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KOREAN FOLKSONGS FROM JEJU ISL AND

C O N C E R T

F R A N K

M A N H A T T A N

B A N D

T I C H E L I

B E A C H

M U S I C


Recording Credits for Korean Folksongs from Jeju Island: Recording by TLU Wind Symphony, Beth Bronk, conductor; Frank Ticheli, guest conductor.

This virtual conductor score and recording are designated “private,� and any publication or distribution beyond the web sites of Manhattan Beach Music without its permission is prohibited.


F RA N K T ICH ELI KOR EA N FOLK SONG S F ROM JEJ U ISLA N D I

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1 Full Score

3 Eb Alto Saxophone 1

2 Euphonium T.C.

1 Piccolo

3 Eb Alto Saxophone 2

4 Tuba

4 Flute 1

2 Bb Tenor Saxophone

1 String Bass

1 Eb Baritone Saxophone

2 Timpani

3 Bb Trumpet 1

2 Percussion 1

4 Flute 2 1 Oboe 1

3 Bb Trumpet 2

1 Oboe 2

3 Bb Trumpet 3

4 Bb Clarinet 1

2 F Horn 1

4 Bb Clarinet 2

2 F Horn 2

4 Bb Clarinet 3

2 Trombone 1

3 Bb Bass Clarinet

2 Trombone 2

1 Bassoon 1

2 Trombone 3

1 Bassoon 2

3 Euphonium B.C.

Vibraphone (motor off), Bongos, Temple Blocks (5), Tam Tam (lg.)

2 P  ercussion 2 Marimba, Glockenspiel, Suspended Cymbal (med.), Claves

2 P  ercussion 3 Chimes, Xylophone, Tambourine, Crash Cymbals (lg.), Sleigh Bells

2 P  ercussion 4 Triangles (sm. & med. lg.), Bass Drum (lg.), Suspended Cymbal (lg.)

P R I N T E D O N A RC H I VA L PA P E R

Gg Manhattan Beach Music 1595 East 46th Street Brooklyn, New York 11234 Web: www.ManhattanBeachMusic.com E-mail: customerservice@manhattanbeachmusic.com Voicemail: 718/338-4137

M A N H AT TA N B E AC H M U S IC


F RA N K

T I C H ELI

WORKS FOR CONCERT BAND F R A N K T I C H ELI ’ S WO R K S F O R CO N C ERT BA N D A R E P U B LI S H ED EXC LU S I V ELY B Y M A N H AT TA N B E AC H M U S I C

Abracadabra (5 minutes, grade 3)

Amazing Grace (5 minutes, grade 3) Amen! (3 ½ minutes, grade 2)

An American Elegy (11 minutes, grade 4) This work is also available as An American Elegy for orchestra

Angels in the Architecture (14 ½ minutes, grade 5) Ave Maria / Schubert (4 ½ minutes, grade 3) Blue Shades (10 minutes, grade 5) This work is also available as Blue Shades for orchestra

Cajun Folk Songs (6 ¾ minutes, grade 3)

Cajun Folk Songs II (10 ½ minutes, grade 4)

Concerto for Clarinet and Wind Ensemble (21 minutes, grade 6) This work is also available as Concerto for Clarinet in an edition for Solo Bb Clarinet and Piano

Earth Song (3 ½ minutes, grade 2) First Light (3 minutes, grade 1) Fortress (5 ½ minutes, grade 3)

Gaian Visions (9 ½ minutes, grade 6) Joy (2 ½ minutes, grade 2)

Joy Revisited (3 ½ minutes, grade 3)

Korean Folk Songs from Jeju Island (10 ½ minutes, grade 4) Loch Lomond (6 ½ minutes, grade 3) Nitro (3 minutes, grade 4)

Pacific Fanfare (5 ½ minutes, grade 5)

Portrait of a Clown (2 ¾ minutes, grade 2) Postcard (5 ¼ minutes, grade 5) This work is also available as Postcard for orchestra

Rest (8 minutes, grade 4)

This work is also available as Rest for string orchestra

Sanctuary (12 minutes, grade 5)

San Antonio Dances (9 ½ minutes, grade 4)

Songs of Love and Life (23 minutes, grade 6) for Soprano and Small Wind Ensemble (18 players) A Shaker Gift Song (2 minutes, grade 2)

This work is a separate publication of the third song from Simple Gifts: Four Shaker Songs

Shenandoah (6 ½ minutes, grade 3)

Simple Gifts: Four Shaker Songs (9 minutes, grade 3) Sun Dance (5 minutes, grade 3)

Symphony No. 1 (31 minutes, grade 6)

Movement 1, “Of Youth,” Movement 2, “Of Wisdom,” Movement 3, “Profanation,” Movement 4, “Prayer”

Symphony No. 2 (21 minutes; mvts. 1 & 2 are grade 6, mvt. 3 is grade 5)

Movement 1, “Shooting Stars,” Movement 2, “Dreams Under a New Moon,”and Movement 3, “Apollo Unleashed” may be separately performed

The Tyger (6 minutes, grade 6) Vesuvius (9 minutes, grade 4)

Wild Nights! (6 ½ minutes, grade 4) WWW .FRANKT ICH ELI .COM

THE OFFICIAL SOURCE FOR THE MUSIC OF FRANK TICHELI


KOREAN FOLKSONGS FROM JEJU ISLAND

Commissioned by the Organizing Committee of the Jeju International Wind Ensemble Festival

JEJU AND ITS FOLKSONG TRADITION

Jeju Island is located in the Korean Strait just south of the Korean mainland. Created entirely from volcanic eruptions approximately two million years ago, its most prominent geographical feature is Halla Mountain, a 6,400-foot volcano located near the island’s center. Although Jeju is a province of South Korea, the island’s relative isolation has engendered a native dialect and culture that are distinct from those of mainland Korea. Jeju folksongs date back hundreds of years; however, the tradition was virtually ignored and nearly lost during the many years of colonization by foreign powers. Fortunately, a revival of interest occurred in the 1960’s, and many Korean folksongs were recorded for posterity thanks in large part to collaborations between Korean scholars and British ethnomusicologist, John Levy.

PROGRAM NOTES

Korean folksongs from Jeju Island are almost all in compound meter (6/8 or 9/8) and employ a pentatonic scale (re-mi-sol-la-do). The words and folk melodies have evolved over the centuries, and address a wide range of topics—love, joy and sadness, the beauty of the island, farming and fishing, island legends, etc. They are traditionally sung unaccompanied or with a light drum beat, providing a simple pulse. In my setting, I endeavored to preserve the bright, bouncy spirit of the original folk melodies; however, I also enhanced the music using extensive counterpoint, extended harmony, a sense of fantasy, and other Western devices. The three movements are melodically interconnected: the second movement’s melody is foreshadowed in the middle of the first movement; the third movement’s melody is foreshadowed in the second; and the first movement’s melody makes a cameo appearance in the finale’s grand climax. This cross-pollination was not only fun to do, but also served to unify the three movements in a palpable way. Most importantly, I was delighted and galvanized by these buoyant, optimistic folksongs. I hope the joy I felt comes through to all who perform and hear this work.

FRANK TICHELI PA S A D E N A , C A L I F O R N I A


REHEARSAL NOTES MOVEMENT 1

A feeling of unalloyed joy pervades the movement. Maintain a bouncy, dance-like quality throughout. Often the texture is quite contrapuntal in nature (e.g., mm. 68-75, mm. 112-129, mm. 157-168); extra care should be given to balancing these various layers of activity so that no single layer overpowers any other. MOVEMENT 2

Perhaps the greatest challenge in this movement is deciding when to conduct the music “in 6,” and when to conduct “in 2.” In my own experience rehearsing the work, I preferred conducting most of the movement “in 2”; however, in so doing one must be careful not to let the movement rush, striving instead to maintain a gentle, quiet lyricism. The passages which for me needed to be conducted “in 6” are:

mm. 2, 28, & 48, beats 4, 5 and 6: to control the held length of the tenuto notes; mm. 22-23: to facilitate the ritardando; mm. 38-45: to encourage the dynamic growth and the energy of the climax; mm. 57-61: to facilitate the ritardandi and accel. MOVEMENT 3

The bright, cheerful mood of the first movement returns in the finale, and once again, the players should play with a buoyant, vibrant quality. The movement is structured as a series of variations on the main melody. Occasionally, the variations are interrupted by a contrasting bridge melody, such as is seen, for example, in measures 25-32. As in the first movement, the texture periodically becomes quite contrapuntal, and once again, attention should be devoted to balancing the contrapuntal layers. Some may be tempted to add majesty and nobility to the climax beginning at m. 112 by slowing the tempo. I urge you strongly to resist this temptation! Maintain the exact same pulse (qtr. = 132). The main melody is already notated in the brass so that it will sound at half its original speed. That’s already enough majesty! Any slackening of tempo will destroy the energy and drive that is being enhanced by the woodwinds’ 16th-note flurries. Keep moving at a steady tempo! The chimes player should feel free to play quite wildly and loudly during the climax at m. 112. No attempt should be made to play the notated pitches, as the passage is simply a wild improvisation that evokes the sound of celebratory church bells. The chimes should be heard by every member of the audience, but without asking the band to play softer!


F O L K S O N G

T R A N S L AT I O N S

Mv’t. 1: Country Song (“Iyahong”)1 Atop Halla Mountain,2 higher than the highest peak, is White Deer Lake. The three named Ko, Yang, and Bu came out of Samseonghyel,3 On Yongyeon Pond4 at night rows a miserable boatman. In Cheonjiyeon Pond,5 under the moonlight, it is so nice watching the sweet fish play. The spectacular Weh Dol Gweh,6 embracing Sammaebong Peak,7 so lovely. The sunset is beautiful too at Seongsan Ilchulbong Peak8 Yes! Right! What a poignant sound breaking against Jeolbuam Rock!9

Notes to Country Song: 1

Iyahong literally means, “Right! Correct!”

2

Jeju’s main mountain, the tallest in all of South Korea. As a shield mountain, it is visible from anywhere on the island. There is a local saying that Jeju Island is Halla Mountain, and Halla Mountain is Jeju Island. 3

Cave of the three Clans; according to legend, the forefathers of the Ko, Yang, and Bu clans emerged from three holes in the ground to become the original inhabitants of Jeju Island. These three “holes” or caves are one of the most popular tourist attractions on the island. 4

Dragon Pond; a pond whose shape resembles that of a dragon. 5

Heaven-Earth Pond; according to legend, the pond was created by the meeting of heaven and earth. 6

A rocky pillar created volcanically, twenty meters tall, located south of Sammaebong Peak. 7

A peak located in Seogwipo, Jeju Island.

8

Castle Mountain Peak; rising from the sea off the eastern shore of Jeju Island during a volcanic eruption over 100,000 years ago, this mountain has a huge crater at its peak surrounded by ninety-nine rocks, giving it the resemblance of a giant crown or castle. 9

Rock of the Faithful Wife, located near the shore facing neighboring Chagwido Island.


Mv’t. 2: The Forest Nymph and the Woodcutter (“Kyewha”)1 You shall be born and come down to White Deer Lake from the sky as a forest nymph. And I will be born to be the woodcutter in Halla Mountain so I can meet my soul mate: you!

Notes to The Forest Nymph and the Woodcutter: 1

Kyewha is a girl’s name.

2

Jeju dialect for a small, inactive volcano; there are approximately 360 orums on Jeju Island.

In another life, you will be a rooster; in that afterlife I will be a hen. In the alley, I will meet my love alone so excited, so thrilled, my feet shake. So nice and tender are the young girls washing clothes in the creek flowing down Halla Mountain.

The flowers on the front Orum2 wither, bloom again; Our life goes on, never to come back. Mv’t. 3: Celebration on Halla Mountain (“Nuhyoung Nahyoung”)1

Notes to Celebration on Halla Mountain: 1

You and I go ‘round and ‘round, Day after day, night after night, what true love! A bird is crying in the morning, hungry for food; Crying in the evening, thirsty for love. That round full moon is climbing over the mountain; When will I see my love? When will I be with my love? You heartless time, once you come, you never leave; My younger days are fading. The lone pine stands atop of the high mountain; Who are you waiting for, sitting all alone? On the way up to White Deer Lake, he called her kid-sister; At the top of Halla Mountain, they turned into a bride and groom.

Nuhyoung Nahyoung is Jeju dialect for “You and I, together in harmony.”


Commissioned by the Organizing Committee of the Jeju International Wind Ensemble Festival

KOREAN FOLKSONGS FROM JEJU ISLAND FOR CONCERT BAND I. Country Song ("Iyahong")

   

q. = c. 144 Bouncy, somewhat detached

Piccolo

Flute 1

Flute 2 1 Oboe 2

           

    

Solo

mf



      

Bb Clarinet 1

 

Bb Clarinet 2

 

Bb Clarinet 3

 



p



p

FRANK TICHELI

   

       

      







(mf)

     



mp

p

  

 





  

 









tutti

  mf

Ob. 1



p

mf



Ob. 2



p



Bsn. 1

p

  mf

  mf

 





      p

     p

     p

    

Bb Bass Clarinet

 

1 Bassoon 2

   

Eb Alto Saxophone 1

Eb Alto Saxophone 2

Bb Tenor Saxophone

Eb Baritone Saxophone

Bb Trumpet 1

Bb Trumpet

2 3

F Horn 1

F Horn 2

Trombone 1

Trombone

2 3

Euphonium

Tuba

String Bass

       

                          

       

   Initial tunings        VIBRAPHONE          Percussion 1   Timpani

         p MARIMBA

Percussion 2

Percussion 3

   

p

 

TRIANGLE (med. lg.)    l.v.    Percussion 4    mp

 

 

   

 

                   

CHIMES

p









 









 

     

mp







 





    















    

  

Copyright © 2013 Manhattan Beach Music - All Rights Reserved - Printed and engraved in the United States of America ISBN 1-59913-158-7 (complete set) ISBN 1-59913-159-5 (conductor score) Visit www.Frank Ticheli.com for the latest information on the music of Frank Ticheli Purchase music, download free MP3s, view virtual scores and more at www.ManhattanBeachMusic.com



 



1.



p

  mf





   







(sm.)

 

p

  

 



  

 


  Picc.   9

10

Fl. 1

  

 

Fl. 2

  

 

 

Ob.

1 2

          mf

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

    

mf

Eb Alto Sax. 1

p

mf

p

 

   

Bb Ten. Sax.

 

 

  

p

   

���





mp

Euph.

Tba.

Str. Bass

Timp.

Perc. 1

Perc. 4









    

 

mp

                

                    

 st. mute

                   

mp



  

  

  

 



  

  

 

 



  

  

 



  

  

 

p

 

  

 

  

   

            







                  

(CHIMES)

Perc. 3

  

(MAR.)

Perc. 2





p mute

 

 



mute

2 3

  

Trb.



mp

 

                   

Trb. 1

 



 

 

 

F Hn. 2



   

1.





 Bb Tpt. 1 





p



 







   

F Hn. 1



2 Bb Tpt. 3

   

 

                        

mp



Eb Bari. Sax.

mp

       

 

 

                      

               

mp

 

mp p        

mf



 



  

Eb Alto Sax. 2

 

mf

p

    

(1.)

1 Bsn. 2

 





 





   

mp

  

   



 



(VIBES)

mp



   



 mp

2

 

 



 





 













   





 

 



  

     




  Picc.   18

Fl. 1

Fl. 2

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

              

 

   

 



 

  



 p



  

 

        

Eb Bari. Sax.





 

 

p

 





            





  









         

















mp

 

p

 

          

  

mf





  



 

2 3

 

Euph.

 

Tba.

  

Perc. 1

   

Perc. 2

 

 Perc. 3     Perc. 4  



 



 

  



 





 

    



  





 





  

       

               

mf

mp

  



 

mp

   mp

mp

 







 

mp

       







  

 



  



     

     





 

    

 3

  

 









  

 

     

    

p

 

CLAVES

            

  

  

Timp.

  



 

 

Str. Bass

  

Trb.

      

  

mf

  



 

a2



Trb. 1

mf

     

F Hn. 2

mf

 

F Hn. 1

    

2 Bb Tpt. 3

   

 

mp

              

    

           

mf

      

  

 

 

 

  

mf



     

mf





mf

 

mf



 



p





           



 

  

mp

   

mf

 

       

  



1.

  

21

  

Bb Ten. Sax.

Bb Tpt. 1







  


   Picc.   26

  

Fl. 1

  

Fl. 2

Ob.

  

1 2



   

      



   

      



   





   



      

      

        

Bb Cl. 1

  



  



     

Bb Cl. 3

Bb Bass Cl.

 

 

 

Bsn.

1 2

Eb Alto Sax. 1

Bb Tpt.

Bb Ten. Sax.

Bb Tpt. 1

     

      

Eb Alto Sax. 2

Eb Bari. Sax.

 



  

2 3

mp



 

 

F Hn. 1



mp

       

  3.



mp



     

  

   

 



     

    

  

  





 





p

  

p



p



p

            

mp

mp Oboes

  

  

   

mp

  







   





mp



























   

mute out

  









  





                           

2.

mf

   

       mf  

     

p



      



p



mp

  

  

   

 

            

 

 

  

p

                  

mp

  

p

a2

 

mf



 

 

p

  

   

    





p

  





mute out

mute out



Trb. 1

 

2 Trb. 3

 

Euph.

 

Tba.

 

 

F Hn. 2

Str. Bass

Timp.

Perc. 1

    

    

Perc. 3

Perc. 4

  

   mp

 

   



  



 

mp

(CLAVES)

Perc. 2



 

  

            



p

          

Bb Cl. 2

29

  

  

  

  

  

p

    

mp



   

      

   

4







p

  

(VIBES)

p





TRI. (sm.)

mp





  














   Picc.  



34

  

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bsn.

 







  

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Bb Tpt. 1

   

  

     



f a2 f



f





 

 

    





 

 



 





 

 

    

f



    

mf



Trb. 1

 

2 Trb. 3

 

F Hn. 2

      

Euph.

 

mf

 

  Timp.  Perc. 1

 

Perc. 2

    



   

  

     

     



     



          

  

f











p

     



p

     

p

     



    







   a2    

p

 

 



 



mp















   



f

                                       

 

 

f



 

f













f



 





SUS. CYM. (sticks) f TAMBOURINE

 



 













  

   



    







          











    









    l.v.  







   

f





































 



5

    

 

        

f



 

          

    

 

f

     

f BASS DRUM



 

 

 



mp



     



                          

f

 

 



   

mf



    

f open

        

    

 a2

open

     

mp

f





      

                      

   

mf





mf

p

  

1.

p

    





mf

p

   

                          

     

41

    







                     

    

f

     

    

f

             



f

            



F Hn. 1

     

f





f

f

open

     

   

                    

Perc. 4



 

Perc. 3

f

Str. Bass



f

2 Bb Tpt. 3

Tba.



                            

1 2

Eb Bari. Sax.

Bb Bass Cl.

 

Bb Cl. 3



         





  



    

mp

  


  Picc.   42

  

Fl. 1

 

Fl. 2

Ob.

1 2

      

             

Bb Cl. 1



Bb Cl. 2

      

Bb Cl. 3

      

Bsn.

 

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

 



mf





 

 

2

       

  p



          2   2 

 

p

Bb Ten. Sax.

Eb Bari. Sax.

 





2



  

f

p

  

f

  2

mf

  

 

   

















p

p

2

   f





p

f

2

F Hn. 1



F Hn. 2



Trb. 1

 

2 3

 

Euph.

 

Tba.

 

 

Trb.

2 3

Str. Bass

Perc. 2

Perc. 3

Perc. 4

 



 

f

 



 

2

2

mf

  

f

p



    

2

mf

 



     

(TAMB.)

p

f

p

     

f

p

   

mf a2 mf

             

p



 







     

p



      

p



             

  

 

      

 

      

 

      

 

         

      



      



mp

  

   

      

                mf mp 3. mp     

mf

   

                   

mf



        

      



   

        

     





49

        

   

      

  

mf

  

             





 

 

   

mf

mf

         

 

      

mp 2.

      

mp

  

mf



    





mf



 6

      

      

      

   

  





  

               

mf



   



2           2      2

    

mf



2

BONGOS (sticks)

mf

    mf   

pizz.



2.



 mf



mf







mf              a2                    

      

(SUS. CYM.)

p

  

  



   

p

p

f f p  p                   

    

p

  

p

  Timp. 

Perc. 1





  



2







p

2



mf

           p

Bb Tpt.

 

  



mf

         2 2      



mf

p 2

 

  

 

Bb Tpt. 1



mf a2



 

Bb Bass Cl.



  




   50

Picc.

   

Fl. 1

p

   

Fl. 2

p

   

1 Ob. 2

p

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

Perc. 3

Perc. 4

              

 

 

p



p

 

 

 

      

      

   

    

 p

  

          

 

 p





mp

 

 

 

  

 

   

mf

   







mf

mf

   

  

   

f



   





    







f

                









   

  

   

 

   

  

   

 









 

 

   



 

  

   



 

 

   



 

 

to st. mute

   

  

   

 

   

  

   

 

f

f

  

    

 

      

7

       

      





          

      

f



f



f

f

   

   





         

mp



f

 

  



f



f



mp





f



     

 







mp





TRI. (sm.)

mp

         

1.

mp



f

VIBES







p







   





     







f

f a2



f



     







p

 

 

 





 

  

 

p

      

      



 

 

  

  

mp

 







unis.

p

  Timp. 

Perc. 2

 

        

   

 

Euph.

 



2 Trb. 3

  

   

                       

Trb. 1

   

p

F Hn. 2

Perc. 1



  

 

F Hn. 1

   

mp div.



2 3

Str. Bass

Bb Ten. Sax.

Tba.



               

Eb Alto Sax. 2

Bb Tpt.





mp

Eb Alto Sax. 1

Bb Tpt. 1



 

1 2

Eb Bari. Sax.

 

              



f arco



 

 

  











f

f



(SUS. CYM.)



 



 











  



  

   

     

         

  







f

f B.D. f




   Picc.  



58

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

  



  

   



   











mf

     mf





      





     mf      

60

  

         





mf

          

              mf

       

          



Bb Tpt.

2 3

F Hn. 1

F Hn. 2

Trb. 1

        

a2

Euph.

f

                  

 

f



  



  Timp.  

Perc. 1

Perc. 2

Perc. 3

Perc. 4

          

 

 

 

  l.v.   

       







to st. mute

    

 

p



 

p



 



   

 

     

st. mute                

                     f st. mute

f

p





      

   



      

          







 





mf a2



            

                            

        

 Tba.    Str. Bass

                 

f

2 Trb. 3





    

          mf             

                  

mf

   

       

      

 

p

        

 

 Bb Tpt. 1 

     

      

 

 

                            mf                Eb Bari. Sax.      

       

 

                                 mf                                     

mf

Bb Ten. Sax.

    

               

mf

p

     

           

          



         

          



mf

                  

 



     mf

 8





pizz.

               

mf

mf



 TEMPLE BLKS.

  

f

 

  

     mf     

   

 




    Picc.   66

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

 

        

Euph.

      

Str. Bass

f



   

        

     

 

 

   

     





       

       





   



  

 

Perc. 2

 

Perc. 3

 

 



         mp

           





 

 



f

 

        

    



f

    

f

 

 

      

    

f

 

 

      

 



       

 

 



 

 

 

  

 

      

 

     

    

 



             

              

      

  

   

      

mute out

mute out



  

      

       f     broadly

 

broadly      broadly

     

f broadly arco



  









   

                

 

f

f

 

f

    

f

  

 

 



 





   



 











     





        

                 

  





broadly

        

mp

        

 



f

                       

fp

          mp fp       



       



 





mf





 





f

Perc. 4

 

  Timp. 

Perc. 1

f

     

mf

Tba.



f



2 Trb. 3

Eb Bari. Sax.

Trb. 1

      



f

                 

F Hn. 2

         

Bb Ten. Sax.

F Hn. 1

      

68

 

2 Bb Tpt. 3

Eb Alto Sax. 2

Bb Tpt. 1

 

      



  

GLOCK.

9

f

  

   

TRI. (med. lg.)

f

     

   


3

     Picc.           Fl. 1         Fl. 2   1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

F Hn. 2

Trb. 1

Trb.

2 3

Euph.



                 

 

        



        



            



   





        

 mf  

       mf

     mf

     mf

mf

         

 

 

         

  



         

                                

  

 

   

 

  

  



  



  



  



  

 

Perc. 1

 

Perc. 2

 

Perc. 3

 

















       

     



mf



mf

 

 





 

 

 

 

 

 

mp





 

 

 

 

mf

  mf

     mf





 

 







p

p

mf

p





 



mf

mf

 

p

p

 

 

  2

 









2

    2

    2 mf       

   

ff

   

ff

ff

     ff

      

ff

   

ff

               2      2       2

2

   

ff

            mf       2 2               2 2 mf 



  mf

   2

  2











2    2   

2

    mf pizz.     

ff

          

 

    

mf

2

    



     2



2

2

       2

2      

 

2

10

   

         

        

mf





       

 

    

       

mf a2





      







        



mp open



        

      mf



       

 

open



  Timp. 



mf

           





               

          





         

   Tba.     Str. Bass 

Perc. 4

76



F Hn. 1



       

Eb Bari. Sax.

2 3



   

Bb Tpt.



       

Bb Ten. Sax.

Bb Tpt. 1



 


80

                         

       Picc.         Fl. 1         Fl. 2   Ob.

1 2

      

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

   

    

          

    

         

ff

        

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

  

    ff

ff



f

F Hn. 1

  

F Hn. 2

  

f

    f

Trb. 1

Trb.

2 3

Euph.

 

   

CHIMES    

Perc. 4



ff



    

 

     

               

               

   



   



             

         

         

         



           

          

   











 



  

        

 

   

   

   

    

         

          





 

  

         

         

         

   

         

         

         

 

    

     



     

         

(Vibes, Glock., Chimes enter)

    

   



      

f

    





   

VIBES     

    

        



              

         



ff

Perc. 3

   





         

     

ff (GLOCK.)

Perc. 2

        

        

         

     

f arco

Perc. 1

         

                           



a2          

   

   

  

    

f

Timp.

   

              

         

         

        

f

 Tba.     Str. Bass

         

    

a2

        

         

 

         

ff

 

    

     

         

         

         

    ff

Eb Alto Sax. 2

   

                             

         

          

ff

Eb Alto Sax. 1

                             

                   

         

              

   

f

  

div.

 

  

    



  





 

   

  

 11



  

  







 

 

 

        

   



     

 

    

   

       

         







 



    

   

    

 

   

 



 



   



  

 

 







 



 

  



   

             

         

 

       

      



 

     

         



  

     

 


 86         Picc.  Fl. 1

Fl. 2

1 Ob. 2

Bb Cl. 2

 

Bb Bass Cl.

Eb Alto Sax. 2

           

 

mp

2 Bb Tpt. 3

F Hn. 1

F Hn. 2

Trb. 1

Trb.

2 3

Euph.

Tba.

Str. Bass

cresc.

      

mp cresc.



mp cresc.

     

p cresc.

Perc. 2 Perc. 3

Perc. 4

f

f



                   



f

                   f

                       

         

 

 

                           p cresc.                                 

p cresc.

 

 

  

 

 

 

 



       

                  



     

  Timp. 

Perc. 1

mp

   

            

    Eb Bari. Sax.     Bb Tpt. 1

f

                         

cresc.

Bb Ten. Sax.

mp

90

             f              

1. 2.                 1.                               

Eb Alto Sax. 1

       

Bb Cl. 3

1 Bsn. 2

       

p cresc.

Bb Cl. 1

            mp            



f

  

a2

f

   f

              f

            

 



  p

p

 

   

  

           

f

f





cresc.

   



��� 

    f



mf

     





 

 



cresc.



mp cresc.

 

cresc.

p

cresc.



  

mf

   

mf

 

mp

 

   



a2

   

  

f

  







   

                      

 



f

 

unis.

  

mp

 

SUS CYM. (yarn)

p

               

 

 

   

 

   

 

f







 

 









  

  

 



      



      



      



      



            





 





f

f

f

f

 

 



 

 l.v.       



p



 

 

 

  2    2

sf

sf

 

p

  p



sf

 





p

2   

2

        2

 





 

 

2

pizz.

  

 

 



 

p





 

p

  





2

                  



  2      2     2

         

 

  





f



  

           



               



 

 

      

SUS. CYM. (sticks)       



      







f

12



 

f

    



  

    



         



mp



         



p

 

 

   

      

                      

         p cresc.

  

       



  

                            

                                  mf cresc. mp f                                   p cresc.

  

2

 

BONGOS (sticks)

 mf   

 

TAMB. p



     

sf

p


   Picc.  

      

93

 

Fl. 1

  

Fl. 2

Ob.

      

    

1 2

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

                  



Bb Cl. 1

Bsn.

      





      



      

           2          2           

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

2

2

              

  2       Eb Bari. Sax.    2 Bb Tpt. 1

 

F Hn. 1

 

Trb. 1

Euph.

 

Tba.

 

Timp. Perc. 1

Perc. 2 Perc. 3

Perc. 4



sf

p

sf

p



sf

   

2 3

Str. Bass

            

   

F Hn. 2

Trb.

               

       

2 Bb Tpt. 3





  

    

p

2

2

      

  



2         



p

                 

    

                              

   



      



   



      



   



                                               

   

 



mp 2.



mp

 





f

  



    



f



f



   



   



      

 



            



   



  



   



mp

mp

mp

    mp







    



 

 



 



 

 

  



  



 

 

 



mp

mp



                                       mp

 2. 3.

 

  







 

 

    

 

2.



 



 



  

  

mf



                    mf           





                  



mp

mp







   

   

         

                  

mf







      



 



mp



   

1.

              





98

    

f

   



             

f

   



      

 

   

  

       

 

           

           

sf

    



f

            

      

             

2

2

      

      

 

13

     

 

  

 




                      Picc. 

101

                     mp

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

 

 



mp

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1



                        mp                   mp

  



mp

Bb Cl. 2

 



mp



 



     





p





F Hn. 2



Trb. 1

 

2 Trb. 3

 

  



p

 

  Timp. 

Perc. 4









f

 



  



TRI. (sm.)

mp

     

f 2.

      p



    

VIBES

Perc. 3

         

     f      









   

CRASH CYMBALS



f

    

       

          

    



      



   



    

    

         

               

f

                f

 

 

 

 

 

 

  a2    

  





 

   



 

 

 

 

   



f



    



f

  

div.

f

 

arco

f

 

f

 

  

  

 

 

 

  

(SUS. CYM.)

 

f

f B.D.

 

f

  

  

  

 

 

 

     

 



 

14

  

  

 

 

    l.v.   



l.v.

l.v.

 

 

 

 

 

  

  

  

 

 



  

  

  

 



 

  



    



                   

   

f

          



  

     

fpp

                           



  

f

  

 





           

  

  

 

 

  



     

                f        



  

fpp

           

  





               

   





      fpp        

 a2



 

           

 

f

  

         

  

   

 

    



          

F Hn. 1

 

    

          

 



 

f

     

 

    

Perc. 2

 

     

 

Perc. 1

f

     



Str. Bass

 

f

 Tba.  

f

a2     

f

Euph.

 

f

f

2 3

 

f

   

Bb Tpt.

 





f

 









mp

  

 

104

       



     



 dampen     



a2

          unis.

       

   

 

f



  


  Picc.   109

Fl. 1

Fl. 2

Ob.

1 2

       

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

  

Eb Bari. Sax.



Bb Tpt.

2 3





   

    







  

 





  



   





 

 



    

 

  mp

     





    



pp

pp





 

  





"Kyehwa"





 



 

      













2

2

   





 

Trb. 1

 

2 3

 





F Hn. 2



"Kyehwa"



mp





    

 



 



to st. mute



to st. mute

   

 

    



mp



Hn. 1

      

f 2.







    

   

mp

 



Euph.



1.



F Hn. 1

Trb.







   

mp





      

   

    





   





   

   

Bb Ten. Sax.

Bb Tpt. 1



112







2

2

     



 

st. mute

mp



    

Tba.

  

Str. Bass

 

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

           















TRI. (med. lg.)

mp

   

15



 

mp

      

    

  



    

 








117    Picc.  

Fl. 1

Fl. 2

Ob.

1 2

     

       

 

 

  

    

Bb Cl. 2

Bb Cl. 3

Bsn.

1 2

Eb Alto Sax. 1

 

   

            mp    

 

Bb Ten. Sax.

Eb Bari. Sax.





 





 



  



     Play   

                mp

1.

mp

                  "Kyehwa"



mp



"Kyehwa"

 



















  

              

mp



       

  



mp

  



mp

2

     

   

  



 

2



 

2



 



   

     

     







Ob. 1

   



mp

 

          

   



2 Bb Tpt. 3





Eb Alto Sax. 2

Bb Tpt. 1

mp

                

121

        

 

Bb Cl. 1

Bb Bass Cl.



     

    





 



    

mp

      

F Hn. 1

  

F Hn. 2



Trb. 1

 

2 3

 

Euph.

 

Tba.

  

  

Trb.

Str. Bass

Timp.

Perc. 1

    

Perc. 2

 

Perc. 3

 

Perc. 4





(TRI.)





 

(VIBES)









2

  





















 16





    






  Picc.  

 

125

Fl. 1

1 2

Bb Cl. 1

 

              

Bb Cl. 3

  



 

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



 



  



    







 



1.

mp



  







   



  

mp



  



 



 





Trb. 1

 

2 Trb. 3

 

Euph.

 

 

 

Perc. 1

 

Perc. 2

 

Perc. 3

 

2 Bb Tpt. 3

F Hn. 1

F Hn. 2

Tba.

Str. Bass

  Timp. 

Perc. 4



  



mp



mp









   

mf st. mute 2.

 

   

3. "Kyehwa" mp

 

  

mp



  

mp

   

mf

  

 



mf















                

   2

   2

   2

              

 

 



 







     

 







 mp

mf

mute out



  



 



  



   

 

mf

 





 

mf





 

 



mf

mf



   

 

    



mf

 

Bb Tpt. 1



f

mf

                       f mf                        f mf                          f  mf                         f

  

mf



a2

 

                      f mf                      





  



 





  



mp

 



mp



Bsn.

    

                 

 

mp

mp

  



mp

     

130

1.

Bb Cl. 2

Bb Bass Cl.



mp

       

Fl. 2

Ob.

              

 











   f



  

f



mute out













 

 

 

17

mp

l.v.

f





 

f

  



 

f



  

 

3. (open)

f

    

f

f


  Picc.   133

                  

Fl. 1

Fl. 2

       

1 Ob. 2 Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Eb Alto Sax. 1

Eb Alto Sax. 2

F Hn. 1

F Hn. 2

Trb. 1

Trb.

2 3

Euph.

Tba.

Str. Bass



Perc. 2 Perc. 3

Perc. 4



 





  

  



  

  

    

   

   



      

  



 

      



 

   f

   f

 

  









 



   





mp

   

f

   

 

 



     

mp

  mp

   



mp

mp

   



 



 

 

            

mp







   

open



        mp

    mp

   

mp

mp

   

mp

 

mp

   

    







mp



mp



 

               f                   



 



  

 



 

 



  



  

a2

  



 

 

 

p

 

 





  

 

18

 





SUS. CYM. (yarn)

f











         



         



                  

 

                    

a2

 

 

2

  

2

     2

f



 







f

         

2

                                f                                     f             f             

2.              

mp



f

  a2   f             

mp

  

           



mp





mp





 

 

   

 

mp

 

     

 



  



mp



mp





     

 



     



  

 





  Timp. 

Perc. 1



 

Bb Ten. Sax.

2 Bb Tpt. 3

      

                 

1 Bsn. 2

Bb Tpt. 1

      

Bb Bass Cl.

Eb Bari. Sax.

      



138                mf f                f               





f



  f



f



f

  

mf

mf

     

   

mf



mf





f











f

f

 

        





      f      



p

p



  f

 

    f

f







 



  

f 2 pizz.

  



f

2

  

mf 2

T. BLKS.

 

f

                      

f

p







p

     2 2 2   2    2 

f SLEIGH BELLS



 

 



 l.v.   

 

                  f

f



f

 

  


  Picc.   141

Fl. 1

 

Fl. 2

 

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

 



2 Bb Tpt. 3

F Hn. 1

F Hn. 2

Trb. 1

             

                   

 

 

f



p



      f

p

   

   

 

 2            2  2  2

          Str. Bass 2

Tba.

    2

   

  2           Perc. 1      2

2

Timp.

Perc. 4

 

                           

 

    



 

 







 





     



        

 

   



   



 146        

      















     

      

 

  







   



 

 



 



             

mf

  

    mp

mp

   

  



   

  

    

  

 



  

mp













mp

 



mp

 mp

                                  mp              

        



mf mp                                          f





                             

  



       

 



        

       



     



       

            

                  

mf

     



      SUS. CYM. (sticks)       mf

          



     



f

                       

Euph.

Perc. 3

      



 

Perc. 2

    

      

                   2            2              2           2 

2 3

Trb.

         

      

                  Eb Alto Sax. 2               Bb Ten. Sax.               Eb Bari. Sax.   Bb Tpt. 1

     

      

    

     

      



     

      

   

                    

19

 

           

 mp



mp


149                      mp ff           Fl. 1   

Picc.

   



p

Fl. 2

  



 1.                  mp           p

1 Ob. 2

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

1 2

Trb. 1

2 3

Euph.

Str. Bass

Timp.

   p

 

mp

Perc. 2

Perc. 3

Perc. 4

 

    

 



 

 

 

 

 

  

     



   



mp





 







ff

ff



 



 

 





ff

          

ff



a2

 ff



ff

                 





 

  

ff

ff

 

ff arco



ff

ff

 

 

   

  













(SUS. CYM.)

f B.D.

 

f

 



 



 

  

 

   

2.

      





  















        





20

l.v.

l.v.

  

 



mp



mp



              mp

  





p

   

 

 





 







mp

      p

 

p

p



mp





 

 

 









1.       

    

     





 

 





    

 

 

    

p

  





  ppp

ppp

to mute

to mute

ppp

 

 

 









p

 







 

p

p

  

p

p

 

     

         mp         

p

    l.v.   

 



      





      ff

    



    

f CRASH CYMBALS

 

  



           

ff

mp

         



     

mp



   

       



 

   

                    

          



   

   

ff



TRI. (sm.)

mp



 

          

ff

 

           



ff





                        

                       

    

    

     



Ob. 1 (st. mute)

VIBES

Perc. 1



F Hn. 2

Tba.





           

ff



   

ff

 

 

F Hn. 1

Trb.

ff

   



ff



2 3

 

Bb Ten. Sax.

Bb Tpt.

Eb Alto Sax. 2

Bb Tpt. 1

Eb Alto Sax. 1

Eb Bari. Sax.

Bb Bass Cl.

Bsn.

p



ff

       


157

  Picc.  



 

Fl. 1

 

Fl. 2

 

1 Ob. 2

 

Bb Cl. 1

Bb Cl. 2



Bb Cl. 3

Bb Bass Cl.





1 2

Eb Alto Sax. 1

Eb Alto Sax. 2



Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3

F Hn. 1

F Hn. 2

 

mp

  

 



mp





     

1.

      

    

 



mp



 

 

  

Ob. 1







  





   





   



    

st. mute

mp

      mp

 

 

   





  

mp

   





    

    

    



  



   

 







   

   









     

   













 

         mp











   

   







 



   

   

   

   







   





   





   

   

   

mp





   





  





2 3

 

Euph.

 

Str. Bass

Timp.

    

  

Perc. 1

 

Perc. 2

 

 

Perc. 3

Perc. 4



  



 

Tba.



  

Trb. 1

Trb.

  

mp



  

 

 

 

mp





     

 

 

pp

Hn. 1

Bb Ten. Sax.

    

     

mp

pp

Bsn.

                                

CLAVES

mp

21


  Picc.   166

Fl. 1

 

Fl. 2

 

Ob.

 

  

1 2

 ppp





    

 

 

ppp



Bb Cl. 2

   

   

Bb Cl. 1

ppp





   

169          

p









Bb Bass Cl.

 

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt. 1

 ppp

 

   







p

1.              p

    p

 

             

p Ob. 1

        

             p     pp        pp                 pp              

              







    

p







ppp

p



Trb. 1

 

2 Trb. 3

 

Euph.

 

Tba.

 

 

Perc. 4



 

mute

p



p mute

  p st. mute   p

      mute out



 mute out     



 mute out     

one only

pizz. secco

(VIBES)

                     



 

pp

Perc. 3

      pp       pp       



Perc. 2

      pp

    

Perc. 1

     

 





  

  

Timp.

  

Str. Bass

  

F Hn. 2

F Hn. 1

  

2 3

   p

Bb Tpt.

 

pp

  

pp

p

1 2

          



Bb Cl. 3

Bsn.





p

ppp



 



 22







 TRI. (med. lg.)



mp



 



       



     

      pp         pp  dampen        pp

   


II. The Forest Nymph and the Woodcutter ("Kyehwa")   Picc.    

h. = c. 44 (q = c. 132)

Fl. 1

Fl. 2

Ob.

1 2

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn.

1 2

mp

    



    



  



   

      

pp

   













Eb Alto Sax. 2

Bb Ten. Sax.

  

Eb Bari. Sax.

  



   



  

F Hn. 2

   

Trb. 1

   

2 3

  

Euph.

   

Tba.

   

Trb.

Str. Bass

   

   Timp.  

Perc. 1

Perc. 2

Perc. 3

Perc. 4

 

       p      

VIBES

 

mp



   



   

p ten. ten. 1.





 

F Hn. 1

 



2 3

Ob. 1 ten. ten.





      





   

 

  























 











 



















 



  



mp

6

mp

 

Bb Tpt.

A Tempo

  

Eb Alto Sax. 1

Bb Tpt. 1



rit.

Solo ten. ten.                              

mp

Bb Cl. 3













 

 

          

  

  

p

p



p





  

p Solo gentle, heartfelt



mp



  

 



               



   

  

    











pizz.

p









    

 



23




  Picc.    9

Fl. 2

  

1 2

  



Fl. 1

Ob.

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

1 Bsn. 2

Eb Alto Sax. 1

  

   

 

     

   



  



      

        





 p

14

         

1.





 

 



 



 

p

mp



 

 

 

 

 





   

 

 

 

 

  

  

  

  

  

  



















  

a2

 

 



 

      

tutti

  

  

    



  

    

  

    

mp

mp

 

p

tutti

 

 

 

 

      

 

 

      

p



 

Ob. 1 (st. mute)

F Hn. 1

 

 

F Hn. 2

 

  

  

Euph.

  

 

Tba.

  

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1 Bb Tpt.

2 3

Trb. 1

Trb.

2 3





    Str. Bass    Timp.   Perc. 1    Perc. 2

Perc. 3

Perc. 4

   



















p



p



















24


  Picc.    17

Fl. 1

  

Fl. 2

  

Ob.

1 2

Bb Cl. 1

   



 

Bb Bass Cl.

mf

1 2





      



  

  

   

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1 Bb Tpt.

2 3

F Hn. 1

F Hn. 2

Trb. 1

Trb.

2 3

Euph.

Tba.

 

       mp



  

 mp

 

Perc. 3

Perc. 4

mp

pp

pp

mp

pp

                             mp





mp

 

a2

mp







mp





 

pp

pp



  pp







 

mp

pp

pp

mp

pp

pp

mp

pp

open

  

  

pp





  

  





pp

mp

 



pp

 



mp



   

 



                     

  



  

  p

                     mp pp                    

                        mp pp                        

  



p

      

   Str. Bass    Timp.   Perc. 1    Perc. 2

pp

                       

pp

mp

mp

Eb Alto Sax. 2

pp

mp

pp

p                                                       mf mf pp  mp

mp

Eb Alto Sax. 1

mp

              

pp

pp

mf

pp

A Tempo

                         





                

pp

                      

mp

Bsn.

rit.



mp

mf

Bb Cl. 3



                     mp

mf

Bb Cl. 2

20 poco accel.









p



 



pp

 

 

pp arco

  

pp

mp

 

  

pp div.

   

 25

 

pp

 SUS. CYM. (yarn)



open

 

 

  

 



 

p

   

l.v.

 

ppp

 


  Picc.   

  

Fl. 2

  

1 2

  

rit.

26

Fl. 1

Ob.



28 A Tempo 



   

1. ten. ten. mp

           

    



  

 

   

mf

  

ten. Solo         ten.      

Bb Cl. 2



Bb Cl. 3



Bb Cl. 1

Bb Bass Cl.

Bsn.

1 2

mp



     

 

pp



  





mp

  

 

Ob. 1 ten. ten. 

 



mp

 



   







       

   

 

    

  

  





     



   

 



 

Solo gentle, heartfelt

 

Trb. 1

  

2 Trb. 3

  

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

F Hn. 1

F Hn. 2

Euph.

Tba.

Str. Bass





   

     

  Timp.  Perc. 1

Perc. 2

Perc. 3

Perc. 4

mp

      





pizz.

  

 

 

p





mp



    

    

 

  

  

     

 

  

  

 

st. mute

mp 2. st. mute





mp Solo gentle, heartfelt

mp



 





   



 





    

        

mp

 









        

 

 

  







    

    

  

 

  

    

     

 

26






  Picc.    34

Fl. 1

Fl. 2

1 Ob. 2

  

  

Bb Cl. 2



Bb Cl. 3



Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3

F Hn. 1

F Hn. 2

Trb. 1

Trb.

2 3

Euph.

Str. Bass



     



  







 



        

Perc. 2

 

Perc. 4

 







p

Play



 

  

cresc.

   

 

     

cresc.

 

  

  

cresc.

 

cresc.

 

   p

  

  

   

p







p

p

  

                                     

 

p

cresc.

 p

cresc.

  

  

   

f

f

 



           

 



          

f

               

 



 

 





cresc.







 

cresc.



     

 

cresc.



        

cresc.

 

 

  

 





f

f

 



 

f

 

p

 

f

 

  

      

  

 

27

  

2. open

 



SUS. CYM. (yarn)

 

       







  





                                                                                                           



cresc.



cresc.

            

  



cresc.

   

  

cresc.

    



  

 

cresc.

      

3. (open)



  

mute out

p arco

 

end solo

 

cresc.

      

mp



  

  

p tutti

 

 

(open)



  



p

    

Perc. 1

  

 

  

  

  

 

  

p

   

     



  

 

   

p

     



 

 

  

    

  



p

  

 

p

  





p

     

      

  

p

     

Perc. 3

   

  

  

Timp.

 



 Tba.  

mp

  

   



p

Bb Cl. 1

1 2

p

p

 





Bsn.

            



Bb Bass Cl.

36

 

 


42

   Picc.    Fl. 1

Fl. 2

  

ff

  

  

  

ff

   

   

   

     

     

     

        ff

1 Ob. 2

    

"Nuhyoung Nahyoung""                ff

Bb Cl. 1

"Nuhyoung Nahyoung""                 ff

Bb Cl. 2

"Nuhyoung Nahyoung""                 ff

Bb Cl. 3

ff

Bb Bass Cl.

1 Bsn. 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

2 Bb Tpt. 3 F Hn. 1

F Hn. 2

Trb. 1



ff

   

 

 

  

 

ff

2 3

Euph.

   

  

 

ff



    ff

  

      

"Nuhyoung Nahyoung"

ff "Nuhyoung Nahyoung"

       ff open            

       ff    

   

   

ff

 Str. Bass    ff   Timp.    Perc. 1

Perc. 2

Perc. 3 Perc. 4

  

ff

       



 

l.v.

ff

 



   



f

                  

   

 



 





     



 

 

     

p

     

p

     

p

f

p





     



f



      

   





Ob. 1

  

1. ten. ten. mp

 

n

       n



 



p

 

 

n

n

mp

n

VIBES



p





 

ten. ten.

mp

28

     



mp

pp





ten.      ten.      







 

n

Solo gentle, heartfelt

 

f

n

p

f

f

 

     

 

 

p

   

f

   

  

                 f

 

 

 





n



 

 







 

   

  

ff

Tba.

ff

ff

Trb.

ff

ff

             

            

 

  

          

ff a2

rit.



  




  Picc.   

49 A Tempo

Fl. 1

  

Fl. 2

  

1 Ob. 2

         

 

Solo     









gentle, heartfelt

    

    



    

    

mf

Bb Cl. 1

Bb Cl. 2

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3



    

          



   

  

p

p

 







 



         



  



   

 





 



 

  





1.



 

    



 



    





 



     p









 









 



 





 

  

 

  

  

  

  

  

  





  



p

      

p



Solo dolcissimo

mp



        



 

      

 





    

  

F Hn. 1

 

F Hn. 2

 

Trb. 1

  

2 3

  

Euph.

  

Trb.



p

  p

 

n

Tba.

  

Str. Bass

 

  Timp. 

Perc. 1

Perc. 2

Perc. 3

Perc. 4

         



29

pizz. 







p

 




  Picc.    57

Fl. 1

  

Fl. 2

  

Ob.

1 2

Bb Cl. 1





  

Bb Cl. 3

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.

Bb Tpt. 1

Bb Tpt.

2 3

F Hn. 1

F Hn. 2

Trb. 1

Trb.

2 3

Euph.

mf

  

 



Perc. 3

Perc. 4

   

   

 

     

     

   

 



  

     

   

 

 





 

  

 





  

  

     mp

mf

  

p

mp

p

mp

1.

  

     



  

   

p

mp

mp

pp

      pp

pp

p

p

mp

mp

n

mp

 n



n

 

2.

mp

            1. mp



pp



pp



pp



 

 

 

 

pp

  





  

pp

           

 



 

 



 

 

 





   

    

               

      









  











 

  

 



 mp



     

 

  Timp. 

Perc. 2

 

    

arco

Perc. 1

   



p tutti

 



p

Str. Bass

      

   

p one only

Tba.

rit.

       

      

poco accel.

tutti       

mp

Bb Cl. 2

59

rit.



 



 

SUS. CYM. (yarn)

pp

  30

n

n

n

n

  

     

mp

 

  

p

   p





pp



pp

  

pp

pp



         





 

 

 l.v.    

mp

 

 



   

 

 

   


III. Celebration on Halla Mountain ("Nuhyoung Nahyoung")   Picc.   

q. = 132 Bouncy and cheerful

Fl. 1

Fl. 2

     



   

 



p

 





 



 

  





 

 

  

 

1 2

   

Bb Cl. 1

 

Bb Cl. 2

 

Bb Cl. 3

 

Bb Bass Cl.

 

1 2

   

Ob.

Bsn.

Eb Alto Sax. 1

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.







  

 

 

  

  

       

2 Bb Tpt. 3

 

F Hn. 1

mf

 



                    

    

  

F Hn. 2

  

Trb. 1

   

2 3

   

Euph.

   

Tba.

   

   

Str. Bass

Timp.

Perc. 1

Perc. 2

Perc. 3

Perc. 4

                 



    



VIBES



TRI. (sm.)

p

  p



 

Trb.



 

    

St. mute

Bb Tpt. 1

  p

 





 



 

 

            

mute out

mute out          

mute

mf





 31









p

p



  

  p

















 


  Picc.  

9

Fl. 1

   

Fl. 2

 

1 2

 

Ob.

Bb Cl. 1

Bb Cl. 2

Bb Bass Cl.

Bsn.

1 2

Eb Alto Sax. 2

Bb Ten. Sax.

Eb Bari. Sax.



Bb Tpt.

2 3

F Hn. 1

   

mp



   

Eb Alto Sax. 1

Bb Tpt. 1

   

  

 





  

   p

Trb. 1

 



  

 



    

 



 

 

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