Portfolio Malvina Giulia Mazzotta

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in the cover Museuminsel in Berlin with the original K.F. Schinkel Plan of the Baukademie

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INDEX 4ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

CURRICULUM VITAE

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SELECTED WORKS

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The redevelopment of the Fosso Macinante

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Neue Baukademie

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A new pavillon for the University of Florence

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The restoration of Cascina Pinucci

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M A Z Z O T T A

Born in Pietrasanta, Italy Piazza Massimo d’Azeglio 8, 51016 Montecatini Terme Tel (Italy) +39 393 044 07 43 / (Poland) +48 664 134 663 e-mail mazzotta.malvina@gmail.com

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Master degree in architecture with experience in university teaching and international experience in translating during various exhibitions.

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University of Florence 09.2019 - 06.2022 Master degree in architecture, final score 110/110

Politecnico of Milan 09.2015 - 07.2019 Bachelor degree in architecture, final score 92/110

High School Diploma and Double Baccalaureate 09.2010 - 06.2013 double highschool diploma: polish baccalaureate and french baccalaureate certification of knowledge of the French language, level C1 6ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

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Italian - mother language MICHELE BÖNAN

Polish - mother language

04.2022 - 09.2021

English - C1

Florence, Italy. Architecture and design studio

French - C1

Experience as an architect involved in interior design and large scale projects. https://www.michelebonan.it

UNIVERSITY OF FLORENCE 09.2021-06.2022 Florence, Italy.

Experience as an tutor of the 1st year course of Architectural Design Studio. https://www.dida.unifi.it

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OS Mac Os / Windows 11 BIM Archicad Rendering Cinema 4d / Vray / Rhino / Sketchup / 3ds Studio Max Graphics Adobe CC (Photoshop, Indesign, Illustrator)

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Baukademie Project CLAUDIO NARDI 04.2019 Florence, Italy. Architecture and design studio Experience as an architect involved in interior design of boutiques and large scale projects. https://www.claudionardi.it

Malvina Mazzotta & Irene Sebastiani in “Baukademie. Attraverso lo specchio di Karl Friedrich Schinkel.

Esercizi di memoria per un nuovo museo a Berlino.”

Riccardo Renzi 2021, published by DIDA (Department of Architecture Florence)

MARTINI BAR DOLCE & GABBANA 02.2016-06-2017 Milan, Italy.

Experience as a designer and translator of marketing materials for Martini Bar Dolce&Gabbana Milan and Martini Bar Saint Barth https://world.dolcegabbana.com/it/martini/ 7

Rediscover the Medicean canal in Florence.

The redevelopment of the Fosso Macinante and its mills Florence, San Mauro, Italy.

2022

RESTORATION OF THE PESCAIA DI SANTA ROSA

This work compares the antique glory of the canal with today’s reality, which is characterized with deterioration and abbandonment.

The Canale Macinante, also called Fosso Ban-

RESTORATION OF THE AREA OF THE EX BARCO MILL

dito has a big historic value, it’s a part of the Florence historical heritage, and it’s included in the florentine medicean works.

The territory where the canal is located is very vast, dynamic, and articulated; it includes se-

NEW GREEN SPACE IN PETRIOLO AREA

veral municipalitis in addition to the Florentine one. Designing in that area is very stimulating and it has to consider a lot of territorial and hydrographic factors.

In addition to these, problems concercing the four mills also emerge: della Porticciola, del Bar-

RESTORATION OF THE SAN MORO MILL

co, del Petriolo and of San Moro; which in the majority were abbandoned or reconverted to other uses.

RE-OPENING OF THE CLOSED PARTS OF THE CANAL

SELECTED WORKS 8ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

NEW CYCLOPEDESTRIAN PATH

MASTERPLAN

INTERVENTION 1 - THE RECALL OF THE ANCIENT MILL DELLA PORTICCIOLA

THE MILL IN THE XIX CENTURY

THE DEMOLISHED PARTS

THE NEW BELVEDERE

ELEMENT A

THE NEW PARAPET

ELEMENT B

THE EXTRUSION OF THE PLAN scheme of the conversion of the renaissance mill into the actual belvedere

12ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

Considering the strategic position of the Fosso Macinante and his historical heritage, the target of my work is to the design a multifunctional project where the “spine” is the canal, while the “vertebrae” are the zones of the mills. I also aim to create a cycle and a pedestrian path which will be side by side to the ditch from Florence to Signa, restore the remaing parts of the mills and of the areas where they are, with the possibility to give these sites new public functions.

In the center of this project there is the theme of the water, which is more and more important in the modern cities.

The redevelopment of the Medicean path of the Canale Macinante its a direction of the reconnection between the city and its surroundings. It’s very important because it will give the chance to proceed to a bigger requalification of the suburbs of Florence, raising the quality of life of people who live there.

My work is a stimulus towards the growth of the city’s attractiveness thanks to the intrinsic and essential relationship between man, nature, and architecture.

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INTERVENTION THE RE-OPENING OF OF THETHE CANAL IN THEIN CITY INTERVENT 22--THE RE-OPENING CANAL VIACENTER SOLFERINO

INTERVENTION 3 - THE RE-OPENING OF THE CANAL NEAR TO THE EX-MILL OF PETRIOLO

INTERVENTION 4 - THE REQUALIFICATION OF THE AREA OF BARCO

the reconstruction of San Moro mill

VIEW OF THE PORTICO

RECOSTRUCTION OF THE COVERED TERRACE WITH A NEW PERGOLA

NEW PERGOLA ON THE PLACE OF THE HISTORICAL DEMOLISHED PORTICO

+4.45

RAISE OF THE FLOOR A NEW FUNCTION FOR THE EX COVERED TERRACE

NEW VERTICAL ACCESS THANKS TO THE SELF-SUPPORTING +1.63

STAIRS SCREEN OF THE STRUCTURE

+0.00

WITH WOOD STAVES NEW GREEN AREA +2.70

EXPLOIT OF THE NEW PATH BESIDE THE RAILING NEW DIRECT CONNECTION FROM THE BRIDGE IN VIA

RAISE OF THE ENTRANCE ON QUOTE 1.63 m-

DELLE MOLINA

FILLING THE DIFFERENCE BETWEEN THE EXTERIOR AND THE OVEST INTERIOR PART OF THE MILL

+4.45

+1.63

+2.70

+0.00

INVERVENTION 5 - THE RESTORATION OF SAN MORO MILL

THE NEW OUTDOOR AREA

VIEW INSIDE THE EXHIBITION

Neue Baukademie.

The reconstruction of Schinkels building.

Berlin, Germany.

2021

The project takes into account the original, essential building designed by Schinkel. From the measure of spatial scanning and from the material contribution in clamping vertical and horizontal elements that the Bauakademie carried out thanks to a perfect match between structure and language, this project embraces despite its diversity - the totality of its components. Apparently muted with floors lacking of architectural elements, only excavated by a full-height niche in order to mark the entrance to the building, the perfect matt solid - albeit permeable to light - reveals a connection with the concept of limits. These limits are the ones Bauakademie showed in the relationship between interior spaces and the Berlin’s surrounding areas, aimed at developing a network of exposure and vision on a double register.

SELECTED WORKS 22ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

NEUE BAUKADEMIE - VIEW FROM WERDERSCHER MARKT

PERMANENT EXHIBITION “GERMAN ARCHITECTURE IN THE POSTWAR PERIOD” THIRD FLOOR space: 1845 m2 The last floor is dedicated to the second level of the permanent exhibition.

In this floor there is the continuance of the history of German architecture from the postwar period until nowadays.

PERMANENT EXHIBITION “GERMAN ARCHITECTURE FROM THE EIGHTEENTH CENTURY UNTIL THE 1914” SECOND FLOOR space: 1845 m2 The second floor is the first floor of the permanent exhibition of the Baukademie, which will become the museum and archive manifesto of German architecture.

On this level we can observe the development of the architecture from the neoclassical style until the First World War. INTRODUCTION TO THE EXHIBITION “The history of Karl Friedrich Schinkel” FIRST FLOOR space: 260 m2 On the first floor we can find public functions like the restaurant and the workshop area, this floor remains open to all the publics.

In this part we continue the history of the Baukademie with some key informations of its architect, Karl Friedrich Schinkel.

EXHIBITION ABOUT THE BAUKADEMIE “The history of the Accademy of Architecture” GROUND FLOOR space: 260 m2 The ground floor, where are some public functions, is dedicated to the history of the Schinkerl’s building and of the new building raised in this project.

This exhibition has a free access to everybody. It’s designed to excite the curiosity of people to visit all the museum of the Baukademie.

TEMPORARY EXHIBITION UNDERGROUND FLOOR space: 1125 m

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In this project the underground floor is assign for temporary exhibitions.

Thanks to his permeability it gives the possibility to arrange every kind of exhibitions.

Furthemore the partition walls represent in the scheme can be change or remove, with the possibility to have a big open space.

EXHIBITION EXHIBITION

WORKSHOP CLOAKROOOM

RESTAURANT

HALL/ TICKET OFFICE

BOOKSHOP/ EXHIBITION LIBRARY

TEMPORARY EXHIBITION

RESTORATION LAB

NEUE BAUKADEMIE - VIEW FROM SCHINKELPLATZ

underground floor

With In the daylight, the building looks like a pure,compact solid with some small reflections onits surface which slightly unveil an articulated,although neat, composition of interior spaces. With the darkness, the building becomes a lantern and inverts the perspective working on the above

ground floor

mentioned concept of limits. At this point, the building reveals its interior to the city and becomes symbol and manifesto of its public function, without failing - with doubtful transparency - in its content, but especially by suggesting to outside spectators that they needto think of an idea for an

first floor

interior living space.

The project builds its environments following the idea of a gradual exhibition where the element of the central court holds the vertical distribution and a lighting contribution.

second floor

third floor

NEUE BAUKADEMIE - NIGHT VIEW

New pavillon for the library of the University of Florence.

A space for temporary and permanent exhibitions.

Florence, Italy.

2021

This project focuses on the design of a new temporary pavillon connected to the library of architecture of the University of Florence.

The new space is divided in two parts: the first one for the exhibitions, the second for a new study area and an outdoor terrace.

On the outside, the building present a series of vertical spruce wood strips that follow and emphasize the rhythm of the interior structure.

Inside, the building is organized to continue with the path which starts from the outside: in the part dedicated to exhibitions the walls remains closed and there are only skylights which gives light to the space, meanwhile in the study area there are windows positioned between the wood strips. Thanks to them the students have a comfortable space thanks to the lighting and a interesting view on the historical garden and the building of the library.

SELECTED WORKS 28ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

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EXAMPLE OF AN EXHIBITION IN THE NEW PAVILLON

The structure of the building is organised like a frame with wood pillars and wood beams. At a certain point the walls disapear and the vertical and horizontal elements create an outdoor pergola with a terrace. This one frame the antique statues present in the garden.

The rhytm of the building is due to the wood vertical elements which in the part of the building are every one meter, meanwhile in the terrace every two meters.

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Cascina Pinucci The restoration of the building inside the ancient walls of Lastra a Signa Lastra a Signa, Italy.

2021

This intervention is focused on the restoration of the building of Cascina Pinucci which is located inside the ancient walls of Lastra a Signa.

The renovation inolves the exteriors and the interiors of the building Outside it’s expected an olive garden on the south part of the park and vegetable gardens for common use on the east.

Inside the Cascina it will be inserted a new structure in corten steel that will permit to give to the building new functions.

Furthemore thanks to the new support it will be possible to use all the spaces inside the building, now inacessible.

The renovation will allow to design a space that will connect different generations thanks to the new workshop area and the new green zones.

Inside the builiding it’s expected also the museum of Lastra a Signa which is not present in the city right now. The building will become the manifesto of the city, very famous for various types of crafstmanships.

SELECTED WORKS 32ENTION 2

- THE RE-OPENING OF THE CANAL IN THE CITY CENTER

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EXHIBITION OF LASTRA A SIGNA INSIDE THE CASCINA PINUCCI

SECTION A-A covering

SECTION B-B

new structure

the exsisting building

GROUND FLOOR

SECTION C-C

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M A Z Z O T T A

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mazzotta. mal v in a@gmail . com