Page 1

manuel lages 2014 2019


MANUEL CARVALHO LAGES 12.12.1996, Lisbon (age 22) +56 983929811 Chile +351 918066829 Portugal +56 983929811 Whatsapp mclages12@gmail.com


this portfolio represents a brief chronological summary of my journey as an architecture student at IST (Instituto Superior Técnico) in Lisbon, Portugal and at FAU (Facultad

de Arquitectura y Urbanismo, Universidade de Chile) in

Santiago, Chile. From an almost nonconscious architecture in the first year to my actual capability of developing

and designing projects, passing trough some important

case studies, its possible to understand how I´ve been improving my sensibility to apprehend the way a building

can be involved in a given context, location and culture. That relation is, in my opinion, a major topic in architecture. I am getting fascinated comprehending how an

architecture project can tottally change and influence the

people’s daily lives. I’m in my 5th year and I’m feeling a constant approach to a level of constructive details that can start to be compared to a real life situation. The exchange program in Chile has increased my curiosity in perceiving new ways of thinking architecture around the world.


contents

2014

IST, Portugal

2015

two public parks, Bairro do Rego

9

2016

the library park, OurĂŠm

17

2016

case study, Van Slobbe House

25

a water tower house, Beato

31

case study, Bloco da Carvalhosa

41

student housing, Beato

47

learning center, Almada

55

2017

2018

Competitions 2017

Projecto Relâmpago 2017

77

2018

International VELUX Award 2018

81

FAU, Chile 2018

2019

case study - Reims Cathedral

87

exploring gothic

90

a sensorial tower, Campus Sur

95


1st year two public parks in Bairro do Rego i. free program - introductory ii. responding to the community needs Bairro do Rego, Lisbon, Portugal Prof. Francisco Teixeira Bastos

9


Bairro do Rego is a social neighborhood in Lisbon

known by its multi-ethnic community problems. In times

of financial crisis, the assignments purpose was to create a urban public space that could be used, crossed

and enjoyed by everyone in order to support the reintegration of the population and their social requalification.

The first project (i.) is based on a space of transition that is permanently communicating with the exterior.

This promenade offers multiple light/shadows experience, is clear, continuous and respects the rhythm of

the adjacent building arcade. The second project (ii.)

have a more specific program, a different location, but the general idea remains: to provide people a daily

comfortable, safe and pleasant common area where they can socialize, walk, rest, play‌ In this second

proposal the side walk was extended to the building

aside, blocking the traffic and giving people an easier way to reach this new public park. Also, a sports

field and a barbecue zone were designed. Throughout the southside of the project, was always ensured and explored the possibility of seeing the Lisbon.

11


i. introductory

preliminary sketches

12


i.

model

13


ii. program

initial sketches 14


ii.

model 15


2nd year the library park Public Library in Ourém, Portugal Prof. Vítor Carvalho de Araújo

17


18


In the second semester of the second year we were asked

to design the new municipal library of Ourém, a Portuguese little city. The site was near the city center and just

had some old degraded houses that were demolished. As the city had a lack of green spaces, my idea was to bring together a new library and a public park. To

make this union work, the library wasn’t just an individual building, its spaces were distributed in multiple themed “houses”. It could be comprehended as a cultural

village trying to involve all the population: the program

includes an auditorium, a cafeteria, a library and a space for children. The relation between the interior spaces of the library and the natural landscape of the park

was permanent and continuous throughout the all pro-

ject. The park had infrastructures and conditions that allowed the users to find multiple spaces to read, study, relax and think in a calm and quiet outdoor space.

19


LIBRARY PARK OurĂŠm, Portugal

2

3

1

4

5

2. auditorium and multipurpose room

overall plan

library sections

20


wc

wc

library, ground level

21


sketches, park and library ambiences

23


3rd year case study Van Slobbe House, 1961-1963 Gerrit Rietveld

25


3

uma janela alta que se estende sob os dois últimos pisos; existe uma segunda escada, de serviço, que liga o piso térreo à despensa no 1º andar. Este segundo nível da casa contém

8

a cozinha e sala de jantar adjacente, um escritório e várias salas de estar. A sala princi-

7

pal, nas traseiras, emerge para um terraço coberto orientado a sul, que devido ao declive do terreno comunica directamente com o jardim. O 2º andar, terceiro nível, tinha original-

Planta do Piso 1 (2.5m)

7

mente 7 quartos, incluindo um para a empregada, assim como múltiplas casas de banho.

6 5 Fotografia Casa Van Slobbe, vista sudeste

Van Slobbe House Gerrit Rietveld 1961-1963 9

9

3 9

8

VAN SLOBBE HOUSE VAN HOUSE VAN SLOBBE SLOBBEGerrit HOUSE Rietveld Gerrit Rietveld VAN SLOBBEGerrit HOUSE Rietveld

5

9

5

7

9 5

5

9 9

Planta do Piso 1 (2.5m) Planta do Piso 2 (7.5m)

0 1

0 1

0 1

0 1

5

10

0.5Entrada101. Garagem 2. Arrumações/ Espaços de trabalho

Gerrit Rietveld

Escala 1/100

3. Cozinha 4. Lavandaria/ Despensa 5. Casa de banho 5

10

6. Sala de estar 7. Sala de jantar 8. Escritório 9. Quarto

5

10

INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

Planta de Coberturas 1/200

overall plan

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

MANUEL LAGES

0 1

5

81039

main facade

Fotografia Casa Van Slobbe, vista sudeste

10

9 9 9

5 9 5 9 5

5

9 9

Planta do Piso 2 (7.5m)

Alçado Noroeste

Fotografia 1, maquete 1/100 (entrada norte)

Alçado Noroeste Alçado Noroeste

NE elevation

Alçado Noroeste

Fotografia 1, maquete 1/100 (entrada norte) Fotografia 1, maquete 1/100 (entrada norte) 0. Entrada 1. Garagem 2. Arrumações/ Espaços de trabalho

Escala 1/100

Fotografia 1, maquete 1/100 (entrada norte)

3. Cozinha 4. Lavandaria/ Despensa 5. Casa de banho 6. Sala de estar 7. Sala de jantar 8. Escritório 9. Quarto

INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

Planta de Coberturas 1/200

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

MANUEL LAGES

0 1

Alçado Sudeste

SE elevation

5

10

Fotografia 2, maquete 1/100 (vista Sul)

model

Alçado Sudeste Alçado Sudeste

81039

Fotografia 2, maquete 1/100 (vista Sul) Fotografia 2, maquete 1/100 (vista Sul)

Alçado Sudeste

Fotografia 2, maquete 1/100 (vista Sul)

Fotografia 3, vista Este

Alçado Nordeste

NE elevation Alçado Nordeste

Fotografia 3, vista Este Fotografia 3, vista Este

Alçado Nordeste

Fotografia 3, vista Este

Alçado Nordeste

SW Alçadoelevation Sudoeste

photos

Fotografia 4, vista Noroeste

Alçado Sudoeste Alçado Sudoeste

Fotografia 4, vista Noroeste Fotografia 4, vista Noroeste

INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

INSTITUTO SUPERIOR TÉCNICO Alçado Sudoeste

MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

MANUEL LAGES

INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

MANUEL LAGES

26 81039

81039

INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO LAVRADOR

82606

MANUEL LAGES

81039

MANUEL LAGES 81039 Fotografia 4, vista Noroeste


VAN SLOBB

7.5 m 4.5 m 1.5 m

2 2 2

2

5

Heerlen, Netherlands.

1

5

2

Casa típica da arquitectura tardia de Rietveld, co

2

maior do seu portefólio. A sua implantação tem em co do terreno e a exposição solar. Os cantos da casa

0

2

A casa Van Slobbe é composta por vários v Planta do Piso 0 (1.5m)

level 0

tersectam. A estrutura da casa consiste num es

ra exterior dos vãos, assim como de várias secçõ

O piso térreo encontra-se parcialmente enc

agem dupla, um telheiro para bicicletas e múltipl

ligação entre os 3 pisos é feita por uma escada em

uma janela alta que se estende sob os dois último

serviço, que liga o piso térreo à despensa no 1º an

a cozinha e sala de jantar adjacente, um escritór

pal, nas traseiras, emerge para um terraço cobert do terreno comunica directamente com o jardim. 7

mente 7 quartos, incluindo um para a empregada

6 5

3

8

7

Planta do Piso 1 (2.5m)

level 1

F

9 9 9

5 9 5 9 5

5

9 9

Planta do Piso 2 (7.5m)

level 2 0. Entrada 1. Garagem 2. Arrumações/ Espaços de trabalho

Escala 1/100

3. Cozinha 4. Lavandaria/ Despensa 5. Casa de banho 6. Sala de estar 7. Sala de jantar 8. Escritório 9. Quarto

27 INSTITUTO SUPERIOR TÉCNICO

MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III

GONÇALO SASSETTI

81862

JOÃO L


B C

VAN SLOBBE HOUSE

BB CC

Gerrit Rietveld A’

A’ A’

AA

B’ B’ C’ C’ 00 11

55

B’

A 10 10

C’ 0 1

5

10

00 11

section AA’

Corte AA’ AA’ Corte

Fotografias Fotografias 55 ee 6, 6, Escadas Escadas em em caracol caracol

Corte AA’ section BB’

Corte BB’ BB’ Corte

00 11

55

10 10

section CC’

Corte CC’ Corte CC’

INSTITUTO SUPERIOR TÉCNICO INSTITUTO SUPERIOR TÉCNICO

Fotografia Fotografia 7, 7, Escritório Escritório

Escala 1/100 Escala 1/100

MESTRADO EM ARQUITECTURA MESTRADO EM ARQUITECTURA

PROJECTO DE ARQUITETURA III PROJECTO DE ARQUITETURA III

photos, interior GONÇALO SASSETTI 81862 GONÇALO SASSETTI 81862

Fotografia 8, Sala de estar principal Fotografia 8, Sala de estar principal

JOÃO LAVRADOR 82606 JOÃO LAVRADOR 82606

MANUEL LAGES 81039 MANUEL LAGES 81039

28

55

10 10


model

29


3rd year water tower house in Beato i. a private house in a disabled water tower Old military complex, Beato, Lisbon. Prof. JoĂŁo Pedro FalcĂŁo de Campos

31


After a general analysis of the military complex site, I found it necessary to establish a stronger relationship

with the surrounding area opening the campus to the

city. The proposal suggests the creation of an important access to the complex by destroying a main cir-

culation barrier: the water tank. The tower stands in a crucial moment that is the intersection between Rua

do Grilo and the access road to the southern zone of the campus. The idea of “stripping” the structure of the tank intends to make the military complex more

permeable in a daily life. The house will develop ver-

tically on the top of the tower, becoming one of the highest points of the complex with a possible look to

the river. The house first level will remain, the “water space”, in this case, the bath. The privacy of the house

spaces increases as the house goes up (living room

and kitchen, workspace or library, bedroom). The terrace is a beautiful viewpoint over the Tagus river.

33


WATER TOWER HOUSE Beato, Lisbon

overall plan

intervention landscape. a third tower

1

2

3

street section

34


model

35


project study, japanese houses

sketches and study model

36


terrace

isometric

level 3 : room, workspace

level 1 : entrance, bath / pool

stairs

37


sections

elevation

38


study model

39


3rd year case study Bloco da Carvalhosa, 1945-1950 ArmĂŠnio Losa e Cassiano Barbosa

41


Bloco da Carvalhosa Arménio e Cassiano Barbosa BLOCO Losa DA CARVALHOSA 1945-1950 ARMÉNIO LOSA . CASSIANO BARBOSA

BLOCO DA CARVALHOSA

ARMÉNIO LOSA . CASSIANO BARBOSA Rua da Boa vista

RUA DA BOAVISTA

PORTO

1945 - 1950

RUA DA BOAVISTA

PORTO

1945 - 1950

Rua da Boavista

Fachada Principal

Planta de Localização 1.500 Prédio de arrendamento destinado à média burguesia portuense. O lote tem uma dimensão atípica no contexto da cidade do Porto. O pátio interior e as duas reentrâncias laterais possibilitam o desenvolvimento do edifício em profundidade. O recuo em relação ao alinhamento da rua cria um espaço ajardinado que o desliga da preexistência. Há uma hierarquização funcional da planta, sendo esta dividida em 3 sectores independentes: serviço, reunião e repouso. A zona mais Planta de Localização 1.500 privada (repouso) vira para o interior do lote, prolongando-se até aos terraços. A zona social (serviço e reunião) é virada à rua. Os terraços eram originalmente abertos para o pátio e para o logradouro, tendo sido fechados com envidraçados, o que criou um saguão. A garagem localiza-se no logradouro, albergando na sua cobertura um terraço. A cave possui duas habitações mais reduzidas e a casa Prédio de arrendamento destinado à média burguesia portuense. O lote tem uma dimensão atípica no contexto da cidade do Porto. do porteiro, assim como vários espaços de serviço e o acesso ao logradouro. Todos os restantes pisos têm 2 fogos. A comunicação O pátio interior e as duas reentrâncias laterais possibilitam o desenvolvimento do edifício em profundidade. O recuo em relação ao entre pisos é feita pela escada helicoidal, completamente solta da estrutura, assim como por um elevador. alinhamento da rua cria um espaço ajardinado que o desliga da preexistência. A fachada principal tem um volume central compacto, demarcado pela entrada. Esta é emoldurada por um plano completamente transHá uma hierarquização funcional da planta, sendo esta dividida em 3 sectores independentes: serviço, reunião e repouso. A zona mais parente e ligeiramente recuado, onde se localizam as varandas em leque. privada (repouso) vira para o interior do lote, prolongando-se até aos terraços. A zona social (serviço e reunião) é virada à rua. Os terraços eram originalmente abertos para o pátio e para o logradouro, tendo sido fechados com envidraçados, o que criou um saguão. A garagem localiza-se no logradouro, albergando na sua cobertura um terraço. A cave possui duas habitações mais reduzidas e a casa do porteiro, assim como vários espaços de serviço e o acesso ao logradouro. Todos os restantes pisos têm 2 fogos. A comunicação entre pisos é feita pela escada helicoidal, completamente solta da estrutura, assim como por um elevador. Apela entrada. Esta é emoldurada por um plano completamente transA fachada principal tem um volume B central compacto, demarcado parente e ligeiramente recuado, onde se localizam as varandas em leque.

overall plan

1. Entrada

2. Elevador

9. Sala de Jantar

main facade 1. Entrada

2. Elevador

9. Sala de Jantar

3. Caixa de Escadas

10. Sala de Estar

4. Vestíbulo

11. Quarto Criada

5. Entrada de Serviço

12. Casa de Banho

6. Copa

13. Quarto

16. Acesso Garagens 3. Caixa de Escadas

10. Sala de Estar

4. Vestíbulo

11. Quarto Criada

5. Entrada de Serviço

12. Casa de Banho

16. Acesso Garagens

8. WC de Serviço 15. Terraço

Principal 17. Garagens Fachada 18. WC Garagem

6. Copa

13. Quarto

7. Cozinha

14. Recanto de Estar

7. Cozinha

8. WC de Serviço

14. Recanto de Estar 17. Garagens

15. Terraço

18. WC Garagem

17

B

A 18 17

18

13

13

13

15

15

15

15

13

14

16

13

13

14

13 14

12

12

15

15

13

13

14

14

4

3

12

12

4 10

11

2

6

4

8

3

10 9 76

1

6

8

13

8

10

4

4

6 7

4

12

13

8

3

7

2

4 10 9 6 11

7

8

9

7

10

6

8

9 11

7

7

11

A’

Projecto de Arquitectura III A’

Projecto de Arquitectura III

1.100

Caso de Estudo . Habitação Colectiva

Planta do Piso 0

Mestrado em Arquitectura

8

6 11

Planta do Piso 0 Mestrado em B’Arquitectura

13

14

2

10 9

9

B’

3

12

13

8

1

12

6

9 7

12

13

4

C’

11

10 9

2

14

13

11 13

10

Instituto Superior Técnico

13

C’

14

11 13

Instituto Superior Técnico

15

16

13

C

level 0

13

15

13

13

C

13

13

Caso de Estudo . Habitação Colectiva

level 1

Planta do Piso 1 (comum aos restantes)

Gonçalo Sassetti . 81862

1.100

João Lavrador . 82606

Manuel Lages . 81039

Planta do Piso 1 (comum aos restantes)

Gonçalo Sassetti . 81862

João Lavrador . 82606

1.100

1.100

Manuel Lages . 81039

42


BLOCO DA CARVALHOSA ARMÉNIO CASSIANO BARBOSA BLOCOLOSA DA. CARVALHOSA BLOCO DA CARVALHOSA ARMÉNIO CASSIANO BARBOSA BLOCOLOSA DA. CARVALHOSA ARMÉNIO LOSA . CASSIANO BARBOSA ARMÉNIO LOSA . CASSIANO BARBOSA

Alçado Norte 1.100

north elevation

Alçado Norte 1.100 Alçado Norte 1.100 Alçado Norte 1.100

entrance details

Pormenores da Entrada - Exterior

Pormenores da Entrada - Interior

Pormenores da Entrada - Exterior

Pormenores da Entrada - Interior

Pormenores da Entrada - Exterior

Pormenores da Entrada - Interior

Pormenores da Entrada - Exterior

Pormenores da Entrada - Interior

Terraço

Espaço de Estar

Terraço

terrace

Terraço Terraço

Espaço de Estar

living room

Espaço de Estar Espaço de Estar

Fachada Posterior

Alçado Sul 1.200 Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Alçado Sul 1.200

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039 Fachada Posterior

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

south elevation Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Alçado Sul 1.200

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

Fachada Posterior Fachada Posterior

Alçado Sul 1.200

photos

43


BLOCO DA CARVALHOSA ARMÉNIO CASSIANO BARBOSA BLOCOLOSA DA. CARVALHOSA ARMÉNIO LOSA . CASSIANO BARBOSA

BLOCO DA CARVALHOSA

ARMÉNIO LOSA . CASSIANO BARBOSA

Corte A-A’ 1.100

section AA’

Corte A-A’ 1.100

Corte A-A’ 1.100

Pormenores da Escada

Pormenores da Escada

stair details

Pormenores da Escada

Corte B-B’ 1.200 Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Instituto Superior Técnico

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

Mestrado em Arquitectura

Projecto de Arquitectura III

Caso de Estudo . Habitação Colectiva

section BB’ Instituto Superior Técnico

Corte C-C’ 1.200

Corte B-B’ 1.200

Corte B-B’ 1.200

section CC’

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

Gonçalo Sassetti . 81862

João Lavrador . 82606

Manuel Lages . 81039

Corte C-C’ 1.200

Corte C-C’ 1.200

44


model

45


3rd year student housing in Beato ii. restoration of an old military building Beato, Lisbon Prof. JoĂŁo Pedro FalcĂŁo de Campos

47


This semester we had to design a temporary housing complex for students and researchers in an old military com-

plex. The building I chose to restore was the old machine room/ electric central of the campus that stands out from rest of the buildings for its classical line in the windows,

friezes and columns. In my understanding, this construction is strategically located to become the main entrance

and the principal reception of the military complex. The proposal intends to make the building quite permeable

on the ground level. Also, the residence will be near the

main street (Rua do Beato) that connects the military maintenance area to Lisbon center and the zone of Expo98.

The existent building, as a big open space, will receive the public areas as the restaurant, the cafeteria, the reception

and all the commercial services. The building extension will afford all the housing and the residence’s common social

areas. Between these two volumes, a space of transition will be developed as the separation of the private and the

public. However, this space has his own life and provides visitors a unique space to socialize, relax and to differently relate with the surroundings. The ousing modules

have a linear continuous plan oriented, as the all project,

to the river. On the top of the building, the space becomes public with the suggestion of a belvedere and a small bar with a brilliant look over the city and the Tagus river.

49


STUDENT HOUSING Beato, Lisbon.

localização 1.500

location localização 1.500

cortes 1.200

estudo prévio . habitação coletiva

schematic sections

estudo prévio . habitação coletiva

Manuel Lages 81039

Manuel Lages 81039

localizaçã

50


residence plan: rooms, living area

ground level: reception, stores, restaurant

housing module

sections

51


NO elevation, frontal facade

SE elevation, rear facade

street elevation

52


study model

53


4th year inside a block i. University Learning Center Almada, Portugal with JoĂŁo Lavrador and Beatriz Barata Prof. Ricardo Bak Gordon

55


This

project

arises

from

the

need

for

a

requalifica-

tion of experiences in the center of Almada, more precisely

in

the

area

surrounding

the

municipal

market.

The fact that it is a consolidated urban territory leads to intervention within the blocks, places of enormous area and potential, mostly with very little use and strong degradation. Thus,

with the impetus to return the interior of a block not only to the residents, but also to the city, a learning center was de-

veloped as a support center for the University of Lisbon. The project comes up with the motto of clarifying the block and having the least impact possible for those who

inhabit it. So, the learning center develops below the current quota, molding itself to the form of the pre-existences.

The opening of three squares, distinct not only in its size but also in its function and ambience, gives the new building the

necessary natural light, defining its only visible shape. Its fully

accessible roof offers the city a new place to be, with new terraces for the existing cafes, as well as a ample and multipurpose space. The learning center integrates spaces such as a research center, library, study spaces, auditorium and

conference room, as well as spaces for the community such as a gymnasium, a playground and a restaurant / cafeteria.

In the project, the main spaces are oriented to the squares, complemented with the circulation areas and lounges, as well as zones of service, near the limits of the block. Associated with these spaces of stay, there are small courtyards in several points. The

facade are defined by a strong geometry of slender concrete pillars

that, due to their proximity, accentuate the sense of verticality. The-

se support the thick concrete slab, a main element of this project. The

Almada

Learning

Center

intends

to

assert

it-

self subtly in the center of the city, creating a new attractive

pole

through

its

delicate

intervention.

57


58


preliminary sketches

59


David Chipperfield

Gunnar Asplund

Max Dudler

Museum of Modern Literature

Stockholm Public Library

Hochhausensemble and Jacobs University

project references

60


process sketches

61


LEARNING CENTER Almada, Portugal

overall plan

62


roofing plan

63


64


study model

65


B’

A’

A

B

c’

c level 0 (40m)

66


level -1 (33m)

67


auditorium section AA’

exterior squares section BB’


69


study models

70


facade study

71


42.00 m 41.00 m

35.00 m 36.00 m

33.00 m

constructive section CC’


73


library

auditorium

square

74


model 2

75


competitions Projecto Relâmpago 2017 Cacilhas Urban Plan

Discovering the square Tagus River. Almada, Portugal IST groupwork Prof. Manuel Correia Guedes

77


78


Projecto Relâmpago 2017 | Is Cacilhas Lisbon?

IST | M. Arquitectura

naval museum and central station

square, playground, park

amphitheater

lighthouse

amphitheater

terraces multipurpose playground picnic relax (tables)

people movement

boat

central station

train

bus

1.1000

Starting from the intention of freeing space in the area of intervention, our approach to simplify and reorganize Cacilhas was adopted. We tried at first to eliminate the current dispersion of the transport stations, which interrupts the fluidity of the fluxes of people. Creating a single interface, which gathers every terminal, the comfort of the users is guaranteed and, at the same time, a single starting point to the discovery of Cacilhas is created, without disregarding its historical identity. Additionally, creating this interface allows us to free Cabo do Ginjal, reinforcing the connection between Cacilhas and Lisboa.

Discovering the square

It is our intention to make the riverside more dynamic, which is obtained through the creation of an amphitheater turned to Lisboa, strengthening the communication with the other margin. Having the interface, Cais do Ginjal, and the rest of the city as boundaries, a new square is born, elevated in comparison with the aforementioned areas. Its height creates conditions to contemplate its surroundings and at the same time it marks its limits. The square faces a role as a fluid transition area regarding the new pedestrian circuits, conditioned by the new display of the area that characterizes the arrival and departure to Cacilhas.

Group 18

79


competitions International VELUX Award 2018 LightSkin with Gonรงalo Sassetti and Miguel Jarroca Prof. Manuel Correia Guedes

81


LightSkin is the new way of sustainably bringing daylight into the buildings. The

project idea is based on the creation of a membrane/textile made of optical fiber that is capable of transporting natural sunlight captured from the surface.

82


case study (buried houses)

Guadix, Spain

underground metro

final poster

83


FAU, Chile sensorial tower i. case study, Reims Cathedral ii. conceptual exploration iii. sensorial tower Campus Sur, Santiago Prof. Tomas Villalon

85


86


A'

B'

Planta Baja Cathédral Notre-Dame de Reims 1:150

i. Case Study, Reims Cathedral

A

A' B'

A

B

B

floorplan

pilar details Planta Baja Cathédral Notre-Dame de Reims 1:150

87 Peso Pesado Tomás Villalón, Emanuel Astete, Isidora Billeke, Leonardo Salgado Lámina 01 Manuel Lages - Dayan Monzon - Vicente Canales

Bibliografía 1. 2. 3. 4.

Floor plan of Reims cathedral, drawing by E Leblan, engraving by Jean-Joseph Sulpis (1826-1911), from LArchitecture du V au XVI siecle et les Arts qui en dependent, 1853-1857, by Jules Gailhabaud (1810-1888), Bibliothèque Municipale de Reims Plan de la Cathédrale de Reims - Chapuy (dessinateur) ; Millet (graveur) - 19e siècle. Bibliothèque Municipale de Reims Plan de Notre-Dame de Reims - Boudié & Camuset (lithographe), Bibliothèque Municipale de Reims Eglise cathédrale à Reims. Plan et mobilier (du XIIIe au XVIe siècle) - Leblan, Eugène (dessinateur) ; Sulpis, J. (graveur)- Dans : "L'architecture


Elevación frontal Cathédral Notre-Dame de Reims 1:150

frontal facade

Peso Pesado Tomás Villalón, Emanuel Astete, Isidora Billeke, Leonardo Salgado Lámina 04 Manuel Lages - Dayan Monzon - Vicente Canales

Bibliografía 1. Portail de Nôtre-Dame de Reims, Cerceau, Paul du (graveur) 1656. Bibliothèque Municipale de Reims 2. Portail de l'église métropolitaine de Notre-Dame de Rheims, Thierry, J.E. (graveur)1823. Bibliothèque Municipale de Reims 3. Cathédrale de Reims, Deblois, Charles (graveur). Bibliothèque Municipale de Reims 4. Elévation prise du côté de la face occidentale, Eglise cathédrale, à Reims. Leblan, E. (dessinateur) ; Ribault (graveur) ; Sulpis, J. (graveur) ; Bestault (imprimeur). Bibliothèque Municipale de Reims 5. Elévation, La haute nef, deuxième partie ,Reims - Villard de Honnecourt (architecte), Bibliothèque Municipale de Reims

transversal section AA’ Sección Transversal AA' Cathédral Notre-Dame de Reims 1:150

Peso Pesado Tomás Villalón, Emanuel Astete, Isidora Billeke, Leonardo Salgado Lámina 03 Manuel Lages - Dayan Monzon - Vicente Canales

Bibliografía 1. Sections, Cathedral,Reims - University prints, Boston 1212

2. Coupe transversale, dáprés la lpanch de la Monographie de la Cathédrale de Reims 1895 - Gosset, Alphonse (dessinateur), Bibliothèque Municipale de Reims 3. Detail coverture Reims - Deneux, Henri (dessinateur, architecte, photographe), Médiathèque de l'Architecture et du Patrimoine 4. Bas-côté de la nef : plan et coupe transerversale, Naples, Paul (dessinateur), 1878 - Médiathèque de l'Architecture et du Patrimoine 5. Coupe sur les fondations de la cathédrale Notre-Dame de Reims - Deneux, Henri (dessinateur, architecte, photographe), Médiathèque de l'Architecture et du Patrimoine

88


longitudinal section BB’ Sección Longitudinal BB' Cathédral Notre-Dame de Reims 1:150

Peso Pesado Tomás Villalón, Emanuel Astete, Isidora Billeke, Leonardo Salgado Lámina 02 Manuel Lages - Dayan Monzon - Vicente Canales

Bibliografía 1. Arches used to support internal and external elevations, Reims cathedral, France, from LArchitecture du V au XVI siecle et les Arts qui en dependent, 1853-1857, by Jules Gailhabaud (1810-1888) 2. Sections, Cathedral,Reims - University prints, Boston 1212 3. Elévation, La haute nef, deuxième partie ,Reims - Villard de Honnecourt (architecte), Bibliothèque Municipale de Reims 4. Coupe sur les fondations de la cathédrale Notre-Dame de Reims - Deneux, Henri (dessinateur, architecte, photographe), Médiathèque de l'Architecture et du Patrimoine

elevation Elevación frontal Cathédral Notre-Dame de Reims 1:150

89 Peso Pesado Tomás Villalón, Emanuel Astete, Isidora Billeke, Leonardo Salgado Lámina 04

Bibliografía 1. Portail de Nôtre-Dame de Reims, Cerceau, Paul du (graveur) 1656. Bibliothèque Municipale de Reims 2. Portail de l'église métropolitaine de Notre-Dame de Rheims, Thierry, J.E. (graveur)1823. Bibliothèque Municipale de Reims


ii. Conceptual exploration , Reims Cathedral elements explored : cross vault , butress

b’

a’

a

b plan level 12 (75m)

plan level 10 (50m)

elevation E

elevation NE

90


section aa’

section bb’

91


general isometric

92


isometric_ Gusano

93


iii. SENSORIAL TOWER The idea of the third and last exercise results from the study of a classic canonical work and all the precedences that were

discovered during the second exercise of free exploration(ii). Finally, we come to a project whose program focuses on the

capacity a building has to store, whatever it is. The sense of a "heavyweight" building is not lost, light control is thorough and

completely fundamental in the development of the proposal.

In the project developed, the theme of storage did not fo-

cus on something physical or concrete. The building tries to keep sensations. The storage of feelings and emotions

quickly became the design of a project that tries to reproduce or bring to reality the sensations that affect the human being. A BANK OF SENSES, a place where the human senses are enhanced, experienced and lived with

great intensity. The whole sensorial experience of the buil-

ding is distributed in an inconstant and surprising journey.

95


96


iii. SENSORIAL TOWER, Campus Sur elements_cross vault

master plan

97


project geneis

variaton 1 _ amplitude, width

variaton 2 . height, slenderness

variaton 3 _ grill, rhythm

98


The intention of the proposal is to make people forget all the movement, visual and sound noise produced by the exhaustive dynamism

of the city and return to the basic and fundamental principles of the human being, the five senses. There is an attempt to position the body and sensitivity of the human being back to the center of architecture.

A grid of arches at the ground level is the intermediate space between the citadel and the base building of the proposal and forms a neutral

space that suggests visitors to leave behind the speed of the city and the exaggerated number of sensory impulses that the same produces. The ght,

project

materials,

intends

sounds,

to,

through

wind,

the

shapes,

control

generate

of

li-

quali-

ty spaces capable of providing various sensory experiences.

The idea is based on the design of a vertical, almost labyrinthine path, where moments of pause are created for the potentiaton of the

five senses. The promenade, over time, is gaining meaning and the transition between the spaces ends up having as much importance

as the spaces themselves. The building is a narrative of moments of surprise and rediscovery of the basic senses of the human being.

In the end, the entire architectural experience is multisensory.

The characteristics of space, matter and scale were always mea-

sured by our eyes, ears, nose skin, tongue, skeleton, muscles ... and the project makes the visitor remember the first perception we have of an architectural element and space configured by the even.

99


A

A'

overall plan

100


3

7

11

2 olfato

6 oĂ­do

10 gusto

5

9

4 tacto

8 vista

1

0

levels plans

101


isometric

102


elevation

103


section AA’

104


smell

hearing

touch

sensing spaces examples

105


exterior and interior ambiencies

106


Manuel Lages January 2019

Profile for Manuel Lages

portfolio manuel lages  

portfolio manuel lages  

Advertisement