the first of three sections, scholars investigate the construction and performance of multiple identities and the crossing of boundaries. Studies of scriptural texts and media discourse as they shape perceptions of Jewish and Muslim gender and sexual minorities follow, highlighting how these representations impact the lived experiences of queer Jews and Muslims. The final section examines the efforts of contemporary queer Jews and Muslims to organize and form communities to forge solidarity in the face of multiple forms of oppression and marginalization. In conversation with Islamic studies, Jewish studies, and queer theory, this collection explores the interrelated experiences and representations of Jewish and Muslim minorities in Europe while triangulating the Jewish-Muslim dyad with a third variable: queerness.

March 2024

6x9, 232 pages, 1 b&w image

ISBN 9780814350874, $29.99s Paperback

ISBN 9780814350881, $99.99s Hardcover WorldWide rights AvAilAble

Adi Saleem is an assistant professor of Romance languages and literatures and Judaic studies at the University of Michigan. His research focuses on the intersection of race and religion, or religion as race, particularly in relation to Jews and Muslims.

Contributors: Edwige Crucifix, David M. Halperin, Elizabeth Johnstone, Amr Kamal, Robert Phillips, Matthew Richardson, Adi Saleem, Shanon Shah, Katrina Daly Thompson

OF RELATED INTEREST

HADHA BALADUNA

Arab American Narratives of Boundary and Belonging

Edited by Ghassan Zeineddine, Nabeel Abraham, and Sally Howell

2022

ISBN 9780814349250, $25.99 Paperback

SOLDIERS, REBELS, AND DRIFTERS

Gay Representation in Israeli Cinema Nir Cohen

2011

ISBN 9780814334782, $28.99 Paperback

MATRILINEAL DISSENT Women Writers and Jewish American Literary History

Redefining Jewish American literature through expansive feminist frameworks.

Bridging literary studies and cultural history, this edited volume examines Jewish women writers’ wide-ranging contributions to American literary culture from the turn of the twentieth century to the present. Matrilineal Dissent features innovative considerations of contemporary autofiction, graphic narratives, and novels by Mizrahi writers as well as middlebrow, Progressive Era, and second-wave feminist literature. Authors discussed herein—such as Roz Chast, Erica Jong, Annie Nathan Meyer, and Adrienne Rich— challenge monolithic representations of Jewishness and gender while imagining radical alternatives. By tracing a matrilineal literary history, this book dissents from readers and critics who continue to describe women’s contributions as mere commentaries on and correctives to male-dominated canons. Simultaneously, this volume troubles the politics of inheritance, continuity, and lineage to underscore the ways that literary traditions—like Jewishness and gender—are mutually constitutive and continually in flux.

Collectively, contributors reframe Jewish American literary history through feminist approaches that have revolutionized the field, from intersectionality and the #MeToo movement to queer theory and disability studies. Examining both canonical and lesser-known texts, this collection asks: what happens to conventional understandings of Jewish American literature when we center women’s writing and acknowledge women as dominant players in Jewish cultural production?

OF RELATED INTEREST

MEMORY SPACES

Visualizing Identity in Jewish Women's Graphic Narratives

Victoria Aarons

2023

ISBN 9780814349144, $38.99 Paperback

ISBN 9780814349151, $94.99 Hardcover

HEIRS OF YESTERDAY

Emma Wolf

Edited with an Introduction by Barbara Cantalupo and Lori Harrison-Kahan

2020

ISBN 9780814346686, $29.99 Paperback

May 2024 6x9, 400 pages, 4 b&w images

ISBN 9780814349854, $39.99s Paperback

ISBN 9780814349861, $99.99s Hardcover WorldWide rights AvAilAble

Annie Atura Bushnell is the executive director of academic programs at the Center for Comparative Studies in Race and Ethnicity at Stanford University.

Lori Harrison-Kahan is professor of the practice of English at Boston College. She is editor of The Superwoman and Other Writings by Miriam Michelson and coeditor of Heirs of Yesterday by Emma Wolf (both Wayne State University Press).

Ashley Walters is assistant professor of Jewish studies and director of the Pearlstine/Lipov Center for Southern Jewish Culture at the College of Charleston.

Contributors: Annie Atura Bushnell, Jennifer Glaser, Lori Harrison-Kahan, Jessica Kirzane, Josh Lambert, Tahneer Oksman, Rachel Rubinstein, Karen Skinazi, Alex Ullman, Ashley Walters

CARRYING A BIG SCHTICK Jewish Acculturation and Masculinity in the Twentieth Century

Jewish masculinity as a diverse set of adaptive reactions to masculine hegemony and the social realities of American Jews.

For twentieth-century Jewish immigrants and their children attempting to gain full access to American society, performative masculinity was a tool of acculturation. However, as scholar Miriam Eve Mora demonstrates, this performance is consistently challenged by American mainstream society that holds Jewish men outside of the American ideal of masculinity. Depicted as weak, effeminate, cowardly, gentle, bookish, or conflict-averse, Jewish men have been ascribed these qualities by outside forces, but some have also intentionally subscribed themselves to masculinities at odds with the American mainstream. Carrying a Big Schtick dissects notions of Jewish masculinity and its perception and practice in America in the twentieth century through the lenses of immigration and cultural history. Tracing Jewish masculinity through major themes and events including both World Wars, the Holocaust, American Zionism, Israeli statehood, and the Six-Day War, this work establishes that the struggle of this process can shed light on the changing dynamics in religious, social, and economic American Jewish life.

May 2024

6x9, 416 pages, 20 b&w images

ISBN 9780814349625, $39.99s Paperback

ISBN 9780814349632, $99.99s Hardcover WorldWide rights AvAilAble

Miriam Eve Mora serves as the director of academic programs at the Center for Jewish History in New York City. A historian of American immigration and ethnicity, Mora has served as the inaugural Historian in Residence for the Wyner Family Jewish Heritage Center at the New England Genealogical Historical Society and as the Marcus Center Fellow at the American Jewish Archives. She is cocreator of JewCE: The Jewish Comics Experience, a Jewish comic book and pop culture convention. Her previously published works on antisemitism, contemporary politics, and pop culture have appeared in the Washington Post, Journal of Jewish Identities, and Journal of Feminist Studies in Religion.

OF RELATED INTEREST

MILLENNIAL MASCULINITY

Men in Contemporary American Cinema

Edited by Timothy Shary

2012

ISBN 9780814334355, $32.99 Paperback

GOING GREEK

Jewish College Fraternities in the United States, 1895-1945

Marianne R. Sanua

2018

ISBN 9780814344194, $22.99 Paperback

A JEW IN THE STREET New Perspectives on European Jewish History

Reconsidering how early modern and modern Jews navigated schisms between Jewish community and European society.

This collection brings together original scholarship by eighteen historians drawing on the pioneering research of their teacher and colleague, Michael Stanislawski. These essays explore a mosaic of topics in the history of modern European Jewry from early modern times to the present, including the role of Jewish participants in the European revolutions of 1848, the dynamics of Zionist and non-Zionist views in the early twentieth century, the origins of a magical charm against the evil eye, and more. Collectively, these works reject ideological and doctrinal clichés, demythologize the European Jewish past, and demonstrate that early modern and modern Jews responded creatively to modern forms of culture, religion, and the state from the eighteenth to the twentieth century. Contributors to this volume pose new questions about the relationship between the particular and universal, antisemitism and modernization, religious and secular life, and the bonds and competition between cultures and languages, especially Yiddish, Hebrew, and modern European languages. These investigations illuminate the entangled experiences of Jews who sought to balance the pull of communal, religious, and linguistic traditions with the demands and allure of full participation in European life.

OF RELATED INTEREST

FROM LEFT TO RIGHT

Lucy S. Dawidowicz, the New York Intellectuals, and the Politics of Jewish History

Nancy Sinkoff

2023

ISBN 9780814350317, $29.99 Paperback

ISBN 9780814345108, $34.99 Hardcover

YIDDISHLANDS

A Memoir, Second Edition

David G. Roskies

2023

ISBN 9780814350720, $26.99 Paperback

June 2024 6x9, 486 pages, 15 b&w images

ISBN 9780814349670, $44.99S Paperback

ISBN 9780814349687, $99.99S Hardcover WorldWide rights AvAilAble

Nancy Sinkoff is professor of Jewish studies and history at Rutgers University–New Brunswick.

Jonathan Karp is associate professor of Judaic studies and history at SUNY Binghamton.

James Loeffler is professor of history at Johns Hopkins University.

Howard Lupovitch is professor of history at Wayne State University.

Contributors: David Assaf, Israel Bartal, Michael Brenner, Elisheva Carlebach, Edward Fram, Jonathan Gribetz, Gershon

David Hundert, Rebekah Klein-Pejšová, Olga Litvak, Howard Lupovitch, Natan M. Meir, Michael L. Miller, Nils Roemer, Gil Rubin, Daniel Schwartz, Nancy Sinkoff, Magda Teter, Kalman Weiser

RELIEF AFTER HARDSHIP The Ottoman Turkish Model for The Thousand and One Days

A revisit of early texts that helped shape Middle Eastern folktales and narratives.

Western tales of the marvelous and the strange have dominated much of the narrative literatures of the premodern Muslim world. The quintessential collection, The Thousand and One Days, was first published in the early eighteenth century by French Orientalist scholar François Pétis de la Croix. Research has found that The Thousand and One Days actually had an earlier start, as it is an adapted translation of a fifteenth-century, anonymous, Ottoman Turkish collection titled Relief after Hardship, which is, in turn, the enlarged translation of an equally anonymous Persian collection of tales that likely dates back to as early as the thirteenth century.

Ulrich Marzolph now provides a detailed assessment of the Ottoman Turkish compilation and its Persian precursor. Based upon Andreas Tietze’s unpublished German translation of the Ottoman Turkish Ferec ba'd es-sidde, it traces the origins of the collection’s various tales in premodern Persian and Arabic literatures and its impact on Middle Eastern and world tradition and folklore. As the concept of "relief after hardship" has the same basic structure as the European fairy tale, Marzolph contends that the early reception of these tales from Muslim narrative tradition might well have had an inspiring impact on the nascent genre of the European fairy tale as we know it today.

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February 2024

6x9, 164 pages

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Ulrich Marzolph is a retired professor of Islamic studies at the Georg-August-University in Göttingen, Germany. His field of expertise is the narrative culture of the Muslim world. He is the author of 101 Middle Eastern Tales and Their Impact on Western Oral Tradition and the editor of The Arabian Nights Reader and The Arabian Nights in Transnational Perspective (all Wayne State University Press).

The Donald Haase Series in Fairy-Tale Studies

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THE ENCHANTED BOOT Italian Fairy Tales and Their Tellers

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ISBN 9780814349601, $24.99 Paperback

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THE SPOOK WHO SAT BY THE DOOR

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Sam Greenlee with an introduction by Natiki Hope Pressley 2022

ISBN 9780814349571, $19.99 Paperback

Wayne State University Press journals content is available in digital format to subscribers of JSTOR and Project MUSE.

JEWISH FOLKLORE & ETHNOLOGY

by Simon J. Bronner

Jewish Folklore & Ethnology is a peer-reviewed annual journal. It features innovative, original analytical studies, essays, and commentaries in English on the diverse ways in which Jewishness is expressed, conceived, transformed, and perceived by Jews and non-Jews through folklore, tradition, and social/cultural practice.

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FAIRY TALE REVIEW

Edited by Kate Bernheimer

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The Rainbow Issue features queer fairy tales written exclusively by queer writers and writers who identify as members of LGBTQIA+ community. Recent contributors include Robert Carr, Hannah Grieco, Allegra Hyde, Addie Tsai, Mike McClelland, and Zak Salih.

STORYTELLING, SELF, SOCIETY

An Interdisciplinary Journal of Storytelling Studies

by Jessica Senehi

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ISSN: 1550-5340 • E-ISSN: 1932-0280 • Published twice per year

Recent special issue “Storytelling and the COVID-19 Pandemic.”

For pricing and ordering information, please visit wsupress.wayne.edu/journals, or contact Julie Warheit at julie.warheit@wayne.edu or (313) 577-4603.

MARVELS & TALES

Journal of Fairy-Tale Studies

by Cristina Bacchilega and Anne E. Duggan

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Recent special issue “Transplanted Wonder: Australian Fairy Tale.” Recent contributors include Michelle J. Smith, Emma Whatman, Nike Sulway, and Lorena Carrington.

NARRATIVE CULTURE

Edited by Ulrich Marzolph, Regina F. Bendix, and Francisco Vaz da Silva

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Recent special issue “The Stories Plants Tell.”

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Antipodes is the official publication of the American Association of Australasian Literary Studies. The journal welcomes critical essays on any aspect of Australian and New Zealand literature and culture, and comparative studies are especially encouraged. Additionally, Antipodes publishes short fiction, excerpts from novels, drama, and poetry written by Australian and New Zealand authors.

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Recent special section on Disability.

CRITICISM A Quarterly for Literature and the Arts

Criticism provides a forum for current scholarship on literature, media, music, and visual culture. A place for rigorous theoretical and critical debate as well as formal and methodological self-reflexivity and experimentation, Criticism aims to present contemporary thought at its most vital.

ISSN: 0011-1589 • E-ISSN: 1536-0342 • Published four times per year

Recent special issue, “New Approaches to Critical Bibliography and the Material Text.”

DISCOURSE

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Edited by Luka Arsenjuk, James Leo Cahill, Carl Good, Timothy Holland, and Sara Saljoughi

Since its founding in 1979, Discourse has been committed to publishing work in the theoretical humanities with an emphasis on the critical study of film, literature, the visual arts, and related audiovisual media. The journal seeks contributions that explore the relations of these and other cultural phenomena to questions of language, philosophy, politics, psychoanalysis, history, and area studies, as well as theories of gender, race, and sexuality.

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FRAMEWORK

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by Drake Stutesman

Framework is an international, peer-reviewed journal dedicated to theoretical and historical work on the diverse and current trends in media and film scholarship. The journal’s multicultural coverage, interdisciplinary focus, and the high caliber of its writers contributes to important interconnections between regional cinemas, practitioners, academics, critics, and students. Framework is committed to publishing articles from interdisciplinary and global perspectives.

ISSN: 0306-7661 • E-ISSN: 1559-7989 • Published twice per year

Recent dossiers include Exquisite Historiography: Experimental and Collaborative Film Histories and The New American Cinema Group in Europe: The 1960s Grand Tour and Its Afterlife.

JEWISH FILM & NEW MEDIA

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Edited by Nathan Abrams and Nir Cohen

Jewish Film & New Media provides an outlet for research into any aspect of Jewish film, television, and new media and is unique in its interdisciplinary nature, exploring the rich and diverse cultural heritage across the globe. The journal is distinctive in bringing together a range of cinemas, televisions, films, programs, and other digital material in one volume and in its positioning of the discussions within a range of contexts—the cultural, historical, textual, and many others.

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