SWLA | The Natural Eye 2023

SWLA 60

THE NATURAL EYE

The and

Artist of the Year In association with

WISHING all entrants the best for The Natural Eye, the Society of Wildlife Artists’ annual exhibition celebrating nature.

The winner of the 2022 Birdwatch and Swarovski Optik Artist of the Year award was Stag Rocks, Evening Light by Paul Henery – this year’s winner will be announced in the December 2023 issue of Birdwatch (on sale 23 November).

BIRDERS ON A HIGH AFTER KITE FLIES IN First twitchable Black-winged Kite draws major crowds to East Anglia

The home of birding • www.birdguides.com

September 2023 • £5.99 • Issue 375

MARINE MARVEL A closer look at Leach’s Storm Petrel SEAWATCHING

SEE MORE SEABIRDS

Make the most of this autumn’s best conditions SPECIES PROFILE

SEPTEMBER SNAKEBIRD Celebrating the enigmatic Wryneck IDENTIFICATION

AMERICAN WADERS

Top tips to pick out a rare transatlantic visitor CONSERVATION

WATER PRESSURE

The latest from Spain’s Doñana National Park

Display until 27 September

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08/08/2023 12:29:44

Visit us online at www.birdguides.com 2023-Awards-Ad.indd 1

29/08/2023 08:18

SWLA THE NATURAL EYE 60th Annual Exhibition

2nd to the 11th of November 2023 Mall Galleries, The Mall, London, SW1 swla.co.uk

Harriet Mead PSWLA Beet Hook Greylag Welded found objects

SWLA President’s Foreword

Welcome to The Natural Eye, the 60th annual exhibition of the Society of Wildlife Artists.

Anniversaries are a cause for reflection as well as for celebration.

The Society has a lot to celebrate: six decades of exhibiting an amazing variety of work celebrating the natural world, primarily at the annual exhibition at the prestigious Mall Galleries, but also in selected shows at various galleries throughout the country. The Natural Eye is the highlight of our year and from the very beginning the gathering of artists and art enthusiasts has been a space where friendships are made, and new artists are inspired. The informal mentoring: sharing of time and experience and providing encouragement and advice continues, but in the early 1990s the Bursary Scheme allowed for a more structured way of nurturing artists. Since its inception the Scheme has awarded over 100 bursaries, many to individual projects but, at the core of our opportunities, places have been offered on the John Busby Drawing Course. Many of those bursary artists have gone on to become full members and in fact all three current tutors on the course were given bursaries by the Society in their early careers.

The exhibition also offers a chance for artists to network and start collaborations and create projects within the wider community of conservation and the arts. The SWLA has been recognised by conservation charities and bodies as a thought-provoking way of partnering art with science to celebrate a project, reserve, or conservation story. In 1999, the first SWLA project Drawn to the Forest took place and through the subsequent years, major collaborations such as the DKM Turkish Sweetgum Project and the BTO Flight Lines Project have been testament to the power of art with conservation. The latest collaboration The Wadden Sea Project culminated in the beautiful book Haunted by the Last Tide which will be celebrated at the exhibition this year along with a display of work from the residencies.

I was elected president of the Society in 2009 and somehow or other I find myself still at the helm of this very special community. The SWLA requires a lot of support and help behind the scenes. I would like to thank my fellow artists who volunteer their time whether on council, helping at the Bird Fair, running workshops, creating donated works for fund raising or helping with the website and social media. It takes an army to keep this modest charity going. The SWLA Friends scheme is another part of our community and a way of following the artists’ news and projects whilst supporting our work. It is humbling that so many organisations have chosen to partner with us through the years and I am grateful to all our sponsors past and present for their generosity.

I look forward to celebrating many more anniversaries of this wonderful Society, which has, at its beating heart, the creative force of hundreds of artists through our history, all of whom are compelled to document their own experience and vision of the natural world.

Harriet Mead, President

A History of the Society of Wildlife Artists

Enter ‘wildlife art’ into any search engine or social media hashtag and you are flooded with images. An explosion of creativity squeezed onto a small screen and held in the palm of your hand - it can be difficult to filter the genuine article from the pastiche; the authentic experience from the fake.

Of course, it wasn’t always so. It is sometimes hard to imagine a world when depiction of wildlife was something of a rarity, yet for a long time paintings and drawings of animals were consigned to natural history books or galleries dealing with ‘sporting’ art.

Certainly, the original work of wildlife artists was not easily available in the late 1950s and yet this was a time of widespread and growing interest in the world of nature. With a society of artists in mind that might both celebrate and promote this interest, Robert Gillmor and Eric Ennion, with the enthusiastic support of Peter Scott and Keith Shackleton, organised an exhibition of contemporary bird paintings in the Reading Art Gallery in 1960. Maurice Bradshaw, then Director of the Art Exhibitions Bureau – the fledgling institute that would become the Federation of British Artists - joined the organising committee and, as a result, the Bureau took this exhibition on tour for a year. Such was the interest shown by provincial galleries that the tour was extended for a further year, and during this time R.B. Talbot-Kelly and Maurice Wilson joined the organisers to plan a society to build on this interest. They began inviting founder members, and in August 1964 the inaugural exhibition of the Society of Wildlife Artists (SWLA) was held in London and opened by James Fisher.

Looking through catalogues to those early shows is like reading a who’s who of wildlife artists and illustrators at the time. Founder members John Busby, Basil Ede, Roland Green, Robert Hainard, J.C. Harrison, Peter Hayman, David Reid Henry (who would bring his hand-reared African crowned hawk eagle Tiara to exhibition openings), James Osborne, Roger Tory Peterson, D.I.M. Wallace, Donald Watson, Eileen Soper, and Ralph Thompson were later joined by other well-known artists Charles Tunnicliffe, David Shepherd and Terence Cuneo (official artist to Queen Elizabeth II’s coronation). Under the Presidencies of first Peter Scott and second Keith Shackleton the SWLA was up and running and going strong.

From the start the SWLA’s guiding spirit and chief organiser (officially Secretary and Chairman) was Robert Gillmor. Robert became President in 1984, serving for a further ten years during which the SWLA enjoyed a boom in popularity. Close ties were forged with many conservation groups and new awards were offered to artists from the RSPB, WWF, BBC Wildlife Magazine and The Natural World (the magazine of the Wildlife Trusts). This year we have 10 awards at the exhibition.

During Robert’s Presidency, in 1991, the Society of Wildlife Artists became a Registered Charity for the purpose of fostering and encouraging all forms of visual art based on the world’s wildlife. The SWLA would actively seek to generate an appreciation of, and enthusiasm for, the natural world, and advance the (right) A selection of archive material from the very early days of the Society

interest, education, and conservation of wildlife.

Robert was always eager to encourage young artists and in keeping with the new charitable aims (and through a sponsorship agreement with Lloyds) a joint Bursary scheme to foster new talent was established in 1993. Since then, over one hundred bursaries of between £150 and £750 have been awarded. With the addition of fundraising, subscriptions from the Friends Schemes, legacies and other monies the Society of Wildlife Artists Bursaries continue to help young and emerging artists keen to develop their knowledge and skills in wildlife art.

Bruce Pearson worked alongside Robert during this wonderfully productive period for the SWLA and succeeded him as President in 1994. With ever-increasing numbers visiting the annual exhibition, as well as many charities now opting for fund-raising events held during the show, the links between art and conservation had never been stronger. Away from our annual London exhibition and in pursuit of our charitable objectives, the SWLA embarked on the start of a long and fruitful series of projects working closely with other conservation and wildlife charities.

In 1997 a small group of SWLA artists worked alongside the RSPB at Minsmere producing a limited-edition

Thelma Sykes SWLA Eiders in convoy (detail) Woodcut and linocut

hand-printed book portraying the birdlife of this showcase reserve. This led to a more ambitious project in 1999, Drawn to the Forest. Supported by the Forestry Commission, four teams of SWLA artists visited Hampshire’s New Forest over the year to portray the changing seasons and nature of this working landscape.

Wildlife art was collaborating with the environmental world and Bruce was leading a team of member artists that opened up new directions and possibilities for the society, embracing educational and multi-discipline initiatives.

Projects continued during Andrew Stock’s Presidency (2004-2009) with the Aig an Oir residencies inviting groups of SWLA artists to visit several sites along the Scottish west coast, highlighting the fragmented stands of ancient Atlantic oakwood.

Harriet Mead picked up the Presidential baton in 2009. The annual show at the Mall Galleries was re-branded and introduced as The Natural Eye exhibition attracting more sponsors for awards, including the imaginative Undersea Art Award from the Wildlife Trusts that invited a chosen artist to learn to dive and portray life under the waves. The programme ran from 2012 to 2016.

It was Harriet’s idea to start the Out of the Frame Room, an innovative and inspiring display of unframed work showing both bursary and project work celebrating the tradition of working in the field.

The 50th anniversary was celebrated with the publication of Art Book One, designed and overseen by Sarah Whittley. The book was inspired by the Original Artwork Draw, set up in 2010 to raise funds for the Society Bird Illustrators of the Years (London, July 1995). Back row, left to right: David Cook, Martin Woodcock (1983), George Woodford, Norman Arlott (1980, 1981), Chris Rose (1986), Andrew Stock (1995), John Cox (1989), Martin Halllam (1988), Ren Hathway (1994), Bruce Pearson (1984). Front row: David Quinn (1987), Alan Harris (1982), Richard Allen (1993), Ian Lewington (1985), Gordon Trunkfield (1990)

Michael Warren SWLA Fieldfares, Redwings and Blackbirds, watercolour.

Elected a member in 1971, Michael has exhibited every year for 55 years

Andrew Stock PPSWLA RE Lapwings, acrylic.

Andrew Stock was President 2004-2009 as well as serving on council as Secretary and Governor.

and bursary scheme through donated small works from members. To date over £50k has been raised through the generosity of our artists.

External projects continued and, from 2014 to 2017, the SWLA worked again with the RSPB, conducting four artist residencies to help document the changing environment at Wallasea Island, a new reserve made from the spoil from the colossal Crossrail scheme.

In 2014 the SWLA embarked on one of their most ambitious projects to date, with a team of artists working with the BTO scientists following migrant birds to wintering grounds in Senegal, West Africa. The Flightlines project carried through 2015 to cover summer breeding territories in UK and Italy and autumn passage on Bardsey Island.

Overseas projects continued in 2016 with the Turkish Sweetgum Project. Four SWLA artists linked up with DKM Turkey to mentor and inspire Turkish artists to work in the field and highlight this rare and threatened habitat in the Mediterranean. The following year a group of artists took part in the Kingcombe residency, celebrating the ancient meadows and woodland of the Dorset Wildlife Trust reserve. Another beautiful project on display in the Out of the Frame Room was the Argyll Hope Spot Project using artists to experience and document the underwater world of this internationally important site on the Scottish coast.

Most recently SWLA artists visited the Wadden Sea National Park in Denmark in autumn 2019 and spring 2022, now celebrated in the sumptuous book Haunted by the Last Tide available through our website.

The SWLA now encompasses conservation projects, books, studio visits, printing workshops, satellite shows away from London, and our annual stand at the Birdfair – all these perhaps not envisaged by our founder members in 1964. The array of activities goes far beyond our annual show at the Mall Galleries and membership can be thought of as participation in what is one of the most active of all the societies in the Federation of British Artists.

In the run up to our 60th anniversary the SWLA held an informal survey of artist members, to help gauge thoughts as we reach another milestone in our history. The common thread was the strong sense of community, friendship, inspiration and admiration between fellow artists and how important the SWLA had been in helping many of those artists throughout their careers. With such a range of artistic approaches, its generous community and shared core values all focussed on personal encounters with the natural world, the Society looks set to continue to inspire for many years to come.

Darren Rees SWLA

SWLA Friends

The SWLA Friends scheme was set up to encourage involvement from people who have an interest in art and the natural world. Funds raised from the Friends’ support will help to ensure that the SWLA continues to offer bursaries and opportunities for young and emerging artists and will enable the Society to explore new relationships between artists and conservation organisations. In the 30 years since its inception our Bursary scheme has awarded over 100 bursaries to artists who have needed support with a project or help with new skills and techniques for their artistic development.

Currently we offer places on the Seabird Drawing Course which is a marvellous way of mentoring artists during an intense course of field working. In addition we accept applications for The Natural Eye Bursary for proposals from individuals who need help with specific projects or skills.

The Wadden Sea Project, the Argyll Coasts Hope Spot Project and the BTO/SWLA Flight Lines Project are recent collaborations that show how artists can work with other organisations to help bring conservation and research stories to a much wider audience. With your support we can expand on these opportunities and increase our projects so that the enthusiasm, expertise and talents of our artists go even further.

Become a Friend of the SWLA and not only will you be helping to nurture artists inspired by the natural world you will also enjoy the following privileges: 1. Attend the private view of the annual exhibition and enjoy the ‘Meet the Artists’ drinks reception 2. Free entry to the annual exhibition, free catalogue, also admits a guest 3. Receive a quarterly Friends E-Newsletter via email 4. Receive a copy of Art Book One (RRP £20) 5. Friends will be entered into a ballot where a proportion of the subscriptions will be devoted to the purchase of a work from the annual exhibition. The successful Friend will be told the amount available (currently £250) and invited to select his or her work from the show 6. Opportunity to take part in studio visits of member artists 7. Receive discounts on events, workshops and courses offered by the SWLA To become a Friend of the Society or to make a donation please visit our website swla.co.uk or email swlafriends@gmail.com The SWLA is very grateful to Tim Baldwin for running the Friends Scheme

Chris Rose SWLA Eider flight Oil on paper

SWLA Bursary

There were four bursary winners awarded a place on the John Busby Seabird Drawing Course in 2023 with a further space given to Shelley Winnett in memory of the late Greg Poole. The course is a hugely important way for artists to develop their practice and build their confidence working in the field alongside tutors Darren Woodhead, Nik Pollard and Kittie Jones.

It is always a privilege to be part of the John Busby Seabird Drawing week and this year was no exception. There is so much to be learnt in the six days spent around the diverse and abundant seabird colonies along the East Lothian coast and out in the Firth of Forth. All the students went from strength to strength as they we encouraged not only to look for the anatomical details of the birds, but also shown how to manage their kit in the field, methods for working in all weathers and stamina!

We were incredibly lucky to visit John Busby’s studio where we were treated to sketchbooks going back over his entire career and a sense that he had just stepped out for a cup of tea. His legacy lives on through the course, there is so much to be learnt from just seeing how prolific his drawing practice was and after the visit everyone went away with a renewed zest to draw more. There was a fair amount of weather to contend with this year, a great image to go away with was all of the students lined up along the seawall at Dunbar, hunkered under umbrellas, getting excited about capturing the nesting shags on the rocks behind the wall. This year we were lucky enough to encounter feeding minke whales off the coast of St Abbs Head and spend time amongst the puffins and herring gulls on the Isle of Fidra – a unique and unforgettable experience!

Kittie Jones SWLA ‘...Scanning the cliffside around me, a scattered group of artists in soggy woollens and waterproofs hunched over their work. Settled into the rhythm of meditative mark-making, everyone was in deep concentration, and few words competed with the cacophony of seabird calls. It was in that moment, I felt an enormous sense of belonging...’ Leya Tess

Shelley Winnett Kittiwakes, Dunbar Castle (detail) Emily Groves Gannet stracciatella (detail)

‘...A big surprise for me on the course was learning to work in all kinds of weather. East Lothian is stunning, but prone to Scottish summertime, which I had not experienced before. Squalls are inevitable, and the Busby bird course does not shy away from a little (or a lot!) of rain. On a particularly tough day at St Abbs when everything I had drawn and painted had literally washed off the page, Kittie kindly pointed out that a) it takes perseverance and grit to be an artist, and that b) my umbrella had completely collapsed, so it was no wonder I was struggling...’ Emily Groves ‘...It’s hard to express how much this drawing course challenges and changes you, whilst enabling your art to grow and flourish. I believe at its core is the unpredictability of working from life, regardless of where you are, who you are with and what your surroundings are, the Seabird course is a complete adventure, one which, given the opportunity, you must throw yourself into...’ Sarah Hutchinson ‘...Surprisingly some of my more successful days drawing were probably under more difficult weather conditions. The battle with the elements was exhilarating. The marks I made were more immediate and had a rawness that would be difficult to replicate in the studio...’

Sarah Innes ‘...Previously I thought I knew how to draw on location, I thought I knew how I drew, but most importantly I thought I only drew what I saw, I thought I drew with honesty, but the biggest shift occurred when I was forced to acknowledge that an element of Impressionism creeps in my drawing when the facts aren’t visible, or the conditions not favourable. This course has made me realise that this approach has no place in my work, I must search and search for the right line, I am a person who wears my heart on my sleeve, and I want my drawing to be no exception...’ Shelley Winnett For full reports of these bursaries and access to the archive of past bursaries visit swla.co.uk

Sarah Innes Kittiwakes in a spin, St Abbs Leya Tess Razorbill study Sarah Hutchinson Shags studies (sketchbook detail)

SWLA The Wadden Sea Project

The Wadden Sea straddles the Danish, German and Dutch North Sea coast. A tidal area of islands, mudflats, marshes and dunes. It is of inestimable importance for many bird species on the East Atlantic migration route and is a designated UNESCO World Heritage site.

Through history, the landscape of the Wadden Sea has been shaped by those that live there. It is criss-crossed with drains and huge dikes holding back the sea, creating new land and persuading rivers to drain safely through the precious farmland.

The Wadden Sea Project, a major collaboration with the Danish Wadden Sea National Park, has made use of the SWLA’s creative resource in spectacular style. Nineteen artists were selected and split between the project’s two residencies, one in the autumn of 2019 in the South around Tøndermasken and the second in the spring of 2022, centred on the island of Fanø. Each group, which also included writer Colin Williams, were introduced to key habitats and areas, observing the landscape and wildlife of this internationally important site. By spending time there, artists brought their own perspectives which celebrated the wildlife and the space, and encouraged communities to look afresh at the place they call home.

The artists visited schools in both the North and the South, and invited the public to learn more about the creative process through artists’ talks and open days.

The project resulted in over 400 artworks, a wonderful body of work which has been celebrated in two key exhibitions in the Danish Wadden Sea National Park and some of which can be seen in the Out of the Frame Room at the exhibition this year.

The spectacular Wadden Sea Project book, Haunted by the Last Tide, was published this summer and is a sumptuous record of the collaboration. The book is a celebration of this unique area and documents a connection between the artists, the community, the landscape and the wildlife. The artwork is bound together by the beautiful Jane Smith SWLA Barnacle Geese, Wadden Sea Screenprint (ed. of 3)

Robert Greenhalf SWLA Spoonbills and Shelducks, Wadden Sea Oil on board

Marco Brodde Bearded Tits, Rudbøl Sø Ink and watercolour

text of Colin Williams who has captured the essence of the place in words and told of the history of the landscape and his own response to spending time in the Wadden Sea. This project would never have come about without the vision and energy of Marco Brodde. Marco’s love of the Wadden Sea and his unique perspective as both artist and conservationist has been a driving force behind the scenes. It has been a pleasure to work alongside him and to be so welcomed by the people of the Wadden Sea. The generous support of the Danish Wadden Sea National Park, the sponsors and the community has enabled an extraordinary book to come to life through the beauty of art and the poetry of words.

Harriet Mead Haunted by the Last Tide is available from our website swla.co.uk

SWLA artists Nik Pollard and Wynona Legg Working in the field, Wadden Sea

John Dobbs SWLA NEAC White-throated Kingfisher Oil

Daniel Cole SWLA Clifftop Goldfinches, Coverack Acrylic

Nick Mackman SWLA Delicate touch (Walrus bull) Ceramic

Darren Rees SWLA Sleepy bear Acrylic on panel

Federico Gemma SWLA Five Black-headed Gulls Watercolour on paper

Jose Antonio Sencianes Ortega Luz de Donana II Watercolour

Rachel Lockwood SWLA Young family Oil on linen

Roseanne Landon 3rd calf of the season Oil on board

Dafila Scott SWLA Wild Dogs on the edge of the Kalahari Pastel on paper

John Foker SWLA Pennine Plovers Oil on board

Simon Griffiths SWLA Double Little Owl High fired ceramics

Nick Bibby SWLA Kodiak Brown Bear (Indomitable - head study) Bronze (ed. of 9)

Darren Woodhead SWLA Fieldfare and Winter Haws Watercolour

Barry van Dusen SWLA Robins and Sumac Watercolour

Tianyin Wang The young Hare Charcoal on paper

John Threlfall SWLA Sitting tight 2 Oil

Szabolcs Kokay SWLA Blue Bird of Paradise studies Watercolour on paper

Brin Edwards SWLA Over the Ragwort Acrylic on canvas

Wynona Legg SWLA Rooftop circuit to the feeders Ink and acrylic marker

Esther Tyson SWLA Curlew chick, foraging Oil

Nye Hughes SWLA Cliff scene with Kittiwakes and Sea Campion, Isle of May Watercolour

Nik Pollard Turnstones 2 Gouache on paper

Ama Menec Wake Up! Stretching, yawning vixen Patinated foundry bronze (ed. of 50)

Paul Henery ASWLA Creature of the night Acrylic

Richard Allen SWLA Last light on the creek Oil

Kittie Jones SWLA Leaving the Bass - Sea stack II Ink, gouache, pastel, charcoal and collage on paper

Christopher Wallbank SWLA White-tailed Eagles sparring, Creag a Ghaill, Mull Watercolour

Fiona Clucas SWLA Upstream, midsummer, The Gilpin 1 Acrylic

Max Angus SWLA Touching the coastline 4 block linocut (ed. of 35)

Matt Underwood SWLA Dive!

Woodblock print (ed. of 100)

Michelle Hall Octopus on the move Bronze (ed. of 22)

Adele Pound Flies in the Sweet Peas Carbon pencil and watercolour

Julia Manning SWLA The Marshes Wood and linocuts (ed. of 35)

SWLA Overview PRESIDENT VICE-PRESIDENT PAST-PRESIDENTS SECRETARY TREASURER COUNCIL FBA TRUSTEE NEWSLETTER EDITOR ENQUIRIES TO COVER IMAGE

Harriet Mead Bruce Pearson Bruce Pearson, Andrew Stock John Foker Max Angus John Dobbs, Darren Rees, Chris Rose, Jane Smith, Ben Woodhams Max Angus John Foker The Federation of British Artists: 17 Carlton House Terrace, London SW1Y 5BD Telephone: 020 7930 6844, Registered Charity No. 328717 Kim Atkinson ‘Spring Wheatears’, gouache and pastel For more information visit: swla.co.uk

SWLA Members Akroyd, Carry Allen, Richard Angus, Max Atkinson, Kim Bennett, David Bibby, Nick Binder, Adam Brodde, Marco Clucas, Fiona Cole, Daniel Derry, Nick Dobbs, John Dusen, Barry van Edwards, Brin Edwards, Victoria Foker, John Gemma, Federico Greenhalf, Robert Griffiths, Simon Haslen, Andrew Haste, Kendra Hatton, John Hooper, Lisa

Hughes, Nye Jarvis, Richard Johnson, Richard Jones, Kittie Kokay, Szabolcs Legg, Wynona Lockwood, Rachel Mackman, Nick Manning, Julia Mead, Harriet Moger, Jill Neill, William Parry, David Partington, Peter Pearson, Bruce Pollard, Nik Prickett, Bill Proud, Alastair Rees, Darren Rich, Andrea Rose, Chris Scammell, Louise Scott, Dafila

Sinden, Chris Smith, Jane Stock, Andrew Sykes, Thelma Thorley-Fox, Rebecca Threlfall, John Tratt, Richard Turvey, Simon Tyson, Esther Underwood, Matt Wallbank, Christopher Warren, Michael Woodhams, Ben Woodhead, Darren Wootton, Tim

ASSOCIATE Members Cockwell-De Jong, Anine Henery, Paul Myhill, Liz

List of works 2023

1

2

3

Mark Adlington Calm, Mount Etjo Oil on canvas £3,400 Last light, Ol Pejeta Oil on canvas £4,000 Carry Akroyd SWLA Across to the islands Serigraph (ed. of 8) £950 (£750 u/f)

Richard Allen SWLA 11 Basking Shark Linocut (ed. of 50) £195 (£145 u/f) 12 Last light on the creek Oil £695 13 Rising tide, three Lapwings Oil £1,350

22 Mistle Thrush Oil on linen £1,350 23 Yellowhammer flock Oil on canvas £2,600 24 Yellowhammer flypast Oil on panel £670

14 Summer Curlew Linocut (ed. of 50) £195 (£145 u/f)

Max Angus SWLA 25 Black-headed Gulls Oil on board £600

4

Great Crested Grebe pair Serigraph (ed. of 8) £325 (£210 u/f)

15 Summer Wheatear Oil £595

26 Black-winged Stilts 4 block linocut (ed. of 30) £350 (£270 u/f)

5

Grey Heron Serigraph (ed. of 9) £950 (£750 u/f)

16 Winter Curlew Linocut (ed. of 50) £195 (£145 u/f)

27 Evening Lapwings Oil on canvas £2,500

6

Osprey Serigraph (ed. of 7) £325 (£210 u/f)

17 Winter sun, Avocets Oil £695

28 Great Tits 4 block linocut (ed. of 40) £280 (£220 u/f)

7

Pink Owl sunset Serigraph (ed. of 9) £700 (£500 u/f)

18 Winter sun, Lapwings Oil £695

29 Redwings 4 block linocut (ed. of 20) £280 (£220 u/f)

8

Spring above the reservoir Serigraph (ed. of 10) £950 (£750 u/f)

30 Sea cliffs Peregrine Woodcut (ed. of 23) £350 (£270 u/f)

9

Tide edge Serigraph (ed. of 7) £700 (£500 u/f)

Laura Andrew 19 Green Woodpecker Oil on linen £2,900

10 Wheat growing below the river level Serigraph (ed. of 8) £600 (£450 u/f)

20 Greenfinches Oil on panel £670 21 Kingfisher Oil on canvas board £890

31 Touching the coastline 4 block linocut (ed. of 35) £370 (£290 u/f) Kim Atkinson SWLA 32 Feeding frenzy 1 Gouache and chalk £750

33 Feeding frenzy 2 Gouache and chalk £750

44 Turnstones and Seal, Donna Nook 54 Curlew & Common Gull Oil on canvas Drypoint print (ed. of 3) £800 £400

34 Low tide, Trwyn Pen, Winter Gouache on paper £950

45 Twilight Hares Oil on canvas £650

55 Grey Heron Drypoint print (ed. of 3) £400

35 Purple Sandpipers, low tide Gouache on paper £850

46 Waxwings and Rowan Berries Acrylic on canvas board £400

56 Grey Plover & Common Snipe Drypoint print (ed. of 3) £450

36 Spring Wheatears Gouache and pastel £850

Nick Bibby SWLA 47 Kodiak Brown Bear (Indomitable - head study) Bronze (ed. of 9) £49,750

57 Juvenile Common Tern Drypoint print (ed. of 3) £400

37 Turnstones and a Purple Sandpiper, Pen y Cil Gouache and acrylic on paper £950

48 Long-Tailed Tits: “The Lovebirds” Bronze (ed. of 25) £7,200

38 Upland Geese, Isla Navarino, Chile Relief and monotype with gouache 49 Silver Water Snail NFS Hallmarked sterling silver (ed. of 12) David Bennett SWLA £5,950 39 Dawn Little Owl and Crab Apples Acrylic on canvas board Becs Boyd £400 50 70N Njukca - Whooper Swan Oil and graphite on cradled ply 40 Evening Roe Deer £900 Acrylic on canvas board £400 Marco Brodde SWLA 51 Avocets & Black-headed Gull 41 Grey Partridges Drypoint print (ed. of 3) Oil on canvas £450 £550 52 Bar-tailed Godwits & Red Knot 42 Otter and Perch Drypoint print (ed. of 3) Acrylic on canvas board £450 £550 53 Common Seals & Cormorants 43 Resting Otter family Drypoint print (ed. of 3) Watercolour on paper £650 £550

58 Turnstones & Ringed Plover Drypoint print (ed. of 3) £450 Adrien Brun 59 Still believing in Spring Watercolour on paper £800 60 Too much snow to dance Watercolour on paper £800 Rosemary Burn 61 Frog Oil on board £700 David Cemmick 62 Digit Paper packaging and book £950 63 Ebb tide - Sandling Paper packaging and bird book £950

64 Grebe love dance Cardboard £950

75 Downy in the snow Oil on linen on board £1,450

86 Whimbrels Watercolour £900

Fiona Clucas SWLA 65 Hare Hill Farm Pond 1 Mixed media £520

76 Heron contre-jour Oil on linen on board £2,750

Michael DiGiorgio 87 American Redstart Watercolour £990

66 Hare Hill Farm Pond 2 Mixed media £420 67 Hare Hill Farm Pond 3 Mixed media £420

77 Plovers resting Oil on linen on board £1,950 78 Rocks in the shallows Oil on linen on board £2,750

68 Hare Hill Farm Pond 4 Mixed media £420

Daniel Cole SWLA 79 Clifftop Goldfinches, Coverack Acrylic £1,600

69 Still water, Hare Hill Pond Graphite £1,500

80 Distant Crows, Bodmin Moor Acrylic £2,250

70 Upstream, midsummer, The Gilpin 1 81 May afternoon, Lizard, Cornwall Acrylic Acrylic £1,200 £995 71 Upstream, midsummer, The Gilpin 2 82 Ringed Plovers, Towan Beach Acrylic Acrylic £1,200 £1,500 Anine Cockwell-De Jong ASWLA 83 Wader flock, Roseland 72 Lumpsucker Acrylic Cobalt serpentine £1,600 £1,600 Robert Cook 73 What goes around comes around 84 Hidden in plain sight Stone alabaster Oil on linen panel £1,200 £1,600 James Coe 74 Colours in the grass Oil on linen on board £1,750

Nick Derry SWLA 85 Black-necked Grebes Mixed media £850

88 White-throated Sparrow Watercolour £950 John Dobbs SWLA NEAC 89 Bandhavgarh Tiger Oil £2,500 90 Elephant calf Oil £700 91 Kahna Tiger Oil £1,200 92 Kingfisher Oil £400 93 Luangwa Wild Dogs Oil £8,000 94 Vulture Oil £700 95 White-throated Kingfisher Oil £400 96 Yellow-billed Storks Oil £500

Beverley Drury 97 Anhinga Wire £320 98 Motmot Wire £345 Barry van Dusen SWLA 99 Great Blue Heron in display Watercolour £450 100 Hermit Thrush Watercolour £375 101 Pine Warbler, female Watercolour £375 102 Robins and Sumac Watercolour £500

108 Over the Ragwort Acrylic on canvas £3,750

118 Jay woods Oil on board £1,100

109 Shelduck with Ringed Plover, Per 119 Pennine Plovers gilis Bay, St. Agnes, Isles of Scilly Oil on board Oil on canvas £480 £695 120 Sparrowhawk and Worcesters 110 Shoveler with Lapwings Oil on board Oil on canvas £1,200 £695 121 Winter tidings 111 Stonechat Stoat alarm Acrylic on board Oil on canvas on board £720 £895 Federico Gemma SWLA 112 The bottom of the hedge 122 Curlew in spotlight Oil on canvas on board Watercolour on paper £895 £380 113 Through the onion fields Oil on canvas on board £1,950

123 Five Black-headed Gulls Watercolour on paper £380

Victoria Edwards SWLA 103 Snow Buntings and Winter Weeds 114 Three Blue-tongued Skinks Watercolour Graphite £575 £520

Robert Greenhalf SWLA 124 Curlews and Lapwings Oil on board £980

104 Wood Duck at Calamint Hill Marsh John Foker SWLA Watercolour 115 Curlews on the move £375 Acrylic on board £620 105 Wood Thrush in song Watercolour 116 Eden Brows Swallows £375 Oil on board £500 106 Young Starling in Norway Spruce Watercolour 117 High-tide Turnstones £425 Oil on board £480 Brin Edwards SWLA 107 Goldfinches and Hollyhocks Oil on canvas on board £1,750

125 Five Curlews Oil on board £540 126 Shelduck family Oil on board £540 127 Spoonbills and Coots Oil on board £540 128 Spoonbills and Shelducks, Wadden Sea Oil on board £540

129 Starlings, Lapwing, Wigeon and Avocets Oil on board £980

James Hargreaves 139 Rustic reptillian Scrap metal and tools £900

130 Three Teal Oil on board £540

Jack Haslam 140 Wren Aquatint (ed. of 3) £260 (£160 u/f)

131 Young Stonechat, Northern Spain Oil on board £540 Simon Griffiths SWLA 132 Bittern High fired ceramics £2,100 133 Double Little Owl High fired ceramics £1,400 134 Goldfinch High fired ceramics £250 135 Nuthatch High fired ceramics £350 136 Wren trio High fired ceramics £350 Emily Groves (Bursary winner) 137 ‘Gannet stracciatella’ (field drawing) Pastel NFS Michelle Hall 138 Octopus on the move Bronze (ed. of 22) £2,000

Amie Haslen 141 Bee and beans Linocut (ed. of 30) £225 (£175 u/f) 142 Comma and Thistles Acrylic on board £450 143 In the wild patch Acrylic on board £450 144 Summer meadow Acrylic £450 145 Wildflower meadow Acrylic £450 John Hatton SWLA 146 Autumn Lapwings Woodcut (ed. of 12) £230 (£185 u/f) 147 Nesting Arctic Tern Oil on paper £350 148 Oystercatcher trio Linocut (ed. of 17) £230 (£185 u/f)

149 Puffins on the sea Linocut (ed. of 20) £230 (£185 u/f) 150 Spring Avocets Linocut (ed. of 19) £230 (£185 u/f) Paul Henery ASWLA 151 Beneath the Farnes Oil on canvas £1,800 152 Creature of the night Acrylic £600 153 Heron preening in the blossom Oil on board £1,200 154 Keeping watch Oil on board £1,200 155 Puffins over Coquet Island Oil on board £1,500 156 Slinking Fox Acrylic £600 Lisa Hooper SWLA 157 A small world: Black Darters, Cairngorm Reduction woodcut (ed. of 12) £440 (£350 u/f) 158 Common Blue Reduction linocut (ed. of 12) £300 (£220 u/f) 159 Lapwings and Daisies, Mersehead Hand coloured linocut (ed. of 20) £440 (£350 u/f)

170 Shags and Eiders, Alterstanes, Isle Richard Jarvis SWLA of May 179 Bullfinches and Blackthorn Watercolour Linocut and watercolour £650 (ed. of 24) 161 Spadgies in Haws £140 (£110 u/f) Reduction linocut (ed. of 12) 171 Shags and Guillemots, Fast Castle £440 (£350 u/f) Watercolour 180 Chiffchaff and Goldies £775 Linocut and watercolour 162 Summer (ed. of 20) Reduction linocut with overprinted 172 Three Shags, Isle of May £140 (£110 u/f) glazes (ed. of 15) Watercolour £480 (£400 u/f) £750 181 Coal, Long-Tailed, Blue and Great Linocut and watercolour 163 Wheatear, Quendale Bay Sarah Hutchinson (ed. of 12) Reduction linocut (ed. of 17) (Bursary winner) £160 (£125 u/f) £360 (£300 u/f) 173 St Abbs ‘The Cleaver’ Mixed media, ink and charcoal 182 Coombes Valley duo 164 Winter Turnstones £450 Linocut and watercolour Reduction linocut (ed. of 12) (ed. of 12) £460 (£380 u/f) Natalie Hutton £160 (£125 u/f) 174 Fragment Polly Hosp Alabaster, handcarved 183 Magpie pair in Ash 165 One day more £4,200 Linocut and watercolour Drypoint and monotype (ed. of 24) £580 Sarah Innes (Bursary winner) £160 (£125 u/f) 175 Dunbar training pool Nye Hughes SWLA Watercolour and acrylic on 184 Spring Lapwings, Rutland Water 166 Cliff scene with Kittiwakes and Sea watercolour paper Linocut and watercolour (ed. of 20) Campion, Isle of May £600 £140 (£110 u/f) Watercolour £750 Heather Irvine Tricia Johnson 176 Painted pup study 36/66 185 Badger bundle 167 Guillemots, Alterstanes, Isle of Mixed media Aquatint etching (ed. of 45) May £350 £220 (£170 u/f) Watercolour £420 Sarah Jackson Kittie Jones SWLA 177 Eclipse 186 Eider season, Isle of May 168 Kittiwakes and Shag, Lady’s Bed, Collage Ink, charcoal, pastel and pencil on Isle of May £1,600 paper Watercolour £950 £850 Ken Januski 178 Pileated Woodpecker at Flat Rock 187 Leaving the Bass - Sea stack II 169 Puffins, Isle of May Dam Ink, gouache, pastel, charcoal and Watercolour Japanese woodblock (ed. of 21) collage on paper £650 £315 (£250 u/f) £1,495 160 Noss Gannets, Shetland Reduction linocut (ed. of 14) £490

188 On the edge III Stephen and Lorna Kirin Ink, charcoal, pastel, gouache and 198 The Uncommon Frog collage on paper Watercolour, ink and pencil £1,495 £1,500

208 Pupping season for the Greys at Horsey Gap 2 Ink £850

189 Seabird cliff I Charcoal, pastel and graphite on paper £950

Szabolcs Kokay SWLA 199 Blue Bird of Paradise studies Watercolour on paper £450

209 Pupping season for the Greys at Horsey Gap 3 Ink, oil pastel and pastel pencil £850

190 Seabird cliff II Charcoal, pastel, gouache and graphite on paper £950

200 Broad-plumed Lophorina studies Watercolour on paper £450

210 Rooftop circuit to the feeders Ink and acrylic marker £850

201 Goldie’s Bird of Paradise studies 191 Seabird cliff IV Watercolour on paper Ink, charcoal, pastel and coloured £450 pencil £950 202 Princess Stephanie’s Astrapia studies 192 Seabird cliff V Watercolour on paper Ink, charcoal, pastel and coloured £450 pencil on paper £950 203 Ribbon-tailed Astrapia studies Watercolour on paper 193 Seabird island £450 Ink, pastel, compressed charcoal and graphite on paper Roseanne Landon £950 204 3rd calf of the season Oil on board Helen Kennedy £450 194 Meadow Brown butterflies, flight Pastel pencil Wynona Legg SWLA £200 205 February Hares 1 Ink 195 Meadow Brown butterflies, rabble £400 Watercolour and pencil £200 206 February Hares 2 Ink 196 Meadow Brown butterfly, flutter £350 Watercolour and pencil £200 207 Pupping season for the Greys at Horsey Gap 1 197 Meadow Brown butterfly, rest Ink Pastel pencil £850 £200

211 Squirreling away Ink and acrylic marker £700 Rachel Lockwood SWLA 212 Bathers lounging Oil on linen £2,600 213 Circling twins Oil £4,995 214 Startling light Oil on linen £4,500 215 Visiting queen Oil on linen £1,700 216 Wood hollow, red light Oil on linen £1,995 217 Young family Oil on linen £2,700 Nick Mackman SWLA 218 Bachelor Elephant (trunk down) Ceramic £3,000

219 Bachelor Elephant (trunk up) Ceramic £3,000 220 Delicate touch (Walrus bull) Ceramic £2,500 Julia Manning SWLA 221 Manxies Wood and linocuts (ed. of 35) £380 (£340 u/f)

Harriet Mead PSWLA 229 Beet Hook Greylag Welded found objects £4,750

Stephen Message 238 Great Grey Shrike Watercolour £1,200

230 Blade Tawny Owl Welded found objects £3,500

239 Sanderlings in Spring Acrylic £2,200

231 Cable Crested Grebe Welded found objects NFS

Philippa Mitchell 240 Damsels and Polliwogs 1 Water-mixable oil and gold leaf on canvas £645

222 The Marshes Wood and linocuts (ed. of 35) £660 (£495 u/f)

232 Reclining Hare II Welded found objects £2,500

223 To dwell with flowers and birds Woodcut (ed. of 35) £680 (£550 u/f)

233 Shear Capercaillie Welded found objects £4,750

224 Upper Lode counting Shad 234 Snip Soldier Beetle Wood, lino stencils, etc (ed. of 20) Welded found objects £780 (£650 u/f) £750 Melanie Mascarenhas Ama Menec 225 At the edge of the swirl 235 Persecuted - Life sized female Ink, watercolour, gouache, acrylic, Badger pastel and pencil Patinated foundry bronze £575 (ed. of 12) £9,000 226 Bird of the torrent Watercolour and ink 236 The challenge - female Kingfisher £565 in a threat display Patinated foundry bronze 227 Llurs ledges (ed. of 50) Ink, watercolour, gouache, soft £2,350 pastel and pencil £595 237 Wake Up! Stretching, yawning vixen Emerson Mayes Patinated foundry bronze 228 Kingfisher, March (ed. of 50) Monotype £2,800 £375

241 Damsels and Polliwogs 2 Water-mixable oil and gold leaf on canvas £645 Jill Moger SWLA 242 ‘After the fire’ - Boyd’s Forest Dragon Stoneware £950 243 Common Toads and an old nest box Stoneware £1,100 244 ‘Running out of time’ - Mexican Arboreal Alligator Lizards Stoneware £1,400 245 ‘Safe crossing - this time’ Stoneware £990 Mouzenn 246 The hope Engraving and acrylic on board £2,024

Sally Muir 247 Pond Pencil and charcoal £650

Iain Nutting 257 Gorilla Corten steel £1,200

Nik Pollard SWLA 267 Redshank Gouache, charcoal and pastel £550

Liz Myhill ASWLA 248 By-the-Wind Sailors Pastel, ink and watercolour £1,250

David Parry SWLA 258 Barn Owl Watercolour £750

268 Severn shoreline 1, Turnstones & Redshank Gouache on paper £950

249 Coastline stories: Climate signals Monotype with pastel £980

259 Masai Mara lioness Gouache £2,500

250 Coastline stories: Impact indicators Monotype with pastel £980

260 Moorhen Watercolour £850

269 Severn shoreline 2, Turnstones & Redshank Gouache on paper £1,150

251 Coastline stories: Sensitive and vulnerable Monotype with pastel £980 252 Coastline stories: Water quality Monotype with pastel £980 253 Interactions Pastel, ink and watercolour £1,250 William Neill SWLA 254 Loch Aineort, South Uist Acrylic £2,500 255 Oystercatchers Acrylic £2,500 256 Whoopers on the move Acrylic £2,500

Peter Partington SWLA 261 Barn Owl under a blue moon Oil £3,500

270 Severn shoreline 3, Turnstones Gouache on paper £950 271 Severn shoreline 4, Turnstones Gouache on paper £600

262 God save the Gannet Oil £2,500

272 Severn shoreline 7, Redshank Gouache, charcoal and pastel £650

263 On the River Gelt. Landscape of the Grey Wagtail Oil £1,250

273 Turnstones 1 Gouache on paper £550

264 Pintail Creek Oil £1,250

274 Turnstones 2 Gouache on paper £600

Jonathan Pomroy 265 Single Heron today on the estuary 275 Flushed Red Grouse - North York Oil Moors £1,250 Watercolour £950 Anna Pinkster 266 Blue Tits 276 House Martin studies - September Charcoal on paper 13th £795 Watercolour £650

277 Swift studies - May 10th Watercolour £650

287 Black Rhino bust Lime wood £3,750

298 Teton Great Grey Owl Acrylic on panel £850

278 Swift trio low pass - June 11th Watercolour £950

Alastair Proud SWLA 288 Food for thought Oil on board £1,250

299 Two Etosha Elephants Acrylic on panel £750

279 Swifts nest site prospecting - May 19th 289 Nightjar brooding young Watercolour Oil on canvas £650 £1,950 Rachel Porter 280 Rosebay Willowherb and Meadow sweet patch Watercolour and plant pigments (calendula and sorrel) £550 Adele Pound 281 Flies and a Hoverfly Carbon pencil and watercolour £285 282 Flies in the Sweet Peas Carbon pencil and watercolour £285

300 Walking the logs Acrylic on panel £850

290 Young forest phantoms Oil on board £1,850

Gail Reid 301 HermAphrodites Coloured pencil and acrylic £480

Gregory Rankine 291 Wanderers I Oil on canvas panel £850

302 Slug noticing something on the step Coloured pencil and acrylic £480

292 Wanderers II Oil on canvas panel £850

303 That’s MY parsley Coloured pencil and acrylic £280

Darren Rees SWLA 293 A kettle of wings Acrylic on panel 283 Flies resting on Sweet Pea tendrils £750 Carbon pencil and watercolour £285 294 Bear and Fall Aspens Acrylic on panel 284 Fly and Aphids £850 Carbon pencil and watercolour £234 295 Mum and cub, Lake Yellowstone Acrylic on canvas 285 Weevil £3,000 Carbon pencil and watercolour £285 296 Namib Dunes and Ostriches Acrylic on panel Bill Prickett SWLA £750 286 African Elephant bust Lime wood 297 Sleepy bear £4,500 Acrylic on panel £750

Sarah Rhiannon 304 First watch Oil £975 Alexandra Robb 305 Keeping watch Mixed media, linoprint and collage £525 Derek Robertson 306 In the darkest place the Nightingale sings Watercolour £380 307 Marsh Harrier field studies Watercolour £490

308 The wandering tribe. Water Rail family Watercolour £890

Louise Scammell SWLA 319 ‘Edmundsella pedata’ Reduction linocut (ed. of 8) £205 (£145 u/f)

309 Where the Plovers call (Field study) Watercolour £490

320 ‘Feathery feeders’ Reduction linocut (ed. of 8) £205 (£145 u/f)

Chris Rose SWLA 310 Black-throated Divers Oil on paper £1,500 311 Eider flight Oil on paper £1,850 312 Juvenile Dunlin Oil on paper £1,100 313 Ringed Plover Oil on paper £1,850 314 Sanderlings at Findhorn Oil on paper £1,100 315 Seals and Sanderlings Acrylic on paper £550 316 Shallow waters Oil on linen £5,000 317 Snow Buntings on Cairngorm Oil on paper £1,850 Will Rose 318 Short-toed Eagle harassed by Magpies Digital animation £105

321 ‘Reef framed’ Hope Spot Reduction linocut (ed. of 9) £425 (£325 u/f)

329 Wattled Cranes, Namibia Pastel on paper £1,440 330 Whooper Swans on the fen, frosty morning Pastel on paper £1,440 331 Wild Dogs on the edge of the Kalahari Pastel on paper £1,440

322 ‘Sea bandits’ Razorbills at South Haven 332 Zebra and Wildebeest in the rain Mokulito and monotype (ed. of 7) Pastel on paper £495 (£385 u/f) £1,440 323 ‘Star gazing’ Hope Spot Reduction linocut (ed. of 9) £425 (£325 u/f)

Lara Scouller 333 Velvet Crabs Mono-screen print with pastel £700

324 ‘Surrounded’ St Abb’s Head Mokulito and monotype (ed. of 4) Jose Antonio Sencianes Ortega £495 (£385 u/f) 334 Luz de Donana I Watercolour Dafila Scott SWLA £700 325 Guillemots just arrived Pastel on paper 335 Luz de Donana II £1,440 Watercolour £700 326 Kudu females on the edge of the Kalahari 336 Marisma de Isla Cristina Pastel on paper Watercolour £1,440 £700 327 Lioness and Wildebeest watch each other, Etosha Pastel on paper £1,440

Chris Sinden SWLA 337 Guillemots (Inner Farne) Linocut (ed. of 19) £245 (£210 u/f)

328 Ostriches in the Kalahari Oil on board £3,500

338 Honeysuckle Wren Linocut (ed. of 25) £145 (£115 u/f)

339 Nesting Kittiwake (Inner Farne) Linocut (ed. of 20) £220 (£190 u/f)

349 Dragonfly Metal and glass £290

340 Puffins Linocut (ed. of 30) £145 (£115 u/f)

Thelma Sykes SWLA 350 Eiders in convoy (triptych) Woodcut and linocut (ed. of 15) £1,650

Celia Smith 341 Flight of Terns Wire and wood £1,750 Jane Smith SWLA 342 Barnacle Geese, Wadden Sea Screenprint (ed. of 3) £345 343 Grazers, Wadden Sea Screenprint (ed. of 5) £250 unframed 344 Nesting Shags Screenprint (ed. of 2) £595 345 Sea Campion nesting Eider Screenprint (ed. of 2) £595 346 Teasels, Bee, Swifts Screenprint (ed. of 4) £345 Andrew Stock PPSWLA RE 347 Lapwings Acrylic £2,150 Stephen Stoner 348 Cranefly Metal, glass and wood £290

351 Moorings Linocut (ed. of 24) £445 352 Reflective mood II Woodcut and linocut (ed. of 17) £550 353 The Wake - Flank formation Linocut (ed. of 1) £300 354 Travelling light Linocut - two reduction blocks (ed. of 19) £365 (£295 u/f) 355 White-out: Long-tailed Tits & Blackthorn Linocut (ed. of 17) £350 Andrzej Szymczyk RSMA 356 Sifaka Lemur Bronze (ed. of 12) £9,000

Becky Thorley-Fox SWLA 359 Arctic Terns, resting by the lagoon’s edge Oil on linen £795 360 Dunlin in the Sea Thrift Oil on board £495 361 Dunlin on the shore Oil on canvas £795 362 Flock at dusk over the Dyfi Estuary Oil on linen £495 363 Late evening visitors, Loch Ryan Oil on linen £345 364 Ringed Plover chicks leaving the pebbles Oil on board £795 365 Sandwich Tern and chicks, Cemlyn Bay Oil on linen £795 366 Turnstones on the rock Oil on board £475

Rachel Taylor 357 Climate migrants Copperfoil stained glass £3,560

John Threlfall SWLA 367 Blakeney Marsh Oil £580

358 White-tailed Eagle II - ‘Dancing’ Copperfoil stained glass £3,900

368 Curlew flypast Mixed media £480

369 Pied Wagtail Oil £380

380 Barn Owl Oil on board £840

391 Curlew chick, seen a bug Oil £600

370 Sitting tight 1 Oil £440

381 Fox drinking Oil on board £960

392 Curlew nest Oil £550

371 Sitting tight 2 Oil £440

382 Goldfinches Oil on board £580

393 Curlew on guard Oil £1,200

372 Tree Sparrow Oil £440

383 Harvest Mouse Oil on board £580

Richard Tratt SWLA 373 Chalk downland, July Oil £695

384 Sparring Fallow Bucks Oil on board £1,240

Matt Underwood SWLA 394 Dive!

Woodblock print (ed. of 100) £480 (£400 u/f)

374 Clouded Yellows and Meadow Brown Oil £420

385 Swallows Oil on board £980

Esther Tyson SWLA 386 Curlew calling 375 Day flying moth, the Scarlet Tiger Oil Oil £1,400 £420 387 Curlew chick 376 Midsummer downland, Old Oil Winchester Hill £500 Oil £1,500 388 Curlew chick, chasing a bug Oil 377 Orange Tips, male and female £600 Oil £420 389 Curlew chick, foraging Oil 378 Red Admiral and Brimstone £500 Oil £695 390 Curlew chick, looking up Oil Simon Turvey SWLA £600 379 Badgers Oil on board £960

395 Meadow Woodblock print (ed. of 100) £400 (£350 u/f) 396 Shriek!

Oil £1,800 397 Sparrowhawk Woodblock print (ed. of 100) £370 (£300 u/f) Christopher Wallbank SWLA 398 An Owl is mostly air Charcoal drawn stop motion animation POA 399 Female Kestrel study Watercolour and pencil £550 400 First Gannets, Torness Watercolour £450 401 Four Yellowhammers in snow Watercolour and pencil £425

402 Gliding Buzzard, Glen Affric Watercolour £450

412 Sandwich Terns Watercolour £2,050

422 Puffin group, Isle of May Watercolour £4,495

403 Golden Eagles, Ben More Watercolour £650

413 Shorelarks Watercolour £625

423 Redwing and the last of the Haws Watercolour £4,295

404 The Cleaver loomery Graphite with watercolour £4,000

414 Wheatear Watercolour £625

405 White-tailed Eagles sparring, Creag a Ghaill, Mull Watercolour £650

415 Whimbrel Watercolour £925

424 Sea Eagle display over the Sound of Mull Watercolour £2,250

Tianyin Wang 406 Same direction Charcoal on paper £2,300 407 Something going on Charcoal on paper £1,280 408 The young Hare Charcoal on paper £720 Michael Warren SWLA 409 Fieldfares, Redwings and Blackbirds Watercolour £1,250 410 Little Terns Watercolour £775 411 Redshanks Watercolour £925

416 Wryneck Watercolour £625 Penny Wheatley 417 At play with light 3 Watercolour £1,250 Jane Wilson 418 Flashes of brilliance Acrylic, ink, collage, pencil and pastel £495

425 Willow Warbler and Apple Blossom Watercolour £9,495 Tim Wootton SWLA 426 Black-headed Gull Oil on canvas panel £675 427 Clifftop Meadow Pipit Oil on canvas panel £675 428 Rock Pipit at Point of Ness, Shapinsay Oil on canvas panel £675

Shelley Winnett (Bursary winner) Jo Wright 419 Kittiwake, Dunbar Castle 429 Otter of Ard Neackie Screenprint (ed. of 10) Silkscreen (ed. of 10) £185 (£95 u/f) £430 (£350 u/f) Darren Woodhead SWLA 420 Chiffchaff and Birch colours Watercolour £1,950 421 Fieldfare and Winter Haws Watercolour NFS

Judith Zur 430 Oriole on Guaje Tree Oil and cold wax £500

The SWLA would like to thank all our sponsors and partners for their generous support.

Awards and prizes 2023 Birdwatch and Swarovski Optik Artist of the Year Award The Natural Eye is an open exhibition and welcomes submissions from non-member artists.

For more information on how to exhibit and how to become a member of the Society, please visit swla.co.uk

Birdscapes Gallery ‘Conservation through Art’ Award RSPB Award The Swarovski Optik New Artist Award Trymwood Studios Art Prize The Michael Harding Oil Painting Prize The Michael Harding Watercolour Painting Prize Art Safari Works on Paper Award Mall Galleries / FBA Award Dry Red Press Award

Liz Myhill ASWLA Coastline stories: Impact indicators Monotype with pastel

ANDREW STOCK RE PPSWLA Shorelines An exhibition of new work featuring wildlife and landscapes of the North Devon and Cornwall coasts and estuaries.

Further info: www.andrewstock.co.uk Telephone: 07710325260 Email: lucy@andrewstock.co.uk

GALLERY DIFFERENT

14 Percy Street, Fitzrovia, London, W1T 1DR

21-25 November 2023

Andrew will be signing copies of his much anticipated book, THE CALL OF THE RUNNING TIDE, in the Mall Galleries during The Natural Eye exhibition on the 2nd November, from 11am - 4pm.

Copies will also be available during Andrew’s solo exhibition at Gallery Different. For details of the special limited editions of the book, please go to: www.andrewstock.co.uk The standard hardback is also available from the publisher (www.mascotmedia.co.uk).

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The SOC, Waterston House, Aberlady, East Lothian, Scotland

Hoopoe & Oranges, Andrew Haslen

The SOC is a Scottish Charitable Incorporated Organisation SC009859

Image: Graham Sutherland (1903-1980) The Bird, Lithograph

Nature in Art

Quarter page SWLA advert 23.indd 1

20/09/2023 13:07

Museum and Art Gallery

First opened in 1988, Nature in Art’s growing collection is unique.

With work from 60 countries and cultures spanning 1500 years, there is nowhere where you can see such a diversity of fine, decorative and applied art inspired by nature.

Visit and you are likely to see work by a Flemish master, Pablo Picasso, Henry Moore, Jacob Epstein or Graham Sutherland amongst your favourite SWLA and wildlife artists. See work from across the centuries in all styles and media.

To complement the displays, a vibrant special exhibition and unrivalled artists in residence programme help bring the genre to life, all supported by other events and courses throughout the year.

Find us 2 miles north of Gloucester on the A38 Open Tue - Sun & B.Hols 10am - 5pm. Not Dec 24 - 26. www.natureinart.org.uk

TRYMWOOD STUDIOS inspiring a love of art and nature

Exhibitions Art courses & Events www.trymwoodstudios.co.uk

Carry Akroyd Pink Tree (detail)

Dafila Scott Over the Marsh (detail)

info@trymwoodstudios.co.uk

Carry Akroyd & Dafila Scott

Bristol UK

17th November - 3rd December 2023

TRYMWOOD STUDIOS

Formerly By Royal Appointment, 2018-2023.

Specialists in Wildlife Art since 1959 Petworth The Old Tavern, Market Square, Petworth, GU28 0AH Tel: +44 (0)1798 344 207 Keith Shackleton, M.B.E. (1923-2015) - SWLA Founder member and past President Rockhopper penguins oil on board, signed and dated ‘Keith Shackleton 70’ (lower right), 23½ x 29½ in. (59.5 x 75 cm)

London Basement Gallery, 19 Ryder Street, St James’s, SW1Y 6PX Tel: +44 (0)207 839 8083

info@rountreetryon.com www.rountreetryon.com

Painting and Drawing Printmaking Sculpture Digital Art Ceramics and Glass

From short, evening and weekend courses to full degrees we offer the best quality art tuition to support your development.

Just 5 minutes walk from London Bridge.

Find a course to suit you www.artacademy.ac.uk

Gail Seres-Woolfson with her painting

ARTIST: KESJA TABACZUK

MICHAEL HARDING OIL PAINTS

MICHAELHARDING.CO.UK

MH

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Sets containing our highest quality watercolours that have a strong concentration of lightfast pigments for excellent tinting strength. Particular consideration has been made to include single pigment colours in sets for the purest colours and cleanest mixes. Some sets also include travel or full-size sable brushes to make the ideal set whether it is for you or a gift. winsornewton.com