Symphony No. 1 for concert band by Frank Ticheli

Page 1

Symphony No. 1 Fr ank Ticheli

Transcribed by Gary D. Green for Concert Band

M a n h at ta n B e a c h M u s i c


Recording Credits for Symphony No. 1: Performance by Michigan State University Wind Symphony, Kevin Sedatole, conductor. (Live performance recorded on December 2, 2009)

This virtual conductor score and recording are designated “private,” and any publication or distribution beyond the web sites of Manhattan Beach Music is prohibited


SYMPHONY NO. 1 F O R

C O N C E RT

B A N D

F R A N K T ICH ELI T r a n s c r i b e d b y G a ry D. G r e e n I

N

1 Full Score

S

T

R U

M

E

N

T A T

I O

N

1 Bb Tenor Saxophone

2 Double Bass

1 Eb Baritone Saxophone

1 Piano

1 Piccolo

3 Bb Trumpet 1

2 Piano/Vocal Score

4 Flute 1

3 Bb Trumpet 2

4 Flute 2

3 Bb Trumpet 3

1 Oboe 1

1 F Horn 1

2 Oboe 2 (doubling English Horn)

1 F Horn 2

4 Bb Clarinet 1

1 F Horn 3

4 Bb Clarinet 2

1 F Horn 4

4 Bb Clarinet 3

2 Trombone 1

3 Bb Bass Clarinet

2 Trombone 2

1 Bassoon 1

2 Bass Trombone

1 Bassoon 2

3 Euphonium B.C.

and 4.3 octave marimbas provided) mv’t. 3 & 4 only

2 Eb Alto Saxophone 1

2 Euphonium T.C.

1 Marimba 2 (versions for both 5-octave

2 Eb Alto Saxophone 2

4 Tuba

(oversize, 11x14˝, sold separately, not included with set of parts)

(piano is for rehearsal only) Tenor (or high Baritone) mv’t. 4 only

1 Timpani 2 Percussion 1 Vibraphone (motor off), Bongos, Snare Drum, Bass Drum (lg.), Suspended Cymbal (med.)

2 Percussion 2 Glockenspiel, Temple Blocks (5), Crotales, Suspended Cymbal (med.), Xylophone, Tambourine, Crash Cymbals

2 Percussion 3 Slapstick (lg.), Chimes, Suspended Cymbal (med.sm.), Tom-toms (4), Claves, Vibraslap, Tam-Tam (very lg.), Triangle (med.)

1 Marimba 1 (versions for both 5-octave

and 4.3 octave marimbas provided) mv’t. 3 only

P R I N T E D O N A RC H I VA L PA P E R

Gg Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N BEACH M USIC


1 A C K N O W L E D G M E N T

S Y M P H O N Y

N O. 1

was commissioned by the University of Miami School of Music Abraham Frost Series and received its premiere performance at the closing concert of Festival Miami on October 25, 2001 by the University of Miami Symphony Orchestra Thomas Sleeper, conductor This concert band version was created by Gary D. Green, Director of Bands at the University of Miami and received its world premiere performance on January 21, 2009 by the University of Miami Wind Symphony Gary D. Green, conductor The original poem used in this symphony is also set in my S A T B choral work entitled “The Song Within” published by Hinshaw Music. Many of the same thematic and expressive materials are explored in the choral work; this may be useful to those who wish to make a comparison of the two settings. Heartfelt thanks to Gary D. Green for his brilliant work and tireless commitment to perfection in making the present transcription. Through his deep understanding and love of the orchestral version and his careful rendering of its every expressive detail, he has succeeded in breathing new life in my symphony, illuminating its meaning in powerful and exciting new ways. I am grateful for his work, and honored to call him a true friend.


P RO GRAM

S

N OT E

Y M P H O N Y N O . 1 was begun in the fall of 2000 in Pasadena, California,

and completed the following summer at the MacDowell Colony in Peterborough, New Hampshire. Its four movements represent a journey of the soul from innocence, to introspection, to darkness, and finally to enlightenment.

Before writing a note of music, I began jotting down a list of the kinds of sounds I wanted to evoke in the symphony. These jottings eventually evolved into a poem. Moving from themes of hope, to peace, to crisis, and finally to reconciliation, the poem’s four main stanzas correspond directly to the symphony’s four movements. I want to hear the sounds of hope — of big church bells and distant horns, Sounds that wash away the wars and arouse the human heart. A sure harmony gliding over a sea of stillness. I want to play the sounds of peace — of sighing winds and rustling leaves, Sounds that silence troubled thoughts and calm the spirit’s raging storms. A song of serenity from high atop an ancient hill. But my harp is stilled by voices — Children, hungry, crying out. Their dreams, windswept, My house of wisdom, a web of sorrow. I only know that I am longing… And then… I catch a glimpse — an ancient tree… an open gaze, Some eternal euphony that dances upon the light. And for one fleeting moment, I know… I am the sound of hope, the instrument of peace, the song within the Song.

The first movement, “Of Youth,” expresses vivid aural images of a spring morning —  bell sounds, trumpet fanfares, bright harmonies, and clear textures illuminate the movement and give it a youthful energy. Themes come and go quickly, suggesting a short attention span and a childlike impatience.


The second movement, “Of Wisdom,” despite its strong melodic and harmonic connections to the first, is in many ways its alter ego. Bright fanfares give way to greater lyricism. Childlike optimism yields to introspection. After a series of vast modulations and an orchestral swell, a lengthy period of calm follows. A repeated major chord hangs high, becoming an immovable block that is quietly implacable to the pleadings of the solo bassoon. Vague recollections of the first movement appear like fleeting dreams.    The third movement, “Profanation,” represents a crisis of faith. The key of D minor is used as a symbol of darkness. This association also pays tribute to Mozart, who used the key only on rare occasions as a symbol of pessimism and struggle (e.g., the appearance of the stone guest in Don Giovanni, and the unfinished Requiem Mass). The main theme wedges upward and back again, as though dodging some menacing force. A contrasting middle section provides an uneasy moment of respite before surrendering to the return of the scherzo and its racing heartbeat.    The poem sung in the final movement, “Prayer,” summarizes the dramatic flow of the entire symphony. The accompanying music searches in vain for resolution, wandering from one tonal area to another (D, C, F, A, B) before finally resigning itself in the poignant key of B minor. After a period of darkness and vulnerability, the music ultimately yields to themes of transcendence as the singer discovers an inner light.

F RAN K

T ICH ELI

PA SA D ENA , CALI FO RN IA MARCH

S Y M P H O N Y N O. 1 F O R CO N C ERT BA N D

Movement I, Of Youth: 6 1/2 min. Movement II, Of Wisdom: 9 1/2 min., beginning on p. 31 Movement III, Profanation: 5 1/2 min., beginning on p. 46 Movement IV, Prayer: 9 1/2 min., beginning on p. 88 Total Duration: Approximately 31 min.

9, 2011


F RA N K

T I CH ELI

WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C

Abracadabra (5 minutes, grade 3) Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) Rest (8 minutes, grade 4) Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation," Movement 4, "Prayer"

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

WWW .FRANKT ICH ELI .COM

THE OFFICIAL SOURCE FOR THE MUSIC OF FRANK TICHELI


Learn about Frank Ticheli’s newest works, events, CDs, DVDs, books, and hear complete recordings at

www.FrankTicheli.com “The Official Source for the Music of Frank Ticheli”


SYMPHONY NO. 1

Transposed Score

FOR CONCERT BAND   Piccolo   Flute

Oboe (Ob. 2 doubles Eng. Hn.)

1 2 1 2

Bb Clarinet 1

Bb Clarinet 2

 

Exultant q = c. 138

2

1. 

p

f

f

      f   Bb Bass Clarinet   a2  1      Bassoon   Bb Clarinet 3

f

 a2      1   Eb Alto Saxophone   2 p

Bb Tenor Saxophone

f

  

Eb Baritone Saxophone  

fp

   Bb Trumpet 1     

Trombone

 



p p

 

p

5 

6 

f

p a2 

 

 

ff

 

 

ff

             ff

         

 

mp

4

FRANK TICHELI TRANSCRIBED BY GARY D. GREEN

     

    

    

     

mp

ff

8 

f

p

fp

p

fp

    

       p fp 2.      

   

fp a2

f

   f

fp

  

f

   f

 7 



f

p



f

      

        

       

ppp

f

ppp

f

       

  Solo

  exuberant   

mp f       

ppp

f

      

 

1 2

3 4

    

1 2

Bass Trombone

f  a2 

   

f

   fp  Tuba     Double Bass  

Euphonium

     

f Glockenspiel

Percussion 2

Percussion 3

  

 

1  Marimba   2

f Slapstick  f

 

Tacet until mvt. 3

     

        

ppp

f

  

 

 

   

    

f

     Tacet until mvt. 4 Voice     (Tenor or high Baritone)     Timpani   Vibraphone     Percussion 1   Piano

mp

mp

 

  

  

 

Chimes mp

p

   a2       

Bb Trumpet 3

F Horn

p

p

fp

F Horn

 

fp

Bb Trumpet 2

     

fp

     

2

   

 

3

fp

      f     

 

I. Of Youth

  

  

ff

f

 

      

 

ff

ff

 

   

  



 

 

 

 

f

f

Copyright © 2011 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-140-4 (set of parts only) ISBN 1-59913-141-2 (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3's, view scores and more at www.ManhattanBeachMusic.com

p

  

 

 

 

  

  

  mf   

 

 



mf

  







 




9

  Picc.    

1 2

Bb Cl. 3

Eb Alto Sax.



f

f



1   2

 

f

 

mf

Eb Bari.Sax. 

  Bb Tpt. 1   

Bb Tpt. 3

F Hn.

p

 

 

pp

 



   

p

 

 

 

mp

 

 

         

  D. B. 

 

 (Vibes)   

fp dim.

mf



 

 

        mf

         f

 

f (Glock.)

 

Perc. 3 

f

f

f

   

 

   





p

 

 

mf

 

 

 

   

p

    

        

         

f straight mute

    

f straight mute

    

f

 

   

mf div. (if only one player, play bottom notes always)

 

 

f

f

  mf

Bs. Tbn.

Perc. 2

Perc. 1

Pno.

    

Tuba 

1 2

Euph.

sf

Tbn.

     

3 4

sf

F Hn.

  

1 2

straight mute

p

sf

Bb Tpt. 2

16 A Tempo 

p

Bb Ten. Sax.

rit.



fp

15

   

p

  

p

     

p

 

p



  p

  



  

1. p

  

 

pp

mute out

mute out

mute out

mf

  

 

   

1. Solo elegant

pp

 

          

14

pp

 

13

pp

       

12

f

f

1  2 

11 

  a2             

Bb Cl. 2

Bsn.



f

Bb Cl. 1

                

1 Fl. 2

Ob.

   

10     

  

pp

  

 

  

 

  

 p

  

  



   

pp

pp

pp

p

p

pizz.

p





 



Temple Blocks

f

 2




 Picc.  17

 

 

1 Fl. 2

1 Ob. 2

           (1. solo)

Bb Cl. 1

Bb Cl. 2

 

18 2+2+3 p

2.  



p

 

19

 

20

 

           

 

   

 

mf

mp

 

   

 



mf

mp



  

  

22 

       

       

a2

23           f

 



  

   



 

f

  

 

   

 

   

    

mf

mf

 f

f

   

  

 

 

 

 

Eb Bari.Sax. 

 

 

 

 

1   Bsn.  2

(1.)

Eb Alto Sax.

1   2

Bb Ten. Sax.

Bb Tpt.

1   2

 

1 F Hn. 2

mf

mute

 

mp 3. mute

sf

    

f

 

1. open 

a2 (2. open)

mf

p



3. open

     3

mf fp

 

 

 

 

 

 

 

 

 

mp

sf

 



 

 Perc. 1 

Perc. 3 

mf

Euph.

Perc. 2

  

 

Timp. 

 

 

a2

     mp

    

   

 

 

 

 

 

 

 

P

 

 

    mf

p

 

(pizz.)

           mf

 

 



 

P



 

mf



 

mf

Crotales



mf

Chimes



mf

3

   

       

 

   

 

(Vibes)

 



f

 

f

Bs. Tbn.

 

 

Pno.

 



 D. B. 

  

 

Tuba 



mute out

1 2

Tbn.



mute out

3 4

mp

     

 

F Hn.





   

 

a2 

     

Bb Bs. Cl.

 

21

  


 24  25      Picc.     1 Fl.  2  2.          1 Ob.   

Bb Cl. 1

 

Bb Cl. 2

   



      

 

30

31

     

 

 

  

        

 

  

   

    

 

  

    





  

     

p



 p

 p

  

espr.

 



poco f

f

 p

 

29

 

Bb Bs. Cl.

 

 

Bsn. 2 

   

f

 

Bsn. 1

28 2+2+3

Bb Cl. 3

 

27

2

26

p



 

   



p

      

 

    

 

 





 

 

 

 

 

 

 

 

     

1  Eb Alto Sax.  2

 

 

Eb Bari.Sax. 

 

 

 

 

 

 

 

 

Bb Ten. Sax.

Bb Tpt.

F Hn.

1   2

 

  

1 2

mf

p

1 2

Bs. Tbn.

3 F Hn. 4

Tbn.

Tuba 



D. B. 

Pno.

 

 

  

(pizz.)

 

  

 

 

 

espr.

  

  



   

P

 

      p

  

 

 

    

   

    p



  

  

   



 

 p

poco f

pp

       

(Chimes)

pp

    (Vibes)   

Perc. 3 

 

pp

(Crot.)

Perc. 2

  

  

p 2.



    

 Timp.  Perc. 1

mf

Euph.



  

     

 

    

4

 



     

 

mp

 

 



   

 





    

div.  



  

 P

  

    

1.

  

 

    

     



     

  

    

 



 

 

 

 


 Picc.  32

    a2

Fl.

Ob.

1 2

f 1.

   

1 2

f

Bb Cl. 1

Bb Cl. 2

 

 

 

Bb Cl. 3

Bb Bs. Cl.

33

 

1  Bsn.  2

 Eb Alto Sax. 1 

34  

  

 

  

 



        



          

 

 

 



 

    

mp

 espr.

 

fp

 

 

 mf

 

 



  









fp

       

fp

        

  

    

 

 

Eb Bari.Sax. 

 

 

 

 

 

 

 

 

 

 

 

 

           



       

mf a2  



mf

 

    



mf



 





1.       

   



 

  



 

  

Bb Tpt. 2

fp

       

40

 

 Bb Tpt. 1 

39

 

Bb Ten. Sax.

 

38

   

 

Eb Alto Sax. 2

         

f

 

 

     

37

     

     

2+2+3

 

mp

 

f

36

espr.

   

35

    

a2





mf





mf

  

   

 

 

 





 

 



  







 

 

 

 

 

 

 

 

 

 

mp

   

 

 



mf



mf

 open

  

 

mf

       

open

mf

Bb Tpt. 3

 

F Hn.

1 2

 

F Hn.

3 4

Tbn.

1 2

 

 

 

 

 

Bs. Tbn.

 

 

 

 

Euph.

 

 



  

  



  



  



   





 



   

 

mp

 

  

 

  

  

 

 

 

      

 

 

 

 

 

 

   

 

 

 

 

 

 

 

 

Perc. 3 

 

 

 

 

Tuba 

 D. B. 

          

Pno.



Timp.  Perc. 1

Perc. 2

  

 

D.B. cue*

p



*For all double bass cues, only one tuba plays if no double bass available arco



mp



  

5

 

   

Sus. Cym.

p

mf

 

mf Bongos – sticks

 



mf

   

mf





   

(Chimes)



mf




 Picc.  41

Fl. 1

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bsn.

      

                                 

3

      



(a2)

 

Bb Ten. Sax.  Bb Tpt. 1

Bb Tpt. 3 1 F Hn. 2

 D. B.  Pno.

Perc. 2

fp

 

 



  







(Bongos)

  

   





 

          

f





              3

3

  



         

 

    

    



   

           

   

sf

    1.



mf

 



3

3

f

 



  



  

f

mf

 

   

        

f to st. mute

to st. mute

  f



 

P

f

  

mf

f Slapstick

6

 

 

    

Xylo.

 

 

f

P

   

 

   

 

 

      

sfz

  

st. mute f

                     

   

mp

3

3

p

 

           3

 

   

                      st. mute    

 



  

f

f

   



         

      

 



            

2.

   







   

                                    

f

 

   

f

f

     



         f           

f

     

f

         

  to st. mute            

   

f



f

               

3

sf

 



   

p

(Chimes)

                      

     

 

3

3

3

 

  

Perc. 3 

   





             



Timp.  Perc. 1

mf

fp

1  Tbn.  2

f

f

3

  

3 F Hn. 4

f

       

                           



  

            

  

 

    

Bb Tpt. 2

 



  

 

   

  

 

    

3

                     

  Eb Alto Sax. 1  Eb Alto Sax. 2

3

3

   

              3  3   3                                              f                                                  3 3  3

   

3

                                3

      

   

3

f

                             3             

       

1  2 

3

mf

3

 

Bb Bs. Cl.

44 Vigorous        46  42         43    45  3    3                                         

 

 

  





 

P

 

  

2. f

 

     P

 

 

  

 

Sn. Dr.

  p

 

   

mf

     f




  Picc.   47

Fl. 1

 

Fl. 2

Ob. 1

             cresc.            cresc.                48

cresc.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3



 

Bb Bs. Cl.

 

Bsn. 1 Bsn. 2 

 











cresc.

Eb Bari.Sax.  

 Bb Tpt. 1  

  



cresc.

       cresc.

       





cresc.







cresc.           f cresc.

       f cresc.

3 F Hn. 4

1 Tbn. 2

          

Bs. Tbn. Tuba 



D. B. 

cresc.

   P  Timp.  Pno.

Perc. 1

Perc. 2

 

 

      



cresc.



    





 

cresc.

  

  

mp Sus. Cym. 

 

 

 

 

ff

p







 

p

 



 

p





    

  



        

 

 

f

p

 





 

p



 

arco

 p

    

mf

 Chimes



f

7

to mute

 

pp

mf

     P 

f

mf

p

    

p

 

f

p

f

 

p

p

  

p

   

pizz.

 

 

p

f

  

     3. mf               

        

p



    

        p       

fp

ff



      To Eng. Hn.  

p

       

p

 

54 poco rit.

p

 

fp

53

p

 



  



       

   

   

   



ff

   

 

52

                 

   

    

       

 



Perc. 3  

   

 

         

 

  

 

                  

cresc.

  

1 2



 

       

F Hn.

f cresc.

     

Bb Tpt. 2

   

 

          

Bb Ten. Sax.

 

 

Eb Alto Sax. 2

    

cresc.

  Eb Alto Sax. 1   

           



  





    

cresc.

51

cresc.



  

cresc.

50

            

           

Ob. 2

49



p

p



  



   


 Picc.  

56              

1 Fl. 2

 

         

Ob. 1

55

Ob. 2

Bb Cl.

mp 1. mp

  

1 2

 

Bb Bs. Cl.

Bsn. 1 Bsn. 2 



Eb Bari.Sax.   1  Bb Tpt.  2 Bb Tpt. 3

1 F Hn. 2

p

pp

mp

3 4

Tbn.

1 2

  

Euph. Tuba 

 

D. B. 

Pno.

f

     

 

2.

pp

  



mp

 

   



mp

   

 

 

      

 

 

   

 

   

mute

      mp

      

 

mf

  

     mp

   

D.B.







pp



                           

mp

   

pp

 

F Hn.

Bs. Tbn.

 

pp



  

mp

 

pp

Solo

p

   

   

f (with energy)

60

a2

                        

1  Eb Alto Sax.  2 Bb Ten. Sax.

Eng. Hn.

mp

 

59

58

mf

 

pp

57 q = 108















 

            

 

         



Timp. 

pp

mp

pp

mp

Perc. 3 

Perc. 1

Perc. 2

8

 p

 


64

 Picc.  61

Fl. 2

Ob. 1 Eng. Hn.

Bb Cl. 1

            

      

63

Fl. 1

62

p

 

 

To Oboe

f

 

f

 

        f

Bb Cl. 3

 

Bb Bs. Cl.

f

Eb Bari.Sax. 

    mf

1 F Hn. 2

 

 

2.

mf

  

mute out

f

 

mf

 

f

f

p

 

  

   

             p   

 

  



f

    

   

     

 

p

f





mf 2.

 

mf

 



mf

 

1. st. mute

   mp

 

 p

 

p

Play

p pizz.

mf

Perc. 3 

Pno.



Timp.  Perc. 1 Perc. 2



9

Sn. Dr. – brushes

 

f



Trgl.

f

   mf



  p

  

f





  

    

    



f

mf 3.

        

    



 

  

1.

1 2

D. B. 

 





open

 



 

Tuba 

fp



 

3 4

Bs. Tbn.

  

Solo

    mf



     

  

fp

   

 

      

      

   

  

Bb Tpt. 3

 

 mf

65

            

                   

1  Bb Tpt.  2

Tbn.

 

 

Bb Ten. Sax.

F Hn.

p

p

Eb Alto Sax. 2

 

p

  

f

              

mf

            

       

p

    Bsn. 2  

 Eb Alto Sax. 1 

 

Bsn. 1

f

solo

Bb Cl. 2

     

p

    

p

f

   

  

   


  66

Picc.

1 2

Ob. 1

Fl.

   

Bb Cl. 1

f

 

Bb Cl. 2

    

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1

   

    



 

   p

   

mp

f

  

 

1 Tbn. 2

 

Euph. Tuba 



D. B. 

Pno.

 

 Timp.  Perc. 1

Perc. 2

       

f

p



        f

 

  f

  

    mp    

  f  

 

mp

f

  

   

     p 2.     

p

   



  mp 

mp

      f

    

p

  

f

 

    mp

10

  

Crotales mp

to st. mute

p

     f fp       

      

  



mp



   

f

 mf

f

    

 

 

pp

f

Chimes



  

 

   

 

mp

            

mp

mp



   

   

 

mp



mf

pp

mf

     



st. mute        

div.

p

p

mf

(1.)

                

Perc. 3  

   

   

p

   

mf

    

3

f

 

f

 

Bs. Tbn.

p

71     

3 4

F Hn.

  

       

 

mf

Eb Bari.Sax. 

1 F Hn. 2



   

Oboe

   

p

        

Bb Tpt. 3



   

p

f

f

p

3

1  Bb Tpt.  2

       

f

70

            



1   2

Bb Ten. Sax.

 69   

             Bsn. 2   Eb Alto Sax.

p

          

    

68

p

Eng. Hn.

67 

 

p

  


 

72

Picc.

Fl. 1

Ob. 1

Ob. 2

 

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1 Bsn. 2 

f

mf





 

 

f

p

   

   

f

   

   

p

p

Eb Bari.Sax. 

Bb Ten. Sax.

1  Bb Tpt.  2 F Hn.

F Hn.

  

1 2

 

3 4

a2 

  

f

1 Tbn. 2

Bs. Tbn.

Euph.

Tuba 

 D. B. 

 

Pno.

 

  

Timp.  Perc. 1

mf

 

   f





mf

 

 

mf

mf



 

Perc. 3 

mp

 11

 

 

 

 

 

 

 

 

 

   

  

f  3. 

f

 

  

   

p

  

p

   

 

 

 

 

 

 

  

 

 

unis. pizz.

   



 

f

 

 

 



Perc. 2

 

 

mp (Crot.)

 1. 

 

  

fp

3

     

 

    

Vibes

 

fp





       

3

     fp       

  

78

 

fp

 

mf

mf

   



  

     fp     

 

f

fp

div. arco

           mp

f

3

3

3                            

     

 

             mp 

 3 

 

p

f

f



mp

p

    

         

   

f

f

p

f

                           Solo boisterous

77          

p

76

mp

f

3



1  Eb Alto Sax.  2

f

        3

 

75

sf

74

 

  

Bb Cl. 1

Fl. 2

                     

Solo boisterous

73 

    

   

mf

  

 

 

 

 

 

 

 

 

 

 

mf

mf

  

 

 


2+2+3   81                

79 3+2+2 80            Picc.           

Fl. 1

Fl. 2

Ob. 1

 

 

 

1.   

Bb Cl. 3

   

 

  

a2

fp

fp



fp

   

   

   

 

f

 

 

 

 

 

 

 

  

  

  

  

    

 

  

 

  

mf

         

f

p

f

p

 

84

    

 

f

mf

   

  



   

 

mf

    

mf

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1 Tbn. 2

 

 

Bs. Tbn.

 

Euph.

 

fp



   

mf

 

 

mf

1. 

pp



pp

mf

   

  

mf



 mf

 

 

 

 

 

 

 

 

 

 

 

  

 

 





  

 

   



 



 

 

   





 

    



 

 

Tuba  D. B. 

  Timp.  

  Perc. 1    

Perc. 3  

mf



P

  

P  

 (Vibes)

mf

(Chimes)

mf

  



  



 

mf

  

    

mf div. – arco

 











mf

 

 

 

 



  

 

mf

  12

 

       

  

                                      

sf

83

 

3 4

Perc. 2

sf

 

  

Pno.

   

mf



 

F Hn.

sf

  

   

1 2

F Hn.

mf



f

   

f

1    2

sfp

     

    

 

Eb Bari.Sax.   Bb Tpt.

mf

3             

 

  Eb Alto Sax. 1  

Bb Ten. Sax.



 

  

1   2 

Eb Alto Sax. 2

 

1 Bb Cl. 2

Bb Bs. Cl.

 

 

Ob. 2

Bsn.

3

82

mp

   


          Picc.   85

3

3

Fl. 1

     3

 

Fl. 2

Ob. 1

Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

   

  

mf

   

3

       3

3



3



     Eb Alto Sax. 1      

     



   





f



 

f

 

 

      

 

  



   f

f

f

           f       f

     

         

  

Eb Bari.Sax. 

 

 

88  

 

 

 

 

 

  

 

 

 

 

        distinct                                           

         f

 

 

f

 

 

 



st. mute

secco            mf

f

 

F Hn.

1 2

 

     mf  

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

 

 

 

to mute

   D. B. 

Pno.

Perc. 1

Perc. 2

 

 

 

 

 

 Perc. 3    

Sus. Cym. p







f





(Vibes)



 

unis. pizz.

 

f



 

 

    

    

   

   

mf st. mute – secco

Tuba 

90

                                      f     

Bb Tpt. 3

f distinct



89

 distinct                                   

1  Bb Tpt.  2

  

     

 

Bb Ten. Sax.



 

 

87



f



 

    

3+2+2+2

f

          

1  2 

Eb Alto Sax. 2

3

Bb Bs. Cl.

Bsn.

  

86   

   

 

   

   

mute

   

  

secco

         

st. mute

mf

          

mf

    mf

               

 

                              

    

  

 

 

 T. Blks.       

 

 

f

f

 choke       f



13


 Picc.  91

Fl.

Bb Cl.

            

f

Bb Cl. 3

Bb Bs. Cl.

              1        Bsn.   2   

Eb Alto Sax.

1   2

sf

 

96 

            

           

f

sf

95

 

f

1 2

94

           

               

1 Ob. 2

93

1 2

92

             f

    mp

  

mp

1. Solo aggressive

   

f

       mf

        mf

 

Eb Bari.Sax. 

   

   

Bb Ten. Sax.

1  Bb Tpt.  2

Bb Tpt. 3

F Hn.

 

1 2

    

     

             

 

3 4

1 Tbn. 2

Euph.

             

   

      

  

      

       

sf

sf

      

                 D. B.         

  

Tuba 

   

mf

          

Bs. Tbn.

            

  

      

                

         

  

     



sf



sf

mf

mf

      

   mp

Timp. 



Perc. 1

 

Pno.

Perc. 2

 

Perc. 3  

 

  

(T. Blks.)

mf

 Tom-Toms dry, muffled

     

mp

  

 

mf

F Hn.

mf

            

  

     

   f

     

    14

  p

     

mf

mp

  mp


 Picc. 

        

1 2

      

Bb Cl. 3

Bb Bs. Cl.

97

1 Fl. 2 1 Ob. 2

Bb Cl.

Bsn.

1  2 

    

98

99

(1. solo)       1        Eb Alto Sax.  2 dolce

p sub.

scolding

    ff

 

100

     

 

 

 

  

 

mf

101

102

   

  

mf

    

f

playful

  

        



   

f

   

mf

dolce



mf

 insistent             f

Eb Bari.Sax. 

Bb Tpt. 1

 

    

    

1 Tbn. 2

2. st. mute      

Bs. Tbn.

Euph.

Bb Ten. Sax.

Bb Tpt. 2

  

mf

   

   

mf

    

   

   

      

     

mute out

        mp

      

mute out

      

mute out

    

    

    

   mp     

Timp. 



Perc. 1

 

Perc. 3  

1 2

mf

F Hn.

3 4

mf

Tuba  D. B. 

Pno.

Perc. 2

    

mp

   

 

Tambourine

mp

 

Claves 

 

mp

15

 

     

F Hn.

 

 

 


 Picc.   103

 

 

1 Fl. 2

 

 

1 2

 

 

Ob.

Bb Cl.

mf

Bb Cl. 3

Bb Bs. Cl.

105

 

 

       

mf

(1. solo)

a2 with drive and energy

 1  Eb Alto Sax.  2

107

1   Bsn.  2

106

1 2

104

     

   

f

    f



with drive and energy

    f



f

   

 

1.

f

            f

 1.



f



    

 









    

 





    





 

          f  1.

ff

 



Eb Bari.Sax. 

   mute out 

    

Bb Tpt.

1    2 1 2

 

3 F Hn. 4

 

1 Tbn. 2

F Hn.

1.

mf

Bs. Tbn.

        

open

   f

  

mf

     

 

Tuba  D. B. 

Pno.



Timp. 

 Perc. 1  Perc. 2

 

Perc. 3  

(Claves)

  

  

mf

 

    

 

   

      

   

 



  

  

      

 

      

 

 

 

 

 

 

 

mf



 Tom-Toms

    mf

        

16



 

 

  

 



 

     

   

  



f

   



f

mf Sn. Dr.– sticks





    

   



 

     f arco    

 

f

open



 (Tambourine)

  

open strict rhythm

f

Euph.

  

open strict rhythm

a2

Bb Ten. Sax.

    



  

p

mf

 

   

 

  

  

 


  108

Picc.



Bb Cl. 1

Bb Cl. 2

Bb Cl. 3







(a2)

 Bb Tpt. 1 

F Hn.

 



f

 

        

 D. B. 

  

f

    

 



 

   

 

   

 

   

   

        

  

   





 

 

open

   



   

mf

Perc. 3  

 

(Tom-Toms)

ff





   







   

ff

   

  

 

   fp

 

p

p

mf

f

mf

 

pp sub.

   

        

     

f

fp

    

f

D.B. cue (One only if no double bass available)

pp

D.B.

pp

div.

    f

 

 

 

   

f

(r.s.) f

 

    f

17



p

pp sub.

   





ffp

p

mf

f

fp

ffp

 

   

      

 

        

 

   

fp

 

1. solo – aggressive



 

   

fp

5

ff

   

 

   

ff

 

5



    

ff

 

    

   

  

   

   

 

f

 

(Sn. Dr.)

 

 

   

   

   

   

   

sf

     

 

ff

 

sf



ff a2 

f

f

f

ff

    open

   

       ff ffp     

        



ff



Perc. 2



ff

112

f

ff ffp

 

 

   

        

poco rit.

111

ffp

   

 

 



Timp.  Perc. 1



    

Tuba 

f

ff



Bs. Tbn.

Pno.

  

3 4

   

1 F Hn. 2

f

   

Eb Bari.Sax. 

Bb Tpt. 3



a2

    

Bb Tpt. 2



Bb Ten. Sax.

   



   

  

    

1  2 

ff



    (1.)    1  Eb Alto Sax.  2 Bsn.

 



Bb Bs. Cl.

    

 (1.)

1 Ob. 2

f

110        

f

Fl. 2

 



Fl. 1



109          

Xylo.

 

 

f


 Picc.  113

 

  

    mf

Solo

 

Bb Cl. 2

Bb Cl. 1

mp

  

mp

Solo

Ob. 2

  

Ob. 1

Solo  

 

Fl. 2

 

   mf

  

    mf

 Solo

    

  

Solo

tutti

p

 

   mf

119

 

   

mf

118

pp

  

   

116

 

117 Suddenly Faster q = c. 132

molto rit.

115

Solo

 

Fl. 1

114

 

 

   

mp

 p

     pp

 solo

  

mf (elegant)

    

         

Eb Bari.Sax. 

Bb Bs. Cl. 1 Bsn.  2

(1.)  

1  Eb Alto Sax.  2 Bb Ten. Sax.

Bb Tpt.

p

mf

1   2

mf



p

pp

pp



           

 

p

    mp

    

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba 

 

   D. B. 

 

unis.

p

  

Play

p

   

Play

pizz.

mf

 

  

arco div.

 

p

Perc. 3  

Pno.



Timp.  Perc. 1

Perc. 2

  18

   

Xylo.

mp

 

 

  

Bb Cl. 3

 

 


 Picc.  120

Fl. 1

Fl. 2

  

 

Bb Cl. 3

Bb Bs. Cl. 1 Bsn. 2

Bsn. 2 

  

mf



pp

 

124  

 

 

 

 



   

 

     

  

mf

   

  

mf

  



  



  



  

 

mf

ppp

Eb Bari.Sax. 

  

 

pp

pp

ppp

ppp

  



p

 

 

  

 

 

 

 

 

 

 



 



 



 



 

  p





tutti

     pp

f

pp

f

 

 



1. 

pp

   

 

 

p

fp

      

 



pp

 

fp



pp

 

      

p

fp

pp

 

      

p

pp

p

 

     

p

ppp

pp



128

fp

f

 

127

 

   

126

                       

  

125

 

1  Bb Tpt.  2

123

 

Bb Ten. Sax.

p

 

 Eb Alto Sax. 1  Eb Alto Sax. 2

 

 

Bsn. 1

  

   

122

p

Bb Cl. 1

2+2+3

 

Ob. 1

     

121

 





p





p

1 2

F Hn.

3 4

 

 

 

Tbn.

1 2

 

 

 

Bs. Tbn.

 

 

  

Euph.

 

 

  

 

F Hn.

Tuba 

   D. B.  Pno.

 



Timp. 

   

 

       

 

   

  

   

 

 

  

 

 

 

 Glock.  

Perc. 3  

 

 

mp

 

  p

mf

 19















Vibes



 

 





 

 

mf

   

mf l.v. sempre

 

p

Chimes

 



mf l.v. sempre



                               

 

Perc. 2

    



mp

p

 

mf

Perc. 1

  

 p 

f

pp









 

 

  

 


  Picc.   129

 

Fl. 1

 

Fl. 2

Ob.

 

1 2

130

   p

Bb Cl. 3

 

 

  

 

 

  

   

fp

f

    



 

    

    

f

  

   

p

132

 

mf

 

 

 

 

p

 p

fp

    

   

p

 

 

 

 

pp

mf

 mf

 

  

135

  





136

   

     

   

     

2.   fp

    f

    f



 

fp



 

fp

       

fp

fp

 

 

fp

 

1  2 

 

 

 

 

   

   

1   2

  

Bb Ten. Sax. Eb Bari.Sax. 

  

1   2

 mf

















 p



p

1 2



mf

Bb Tpt. 3



















 

  

p

 pp



pp

 

3 4

1 Tbn. 2

Bs. Tbn.

Euph. Tuba 

 

     p

p

 

    

    

    

 

    

    

    

    

 

   

f

  

  

  

  

    

 

    

 

  

   

mp

f

mp

p

mf

1. 

  

 

 

 

 

 

 

 



Timp. 

 (Vibes)  Perc. 1   

(Chimes)

Perc. 3  

  

 

     



 

 

(Glock.)

 

   



 

    

 

       



  

    



 

   

  

f

mf

  

p

mf

 

    

p

   

    

    



f



Perc. 2

D. B. 

Pno.

  

p

F Hn.

134

p

    

133



f

 



Bb Bs. Cl.

F Hn.

    

p

 

Bb Tpt.

fp

    

1 Bb Cl. 2

Eb Alto Sax.

fp



 

   

Bsn.

 

 

131

 

 





 20

    

 

 

  

     

   

    

 



  

 

 

   


  Picc.   

        

  

     1.      

138 

137

1 Fl. 2

Ob.

f

  

1 2

f

Bb Cl. 2

 

 

Bb Cl. 3

       

1  Bsn.   2

 

Bb Ten. Sax.

 

Tuba 

f

 

 

 

  

p



f

   

 

mf

(Glock.)

   

(Chimes)

f

    

 

 

 

 

 

    

  

 

pp



p

p

  

p



 

 

mp a2

 

mp

 

 

       

 



 

 

 

  

   



 

a2 

 

p

  



 



 

  



 



 

 

 

 

 

 

 

 

     

 

 

 

 

 

 

 

 

   

 

 

 

 

 

 

p

p

 

     

f

p

f

p

mf

mp

p

  

mp



p



      mf

mp

mf

      



mp

 

a2                   mf         

f (Vibes)



 

    

  

f

   

mf

 

Perc. 3  

     

f

   

Perc. 2

       mp

mp

espr.

 

 

 

p

 

Timp.  Perc. 1

f

f

  

pp

143

 



  D. B.   

Pno.

f 3.

     

Bs. Tbn.

   

f



    

p

p

2. 

  

1 2

f

    

p

f

Tbn.

p

   

mp

mp

p

  

3 4

p

p

f

F Hn.

  

          f            

f

 1    Bb Tpt.   2

1 F Hn. 2

ff

Eb Bari.Sax.  

Bb Tpt. 3

    

p

p

  Eb Alto Sax. 1   Eb Alto Sax. 2

ff

mp

  

2+2+3

 

       

1.

  

142

 mp          mp

    

 

Bb Bs. Cl.

   

141



mp

140

mp

   

 

mp

f a2

Bb Cl. 1

139

  

 

p

 

     

       

 

    

   

 

 

 

 

 

 

 

      

 

 

 

 

   

p

21



  

p

Xylo. p

 

   

 

   


  Picc.   144

Fl. 1

Fl. 2

145  

 

  

 

  

 

1 2

 

1 2

 

  

Bb Cl. 3

 

  

Ob.

Bb Cl.

  

Bb Bs. Cl.

     

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt.

mf

  

mf

 

  

 

p

Bs. Tbn.

 one player  



 



 

 

 

 

 

   

 

 



p





    



 



   

 



 

 



mf

mp

 

 



 

 





  



 

 

 

  

 mute out

 

mp

f

  

Euph.

 

 

Tuba 

 

 one player  

 

p

 

 

 

 

 

 

 

 

 

p

  

p

p

open

  

 

f

p

   D. B.  

mp

 

 

Timp. 

 

Perc. 1

 

 

 

 

 

 

 



 







      

 

 

 

 

 

 

 

 

 

 

22

p

p

p

1.            

p





 

a2

p

tutti    



 all          mp   2.         mp

 

mf

1.      



a2

 

 

Perc. 3  



 

 

 

Perc. 2

 



  

 

 

 

 

 

  

 

151 

 

 





150

 

Pno.

p



 

 

      

 

a2 mute

1 2

 

149

         

Tbn.

 



 

1 F Hn. 2

 

 

148

 

 

3 4

 

2+2+3

Bb Tpt. 3

F Hn.

  

 

147

  

p

 

a2

  

1    2

 

one only

  

Eb Bari.Sax.  

  

1  Bsn.   2 Eb Alto Sax. 1

146

(Xylo.)

   

p

 

     




152      Picc.    1 Fl.    2

(a2)

1 Bb Cl. 2

 



Bb Cl. 3

 



Bb Bs. Cl.

  

Bsn. 1 Bsn. 2  Eb Alto Sax. 1

 

 

     p

1.    p

1 Ob. 2

153









mf



p

mf

p



 

         

  

  

             f

    





   

p

   

p

156

  

 

157

 1. Solo

           

        



          

 

 







155

          

         

 

154

  

             



mp

       

  

   

  

mf







  

 



Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax. 

Bb Tpt.

1   2

Bb Tpt. 1

Solo st. mute – distinct

                

Bb Tpt. 2

   (1.)

1 F Hn. 2

mp

f



  

st. mute

    

f

   

   

    mp

f





F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba 

 D. B.        Pno.

 



Timp. 

 Perc. 1 

Perc. 2

Perc. 3 

 

p

 

 

           

        

Vibes

   p

mf

mf

       

(Xylo.)

   

 

p

 23

    

mp

   

  

 

mf

p

pizz.

 

  

mp

 

   mf


Picc.

  

 

Fl. 1

      159

158

mf

f

 

Fl. 2

mf

     (1.)

1 Ob. 2

f

Bb Cl. 1

Bb Cl. 2

  f

 

  

 

f

f

      

             2.  1         Bsn.   2   

Bb Bs. Cl.

Eb Alto Sax. 1

  

Eb Alto Sax. 2

Eb Bari.Sax. 

1  Bb Tpt.   2

(1.) f

F Hn.

 

Bb Ten. Sax.

p

 

1 2

     

5

3



5

mp

          

 

3

mp



f

 

p

   

f



   

 

1 Tbn. 2

2.

Bs. Tbn.

Euph.

          D. B.   Pno.

 

 Timp. 

   

Perc. 3 

 (Xylo.)

 

 f

    

 

p

p

p

p

 

 

 

 

 

f

 

   

pp















 



p

f

   

 

  

p

p

     







 

pp

  

   



  

p

p

p



mp

  p

 

arco



p

    

f

 

   

 

 

 24

f

P





 

 

 Perc. 1  Perc. 2

       



pp

 

pp

      

f



   

   

fp

1. solo

   p   

      

  

              

  

f

tutti

p

   

mp

p

3 F Hn. 4

Tuba 

   

  p   a2            

  

p



f

f

f

f

f

  

164

   

    

 

f

p

5

        

163

p

f



p

f

162

               

3

fp

5

    

161

                3

f

a2

fp

    

  

 

Bb Cl. 3

 

f

160

 

pp Glock.

(Chimes)

  mp

  

Sus. Cym.

mf

   

 

mp







 


165 With energy and clarity 166  Picc.  

 

Fl.

Ob.

1 2

1 2

 

mp

fp

Bb Cl.

 

1 2

    

Bb Bs. Cl.

 

fp



f

1  Eb Alto Sax.   2

p

mf

   

   

   

(a2)

168



      

f

 

p

        

 

f

 

  

 

   



169

 

  

  1    Bsn.  2

   



p fp

Bb Cl. 3

167



             

      

   



Eb Bari.Sax. 

   



1   2

      

Bb Tpt.

F Hn.

1 2

3 4

1 2

Bs. Tbn.

Euph.

F Hn.

Tbn.

Tuba 

 

 

D. B. 

Pno.

 

1.



mp

mf



  

 

mp

mf



p



p

   

    



     mf

p

p

       

  

   

   

 

 

 

f

 

p

 

p















p

f

 

p

mp

mf

p

mp

mf

p

  



Perc. 3 

p

   

f

f

 25

   

Sn. Dr. (r.s.)

 

mf

 

   

 

 

a2     

 

  

    



       

 

Tambourine

  

 

  

   

    

 

f

 

 



Perc. 2

 

   

 

    

f

Timp.  Perc. 1

p

p

   

Bb Ten. Sax.

  

p

 

171

p



170

p P

 



 

 

 

   

Vibes

f mf Glock.

  

(Chimes)

f

mf

  mf






 Picc. 

 

172

1 Fl. 2

Ob.

Bb Cl.

1 2

Bb Cl. 3

Bb Bs. Cl.

F Hn.

    

   





fp

(p)

   

f

   

  

f p

    

f p

  

        

   

  

f p

  

        

   

 

 

    

   

 

   



   



 



mf

mf

mp

mf



 

  

 

mp

mf

 

Perc. 1

  

  P

   

 

 

  



 



p

 

   

 

  

   

 



 26

 

p

ff

  

    

  

  

 

   

p

pizz.

mp

 

     

 

  

 

 

ff

 

     p

 

  

   

   

p

p

  

 

  

  

 

   

   





  

f

 

 

mp

  

mp

 

    

(Vibes)

   

 



    

 

  

   

  

f p

  

   

   



 

p

mp

  

Claves p

 

p

Perc. 3 

  

  

mp

mp

 

p

Timp. 

    

   

   



 

 

  

 

fp

1.



mp

     

f



        



 

    

fp

  

 

ff

f

 

   



 

ff

     

 D. B. 



  

  

3.





  

    

mf fp

  

fp

  

     

f p

   

 

   

 

p

   

Perc. 2

  

     

    

    

3 4

Pno.

f

mf



2.     

Tuba 

fp

ff

     

p

mf

 

1 2

Euph.

   

178

Bs. Tbn.



1   2

1 2

  

 

mf fp

Tbn.

 

177

Eb Bari.Sax. 

F Hn.

176

  

f p

Bb Tpt. 3

 

 

mf fp

1  Eb Alto Sax.    2

Bb Tpt.

175

   

1  Bsn.  2

Bb Ten. Sax.

174

    

 

1 2

173

 

  

 

Sus. Cym.

p

     

f

  p


 Picc.  179

1 Fl. 2

Ob.

Bb Cl.

   

     



   

f

p

 

 1   Eb Alto Sax.  2

 

1   2

F Hn.

3 4

    



    

    mp

    mp

             

          

      

   

   

   

   

   

mp

bring out





mf

  



f p

 

    f

  

  

  

  

   

  

mf

mf

 

 

  

   

mf

     

   

 

             

 

                  

    

mf

     

mp

  

 

mp

  

f



sf

   

    st. mute

mp

2. st. mute mp

  



a2

  

mp cresc. poco a poco

a2

sf

                 

f

    p

f

f p

   

1 2

 

f

      

   

    

    p

   



       

p

Eb Bari.Sax. 

F Hn.

 

p

 

f

Bb Tpt. 3



  

       

185

1  Bsn.  2

Bb Tpt.

184

Bb Ten. Sax.

183

Bb Bs. Cl.

182

  

Bb Cl. 3

p

1 2

181

     p

1 2

180

f

     

  

   

      

 

   

      

 

mp

  

mf

mf mute out

 

mute out

 

 

  





 

  f

 

 

1 2

 

Bs. Tbn.

 

Euph.

 



 

 

Tbn.

Tuba  D. B. 

Pno.

   

(Sus. Cym.)

Perc. 3  

mf

     

P

 (Vibes)       

     

          



Perc. 2

          

f mp cresc. poco a poco

Timp.  Perc. 1

in strict rhythm



   

          

 

 

p cresc. poco a poco

          

 27

  

      P

( mf )

 



      

  

  

   

 



T. Blks. f Vibraslap

 

   

            

(mp)

l.v.

mf

 

      

 

      

Tambourine

p

   


192

186   Picc.  

Ob.

     

  

1 Fl. 2

187

mf

1 2

     

1 2

     

Bb Cl.

    

    

 

     

mf

    

 

 



fp

mf

189

  fp

                    

Bb Cl. 3

f

190

 

     

fp

          

 

 

mf

fp

        

  

191   

 

   

   f

      

     

   

f

   

  

f

          

     

 

  

    

 

 

mf

sf

mf

f

 

 

 

1   2 

 

 

Bb Bs. Cl.

Bsn.



fp

188

      

                 Eb Alto Sax. 1       mf

f

                     

Eb Alto Sax. 2

mf

Bb Ten. Sax.

mf cresc.

    

    

    

mf

   

     

 

mp



           

 f



mf



f

 

 

 

 

  Bb Tpt. 1   

open Solo – bring out







f

 



      3

 

     

    

      

growing more intense

  

 marcato         

open        f

 

      

marc.

Bb Tpt. 3

 

 

 

F Hn.

1 2

 

 

 

F Hn.

3 4

 

 

 

Tbn.

1 2

 

 

 

Bs. Tbn.

 

 

 

Euph.

 

 

 

Tuba 

 

 

 

 

 

   

  

D. B. 

Pno.

 

(cresc.)

  Timp.  

    Perc. 1    



(Vibes)

f

Perc. 3   

 

mf

     (Tambourine)

Perc. 2

    

                 





 

P

   

  

f

mf

              

 



f



Xylo.

  

(Vibraslap)

 

f

 28



       

 

 

f

   

         

 

        

 

   

 

 

(f)



 

Eb Bari.Sax.  

Bb Tpt. 2

f

    

  

  



 

     

 

  

  



   

   


193  

  Picc.  

Fl. 1

Fl. 2

  

 

  3

    3

 

Bb Cl. 1

 

Bb Cl. 2

3

3

3

3

3

3

     

 

fp



3

3





 

 

   

Eb Bari.Sax. 

 

Bb Tpt. 2

Bb Tpt. 3

F Hn.

1 2

3 F Hn. 4

Tbn.

Euph. 



 



 

       



 

 

 

   

(Vibes)     Perc. 1 

cresc.

(Xylo.)



  

cresc. Sus. Cym.

 Perc.    

p cresc.

      

f

 

    

 

    

  

 



 

  

 



 

 

 

            6

6

   

        

    













     

  



ff

     

   

  

                









        

  

ff

 

 

 ff a2

ff

             

 

   



     

1.

ff

   

 

    

 

       

  



 



 

ff

  

       

   

f

29

 

 

 



    

mp

f

  

 

a2

 

6

  

ff

ff

   

 

ff



  



  

ff

  

   

ff

   

     

            

  



  

ff

    

   

 

      

     

open           

a2

ff



           

ff

f

cresc.

 

ff

Perc. 2

     

      

1 2

Pno.

  

                              

 

cresc.



   

ff

 



198

                                     

cresc.

   Bb Tpt. 1 



fp



        

 

Bb Ten. Sax.

ff

  

3

fp

fp



cresc.

 

rit.

197

ff

     

3

3





3

  Eb Alto Sax. 1  

     

                        

Bb Bs. Cl. 

Eb Alto Sax. 2

196         

195

                     

       

1 Ob. 2



  

194

 



    


  199

Picc.

(a2)

Fl.

1 2

fff

200

    

   

fff

  

1 Ob. 2

201 A Tempo

molto rit.

 a2

fff

Bb Cl. 1

Bb Cl. 2

fff

fff

Bb Bs. Cl.

1  Bsn.  2

1   2

Bb Ten. Sax.

Eb Bari.Sax. 

 Bb Tpt. 1  

Bb Tpt. 2

   

 

F Hn.



   

fff



 

 

Euph.

Tuba 

 ff



  D. B. 

Pno.

 ff

 

loco

  

  Perc. 1 

ff

(Vibes)

 

 

f a2

 

 

  

   

 

ff

   

 

ff

   

 

ff marc.

ff marc.

     

ffp

 

  

a2

      marc.

ff ffp

      

ffp

ff marc.

Perc.  

fff

   

ff

 

f

      

    

   

  

a2

  

   

    

     

        

a2                          

   

ff

   

     

 

     

 

     

  ff

ff

   

ff

 

   

 

 a2   

  

ff

 

    

 

    

       

   

   

                           

Bongos

    

   

      

 

 

Tom-Toms

                

ff



    

(Xylo.)

Perc. 2

 

ff

f

204          

ff

ff

         ff marc.             

 

ff

ffp

ffp

 

     

  

ffp

ffp

       

ffp

ffp

ff marc.

ff marc.

f

ff

a2 ffp

           

ff marc.

   

       

ff marc.

    

arco

ff

ffp

marc.

   

      

    

a2

   

ff

ff marc.

ff

     

ff

 

ff marc.

ff



   

ff

  

     

ff marc.

p

 



 



 

ff

ffp

ffp

mf

ff marc.

ffp

      

ff

        marc.







   

 

mf

fff

 

Timp. 

a2

 pizz.

 

 

ff marc.

mf

fff

 

 

ffp

f

ff

        marc.

ffp

  

fff

   

 

ffp

  

        marc.

     

 

marc.

       ffp ff marc.               

 

Bs. Tbn.

fff

1 2

ff

mf

fff

Tbn.

fff

  

3 4

ff



fff

fff

1 F Hn. 2

 

 

Bb Tpt. 3

ff

Bb Cl. 3

Eb Alto Sax.

   



203

202

 30

  

 Sn. Dr.    

   

   

mf

fff

    

 

Cr. Cym.

 

fff

 


II. Of Wisdom   Piccolo  

1 2

 

1 2

 

Bb Clarinet 1

 

   

    

    

 

 

     

 

 

 





Tranquil q = c. 52 2

Flute

Oboe (Ob. 2 doubles Eng. Hn.)

Solo – dolce

mp

div. pp

   

Bb Clarinet 2

 div. pp

pp

       

Bb Clarinet 3

 

Bb Bass Clarinet

1   2 

pp

pp

3

mp

 

 

 

 

        



       

   

  

 

 

 

 



 

3

3

     

pp

pp

 

 

 

 

 



  

ppp

p

  

ppp

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

   

 

 

 

 

 

 

 

 

 

 

 

 

 

1 F Horn 2

 

3 4

 

cup mute – into stand

    



cup mute – into stand



 

   

mute

mute out

mute out

 

 

ppp

pp

      

  

pp



    

 

 

 

    

 



  

 

    

 



 

 

pp

pp

ppp



p

pp

 

pp

    

 

 

 

 

 

 

 

 

 

 

 

        

  Timpani  

Percussion 2

pp

ppp

Percussion 1



 

 

Piano

  

Bb Trumpet 3

  

 

Bb Trumpet

Double Bass 

  

 

Tuba 

p

 

 

Euphonium

10 Faster q = c. 52

Eb Baritone Saxophone  

  

 

 

 

Bass Trombone

     



9 rit.

pp

 

 

 

1 Trombone 2

  

1. Solo – dolce p

8

F Horn

 

 

 

1    2

7

Bb Tenor Saxophone

6

1    2

5 q = c. 40

p

ppp

Eb Alto Saxophone

Solo – dolce

Bassoon

4 rit.

p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

  

Percussion 3  

31


 Picc.  11

12

13

  

Solo espr.

Fl. 1

Fl. 2

Ob. 2

 

Bb Cl. 2

1  Bsn.  2

Bb Bs. Cl.



  

pp

p

p





pp

Eb Bari.Sax. 

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

1 2

F Hn.

p



  

       mp





 

  

 

 

 p

 

    

p

19

p

pp

 

 

p

 

mp









p



pp

 



p

p



 

mp

 

pp

 

1.

 

18

    

  

tutti



  

17

p

 



p

1  Eb Alto Sax.  2



p

p

pp

16

p

pp



     

 

ppp

tutti

Bb Cl. 3

15

Bb Cl. 1

ord.

dolce

    mp

          

f

Ob. 1

p

flutter-tongue

14

pp

p

 

  

   

 1.    pp

mute out

 

p

2. p

3 F Hn. 4

1 2

Bs. Tbn.

Euph.

Tbn.

Tuba 

 D. B. 

Pno.

pizz.

 



pp

Grace notes always before the beat loco



 

  

 

Perc. 3 

 Timp. 

 Perc. 1  Perc. 2

32

 

Vibes

mp


 Picc. 

20

Fl. 1

Fl. 2

Ob.



Bb Cl. 1

 

pp

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt.

 

      p

pp 1. espr.

pp

 

 

p







  

  

 





 









  

pp

  

 



mp

 

mp





    

p

mp

   

 



   

 





  

29

 

 

 

 

 3

Solo – dolce e molto cantabile

3

                3 3                  

mp



 

p

 



pp











  

 



28



pp

 





27

pp

  



mp

 

   

 

mp



A Tempo

 

 

mp





p

pp



26

pp

 

 



mp







 

mp





 

 

 

pp

mp

  

     

 

1   2



   

Eb Bari.Sax. 



mp

25

 

     Eb Alto Sax. 1  p

p

pp

1   Bsn.  2

      

pp

 

 

rit.

24

 

Bb Bs. Cl.



p

Bb Cl. 3

23

  

   

Bb Cl. 2

22

pp

1 2

21

pp

pp

 

 

pp warm

  

Bb Tpt. 3

 

1 2

 

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

 

 

F Hn.

Tuba 

  D. B. 

espr.







pp

mp





  

p

  

 

Timp. 

Perc. 1

Perc. 3 

Pno.



Perc. 2

 



pp

 

open



 

pp



 



warm pp warm

 

 

 

 

 

33




 

30

Picc.

Fl. 1

Fl. 2

1 Ob. 2

31

32

33

35

36

37 A bit faster

 

 

 

 

 

 

espr.

   

34

 

pp

pp

 pp

 

 

 

 

 

 

 

 

1   2

 

 

 

Eb Bari.Sax. 

1   2

F Hn.

3 4



p

a2

p

pp



 

1  2 









1.

  

 

 

1 2

 

F Hn.

 

Bb Tpt. 3



Bb Tpt.

 

 

Bb Ten. Sax.

Eb Alto Sax.

    

Bsn.

 

 

Bb Bs. Cl.

mf



rit.

39

  



 

Bb Cl. 1

38

 

    



   

      

mp



  



mf

 



 

pp

 

p



 

 

 

1 2

 

 

Bs. Tbn.

 

 

Euph.

Tbn.

Tuba 



D. B. 

  

p



   

 



 



   

 



 

p

mp

mp

pp



pp



 

Timp. 

Perc. 1

 

 

 

 

Perc. 3 

 

Pno.

Perc. 2

Crotale (bowed)

 

mf

 

34

 

p

 



 

 

        

 



    

 

 

p

p

     

 

 

 

 


40 q = c. 52       Picc.  



        

  

1 Fl. 2

Ob.

f    

1 2

f

f

 

Bb Cl. 1

 

ppp

mf



Solo - espr.



mp

     

3

 

3

 3



47

 

  

    3

46





    

45

 3

 3

 



3

   





   





pp

ppp



   



1    2 













   



                    

 

Eb Bari.Sax.   1    2

 

Bb Tpt. 3

poco f

pp

ppp

pp

ppp

6

3

p

mp

mp

mp

   

1 2

mp



Bb Ten. Sax.





f

div.

p

3



 pp

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

Euph. Tuba 

    

  

poco f

  D. B.    

Pno.

poco f

     





       





ppp

  

sfz

  

Timp. 

Vibes       Perc. 1  







pp

pp



pp

f

Glock.

Perc. 2

     

Perc. 3  

f



ppp

1.



pp



1    Eb Alto Sax.  2

 



ppp

ppp 2.

  

   

Bb Bs. Cl.

F Hn.

1. Solo

44

ppp

Bb Tpt.

 

43



Bb Cl. 3

Bsn.

42

   

Bb Cl. 2

41

 

ppp





 



   





mp

35

  3


 Picc.  48

 (1. solo)

1 Fl. 2

49





 

51 A bit faster

rit.

50

 

   p

   

 

1. tutti p

1 2

Bb Cl. 1

Bb Cl. 2

 

3



 3

         3

3

     



p

mp

 



 

 

 

pp





 

 



1  Eb Alto Sax.  2

pp

pp

pp

3

2.

3

3



56   

 

      1.

1.

  

 

p

p

        p 3

mf

57

mf



55

       



p

 

   

       p 3





54





1  2  

53

 

p (2)

Bsn.

3

mf

p

Bb Bs. Cl.

    

3

p

Bb Cl. 3

  

         mp

Ob.

52

p

mf

mp



pp

   

 



  



  

 



   

mp

pp

   

mp

 

pp

   

  

 

  

mp

pp

3

 

   

mp

 

 

Eb Bari.Sax. 

 

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

 



   

 

   

 

 

 



  

mp

 

  

 

 

mp

pp

F Hn.

Tuba 

  D. B. 

Pno.

 

 

   p

     

  

 

f

pp

pp

pp

 

 p

3

3

      

Vibes

Perc. 3 

       mp

Glock.

  mp

   

 36



 

      mf



 

   

        p

3

        3

3

3

Perc. 2

 

 

mp

pp

 Perc. 1 

pp

p

 Timp. 



pp

1. Solo




 Picc.  58

Fl.

1 2

rit.

    

f (1.) 

3

f

3



  

Ob. 1

Ob. 2

59 Tempo Rubato (q = c. 63) 60    

61

 

  

 

 

 one player

Bb Cl. 2

  

  

  

  

 

mp one player

 

Bsn. 1

  Bsn. 2  

 Eb Alto Sax. 1  

Eb Bari.Sax.  

pp

pp

cantabile

     

  

 

  

mf

mp

 

pp

mp

pp



tutti



mp

  

 

     



f

   

f

mp



       

Solo

pp



 

    

   

p

p

unis.

 

    

  

mf

     

  p

67

mf

mf

 

66

  

 





p

  

p





















pp

 p





 

  

let oboe through

  

1 F Hn. 2

 

F Hn.

3 4

 

Tbn.

1 2

 

Bs. Tbn.

 

 

 

 

  



 

 

 

Euph. Tuba 

  

D. B. 

mp

mp mp

    

pp

pp

pp

p

p

p pizz.

p

  

 



 

3

 

3

 

 

 

  

 

Perc. 3 

 

Pno.

 



Timp. 

 Perc. 1  Perc. 2

f



 

pp

37

 

(Vibes)

   p

Chimes

  p

  



 







 

 

pp

    

div.

 

 

     

  

1  Bb Tpt.  2 Bb Tpt. 3

 

 

pp

Solo

Bb Ten. Sax.

Eb Alto Sax. 2

mp

tutti

65

Bb Bs. Cl.

64

Bb Cl. 1

  

63

 

 

Bb Cl. 3

62

 

 

 


68  Picc.  

Fl. 1

Fl. 2

Ob. 1

     



  mp

 

mp

  

mp

   

Bb Bs. Cl.

mp

   

Bsn. 1 Bsn. 2  Eb Alto Sax.

mp

1   2

mp

1   2

Bb Tpt. 3

F Hn.

1 2

  mp





mp

mf







 





mf

mf

     











 



  



   



   

   

  

mf

 

   



  

 

 



 

 



 

 



  







 

 

  





 

 









cresc. poco a poco

   

   

mp

cresc. poco a poco

Bs. Tbn.

Euph.



mp



 

 

mf

mp

   

mf cresc.

  

 

mf cresc. a2

  

mf

cresc. poco a poco

cresc. poco a poco

   

 

 

 

 

 



 

mp

 a2

 



 Perc. 1 



  

Timp. 



  

     

 

mf cresc.

D. B. 

4: mf

cresc.













 



 



 

 



 



(mp cresc.)

  

mp cresc. a2

  

 

Perc. 3 

  

Sus.. Cym.

p

 

      



   







cresc.



  

 





2.





 

1.



cresc.





 



3.



76

 

   

75

  

cresc. poco a poco

 

mf

74

mf

 



Perc. 2

Tuba 



1 Tbn. 2

Pno.

73

3 4

72

 

F Hn.

     

 

Eb Bari.Sax.  Bb Tpt.



   

Bb Ten. Sax.

    

 

Bb Cl. 3



 



mp

Bb Cl. 2

71

mf

mp

Bb Cl. 1

70

mp

 

Ob. 2

69

 l.v.   

mf

  38

 

mp

 

 

   p


 Picc.  77

Fl. 1

Fl. 2

Ob.

Bb Cl.

1 2

1 2

Bb Cl. 3

Bsn.

1  2 

   

    

   

f

    

    

f

   

    

f

f

1 2

 

f

 

f

 

 

   

 

  f

F Hn.

 

3 4

  f

Tbn.

1 2

Bs. Tbn.

 

open

 

open

 

Euph.

  Tuba 

  arco

D. B. 

  Timp. 

 Perc. 1  Perc.

  f

f (Chimes)

f

ff

ff

 f

f

 f

f

f



  

ff

mf

               3 3

aggressively

ff

 

3

 



 

    

ff



mf

  

ff

mf

ff

ff

ff a2 aggressively

   aggressively              ff 3

    

  



  

ff

  6

mf





ff

mf

    

ff Xylo.

    

   

 

 

ff 3

     

3

3

  6

f

f

 

f



 

 

  

 

aggressively 3

3

          

 

2.

  

ffp

 





 



  

   

 

3

f

 

  

ffp

ff

f a2  

 





39

  

            

ffp



       



f

ffp



    

ffp

ff

ff

  

    ff  3 3 3   3   3    ff          



    



mf

ff

f

  

ffp

 

 

3

ffp

3

 

   

3

 

f

 

ff



    

 

ffp

mf



ff

    

ffp

 

   

dim.



  

 

 

    

 

ff



  

                



    

3

ffp

ff

3



  

3

ffp



ff

mf ff

 

  

3

ffp

  



        3   

                  ff  3  3    ff                 

  







dim.

   

dim.

   



ff





ffp

ffp

3



ffp

            



3

 

ffp

ffp



  

p

 

  

 

   



ffp

3

  3                  

aggressively



 

   

3

3

  

S. Cym.

 

3

 

  aggressively              3

   

dim.

              



    





   81  

aggressively

  



    



 

    

  

       

 

       

ff

80

      

   

     

Perc. 3 

 

ff

  



ff

    

Pno.

   

    

      

    

    

 f

F Hn.

 

 

1    Bb Tpt.  2 Bb Tpt. 3

 f

 

Eb Bari.Sax. 

 79       

ff

 

Bb Ten. Sax.



    

  Eb Alto Sax. 1  Eb Alto Sax. 2

    

 

Bb Bs. Cl.

78

3



 f

mf

 

    ff


 Picc.   82

Fl. 1

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

1  2 

1  Eb Alto Sax.  2

 mf



(f)



dim.





(mf )



(f)

 mf

dim.

(f)

 

mf

f

f

mf

 

f

f

mf

 

86



 

mp

p

pp

one player

one player

p

p



    

p

mf

n

  

   

89

Solo dolce

       

mp

p

   

88

      

 

p

87

n

   

mf

 

(mp)

   

    



mp

q = c. 56

85

   



    

div.





(mf )

 

rit.



84

(mp)



    



 

Bb Bs. Cl.

Bsn.



 

Fl. 2

Ob.

83



pp dolce

pp dolce

 

 

one player p

   

n one player

p

 

 p

pp dolce

mf

  

mp

Eb Bari.Sax. 

to Harmon mute (stem out)

to Harmon mute (stem out)

to cup mute

Bb Ten. Sax.

Bb Tpt.

1   2

F Hn.

Tbn.

mf

   

Bb Tpt. 3

F Hn.

   

1 2

  

3 4

1 2

 



 



mf 1.

a2 

       

mf

Bs. Tbn.

f

Tuba 

 

Perc. 2

mf

 





pizz.

V.

mf

to mute

mf

mp

  

1. st. mute



mf

   

p



Solo

pp

mp

  

 

 

Perc. 3 

(Chimes)

 

f

 

mf

 

mp

40

  

    

(pizz.)

  p



arco dolce



(Play)

pp



p

 

   

 

pp

     



mp

mf

p

mf

 

mf

Timp.  Perc. 1

  D. B. 

Pno.

mf

   

mf

Euph.



Vibes p



D.B. cue (play in no double bass available)




 Picc.  90

Fl. 1

Fl. 2

Bb Cl.

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1 Bsn. 2 

 

  

93







   



 

 

94







pp

pp

 

1   2

 p

     



92

 

   

  

1 2

91

Ob. 1

q = c. 60 (distant)

molto rit.



p

 

pp

p

  



 



  

95 

 

   

96

 

1. one only



 p

 





p

 











 



   

Solo – poignant, lyrical

       3

mp

3

f

Eb Bari.Sax. 

 

Harmon mute (stem out)

Eb Alto Sax.

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 2

Tbn.

Euph.

 D. B.  

Pno.

 

pp

pp

  

Perc. 3 

 

 Perc. 1 

(Vibes)

  p

  

 

mf

 p

3

p

3

pp

3

3

mute

 pp

3            3

3

  

 

(Chimes)

3

 

pp

          



3

D.B.

Timp. 

Perc. 2

3               

Bs. Tbn.

Tuba 

1. Solo Cup mute

Harmon mute (stem out)

 

      41



p

 



pp





 

 

 

 

 

div. pizz.

 






1  Fl.    2

  

97

tutti

p

 

Bb Cl. 3

      

Bsn. 1 

p



p

  

 



  

F Hn.

1 2

Tbn.

1  2 

Perc. 1

arco

 

 (Vibes)   

Perc. 3  

(Chimes)

 Picc. 

   





 

 

 

 

3

102

 

   

Bb Cl. 3 Bsn. 1 Bsn. 2 

 

Solo pp

mf

1     2

Tuba 

D. B.  

   



Timp. 

 Perc. 2 

  

3



p

 

(1.)          

1 2

Pno.

pp

3

3

p

 arco 

   

   



 

    

3



 



  Eb Alto Sax. 1 

Tbn.

  p

  

1 Bb Cl. 2

F Hn.





 



 

 

 



 p 

 

 

 

 

p

42



   

107

   



106

 

Solo dolce





mp

mf

    



 

unis. somber

p

105

pp somber

  

 

   

   

D.B. Cues

 

   

3

p

3

104

  



3

p

     

 

          

 

  

 

somber

 

 

mf

 

pizz.

somber

 

 

      

 

  

 1. somber  

 

   

   

103 A tempo    pp

  

 

   

 pp

 sf

 

 

Fl. 2

   



intense

 

3

  

3

p

    

one player

Fl. 1



rit.

101

one player



(1.) 3            

  

 



 3

 

3

mf

 

 D. B.   Pno.

  

100

     (one player)  

 

f

99 2. one player

p

   

 

 

1     2

Bb Tpt. 3

f

(1.)

1 Bb Cl. 2

Bb Tpt.

    

98



   









   



Crotales – bowed



  

   



 

 

   

 



   

 

 




  Picc. 

    

108

109

pp

  

Fl. 1

 dolce

  

Ob. 1

  pp

Bsn. 2 

112



 



 

113





   

 

 

 

 

 dolce

 

ppp

Bb Cl. 3

pp

Solo 

Bb Cl. 2

pp

111

 

div.



mp

Bb Cl. 1

 

  

Fl. 2

110   

  

  

   

one player

p div.

 p

 





 



  

  

 

pp





 

one only







mf



 p



mf



p

p



1   2

 

 

Eb Bari.Sax. 

 

 

 

   

to mute

 

 

Eb Alto Sax.

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

 

Tbn.

1 2

 



3       

(1.)

mf

3

Bs. Tbn.

 

Euph.

 

 

 

Tuba 

 

 

 D. B.   

Pno.

Perc. 2

   

 

 

 Timp.  Perc. 1

 

 

  

 

 

 (Chimes)  

 

Perc. 3 

p

(Vibes)

p

Solo (In strict rhythm)

div. pizz.

Stop strings firmly near edge with left-hand fingers, and play on keys with right hand

poco f Solo 

    3

P

 

  3



3

           3

3

3

       3

 



 43

3

  

 

 

 

    3


 Picc.   114

Fl. 1

Fl. 2

  

Ob.

115

 

 

Bb Cl. 3





 

Bsn. 2 

 

1  Eb Alto Sax.  2





 



3

 

  

    3

3



mf



  







  



p

118

mf



117

   

p

Bsn. 1

Solo dolce

pp

Bb Cl. 2

Bb Bs. Cl.





 

Bb Cl. 1

solo

1 2

116

  

     f

      f

Eb Bari.Sax. 

Bb Ten. Sax.

Bb Tpt.

1   2

1 2

 







   mute out 

(Harmon mute)

p

                             mf    

3 4



p

mute mf

1 F Hn. 2 F Hn.

Bb Tpt. 3

 

(Harmon mute)

   mp

Bs. Tbn.

Euph.

Tuba 

Pno.

  



Timp. 

 

 Perc. 1  Perc. 2



 (Chimes)

Perc. 3  

 

unis.



       3



1.

mp

 

 

mute out

p

pp





p







 

 

   mp

pp

  

 

 

mf       

    

44



  



div. arco

 

mf



 

p

 D. B.  

D.B. Cue (mute) Play if no double bass available)

Tbn.

 

p



   

       f 


 Picc.  119

Fl. 2

Ob.

1 2



 

Fl. 1

 

p

f

          tutti

 

p

f

        p

f



122

tutti

Bb Cl. 3

          

Bb Cl. 2

121

tutti

Bb Cl. 1

rit.

120

 ppp



ppp

p



p





ppp



one only ppp

Eb Bari.Sax. 

Bb Ten. Sax.

1   Bb Tpt.   2

 

Bb Tpt. 3





 





 

 

 

 

3 4

1 2

Bs. Tbn.

Euph.

1 F Hn. 2 F Hn.

Tbn.

Tuba 

D. B. 

 

 Timp. 

Pno.

 Perc. 1  Perc. 2

Perc. 3  

Solo pizz. 

 

mp

Solo

smoothly

mp

mf



arco

smoothly



mf

one only

     

 

 

         

 

 

 







ppp



  

   

 

 

 

 

 

 

one only pp

pp

 

 

 

 

mute out      

 

 

pp

      n   

 

mute out      

 

 

 

 

 

 

 

 

     

 

 



   

     

n

 

 



 

p

 

  p



 

126

mute



p

 

n

pp

 

ppp

rit.

125

 

    

 

p

mp



(Chimes)

ppp one only

    

mf

 

124

p

1   2



1  2 

Eb Alto Sax.

  

  

Bsn.



  

Bb Bs. Cl.

  

one only

123

  

Crot.

  

  p

 

 

 

 

 

 

  



45

 

p

Sus. Cym. – (scrape briskly w/ triangle beater)

 

sf

 

 

 

 

ppp

 

(distant)

p

 

 

pp


III. Profanation

  Piccolo  

Dark q. = 126 +

2

3

4

Flute

1 2

 

Oboe

1 2

  

1 2

  

Bb Clarinet 3

  

Bb Bass Clarinet

  

           

Bassoon 1

  

           

Bassoon 2 

  

(Ob. 2 doubles Eng. Hn.)

Bb Clarinet

1    2

pp

  

                          

                                pp

                                pp

 

          

                  

  

Eb Baritone Saxophone  



Bb Trumpet

Eb Alto Saxophone

Bb Tenor Saxophone

1    2

Bb Trumpet 3

  

F Horn

1 2

  

F Horn

3 4

  

Trombone

1 2

  

Bass Trombone

  

Euphonium

  

  Tuba  





     

Double Bass 

Piano

Percussion 1

   



   



         l.v.   ped.thru m. 9

pp

  Bass Drum        

Percussion 3

  

1

  

Marimba



pp

Percussion 2

                

pp l.v.



 

pp

Timpani 



p

pp sul pont.



     sim.

sim.



 











     









pp

pp



      

















     



 



     









                                

   Marimba 2   





p

 

 

46

 

    

    





                 p



p






 Picc. 

5

6

7

 

8

9  

10

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

 

Bb Cl. 2

                      

Bb Cl. 3





                 p

cresc.

              

p

  

cresc.

pp

       

     

p

cresc.

  



                           Bb Bs. Cl.                        cresc.           Bsn. 1                                                  Bsn. 2                                     Eb Alto Sax. 1   

Eb Alto Sax. 2

Eb Bari.Sax. 

Bb Ten. Sax.

Bb Tpt.

1   2

 

                       

pp



 

pp



  

 



 

 

1 2

Bs. Tbn.

Tbn.

Euph. Tuba 

mf



  Timp.  



Perc. 1

 

     

 





Perc. 2

Perc. 3

           

Mar. 1 Mar. 2 

 







  

 



Pno.

 

2. mute f mute out



 

        

   

 

    

        

  

 



  

       

 

  



 



      

     







  

             

            

     

     

          47

cresc.



     

  

 

  

 

     

 

 

 



cresc.

cresc.

    



                                                 

            

D. B. 



p

1 2



 

  

 

 

cresc.

 

  

 

4. mute

p

                 

3 F Hn. 4

cresc.

            

Bb Tpt. 3

F Hn.

p

p

cresc.





p gradually to

   

      

 

        



       





   

      



Xylo.

     p cresc.

          



cresc.



p

       





  







          

               cresc.                     


 

11

Picc.

Fl.

1 2

1 Ob. 2

Bb Cl. 2

 a2

     

mf

     

           

Bb Cl. 3

Bb Bs. Cl.

1  2 

Eb Alto Sax. 1

13

                   

Bb Cl. 1

Bsn.

12



 

Bb Ten. Sax.

Eb Bari.Sax.   

     

 



cresc.

     

a2

mf cresc.

      

mf cresc.

      

mf cresc.

 

   

   

  

mf cresc.

      mf cresc.       

mf cresc.

 

 Bb Tpt. 1 

Bb Tpt. 2

Bb Tpt. 3

F Hn.

 

1 2

1 2

Bs. Tbn.

Euph.

Tbn.

3 F Hn. 4

Tuba 









p

  

Pno.





cresc.



f

 

      



  

 

cresc.

  

mf

  

mf

      

     

f         





cresc.

             

        

cresc.







                  

ff marc.



     

ff





               

ff marc.

     ff     marc.                    2 2 ff f                       2  2 2 2 f ff marc.      2                    2    2 ff marc. 2 f                           ff marc.                           ff marc.                  ff             ff f



   



 

   



ff

 

 

ff

f cresc.

 



ff marc.

  4

                                       P            



               



                                       



 

   

 

 

mf cresc.

 

        ff marc.                                    ff marc.                         



 

 



                      

cresc. ord.

ff marc.

          

cresc.

                                                

              



mf cresc.

       

Mar. 2 

                    

mf cresc.

   Perc. 1 

Mar. 1



       

  



Perc. 3

mf cresc. mf cresc.



Timp. 

Perc. 2

     



  

D. B. 

a2 (2. open)

mf cresc. f f a2 (4. open)

 

mf

      

1.



16                              cresc. ff marc. f                                      15

             mf cresc.              mf cresc.

                          

Eb Alto Sax. 2

      

mf cresc. a2  

        

14

         

fff

      f             f

ff marc.



  

  





 

  

  

  



 

    

         

       ff                                            

     

mf cresc. mf

Triangle

ff marc.

                                 ff marc. cresc.

48


17 19                          Picc.      (a2)              loco       1          Fl.         18

2

 

Ob.

1 2

(a2)               

Bb Cl.

1 2

Bb Cl. 3

              

Bb Bs. Cl.

Bsn.

1  2 

 Eb Alto Sax. 1  

Eb Alto Sax. 2

                           

              

Bb Ten. Sax.

Eb Bari.Sax. 

              



20

             

                                       

                            Bb Tpt. 1  4

                            

Bb Tpt. 2

F Hn.

4

4

Bb Tpt. 3

F Hn.

4



(a2)              

1 2

(a2)              

3 4

         



 

Pno.

 

   



Timp.  Perc. 1

Perc. 2

  

  



 

  

  

     

  



Mar. 1



(Xylo.)                  

            

    

ff

  

               

ff

    



              

to st. mute      







  

      

  a2

mf

ff





     

ff

ff

                                   

               ff                 

 ff



 



ff

ff

  





4.



               

 

  

    

               



   

pp



    

                      49

f (B. D.) f



   

    

                        

  

Tom-Toms

    

fl. t.

 



2.

  

    



                             

Mar. 2  

    

   



                  

ff

(Trgl.)

Perc. 3

l.v.





D. B. 

  

Tuba 

     

               

  

ff



Bs. Tbn.

       



to st. mute

Euph.





              

1 2

Tbn.

     



f

  

    

  

  

                                  


 Picc. 

21

22

23

24

25

Fl.

1 2

Ob.

1 2

Bb Cl.

1 2

        f                           Bb Bs. Cl.                         f     f            a2      1                                      Bsn.     2  Bb Cl. 3

 Eb Alto Sax. 1 

f

    



                                  

              ff f      Eb Alto Sax. 2              f                        Bb Ten. Sax.                                                                               Eb Bari.Sax.        Bb Tpt. 2  Bb Tpt. 3 1 F Hn. 2

F Hn.

Tbn.

 

f

 

 

st. mute

    

ff st. mute

    





ff



1 2

     

 

     



ff

p

 

      

f

mf

mf

f

                                          loco         Timp.   

 

   f 



                         

 



mf

        



Perc. 2

Perc. 3

  







                      

Perc. 1

             



 





mf





                                               f

   

    4.   

           

mf



       

2.

       Tuba                                 D. B.           mf                Pno.

p

Euph.

3 4

Bs. Tbn.

                                                                     Mar. 1           marc.                                                             Mar. 2          f

mf

f

50


 Picc. 

26

27

28

29

Fl.

1 2

Ob.

1 2

Bb Cl.

1 2

            

           

  

Bb Bs. Cl.

1   Bsn.   2 Eb Alto Sax. 1

marc.

                           

Bb Cl. 3



 

                  

                          

Eb Alto Sax. 2

       

Bb Ten. Sax.

Eb Bari.Sax.  

  

mute out   Bb Tpt. 2      

     

mute out

Bb Tpt. 3

       (2.)

1 F Hn. 2

  

  

              

    



    



   marc.         

             f

 

marc.                                   mf    marc.          

                            

                                                        

           

           

                  f                   f 

marc.

   fp      

   

             



Bs. Tbn.

Euph.

                

  marc.         

            

F Hn.

3 4

Tbn.

1 2

(4.)

Tuba 

mf

      D. B.  Pno.

           

Mar. 1 Mar. 2 

 

  

    

f





  

pizz.

 

sfz

Perc. 3



Perc. 2

f

Timp.  Perc. 1



   



mf





 









                   

                   

f

mf





mp













            

           

   marc.          

           

f

51



Xylo

                                                    



f

   marc.          

           


 Picc.  30

1 2

1 Bb Cl. 2

Fl.

Ob.

1 2

1  Bsn.  2

                   

             

Bb Ten. Sax.

ff

Bb Tpt. 3

F Hn.

F Hn.

1 2

3 4

ff a2  

 

 

  ff

 

ff

 

ff

  ff  

f

          

ff



ff

 

 

 

  

 open



 

 

  2  ff



 

 

 

  







open

 





 2 

 

  

  

 

ff

 arco            

f



  

Bongos – sticks



      mp

 

 

 

 

 

 

 



          

            

  

ff









 







       

 





ff

  

 

4



 

4

4



 









ff

ff

 

ff

 

  

 

 

 

   52

 

 



 

5

         

 



 



 

5

  

5

 

2

 

 









 



    

white note gliss.

 

 4

 



 







4

4

ff

 

 



2. open

 

2

   

 

 



 



 

 

   

  

 

 

      

 

             

 

white note gliss.

 

       

           

 







5

ff

 

        a2        

 

   

 

 









Trgl.

 





  

 

 



   



 

 

smear

 



4

mf

 





fff                      P       Timp. 

 

 

 

  

smear

 

 



 

             

           

 

5

smear

 

ff

ff

  

 5    

5

4  

ff

    5

 4 



open

  

ff ff

 

 

    

              

D. B. 

Mar. 2 

  

Mar. 1

     5

 

Euph.

Perc. 3

32

 

Perc. 2

 

 

Bs. Tbn.

Perc. 1

ff

Pno.

               

1 Tbn. 2

Tuba 

            

 Bb Tpt. 1  Bb Tpt. 2

 

Eb Bari.Sax.  

 



            

Eb Alto Sax. 2

ff

            

Bb Bs. Cl.

 ff

             

Bb Cl. 3

Eb Alto Sax. 1

31



   



white note gliss.

 

 


  Picc.  

34  

1 2

  

 

1 2

  

 

1 2

  

 

Bb Cl. 3

  

 

Bb Bs. Cl.

  

1    2 

33

Fl.

Ob.

Bb Cl.

Bsn.

  Eb Alto Sax. 1  

   

Bb Tpt. 3

  

1 2

  

3 F Hn. 4

  

Tuba 

  

  

D. B. 

Pno.

  

 

  

  

Timp. 

  Perc. 1  

  

 

 



f

f

        f     



f

solo – brash!

 

           



f

 pp

  

pp



mf



 



 

 

pp

  mf

 



 



         

pp

  

   

 





 

           

       

 



             

f

fl. t.

mf

 

f

 

 

       

fl. t.

 

     

fl. t.



4

f

f



sfzp





     

sfzp

Euph.

mf

f



    

f

sfzp





                                         

    



 



                         

Bs. Tbn.



mf

mf

  



1. open



a2

1. 

2. mf

f

    





Bb Ten. Sax.

1 Tbn. 2





 f           f                      

  

F Hn.



f

  

  Bb Tpt. 1  

36

                                     

Eb Alto Sax. 2

Eb Bari.Sax.  

35

Perc. 2

  

 

Perc. 3

  

 

Mar. 1

  

  

                                      

  Mar. 2  

                                  

f

f

53




  Picc.   37

  1. mf      

1 Fl. 2 Ob.

Bb Cl.

mf

  

1 2

1 2

Bb Cl. 3

Bb Bs. Cl.

 





  

  







 

38



 





  

   

1   2  





(1.)



 

     

                        

Bb Ten. Sax.

Eb Bari.Sax.   

 





           Bb Tpt. 1        sffz

ff

  

 

     

     

40

  

   

 

                             

Eb Alto Sax. 2



 

                       

                            Eb Alto Sax. 1  Bsn.

39





 

 







41

           



            f



a2

f





        5

 

 

ff

         5

ff





a2

                                                                           

 



     f           

f

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph. Tuba 

 



  

D. B. 

Pno.

Mar. 1

 







 













 

                      f

Perc. 3









 

 



    f    

arco

             f

f

           

    

Bongos (sticks) f

    f



Perc. 2







Timp.  Perc. 1







sffz





 





                  f                                



                                   

Bb Tpt. 3

 



    

         

f

ff

f

                                                                                                                              

Mar. 2 

                                

                                            54


     42         Picc.   (a2)       1  Fl.     2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

43        

 a2            f

    

     

1  2 

Eb Alto Sax. 2

         

    

(a2)

         

                       Eb Bari.Sax.  

Bb Ten. Sax.

Bb Tpt. 1



         

    

 

Pno.

      Timp.   Perc. 1

         (Xylo.)

Perc. 2

Perc. 3

Mar. 1

 



         

Mar. 2 

 

f

           



2









      2         

pp



         2

     

mp



    

  



  

ff 2

 

 

f 2











       

 

 









 

 2





   

 

 

2

2

       

 



arco

 

f

55



     



          







5

mp

ff 2

ff

 

                    mp f     



 

mp

Sus. Cym. (stick) Tom-Toms

         

 

f

     

f

       

                    

 



           

mp

 

 

                    



 

f

 

       

mp

          

  

f

f

p



5



1 2

5

p

     

3 F Hn. 4

              

     

ff

                       f                         f                                  

       Tuba                   D. B.               



 



Euph.

5

p

    

             



 



5

          

      

       

ff

1 2

Bs. Tbn.



2

     

ff

f

      



 

f

Tbn.

1.

ff

Bb Tpt. 3

F Hn.



ff



1.





45



                                Eb Alto Sax. 1      Bsn.



      

44



     

 

   





Sus. Cym.

  



           




 Picc. 

46

47

48

49

Fl.

1 2

Ob.

1 2

Bb Cl. 1

            

     

Bb Cl. 2

     

Bb Cl. 3

     

Bb Bs. Cl.

Bsn.

1  2 

  Eb Alto Sax. 1      



            



Bb Ten. Sax.

Eb Bari.Sax. 

  ff

 

                        f                         f                     

1 F Hn. 2 3 F Hn. 4 1 Tbn. 2

f

             f               

Bs. Tbn.

Euph. Tuba 

Pno.

           

f

f

f

mp

Perc. 2

 

Perc. 3

 

 

(Tom-Tom)

Mar. 1



     

Mar. 2 

 

mp

    



     

 

                      

      

f



                       

ff

             f

f



ff

                         f        2.                                     f ff f                  



                f

ff

mf

               

               

               

            

mf





56

f

               

Sn. Dr.

          

ff

                mf



f

                

ff



                            

 

mf





     

               





    

               







               

mp

                              Timp.  Perc. 1

  

mp

f

             D. B.      

 

               

             a2            

ff

    





ff

Bb Tpt. 3

ff



1   2

            



Eb Alto Sax. 2

Bb Tpt.

ff

    

     

           

 

           

pp





f

 Tam-Tam

     

 

p


50  Picc. 

            a2      ff   a2                ff                   

1 Fl. 2 Ob.

51

1 2

Bb Cl. 1

ff

Bb Cl. 2

Bb Bs. Cl.

f

  





52





  





  

f



                  



Tbn.

           

            

                p

                p

               

 

 

  

f

p

 

ff

f

 

 

pp



pp

p

             

 

mp

pp

mp

pp





f





f

 

 



   

mp



pp





mp

pp



mp

pp







           

                         p 

pp

 





 

           

pp

to st. mute

 

           p  



 

 

Tuba 

p to st. mute

 

 

  

ff

Euph.

f

           

 

f

     ff    

Bs. Tbn.



     

    

1 2

 

p

1   2

3 4





Eb Bari.Sax. 

F Hn.



 

           

f





                        

1 F Hn. 2

 

f p       p                      1                                 Eb Alto Sax.  2        p p f f

Bb Tpt. 3



         

 

ff f

Bb Tpt.



1  2 

Bb Ten. Sax.

53



f

Bsn.

  

                ff

Bb Cl. 3







                         D. B.                                          p ff f                             ff

          Timp.    Pno.

Perc. 1

Perc. 2

f

 



               (Xylo.)

f

(Tam-Tam)

 

Perc. 3

Mar. 1

  

mf f

Mar. 2 



ff



  

pp

  f f



  







 

  





                     p f





 



 



Bongos (sticks)

      mp

            

                                      p                    p

f

                                                 f

p

57


54    Picc.   

1 Fl. 2 Ob.



           



f marc. div.

 

a2

f marc.

  

Bb Cl. 1



f marc.

     

Bb Cl. 3

f

      f  1      Bsn.   2

Bb Bs. Cl.

f      1  Eb Alto Sax.   2 f

f

     

Bb Ten. Sax.

Eb Bari.Sax.  1  Bb Tpt.  2

3 4

Tbn.

1 2

     f

 

 





a2 



 







 

 

 

 

Tuba 

     



        Timp.  Perc. 1

(Bongos)

  f

Perc. 2



      f

Perc. 3

Mar. 1

      f

Mar. 2 



      f





f marc.

    







          

     







                   st. mute

f marc.

                        f marc.

 



     



      







f

 



 



 



mf







 T. Blks

     

mf

                      58

   

Vibraslap



         





f marc.



 

                             f marc. 1. st. mute                    









 





    





     

 



Pno.



           

Euph.

        







f marc.

f

 

f marc.





      

 

             

                        

     

D. B. 

f marc.

f



           



f



           

             ff marc.

Bs. Tbn.



57

            

                   ff marc.



Bb Tpt. 3

F Hn.

f

56



            

Bb Cl. 2

1 2

55

                  

1 2

F Hn.



 



f

        



 

4

    

Tom-Toms

f

4


59                              Picc.  cresc. f                   (a2)            1 Fl.  2 58

cresc.

f

Ob.

                                            cresc. f                          

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Eb Alto Sax.

             

cresc.

f

cresc.

             f

           

Bb Bs. Cl.

Bsn.

f

1  2 

1   2

       a2     f

f

Eb Bari.Sax. 

 

 

     f mute out  1      Bb Tpt.   2



      

Tbn.

        mute out     

1 2

Euph. Tuba 

    

pizz.  arco     D. B.  

Pno.

Mar. 1 Mar. 2 

 

 

f cresc.

             f cresc.

  

 

 







(Bongos)



 

f

 

 

(Tom-Toms)







cresc.

 



 



                         













2   2  2        ff     2

ff

a2

 

 

 

2

2

ff

2     





           

cresc.

2

 2     

2

  

2



    2

 2

 

     

  

      f marc.                    f marc.         

f marc.

         

     



f Stopped (Angry)



f Stopped (Angry)

     

f marc.



   

    f      

 



                  

 2

f marc.

 

                 

     f     



 



                               



2          2

    



  



2

ff



     

    

ff

  

2

    

st. mute (Angry)





2



f marc.

fp Tambourine 

ff

59

 

     

poco f

cresc.

5

2

2

  

2          f  2   2  2        f  2   2  2        f  2   2  2        f  arco  2  2     

a2

ff

           

2

 

 





2 2

       ff   2  2          



5

5

 

ff

   

61      

      2

ff

  

  a2               5           5







    

 

cresc.

 

 

Perc. 3

           



Perc. 2

cresc.

                         

f

Timp.  Perc. 1

           

cresc.



a2



      

Bs. Tbn.





4.

3 4

 



2.

1 F Hn. 2

F Hn.

 

Bb Tpt. 3

 

             

Bb Ten. Sax.

cresc.

    

 

           

60

2

2

     

                   f marc.


 Picc. 

62

Fl.

1 2

Ob.

1 2

 

Bb Cl. 1

63

       

     

Bb Bs. Cl.

Bsn.

Eb Alto Sax.

1  2 

1   2

Bb Ten. Sax.

Bb Tpt.

1   2

 

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

      

1. f marc.

        

Tuba 

     

    

     

          

          

          

          

           

                                                                                                                                       

2. f marc.

          

     



   

 

 

 

      

 

   



  

 

   1.              f

           

          D. B. 

           

    

          

                

Euph.

      

          

                

Bs. Tbn.

          

 

   

2. f marc.

a2

           

           

 Eb Bari.Sax.      

     f marc.

                   

65

1. f marc.                                           2. f marc.      1. f marc.                                                      

f marc.

2 Bb Cl. 3

64

 

 

 

 

  

                     



   

               





              

                

               

Perc. 3

Mar. 1

           

Pno.



Timp.  Perc. 1

Perc. 2

Mar. 2 

           

Xylo.

f marc.

           

                                                            f marc.

60

    

      


 Picc.  66

Fl.

1 2

67

f

            

      

ff

ff

    

                        

Bb Cl. 1

                                                   (a2)

2 Bb Cl. 3 Bb Bs. Cl.

Bsn.

1 2 

a2 

             div.      

    







                    

a2                    a2

1 Ob. 2



 68        

   

ff



     ff

Bb Ten. Sax.

Eb Bari.Sax. 

            

    

 

         

1   2

Bb Tpt. 3

1 F Hn. 2

       

Bb Tpt.

F Hn.

Tbn.

     

1 2

 

     ff        



p

open

 

Bs. Tbn.

Euph.









open





        p

        p

           

p

p

 

                               

D. B. 

Pno.

 



Timp.  Perc. 1



Perc. 3

Mar. 1

  

Mar. 2 



    

     



  



           ff            ff

       

ff



ff

    



to st. mute

    

      ff



ff





ff

               







 



 



 

Bongos

                   

p

(Xylo.)

Perc. 2

     

ff

  



ff

     ff                    

open



Tuba 

      

mf

       

3 4

    



                 p

ff



ff

ff





 a2                    div.           1       Eb Alto Sax.  2

69

    

p

     

    

Sn. Dr.

ff

  

ff

(Tom-Toms)

      

    

p



 

    



ff



                  ff

                         ff

61

p

                  


 Picc. 

         

70

Fl.

1 2

Ob.

1 2

  1.

 

71



f

72

73

74

 

 

 

                 f a2 f mf   2                 Bb Cl.       3                    f ff        Bb Bs. Cl.                                           f mp mf 1.   1.     1                               Bsn.      2    Bb Cl. 1

1  Eb Alto Sax.  2

 

Eb Bari.Sax. 

                           

 



 

 



 

Bb Ten. Sax.

Bb Tpt.

f

1    2



a2

mute out

mp

     

  



      mp      

 

               

mp

f

Bb Tpt. 3

    st. mute

mf

 

 

1 2

 

Bs. Tbn.

 

Euph.

 

 

 

 

 

 

 

 

1 F Hn. 2

F Hn.

Tbn.

3 4

Tuba 





Timp.  Perc. 1

Perc. 2

Perc. 3

Mar. 1

(Xylo.)

              f

 

Mar. 2 

 

f

f

D. B. 

Pno.

mute

 f

 

ff



mp

 

    f

 





 

p

  mf

                                      

              mf

62



 

mp

mp

     

                  


  Picc.  

75

76

 

77

78

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

 

           

Bb Cl. 2

 

Bb Cl. 3

 

   

                                      mp                                           

       Bb Bs. Cl.                         1                     Bsn.         2  2. mf mf

Eb Alto Sax.

1    2

Bb Ten. Sax.

                                                           

 

             

            

               

Eb Bari.Sax.    Bb Tpt.

mp

1    2

                         

 

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

Tuba 

 

 

   D. B.   Pno.



    mp

           

            

               

 

 

 

 

  

Timp. 

   

Perc. 1

 

   

  

p

  

Perc. 2

 

 

Perc. 3

 

 

(Xylo.)                mp

                    

                                Mar. 2        Mar. 1

63

                                                      


 Picc. 

79

80

81

82

Fl.

1 2

Ob.

1 2

           

             

Bb Cl. 1

            

Bb Cl. 2

f



                  f mp                

Bb Cl. 3

Bb Bs. Cl.

f

                       mp                           

      



mp

             

mp

                                                             

mp

   1               Bsn.    2 

1  Eb Alto Sax.  2

           

             

             

             

             

1.

Bb Ten. Sax.

f

Eb Bari.Sax.   1  Bb Tpt.  2

mp

mp

1. open                                                    p p

pp

1 2

3 4

1 2

Bs. Tbn.

F Hn.

F Hn.

Tbn.

Euph. Tuba 

                              p

Perc. 3

mp

                             

f

           

            

              

mp

  

non cresc.

                f 

              



  

f

  

              

        f mp                             Mar. 2   Mar. 1



3.

   

Perc. 2

               



mp

Timp.  Perc. 1

               

p

               D. B.  Pno.

          

2. open

Bb Tpt. 3

f

mp 1. 

 

mp

64

                            

mp

                          


 Picc. 

84  

83

85

 

86

87

 

88

 

 

Fl.

1 2

 

 

 

 

 

Ob.

1 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

                   

Bb Cl. 1

                     f

Bb Cl. 2

                    f

Bb Cl. 3

f

                    

Bb Bs. Cl.

f

                                 f  (1.)                      1  Eb Alto Sax.   f

1  Bsn.  2

2

Bb Ten. Sax.

 

f

     Eb Bari.Sax.                     f        1                     Bb Tpt.    2  f

                     f   (1.)          

Bb Tpt. 3 1 F Hn. 2

             sfp f    a2                          sfp

f

(3.)

3 F Hn. 4 1 Tbn. 2

f

                       f        

Bs. Tbn.

Euph. Tuba 

f

 

Pno.

 

 

   

Timp.  Perc. 1

Perc. 2

Perc. 3

Mar. 1 Mar. 2 

 

f

     

    

                



ff

aggressively ff

 

       

 aggressively

     

ff aggressively

     

ff

 

   

  

    

      

 



 



 

 

 

 

 

 



 



     

2

   

    2

                  sfp       sfp

                      ff                 aggressively

2

   

      

 

                     

 

 

  

 

        

   

 

 

                        f                      f



(Xylo.)                      

                

 

f

mf

   

        

 a2  

     

aggressively

 

                     D. B.   

  



2



            

  

 

 

 

    2

           

 

 



 

    2

 



2         



 

 

  

 

 

 

 

 

 

 

 

 

  

 

 

2

  

f



2

 

f





f

2

 

 

 

 

 

 

 

 

 

 

 

     

 

         

 

2

 

 

     

aggressively ff

65

  

    

                     

      

      

2



 

 


   89

Picc.

Fl.

Ob.

Bsn.

a2

   

  

   

F Hn.

Tbn.

                 

    

    

    

Euph.

   

   2         Perc. 1   Timp. 

   

Perc. 3

  

Mar. 1

           

 

 

 

         2

   

Mar. 2 

 

   

 

2  

  

       

sfz



 

 

        

            

      Tuba    2       D. B.   

Perc. 2

sfp

2

Pno.

 

        sfp      

    

Bs. Tbn.

       

    

1 2

 

ff aggressively

  

3 4

   

            

1   Bb Tpt.  2

1 F Hn. 2



                 

 Eb Bari.Sax.    

Bb Tpt. 3



                                   

  Eb Alto Sax. 1  

Bb Ten. Sax.

 

ff

1      2 

Eb Alto Sax. 2

 

    

  



 2

  

 



2

 

 

 

 

 

 

      

      

            

 

 

        



  



  



   



f

         

 

2





   

f

  f

   



f

     

 2.        

     4.      2                          2        



 

 

 

 

f



 

 

   

 



 

    

  

 Tam-Tam     f



p



 

   

f

66



ff

ff

           

  

          

            

ff

 



            ff

           

ff

           

ff

 

 



a2



 

 

a2

 

 

 

           

ff

  





 

           



ff

     arco             

 

ff

 

 

ff

  

Sn. Dr.

        

 

  

 

            

ff



ff

           



           

ff

 

 





 



   















   

 

              

 

93 A Tempo

92



  

 2



  

                    

          

2               

aggressively ff

allargando

91

                  sfp

aggressively

   

Bb Bs. Cl.

 

sfp



   

2 3

1.



   

1 2

Bb Cl. 1

Bb Cl.

   

1 2

90

  p

      

 

 

            

  

 

     l.v.

ff

f

  

                               f f

 

 

ff

 

  

  

 

        

 

 

 

           

ff


 

94

Picc.

Fl.

Ob.

1 2

1 2

Bb Cl. 1

Bb Cl.

95

f

  

Bb Ten. Sax.

          

          Eb Bari.Sax.     f

 Bb Tpt. 1  

 

      

1 2



        ffp       

1 2

Bs. Tbn.

Euph.



mf

      

             Timp.  Pno.

         

Perc. 1

mp



 

     

Perc. 2 Perc. 3

Mar. 1

 f

Mar. 2 

f

 

 

 

 

  







 

3.







 











ff

   

ff

     2 

   

p

ff

p

ff

p



ff

   

ff

f

            

   

 

p

 



            67

 

Trgl.

        

           



 P



 

fff   4

ff

 

2







2

2

 

2

2

 



2







 

 

f

           





f

arco

Bongos (sticks)



 2 

ff

        



         

             

            

         

             

            



 2 

   

           

                   

   

           



ff

   

ff

         





p

p



   

           

p

               

        

ff

1. 

            

   

ff

1.

              

        

ff

p

    ff ff

            



            

            

 







            





(Xylo.)

             

    fff     fff



p

            

 

         

ff

           

p

f

mf



   

ff a2

                  

                          

             Tuba     

    pizz.  D. B.  

ff

p

                         

fff

                 mf              

ff

a2              

            

       

  



ff

p

                  a2              

p div.

                 



ffp

3 F Hn. 4

Tbn.



 

Bb Tpt. 3

F Hn.

f

 

Bb Tpt. 2

                

  Bb Bs. Cl.             f         1           Bsn.   2      f    Eb Alto Sax. 1                    Eb Alto Sax. 2 

 

f

97

 div.                

                    

2 3

div.

96

  

  



 

  

  

  



Sus. Cym.    f    ff

     4

          4

              ff

ff

             ff


           99        Picc.                   1 Fl.  98

2

Ob.

1 2

              

Bb Cl. 1

Bb Cl.

2 3

Bb Bs. Cl.

Bsn.

            

   

              

   

                             

Eb Bari.Sax. 

             

  Bb Tpt. 1      

         4

4

4

              

Bb Tpt. 3

3 4



              



  p

p

              4

4

   

4



4

f               4         4           4           

  



 

fp





   





   

  

  



Timp. 

 

 

 

mp

     ff

    

 



  

  

   

  



              4

4

  Mar. 2             

   ff

 l.v.

    



    

2





 2



p

2

p

              p           p









                           

fp

 

             

solo

4



 



            

68

2

mf

 

    

 

 

 2





          white note gliss.                 white note gliss.

           p  

 

p

                         p            

fp

 

        



 





 

   

    





fp

white note gliss.



     

    

 

               4

 



 

    



4



    

ff





D. B. 

2

            1. 

  

    

4

101

    

     4      4               4





100

fp a2

ff

V  

 4 

    

Tuba 

Mar. 1

IV VII



Euph.

   

 

Bs. Tbn.

Perc. 3

   

  

 

1 Tbn. 2

Perc. 2

   

              

4

1 F Hn. 2

Perc. 1

       

4

4

Pno.

   

                  

Bb Tpt. 2

F Hn.

div.

         Eb Alto Sax. 1       

Bb Ten. Sax.

   

              

1  2 

Eb Alto Sax. 2



 

2

 

2

               p            p


102 Trio  Picc. 

1 Ob. 2



Bb Cl. 1

 

Fl.

1 2

2 3

Bb Bs. Cl.

Bb Cl.

           1  Eb Alto Sax.  Bsn.

1  2 

103

104

 

div.   

          mf             p

       

2.

p

 

2

        



mp

 

     

107



           

    

106

         

105

          



                      mp      div.

 

 

Eb Bari.Sax. 

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

F Hn.

F Hn.

1 2 3 4

 

                

mp

     

     

1 2

Bs. Tbn.

Tbn.

Euph. Tuba 

           

mp

           mp

 

     

             

 

      



 pizz. D. B.   p





 





 





    

               3.       

 

 

pp

  

 

       

pp

  







  





  

Perc. 2

Perc. 3

Mar. 1

Pno.



Timp.  Perc. 1

Mar. 2 

  p





 





 





     69

       

     p

 

           mp            mp

   

 


108  Picc. 

109

110

111

112

113

Fl.

1 2

Ob.

1 2

Bb Cl. 1



mp

                          

2 Bb Cl. 3

    

1  Bsn.  2

Bb Bs. Cl.

1  Eb Alto Sax.  2

Eb Bari.Sax. 

Bb Ten. Sax.

1  Bb Tpt.  2

Bb Tpt. 3

   

                    

         



   



 

    

   

  

   

  





mp

 

p



        

2.

    





p

p

 

   

mf

 

 

mp

p

         

mf

    

F Hn.

3 4

  

Tbn.

1 2

Bs. Tbn.

Euph.

 





 

 

     

Perc. 2

Perc. 3

Pno.



Timp.  Perc. 1

 



  













mf



 

   

mp

  

     70



   

mf

   

                                Mar. 2   Mar. 1

 

 





D. B. 



mp

                 f   f                f 

1 2

Tuba 



mp

F Hn.

    

3.

 


 Picc.  114

Ob.

1 2

Bb Cl. 1

Bb Cl.

Eb Alto Sax.



 (3.)

 

1   2   1   2

Bb Ten. Sax.



 

 

2 3

Bb Bs. Cl.

Bsn.

 

1 Fl. 2

115

div.

 

1   2

  

1 F Hn. 2

   

    



        









 

  mf

    mf

           

 

1. mf

 

 

 

 

 

   

 

   

 

             

   

 

 

   

  

118





fp a2

 

        

  fp



             

  

                               



mf



 

       

   

        

fp

                           

f

            f

         

       

f

 

 

 

 

       

  

Tbn.

1 2

Bs. Tbn.

Euph.

 

 

 



         

    

     

 

  

 

  

 

 

 

 

 

  

   



 



 



 





             f

 

 

   

                           

 

                         

 

 

 

 

   



 



 







 

 

 

 

 

 

 

 

Perc. 2

 

 

Perc. 3

 

 

Mar. 1

 

 

 

 

Pno.



Timp.  Perc. 1

Mar. 2 

71

fp

                         

3 4



     

F Hn.

D. B. 



        

Tuba 

   

             

Bb Tpt. 3

f a2

  

f

Eb Bari.Sax.   Bb Tpt.

      

117  

116

 


  Picc.   119

Fl.

Ob.

 

1 2

 

div.

1 2

Bb Cl. 1

   f

     f

   

      











fp

1  2 

Eb Bari.Sax. 

 Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

F Hn.

F Hn.





     

             f

             

a2 f

  2.                                     

   

            

div.          

          

  

                  

f

Sus. Cym.

 

 

 

 

 









 

  

 

   

 



  

 





 

 

 

arco

f

 

f

     

 



 

 

  

  





        

  

 

 

 

 

       

   

 

   

   

 

      

   

  

 

 

 

 

 

 



 

 

 

 

 



 

 

 

 

 

 

  

f

     

 

 

 

   

 

 

 

   

 

  f

     

 

f

f

72

 

  f



f



B. D.

          

 

 

                   

 



f

 

 



p

 





 

 



 



 

  

 

  



 

 

 

 





 

 

f

Timp. 

f



 

 

 

  

 

  



  

 

  

 

 



  



123

 

 

 



f



 

f

    



 

fp

f

fp

  



 a2      

   D. B. 

 

f



  

                



     



 

 



    

Mar. 2 

f

fp

Bs. Tbn.

Mar. 1



                 



 

     



Perc. 3

      

1 Tbn. 2

Perc. 2

fp

 

fp

   

 

      



122

fp

 

Perc. 1

fp





3 4

Pno.

  

     

 

Tuba 

  

fp

121

1 2

Euph.





                1         Eb Alto Sax.   2              Bb Ten. Sax.   Bsn.

120

f

     

Bb Bs. Cl.

   

 

               

fp

2 Bb Cl. 3

 

 

  



 










124 125 126 127                                                        Picc.           p                                                                                        Fl. 1    p                                                                         Fl. 2      p                                        2                                        Ob. 1            2 2 2 2 2 2 2 2 2 2 2 mf 2 2    2         2      2                                        Ob. 2   2 2 2 2 2 2 2 2 2 2 2 2 2 2 mf 2                                                              Bb Cl. 1           p                   a2                                                2    Bb Cl.           3 Bb Bs. Cl.

Bsn.

  

p

  

1      2 

1    Eb Alto Sax.  2 p

Bb Ten. Sax.

1.

       

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

1 Tbn. 2 Bs. Tbn.

p

         p

         p          

                          

  Timp.  

  Perc. 1   Perc. 2

Perc. 3

Mar. 1

2





2



(Xylo.)



   



  2

mf

  

 

 mf

2

2

mf

  

2

2



2



   

2

2

 

 2

  









 

 2

 2

 



 2



2

 



 2





 

2

 









2



2

 



2

  

2



 







2

l.v. sempre

   

Mar. 2  

2

         

 

2





     2



mf

2



p



p

   

2

mp





  

mp







        Tuba    p         D. B.   p           2 2 Pno.

 



p

Euph.

2



p

Bb Tpt. 2



   Eb Bari.Sax.         Bb Tpt. 1  



2



   

2

2

 

 

  







 

 2

73

  

 2

 2

 2

2



 



2



  





2



 2

   

  

 







 

 2

2

2

 

Solo

 

 2



2



2

2

  

2

 

   

2

2

 

    2

 

 

 

p

   

 







 2

S. Cym yarn 



 2

  

 

 

p



2

2

2



   2

 

 2



2

  

 

2


  129 128 130 131 132                                   Picc.                                                                                     Fl. 1      p 2                             2                                         Fl. 2      2 2 2 2 2 2 2 2 2        2     2 2 2 2 2                            Ob. 1           2 2 2 2 2 2 2 2 2 2   p 2 2 2 2 2 2 2 2 2 2 2 2    2                           2 2 2                    Ob. 2                   2 2 2 2 2 2 2 2 p                                                           Bb Cl. 1                                   p                                                          2       Bb Cl.                     3 p  

Bb Bs. Cl.  Eb Alto Sax.

1    2

2       2



2        2

2        2

Eb Bari.Sax. 

Bb Ten. Sax.

  

 

Bb Tpt. 2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

Bb Tpt. 1



f

     



2

 

dim.

 



2       2

2         2



   

     

 

2



1 2

Bs. Tbn.

Euph.



D. B. 

Pno.

         2  2 2

2 2 2           Timp. 

Perc. 1

Perc. 2

Perc. 3 Mar. 1

  

   





 

Mar. 2  

2

           

 2  

2 2 2 2          

    

mf

 

  

p

  





2

  2

2

  

  2



2

2

2

2

   2

2  

 

          



 2      2        

2

2

2

            2 2

  

2 2 2      

2 2 2 2           

2  



         2 2 2



2

2

    



       

 2 2         2        2

2

74

2

2

    

    2



2

2

2

2

2

2

             

p

    2      2



   



2

2

p

2

Tuba 

 

2         2





2

     2

2

2

     

2


 Picc. 

133

Fl.

       p

1 Ob. 2

Bb Cl. 1

Bb Cl.

2 3

Bb Bs. Cl.

1  Bsn.  2

Eb Alto Sax.

135



2.

1 2

134

 

 

  

        

a2

mp

 

 

   

 

 

 

 

         

           

Eb Bari.Sax. 

 

 

 

(1.) 1  Bb Tpt.    2 p

F Hn.

Tbn.

                   f                    f  

1 2

3 4

  

1 2

Bs. Tbn.

Euph.

Tuba 

 

mp

Perc. 3 Mar. 1

 

 

 

                         



 

  

 

 

 





 

mf

        

mf

 

2.

          



  

   



mp

  



  

  

  

  



 

 

Mar. 2  

 



    75

 

fff

         fff         



  



      

  

     

    

 



   

 

 



 

                    f

                  f

 



fff

        

 

       



 



             mp fff

fff

mf

 



           



fff

                 ff Sn. Dr.         



 

(Xylo.)

 

ff

      



ff Tom-Toms 

      

ff

 



fff



 

       



 

 

mf

    

  



           

mp



fff

   

 





  



mf

  

   

  

fff

 



fff

fff



 

 

  

fff



p



fff



1.                   ff mf div.                  div. 

      

        

         mf          

p

fff

       

mp



  



ff

  



137       

          

      

ff

 



          

  

 

   

mf



mp

 

   





pizz.

       Timp.   Perc. 1  Perc. 2

mf



   D. B. 

Pno.

 



   

F Hn.

    div.  

Bb Tpt. 3

  

 

1   2

Bb Ten. Sax.

136

     

  

         

                 


  Picc.  

 

138

Fl.

1 2

Ob.

1 2

   



  

Bb Cl. 1

  

 

 

 

 

                 

Tbn.

1 2

   

Bs. Tbn.

mp

Tuba 

               

mf

 

Euph.

       

    D. B.  

 

Pno.



 

 

mf

 

         

pp

     

                

mf dim.





pp

mf dim.

  

    

 











p

                mf       





p

                                     mp       ff    1.             f

(with piano)

mf



f

mf

                 f mf p                                             p mf                             

ff

3 4

    





                   f                                          

1 2

F Hn.



                

Bb Tpt. 3

      



 

f

 

 

f dim.

142

 

1    2

141

  

 

Eb Bari.Sax.  

F Hn.

1    2

Bb Ten. Sax.

Bb Tpt.

 

140

f



1  Bsn.         2 Eb Alto Sax.

f dim.

 

Bb Bs. Cl.

 

       



  

2 3

    p

(2.)

Bb Cl.

139

          



p

 

p

mf

dim.

     

(with clarinet)

p

mf dim.

    

 

Timp. 

 

Perc. 1

 

      













Perc. 2

 

 

Perc. 3

  

 

Mar. 1

 

 

 

 Mar. 2  

 

                        p mf

                         mf

p

76

 


 Picc. 

143

144

145

146

147

Fl.

1 2

Ob.

1 2

Bb Cl. 1

       

          

          

Bb Cl.

      (2.)

2 3

 

Bb Bs. Cl.

 

Bsn. 1 Bsn. 2 

 

1  Eb Alto Sax.  2



      

 

      

 

mf

mf

            mf

                        

p

         

pp

pp



p





p

                

p

             

Eb Bari.Sax. 

Bb Ten. Sax.

1  Bb Tpt.  2



               

p

              

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba 

 D. B.  Pno.

dim.

 

pp

        

Timp. 



Perc. 1

Perc. 2

Mar. 1 Mar. 2 

  

   

 

pp

 l.v.

pp



     l.v.

   pp

    

pp

B. D.

Tam-Tam

Perc. 3

 

arco sul pont.



gliss.





     

     







sim.

 



 





sim.

 

     





          









                 

p

77

    



                              


 Picc. 

148

149

151  

 

 

 

150

152

Fl.

1 2

Ob.

1 2

 

 

Bb Cl. 1

 

2 3

 

       

Bb Cl.

 

                         3.

   

p cresc.

2.

p cresc.

Bb Bs. Cl. Bsn.

1 2

Bsn. 1 Bsn. 2  Eb Alto Sax. 1

                   

 

 Eb Bari.Sax.      



p cresc.













 

  



       

 

  

 

 

  

p cresc.

               

                         

           





  

 



                          

p cresc.

                         

 

      

 

 

 

 

1 F Hn. 2

3 4 1 2

Bs. Tbn.

Tbn.

            

p cresc.

154

1   2

Bb Tpt. 3

F Hn.

                        

Bb Ten. Sax.

Bb Tpt.



 

Eb Alto Sax. 2

 

  

p cresc.

                                      2.          p cresc.                                        

153

Euph. Tuba 

4.



mf

 

    Timp.   Perc. 1

Perc. 2 Perc. 3

 

     

(B. D.)

 







 

 

 

   

   D. B.   Pno.

p





mf

 

  

 

            

     

     









  

 

 

 

 

  

      

 

p

   





 

  

 

 

 



                                        p p cresc.                                        Mar. 2  p cresc.











p







 

 

 



 



 



 

 







   

  



 

 



 



 

Xylo.

mp cresc.

  

   

  



mf cresc.

  

 



2.



Mar. 1

78



 



cresc.

gradually to

cresc.



p

   cresc.  

 

cresc.               



 

 

  

 

 

    

2. 

       

     

        


  155

Picc.

156

157

 

   159             

     

158    

     

ff                                      1         Fl.    5  2 f cresc. ff  5 a2                  5 1                                 Ob.           2    5 f cresc. ff mf cresc.               5           5                               Bb Cl. 1          5 ff mf cresc.    a2       5                        2        5 Bb Cl.                              3   5       mf cresc.                  Bb Bs. Cl.       mf cresc.     a2  a2         1                           Bsn.     2 mf cresc. 5 ff ff                                                Eb Alto Sax. 1           ff marc. 5 mf cresc.                                                      Eb Alto Sax. 2        ff marc. 5 5 mf cresc.         5                                     Bb Ten. Sax.           ff marc.  mf cresc.                    Eb Bari.Sax.           ff marc. 5      2                         Bb Tpt. 1              2 ff 2  2  mf     2                          Bb Tpt. 2          2 2 mf f ff 2       2                        Bb Tpt. 3         2 2 2 mf f ff (2.)  a2                  1      F Hn.                          2



a2

5

5

                 mf cresc.

Tbn.

 

(2.)

1 2

Bs. Tbn.

Euph.

Tuba 

cresc.





 

Perc. 3

Mar. 1



 



   

       cresc.

   



 

  

       

        



 



 



ff

  

 

 

  4

fff   

     

ff

 

ff

f

 

P

 

                    

cresc.

ff

 

ff marc.

  





      

 



ff





       



  



ff





 

      

   

  

 

 

(B. D.) cresc. (Xylo.)

Perc. 2





mf cresc.

   Timp.   Perc. 1







mf cresc.





cresc.

   



mf cresc. ord.

D. B. 

Pno.

ff

mf cresc.

f a2

3 F Hn. 4

  



 



   

mf cresc.

Mar. 2  

 

Trgl.

ff marc.

 

  

  

   

  

ff

2

ff

2

 

ff 2

 



2



2

 



ff 

    

    2 2

2

2

          

 

 

 

                                   ff marc. mf cresc. 79

 

 

              ff                                         mf



  

   

   

   

     

    

white note gliss.







     

    

                white note gliss.

white note gliss.


 Picc. 

160

Fl.

1 2

1 Ob. 2

2 3

                   ff div.  1                   Bsn.          2 



1  Eb Alto Sax.  2

Bb Bs. Cl.

Bb Ten. Sax.

Eb Bari.Sax.   

 Bb Tpt. 1 

 

163

164

              

1.

             

 

 4                 

f

3 F Hn. 4

1 Tbn. 2

Bs. Tbn.



          4       mf

f



 4 4           





f



                  

 

 

 

ff

f

     

p



         2 1. 2



        ff                 D. B.     Tuba 

f



mp

             

                

st. mute

                   

Euph.

 

                           

1 F Hn. 2



mute out   4        



mf

f

 a2 

  

 

 

sfz

mp









pizz.  sfz

   f

2

 2



                                                         









  

Timp.  Perc. 1



Bb Tpt. 3

Pno.

162

           f mf f                                                                                                                         p f p

Bb Cl. 1

Bb Cl.

161

Perc. 2

Perc. 3

f

 

      Tom-Toms      f

Mar. 1 Mar. 2 

      

          

 

   

Sn. Dr.. 

  

f

                                                p f p

f

   

                           







                                                   p p f                             f

80

p


 Picc. 

165

Fl.

1 2

  

 

(1.)

1 Ob. 2

Bb Cl. 1

 

166

 

 

167

 

 

 

 

  sfz

p

 sfz

p

                                         

2 Bb Cl. 3

 Bb Bs. Cl.         f

 Eb Alto Sax. 1 

p

f

           

f

p

           

p

f

168





             

            

Eb Bari.Sax. 

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

   

(a2)

1 F Hn. 2

sfz

 

 

p

              

p

 

p

  

    

 

    



 



1. open p

sfz

                         

 



F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Tuba 

 D. B. 

Pno.

 sfz



 sfz

















              

             

 (Xylo.)

             p

           

           

           

f

Perc. 3

Mar. 1

Mar. 2 

p





Perc. 2



Timp.  Perc. 1



f

p

         f

f

f

           

f

81

p

    

p

 

p

    

  

     

 

 

p

    

          


 Picc. 

169

170

171

172

Fl.

1 2

Ob.

1 2

Bb Cl. 1

                           

              

 

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Bsn. 1 Bsn. 2 

                                 p cresc.                           p cresc. p cresc.

p cresc.

  

                              p cresc.                   p cresc.

           

 

       

          

                     p cresc.                                              Eb Alto Sax. 2        cresc.                                                Bb Ten. Sax.  cresc.                                        Eb Bari.Sax.           Eb Alto Sax. 1

 Bb Tpt. 1  Bb Tpt. 2

Bb Tpt. 3

cresc.

 

 

 

open



 





p cresc.



p



 



 









                          





3 F Hn. 4

1 2

Bs. Tbn.

Euph.

Tbn.

1 2

Tuba 

   D. B.  Pno.

Perc. 3











Perc. 2



Timp.  Perc. 1





cresc.







arco

cresc.

 



 



 

          

 



 



 



 

             

  

              

               

p cresc.

   



 

F Hn.

p

        

            

                                                 cresc.                                   Mar. 2                      Mar. 1

   cresc.

82


 Picc. 

173

Fl.

1 2

         

1 Ob. 2

Bb Cl. 1

mp cresc.

        

 

 

   

mp cresc.

       

Bb Cl. 2

 

Bb Bs. Cl.

     

mp cresc.

       

Bsn. 1

mp cresc.

Bsn. 2 

  

mp cresc.

mp cresc.

    

  

mp cresc.

      

mp cresc.

   

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

  

      

      

Bb Tpt. 2

   

   

     Eb Bari.Sax.    Bb Tpt. 1

      

 

mp cresc.

Bb Ten. Sax.

      

            

        Eb Alto Sax. 1  Eb Alto Sax. 2

   

      

mp cresc.

Bb Cl. 3

174



 

175

 

                

                          

             

              f cresc.            f cresc.           f cresc.

    

f

 

           

    

 

           

f

f

  

      

ffp cresc.



f cresc.

  

f cresc.

    

 

   

f





ffp cresc.

ffp cresc.



ffp cresc.

 

     

 

 

           

          









 

 

 













fp

f

    fp                     ff                         ff              

Bs. Tbn.

Euph.

Tuba 

   D. B.  mp cresc.  Timp.   Perc. 1  Perc. 2

 

(Xylo.)

  

   

Sus. Cym. (yarn)

Perc. 3

p cresc.

Mar. 1 Mar. 2 

               

 





 

 

 

   

             

   

    

   

 

    



f

 

   

   

 

              83

    

f

  

    

f

           f            f





 l.v.    

              

f cresc.

f

f cresc.

 

1 Tbn. 2

f cresc.

fp



mp cresc.



       

ffp cresc.



        

ffp cresc.



                    f                       

  







 

       

f cresc.

 

         

          



  

f

 

         



                   

     



f cresc.

                  

             

   

               

             

176

 

f

  ff



 

          

f


177   Picc.  Fl.

       ff

                

    

1 2

             ff            

1 Ob. 2 Bb Cl. 1

ff

ff

      

   

Bb Cl. 2

178

 

   

 

 

 

 

 



ff

 

 

 

 

                ff               1    Eb Alto Sax.  2 Bsn.

1  2 

    

Bb Ten. Sax.

ff

 

ff

 Eb Bari.Sax.     Bb Tpt. 1

  ff 

    

      

Bb Tpt. 2

ff

ff

       

Bb Tpt. 3

 

1 F Hn. 2

  

ff

 

3 F Hn. 4

ff

  

ff          

1 Tbn. 2

ff

   

Bs. Tbn.

  ff

   

Euph. Tuba 

 

 

ff

  ff

  

  ff  

D. B. 

 

Pno.

 

   Timp.  Perc. 1



ff

Perc. 2

 

P



B. D.

ff

 Cr. Cym. ff    ff

Perc. 3

Mar. 1 Mar. 2 

  

mf

 

ff

 

  

 

 

 

  

    

     

 

 

     

 

     

 



2



       

   

   

    

 

  

  

 

  

       





2

 

 

   



 

  



2

     

  

       

 



2

 



  

  





 

  

 2

 

 



               

    



         

 



 



 

 



 

 

  

 

 

  

 

 

   



2

 

  

2

 

  



     

   

  Tom-Toms



ff

 

 

ff



 

 

     





 

 

 

            

 



 

          

   

 

 

                       

 



   

      



  

       



 



     

  

 

84

2



180

                        



2 2





 

 

       

   

2

    

2

   

   





  

mf

   





ff



   

       

   



   

    







 

        



 





 



 



  

 



 

 

 

  

       

2                                    

 

 

       



 

 

179

            



 

           

                                                                                     

 

 

      

ff

 

 

      

 

  

 



   

ff

   

Bb Cl. 3

 

 

     

          


181           Picc.              1 Fl.    2        1 Ob.  2        Bb Cl. 1          Bb Cl. 2  

    

Bb Cl. 3

         

182

rit.

   

 

 

1        2  

     Bb Tpt. 1  



Eb Bari.Sax.  

mf

    

Bb Tpt. 2

    

Bb Tpt. 3

F Hn.

     

1 2

     

3 F Hn. 4

      

1 Tbn. 2

    

Bs. Tbn.

    

Euph.

  Tuba          D. B.   Pno.

 

 

 

 

     

   

 

  

 

 

 

 

   

    

  

       

Perc. 2

  

Perc. 3

   

Mar. 1

  

 

Timp.  Perc. 1

 

 



  

           

f

            f        

 

fff

 

 

  



ff

 



                



     

 

 

 

 

 

 

 



 



 





   

   

 



  

 

 





      





     



      fff



      fff



            f                f

      fff  

fff

mf



fff

mf

 

    

   

fff



      f

fff non div.

p

      



 

            

    

mf

   

     

mf

  

       mf

            

                    

                    

fff

mf

fff

mf





f





  

mp



             f

85

                       f                           

              





           

              

f

 

           



           

p



 

 

 

f

     

 



fff

 



     

fff

       

Mar. 2  





    

 



 

184

        

 

               1               Eb Alto Sax.       2          Bb Ten. Sax.   Bsn.

183 A Tempo

      

    

 

  

Bb Bs. Cl.

    







  

               f            


  Picc.  



185



 

       

1 Fl. 2 1 Ob. 2

 

Bb Cl. 1

 

Bb Cl. 2

f

mf

mf

        

mf



           

f



186

cresc.



cresc.



cresc.



     

cresc.



187 188                               a2            a2            

 



        cresc.

                        

Bb Cl. 3

  

                        

Bsn.

       

1    2  

Eb Alto Sax. 1

   

  



             

Eb Alto Sax. 2

     Eb Bari.Sax.            Bb Tpt. 1 

 

Bb Tpt. 2

 

Bb Tpt. 3 1 2

F Hn.

3 4

Tbn.

1 2



cresc.

         cresc.

                        

Bb Ten. Sax.

F Hn.

          mf cresc.             cresc.

            

  

cresc.

   

cresc.

          

Bs. Tbn.

Euph.



 

     

  

  

  

  

  

        

 

 



 



 

 

  

 

 

 

          

          

       

 

          



          

                        

                    





mf cresc.

cresc.

cresc.

     cresc.     cresc.

  



  mf cresc.              cresc.              

  

   

             

cresc.

     



                 

    

  

 

  

 



 

      

 

    



  

                                     

                                            



  

cresc.

cresc.

86

                                       

                                 



cresc.

                                  

               



                          cresc.                            

Mar. 2 



                     



Mar. 1

     

Xylo.                          Perc. 2  f

           

                

  

     

              

Timp. 

                    



           

D. B. 

Pno.



     

cresc.

Tuba 





              cresc.      mf cresc.                      

 



                     

cresc.

Bb Bs. Cl.

 







      



 





f



 

  

                                








189 accel. al fine    Picc.       p cresc.     p cresc.        p cresc.         p cresc.       p cresc.       p cresc.

1 Fl. 2 1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

1      2 

p cresc.

   

  

      

      



 

190

  

 

       

   

  

      

      fff          

           

p cresc.

              

Bb Tpt. 2

Bb Tpt. 3

p cresc.

                    

1 F Hn. 2

p cresc.

           p cresc.          

3 F Hn. 4 1 2

    

p cresc.

Bs. Tbn.

Euph. Tuba 

           

     

            p cresc.                       

p cresc.

            p cresc.               D. B.  

 

Pno.

p cresc.

  

 B.D. Perc. 1     

Perc. 3

fff



 



fff

 

 

p cresc.

p cresc. (Xylo.)  

 

p cresc. Sus. Cym.

     p

        



fff

fff

                 

 

fff

             

192

               a2               

         



                

                

             

mf cresc.



 

  

               

 





 

            fff              





             

           

fff

fff

fff

            fff            

 

  

    

loco

fff

 

f

f

           

P

 

    

p cresc.

fff

87

 



fff



fff

    

fff

 

                         Mar. 1   p cresc.                                      Mar. 2  



fff



    

                           

   fff   

   

 

    Timp.   

Perc. 2

fff

fff



 

                             p cresc.

Tbn.

fff

                         

p cresc.

 



fff

 Eb Bari.Sax.                 Bb Tpt. 1  



                 

               

p cresc.





fff

              

  

fff

                 

                 

Bb Ten. Sax.

  

fff

            

               

  

fff

fff

            



191

                              

    p cresc.           Eb Alto Sax. 1   p cresc.        Eb Alto Sax. 2   Bsn.





                                       

               

                 

    

 



     

       fff              

      

Tom-Toms

(choke)

    

fff

          

fff

 


IV. Prayer

  Piccolo  

q = c. 69

2

3

4

 

5

 

Flute

1 2

 

 

 

Oboe

1 2

 

 

 

Bb Clarinet 1

 

Bb Clarinet 2

 

Bb Clarinet 3

 

Bb Bass Clarinet

 

Bassoon 1

 

 Bassoon 2  

(Ob. 2 doubles Eng. Hn.)

1    Eb Alto Saxophone  2

 

1. Solo – cantabile

         p

f

    p

    

p

 

   p

p

      

        

  

        3

 

  

 

   

 

 

 

 

     

  

 

 

 

f

Eb Baritone Saxophone  

 

 

Bb Trumpet

 

 

Bb Trumpet 3

 

 

 

F Horn

1 2

 

 

 

F Horn

3 4

 

 

 

Trombone

1 2

 

 

 

Bass Trombone

 

 

 

Euphonium

 

 

 

 

 

 

 

 

pizz.

 

 

 



1    2

 

Tuba 

  Double Bass   Piano

 

p

p

 

 

     Timpani  

 

 

 

 

 

 

Voice

(Tenor or high Baritone)

Percussion 1

  

Percussion 2

 

 

 

Percussion 3

 

 

 

1

  

 

 

 

Marimba

mp

88

  

                  3 3                        

  

Bb Tenor Saxophone

    

      

       

  


* If alto sax soloist is unable to play the notated altissimo pitches in mm. 8-9 comfortably, oboe 1 should play the cued notes as a solo.

 Picc. 

6

Fl.

1 2

1 Ob. 2 Bb Cl. 1

7

8

   

     

1. Alto Sax. cue *

  

p

dim.

Bb Cl. 2

dim.

9

   p

f 

   

 

11

 

 

 

     

 

 

3     

 



      p

       p

Bb Cl. 3

 

Bb Bs. Cl.

 

    

Bsn. 1

dim.

Bsn. 2 

     

p

dim.

1  Eb Alto Sax.  2

p

  

         

        

    3

dim.

  

dim.



 

delicate

3

       3



  

 

 

 

 

     

 

p

p

  

 

   mf

 

Eb Bari.Sax. 

 

Bb Ten. Sax.

 

12

                   

mfz

mfz

pp

mfz

pp

 

   

 

 

 

 

Bb Tpt. 3

 

 

1 2

1.

 

F Hn.

3 4

Tbn.

1 2

 

Bs. Tbn.

 

Euph.

 

 

 

 

Tuba 



D. B. 

Pno.

   

Perc. 1

Mar. 1 

 

 

 

  

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Perc. 3

 

 89

 

 

 

   

 

   Timp.  Voice



 

pp

 

mfz

 

 

pp

 

 

 

pp

 

pp

F Hn.

 

mfz

          

pp

 

   

 

   

     

1   2

Bb Tpt.

 

dim.

 

10

dim.

 

pp

          arco

 

pp

p

 

pp

              


13  Picc. 

   

1 2

Bb Cl. 1

Fl. 1

Fl. 2

Ob.

Bb Cl. 2

Bb Cl. 3

Bsn. 1 Bsn. 2  Eb Alto Sax 1

15

 

  

   p

      p

   

 

 

 

      

p



18

  

 

 

 

 

 

 

 

 

 

 

 

  

17

                           

 

 

 

 

  

p

16

Bb Bs. Cl.

14

 

       mf         mf 

      mf      

mf

  

mp

mf

mp

mf

  

    

p legato

mf

p legato

mf

p legato

      

 

 

 

 

Eb Bari.Sax. 

 

 

 

 

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

 

Bs. Tbn.

 

 

Euph.

 

 

 

 

 

 

 

 

1  Bb Tpt.  2

Tuba 



D. B. 

Pno.

Voice

p dolce

          I want to hear the sounds of



Timp.  Perc. 1

 

Perc. 3 Mar. 1 

 hope

of

big

 

 

   

Trgl.

p

 

  

p

mp 3                  

 

church

and

 

horns,

                  

p

      

sounds that wash a - way the

mf

 

wars



 

 

   

90

   and

p

p

mf

Vibes

dis - tant

      

 

   

bells

 



Bb Ten. Sax.



Eb Alto Sax. 2

 legato       

a -


 Picc.  19

     

Fl. 2 Ob.

      

Fl. 1

1 2

            

Bb Cl. 2

Bb Cl. 3

Bsn. 1 

    Eb Alto Sax 1     

Bb Ten. Sax.

1   2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

           

 pp

 

Bs. Tbn.

Euph.

 

 

            

Perc. 3 Mar. 1 

 

 

 

        

 

 

 



mp

   

f fp

p

mf

p



 

mp

mf

           

 

     

 

 

 

 

 

A sure har - mo - ny

P

f

mf

 

    

  

   

 

  

              

mf dolce

glid

3

-

-

ing

-

3

ver a

 

 

 

 



mf

o

 91

 

            f

f





 



f

 

 

        

 

p

 

p

(Vibes)

p

  

p

p

 

5 3 3                     p 5 3 3                    

              



mp

mf

mf



mf

        



  

 

 pizz.   

P

heart.

  

2. take Eng. Hn.

 

p

mf

 

  

 

the hu- man

 

p

p

mp

 

mf

     

1 2

p

24

mf

pp

  Voice    - rouse  Timp.   Perc. 1 

 

3 4

 

           

Pno.



 



     f

p

 D. B. 

f



p

23

  

 

1 2

Tuba 

f

 

Tbn.

F Hn.

Bb Tpt. 3 F Hn.

  

 

   

Eb Bari.Sax.  

 

22

             

Eb Alto Sax. 2

 

 

     

Bb Bs. Cl.

Bb Tpt.

 

21

 

     

Bb Cl. 1

20  

 


  Picc.   25

rit.

26 A Tempo    

27

28

29

30

31

Fl.

1 2

 

 

Ob.

1 2

 

 

Bb Cl. 1

 

Bb Cl. 2

    

Bb Cl. 3

 

   

 Bsn. 1    

  

1   Eb Alto Sax.  2

Bb Tpt.

   

n



p

 

p

p

         

                    

   

1. Solo – espr. 3

  

  

mp cresc.

 

 

 

1    2

 

 

Eb Bari.Sax.  

pp

 

Bb Ten. Sax.

n

  

  

Bb Bs. Cl.

 

3

5

f

 

 

 

         

  



 cantabile

3          

 3

         

Bb Tpt. 3

 

 

F Hn.

1 2

 

 

F Hn.

3 4

 

 

Tbn.

1 2

 

   

pp

   

Bs. Tbn.

 

  

pp

   

Euph.

 

  

   

Tuba 

 

  

   

 arco  

   

  

  

D. B. 

 

Pno.

   

pp

pp

pp

 

       Voice       sea of still - ness.      Timp.    Perc. 1

Perc. 3

pp

ethereal         mp



P

p

   

 

 



   

 

   









        

 

 

  



  

  



       

 

 

        

  

 

 

 

 

Mar. 1  

 

  

 

p

92

 


 Picc. 

33 A Tempo 

32

Fl.

1 2

Ob. 1

rit. molto

p

 

Bb Cl. 2

p

Bb Cl. 3

p



div.

 



f



f

       

Bb Bs. Cl.

p

pp

f

div.

f

 

    

Bsn. 2 

     

  

pp

  

pp



pp

Solo

Bsn. 1

           

Bb Cl. 1

34

p

div.

rit.

   

 

   

36

 



A Tempo

37

n

n

 n

n mf

  

mp

p





 

  



          

1 F Hn. 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Bb Ten. Sax.

Eb Bari.Sax.  Bb Tpt.

1   2

Bb Tpt. 3

Tuba 



D. B. 

mp

 

one player

pp one player

pp

pp

 

   Timp. 

Voice

Perc. 1

Perc. 3 Mar. 1 

pp

   

 

 





n

n



  

  

  

   



 

 

  

P

        

peace

  

p

    

 

p delicato

p dolce

I want to play the sounds of

1. dolce

p

n

 

p

      

Pno.

 

1  Eb Alto Sax.   2

Solo – cantabile

unis.

  

mf

dolce

    

p

n

38

 

  

       3    

35

      

    

   

 

   

delicato

of

sigh

-

  

ing winds

93


 Picc. 

39

Fl.

1 2

40

Ob. 1

 

Ob. 2

 

    

Bb Cl. 1

 

Bb Cl. 2

 

Bb Cl. 3

Bb Bs. Cl.

   

p

unis.

   

p

   

41

 

 

 

 

 

 

poco più mosso

42

rit.

 

 

 

English Horn

   

 

  

 

cresc.

cresc.

cresc.

        

 

mf

     

   

 

 

      

 

 

Eb Bari.Sax. 

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt.

1   2

Bb Tpt. 3

F Hn.

p

p

cresc.

cresc.



p

pp

 

pp

 

mf

 

mf

p

 p

   

p

 

 

 

 

 

 

 

  

 

  

 

 

Bs. Tbn.

 

Euph.

 

Mar. 1 



1 2

 

mf



 

p

 

 

 

 

 

 

 



cresc.

 

 

 

 

 

 

 

 

f

 

 

sounds that si - lence trou- bled

thoughts

   

 

 

 

 

 

 

 

 

 

 

leaves,

94

and

p





p

calm

the

spi - rit's

rag





p dolce

         

D.B.

              

  

and rust - ling

 

p

 

    

   

 

 

  

p

Tbn.

Perc. 3

pp

Perc. 1

 

 Voice    Timp. 



 

 

Pno.

p

pp

 



 

D. B. 



 

3 4

 

F Hn.

Tuba 

p

     

1 2

cresc.

p



 Eb Alto Sax 1 

p

 

 

 

  

Bsn. 2 

cresc.

 

46

 

   mf     

45

 

Bsn. 1

44

   

A Tempo

 

 cresc.  

43

-

ing

storms.

 

pp

pp

 



 


 Picc.  47

 

Eng. Hn.

   

Bb Cl. 1

p

Bb Cl. 2

 



p

   

Bsn. 2  Eb Alto Sax 1



p

 

 



54

      f

  

 













mp











 

 



 



 

   

 

Solo – poignantly

 

55

p

p

53

 

52

 

  





51

 

Bsn. 1

 

 

Bb Bs. Cl.



50

p

p

Bb Cl. 3

49

one player per part a2 

1 Fl. 2

48

mf

mf

mp

mp



 





 

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax. 

Bb Tpt.

1   2

Bb Tpt. 3

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.



D. B. 

Pno.

Perc. 1



pp

one player

   

pp

pizz.

   

(like a prayer)

  A

song

 

      3

of se - re - ni - ty

 

from

 high

 

  

p

   

a - top

an

an - cient

 

Mar. 1 



Perc. 3

pp

    Timp.  Voice

  

 

p



Tuba 

 

   

hill.

                

    



 



   

 

Tam-Tam

 pp      p

95

   

 

 



 


 Picc.  56

58

Fl. 1

57

59

60

 

 

61   tutti

 

 

tutti

 

Fl. 2

Ob. 1

 

 

 

 

     

Eng. Hn.

Bb Cl. 1 Bb Cl. 2

  

Bb Cl. 3

Bb Bs. Cl.

1  Bsn.  2 Eb Alto Sax 1

 

  

  

 

 

   

Bb Ten. Sax.

   

Eb Bari.Sax.  Bb Tpt.

1   2

Bb Tpt. 3 1 F Hn. 2 3 F Hn. 4

1 2

Bs. Tbn.

Euph.

Tbn.

Tuba 

 one player 

p morendo

 arco D. B.   Pno.

p morendo

 

   



morendo

 

 

sul tasto punta d'arco

 

 

 

   

 

ppp

  

  

  

    f     f

   

f

     

mp

   

  

  

           

  

 

   

mf

   

 

 

 

 

 



 

 

 

      

        f

 

                    

 

 

 

96

  

 

ppp

 

p morendo

sffz

 

 

  

  

 

  

 

                

   

 

   



   Mar. 1  

a2



 



 

     



1. Solo 

 

 

      

 

       

Perc. 3

             

f mf f                         But my harp is stilled by voic - es by voic - es.       

Perc. 2

 

 



 

     

p (dark)

 

 

               

 

     

 

    

   Timp.   Perc. 1  Voice

63

   

 

 

 

 

        f

62

 

  

f

 

  

 

 

 

f

 

 

 

  

f

 

 

 

f

 

 

ppp

 

 

 

 

ppp

 

 

 

 

 

 

Eb Alto Sax. 2

 

 

 

 

 

 Glock.  

 

Trgl.

 

 

 



f

f Tacet to end

 

 

 

ff







 

 

                     

 

 

 

 

 

Sus. Cym. poco f

 

 

  





  

   


  Picc.   64

 

Fl. 1

 

Fl. 2

     

 

 

 

 

    

Ob. 1

65

 

Bb Cl. 1

Bb Cl. 3

 

Bb Bs. Cl.

  

  Eb Alto Sax 1    Eb Alto Sax. 2

 

Bb Ten. Sax.

  

 

 

1 Tbn. 2

 

Bs. Tbn.

 

Euph. 

Pno.

 

              

 Voice      Timp.  

  Perc. 1   Perc. 2

 3

 

p

 

 

 

  sffz

 

 

   

 

3

3

    

(Glock.)

  

(Trgl.)    Perc. 3   

 

 

 

 

     

f

f

sf

 

 

 

 

 

  f

 

      

 

 

   

 

 

        

p

 

        

ff



fp

     

     

 



fp

fp

 

   

ff

   

ff



fp

 

 

              

 

 

arco

 

 

 

out!

 

fp

 

 

 

ffp

 

1.

 

   

open  

  

  

 

ffp

 

    

 

p

 

       

 

 

        

mp

 

f

 

 

 

 

Sus. Cym. 

   

 

   

 

 

ffp

ffp

ff

cry - ing

ffp

 

fp

ffp

 

  

 

fp

 



        

  

fp

tutti

    

 

fp 

fp

   

  

 



fp

 

     

 

open

ffp

ffp

fp

   

    

ff



ff

 

ffp

      

 

 

      

fp

          

 

 

 

          

 

97

 

 

hun - gry,

ff

 

    

  

  

   

fp

 

  

ff

 

fp

 

70

 

  

  

69

    

           f

   

f

 

 

Child - ren

 

 

   



 

 

 loco         

f dramatic

 

 

  

   

   

  

 

f

3

pizz. 

 

3

 

 

           

  

 

ff

68 Fast (q = 138)   

3

ff

 

67

  3                ff          

  

D. B. 

 

f

f

ff

p

  

3 4

F Hn.

  

  3             ff 3 3            ff      3          

1   Bb Tpt.  2

1 F Hn. 2

f

3

Eb Bari.Sax.  

Bb Tpt. 3



 3  3          

p

1  Bsn.     2

   

ff

 

 

p

  

 

     

Bb Cl. 2

 

           

Eng. Hn.

66

   

  



    



  




71    Picc.   fp    1 Fl.    

Eng. Hn.

Bb Cl. 1

Bb Cl. 2

f

     



2

Ob. 1

72

fp



Bb Bs. Cl.

73



 

 

fp

       

 

 

1  Bsn.    2

  Eb Alto Sax 1  



f



    f

  

f

1 Tbn. 2

 



Bs. Tbn.

  

Euph.

  

 Tuba   

tutti

 

 

f

sfz

 

  





p

f f

f

 

 

sfz

Pno.

    f

        Timp.    f Vibes      Perc. 1   mf   (Glock.)   Perc. 2     Voice

P sempre

f (l.v. sempre) Chimes

Perc. 3   

mf (l.v. sempre)

 



 



p

    

sfz

  

  

 

   ff    ff











f







p

p

p

 



      

p

p arco



 

 

















p p p

   







      

       



           









pp







 

a2



ff



    

   





pp

pp

   

 

p

  a2 

sfz

p





   





     f

 











   





pp



 

 

   



sul G

fp

      





 

  98















 

  

 

    

 



 p

f

sfz

p a2



 

78

          



f

 





f

   

77



p

     

ff



p



  

ff



 

fp

p



  



 



   



76   



  







p

 

 





fp

fp





     D. B.     ff                     f pizz.

 

fp





  

 

   

75

  



 

ff

ff



  



3 4

ff

F Hn.



3.

 

1 2

ff

F Hn.



Bb Ten. Sax.

  

   

1    Bb Tpt.  2

a2

 

Eb Bari.Sax.  

 

74

Eb Alto Sax. 2

Bb Tpt. 3



fp

 



f

Bb Cl. 3








 Picc.  79

80

81

82

83                 ff

f

a2     

Ob. 1

 

Eng. Hn.

 

 

Bb Cl. 1

 

Bb Cl. 3

Bb Bs. Cl.

1  Bsn.  2

Bb Cl. 2

 Eb Alto Sax 1  

F Hn.

F Hn.

  

1 2

  

3 4

1 Tbn. 2

 

Bs. Tbn.

Euph. Tuba 

   

    

  

f

 

  p



fp

f

    

fp

ffp

ffp

mp



 

 

 

   

 

 ffp

  

ffp

  

 



 

    

 

1.

mp

p

p

 

 

  

   a2                

  

f

mp

f

 

  

p

  

   

  

f

 

ff

 

  

1.

  

3.

p

    

 

   

 



86

  



f

  



85

 

  

mf

  

mf to st. mute

mp

 

 

 

p

p

st. mute 

    

    mute out 

mp

p

 

 

 

  

    



 

Perc. 3 

(Chimes)





 

 

(Glock.)

Perc. 2

 

f

          

    

  

p

   (Vibe.) Perc. 1   Voice

 

f

 

   D. B.  Pno.

   f

  

f

Bb Tpt. 3

f

fp



 

Eb Bari.Sax. 

    

84

ff



 

1   2

fp

Bb Tpt.

           f     

Bb Ten. Sax.

f

f

Eb Alto Sax. 2

 

          

1 2

Fl.

  

   

 

  



 

   

 

  

 



 





mp

 

 

  





  

 99

 

f

  

  

f



ff

   



 

   

 

f

mp

 

Their

 dreams,

  



     f

 

wind - swept.


rit.

 Picc. 

1 2

Ob. 1

tutti

87

Fl.

 

Eng. Hn.

one only

 

Bb Cl. 1

f

2 Bb Cl. 3

Bb Cl. 2

 

1 2 

       

fp

f

   

 

 

 

 

 



 

 



F Hn.

3 4

 

f

p

f

 

 

   

   

 



mf



  

mf

 



     p

        

mf

p

mf f

 

f

f

f

pp

mf

p

pp

mf

       

 

p

mf

   p

mf

mp

p



p



   



mf

mf mf

  

pp

mf

pp

mp



 

fp

a2 

          f

      



 

p

1 2

F Hn.

Eb Bari.Sax. 

Bb Tpt. 3

p

1   2

Bb Tpt.



Bb Ten. Sax.



  

p

 Eb Alto Sax 1   Eb Alto Sax. 2

p

 

94

p

93

92

 

 

p

91

90

 

Bb Bs. Cl.

89

Bb Cl. 3

Bsn.

 

88

sfz

1 Tbn. 2

Bs. Tbn.

Euph.

Tuba 

 

D.B.

p

  

D. B. 

Pno.

mp

mf

 

mf

 Voice       Perc. 1 

Perc. 3 

Perc. 2

mp poignantly

  

     



My

wis - dom,

house

of

100

      cresc.

a

web

of

sor - row.

         

I on - ly know that I am


 Picc.  95

Fl.

1 2

Ob. 1

Bb Cl. 1

Bb Cl. 2

q = c. 60 rit.

96

 

  

p



 

Bsn.

1  2 

   1.

pp

 p

 

 

    

ffp

ffp

ffp

Eb Bari.Sax. 

 Bb Tpt. 1 

F Hn.

1 2

3 F Hn. 4

 

1 2

Bs. Tbn.

Euph.

Tbn.

      pp

f

 

f

pp

f

    pp

f

pp

f

 

 D. B. 



pp

 

 

p ten.                    long-ing long - ing long - ing long - ing…    Timp. 

Voice

 Perc. 1 

P

 

  

pp Vibes

(Glock.)

Perc. 3 

Perc. 2



f





   



  

    

 

  

pp

 

(Chimes) f (l.v. sempre)

sfz

pp pp pp

101

    ff a2

pp

pp

   

  ff

  ff

 

 

 

 p

p

 

  



p



 

 

  

ff

 



  

 

p





  

     

    

 

 



 



     

  



pp

pp

  

fp

pp

  

   ff 

pp

 

f (l.v. sempre)



   

pp



fp

fp

      

pp

f

 

101

      

ff

    

 

f  sempre

 



fp

f

fp

     

 

f

fp

ff

ff

pp

 

      

f

 P sempre

fp

 

f

 

  

 

open  

f

fp

f

 f  

 

 

f

 

Pno.



ff



 

pp pp

  

 

Tuba 

ff

ff

Bb Tpt. 3

 

Bb Tpt. 2

Bb Ten. Sax.

Eb Alto Sax. 2

ffp

ffp

p

100

 

ffp

p

 



99

ffp a2

p

 Eb Alto Sax 1 

98 Fast (q = 138) 

 

 

pp

Bb Bs. Cl.

 

pp

Bb Cl. 3

97

   

   

 


102   Picc. 

Fl.

1 2

 

Bb Cl. 3

           ff

         

 

    Bb Tpt. 1  sfz

f

F Hn.

1 2

3 F Hn. 4

Tbn.

 

D. B. 

Pno.

Perc. 2

p

Perc. 3 



 



  

  

sfz

 

  

  







  





    

  ff



      

  

 mp  

  

ff

   ff

  

ff



p

 

 



  



    

 

 102

 

 f

f



 f

 



     

 

p

          

p

    

  

 



 

p

         

mp

  

 





fp

f

  

p

f

   

 

     

 

p

 

   

mp

   

mp

 

  

p





fp



 

fp

 

mp

p

fp

sfz

1.  

fp

f



mp

ffp

 

fp

 



 



ff

sfz

 

  

 

 



ffp

    

  

  

sfz

  

p

  

ffp

fp

mp

ff

  

  

  ff 

 

ffp

 

 

ff

  

ff

 

ff

sfz

 

   

ffp

 

 

     

a2

f

 

 

 

106

  

   

    Perc. 1  Voice

  

  

Euph.

 

  

   

f

a2

 

       

p

  105

Bs. Tbn.

Tuba 



fp



     

104

a2

  

1 2

f

 

Bb Tpt. 3

Eb Bari.Sax. 

ff

Bb Tpt. 2

ff

 Eb Alto Sax 1  

Bb Ten. Sax.

     

 

   

1  2 

Eb Alto Sax. 2

ff

   

ff

Bb Bs. Cl.

 

 

                ff                  ff                 ff

 

Bb Cl. 2

ff

 

Bb Cl. 1

  

 

Eng. Hn.

Bsn.

 

Ob. 1

103











 





  

 

  

 

  


  107

Picc.

109             ff f       a2        ff f            

 

(1.)

1 Fl. 2

  

Ob. 1

 fp

1 Bb Cl. 2

Bb Cl. 3

f

      

 

 

f

fp

1  Bsn.  2

  

Eb Alto Sax. 2

 

Bb Ten. Sax.

Eb Bari.Sax.  Bb Tpt. 1

Bb Tpt. 3

F Hn.

    fp

  

Bb Tpt. 2

F Hn.

ff

   

            

1 2 3 4

ff

f

    f

   p    

        

  

a2

f

 

1. one only

pp



 





 div.    



ffp

fp



  fp



fp







    

f

p dim.

f

p dim.

       mp          mp

    

     

ff

        

                

  

              f

 

113 Calm (q = c. 66)

ff

ff

f

112

              

111

  

ff

f

         Eb Alto Sax 1  

110

  

     f ff          a2              

a2

Bb Bs. Cl.

       

Eng. Hn.

rit.

108

 ffp

   

ff

ffpp

to mute        ff

p

      

mp

1 2

Bs. Tbn.

Tbn.

Euph. 



D. B. 

Pno.

 

  

 

(Vibes)

(Glock.)

 

Perc. 3 

     

(Chimes)

   ff

 

 Perc. 1   Perc. 2

 

   Timp.  Voice





   





  

 

f    

 

  

     

 

            

   



ff

 

 

ff



 

  

  

    

meno f

ff

103

And then

 

mp dolce

       I

catch a

pizz.

p

p

glimpse

 

   

ethereal pp ethereal

 

 

pp


 Picc.  114

 

(one only)

115

 

116

 

117

 

tutti

 



1 Fl. 2

Ob. 1

Eng. Hn.

1 2

Bb Cl.

Bb Cl. 3

Bb Bs. Cl.

p



p

p

p

p

  p

   1   Bsn.  2

 Eb Alto Sax 1 

 

 



 

118

 

 

 

 

unis.

 

 

mp





mp

120

121 rit.

 

119 q = c. 72  

 

 

 



 

pp



pp



pp

1. cantabile



 

mf div.

  



mf

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax. 

mute out

Bb Tpt.

1   2

Bb Tpt. 3

1 2

F Hn.

3 4

      

1 2

Bs. Tbn.

Euph.

F Hn.

Tbn.

Tuba 

Perc. 2









 

p

 arco  sul A 

pp

ethereal 

      

    Timp.  Perc. 1



Voice

p

 

D. B. 

Pno.

mute

 

 

    

Perc. 3 

   

pp

P (ethereal)

   an

an - cient tree…

 

  

  

o - pen



p

    

 

gaze,

 

   



   

        

(dolce)

  

   

   

Some e - ter

   

one player

   

3      

an

  3   3   

-

nal

eu - pho - ny



D.B.

pp

(ord.)

pp

   

poco cresc.

     

     

that dan - ces

that dan - ces

up

104

   

on

the


 Picc.  122

Fl.

A Tempo

    a2

1 2

Eng. Hn.

Bb Cl. 1

 

 

Bb Cl. 2

mp

  

Bb Cl. 3

 

Bb Bs. Cl.

1  2 

 Eb Alto Sax 1 



 

        

  

pp

2. pp



 

 

 

  

pp

mp

 



   

mp

mf

 p

 p



  p

a2

    pp



 

 

p

  1.



p

p

p

 

 

pp

130

                              

  



p

To Ob.



pp

a2

     

     

129

 

 

128

   

pp

 

pp

mf

unis.

127 A Tempo 



      

unis.

 

126 rit.

p

 

125

 

    div.

124

pp

Ob. 1

Bsn.

123

 

pp

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari.Sax. 

1 F Hn. 2

     

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

Euph.

Bb Tpt.

1   2

Bb Tpt. 3

Tuba 

 



  

D. B. 

Pno.

 

(dolce)

Perc. 1

 

  

Perc. 3 

Perc. 2

pizz.

  light.  Timp.  Voice

 

 p (chant-like)

   

And for one

(Vibes)

   p

(Chimes)

 p

  

pp

 

 

 

 

     

fleet - ing

pp



mo - ment,

  

 

 105

I

pp

pp arco

pp

p

1. open



pp

  

loco

know…

p

 

  

I

 

 3  

am the sound

of

hope,

 

the


 Picc.  131

Fl.

Ob.

(a2)



 

 

Bb Cl. 3

 

Bb Bs. Cl.

1  2 

 Eb Alto Sax 1  

1.



Bb Ten. Sax.

 

Eb Bari.Sax. 

 

 

p

 

poco cresc.



  

138

  

     

  

 

  



  

 



poco cresc.



p

poco cresc.

  

poco cresc.



     

   

     

poco cresc.

 

  

p

2. pp

poco cresc.

137

 



136



135

p



  

 

 

 

 

1   2

Bb Tpt. 3



134

      

Eb Alto Sax. 2

Bb Tpt.



         

    

Bb Cl. 2

133

1 2

Bb Cl. 1

Bsn.

 

1 2

132

F Hn.

1 2

F Hn.

3 4

Tbn.

1 2

Bs. Tbn.

 

Euph. Tuba 

 

 

D. B. 

Pno.

   

        

 3   Voice   in - stru - ment   Timp. 

of

peace,

   

the



cresc. poco a poco

song

with - in

the

song,

the

  

song

with - in

the

song,

     the

 

Perc. 3 

Perc. 1

Perc. 2

106


rit. molto

 Picc.  139

 div.

Fl.

1 2

(1.)

1 Ob. 2

Bb Cl. 3

Bb Bs. Cl.

   

 

      

 

141

mf cresc.

mf cresc.

a2  

   

     

 

1 Bb Cl. 2

Bsn.

 

  

140

mf cresc.

mp cresc.

 

     

   Eb Alto Sax 1     



 

  



 

 

 

 

f

 

 

f

 

Eb Bari.Sax. 

 

Bb Tpt. 1

 

1 F Hn. 2 F Hn.

Tbn.

 

Bb Tpt. 3

 

mp cresc.

 

Bb Tpt. 2



  

1.

  



   

 







 

 











ff

f

 

Perc. 3 





 



  







 

 ff   

 

ff

 ff

 

P

 

 B. D.  

ff

ff

ff

107

 

p

 





  

ff

 



 

 

 

 

 

 

  

 

 Tam-Tam     p

 

         

ff

     

 





 



    





 

 

   

  

 

 









 

 

      

f





    

   

  



 

 

 

 

ff

 



  

 

ff

ff

ff

     f

 

  

a2     

 

Perc. 2

 

 

 Perc. 1 

 

ff

  



  

ff

 





a2

ff

 

song.



 

 

the

  

   

  

with - in

 

 

 

  song  Timp. 

Voice

 

 

 



    a2   



   







  



ff

 

Pno.



 

ff

     

 



a2  



 

   

1 2

D. B. 

ff



   

 

   

Tuba 

 



        

  

 



mf cresc.

 

 

    

147

   

Euph.

 

  

  

     

 

3 4

Bs. Tbn.

 

     

 

 

 

  

146

  

   

mf

mp cresc.

ff

  

 

 

mf cresc.

  

   ff        



ff

a2     

 

 

ff



145

  

ff

   

  

ff

 

 

 

Bb Ten. Sax.

 a2  



mf

 

     ff      

mp cresc.

Eb Alto Sax. 2

 

  

ff

 

 

 

mp cresc.

1  2 

143 A Tempo 144    

142


 Picc.  148

1 Fl. 2

Ob.

 

1 2

 



  



Bb Cl. 1

Bb Cl. 2

Bb Cl. 3



 

Bb Bs. Cl.

1  Bsn.  2





 

   

   

        

 





 

 





 

 



 

  

Bb Ten. Sax.

Eb Bari.Sax. 

  Bb Tpt. 1  

Bb Tpt. 2



1 2

 

Bs. Tbn.

 

Euph. Tuba 

 



  



 





 

  





 

a2

    

   

  

       

    Timp. 

Voice

Perc. 1



mf

 

Sus. Cym.

Perc. 3  

Perc. 2

 









  D. B. 

Pno.

 



  

3 F Hn. 4







 

1 F Hn. 2

  

   p

 





  

   

 

   

ff Trgl.  ff



 

heroic!

 

    

 

 

 

   



      

Vibes

         

 

  

  

 



 

f

      ff

Xylo.

ff

108

 

 



  

f

 

 

 

 

 

      

 

  

 

  

 

 



 



 

 

dim.

  

 

 

 

 

f f

       

  f        

  

f

f

       

 

 

 

dim.





 

 





 

                

dim.

dim.

                     

 



dim.



 

 

   



 

  

 

 

 

    

 

 

f

      

         

 

 

  

   

 

f

 



                      

 

f



      f   

   

   

f

   

              

    

heroic!

 

 

    

 

       

ff

     

 

153

a2

         









  

Bb Tpt. 3

 

 

152 

       



 

Eb Alto Sax. 2

 



  Eb Alto Sax 1 

Tbn.



  

  

   151     

    

  

150 

149



 

 

 



mf

 f

 

 

  

 


  Picc.  

155

154

Fl.

1 2

  

  

     mf

156

rit.

1 Ob. 2

  

Bb Cl. 1

  

Bb Cl. 2

Bb Cl. 3

  





     

mf



  

  

mf

Bsn.

1.

1    2 

  Eb Alto Sax 1    Eb Alto Sax. 2

 

Bb Ten. Sax.

  

 Eb Bari.Sax.   Bb Tpt. 1

mf

 

mf

     

   

   

mf (a2)

1 2

   

3 F Hn. 4

  

F Hn.

(a2)

Tbn.

1 2

Bs. Tbn.

   

 

1.

mf 3.

mf

mf

  

mp

 

   

2. mp

mf







pp

mp

 

 

 

n

pp



n

mp

n

mp

pp

p

mp

pp

 

p

n

mp

n

n

mp

mp

2. Solo

p

 



mp



p

 

 

p

  



 

p

n

 

n

 

n

p

mf

mf dim.

 

p

 

  D. B.   

    p

 

 mp    

mf

159

p

 

 

158

p

mp

mp

 

  

mp

mp

 

 Tuba  

mf

Euph.

    mp

mf

mf

Bb Tpt. 3

mp

mf

Bb Tpt. 2

    mp

mf

Bb Bs. Cl.

mf

  

mf

157

p

p

pp

 n

mp

 

     Timp.   

 

Pno.

Voice

  Perc. 1   Perc. 2

Perc. 3   

mp

109

n


PRESERVING OUR MUSIC I T I S I M P O R TA N T T O P R E S E R V E O U R M U S I C A L H E R I TA G E F O R F U T U R E G E N E R AT I O N S

Acidic paper has been in widespread use since the turn of the century, and has become the bane of archivists, librarians, and others who seek to preserve knowledge intact, because it literally will self-destruct as it ages. Some paper, only three or four decades old, already has become impossible to handle — so brittle it crumbles to the touch. Surely we do not want today’s music to be unavailable to those who will inhabit the future. If the music of the Renaissance had not been written on vellum it could never have been preserved and we would not have it today, some four hundred years later. Let us give the same consideration to the musicians in our future. It was with this thinking that Manhattan Beach Music in 1988 first addressed the needs of the archivist by printing all of its concert band music on acid-free paper that met the standards specified in the American National Standard for Information Sciences — Permanence of Paper for Printed Library Materials (ANSI Z39.48-1984). The standard was revised on October 26, 1992 to include coated papers; all of our new editions and reprints of older editions meet this revised standard. With proper care and under proper environmental conditions, this paper should last for at least several hundred years.

Technical notes: Paper permanence is related to several factors: The acidity or alkalinity (pH) of the paper is perhaps the most critical criterion. Archival paper (also known as acid-free paper, alkaline paper, and permanent paper) is acid-free, has a pH between 7.5 and 10, is tear resistant, has an alkaline reserve equivalent to 2% calcium carbonate (to neutralize any acid that might arise from natural aging of the paper or from environmental pollution), and contains no unbleached pulp or groundwood (no more than 1% lignin by weight). The specific standards summarized here are set forth in detail by the National Information Standards Organization in American National Standard Z39.48-1992. For more information, contact: NISO, 4733 Bethesda Avenue, Suite 300, Bethesda, MD 20814, http://www.niso.org/

This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper)

AN S IECR B O BM M A HR AGTOT A L INS B—E A PC UH B LMI SU H N E I L R U D D Y — C R E AT I V E D I R E C T O R BOB MARGOLIS: PUBLISHER COFOUNDERS N E I L R U D DY: C R E AT I V E D I R E C T O R C O F O U N D E R S P R I N T I N G : C H E R N AY P R I N T I N G , I N C .

PRINTING:

CHERNAY

PRINTING,

INC.



w w w . M a n h at ta n B e a c h M u s i c . c o m

www. F r a nk Ti c he l i . com


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.