Silver Lining by Frank Ticheli

S I LV E R

L I N I N G

C O N C E R T O F L U T E

A N D

F R A N K

M A N H A T T A N

W I N D

F O R E N S E M B L E

T I C H E L I

B E A C H

M U S I C

FRANK TICHELI

SILV ER LI N I NG C O N C E R T O F L U T E A N D W I N D

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F O R E N S E M B L E

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1 Full Score

1 Bassoon 2

1 Tuba

2 Solo Flute

1 Eb Alto Saxophone 1

1 String Bass

1 Piccolo

1 Eb Alto Saxophone 2

1 Timpani

2 Flute 1

1 Bb Tenor Saxophone

2 Percussion 1

2 Flute 2

1 Eb Baritone Saxophone

1 Oboe 1

1 Bb Trumpet 1

1 Oboe 2

1 Bb Trumpet 2

(doubles on Flute in part of mvt. 2)

2 Bb Clarinet 1 2 Bb Clarinet 2 2 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Contra Alto Clarinet 1 BBb Contrabass Clarinet (to be used only if Eb Contra Alto Clarinet is not available)

1 Bassoon 1

1 F Horn 1

Xylophone, Crotales (bow required), Snare Drum, Temple Blocks (5), Triangle (med.), Suspended Cymbal (med. lg.)

2 Percussion 2 Vibraphone (bow required), Marimba, Bongos, Tom Toms (3), Cabasa,

1 F Horn 2

Maracas, Slapstick (lg.), Guiro,

1 Trombone 1

(med. sm.)

1 Trombone 2 1 Trombone 3

Flexatone, Vibraslap, Suspended Cymbal

2 Percussion 3 (Drum Set) Drum Set: Kick Drum, Floor Tom, S.D., Cowbell, sm. Tom, Hi-hat, Cym., Splash

1 Euphonium B.C.

Also playing: Chimes, Tam Tam (lg.),

1 Euphonium T.C.

and picc.)

Triangle (lg.), 3 Woodblocks (lg., med.

P R I N T E D O N A RC H I VA L PA P E R

Gg

Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N B E AC H M U S IC

1 S I LV E R L I N I N G CONCERTO FOR FLUTE AND WIND ENSEMBLE

was commissioned by Peter J. Warshaw and World-Wide Concurrent Premieres and Commissioning Fund, Inc., in loving memory of Lara Barnett

CONSORTIUM PARTICIPANTS Peter J. Warshaw Arkansas State University Wind Ensemble, Timothy Oliver, Director, and Joe Bonner, Professor of Flute California State University Northridge Wind Ensemble, Lawrence Stoffel, Director, and Sandy Kipp Iles, Lecturer in Flute Colorado State University Fort Collins Wind Symphony, Rebecca Phillips, Director Concordia University Wind Orchestra, Jeff Held, Director, and Julie Long, Professor of Flute Cornell University Wind Symphony, James Spinazzola, Director Eastern Illinois University Wind Symphony, Alicia Neal, Director Henderson State University Wind Ensemble, Steven Knight, Director Illinois State University Bands, Gavin Smith, Director Indiana Wind Symphony, Charles Conrad, Director Limestone College Wind Ensemble, Patrick K. Carney, Director Minnesota Army National Guard Red Bull Band, David Stordalen, Director Sam Houston State University Wind Ensemble, Matthew McInturf, Director Stephen F. Austin University Wind Ensemble, Fred J. Allen and David W. Campo, Directors Texas A&M Kingsville Flute Society and Wind Symphony, Scott Anthony Jones, Director Texas A&M University Wind Symphony, Timothy Rhea, Director University of Houston Wind Ensemble, David Clemmer, Director University of Michigan Symphony Band, Michael Haithcock, Director University of South Carolina Symphonic Winds, Cormac Cannon, Director University of Southern California Thornton Wind Ensemble, H. Robert Reynolds and Sharon Lavery, Directors University of Southern California, Jim Walker, Professor of Flute University of Texas at Arlington Wind Symphony, Douglas Stotter, Director University of Texas Wind Ensemble, Jerry Junkin, Director Western Connecticut State University, Kerry Walker, Professor of Flute William B. Travis High School Wind Ensemble, Josafat Jaime, Director

CONTRIBUTORS TO FRIENDS OF LARA whose combined contributions covered roughly half of the total commission fund Anonymous In memory of Dr. Lara K. Barnett Mary Barnett The Booker Family: Dave, Mary Lu, Karen (Estrada), and Kevin Ross Boothman Richard and Gayle Crain Joe Clark Robert and Kathy Daniel Clifford and Julie Darling Linda Davis Penny Davis Charles Dedmon Brian Eisemann Tam and Doyle Gammill Brian Gibbs Erika Proctor-Griffith Jaywah Music, Inc Sharon Kalisek Bradley and Laurie Kent Brooke Hampshire The Lanford-Braden Families James and Jane Maloy Mark of Excellence - National Wind Band Honors William Marshall Marie and Peter Martinez Markus Mauderer, Germany Matthew and Judy McInturf Natalie R. Meidel Sarah Meidel Music and Arts Cody and StarrlaMyers J. Paul Myers, Jr. Semyon and Ilana Narosov Keith and Marcia Neel Charles and Kathleen Neuenschwander Michiya and Ha Thanh Nishino Larry and Cheryl Nix Dan and Laura Parfimowicz Bob Parsons Eduardo Perez Sam Houston State University, TB Alpha Omicron Joni Sarin Philip C. Schirmer Jonathan Silverstein Jeremy Spicer Benjamin Stinson Sue and Jim Stinson Michael J. and Chelle Stinson Jeffery Mark Trice Kenneth and Dana Tucker James and Carolyn Van Zandt Steve and Cecilia Warshaw

S

I LV E R L I N I N G

was commissioned by Peter Warshaw

and Worldwide Concurrent Premieres and Commissioning Fund, Inc., in memory of Peter Warshaw’s wife, Lara

Barnett. The premiere performance was given by the Medalist Concert Band, Jerry Luckhardt, Director, at the National Flute Association Convention in Minneapolis on August 11, 2017, Jim Walker, soloist, Frank Ticheli, guest conductor. The first movement, Game, was inspired partly by my teenage son’s love of video games. He acquainted me with lots of standard video game terms and characters, such as Side Quest (a deviation from the main game), Final Boss (the main antagonist, usually appearing at or near the end of the game), and MiniBoss (a middle level boss, not as powerful as the Final Boss). The use of these references helped me to create an overall form for the movement, beginning with a “Tutorial” in which the basic rhythmic motives are introduced as air or air-like sounds only. The movement progresses through various levels of play. In Level 1, I add pitch to the main motives; in Level 2, I add chords, and in Level 3, sound clusters. Along the way I insert transitional episodes (Side Quests) and more competitive episodes (Mini-Boss and Final Boss sections). The rapid interaction between the soloist and ensemble suggests a competition, a fun game, with no clear winner in the end. The second movement, To the Girl with the Flaxen Hair, is a tribute to the memory of Lara Barnett, the late wife of the main commissioner of the concerto, and someone I also knew personally (Lara was a student in one of my classes back in the 1980s). The movement is largely inspired by American poet, Sara Teasdale’s “A Little While,” a poem that addresses the topic of death with a gentle, accepting tone, ultimately finding peace and serenity in its final lines. As the melody unfolds, the ensemble recalls the main motive from Debussy’s The Girl with the Flaxen Hair — the dedicatee’s favorite piece — floating it and blurring it like a passing dream. The final movement, Silver Lining, is as bright and joyous as can be. It moves alternately between ebullient dancelike energy and carefree lyricism. A sense of optimism is ever-present as the soloist and ensemble take turns sharing the spotlight.

T

O

T H E

C O N D U C T O R

…about the Instrumentation:

It is highly recommended that this concerto be performed by one player per part with the exception of clarinets and possibly flutes, which may perform two per part.

…about the Drum Set Part (Percussion 3): The drum set part is extremely important and therefore should be given to an experienced, rhythmically secure player. …about amplification of the Solo Part: For balance purposes, it may be necessary for the soloist to use subtle

amplification. Soloist Jim Walker uses a lapel microphone (Audio-

Technica ATR-35S), duct-taped onto the flute’s head joint very near the lip plate. It is important to set the volume level just high enough to solve the balance issues, but no higher. The end result should be subtle. …duration ca. 22 minutes

FRANK TICHELI PASADENA, CALI FORNIA

F RA NK

T I CH ELI

WO R K S F O R CO N C ERT BA N D FRANK TICHELI’S WORKS FOR CONCERT BAND

ARE PUBLISHED EXCLUSIVELY BY MANHAT TAN BEACH MUSIC

Abracadabra (5 minutes, grade 3) Acadiana (17 minutes, grade 5) Movements 1 and/or 3 may be performed separately

Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2) An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3) Cajun Folk Songs II (10 ½ minutes, grade 4) Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Concerto for Alto Saxophone and Wind Ensemble (21 ½ minutes, grade 6) This work is also available as Concerto for Saxophone in an edition for Solo Alto Saxophone and Piano

Dancing on Water (8 minutes, grade 4) December Snow (2 ¼ minutes, grade 1) Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3) Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2) Joy Revisited (3 ½ minutes, grade 3) Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Making Music Matter: Band Method by Frank Ticheli and Gregory B. Rudgers – Bob Margolis, Editor

Book 1: Beginning Band (Foreword by Richard L. Floyd) & Book 2: Intermediate Band (Foreword by Craig Kirchhoff ) view online: www.makingmusicmatterbook1.com & www.makingmusicmatterbook2.com

Nitro (3 minutes, grade 4) Pacific Fanfare (5 ½ minutes, grade 5) Peace (3 minutes, grade 1) Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

Sanctuary (12 minutes, grade 5) San Antonio Dances (9 ½ minutes, grade 4) Serenade for Kristin: for Solo Oboe and Chamber Ensemble (9 minutes, grade 6) Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2) This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3) Silver Lining: Concerto for Flute and Wind Ensemble (22 minutes, grade 6) Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3) Symphony No. 1 (31 minutes, grade 6) Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4) Wild Nights! (6 ½ minutes, grade 4)

W W W. F R A N K T I C H E L I . C O M – T H E O F F I C I A L S O U R C E F O R T H E M U S I C O F F R A N K T I C H E L I

Commissioned by Peter J. Warshaw and World-Wide Concurrent Premieres and Commissioning Fund, Inc., in loving memory of Lara Barnett

SILVER LINING

CONCERTO FOR FLUTE AND WIND ENSEMBLE I. Game

q = ca. 160

° 4 &4

Tutorial - Air

Piccolo

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FRANK TICHELI

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Copyright © 2018 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-204-4 (complete set) ISBN 1-59913-205-2 (conductor score) Visit www.FrankTicheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com

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43

∑

∑

Bb Ten. Sax.

& 44

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

Eb Bari. Sax.

4 ¢& 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

Ob.

Bsn.

>1 jet whistle û (short & explosive) 4 J ‰ Œ Ó &4

Solo Flute

∑

Air only Intense, hissing "sss" sound

1 2

° 4 a2 )™ &4 Œ

^6 J ‰ Œ

sss...

Ó

∑

ΩΩ 3 . . . . 2 Œ ææ b6J ‰ ‰ 6 #6 6 #6 4 6 #6 ‰ 6J 6J ‰ 4 n6 6 6 #6 6 6 #6

. 66 66 6 6 6J ‰ Œ > 6 6 6. > 6 6 6. >6 6

ff

Bb Tpt.

∑

intense

sffz

mf

∑

beatbox style (unvoiced)

∑

ff

43 6 #6 6 6 ' ' ' '

∑

4

puh! cah! puh! cah!

∑

∑

43

∑

42

∑

43

∑

∑

sffz

F Hn. 1

4 &4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

F Hn. 2

4 &4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

1 2

?4 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

Tbn. 3

?4 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

Euph.

?4 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

?4 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

?4 4

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

43

∑

42

∑

43

∑

∑

Ó

43

∑

42 œ œ œ ≈ œ œ 43

∑

∑

∑

œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. œ. 43 J ‰ J ‰ J ‰ 42 J ‰ J ‰ 43 J ‰ J ‰ J ‰ J ‰ J ‰ J ‰

Tbn.

Tuba

St. Bass

¢

°? 4 Timp. 4 Perc. 1

Perc. 2

Perc. 3 (Drum Set)

4 / 4Œ

∑

∑

œ œ œ œ œ œ ≈ œ œ

mf

p

4 / 4

∑

4 ¢/ 4

∑

‰

>œ

sempre simile gliss. f

∑

∑

œ. ‰ œ. œ. ‰ œ. œ. ‰ J J J

∑

mf

¿ ¿ ‰ J mf

¿ ¿

‰

¿

dampen

œ. ‰ Œ J

mf

‰ œœœ mf

∑

∑ 3

mf

¿ ¿ 43 ‰ J mf

¿ ¿ 2¿ 4

Œ

43

∑

crossstick

Ϫ

mf

¿™

Ϫ

¿™

° Picc. &

∑

Fl. 1

&

∑

Fl. 2

&

1 2

23

24

25 68

∑

∑

68

∑

∑

∑

68

&

∑

∑

Bb Cl. 1

&

∑

Bb Cl. 2

&

Bb Cl. 3

26

27

28

29

44

∑

∑

44

∑

∑

∑

∑

∑

44

∑

∑

∑

68

∑

∑

44

∑

∑

∑

∑

68

∑

∑

44

∑

∑

∑

∑

∑

68

∑

∑

44

∑

∑

∑

&

∑

∑

68

∑

∑

44

∑

∑

∑

Bb Bs. Cl.

&

∑

∑

68

∑

∑

44

∑

∑

∑

Eb C. A. Cl.

&

∑

∑

68

∑

∑

44

∑

∑

∑

?

∑

∑

68

∑

∑

44

∑

∑

∑

&

∑

∑

68

∑

∑

44

∑

∑

Œ

air

&

∑

68

∑

∑

44

∑

∑

Œ

air

Eb Alto Sax. 2

∑

Bb Ten. Sax.

&

∑

∑

68

∑

∑

44

∑

∑

∑

Eb Bari. Sax.

¢&

∑

∑

68

∑

∑

44

∑

∑

∑

44 >6 6 6. Œ

> . 666 Œ

Ob.

Bsn.

1 2

Eb Alto Sax. 1

. . . . . . . . & 6 6 ≈ #6 6 ≈ 6 6 ≈ 6 6 ≈

Solo Flute

∑

∑

68 ™ 6 6 6 6. Œ >6

∑

™ 6 6 6 6. Œ >6

∑

>sss Π6 6 6 6 b)

∑

)™ )™

(unvoiced) sah!

j‰ 6

Œ

Ó

° 1 & 2

∑

∑

68

∑

∑

44

∑

∑

∑

F Hn. 1

&

∑

∑

68

∑

∑

44

∑

∑

∑

F Hn. 2

&

∑

∑

68

∑

∑

44

∑

∑

∑

1 Tbn. 2

?

∑

∑

68

∑

∑

44

∑

Tbn. 3

?

∑

∑

68

∑

∑

44

∑

∑

68

∑

∑

44

∑

68

∑

Bb Tpt.

?

Euph.

Tuba

St. Bass

Timp.

Perc. 1

¢

? ?

/

Perc. 3 (Drum Set)

¢/

s. ¿œ bœ œ bglis œ œ œ 6 bœ. ‰ 8 J

mf

∑

(S.D. - brushes)

œ. / J ‰

¿œ bœ œ bœ œ œ 6 bœ. ‰ 8 J

∑

f

mf

∑

œ. ‰ J

∑

pizz. each note while glissing downward gliss.

∑

°?

(Cabasa)

Perc. 2

∑

œ. ‰ J

p

f

∑

68

∑

68 œJ. ‰

∑

mf

68 Œ ™

a2

*mouthpiece pop

sffz

¿ Œ

Ó

∑

∑

*mouthpiece pop

¿ Œ

Ó

∑

∑

*mouthpiece pop

¿ Œ

Ó

∑

44

∑

*mouthpiece pop

¿ Œ

Ó

∑

f

f

f

f

*With mouthpiece attached, pop palm of the hand over it, producing a percussive air effect.

‰ Œ™

∑

44

∑

∑

∑

‰ Œ™

∑

44

∑

∑

∑

∑

∑

44

∑

∑

‰ Œ™

>¿ ¿ ¿ ¿ ¿

mf

œ. ‰ J Œ™

4

‰ Œ™

44 œJ. ‰ Œ

>¿ ¿ ¿ ¿ ¿ 44 Œ

>¿ ¿ ¿

œ. ‰ Œ J

∑

Œ

∑

>¿ ¿ ¿

‰ œ œ ≈ œ œ œ mf

p

Œ

∑ Ó

¿ 3¿ ¿ mf

° Picc. &

∑

Fl. 1

&

∑

Fl. 2

&

1 2

30

31

32

∑

∑

∑ >1 jet whistle û (short & explosive) J Œ ‰ Ó whistle ff >1 jet û (short & explosive) J ‰ Œ Ó

&

∑

Bb Cl. 1

&

Bb Cl. 2

33

34

∑

∑

35

43

∑

36

42

∑

43

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

∑

43

∑

42

∑

43

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

Bb Cl. 3

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

Bb Bs. Cl.

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

Eb C. A. Cl.

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

?

∑

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

43

∑

42

∑

43

Ob.

Bsn.

1 2

& )

Eb Alto Sax. 1

ff

f

& )

Eb Alto Sax. 2

f

Bb Ten. Sax.

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

Eb Bari. Sax.

¢&

∑

∑

∑

∑

∑

43

∑

42

∑

43

&

∑

∑

43

Solo Flute

° & Œ

a2

Bb Tpt.

1 2

>1 jet whistle û (short & explosive) J ‰ Œ Ó

(kissing sound) smack

¿ ‰ Ó J

sfz

ff

Œ

)™

hissing air, as in m. 15

66 66 6 6J. ‰ Œ 6 6 6 6 6 6 > 6. > 6. >6 ^6 Ó J ‰ Œ

sffz

sss...

Œ

ΩΩ 3 . . . . 2 ææ b6J ‰ ‰ 6 6 #6 6 6 4 #6 6 ‰ 6J 6J ‰ 4 6 # 6 6 6 n6 6 intense

sffz

ff

mf

∑

∑

43

∑

42

∑

43

F Hn. 1

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

F Hn. 2

&

∑

∑

∑

∑

∑

43

∑

42

∑

43

¿ ‰ Ó J

∑

∑

∑

∑

43

∑

42

∑

43

¿ ‰ Ó J

∑

∑

∑

∑

43

∑

42

∑

43

¿ ‰ Ó J

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

∑

43

∑

42

∑

43

∑

∑

∑

∑

43

∑

42

∑

43

Ó

43

∑

42 œ œ œ ≈ œ œ 43

∑

œ. œ. œ. œ. œ. 43 J ‰ J ‰ J ‰ 42 J ‰ J ‰ 43

? Œ

1 Tbn. 2

? Œ

Tbn. 3

? Œ

Euph.

Tuba

¢

?

St. Bass

?

Timp.

°?

Perc. 1

Perc. 2

(kissing sound) smack sfz (kissing sound) smack sfz (kissing sound) smack sfz

/ Ó

Œ œœœœ œ

/

∑

¿ Perc. 3 J ‰ Œ / (Drum Set) ¢ f

mp

Splash Cym.

¿

Œ

f

Ó

Œ

‰

>œ

gliss.

f

Ó

∑

∑

∑

∑

∑

Œ

¿ ¿ ¿ ¿ >¿ mp

mf

¿ ¿

¿ ¿ ‰ J

∑ 5

œ. ‰ Œ J

mf

‰ œœœ

∑

f

mf

¿ ¿ 43 ‰ J mf

¿ ¿ 2 4

∑

43

° 3 Picc. & 4 37

38

∑

39

∑

40

∑

∑

41 68

42

∑

∑

43

44

∑

Fl. 1

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Fl. 2

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

∑

∑

∑

∑

∑

∑

Ob.

3 &4

1 2

68

44

∑

Bb Cl. 1

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Bb Cl. 2

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Bb Cl. 3

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Bb Bs. Cl.

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Eb C. A. Cl.

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

1 2

? 43

∑

∑

∑

∑

68

∑

∑

44

∑

Eb Alto Sax. 1

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Eb Alto Sax. 2

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Bb Ten. Sax.

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

Eb Bari. Sax.

3 ¢& 4

∑

∑

∑

∑

∑

∑

44

∑

∑

6. 6. ≈ #6. 6. ≈ 6. 6. ≈ 6. 6. ≈

68

∑

44 >6 6 6. Œ

> . 666 Œ

∑

∑

∑

∑

68

∑

∑

44

∑

Bsn.

3 & 4 6 #6 ' '

Solo Flute

Bb Tpt.

° 3 1 &4 2

4

6 '

6 '

puh! cah! puh! cah!

68 ™ 6 6 6 6. Œ >6

™ 6 6 6 6. Œ >6

F Hn. 1

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

F Hn. 2

3 &4

∑

∑

∑

∑

68

∑

∑

44

∑

1 2

?3 4

∑

∑

∑

∑

68

∑

∑

44

∑

Tbn. 3

?3 4

∑

∑

∑

∑

68

∑

∑

44

∑

Euph.

?3 4

∑

∑

∑

∑

68

∑

∑

44

∑

?3 4

∑

∑

∑

∑

68

∑

∑

44

∑

?3 4

∑

∑

∑

‰ Œ™

∑

44

∑

∑

∑

∑

‰ Œ™

∑

44

∑

∑

∑

44

∑

Tbn.

Tuba

St. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

¢

°? 3 4

3 / 4

∑

∑

3 ¢/ 4

∑

Ϫ

mp

¿™

Ϫ

¿œ bœ œ bœ œ œ 6 bœ. 8 J s. ¿œ bœ œ bglis œ œ œ 6 bœ. 8 J

mf

mf

∑

(Cabasa) œ. œ. œ. œ. œ. œ. œ. 3 / 4J ‰ J ‰ J ‰ J ‰ J ‰ J ‰ J crossstick

slap pizz. while glissing downward gliss.

¿™

‰

œ. J

‰ ∑

œ. J

‰

f

∑ ∑ ∑ 6

68

f

‰ ‰

68 œJ. ‰ 68 Œ ™

(take timpani mallets)

‰ Œ™

>¿ ¿ ¿ ¿ ¿

f

mf

œ. J

Ϊ

‰

‰ Œ™

44 œJ.

>¿ ¿ ¿ ¿ ¿ 44 Œ

f

mf

‰ Œ >¿ ¿ ¿

œ. J Œ

‰ Œ >¿ ¿ ¿

° Picc. &

∑

&

∑

44

Fl. 1

&

∑

1 Ob. 2

&

∑

Bb Cl. 1

&

∑

Fl. 2

Bsn.

?

1 2

∑

&

∑

¢&

∑

Bb Ten. Sax.

Eb Bari. Sax.

& Œ

Solo Flute

Bb Tpt.

1 2

° &

f

)

f

∑

∑ ∑ ∑ )™

Œ

air

(unvoiced) sss.......sah!

> 6 6 6 6 b)

j ‰ 6

Œ

Ó Ó

∑

Π^6 J

)

hissing air, as in m. 15

sss...

88

f

88 bœ nœ bœ œ œ 4 Œ œ> œ #œ œ . >œ œ #œ . >œ . 4 f

88 bœ nœ bœ œ œ 4 Œ œ> œ #œ œ . >œ œ #œ . >œ . 4 f

88 bœ nœ bœ œ œ 4 œ> œ #œ œ . >œ œ #œ . >œ . 4 88

mp

#œ œ bœ. Œ

œ œ œ.

mf

mp

#œ œ bœ. Œ

œ œ œ.

mf

∑ ∑

88

∑

44

∑

∑

44

∑

∑

88

∑

œ. . . 8 j ‰ bœ bœ bœ. bœ. bœ. œ œ . . bœ. bœ. 8 œ Ó

88

‰

∑

∑

88 ‰ Œ™

44 #œ œ bœ Œ . . 44 #œ œ œ Œ

œ œ œ. Œ . œœœ Œ

mf

mp

mf

mp

44

∑

∑

44

∑

Œ

ff

F Hn. 1

&

∑

∑

∑

∑

88

∑

44

∑

F Hn. 2

&

∑

∑

∑

∑

88

∑

44

∑

?

1 Tbn. 2

?

Tbn. 3

?

Euph.

Tuba

St. Bass

Timp.

¢

? ?

°?

∑

∑

Œ ¿ Ó

∑

88

∑

44

∑

∑

∑

Œ ¿ Ó

mouthpiece pop

∑

88

∑

44

∑

∑

∑

mouthpiece pop

∑

88

∑

44

∑

∑

∑

mouthpiece pop

∑

88

∑

44

∑

∑

∑

∑

∑

88

∑

44

∑

∑

∑

∑

∑

88

∑

44

∑

Ó

88

∑

44

∑

> / œœœ Œ

(S.D. - brushes)

Perc. 1

mf

Perc. 2

Perc. 3 (Drum Set)

/ ¢/

mouthpiece pop

Ó

mf

Œ ¿ Ó mf

Œ ¿ Ó mf

‰ œ œ ≈ œ œ œ œ ‰ Œ

∑ ∑

mf

∑ Ó

p

¿ mf

> œœ œœ

∑

mf

∑

¿ ¿

3

¿ f

Œ

Splash Cym.

¿

Œ

mp

>¿ ¿ ¿ ¿ J ‰

mf

mp

7

∑

BONGOS (hands) 88 >œ œ œ œ œ >œ œ œ œ œ >œ œ œ 44 Œ

Ó

88

mp

∑

44

mp

∑

f a2

f

œ œ œ.

mf

4 œ. œ œ œ. 4 b œ n œ œ # œ # œ œ . œ > >œ >œ

88

sffz

#œ œ bœ. Œ

f

. . 88 >œ œ œ œ bœ. >œ œ #œ nœ bœ >œ œ œ 44

mf

∑

88 bœ nœ bœ œ œ 4 Œ œ> œ #œ œ . >œ œ #œ . >œ . 4

ord.

‰ Œ

44

∑

∑

∑

∑

∑

44

∑

∑

sffz

∑

∑

∑

∑

∑

)

f

88

∑

f

∑

∑

∑

)

)™

∑

∑

∑

∑

44

∑

∑

44

∑ ∑

∑

∑

49

88

∑

∑

88

Level 1 - Lines 3+3+2 (always)

∑

∑

∑

∑

Œ

∑

)

∑

air

48

47

∑

∑

∑

&

Eb Alto Sax. 2

)™

∑

&

Eb Alto Sax. 1

Œ

airy sound

∑

&

Eb C. A. Cl.

airy sound

∑

&

Bb Bs. Cl.

)™

Œ

∑

&

Bb Cl. 3

46

∑

∑

&

Bb Cl. 2

45

œœœ Œ ∑

œœœ p

° Picc. &

∑

&

∑

&

∑

&

∑

50

Fl. 1

Fl. 2

1 Ob. 2

52

∑

43

∑

∑

∑

∑

43

∑

∑

∑

Œ

1. > ‰ œ #œ 43 œ œ. ‰ œJ œJ. ‰ mf

∑

&

Bb Cl. 3

&

∑

Bb Bs. Cl.

&

∑

&

∑

Eb C. A. Cl.

Bsn.

?

1 2

∑

Œ ∑

∑

Ó

Œ

Eb Alto Sax. 1

&

∑

∑

Eb Alto Sax. 2

&

∑

∑

Bb Ten. Sax.

&

∑

∑

Eb Bari. Sax.

¢&

∑

∑

43

‰

mf

43

f

‰ œ #œ 43 œ. ‰ Œ J

43

f

43 43 43

∑

∑

43

F Hn. 1

&

∑

∑

F Hn. 2

&

∑

∑

1 2

?

∑

∑

Tbn. 3

?

∑

∑

Euph.

?

∑

∑

?

∑

∑

?

∑

∑

Tbn.

Tuba

St. Bass

¢

°? Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

/

∑

∑

∑

∑

/ ¢/

sffz

∑

>¿ ¿ ¿ >¿ ¿ ¿ f

crossstick

¿

mf

¿

¿ ¿

#œ. J ‰ Œ

∑

Œ

# œ. ord. J ‰ Œ f

Œ

# œ. ord. J ‰ Œ f

Œ

f

œ œœ #>œœ œœ ≈ bœœœœ ≈ œœœ ≈ œ bœ ≈ #œ. bœ #œ # œ œ. Œ

f

#œ œ #>œ #œ

mp

œœ œœ œ œ ≈ ≈ ≈

f

#œ.

#œ. Œ

Œ

> #œ. ‰ #œ œ œ œ ≈ œ œ ≈ bœ œ ≈ bœ œ ≈ #œ. Œ

Œ

f

≈

Œ

mp

f

f

mp

f

∑

∑

∑

∑

Œ

∑

∑

Œ

∑

1.

∑

∑

Œ

j ‰ œ. p j ‰ œ.

Œ Œ

p

j ‰ œ. p

Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

. . > ‰ œ œ #œ œ ≈ œ œ ≈ œ œ ≈ œ bœ ≈

Œ

f

∑

mp

∑

‰ œ œ œ. bœ. nœ. #œ. . .

Œ

mp

∑

∑

∑

∑

∑

∑

∑

43

∑

∑

∑

∑

43

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

43

∑

∑

∑

Œ

43

∑

∑

∑

Œ

∑

∑

∑

∑

∑

∑

43 43

43 43 43

¿ ¿ ¿ ¿ 43 ¿ ‰ J on rim

‰

Œ

Œ

a2

55

∑

43

∑ Œ

Œ

∑

1.

mf

‰

Œ

3 ‰ j j ‰ œ #œ 4 œ œ. >œ œ.

° &

1 2

Œ

∑

43 Œ

Bb Tpt.

Œ Œ

∑

> > > ‰ œ œ #œ œ. bœ. œ. œ œ. ‰ œJ œ. ‰ œ œ. J . . .

& Ó

Solo Flute

Œ

∑

f

43

∑ Ó

f

. ‰ œ #œ 43 œJ ‰ Œ mf

Bb Cl. 2

54

∑

Œ

Ó

53

43

∑

Ó

∑

&

Bb Cl. 1

51

∑

Œ

¿ ¿ ‰ ¿ ¿ ¿ 8

(Bongos - hands)

Œ

‰

Œ

Œ

œœ œœ mp

œœ

œœ œ œ ≈ ∑

j ‰ œ. p

œ

Œ

(pizz.)

#œ

p

XYLOPHONE

&

Œ

∑

Œ

Œ

œ J ‰ Œ

Œ

f

f (Splash)

¿

mf

Œ

Œ

° œ. ‰ Picc. & J 56

œ. 24 J ‰ œ.

Œ

‰

Œ

57

58

59

j ‰ #œ œ bœ ‰

Œ

Œ

Œ

Œ

œ. J ‰ &

Œ

Œ

. 42 œJ ‰

Œ

bœ. ‰ J

‰

#œ œ b œJ ‰

& œ.

Œ

Œ

. 42 œJ ‰

Œ

bœ. ‰ J

‰

#œ œ b œJ ‰

Bb Cl. 1

œ & . œ Œ mf

Œ

42 œ. œ Œ . f

œ.

Œ

Bb Cl. 2

œ & . œ Œ mf

Œ

42 œ. œ Œ . f

œ.

Bb Cl. 3

&

∑

42

∑

Bb Bs. Cl.

&

∑

42

∑

mf

œ. & J ‰

Fl. 1

mf

Fl. 2

mf

Ob.

1 2

mf

& Œ

Eb C. A. Cl.

Bsn.

œ.

? Œ

1 2

& Œ

Eb Alto Sax. 1

& Œ

Eb Alto Sax. 2

j ‰ œ.

Œ

42 J

42 Œ

Œ j ‰ 42 b œ. . œ. œ. 2 œJ ‰ œ. #œ. #œ œ ‰ 4 . œ. œ. 2 œJ œ. #œ. #œ œ ‰ 4

mp

‰

mp

f

f

Œ

b œ. b œ.

Œ

œ.

∑

∑

∑

88

Œ

∑

∑

∑

88

∑

∑

∑

∑

88

Œ

∑

∑

∑

∑

88

∑

∑

∑

∑

∑

88

Œ

∑

88

j œ. ‰

Œ

∑

88

j bœ. ‰

Œ

∑

88

∑

&

∑

42

1 2

?

∑

Tbn. 3

?

Euph.

?

&

F Hn. 1

F Hn. 2

Tbn.

Tuba

St. Bass

¢

? Œ ? Œ

°? Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

&

mf

/ Œ

∑

∑

∑

88

∑

∑

∑

∑

∑

∑

88

∑

∑

∑

∑

88

∑

∑

88

∑

∑

88

¢/

#œœ. J ‰ œ. ‰ J

f

f

Œ Œ

‰

. ~~b~ œJ ~ ~ œ œ #œ. œ œ b œJ ‰ ~ ~ ~ ~ ~ ~ ‰ bœ ~~~~

#œ. ‰ œJ œ. ‰ J

œœ. ‰ J œ. ‰ J

œœ. ‰ J bœ. ‰ J

. bœœ #œœ. Œ

‰

sffz

bœ. œ. Œ

mute out

. . . . . œ. #œ. œ. b œ œ 8 œ. œ. bœ nœ œ 8

mf

∑

∑

∑

∑

∑

88

42

∑

∑

∑

∑

∑

∑

88

∑

42

∑

∑

∑

∑

∑

∑

88

∑

42

∑

∑

∑

∑

∑

∑

88

∑

∑

∑

∑

88

∑

88

∑

∑

88

j ‰ b œ. bœ

Œ ‰

f

∑

Œ

42 Œ

Œ

42 Π42

∑ œ

f

∑

Œ

mute

mp

œ. œ. œ œ . .

∑

#œ œ b œJ ‰ ‰

42 Œ

Œ

mp

#œ. #œ.

Œ

42 Œ 42 Œ

a2

f

88

∑

∑

Œ

#œ. œ. œ bœ . .

∑

∑

° &

œ. bœ.

j ‰ œ.

∑

42

1 2

mp

#œ. œ. œ bœ . .

∑

∑

Bb Tpt.

#œ. #œ .

∑

¢&

st. mute

Œ

œ. Œ

Œ

Eb Bari. Sax.

Œ

88

Œ

∑

Œ

f

∑

88

&

f

mf

Œ

∑

j ‰ b œ. ∑

∑

Œ

62

∑

∑

∑

j ‰ œ.

. ~~b~ œ bœ ~~~~~~~~~~~~ J ‰ 61

∑

Bb Ten. Sax.

Solo Flute

Œ

∑

42

>œ. & J ‰

60

Œ

42

œ f

œ œ œ œ œ œ 2œ 4 ∑

42

j ‰ b œ. bœ

Œ Œ

∑

∑

Œ

bœ ∑

Œ ‰

j ‰ b œ.

œ œ

bœ œ

#œ #œ mp

∑

œ

œ œ

∑

f

Œ

∑

∑

∑

88

take sticks

∑

∑

∑

88

∑

88

Œ

∑ 9

∑

bœ J ‰

Œ

‰ #œ œ bœ ‰

œ œ œ œ

∑

¿

(splash) S.D. on rim

¿ ¿ ¿

° 8 &8 63

Picc.

Fl. 1

Fl. 2

64

44

∑

8 &8 8 &8

∑

44

∑

44 Œ

8 >œ & 8 œ bœ œ #œ. œ œ bœ nœ #œ. nœ bœ bœ > > . f a2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Eb C. A. Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

8 &8 8 &8 & 88

8 & 8 œ™ > mf 8 >œ ™ &8 mf > . œ œ bœ œ #œ ? 8 .J 8 ‰ ‰ > f >œ œ œ #œ #œ. 8 &8 f >œ 8 J ‰ ‰ &8 f

∑

44 Œ

∑

44 Œ

>œ ™ > œ™

> . œ œ bœ nœ J ‰ #œ ‰ >.

b>œ > bœ

> . nœ bœ bœ J ‰ >.

>œ œ nœ nœ #œ. n>œ œ . bœ >œ. J

‰

>. ‰ œJ

‰

8 >œ œ œ œ #œ. >œ œ bœ nœ #œ. nœ Bb Ten. Sax. & 8 > œ bœ. f >œ ™ > > 8 œ™ bœ Eb Bari. Sax. ¢& 8 mf

Solo Flute

œ. 8 &8 J

° 8 &8

sffz

Bb Tpt.

1 2

F Hn. 1

F Hn. 2

1 Tbn. 2

mp

-œ

-œ -œ -œ ‰ J

-œ

-œ

-œ

-œ

mp

-œ -œ bœ ‰ J

44 j ‰ Œ œ. 44 œj ‰ Œ . . 44 œj ‰ Œ .J

44 œj ‰ Œ .

mp

44 j ‰ Œ œ. 44 œj ‰ Œ .

f

∑

Ó

mf

8 &8

∑

44

∑

∑

44

∑

∑

44

∑

∑

44

∑

44

8 >œ œ œ œ œ >œ œ œ œ œ >œ œ œ / 8 (Bongos - Sticks)

mf

> 88 ¿ Perc. 3 / œJ (Drum Set) ¢ f

‰

‰ Œ™

. 44 œJ ‰ Œ

Œ

∑ ∑

44

∑

44

∑

p

∑

Œ

Œ

42

∑

Œ

Œ

42 b˙

‰

Œ

Œ

42

‰

Œ

Œ

bœ>œ œ>œ ‰ 43

Œ

Œ

b>œ >œ ‰ 43

j 42 ‰ œ- bœ

Œ

Œ

42

∑

Œ

Œ

42

∑

Œ

Œ

42

∑

Œ

Œ

42

∑

Œ

Œ

42

∑

Œ

Œ

42

∑

‰

Œ

Œ

42

∑

‰

Œ

Œ

42

∑

œœ ‰ œ >œ

Œ

Œ

42

∑

open 34 >œ >œ ‰

b >œ >œ 34 b œ œ ‰ ff

ff

>> 43 œ œ ‰ ff >> 34 bœ œ ‰ ff

>> 43 œ œ ‰

>œ 34 œ J (timpani mallets) ff > 43 œJ ff

43 bbnœœœœ > ff >œ 43 ff

>¿ 43 œœ J ff

ff

>œ ™

ff

43 bœœ ™™ > ff b >œ ™ 34

ff

> 43 œ ™

>œ ‰

Œ

Œ

42

∑

‰

Œ

Œ

42

∑

Ϫ

Ϫ

p

‰™

Ϫ

Ϫ p

Œ

Ϫ

Ϫ

œ œ œ

œ ™ R ‰

œ œ ‰ J

68

p

p

68 68 68 68

Œ

68

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

>œ 43 J

68

‰

Œ

Œ

68

j 43 œ >

‰

Œ

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

>œ >œ 43 œ œ ‰

68

Œ

Œ

68

b>œ >œ ‰ 43

Œ

Œ

68

Œ

Œ

>> 34 œœ œœ ‰

68

Œ

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

68

‰

Œ

Œ

68

> 34 œJ

ff

ff

p

Ϫ

p

68

Œ

43 œj > j 43 œœ >

œ-œ

Ϫ

‰

43 œj > œ œ b œ b œ n œ œ œ 42 ‰ 43 J f a2

Ϫ

Ϫ

>œ ™ 43

ff

∑

Ϫ

j œœ œœ ‰

ff

ff

∑

p

>œ ™

j 43 œ >

42 b˙

42

ff

10

b-œ

Œ

ff open

(Xylo.)

œ-

Œ

ff

Ó

-œ

∑

ff

(st. mute)

-œ

42

ff

∑

bœ

Œ

-œ

Œ

ff

Ó

Œ

24 ‰ œJ

-œ

Œ

ff

ff

44

∑

42

> 43 œJ

∑

42

43

Œ

‰

>œ >œ ‰ 43

Ó

∑

°? 8 Timp. 8

‰

>œ >œ ‰ 43

∑

?8 8

?8 8

p

ff

∑

bϪ

ff

> 43 œJ ‰ ff >œ >œ ‰ 43

44

Ϫ

p

43

œ™ ≈ 42 ‰

Œ

a2

Ó

44

p

Œ

b>œ >œ ≈ œ œ ≈ œ œ Œ 43

Ó

∑

arco

≈

œ œ

ff

∑

-œ >œ >œ œ œ œ œ œ œ ≈ ≈ ≈ ≈ 42 ‰ J 43

ff

8 &8

?8 Tuba ¢ 8

œ œ

Œ

ff

. . n>œ. .œ œ. b œ. n œ 4 œ b œ bœ œ n œ. bœ bœ œ nœ œ œ # œ 3 J 4 4 5

‰ Œ™

≈

p

42

>> 34 œ œ ≈ œ œ ≈ œ œ ≈ œ œ ≈ 42 ‰ œJ

43 œj > ff > 43 œJ

∑

?8 8

ff

≈

œ œ

≈

œ œ

>™ 43 œ

67

∑

p

ff

Ó

44

b >œ >œ

≈

œ œ

r 43 bœœ œœ ≈ œœ œœ ‰™ >>

b-œœ

-œ

mp

ff

43

-œ -œ -œ ‰ J

44

Euph.

Perc. 2

‰ bœJ bœ-

∑

Tbn. 3

Perc. 1

p

>œ >œ

43

œ ˙ ‰ J

8 &8

?8 8

St. Bass

‰

ff

∑

44 j ‰ Œ œ. 44 Œ

∑

66 34 >œ >œ ≈ œ œ ≈ œ œ ≈ œ œ ≈ 42

65

∑

ff

>> 43 œ œ ‰

43 œ œ >> 34 œ œ >> 43 œ œ >> >œ 43 œJ

Œ 43 œj ‰ Œ > 43 bbœœœ œœœ œœœ œœœ œœœ œœœ ≈ œœœ œœœ b >œ >œ œ œ œ œ œ œ >œ >œ ‰ 43

p

Œ

Œ

68 68 68

≈ ¿ ¿ ¿ ¿ ≈ ¿ ¿ 6 43 œœ œ 8 Œ Œ mp

. . . œ. œ. œ œ b œ 69

° 6 ™ Picc. & 8 Œ

68

mf

6 &8

Fl. 1

Ϊ

∑

& 68

Fl. 2

∑

42

6 &8

Eb C. A. Cl.

Bsn.

mp

Eb Alto Sax. 1

6 &8

Eb Alto Sax. 2

6 &8

mp

6 &8

Bb Ten. Sax.

j ‰ œ. ‰

‰

. ‰ œJ

‰

. ‰ œJ

° 6 ™ &8 Œ

6 &8 6 &8

F Hn. 2

‰

. ‰ œJ

?6 8

‰

‰

43

∑

∑

∑

42

j 43 #œ. ‰ Œ

∑

∑

∑

43

‰ 42

∑

∑

∑

. 43 #œJ ‰ Œ

∑ ∑

42 42

f

p

f

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #) ™ )™ ∑

f

∑ ∑

∑

42 Œ

mf

∑

∑

43

∑

∑

43

∑

∑

43

∑

∑ >œ. œ. b œ.

Œ

j #œ. >

‰ Œ

mf

1.

Œ

∑

∑

42 Œ

∑

∑

>. . . œ nœ œ Œ J ‰ >.

f

. . . . . bœ œœ œ #œ‰ œ ‰ 42 Œ J. ∑ 42

mf

∑

∑ >œ. œ. b œ.

Œ

∑

∑

>œ. J

>. . . œœ œ J ‰ >.

Œ

∑

j #œ. > >œ. J

∑

‰ Œ

b œ. 43 J ‰ Œ

43

)™

∑

∑

∑

∑

∑

∑

∑

)™

p air

)™

f

p air

)™

f

p

f

Œ

+̇

ff

3 bœ. œ. œ. œ. œ. 4 J ‰ Œ f . . b œ. . œ œ. œ œ 43 J ‰ Œ

˙™

∑

air

∑

+ 34 #>˙ ™

∑

™

)™ )™

∑

∑

∑

∑

+̇

™

Œ

∑

∑

Œ

∑

∑

∑

∑

∑

∑

Tbn. 3

?6 8

∑

∑

42

∑

∑

∑

43

Euph.

?6 8

∑

∑

42

∑

∑

∑

43

∑

∑

∑

?6 8

∑

∑

42

∑

∑

∑

43

∑

∑

∑

42

∑

∑

∑

43

∑

∑

∑

∑

∑

43

∑

∑

∑

∑

∑

∑

43

∑

∑

∑

∑

∑

∑

43

∑

∑

∑

1 2

Tuba

St. Bass

¢

?6 8

°? 6 Timp. 8

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

Ϫ

pizz.

mf

6 & 8 Ϊ 6 / 8

6 Œ™ ¢/ 8

Ϫ

∑

bœ œœœœ

mf

Ϫ

Ϊ

∑

>¿ ¿ ¿ ¿ ¿

f

Ϫ

∑

bœ œœœœ 42

∑ Œ™

42

42

>¿ ¿ ¿ ¿ ¿ 42 Œ

mf

>¿ ¿ ¿

Π11

‰ Œ

∑

sffz

∑

∑

∑

Tbn.

‰ Œ

Œ

. . œ. œ. œ œ

pp

˙™

fp

43

∑

∑

pp

‰ 42

42

p breathy, mostly air

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 43 #˙ ™ ˙™ >

43 #˙ ™

∑

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #) ™ )™

f

∑

75

∑

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 43 #˙ ™ ˙™ >

∑

42

Œ ∑

∑

∑

Œ

sffz

∑

∑

. . . . . bœ œœ œ #œ‰ œ ‰ Œ ™ J. mf

f

42

∑

Ϊ

Œ

74

breathy, mostly air

sffz

∑

∑

. . b œ. œ. œ. œ œ

∑

b œ. 43 J ‰ Œ sffz

42

42

∑

mf

F Hn. 1

‰ œj . ∑

. . b œ. œ. œ. œ œ 6 Œ™ &8

Solo Flute

1 2

‰

∑

6 Eb Bari. Sax. ¢& 8

Bb Tpt.

∑

∑

1. ? 6 œ. 8J

1 2

∑

∑

Œ

. . bœ. œ. œ. œ œ 43 J ‰ Œ

∑

∑

‰ œj .

f

∑

∑

6 j & 8 œ. ‰

Œ

∑

6 &8

Bb Bs. Cl.

∑

∑

Bb Cl. 1

∑

∑

∑

∑

6 &8

. . œ. œ. œ œ

∑

∑

Bb Cl. 3

. . 73 bœ. œ. œ. œ œ 43 J ‰ Œ

42 42

∑

Œ

∑

6 &8

6 &8

Œ

. œ. œ. b œ 72

f

42

∑

1 Ob. 2

Bb Cl. 2

. œ. œ. b œ 71

. . . œ. œ. œ œ b œ 702 4Œ

>¿ ¿ ¿

on rim

¿ ¿ ¿ œ ææ

ord. p

f

#œ

Œ

Œ

> 43 œ œ œ œ œ œ ≈ œ œ f

œœ‰ Œ

p

Œ

Œ

Œ

‰

¿¿ mp

° Picc. & 76

77 Side Quest 44

∑

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & )™

Fl. 1

<Ÿ>~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 44 & )™

Fl. 2

44

∑

&

1 Ob. 2

Bb Cl. 1

& b˙

Bb Cl. 2

&

Bb Cl. 3

& ˙

ppp

∑

79

∑

∑

80

81

∑

82

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

j‰ Œ œ. œ

∑

œ œ bœ œ 44 œj ‰ Œ .

mf

j‰ Œ œ. œ

Ó

1. 2.

‰ j bœ. ‰ Œ œ. J 1.

œ ‰ j‰ Ó J œ. œ mf

1.

Ó

b˙ fp

∑

∑

∑

∑

∑

∑

∑

∑

44

∑

∑

∑

∑

∑

∑

mf

Ó

Ó ∑

44

Œ

78

∑

∑

∑

Bb Bs. Cl.

&

∑

44

∑

∑

∑

∑

∑

∑

Eb C. A. Cl.

&

∑

44

∑

∑

∑

∑

∑

∑

&

Eb Alto Sax. 1

Bb Ten. Sax.

∑

44 œÆ ‰ #œÆ ‰ Œ J J

mp

gentle slap-tongue

p

Æ œ ‰ Œ J

Æ #œ ‰ Œ J

Œ

∑

∑

∑

∑

∑

∑

)™

44

∑

∑

∑

∑

∑

∑

& ?

+̇

f (st. mute) 1.

∑ to mute

Œ

ppp

44 j ‰ Œ œ. mf 44

Ó

Œ

∑

44

∑

∑

44

∑

∑

1. 2.

‰ # œj Ó œ.

∑

∑ ∑

Ó

harmon mute (stem in)

Œ

Euph.

?

∑

44

∑

?

∑

44

?

∑

∑ + œœ mp

∑

open suddenly! o

œœ J ‰ Œ sf

Ó

j #œ. œ ‰ Œ

Œ ∑

j‰ œ. œ

Ó ∑

∑ ∑

Œ

j #œ. œ ‰

∑ Ó

+ ˙˙ mp

Ó

j #œ. œ ‰ Œ

∑ simile o

œœ J ‰ Œ sf

∑ mute out

Ó

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

44

∑

∑

∑

∑

∑

∑

∑

44

∑

∑

∑

∑

∑

∑

&

∑

44

∑

∑

∑

∑

∑

∑

/

∑

¢/

¿ ¿¿¿

¢

°?

Æ œ ‰ J

spit-tongue (intense, dry, airy sound) Æ j j 44 ‰ j œj ‰ ‰ j œj ‰ ‰ j œ œ œ ‰ j bœ bœ œ ‰ œj bœ bœ ‰ œj bœ bœ ‰ œ œ œ ‰ œ bœ bœ ‰ œ ‰ j œj ‰ œ œ œ œ ' œ ' œ ' œ ' œ ' œ ' ' œ ' œ ' ' ' œ J ' ' œ ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' ' '

∑

∑

Perc. 3 (Drum Set)

Æ œ ‰ Œ J

44

∑

Perc. 2

Æ #œ ‰ J

& )™

44

Perc. 1

Æ œ ‰ Œ J

∑

∑

Timp.

Œ

∑

?

St. Bass

Æ Æ Æ #œ ‰ œ ‰ œ ‰ J J J

∑

Tbn. 3

Tuba

Œ

∑

&

1 Tbn. 2

Æ œ ‰ J

∑

° 1 & 2

F Hn. 2

Æ #œ ‰ Œ J

∑

&

F Hn. 1

Æ œ ‰ Œ J

44

¢&

Solo Flute

Bb Tpt.

œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ 44 ‰ J J ‰ ‰ J J ‰ ‰ J ‰ J ‰ J ‰ J J ‰ ‰ J J ‰ ‰ J ‰ J

& )™

Eb Alto Sax. 2

Eb Bari. Sax.

∑

1.

?

1 Bsn. 2

œ. œ.

∑

44 >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ >œ œ MARACA (one - held sideways)

mf as distinct as possible

‰

¿ ¿ 4 >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ 4 f

mf

>¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿ 12

>¿ ¿ >¿ ¿ >¿ ¿ >¿ ¿

° Picc. &

∑

&

∑

&

∑

‰

&

∑

‰

&

∑

&

∑

‰

Œ

∑

∑

‰

&

∑

> - ‰ œ œ œ œ œ œ œ ‰ Œ

∑

∑

> ‰ œ œ ≈ œ œ ≈ Ó

&

∑

#>œ œ œ œ œ œ ‰ J ‰ 3

&

∑

‰

83

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Eb C. A. Cl.

?

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

84 > 85 œ œ œ œ œ -œ -œ -œ -œ -œ -œ -œ -œ ‰ ‰ Œ 3

3

&

∑

#>œ œ œ œ œ -œ -œ -œ -œ -œ -œ 3

3

3

3

3

3

3

# œ>œ œœ œœ œœ œœ œ-œ œ-œ œ-œ œ-œ œ-œ fff

&

Eb Bari. Sax.

¢&

3

pp

3

3

3

3

3

#>œ œ œ œ œ -œ -œ -œ

fff 3

fff 3

3

3

3

pp

Œ

fff

p

3

3

fff

p

‰ Ó

#>œ œ œ œ

œÆ œÆ ‰ J J ‰

a2

‰ Ó

# œœ œœ œœ œœ >

F Hn. 2

&

∑

?

∑

Tbn.

1 2

?

3 j ‰ œ> œ œ œ œ œ

3

‰ Œ

Tbn. 3

?

Euph.

Tuba

St. Bass

¢

Œ

œÆ ‰ #œÆ ‰ J J

mf

‰ œ œ œ œ œ Ó >

∑

∑

∑

Œ

‰

Ϯ J

Ϯ

Ϯ

œÆ ‰ J

‰

j œ œ ‰ œ ' ' '

mute

∑ Œ

‰

‰

‰

‰

#œÆ ‰ J

Ϯ Ϯ J

Ϯ

mf secco

‰ œÆ J

Æ ‰ œJ

∑

Perc. 2

Perc. 3 (Drum Set)

&

∑

/

∑

¢/

∑

fff

#>œ œ fff

≈ ≈

œ œ

j #œ. œ œ. œ œ. œ œ. œ pp j œ œ œ ‰ œ ' ' ' ' ∑ ‰

∑

œ '

œ '

∑

œ œ

≈

œ œ

#>œ œ fff

Œ

œ. œ œ. œ œ. œ f j œ ‰ œ ' '

∑

# œœ œœ >

Œ

fff

>œ œ

≈

œ œ

≈

œ œ

∑ ∑ ‰ œ œŒ > > fff > ‰ œœ œœ Œ

Ó Ó

‰

Ó

∑

∑

‰

Œ

Ó

Ó

∑

∑

Œ

Ó

j‰ Œ œ>

fff

p

∑

Ó

Œ j œ ‰

∑

‰ bœ œ Œ > fff

Ó

∑

j >œ

» fff j ‰ œ

fff

∑

>œ

>œ #œœ ‰ œ

fff

Œ

Ó ∑

Œ

r ‰™ œ œ

fff

Œ

3 – j ¿œ œ

≈

‰ œ œ ≈ œ œ ≈ Ó >

‰ bœj

fff

Œ

∑

∑

nœ ‰ #œœ >œ

‰

Ó

∑

3

mp

Ó

∑

> > œ œ œ œ

> œ

œ

> œ

mf

¿

¿

¿

¿

mf

¿

13

œ

> œ

œ

> œ œ

¿

¿

¿

∑

ppp

p

to st. mute

Ó

fff

3

≈

ppp

œ œ

∑

Ó

∑

≈

Ó

‰ bœ œ Œ >

>œ

≈

œ œ

ppp

œ œ

ppp

Ó

fff

≈

œ œ

œ œ ≈ œ œ ™ R ‰ ≈

‰

fff Perc. 1

#>œ œ

ff

‰

œ œ

‰ bœ œ œj ‰ >

» fff j ‰ œ

(Xylo.)

≈

œ œ

fff

3

∑

fff

fff

fff

?

≈

œ œ

≈

œ œ ≈ œ œ ≈ œ œ

‰ #œ œ ≈ œ œ ≈ œ œ ≈ œ œ ≈ œ œ >

fff

∑

‰

p

3

∑

fff

#>œ œ

≈

œ œ

≈

fff

∑

∑

Æ œ J

>œ œ

œ œ

fff

∑ œÆ J

fff

≈

fff

∑

Ϯ J

>œ œ

# œ>œ œœ œœ œœ œœ œœ œœ œœ œœ œœ ≈ ≈ ‰ ≈ ≈

. . >œ œ b œ œ . >œ œ b œ . > #œ nœ #œ nœ bœ œ. . bœ. nœ. œ. œ. #œ. œ. b œ œ . œ œ ‰ mf

Ó

3

‰

∑

p

3 ‰ œ œ œ œ3 œ œj ‰ > fff p >œ œ œ œ 1.œ ‰ œ œ œ œ Ó 3

Ϯ

Œ

3

fff

?

°? Timp.

∑

gentle slap-tongue

p

fff

∑

∑

∑

pp

>œ œ œ œ œ œ pœ

fff

‰ ‰

∑

mf

3

3

3

open

∑

‰

fff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~ o œo o œ œ Solo Flute & œ ‚ ‚ ‚ 3 ° #>œœ 1 # ∑ ‰ ‰ Œ Bb Tpt. & J 2 ∑

∑

Ϯ

3

fff

&

∑

∑

‰

Overblow harmonics while trilling

∑

‰ #œ œ œ œ œ œ œ œ Œ > 3

3

∑

∑

pp

p

3

∑

‰

3

fff

‰

∑

Ó

pp

87

p

3

∑

F Hn. 1

3

pp

#>œ œ œ œ œ -œ -œ -œ -œ ‰ J ‰ fff

fff Bb Ten. Sax.

pp

fff

∑ ∑

3

3

fff

&

3

Ó

>œ œ œ œ œ -œ -œ -œ -œ -œ -œ -œ ‰ J ‰ Œ 3 3 3 fff

86

> œ

> œ œ

¿

¿

fff

œ œ fff

¿ œ

j œ œ œœ œ ≈

œ œœ œ

‰

Ó

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œ œœ œ ∑

Œ

Ó

œ œœ œ

œ œœ œ

œ œœ œ p

ppp

° œ Picc. & 88

&

Fl. 2

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

œ J

∑

&

∑

&

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Œ

&

∑

Œ

Ϯ J mf

Ϯ Ϯ

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f

Ϯ J

Æ Æ œ ‰ #œJ J

‰

Ϯ

Æ ‰ œ J

gentle slap-tongue

mf

> . . . bœ œ œ œ. # œ n œ œ œ b œ # œ n œ œ #œ nœ #œ #œ

F Hn. 1

& ‰

F Hn. 2

&

j œ '

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Æ œ œ J '

Œ

Ó

Œ

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œÆ œÆ œÆ œÆ œÆ J J ‰ ‰ ‰ J

mf secco 1.

Æ Æ Æ Æ Æ Æ ‰ œJ œJ ‰ œ œ ‰ œJ œJ ‰ mf secco

∑

Œ

#œÆ œÆ œÆ #œÆ œÆ J ‰ J ‰ J ‰ J ‰ J ‰

∑

Œ

œÆ ‰ œÆ ‰ œÆ ‰ œÆ ‰ œÆ ‰ J J J J J

mp secco

mp secco

92

Ó œÆ ‰ J œÆ J ‰

Ϯ J

‰

93

œÆ œÆ ‰ œÆ ‰ œÆ œÆ œÆ ‰ œÆ œÆ ‰ Ó J J J J œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ ‰ J J ‰ ‰ J J ‰ ‰

Ϯ J

Œ

‰

Ϯ Ϯ

œÆ œÆ œÆ œÆ œÆ œÆ J J ‰ ‰ ‰ J J

Ϯ

Ϯ Ϯ

‰ œÆ J

œÆ ‰ ‰ œÆ œÆ ‰ œÆ œÆ ‰ œÆ œÆ ‰ œÆ J J J J J

Ϯ

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Œ

#œÆ œÆ œÆ #œÆ œÆ œÆ J ‰ J ‰ J ‰ J ‰ J ‰ J

‰

œÆ J ‰

œÆ ‰ J

Ϯ J

‰

Œ

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‰

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∑

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Ó

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Ó >œ œ œ.

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f

b >œ œ œ .

b >œ œ œ. f

Æ œ ‰ J

f

Œ

‰

œ œ #œ œ b œ

Æ œ œÆ œ f

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œ '

œ '

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∑

∑

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1 2

?

∑

∑

∑

∑

∑

∑

Tbn. 3

?

∑

∑

∑

∑

∑

∑

Euph.

?

∑

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?

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?

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∑

∑

∑

∑

∑

Tbn.

Tuba

St. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

¢

°? & / ¢/

∑

>¿ ¿ ¿ ¿ ¿ >¿ ¿ ¿ ¿ ¿ >¿ ¿ ¿ f

œ

SLAPSTICK ff

Œ

Œ

œ œ ‰ œ œ J

(Xylo.)

mf

Ó

>¿ ¿ ¿ r.s. > œ ‰ J mf

œ œ ‰ œ œ J

∑ Œ

¿

œÆ œÆ Æ ‰ œJ

Æ Æ Æ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ œ œÆ œ œÆ œ œÆ œ œ œ œ #œ b œ œ œ # œ œ œ œbœ bœ œ œ J J J œ J J J œ # œ ‰ ‰ ‰ œ ‰ ‰ ‰

∑ jÆ œ œ œ ‰ œ œ ‰ ' ' ' ' J

œÆ J ‰

Ϯ

∑

œ. bœ. Œ ‰

∑

‰

Œ

œ #œ

mf secco

Æ œ J

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‰

Ó

Æ ‰ #œJ ‰ Œ

¢&

° & Œ

œÆ œÆ œÆ œÆ œÆ œÆ œÆ œÆ ‰ J J ‰ ‰ J J ‰

mf secco

Ϯ J

Œ

1.

Ó

‰

∑

91

œÆ œÆ ‰ œÆ œÆ ‰ œÆ œÆ ‰ œÆ œÆ ‰ J J J J

œÆ œÆ œÆ œÆ œÆ œÆ J ‰

&

&

90

bœ œ œ Ó > .

f

∑

Solo Flute

1 2

b >œ. bœ ‰ Œ J

&

Bb Ten. Sax.

Bb Tpt.

Ó

&

& Œ

Eb Alto Sax. 2

Eb Bari. Sax.

Œ

Œ

f

∑

a2

Eb Alto Sax. 1

b >œ œ œ.

&

? ‰

1 Bsn. 2

‰

Œ

f

∑

&

Eb C. A. Cl.

b œ œ œ.

Ó

&

Fl. 1

Ob.

Œ

89 >

¿

¿ 14

~~~~~ ~~~~~~

Œ ∑

¿

¿

¿ ¿

¿ ‰ J

œ ~~~~ ¿

>œ œ œ œ œ œ ‰ J ‰ J ‰ œJ œ

‰

∑ ¿

¿

¿ ¿

¿ ¿ ‰ J

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‰

¿ ¿

~~~

~~~~~~~~

Ϫ ~~~~~~~~

¿ ¿

94 Æ Æ ° bœ bœ ‰ Picc. & œÆ œÆ J J Fl. 1 & ‰ œÆ Fl. 2 & Œ Ob.

œÆ œÆ J J ‰ Œ œÆ œÆ

œÆ ‰ ‰ J œÆ œÆ œÆ ‰ J J ‰

Æ œÆ Æ œÆ œÆ & J ‰ ‰ œJ J ‰ œ

1 2

& Œ

Bb Cl. 1

96

b Ϯ b Ϯ

95

#œÆ œÆ œÆ J ‰ J ‰ J ‰ œÆ ‰ œÆ ‰ œÆ ‰ J J J

œÆ œÆ œÆ œÆ >œ. 88 J ‰ J J ‰ >œ. œÆ œÆ œÆ œÆ œÆ J ‰ ‰ J J ‰ 88 J œÆ œÆ œÆ œÆ œÆ œÆ b >œ. 88 J ‰ J J ‰ Æ Æ Æ Æ Æ #>œ. ‰ œJ œJ ‰ œ œ ‰ œJ 88 œJ

#œÆ œÆ œÆ œÆ J ‰ J ‰ J ‰ J ‰ 88

88

∑

58 Œ

88

∑

58 Œ

88

∑

58 Œ

88

∑

58

88

∑

88 88

∑

&

∑

?

∑

Œ

# œÆ J ‰ Ó

Œ

œÆ Æ J ‰ ‰ œJ Œ

Œ

œÆ J ‰ Ó

œÆ œÆ J ‰ ‰ J Œ

Œ

œÆ J ‰ Ó

b œÆ J ‰ ‰ œÆ Œ J

Œ

# œÆ Æ J ‰ ‰ œJ Œ

& Œ & Œ

Bb Ten. Sax.

‰ J J ‰

&

Solo Flute

° &

mf

∑

mf

Eb Bari. Sax. ¢& Œ mf b œÆ b œÆ œÆ œÆ

œ. ‰ ‰ j Œ #œ. J

Œ

mf

œ œ œ #œ

. ‰ 58 bœœ ‰ Œ ™ J

58 Œ

&

Eb Alto Sax. 2

> ‰ bœœ. J

∑

Bb Bs. Cl.

œÆ J ‰ Ó

‰

88

∑

mf

>. ‰ ‰ œœ J

b œ. ‰ 58 J ‰ Œ ™

58 Œ

∑

Eb Alto Sax. 1

>. ‰ nœJ

∑

&

& Œ

b >œ. ‰ ‰ J

œÆ ‰ œÆ ‰ œÆ ‰ œÆ ‰ 8 J J J J 8

Bb Cl. 3

1 2

‰

‰

. ‰ 58 œJ ‰ Œ ™ œ. 5 ‰ 8 J ‰ Œ™ 97 (2+3)

58 Œ

& Œ

Bsn.

‰

> ‰ bœ. J > b œ. ‰ J

∑

Bb Cl. 2

Eb C. A. Cl.

>. ‰ ‰ œJ >œ. ‰ ‰ J

œ. J ‰ ‰ #œ. Œ J

a2

mf

b Ϯ b Ϯ

98

j œ. ‰ Œ ™ œ. J ‰ Œ™

bœ. ‰ Œ ™ J j œœ ‰ Œ ™ .

j œ. ‰ ‰ Œ

mf

99

44

∑

∑

∑

44

∑

∑

∑

44 #œœj ‰ Œ .

j ‰ œœ Œ .

j ‰ ‰ 44 Œ j‰ Ó œ. #œ. j‰ Ó œ.

4 j‰ ‰ 4 Œ j‰ œ. œ. mf j bœ. ‰ ‰ Œ bœj ‰ ‰ 44 Œ j‰ . b œ. j œ. ‰ ‰ Œ œj ‰ ‰ 44 Œ j‰ . # œ. mf . j #œœ ‰ ‰ Œ #œ ‰ ‰ 4 Œ j‰ 4 œ. #œ J œ . mf j‰ ‰ Œ œ.

∑

101

∑

j 4 #œ. ‰ ‰ Œ # œj ‰ ‰ 4 Œ . mf

∑

100

44

Ó Ó Ó Ó

44 œ. ‰ Œ J

‰ œ. Œ J

44 j ‰ Œ #œ.

‰ #œj Œ .

mf

∑

j Œ #œœ ‰ Ó . Solo > œ œ. #œ. j ‰ ‰ J . œ. œ #œ. f j‰ Œ œ.

Ó

j‰ Œ b œ.

j Œ #œœ ‰ Ó .

j nœ. ‰ Œ >

Ó

‰ jŒ œ.

Ó

j‰ Œ œ.

Ó

Ó

Ó

Ó

j‰ Œ # œ. j‰ Œ #œ œ.

Ó

Ó

Ó

Ó

œ. ‰ Ó J

Œ

Œ

∑

‰ jŒ #œ.

‰ œj Œ . ‰ jŒ # œ. ‰ jŒ #œ œ.

œ. ‰ Ó J

58

∑

∑

58

∑

∑

44

∑

∑

∑

∑

58

∑

∑

44

∑

∑

∑

∑

mf

Œ #œj ‰ Ó .

œÆ œÆ œÆ œÆ b >œ b œ œ œ œ. >œ b œ œ b œ . >œ œ b œ b œ. œÆ n œÆ œÆ œÆ œÆ œÆ œÆ œÆ 88 58 44 œÆ bœÆ ‰ œJÆ œJÆ ‰ œÆ œÆ ‰ ‰ J J ‰ ‰ ‰

Œ #œj ‰ Ó .

œÆ bœÆ J J ‰ Ó

∑

∑

∑

88

∑

58

∑

∑

44

∑

∑

&

∑

∑

88

∑

58

∑

∑

44

∑

∑

&

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

1 2

?

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

Tbn. 3

?

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

Euph.

?

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

?

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

?

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

∑

∑

88

∑

58

∑

∑

44

∑

∑

∑

∑

∑

∑

Ó

∑

∑

Ó

∑

∑

Bb Tpt.

1 2

F Hn. 1

F Hn. 2

Tbn.

Tuba

St. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

¢

°?

> ~b œJ ‰ Œ ~ & /

Œ

b~ >œ ~ ~ ~ ~ ~~~ J ‰ Œ œ ~~~~~~~

>œ œ >œ œ >œ œ >œ œ

GUIRO

f

¿ ¿ ‰ J / ¢

¿ ¿

‰

¿

Œ

bœ bœ bœ 88 J

>œ œ >œ œ >œ œ >œ œ 8 >œ 8 J ¿

¿

¿

¿

88

bœ ‰ ‰ J

‰

> ‰ ‰ œJ

‰

‰ bœJ

> ‰ œJ

‰ 58 œ nœ Œ ™ ‰ 58 œJ ‰ Œ ™

58 ¿J ‰ Œ ™

∑ 15

∑

œ ‰ Œ™ J ¿ J ‰ Œ™

44 44 œJ ‰ Œ 44 ¿J ‰ Œ

∑ bw fp

° Picc. &

102

∑ >œ b œ. J œ bœ. ‰ Œ & ‰ J

Fl. 1

103

Ob.

bœ. & œ ‰ Œ J

1 2

& ‰ j œ. bœ. Œ bœ . j œ. b œ ‰ Œ & bœ

Bb Cl. 3

Bb Bs. Cl.

a2 # œ. # œœ. ? J ‰ ‰ J Œ

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

. & œJ ‰ Œ

Ó

j & #œ. ‰ Œ

Ó ∑

¢&

∑

& Ó

Solo Flute

88

∑ ∑

˙

∑ #œ. ‰ J

∑

∑

44 Ó

Œ

∑

88

∑

44 Ó

Œ

∑

88

∑

44

∑

∑

88

∑

44 #œ œ bœ Œ .

œ œ œ. Œ

88

∑

44 Œ œ œ bœ.

∑

88

∑

44

∑

88

∑

44 Œ œ œ bœ.

∑

88

∑

44

∑

88

∑

44 Ó

Œ

∑

. . 88 >œ œ #œ œ #œ. >œ #œ #œ œ œ >œ œ œ 44 Œ

. #œ œ œ Œ

Ó

j‰ œ Œ Ó b œ. n>œ > bœ. ‰ nœ ‰ Œ Ó J J

œ. J ‰ Œ Ó ∑ ∑

∑

∑

∑

∑

œ. . œ. œ ‰ J bœ Œ Ó > bœ

° 1 & 2

∑

∑

F Hn. 1

&

∑

F Hn. 2

&

1 2

∑

f

f

œ œ bœ.

Œ

f

f

88 œ œ bœ nœ nœ œ nœ nœ bœ. >œ œ œ. 44 Œ . > >œ f

88 œ œ bœ nœ nœ œ nœ nœ bœ. >œ œ œ. 44 Œ . > >œ

œ. . . 8 j ‰ Œ ‰ bœ œ œ. bœ. bœ. œ œ . . bœ. bœ. 8 œ ff

‰ Œ™

œ œ œ.

#œ œ #œ.

∑

mp

mp

Ó

‰ #œj œœ ##œœ # œ. . . p ∑

Œ

∑

Œ

∑

Œ

∑

mp

œ œ œ.

mp

. œ œ bœ Œ

mf

∑

mp

mf

mf

88 œ œ bœ nœ œ œ nœ œ bœ. >œ œ œ. 44 Œ . > >œ

œ œ œ.

∑

#œ œ #œ.

mp

∑

f

f

mf

107

44

∑

˙

106

f

&

Bb Ten. Sax.

∑

> j ‰ œJ œ™ b œ.

∑

&

Eb C. A. Cl.

Eb Bari. Sax.

Ó

j & ‰ œ œ. bœ. Œ

Bb Cl. 2

∑

∑

œ œ. . #œ. œ Œ Ó ‰ J .œ œ > œ

& Œ

Bb Cl. 1

Bsn.

∑

&

105 Level 2 - Chords 88

∑

f

Fl. 2

104

∑

œ #œ œœ. œ# œ

∑

mp

Œ

∑

Œ

∑

. œ œ bœ Ó

∑

. œ œ bœ Ó

∑

mf

44

∑

∑

44

∑

∑

Œ

Ó

‰

∑

88

∑

∑

88

∑

44

∑

∑

∑

∑

∑

88

∑

44

∑

∑

?

∑

∑

∑

88

∑

44

∑

∑

Tbn. 3

?

∑

∑

∑

88

∑

44

∑

∑

Euph.

?

∑

∑

∑

88

∑

44

∑

∑

?

∑

∑

∑

88

∑

44

∑

∑

?

∑

∑

∑

88

∑

44

∑

∑

∑

∑

∑

88

∑

44

∑

∑

∑

88

∑

44

∑

88

∑

44

∑

Bb Tpt.

Tbn.

Tuba

St. Bass

Timp.

Perc. 1

¢

°? >œ bœ & ‰ J

Ó

mf

Perc. 2

/

∑

∑

∑

Perc. 3 (Drum Set)

¢/

∑

∑

∑

> > > > 88 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ 44 ¿ ¿ ¿ Œ f

16

>¿ ¿ ¿

Ó

. . œ. œ. œ. #œ. œ b œ mf

b˙

mp

∑ ∑

Œ

> œœœ œœœ f

œ

p

Œ

° Picc. &

∑

&

108

Fl. 1

&

Fl. 2

Ob.

109

Bb Cl. 1

∑

∑

43

∑

∑

43

∑

43

∑

∑

∑

43

∑

œ œ œ œ bœ œ bœ œ ≈ ≈ ≈ ≈

∑

43

∑

mf

>œ œ >œ œ. Œ & ‰ J J ‰

Bb Cl. 2

mf

> . > . & ‰ bœJ œJ ‰ œ œ Œ

Bb Cl. 3

?

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

1 2

&

∑

¢& &

Solo Flute

Bb Tpt.

∑

>œ œ. f

>œ œ. >œ œ. ‰ J J ‰

° & Ó

Œ

&

∑

F Hn. 1

∑

43

∑

∑

> #œ œ. ‰ bœ œ œ #œ œ Œ œ.

Œ

43

∑

∑ j œ. ‰

j ‰ œ. j œ. ‰

mf

œ. ‰ J

∑

j œ. ‰

mf

Œ

Œ

‰

Œ

Œ

‰

j ‰ œ. j ‰ œ. j œ. ‰

> #œ œ bœ bœ ≈ œ œ ≈ œ œ ≈ œ œ ≈ f

∑

43 Œ

Œ

mf

œ.

Œ

Œ ∑

>œ œ ≈ œ œ ≈ œ œ ≈ œ œ ≈

∑

> œ. œ. # œ œ œ œ œ œ œ b œ ≈ ≈ ‰ ≈ ≈

‰ œj Œ . mf

‰ œ. Œ J mf

. b œœ ‰ J Œ mf

Œ Œ

‰

mf

> . ‰ #œ œ bœJ ‰ Œ

mf 1.

‰ #œ œ bœ. ‰ Œ > J mf Œ

‰

42

∑

Œ

> ‰ œœ

Œ

42

∑

Œ

‰

Œ

42

∑

Œ

42 Œ

Œ

42

j‰ œ.

‰ jŒ # œ.

∑

Œ

. ‰ #œœJ Œ ∑

bœ 2 œ Œ œ œ #œ œ bœ 4 . bœ.

∑

Œ

‰

bœ bœ 42 bœ. bœ Œ œ œ œœ .

∑

> # œ œ. œ œ œ bœ nœ J ‰ Œ ‰

p

Œ

mp

mf

42

∑ Œ

f

∑

∑

42 Œ

. #>œ œ b œ J ‰ Œ ‰

mute out

∑

∑

∑

∑

42

∑

∑

mute out

∑

∑

∑

∑

42

∑

∑

∑

∑

∑

∑

∑

42

∑

∑

&

∑

1 2

?

∑

43

∑

∑

∑

∑

∑

42

∑

∑

Tbn. 3

?

∑

43

∑

∑

∑

∑

∑

42

∑

∑

Euph.

?

∑

43

∑

∑

∑

∑

∑

42

∑

∑

?

∑

43 Œ

∑

42 Œ

∑

43 Œ

∑

42 Œ

j‰ b œ.

∑

43

∑

42

∑

43

∑

43

Tbn.

Tuba

St. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3 (Drum Set)

¢

?

°? & /

¿ ¿ ¿ ¿ ¿ ‰ J J ‰ J ‰ / ¢ f

pizz.

j œ. ‰ bœj ‰ .

mf

œ bœ

mf

∑

¿ ¿ ¿ ¿ 43 ‰ J J ‰

j œ. ‰

œ

∑

∑ ∑

œ. ‰ J

∑

œ

/

œ

∑

∑

œ œ œœ œ œ ≈ œ œ

∑

TEMPLE BLOCKS

mf

Œ

p

∑ Œ

‰

¿ ¿ >¿ ¿ mf

j ‰ œ.

¿ ¿

f

17

œ.

mp

œ

mp

œ.

Œ

Œ

œŒ

Œ ∑ ∑

∑ ¿ ¿

≈

¿¿ p

œ >œ

j‰ b œ.

43

F Hn. 2

#>œ œ

∑

mf

p

∑

∑

. #>œ œ œ J ‰ Œ

œ œ. ‰ œ #œ #œ œ œ 42 œ. Œ

p

f

115

mf

∑

∑

1. 2.

Œ

>œ œ ≈ bœ œ ≈ bœ ≈ œ bœ œ ≈

f

43

Œ

∑

∑

42 Œ

∑

œ œ. Œ bœ œ œ #œ œ >œ mp mf .

p

f

∑

42 Œ

mf

Œ

œ.

‰

mf

œ.

mp

42 Œ

Œ

j‰ Œ œ.

œ mp .

∑

‰ bœ œ œ #œ œ œ œ. Œ >b œ. ‰

mp

∑

42

bœ œ œ bœ ≈ œ bœ ≈ œ bœ ≈ œ œ ≈ >

mf

∑

Œ

42

Œ

mp

œ. ‰ J

∑

. . > . > . ‰ œ #œ 43 œœ œœ ‰ œœ œœ ‰ J J mf j 43 bœ œ. ‰ œj œ. ‰ > > 1.

∑

mf

mf

43

∑

∑

mp

≈ ≈ ≈ ≈ œ #œ œ œ œ œ b œ œ

bœ. 43 ‰ J œ. œ. bœ.j ‰ mf

∑

&

Bb Ten. Sax.

Eb Bari. Sax.

&

∑

a2

∑

∑

Œ

114

∑

∑

∑

œ œ ≈ bœ œ ≈ bœ œ ≈ bœ œ ≈

œ. 43 ‰ J œ. œ. œ.j ‰ mf

∑

&

∑

∑

113

∑

p

43

mf

∑

∑

p

>œ œ. >œ œ. Œ & ‰ J J ‰

Eb C. A. Cl.

∑

112

p

43

mf

Bb Bs. Cl.

111

43

œ. œ. œ. b œ ‰ ‰ œ Œ œ‰ & J J J mf >œ œ >œ œ. Œ & ‰ J J ‰

1 2

110

Œ

mf

bœ

mf

Œ Œ

j‰ b œ. bœ

∑

∑

œ ‰ œ œ œ œ œ œ 42 J ‰ Œ

∑

∑

∑

42

∑

∑

42

mf

∑

∑

∑

∑

° Picc. &

116

‰

& Œ

Fl. 2

Ob.

∑

& Œ

Fl. 1

‰

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Œ

bœ. & J ‰

Œ

j & bœ. ‰

Œ

j ‰ j œ. # œ. j j & ‰ #œ. #œ. ‰ ? ‰ #œœ. #œœ. ‰ J J

Eb C. A. Cl. 1 Bsn. 2

&

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

∑

F Hn. 2

1 2

Tbn. 3

Euph.

St. Bass

∑

‰

œ. #œ.

b œ. . J ‰ ‰ œ. #œ mf

f

120

œ. #œ. œ. œ. #œ. œ.

mf

. . . œ. ‰ ‰ œ. œ. bœ nœ œ J

f

mf

j ‰ ‰ œj œ. œ. f ∑

∑

mf

∑

∑

bœ. œ

œ. œ

. . œ. œ. œ. #œ. œ bœ 88 J f œ. .œ œ. # œ. œ. b œ. 88 J f . .œ bœ. nœ. œ. b œ. 8 b œJ 8 b œ. œ

88 Œ ™

∑

88 Œ ™

∑

∑

∑

88

∑

∑

∑

88 œ. J

∑

∑

∑

88

a2

f

∑

&

∑

∑

∑

∑

88 bœj . f

¢

#œ. œ. œ œ . .

∑

ff open

1. 88 œ. J

∑

∑

88

∑

∑

. 44 œJ ‰ Œ

œ‰ J

œ-

œ-

. 44 #œJ ‰ Œ

nœ‰ J

œ-

œ-

œ

44 œ. ‰ Œ J

‰ bœJ

-œ

-œ

43

œ

44 œ. ‰ Œ J

‰ bœJ

-œ

b-œ

43

44

∑ b œ‰ J

œ mp

Ϊ

f

œ mp

f

mp

f

mp

‰

‰ bœ. J

‰

‰ œ.

bœ.

44 œj ‰ Œ .

∑

44 Ó

∑

44 Ó

‰

‰ œj .

‰

‰

œ.

bœ.

‰

‰ œ. J

‰

‰ œ.

bœ.

‰

f

44 j ‰ Œ œ. 44 œj ‰ Œ .

p

p

p

p

b-œ

b-œ

b -œ ‰ J p

-œ

-œ

p

‰ œJ

-œ

-œ

-œ ‰ J

-œ

-œ

œ‰ J

b -œ

-œ

p

p

p

43 43

43 43 43 43 43 43

fltg.

>œ . œ #œ . b œ. n œ. œ. œ 44 æ bæœ bæœ æœ næœ bœ bœ œ nœ œ 43 5

‰ Œ™

f

f

‰

‰ bœ. J

88

‰

‰ œ.

bœ.

44 œj ‰ Œ .

43

Ó

∑

44

∑

43

∑

44

∑

43

44

∑

∑

43

∑

44

∑

43

∑

88

∑

44

∑

43

/

∑

Perc. 2

/

∑

∑

∑

∑

Perc. 3 (Drum Set)

¢/

∑

∑

∑

∑

mf

Ϊ

88

∑

‰ œ œ

43

∑

∑

(T. Blks.)

∑

43

f

Œ

44

f open

∑

∑

Œ

∑

∑

mp

‰ Œ™

open

88

œ œ œ bœ #œ #œ œ ‰ J

‰

44

∑

? Œ

43

88 œ œ œ > œ œ #œ. > œ bœ nœ œ. >œ b œ b œ. f

∑

∑

∑

43

∑

∑ #œ #œ

44

∑

∑

?

Œ

44

?

f

‰ Œ™

∑ ∑

∑

43

88 œ bœ bœ œ #œ. >œ œ bœ nœ bœ. >œ œ bœ > .

∑

mp

∑

43

∑

∑

44

∑

∑

?

Œ

44

&

mute out œ. œ. œ bœ . . #œ. #œ œj ‰ . .

43

88 >œœ bœœ bœœ nœœ #œ. bœœ bœœ bœœ nœ nœ œ #œ > n œ b œ. nœ œœ bœœ > . f

∑

st. mute #œ. #œ.

∑

∑

∑

&

? Œ

∑

44

∑

∑

mf

121

‰

Ϊ

∑

∑

‰ Œ™

Ϊ

∑

∑

‰

88 Œ ™

∑

sffz

Œ

∑

∑

œ. bœ.

‰

‰ Œ™

88 Œ ™

∑

∑

œ. 88 œJ f

f

∑

°? Timp. Perc. 1

b œ. œ

&

° &

F Hn. 1

Tuba

œ. bœ J ‰

Œ

119

88 bœ. ∑ œ. bœ. bœj ‰ J . f mp f . . œ. . b œ . œ. # œ œ. b œ. œ > b œ . . œ ~ ~ . >œ # œ œ # œ œ ~ . ~ œ ~ ~ œ # œ œ b œ ~~~~~ J ‰ ~~ J ‰ ‰ 88 J & ‰

Solo Flute

Tbn.

œ. bœ J ‰

118

88

Eb Bari. Sax. ¢& Œ

1 2

>œ # œ

& ‰

Bb Bs. Cl.

Bb Tpt.

>œ # œ

∑

a2 bœ > œ bœ. ‰ œœ #œ œJ ‰

& Œ b œ. J ‰ &

1 2

117

œ œ 8 œJ 8 œ œ œ œ œ œ

88

f

‰

‰ Œ™

Œ ∑

> > > 88 ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ f

18

44

∑

43

44

∑

&4

44 ¿J ‰ Œ f

Ó

3

43

>œ œ œ œ œ œ œ œ 123 ≈ ≈ ≈ ≈ 2 4

>œ ™ œ ™ œ ™ œ ™ ∑ 43 ff p p ff > . . >œ œ œ œ œ œ œ œ œ . . b œ œ. œ. œ # œ œ ≈ ≈ ≈ ≈ 2 ‰ Œ 4 43 J ‰ Œ

° 3 Picc. & 4 122

Fl. 1

Fl. 2

3 &4

p

ff

p

Ob.

1 2

& 43

∑ >œ J

‰ Œ

b>œ J

‰ Œ

Bb Cl. 1

3 &4

Bb Cl. 2

3 &4

Bb Cl. 3

3 &4

> bœ J

3 &4

j œ> ff > œ J

Bb Bs. Cl.

Eb C. A. Cl.

3 &4

1 2

? 43

Bsn.

Eb Alto Sax. 1

Eb Alto Sax. 2

ff

ff

Œ

Solo Flute

Bb Tpt.

‰ Œ

Œ

‰ Œ

Œ

42 #˙

‰ Œ

F Hn. 2

Perc. 1

Perc. 3 (Drum Set)

-œ

-œ

-œ

-œ

-œ

b-œ

p

> b œœ ™™

œœ ™™ œœ ™™

>œ ™

Ϫ Ϫ

>œ ™ 43

Ϫ Ϫ

ff

43 43

ff

ff

> 43 œ ™ ff

> 43 œJ ‰ Œ

p

ff

> 43 œJ ‰ Œ

42 ˙ ∑

b >œ œ œ œ œ œ œ œ 3 ≈ ≈ ≈ ≈ 42 &4

∑

>™ 43 œ

Ϫ Ϫ

b >œ œ œ œ œ œ œ œ 3 ≈ ≈ ≈ ≈ 42 &4

∑

43

∑

43

p

ff

3 ¢& 4 3 &4

3 &4

p

>œ œ œ œ œ œ œ œ ≈ ≈ ≈ ≈ 42 p

ff

n>œ. J ff

‰ Œ

42 ‰

Œ

ff

b>œ œ ‰ Œ ff

> œ œ‰ Œ

3 &4

ff

3 / 4

b >˙ ™ 3 bbb˙˙˙ ™™™ &4

‰ Œ

ff

. . œ. œ. œ. # œ. œ b œ ∑

Œ

42

∑

Œ

42

∑

Œ

42

∑

‰ Œ

Œ

42

‰ Œ

Œ

42

‰ Œ

Œ

42

‰ Œ

Œ

42

Œ

Œ

42 42

∑

pp

>˙ 24 ˙˙˙

42

ff

43 J

∑ ∑ ∑ ∑ ∑ ∑

∑

Œ

44

. 68 œ. #œ. œ. œ. œ Œ ™

. . œ. œ. #œ. œ œ Œ ™

> . . 24 bœ. œ bœ Œ

. b>œ. œ. bœ Œ

44

68

∑

∑

42

∑

∑

44

68

∑

∑

42

∑

∑

44

∑

∑

42

∑

∑

44

∑

∑

42

∑

∑

44

j ‰ # œ.

∑

44

Ϫ 68

Œ

68 œj .

Œ

68

mf

j ‰ œ.

‰

‰ œj ‰ .

mf

‰

42 Œ

∑

. ‰ œJ

‰

. ‰ œJ

‰

. ‰ œJ

‰ 42 Œ

‰

j #œ. ‰

Œ

nœ

44

‰

Œ

bœ bœ

44

mf

bœ. œ J

‰ 42 Œ

∑

42

∑

∑

44

Ϫ 6 8

∑

∑

42

∑

∑

44

∑

68

∑

∑

42

∑

∑

44

∑

68

∑

∑

42

∑

∑

44

>œ. œ. b œ.

>œ. œ. b œ.

p

Œ

>œ 43 œJ ‰ Œ

Œ

b>œ 43 J ‰ Œ > 43 œJ ‰ Œ > 34 œœ ‰ Œ J j 43 bœ ‰ Œ > > 43 œJ ‰ Œ j 43 bœ ‰ Œ > > 34 bœJ ‰ Œ Œ

. . b œ. œ. b œ 68 œ œ Œ™ f

68 Œ ™

Œ

68 Œ ™

. . b œ. œ. œ b œ œ

bœ œœ #œœ œœ œœ. b œ. Œ ™ . . .

Ϊ

42

Œ

68

œ 2 #œ. #œ. œ. œ. . 4 Œ

∑

∑

42 Œ

Œ

68

∑

∑

42 Œ

f

f

Œ

68

∑

∑

42 Œ

Œ

68

∑

∑

42

∑

∑

Œ

68

Œ

68 68

Œ

Ϫ mf

68

∑

>˙ ™ ˙™ 68 ˙˙ ™™

p

19

Ϫ

Ϫ

Œ

Ϫ

42

bœ. œ. bœ.

Œ

‰

Œ

4 bœ. œ. bœ. 4

‰

Œ

bœ bœ

j œ. ‰

Œ

bœ

bœ. J f b œ. bœ J f

∑

f

bœ

∑ ‰

∑

∑

42

∑

∑

∑

42

∑

∑

f

¿ ¿¿¿ ¿ 2 4 Œ

Œ

bœ

∑

Ϊ

∑

Œ

>¿ ¿ ¿

Œ

44 44 44

∑ œ. J

44

44

∑

∑

¿ ¿¿¿ ¿

44

. œ. œ. bœœ 4 œœ 4

42 Π42

Œ

. œ. nœ. bœœ Œ œœ

bœ œœ #œœ œœ œœ. b œ. 42 Œ . . .

œ ™ #œ. #œ. œ. œ. . Œ

> 34 ¿œ œ œ œ œ œ ≈ œ œ 68 Œ ™ œ ff

‰ œj ‰ . ∑

68 œJ.

Ϫ 6 8

‰

∑

‰ Œ

43 bœ > 34 >˙ ™ bb˙˙ ™™ 43 b ˙ ™

44

∑

. b >œ. b œ. b œ

p

œ.

128

∑

>. b œ. b œ. 24 b œ Œ

p

Œ

42

. . b œ. œ. œ. œ œ Œ ™

Ϫ 6 8

p

ff

fff

42

>¿ œ œ œ œ œ œ ≈ œ œ œ

ff

ff

Œ

ff

?3 4

3 ¢/ 4

p

p

Ϫ

127

∑

. . . 68 œ. œ. œ œ b œ Œ ™

f

ff

42 #˙

42

œœ ™™

p

j 43 œ ‰ Œ >

126

∑

f

p

ff

Ϫ Ϫ

& 43

Œ

Ϫ Ϫ

>œ ™ 43

ff

VIBES (motor off always)

Perc. 2

b œ. œ

p

> œ ‰ Œ Œ J >œ œ œ œ œ œ œ œ ≈ ≈ ≈ ≈

œœ J open ff ? 3 œj Tbn. 3 4 > ff ? 3 >œ Euph. 4 J ff ? 3 Tuba ¢ 4 œj ff > arco ? 3 >œ St. Bass 4 J ff °? 3 >œ Timp. 4 1 Tbn. 2

p

Œ

° 3 bœ>œ œœ 1 ‰ Œ &4 2

F Hn. 1

p

œ42 ‰ J

ff

Eb Bari. Sax.

24 ‰ œJ

Œ

ff

Bb Ten. Sax.

. œ. b œ 42 ‰ œJ œ 24 ‰ œJ

ff

ff

f

f

68

ff

f

b >œ œ œ œ œ œ œ œ . b œ. b >œ 3 ≈ ≈ ≈ ≈ 2 ‰ œ. œ. bœ. nœ. œ 3 J ‰ Œ &4 4 4 ff

125

124

bœ f

44 44 44 44

>¿ ¿ ¿ 44

° 4 Picc. & 4 129

Fl. 1

Fl. 2

1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bs. Cl.

Eb C. A. Cl.

4 &4 & 44

>œ #œ œ. Œ

ff

>œ J

ff

Ó

∑

‰ Œ

Ó

∑

4 &4 4 &4 4 &4

∑

>œ œ bœ. œ œ œ. Œ

Œ

f

>œ œ bœ. œ œ œ. Œ

Œ

f

Œ

ffp

> w

œ œ bœ.

Œ

mf

œ œ bœ.

Œ

spit-tongue

j‰ ‰ jŒ œ œ ' '

f

∑

œ œ œ.

mp

œ œ œ.

Œ

j‰ ‰ jŒ œ œ ' '

œ œ' '

∑ ∑

∑

∑

‰ j œ '

∑ Œ

Œ

∑

w

∑

∑

∑

∑

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Solo Flute

Bb Tpt.

1 2

F Hn. 1

F Hn. 2

4 &4 4 &4 4 ¢& 4 4 &4

° 4 &4

4 &4 4 &4 ?4 4

Tbn. 3

?4 4

Euph.

?4 4

?4 Tuba ¢ 4 ?4 4

°? 4 Timp. 4

Perc. 1

Perc. 2

Œ

f

>œ. J ‰ Œ

Œ

f

4 / 4 & 44

4 Perc. 3 (Drum Set) ¢ / 4

>œ # œ œ. ff

>œ. œ J

ff

>. œ J

ff

j œ.

ff

Ó

>œ. J ‰ Œ

ff

& 44

1 Tbn. 2

St. Bass

‰ Œ

∑

∑ . œ œ bœ

∑

mf

>. œ ‰ J

Ó

43 œj ‰

43 Œ

p

Æ œ‰ J

œ

b1.œ

‰

œ

43

∑

43 43

Œ

œ bœ mf

‰ œ

œ

f

mf

3 44 œ # œ #œ

mf

43

44 44

∑

44

∑

mf

#œ œ #œ

44

∑

∑

œ æJ

3

3

43

44

∑ Œ

‰

3 44 œ # œ #œ

mf

44

‰ Œ

Ó

∑

∑

∑

∑

43

∑

44

‰ Œ

Ó

∑

∑

∑

∑

43

∑

44

‰ Œ

Ó

∑

∑

∑

∑

43

∑

44

∑

43

∑

44

∑

43

∑

44

43

∑

44

Ó

∑

‰ Œ

Ó

‰ Œ

Ó

ff

Œ

f

˙ 43 ∑

44

j ‰ j ‰ œ œ

43 Œ

∑

44

j ‰ j ‰ œ œ

j ‰ œ

f

∑

‰ Œ

>¿ œJ

f

j œ ‰

j ‰ œ

p

œ œ #œ #œ œ nœ nœ œ œ æJ æJ æ æJ æJ ææ æJ æJ ææ

44

j 43 œ œ œ œ bœ. ‰ œ œ œ œ 44 > >

∑

∑

j œ.

œœœ >œ

∑

Ó

ff

j j bœ ‰ 43 bœ ‰ œ> œ œ œ . œ> œ œ œ .

∑ ‰ æœ

44

∑

∑

‰ Œ

œ J

mf

∑

Ó

ff

æ bœæ™

∑

‰ Œ

j œ.

43 œæ™

∑

j œ

ff

44

∑

Ó

œ. J

p

∑

∑

‰ Œ

ff

Œ

Æ Æ œ ‰ ‰ #œ Œ J J

43

∑

>œ. œ J

ff

Æ Æ œ ‰ ‰ #œ Œ J J

44

43

w

∑

gentle slap-tongue

∑

∑ Œ

∑

∑

j œ ‰ œ> œ œ œ .

mp

∑

æ œæ

∑

mp

∑

æ œæ

43

j bœ ‰ œ> œ œ œ .

ff

j ? 44 fi œ œœ œ

æ œæ

fltg.

mp

mp

134

∑

mp

∑

w

Ó

133

∑

∑

∑

ffp

4 & 4 œfiœ j ‰ Œ #œ

132

∑

∑

mf

#w >

131 Mini Boss

∑

‰ Œ

4 &4 4 &4

Ó

ff

b >œ J

130

∑

∑

Ó

Œ

Œ ∑ ∑

∑ ‰ Œ

1. harmon mute (stem in)

Ó

∑ Ó

∑

+ ˙

(IV)

‰

˙™ o

˙

p

j j‰ Œ #œ œ

mf

j ‰ #œ œ ‰ Œ J mf

f

Ó

&

∑

∑

∑

∑

∑

43

∑

44

∑

∑

43

∑

∑

∑

43

44

∑

44

Ó

∑

43

∑

44

j‰ ‰ j œ. œ œ. œ

∑

43 ˙˙ ™™ b˙ ™

Ó ∑

˙™

p (Vibes) secco

Œ

p

mute out

∑

CROTALES (bowed)

Œ

∑

+ œ

‰ jŒ œ. œ p

f

j‰ ‰ jŒ œ. œ œ. œ

no pedal

∑

j‰ Œ œ

20

∑

∑

43

44 ∑

44

° 4 Picc. & 4 135

136

∑ j œ ‰ '

simile

4 & 4 #œ ‰ ‰ #œ Œ ' '

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

∑

∑

4 &4

∑

∑

4 &4

∑

Eb Bari. Sax.

j ‰ Œ œ.

43

bœ. œ> #œ #œ œ J

Œ

‰

bœ. œ> #œ #œ œ J

‰

j œ

‰

‰

p

° 4 ˙+ ™ & 4 b˙ ™

‰

j œ

∑

44

∑

44 #œ #œ œ Œ >œ

. 43 œ #œ #œ œ bœJ >

‰

4 œ> œ œ œ 4

43 œj

‰

j œ

f

f

‰

j œ

‰

Ó ∑

44 j œ

‰

Œ

Ó

‰

Œ

Ó

43

∑

44

∑

Ó

Ó

Œ

‰

j œ # œ œ b œ.

‰

Œ

Ó

43

∑

44

∑

Œ

j ‰ bœ nœ œ bœ b œ n œ œ b œ.

Ó Æ ‰ ‰ œ

Ó

Œ

f

œœ

3

3

‰

Æ Æ œ ‰ ‰ #œ Œ J J

Æ œ ‰ J

Ó

‰ œ #œ œ bœ. J mp

œ æJ #æœ

Œ œ œ æJ æJ æœ æ

o

f

∑

44 ‰

∑

43

∑

44 Ϯ J

∑

43

∑

44

Ó

43

∑ 3

‰

p

‰

Æ Æ ‰ #œ ‰ ‰ œ ‰ J J ∑ ∑

44

43

∑

44 Œ

∑

43

∑

∑

43

∑

44

∑

mp

44

∑

Ó

œ æJ

∑

œœ. œœ. œœ. œœ. œœ. J J ‰ ‰ J

secco

mp

43

Œ

+ œœ

˙˙ ™™

43

Œ

Æ mf œÆ J ‰ ‰ œJ Œ

∑

œ æJ

b œ œ æœ æJ æJ æ

p

j œ

‰

44

3 j œ # œ œ bœ.

∑

mf

‰

œ. œ> #œ #œ œ J

∑

‰

Æ Æ œ ‰ ‰ #œ Œ J J

4 bœ & 4 ‰ ææ

f

œ. œ> œ œ œ J ‰

‰

44

Œ

gentle slap-tongue

4 j ‰ Œ ¢& 4 œ.

3 bœ. œ> œ œ œ 4 J

∑

Ó

Ϯ

p

j œ

∑

44

Ó

harmon mute (stem in)

1 Bb Tpt. 2

f

∑

∑

∑

4 &4

Solo Flute

æ 43 ˙æ™ f

p

mp

4 &4 Œ

Bb Ten. Sax.

Œ

∑

∑

œÆ 4 &4 ‰ J Œ

Eb Alto Sax. 2

æ #˙æ™

139

∑

æ 43 ˙™æ

p

mp

simile

Eb Alto Sax. 1

∑

43

∑

æ #˙æ™

Œ

138

mp

?4 4

1 Bsn. 2

#œ œ ‰ œ ' ' '

4 &4

4 & 4 œj ‰ Œ .

Eb C. A. Cl.

j ‰ #œ Œ '

∑

4 &4

Bb Bs. Cl.

∑

4 &4

4 &4

Bb Cl. 3

137

∑

+ 44 ˙ #˙

bœ ææ 3

mf

3

˙o ˙

p

F Hn. 1

4 &4

F Hn. 2

4 &4

∑

∑

∑

43

∑

44

∑

1 2

?4 4

∑

∑

∑

43

∑

44

∑

43

∑

44

∑

Tbn.

?4 Ó 4

Tbn. 3

Euph.

Tuba

St. Bass

∑

¢

Œ

Perc. 2

Perc. 3 (Drum Set)

j ‰ Œ j œ bœ

Œ

mf

‰ œj

bœ J

‰

Œ

Ó

∑

?4 4

∑

∑

∑

43

∑

44

∑

?4 4

∑

∑

∑

43

∑

44

∑

43

∑

44

∑

?4 Ó 4

Œ

°? 4 Timp. 4

Perc. 1

‰

∑

4 &4 Œ & 44 Œ

4 ¢/ 4

∑ ˙™

p

‰ œJ

mf

bœ J ‰ Œ

j ‰ Œ œ

Œ

œ ‰ J

bœ J

‰

Œ

Ó

∑

∑

43

∑

44

Ó

∑

43

∑

44 b˙ ™

∑

43 #˙˙˙ ™™™

f

j j j j bbœ. œ œ. œ ‰ œ. œ œ. œ ‰ bbœ. œ œ. œ ‰ œ. œ ‰ œ. œ œ. œ ‰ secco

∑

∑

∑ 21

43

l.v.

mp

44

f

∑

44 ‰ ∑

œ ææ

b œ œ #æœ ææ æ æ

f secco

Œ

j j ‰ ‰ j œ. œ œ. œ œ. œ œ. œ œ. œ

mp

∑

° Picc. &

140

141

∑

& wæ

Fl. 1

p

mf

> œ œ œ bœ J & œ

Bb Cl. 2

mf

œ

œ

& œ

Bb Cl. 3

>œœœœ œ J

‰

#œ

3

3

mf

œ

‰

∑

∑

42

∑

144

145

∑

∑

œ œ œ #œ æ æ æ æ

146

∑

f

∑

∑

Œ

#>œ nœœ #œœ.

42

∑

∑

∑

∑

Œ

>œ #œ œ.

j 43 œ œ #œ œ #œ ‰ >

2 œ> œ œ œ 4

∑

∑

43 œ

œ

∑

43

∑ j ‰ œ> œ #œ œ #œ

43 Œ

Ó

œ #œ #œ

œ

42

∑

42

f

∑

42 ˙

#˙

mp

˙

mp

f

∑

∑

Œ Œ

∑

42

∑

∑

∑

∑

&

∑

∑

43

∑

42

∑

∑

∑

∑

?

∑

Eb Alto Sax. 1

&

∑

Eb Alto Sax. 2

&

∑

∑

Bb Ten. Sax.

&

∑

Eb Bari. Sax.

¢&

∑

Bb Tpt.

∑

&

Solo Flute

° œ+ 1 & œ 2 J p

F Hn. 1

F Hn. 2

∑

∑

43

∑

42

∑

∑

∑

∑

∑

∑

43

∑

42

∑

∑

∑

∑

∑

∑

43

∑

42

∑

∑

∑

∑

∑

∑

œ œ œ #œ æ æ æ 42 æ

∑

œ œ #œ #œ æ æ æ æ

3

Ó

mf

+ 43 œœJ

˙˙ o

p

f

&

∑

43

‰

f

42

∑

∑

42

∑

∑

42

∑

Œ

Œ

p

+ ˙˙

open suddenly o

æ æ œ œ æœ #æœ

p

œœ ‰ Œ J sf

∑

æj æ œ œ™æ

mf

Ϫ

mf open

∑ œ J

1.

∑

>œ œ b œ

∑ + ˙˙ æ œ œ œæ æœ æ

p

æj æ œ œæ™ œ™

o œœ J

sf to mute

‰ Œ

to mute

œ J Œ

Œ

∑ ∑ >œ

∑

43

∑

∑

43

∑

42

?

∑

∑

43

∑

42

∑

∑

∑

∑

∑

?

∑

∑

43

∑

42

∑

∑

∑

∑

∑

∑

43

∑

42

∑

43

∑

42

43

∑

42

?

°? Timp.

Perc. 3 (Drum Set)

∑

∑

Euph.

Perc. 2

∑

43

Tbn. 3

Perc. 1

∑

∑

?

St. Bass

42

∑

?

¢

Œ

∑

∑

&

1 Tbn. 2

Tuba

‰

˙˙

f

˙˙ 42

3

+ b˙˙

˙˙

#œ œ bœ. > f b >œ œ #œ.

∑

b œ æœ æœ #æœ æœ Œ æ æ æ æ æ 43

˙˙

>œ bœ . œ

Œ

˙

43

œœ. œœ. œœ. œœ. œœ. ‰ J J ‰ ‰ J 43 œÆ œÆ œÆ J ‰ ‰ J ‰ ‰ J ‰ 43

f

f

∑

1 Bsn. 2

>œ œ b œ.

œ œ œ œæ Œ æ æ æ

∑

43

∑

Eb C. A. Cl.

∑ >œ # œ œ.

œ œ œ æœ æ Œ æ æ

&

Bb Bs. Cl.

147

∑

∑

œ

43

42

∑

> œ œ œ bœ œ J ‰ Œ

‰

∑

143

∑

∑

> œ œ œ bœ œ J

43

œ œ œ #œ æ æ æ æ

∑

∑

& Œ

Bb Cl. 1

∑

f

&

1 Ob. 2

∑

f

& bwæ

Fl. 2

142

∑

∑ ∑

&

∑

&

∑

¢/

∑

b˙ ™

l.v.

(Crotales - Bowed) mp (Vibes)

œ. œ œ. œ

mp

f

Œ

3 Œ ‰ j j‰ œ. œ œ. œ œ. œ œ. œ 4 ∑

43

∑

42

∑ ∑

∑

∑

∑

∑

mp

∑

42

p

O

sul G

O

mf

p

O

mf

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

42 ˙˙

˙˙

22

O

mf

∑

˙˙ ∑

∑

œ

° Picc. &

148

149 44

∑

œ #œ œ #œ

œ 44 J ‰

150

∑ œ œ œ œ bœ

∑

œ œ œ œ bœ œ œ Œ

Fl. 1

Fl. 2

& Œ

œ œ b œ œ #œ 44 J ‰

Œ

œ œ œ œ bœ œ nœ œ œ bœ œœ Œ

& Œ

#œ nœœ #œœ #œœ 4 b œœ ‰ 4 J

Œ

Œ

1 2

∑

44

∑

&

Bb Cl. 2

44

∑

&

Bb Cl. 1

Œ

œ œ œ œ bœ œ œ œ œ bœ œ œ bœ œ ‰

œ œ œ nœ bœ œ œ œ œ bœ œœ Œ

∑

∑

44

Ó

43

∑

44

Ó

43

∑

44

43

∑

44

Œ

œ œ bœ œ œ 43 j ‰ œ œ bœ œ œ bœ œ bœ œ bœ œ œ f

∑

Œ

mp

œ œ bœ œ œ 43 j ‰ œ œ bœ œ œ bœ œ #œ

f

44

43

œ œ œ nœ bœ œ œ œ œ bœ œ œ bœ œ ‰

∑

∑

152

∑

œ œ œ œ bœ œ œ œ œ bœ œ œ bœ œ ‰

& Œ

Ob.

151

44

Œ

Œ

44

Œ

Œ

44

∑

Bb Bs. Cl.

&

∑

44

∑

∑

∑

43

∑

44

Eb C. A. Cl.

&

∑

44

∑

∑

∑

43

∑

44

?

∑

44

∑

∑

∑

43

∑

44

Eb Alto Sax. 1

&

∑

∑

∑

∑

Eb Alto Sax. 2

&

∑

∑

∑

∑

Bb Ten. Sax.

&

∑

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