Symphony No. 1 for concert band by Frank Ticheli

Symphony No. 1 Fr ank Ticheli

Transcribed by Gary D. Green for Concert Band

M a n h at ta n B e a c h M u s i c

Recording Credits for Symphony No. 1: Performance by Michigan State University Wind Symphony, Kevin Sedatole, conductor. (Live performance recorded on December 2, 2009)

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited

SYMPHONY NO. 1 F O R

C O N C E RT

B A N D

F R A N K T ICH ELI Tr a n s c r i b e d I

N

1 Full Score

S

T

R U

by

M

G a ry D. G r e e n

E

N

T A T

I O

N

1 Bb Tenor Saxophone

2 Double Bass

1 Eb Baritone Saxophone

1 Piano

1 Piccolo

3 Bb Trumpet 1

2 Piano/Vocal Score

4 Flute 1

3 Bb Trumpet 2

4 Flute 2

3 Bb Trumpet 3

1 Oboe 1

1 F Horn 1

2 Oboe 2 (doubling English Horn)

1 F Horn 2

4 Bb Clarinet 1

1 F Horn 3

4 Bb Clarinet 2

1 F Horn 4

4 Bb Clarinet 3

2 Trombone 1

3 Bb Bass Clarinet

2 Trombone 2

1 Bassoon 1

2 Bass Trombone

1 Bassoon 2

3 Euphonium B.C.

2 Eb Alto Saxophone 1

2 Euphonium T.C.

2 Eb Alto Saxophone 2

4 Tuba

(oversize, 11x14˝, sold separately, not included with set of parts)

(piano is for rehearsal only) Tenor (or high Baritone) mv’t. 4 only

1 Timpani 2 Percussion 1 Vibraphone (motor off), Bongos, Snare Drum, Bass Drum (lg.), Suspended Cymbal (med.)

2 Percussion 2 Glockenspiel, Temple Blocks (5), Crotales, Suspended Cymbal (med.), Xylophone, Tambourine, Crash Cymbals

2 Percussion 3 Slapstick (lg.), Chimes, Suspended Cymbal (med.sm.), Tom-toms (4), Claves, Vibraslap, Tam-Tam (very lg.), Triangle (med.)

1 Marimba 1 (versions for both 5-octave and 4.3 octave marimbas provided) mv’t. 3 & 4 only

1 Marimba 2 (versions for both 5-octave and 4.3 octave marimbas provided) mv’t. 3 only

P R I N T E D O N A RC H I VA L PA P E R

Gg Manhattan Beach Music  1595 East 46th Street  Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N BEACH M USIC

1 A C K N O W L E D G M E N T

S Y M P H O N Y

N O. 1

was commissioned by the University of Miami School of Music Abraham Frost Series and received its premiere performance at the closing concert of Festival Miami on October 25, 2001 by the University of Miami Symphony Orchestra Thomas Sleeper, conductor This concert band version was created by Gary D. Green, Director of Bands at the University of Miami and received its world premiere performance on January 21, 2009 by the University of Miami Wind Symphony Gary D. Green, conductor The original poem used in this symphony is also set in my S A T B choral work entitled “The Song Within� published by Hinshaw Music. Many of the same thematic and expressive materials are explored in the choral work; this may be useful to those who wish to make a comparison of the two settings. Heartfelt thanks to Gary D. Green for his brilliant work and tireless commitment to perfection in making the present transcription. Through his deep understanding and love of the orchestral version and his careful rendering of its every expressive detail, he has succeeded in breathing new life in my symphony, illuminating its meaning in powerful and exciting new ways. I am grateful for his work, and honored to call him a true friend.

P RO GRAM

S

N OT E

Y M P H O N Y N O . 1 was begun in the fall of 2000 in Pasadena, California,

and completed the following summer at the MacDowell Colony in Peterborough, New Hampshire. Its four movements represent a journey of the soul from innocence, to introspection, to darkness, and finally to enlightenment.

Before writing a note of music, I began jotting down a list of the kinds of sounds I wanted to evoke in the symphony. These jottings eventually evolved into a poem. Moving from themes of hope, to peace, to crisis, and finally to reconciliation, the poem’s four main stanzas correspond directly to the symphony’s four movements. I want to hear the sounds of hope — of big church bells and distant horns, Sounds that wash away the wars and arouse the human heart. A sure harmony gliding over a sea of stillness. I want to play the sounds of peace — of sighing winds and rustling leaves, Sounds that silence troubled thoughts and calm the spirit’s raging storms. A song of serenity from high atop an ancient hill. But my harp is stilled by voices — Children, hungry, crying out. Their dreams, windswept, My house of wisdom, a web of sorrow. I only know that I am longing… And then… I catch a glimpse — an ancient tree… an open gaze, Some eternal euphony that dances upon the light. And for one fleeting moment, I know… I am the sound of hope, the instrument of peace, the song within the Song.

The first movement, “Of Youth,” expresses vivid aural images of a spring morning —  bell sounds, trumpet fanfares, bright harmonies, and clear textures illuminate the movement and give it a youthful energy. Themes come and go quickly, suggesting a short attention span and a childlike impatience.

The second movement, “Of Wisdom,” despite its strong melodic and harmonic connections to the first, is in many ways its alter ego. Bright fanfares give way to greater lyricism. Childlike optimism yields to introspection. After a series of vast modulations and an orchestral swell, a lengthy period of calm follows. A repeated major chord hangs high, becoming an immovable block that is quietly implacable to the pleadings of the solo bassoon. Vague recollections of the first movement appear like fleeting dreams.    The third movement, “Profanation,” represents a crisis of faith. The key of D minor is used as a symbol of darkness. This association also pays tribute to Mozart, who used the key only on rare occasions as a symbol of pessimism and struggle (e.g., the appearance of the stone guest in Don Giovanni, and the unfinished Requiem Mass). The main theme wedges upward and back again, as though dodging some menacing force. A contrasting middle section provides an uneasy moment of respite before surrendering to the return of the scherzo and its racing heartbeat.    The poem sung in the final movement, “Prayer,” summarizes the dramatic flow of the entire symphony. The accompanying music searches in vain for resolution, wandering from one tonal area to another (D, C, F, A, B) before finally resigning itself in the poignant key of B minor. After a period of darkness and vulnerability, the music ultimately yields to themes of transcendence as the singer discovers an inner light.

F RAN K

T ICH ELI

PA SA D ENA , CALI FO RN IA MARCH

S Y M P H O N Y N O. 1 F O R CO N C ERT BA N D

Movement I, Of Youth: 6 1/2 min. Movement II, Of Wisdom: 9 1/2 min., beginning on p. 31 Movement III, Profanation: 5 1/2 min., beginning on p. 46 Movement IV, Prayer: 9 1/2 min., beginning on p. 88 Total Duration: Approximately 31 min.

9, 2011

F RA N K

T I CH ELI

WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) Rest (8 minutes, grade 4) Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation," Movement 4, "Prayer"

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

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Learn about Frank Ticheli’s newest works, events, CDs, DVDs, books, and hear complete recordings at

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SYMPHONY NO. 1

Transposed Score

FOR CONCERT BAND   Piccolo   Flute

Oboe (Ob. 2 doubles Eng. Hn.)

1 2 1 2

Bb Clarinet 1

 

Exultant q = c. 138



2



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

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

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      f   Bb Bass Clarinet   a2  1      Bassoon   Bb Clarinet 3





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Bb Tenor Saxophone

f

  

      Bb Trumpet 1  

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Eb Baritone Saxophone

Bb Trumpet 2

F Horn F Horn Trombone

1 2 3 4

  

1 2

Bass Trombone



Euphonium



Percussion 3

2

 

 

Tacet until mvt. 3

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Copyright © 2011 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-140-4 (set of parts only) ISBN 1-59913-141-2 (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3's, view scores and more at www.ManhattanBeachMusic.com

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1  Marimba  

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f Glockenspiel

Percussion 2

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     Tacet until mvt. 4 Voice     (Tenor or high Baritone)     Timpani   Vibraphone     Percussion 1   Piano



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

FRANK TICHELI TRANSCRIBED BY GARY D. GREEN

         

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I. Of Youth

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Bb Tpt. 3

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 

 

  Bb Tpt. 1   

F Hn.



13



pp



Bb Ten. Sax.

Eb Bari.Sax.

f

12



             f            





1 2



f

  a2             



Bb Cl. 2

Bsn.

11

f



Bb Cl. 1

     

                



1 Fl. 2

Ob.

   

10

  



pp

  







































 



  







 



  









 p



  





  



   

pp

pp

pp

p

p

pizz.

p

 







































































Temple Blocks



f

 2



 Picc.  17

 



           (1. solo)

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

1 Bsn. 2

Eb Alto Sax.

1 2



p 2.

 

p

   

 

mf

mp

 

   

 



mf

mp

 



 

(1.)

 

   

 

19

 

20











  

mf

mp

  



  



 



       

a2

        f

  

 

 

   

    

mf

mf



 f

 



  

   



 











  

 

a2



mf



f



 



 











Bb Ten. Sax.





 



 











Eb Bari.Sax.





 



 













 



 











Bb Tpt.

1 2

   

1 F Hn. 2



mute

 

mp 3. mute

mute out         sf

    





 



 













 



 













 



 













 



 







Euph.

 

Timp.



mp

sf





 





 

 

 

 Perc. 1  Perc. 2



Perc. 3



mf fp









3



Bs. Tbn.

Pno.

p

3. open

    



 

 D. B. 

mf



 











Tuba





1 2

Tbn.



a2 (2. open)





3 4



 

1. open 

 

 

F Hn.



mute out

 

     mp

    



   



 





 



 





 



 







 



 

P



 



 











    mf

p

 

(pizz.)

           mf



  



 

 P



 

    mf  

   



       





  

 

mf

Crotales







mf



Chimes



mf

3

 





(Vibes)







f



f

   



  

  

a2

     

f

 

23

f

   

 

 



 

 

22 

 

       



  

21





           

 



Bb Bs. Cl.

  

2+2+3

 





1 Fl. 2

18







  

 24  25      Picc.     1 Fl.  2  2.          1 Ob.    2 

Bb Cl. 1

   



      

 

Bb Cl. 2









 



 



        

 





  



   

    

 





  



    

  

p



p



p



espr.

 



poco f



f

  



p

 





p









 

   









 



 











 



 











 



 



 



 

Eb Bari.Sax.











 











 





mf

p





1 2







Bs. Tbn.







3 F Hn. 4

Tbn.

Tuba

D. B.





 





Pno.

 

    

Perc. 3

 

pp







   

(Vibes)

(pizz.)

 

  



 



 

 

espr.







 p

   

P



      p







 







 



 







 



 







  



  

 

      

   

    

    p











  

  



  





 



    

4



 

  



mp

     



 





  



    

1.





poco f

pp

       



(Chimes)





 



pp



(Crot.)

Perc. 2





  

 

  

p 2.











    

 Timp.  Perc. 1



mf



Euph.









 





 



  







1 2

   



 



F Hn.







Bb Ten. Sax.

 

    











p

      

1  Eb Alto Sax.  2

1 2







Bb Tpt.

31









30



     



 

   

Bb Bs. Cl.



29

 



Bsn. 2



2+2+3

 



f

 





Bsn. 1



28



  

     

27



Bb Cl. 3

 

26

     

         

 













   

  







    

div.  





  

 P

 







  



 



    

     





     

  







    



 



 



 







 



 







 Picc.  32

    a2

Fl.

Ob.

1 2

f 1.

   

1 2

f





Bb Cl. 1



Bb Cl. 2

 



 

 

Bb Cl. 3



Bb Bs. Cl. 1 Bsn. 2



33

 





 Eb Alto Sax. 1 

34  





  

 



  

 





           f



 



 

      mp



 



 

    

mp

 espr.



fp

 



 



 



38

 



fp

 





 

 mf



 

  







 



  









fp

       

   

 

 

 





 

 



  











fp

        

  





   





mf



   





mf







    



mf          

a2

 



 

           



   

 

1.       



  

     

40



 



39



       

         

  



37



     



  

2+2+3

 



 espr.

 





        

36







   

35

a2





mf





mf

  



 







 



    

Bb Ten. Sax.





 



 

Eb Bari.Sax.





 



 





 



 









 



 





 



 









 



 



 



 









 





 



 









 

















 

 



 

 



 









Eb Alto Sax. 2

 Bb Tpt. 1  

Bb Tpt. 2

f

mp

   



 







mf







mf

 open

  

 

mf

       

open

mf

Bb Tpt. 3





 

F Hn.

1 2





 

F Hn.

3 4





Tbn.

1 2

 

 

 





 



 









Bs. Tbn.



 

 





 



 









Euph.





 



 









Tuba





  

  



  



  



   







 



Perc. 2

Perc. 3

mp

  

 



  



  





 



 









 

      





 



 









 



 





 



 







   

 



 



 



 







 



 





 



 









 



 





 



 











Perc. 1

 



 



          

Timp.



   

 D. B.  Pno.



 

  



 



D.B. cue*





p



*For all double bass cues, only one tuba plays if no double bass available arco





mp





  

5



 

  

Sus. Cym.





p



mf

 

mf Bongos – sticks









mf

   

mf









   

(Chimes)



mf



 Picc.  41



Fl. 1



Ob. 1



Ob. 2

      

Bb Cl. 2

Bb Cl. 3

                                 



   





3







(a2)

 

Bb Ten. Sax.

Bb Tpt. 1



  

1 F Hn. 2



Timp.

Perc. 1

 

Perc. 2

Perc. 3





 

 





  

  









(Bongos)

 



  

   



 

          



f



  







         

 

    

    



   

           





3

3

   

sf

    1.



mf

 





3

3

f

 







  

f

mf

 

        

f to st. mute



to st. mute





  f





 



P

 



   

f

Slapstick





6



f





   



         

          





 

   

   

f

          



P



Xylo.



   

  

mp

sfz





  

st. mute f





 

 

    

mf



   



                     





3

3

p







 



           3



f





f

   







 



                      st. mute     

      

   

                                



2.





 





f

f

    



  

         f           

f



  



         

  to st. mute            



     

f







   





f









f

                                f                     

3

sf

     







   

 





                      

p

(Chimes)

 

3

3

3

 



 



             









   



fp

 D. B.  Pno.

mf

fp



f



f

3





  

3 F Hn. 4

f

       

                           



  

            



 





    

Bb Tpt. 3

 



  

 



   

Bb Tpt. 2

1 Tbn. 2





  

 

   



3

                     

  Eb Alto Sax. 1  Eb Alto Sax. 2



3

3







   

              3  3   3                                              f                                                  3 3  3

   



3

                                3

      

 

3

f

                             3             

      



Bb Bs. Cl.

3

mf

3



Bb Cl. 1

1 2



        

Fl. 2

Bsn.



44 Vigorous        46  42         43    45  3    3                                         

 





 

  

 

f

 

     P

 

P



  

2.

 



Sn. Dr.

  p

   

mf

                 



 f



47   Picc.  



Fl. 1

 

Fl. 2



Ob. 1

        cresc.       cresc.           

48

cresc.



Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

 

Bsn. 1

 

Tuba

  



cresc.

       cresc.

D. B.

Perc. 1

Perc. 2 Perc. 3













 





cresc.



 

      



cresc.

  

 











cresc.









    

  

mp Sus. Cym. 



 







 

 



f













p



 











 

 



p























     ff





p

p

        

 



 

f

p

 





 

p



p





















































































 















arco

 p

     P 

    

mf

 Chimes



f

7

to mute

 

pp

mf

    







mf



      To Eng. Hn.  



f

p

 

p

p

f

 

p

       

  

     3. mf               

  





p       

fp

 





    





poco rit.



 



pizz.

 



p

54

       

f

p

   

 

53



p

p



  



p



 

fp

ff

p





 



  

        

 

  



    







 







 

   

    

       



 







ff



   

 

52

                 

   







 

               





 



         







                  

  







 

f cresc.

  

 





       

cresc.

   P  Timp.  Pno.

f cresc.

 

    



          

Bs. Tbn.





     

1 Tbn. 2





 Bb Tpt. 1  

3 F Hn. 4

    

  

   

51





   Bb Ten. Sax.                  Eb Bari.Sax.  

1 2





f cresc.

F Hn.

              

50



        Bsn. 2  cresc.         Eb Alto Sax. 1    cresc.           Eb Alto Sax. 2    

Bb Tpt. 2



cresc.

 

Bb Bs. Cl.

49

            

            cresc.         cresc.               cresc.          cresc.

Ob. 2

   





p



p







  



   































































 Picc.  

56              





 

         





55

1 Fl. 2

Ob. 1

Ob. 2

Bb Cl.

mp













Bsn. 1





 

Eb Bari.Sax.

1  Bb Tpt.  2 Bb Tpt. 3

1 F Hn. 2

















F Hn.

3 4







Tbn.

1 2





 

Bs. Tbn.

Euph.



Tuba



D. B.

Pno.







     

 

  









 pp

pp





  





mp

 

  

   



                            2.







mp





 

 

      









 

   

 







    





 



























mute

      mp

      

 

mf

  



     mp

   











































D.B.







pp





      f





  









mp









mp

pp





mp

pp



    





p

pp

   

Solo

p



   

60



a2



f (with energy)





59



                        

mp

1  Eb Alto Sax.  2 Bb Ten. Sax.

Eng. Hn.



pp

58



  

q = 108

mf



 

Bb Bs. Cl.

Bsn. 2

mp 1.

  

1 2

57





















 

            











 

         











 

pp

mp

pp

mp























Perc. 2















Perc. 3















Timp.

Perc. 1



8

 p





 

64

 Picc.  61



Fl. 2

Ob. 1



p









 

To Oboe

p





f

 

f

 

         f 



Bb Cl. 3



 

Bsn. 1



 Eb Alto Sax. 1 



f



mf





mf

 

 



    

   

     

 

      



                  f

   f

p

 

  

   

p   



f









  

p

 

2.

 

mf



  

mute out



 

  





f

     f







  







 







   mp

    





1. st. mute



mf 3.



mf 2.

 

mf

 



mf

 

 p

 



p

Play





p pizz.





mf











































Perc. 2









Perc. 3









Pno.

Timp.

Perc. 1

   



9

Sn. Dr. – brushes

 



f



Trgl.



f

   mf





  p

  

f









  



    











1.



        



open











 





1 2











 







D. B.









fp













Tuba



 













3 4

Bs. Tbn.

  







fp

Solo

    mf





     



 

  







1 F Hn. 2







   



65

   



 mf

 



                   



 

Bb Tpt. 3

Tbn.

 

 

Bb Ten. Sax.

F Hn.



f

   

            



p







Eb Alto Sax. 2

1 Bb Tpt. 2

f

 

p

p

       

              

mf

  



p



    Bsn. 2  

Eb Bari.Sax.



 

Bb Bs. Cl.

f



solo

Bb Cl. 2

f





Bb Cl. 1



                       

p

                   

 

Eng. Hn.



            

63







Fl. 1

62





  

   

 Picc.  66



1 2





Ob. 1





Fl.

   

Bb Cl. 1

f

 

Bb Cl. 2

    

Bb Cl. 3



Bb Bs. Cl.



Bsn. 1

   



    



 

   p

   



mp

f











   

1 Tbn. 2



Euph.

Tuba

D. B.

Pno.





 



 

 Timp.  Perc. 1

Perc. 2

Perc. 3

          3

f

  



 

 

   

f

p



















        f    





 

f













  















    mp    

  f  

 



mp









f

mf

     p 2.     



   

p









   



mp

  mp 

 

mp







      f







    

p

  



f















 



    mp

10

  

Crotales mp



to st. mute

pp



p

     f fp       













      

  





mp



   

f

 mf

f

    

 

 









f





Chimes



 









   

 

mp





    



       











 







mp



   





   





 

mp

 



pp





     



mf



st. mute        

div.









p







p

mf



(1.)



                









p



   









   





mf



f

71



 

Bs. Tbn.

p



  





3 4

F Hn.

  

mf

Eb Bari.Sax.

 



   



1 F Hn. 2







   

Oboe



        





p



       





Bb Ten. Sax.

Bb Tpt. 3







   

p

f

  



  

f

p

3



1 Bb Tpt. 2



       

f

70

            



 

1 2



 69   



             Bsn. 2   Eb Alto Sax.



p

          

    

68

p





Eng. Hn.

67 

 



p

  



 







72

Picc.

Fl. 1

Ob. 1

Ob. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1

Bsn. 2





 









Bb Cl. 2





mf





 







 







F Hn.

p





f







Euph.











Pno.



Timp.

Perc. 1

Perc. 2

Perc. 3

 

    



mf





















 

   f















mf

 

 

 

mf

mf



 











mp

 11



   

 



 



 

 

 

 

  

fp



    

 

   



 

fp





1.



3.

 f



f

 

  

   



p

  

p

   

 







 



 







 



 

  

 



 

unis. pizz.





    





 









 





 





mp (Crot.)





 



 













Vibes

 









 

  



 



3

     fp       



 









mf



   







fp







 

     fp     





mf



           mp





  

fp







div. arco

            mp 



f

f

3                            





     

Bs. Tbn.

 

   

p

 



 



  

f





a2 

mp



   







         

   

p



 D. B. 









f

f







p

p

1 Tbn. 2

Tuba



f



 





  

3 4







1 2

   



  





Eb Bari.Sax.















Bb Ten. Sax.

F Hn.



p



1 Bb Tpt. 2

f

f





                           Solo boisterous

78  3               3         3 3

f

   

p

f

77          







76

mp



f

3



1  Eb Alto Sax.  2

f



        3

 



75





sf

74



 

  

Bb Cl. 1







Fl. 2

                     

Solo boisterous

73 

f





    





   







mf

  



 

 

 

 



 



 

 



 

 



 

mf

mf

  



 

 

2+2+3   81                

79 3+2+2 80            Picc.     Fl. 1

Fl. 2

Ob. 1

Ob. 2

      



 

 



 

 



 

 



1 Bb Cl. 2

1.   

Bb Cl. 3

 

Bb Bs. Cl.

3

 

mf

3             



 sfp

mf

sf

   



mf

sf





  



 

f

   



f

    

  

a2

fp

fp





fp

   



   

   



   

 

 

 



f





1.

  

  

  

  

  

    



 

  

 

  

p

f

p

 

84

mf

         



f

                                      

sf

83





    

f

mf

   

  

  

   

 



mf

    



mf





 









mf

 



  



 



 



 





 



 



 



 





Bb Ten. Sax.

 



 



 



 







Eb Bari.Sax.

  



 



 



 









 



 



 







 







 









 











1 2

  Eb Alto Sax. 1   Eb Alto Sax. 2

Bb Tpt.

1 2

  

F Hn.

1 2

 



3 4

 



 

1 Tbn. 2

 



 

Bs. Tbn.

 



Euph.

 

F Hn.

Tuba

D. B.

Pno.

       



fp



   

mf

 

 

mf

pp





pp

   

  

mf



 mf



 

 



 



 





 



 



 





  



 



 



 

   









 



 







  

 



   



 







 





   











 





    

  Timp.  

  Perc. 1   Perc. 2

 

Perc. 3

  



mf





P



  

P  

 

(Vibes)



 



 

mf





(Chimes)



mf

  





  





 

mf

  



    

mf div. – arco

 

















mf



 





 







 







 









  

 

mf

  12

 





Bsn.

  



 

  



     

82



mp

   







          Picc.   85

3

3



Fl. 1

3

 

Fl. 2



Ob. 1

Ob. 2



Bb Cl. 1

 

Bb Cl. 2



Bb Cl. 3



Bb Bs. Cl. 1 Bsn. 2

       





   



  

mf

   



3

3

3

           3





    

 

3+2+2+2





   







f



 

f

 

 

      

 

   





   f



f

f

           f       f









         





Eb Bari.Sax.





 





 







 









 







   





  





 



  



 





 









 







 





  distinct                                             

        

 





 





f





 











 









 









st. mute



secco            mf

f





F Hn.

1 2





 





     mf  

F Hn.

3 4





 





 

Tbn.

1 2





 





 

Bs. Tbn.





 





 

Euph.



 





 

 





 

 



to mute



   D. B. 

Pno.

Perc. 1

Perc. 2



 

 



 



 



 





 Perc. 3    

Sus. Cym. p







f





(Vibes)



 

unis. pizz.



f

     











 

    

    

   

   

mf st. mute – secco

 



  

          













Tuba

90

                                      f     

Bb Tpt. 3





f distinct





89

 distinct                                   



f



88  



         



Bb Ten. Sax.

 







  





     

 

1 Bb Tpt. 2



 

 



87



f



 

          



 



f



     Eb Alto Sax. 1  Eb Alto Sax. 2

3

 

86

   

 













   

   

mute

   



  

secco

         





st. mute

mf

          

mf

    mf

               

 

              

    



  



           







 









 















 T. Blks.       





 











 







f

f

 choke       f





13

 Picc.  91

Fl.



1 2



1 2

93





            



f

Bb Cl. 3







Bb Bs. Cl.













              1        Bsn.   2   

Eb Alto Sax.

1 2

 



sf



 





f



           

    mp



mf

        mf













                 mp





1. Solo aggressive



   

f

 

Bb Ten. Sax.













Eb Bari.Sax.















1 Bb Tpt. 2

  



 



Bb Tpt. 3

F Hn.



1 2

    



     



             



 

mf

3 4





1 Tbn. 2





F Hn.



Euph.



Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3







            

      



   







   







 









   

















      







       



  

      



                 D. B.          Tuba



sf



      

          

Bs. Tbn.



  

      





                

         



  

     



sf



sf

mf

mf

      

   mp



























































 

    

 

  

(T. Blks.)

mf

 Tom-Toms dry, muffled



     

mp

  

sf

              mf



mf

      



f

  





            



96 



            

sf



95



 

f





94



           



               

1 Ob. 2

Bb Cl.

92



     



   f

     

    14



  p

     

mf

mp



  mp



 Picc. 















        



1 2





      









Bb Cl. 3















Bb Bs. Cl.















97

1 Fl. 2 1 Ob. 2

Bb Cl.

Bsn.

1 2

     

98

99







(1. solo)       1        Eb Alto Sax.  2 dolce



p sub.

scolding

    ff

 

100



     

 



 

 



  

 



mf

mf

101



    

   

f

           

playful

        





f



102



mf



   



  

dolce





mf

  insistent             f

Bb Ten. Sax.















Eb Bari.Sax.















 















Bb Tpt. 1

Bb Tpt. 2

F Hn.

    

1 2









mf

F Hn.

    

3 4

mf

mf

 



   





   



mf

    



     



      

     

mute out

      

mute out

   mp     

mute out





      

Euph.



        mp











Tuba















    

Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3





    







     







D. B.

   



Bs. Tbn.









mp





1 Tbn. 2



   



    

2. st. mute      

  

   



 

 

 















































 









































 

 

Tambourine

mp

 

Claves 

 

mp

15

 

 Picc.   103

 

 

1 Fl. 2

 

 

1 2

 

 

Ob.

Bb Cl.

Bb Cl. 3

Bb Bs. Cl.







 

















  

a2 with drive and energy





mf

107

 



     

106



   

(1. solo)

1 Eb Alto Sax. 2

105 





1 2

1 Bsn. 2

mf

104

     

   

f

    f



with drive and energy

    f





f

   

  

1.





f

            f ff



 1.



f







    

 



 







    

 





    







 

 



          f  1.





 













Eb Bari.Sax.











   mute out 



    

















1 2

  

1 2

 

3 F Hn. 4

 

F Hn.

1.

mf



1 Tbn. 2





Bs. Tbn.

        



open



   f

  



mf

   f







Tuba







 



D. B.

Pno.

Timp.



      



mf

 

    

 

   

      



     f arco    

   



 







 



    

  



  





 



      



 



 open

















        

f



































 

 

 



(Claves)

 

 

 



    



mf Sn. Dr.– sticks

 



mf



 







 Tom-Toms

    mf

 16

 



  

 







        





 





 

     

   





  





f

   







 

 

f





(Tambourine)

Perc. 3

  









 Perc. 1  Perc. 2

  

open strict rhythm



Euph.

  

open strict rhythm



a2



Bb Ten. Sax.

Bb Tpt.

    





  



p

mf



 

   

 



  

  

 

  108

Picc.



Bb Cl. 3

Eb Alto Sax.

1 2





(1.)



Timp.

Perc. 1

Perc. 2

Perc. 3

(a2)

     



 



  



 

     f

 

    

f

 



 

        

 



  

   

 





   



   

        

  

   





 



 





open

   





   



mf





 

(Tom-Toms)





  



ff

 







   

ff

   

  

 





  

       



fp







 







p



p





   









        



f



mf



 





     









f

fp



D.B. cue (One only if no double bass available)



pp

D.B.



    f

 

 

 

























f

f



Xylo.



    f

17

f

   

(r.s.)

p

    

pp

div.





pp sub.



   







ffp

p

pp sub.

fp

ffp

 



   

      

 



f





 



mf





   



 mf





 1. solo – aggressive









 

   

fp





ff

   

fp

   

ff

 

 

5       





    



ff

5     

    









    









   

















   



(Sn. Dr.)

f

 





   

   

   



 

 



 



   

   

sf





      

ff

 

sf



ff a2

f

f

f

ff

    open

   





       ff ffp     

        







ff



   

 

ff

112

f

ff ffp

 

 



   

        

poco rit.

111

ffp

   

 

 















f



ff

 





   



 D. B. 

Pno.



   





Bs. Tbn.

Tuba





3 4

f

    



 Bb Tpt. 1 

F Hn.



a2





1 F Hn. 2







Bb Tpt. 3

   

    





   

  

ff









 



Bb Tpt. 2

 





 

Bb Ten. Sax.

Eb Bari.Sax.





Bb Bs. Cl.

1 2





Bb Cl. 2

Bsn.





Bb Cl. 1

    

 (1.)

1 Ob. 2

f

110        

f



Fl. 2

 







Fl. 1



109          

 



 

f

 Picc.  113





 

  

    mf

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

Solo

 

Bb Cl. 2









Bb Cl. 1

mp

  

mp

Solo

Ob. 2



   mf









  



 





mf



 Solo





    



  

Solo

mf



 















tutti



p

 





 

 

   

mp



 p

     pp



p

119



   mf





 

118



   

mf

Suddenly Faster q = c. 132



pp

  

   



p

   







116



         



pp

solo

  



mf (elegant)

    



         

























mf

pp







 

 

p

   mp



    

Bb Ten. Sax.

















Eb Bari.Sax.































Bb Tpt.

1 2

 

Bb Tpt. 3

















F Hn.

1 2

















F Hn.

3 4

















Tbn.

1 2

















Bs. Tbn.







Euph.



Tuba









 

   D. B.  Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3











 

unis.





p

  



Play



p



   









Play

pizz.





mf

 

  





arco div.

 

p























































































  



  18

   

Xylo.

mp



 

 

  





 





(1.)  

1  Eb Alto Sax.  2

  





Ob. 1



Solo  

 

Fl. 2

 

117

molto rit.

115



Solo

 

Fl. 1

114

 

 Picc.  120

Fl. 1

Fl. 2

  





 

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2



Eb Bari.Sax. 1 Bb Tpt. 2



  

mf



pp

 



124  





 













 





 











 





   

 

     

  

mf

   

  

mf

  



  



  



  

 

mf

ppp







  



 

pp

pp

ppp

ppp

  



p





 

 





  

 





 



 





 





 





 





 



 



 



 



 



  p













tutti













     pp

f

pp

f





 





 







1. 

pp

   





 







 

p







fp



      



 







pp







 

fp





pp

 







      

p

fp



pp



 



      

p





pp

p

 



     

p

ppp



pp



128

fp



f

 

127



 



   

126





                       

  

125



 

 

123

 





Bb Ten. Sax.

p



 

 Eb Alto Sax. 1  Eb Alto Sax. 2

 

 





Bsn. 1

  

   

122

p





Bb Cl. 1

2+2+3



 

Ob. 1

Bsn. 2



     

121

 





p





p



1 2





F Hn.

3 4





 



 





 











Tbn.

1 2





 



 





 











Bs. Tbn.





 



 





  



Euph.



 



 











  

Tuba









 

F Hn.



   D. B.  Pno.

Timp.

Perc. 1

Perc. 2

Perc. 3



 

  



   

 



       



 



   

  



    

  





   

 



 





  





 



 





 



 Glock.  





 



 

mp

 

  p

mf

 19



















Vibes





 













 











mf





mf l.v. sempre

 



p

Chimes

 

 

 

   







mf l.v. sempre





                               

 







mp

p

 



mf

 p 

f

pp































 

 



  

 





  Picc.   129

 

Fl. 1

 

Fl. 2

Ob.

 

1 2

130

   p

Bb Cl. 3

 

 

1 2

Eb Alto Sax.

1 2



1 2

F Hn.

  

   

fp

f

    



 

    

    

f

  

   

 

p

mf

 

 

 

 

fp

    

p







   





p

 

 

 

 

pp



2.  fp







    fp

 

fp

       

fp

fp

 

 

fp

















 

















 









 









 

 mf



















mf

 p



p































 

  

p









 pp



pp

 









   











     p

p

 

    

    

    

 

    

    

    

    

 

   

f

f

  

  

   

   

  

  

    





 

    





 

mp

mp

1. 

 

p

mf

  

 



  

   















 



















 



















 

















 



 

 



(Chimes)

 

  

 





     



 

 

(Glock.)

 

   





 





                   

 

 















 





  



f



mf

  



p



mf

 

    

p

   





 







f







  



 (Vibes)  Perc. 1  

Perc. 3

f



      

Perc. 2

             



 

Euph.

Timp.

  



f



Bs. Tbn.

Pno.





             







D. B.

mf















 





1 Tbn. 2

Tuba

mf



136







3 4





135





p

F Hn.

134





p

    





f

 



133



 

1 2







  

Bb Tpt. 3

 

132



 Eb Bari.Sax.  Bb Tpt.

  

 

p

 

Bb Ten. Sax.

    

p

 

Bsn.



fp

    

1 2

Bb Bs. Cl.

fp



 

   

Bb Cl.

 

 

131

  



 

 













 20



              

 

 







 

 















    

 





  

 





 



   

        

  Picc.    137

1 Fl. 2

Ob.

1 2

f

1.

  



  



f

 



 



Bsn.

1 2



Bb Ten. Sax.

Eb Bari.Sax.

Tbn.

3 4 1 2









 

Bs. Tbn.

Tuba



  



Timp.

Perc. 1



p

  



p



    







          f             f

p

     

f

  

p

mp

       mp

p

2. 



f 3.

  

f

f

f

  

f



 



(Glock.)

Perc. 3

  

(Chimes)





 

     

 

mp

    

 





 

 

 

    

  

 

pp



p

p

  

p

  

a2

mp a2

 

mp





 





 

       



 



 



 

 

  a2                     mf          

 

 





 



 

   

 





p



  



 



 





  



 



 



 



 



 









 



 



 





 



 



 





 



 



 





 



 



 

   





 



 



 





 



 



 

p

p

 

     

f

p

     

f

p



mf

mp

p



  

mp



p





      mf

mp

mf

      



 







f (Vibes)

Perc. 2

mf





 

   





mf





     





f

 

 



 

p

     

   

 

pp

143



 





    

espr.

p

  

  

f



p



 



mp



   

mp

f

   



mp

  



2+2+3

 

       

1.



  

p



p

  



ff

f

  D. B.   

Pno.

     ff





 

 

    



  

f

F Hn.





142

 mp          mp



p

f

1 F Hn. 2







 1    Bb Tpt.   2 Bb Tpt. 3









   

141







mp

 

  Eb Alto Sax. 1   Eb Alto Sax. 2

mp

   

Bb Cl. 2



     

140



mp

f a2

 

Bb Bs. Cl.



         

Bb Cl. 1

Bb Cl. 3

139

138

  

 

p

 



     

       



 



    

   











 



 





 



 



 





 





 





      

 



 





 



 

   

p



21





  





p

Xylo. p





 



   

 

   

  Picc.   144

Fl. 1

Fl. 2



145  

 



  

 



  



 

1 2

 

1 2

 



  

Bb Cl. 3

 



  

Ob.

Bb Cl.

Bb Bs. Cl.

  

Eb Alto Sax. 2

mf

  

mf

     



 



  



 

  



p





 



 

 

 

 one player  





 



   





 



 



 

   

 





 



 



 

150







 

 

 

 

 



      

 

p



 



149

 



mf

mp

 





 





 







tutti







  













 



 





 



 









 

  



 









Tbn.

1 2

Bs. Tbn.

mp

f

 

 



 

 



  

Euph.

 



 

Tuba

  



 

   D. B.  



 

p





open



p





 



 









 



 









 



 









 



 











p





one player





p

 



 





 



 

  

  



 

 

   

f

mute out







p



mp





  

 

1.            

 



 





 





 





 



 



 















      

 





 









 



 











 



 













 



 









 



 







22







p





p



 



p



p









 



p

a2



         





 all          mp   2.         mp









mf

1.      







    

 





a2











 











 

p



   





 

 









 

 

151 





Perc. 3

 



 

 

 

Perc. 2

 





148



3 4

Perc. 1

 

2+2+3

  

F Hn.

Timp.





a2 mute

Pno.

 





   

147

  



Eb Bari.Sax.

1 F Hn. 2



p

  

Bb Tpt. 3



a2

  

1 2

 

one only



Bb Ten. Sax.

Bb Tpt.



  

1  Bsn.   2 Eb Alto Sax. 1

146

(Xylo.)

   

p







 



     





152      Picc.    1 Fl.    2









(a2)

1 Bb Cl. 2

 



Bb Cl. 3

 





  





Bb Bs. Cl.



Bsn. 1

Bsn. 2

Eb Alto Sax. 1





 

 

     p

1.    p





1 Ob. 2

153















mf

p

mf



p







 

         





  

  

             f

    









156

  





 

p

    

 1. Solo

           











mf        



















       







   







mp



  

      









p

          



157



 

 















     

155

          

         

 



154





  



             











 



Eb Alto Sax. 2



Bb Ten. Sax.















Eb Bari.Sax.



































Bb Tpt.

1 2

  

Bb Tpt. 1

Solo st. mute – distinct

                

Bb Tpt. 2

   (1.)

1 F Hn. 2