Pastel Society | Annual Exhibition 2024

2024 125TH ANNUAL EXHIBITION

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Front cover: Susie Prangnell Another Dilemma Inside front cover: Kevin Line Winter of Days 4 (detail)

Exhibition open 24 January to 10 February 2024 10am to 5pm Mall Galleries, The Mall, London SW1 Discover the exhibits and events at www.mallgalleries.org.uk

Works are available to browse & buy at www.mallgalleries.org.uk 020 7930 6844 | info@mallgalleries.com | www.mallgalleries.org.uk

President’s Foreword It is always worth celebrating a significant milestone in the history of any Arts Society and the Pastel Society is celebrating the 125th Anniversary of our Annual Exhibition this year.

This represents an impressive continuity for our unique medium by generations of talented artists.

It is not surprising that the Society was formed at the end of the 19th century as this was at the time when pastel technology blossomed in England and France. Great modern art practitioners of the time such as Degas took advantage of this and in 1899 after the first exhibition, The Studio magazine considered the exhibition not merely promising but very ‘remarkable,’ adding that the variety of the works gave a good suggestion of pastel’s possibilities. The Royal Academy exhibition ‘Impressionists on Paper’, which is currently on, demonstrates the medium brilliantly and is well worth seeing to get a feel of this revolution in art.

Richard Rees The Royal Courts of Justice 2

Pastel Myth 1: Pastel colours fade and don’t last. This is not true as they do not fade.

They have the same guaranteed longevity as most oil painting colours and better longevity than many watercolour pigments.

See the work of Degas for example.

Fast forward to 2023 and the manufacturers and colourists, many of whom sponsor our exhibitions, have made technical advances that provide the artist with new and exciting opportunities. Expanded ranges of pigments, pastels, papers, canvases and other dry media are available to encourage enthusiasm, even greater technical skill and more originality and innovation.

However, there are entrenched views that pastel and other dry mediums are not the first consideration when either creating paintings or investing in finished work. There appears to be a common misconception that pastel and dry media are a sketching and drawing tool, encouraged over centuries within art academies, Ateliers, schools and art galleries but out of which oil paintings will flourish. Yet watercolour has lost its ‘sketching’ tag and acrylic is encouraged in the context of both water and oilbased work. Pastel and dry media are in a unique position to be exploited in all forms of art, for drawing and painting.

This year, society members and Friends visited The Ashmolean Museum in Oxford where we saw stunning pastels which are unfortunately seldom seen.

Pastel Myth 2: Pastel is a cheap medium.

This myth derives from children using simple cheap pastel sets to learn to draw. Unfortunately, pastel is certainly

not cheap when you graduate to quality materials! Huge research and technical efforts are made to maintain quality by manufacturers so that artists enjoy a mountain of choice.

Many artists creating the most exciting contemporary work are willing to blend multiple media, and this is where the directness and flexibility of pastel comes into its own. Our pastellists will tell you that we paint with pastels as well as draw or sketch. We refer to our work as pastel paintings. Our exhibition is not a sketching show, it is primarily a painting show.

As an example of these earlier prestige works, go to see the current exhibition in the National Gallery where a pastel by Jean-Etienne Liotard (1702 – 1789) called ‘Breakfast with the Laverne Family’ (1754) is on show. This pastel painting is considered a masterpiece by many.

Pastel Myth 4: It is a friable medium that will fall off the paper. This is not true as dry pastel can be fixed firmly to its base by fixatives and, in addition, modern papers have strong keyed surfaces to help stabilise them. Oil pastels are naturally sticky and need no fixing.

Pastel Myth 3: Pastels are not as rich or flexible as oils. The 19th-century critic and novelist Joris-Karl Huysmans begged to differ as he wrote that ‘Pastel allows for drawing and colouring all at once. It has a bloom, a velvet smoothness… that neither watercolour nor oil can touch’.

The late Paula Rego, an honorary Pastel Society Member, showed in recent times how creative the use of pastel could be and it became her preferred medium in her later years. She felt that she could depict the intensity of her feelings better with pastel than with any other medium.

I also paint in oils and watercolours and enjoy using both media. But I keep coming back to pastel for many reasons including the number, vibrancy, and variety of the sensuous colours that are available without the need for time-consuming mixing; its speed and flexibility of application; its ease of manipulation, without either the mess of oils or the technical hurdles of watercolour.

There is so little preparation needed with pastel and one can make marks, draw lines, lay down blocks of colour, transparently or opaquely, and create work that is as rich and varied as any other medium, if not more so. This was recognised in the 18th century when works of pastel artists were highly revered and fetched prices almost on a par with oil paintings.

The Tate Britain rehang in 2023 introduced a strikingly original young pastel artist, Rachel Jones, in its collection. Her pastel and mixed media painting ‘Lick your teeth, they so clutch’ is well worth seeking out and is a strong and bold contemporary use of the medium.

Our invited artist Tyga Helme brings another young new vision to work in pastels.

Pastel Myth 5: It is a messy medium. The small amount of dust created by dry pastel is easily contained and cleaned off – oils can be far messier and more invasive, but care must be taken not to inhale the dust.

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President’s Foreword (cont.)

The promotion of pastel by the Pastel Society and the future The Pastel Society, as with all the charitable societies under the umbrella of the Federation of British Artists, is beholden to the time that members give out of the enthusiasm, experience and knowledge that they have for their work in pastel and dry media. But we are also reliant on The Friends, artists, viewers and buyers. We can all be part of promoting a wonderful medium continuing to run our annual workshops at Heatherley’s School of Art; The Studio run during our annual exhibition; our website and newsletters, Instagram, X and Facebook; the workshops that are run individually by members or the exhibitions held in private galleries around the country. Spreading the message is our foremost goal, finding new followers whether as a young artist, new artist, or un-discovered artist; as a buyer or simply for the enthusiasm of work in pastel and dry media.

Young talented artists are vital to the growth and longevity of the Society. This talent can come from any background and what we want to see is enthusiasm, technical skill, originality and innovation in submissions.

Last year we elected four new members and this year up to 10 new candidates could become eligible for consideration for membership. I have been encouraged by the new wave of young pastel practitioners who are taking the medium forward in interesting ways and my President’s Prize will celebrate that this year.

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As well as encouraging young artists to embrace pastel to ensure the future of the Pastel Society, the Society, as a member of the Federation of British Artists, has a responsibility to promote pastel and dry media as a major element in figurative art. The sale of works at our exhibitions develops and promotes established, new and young artists. The funds generated by sales enables the Society to contribute to the AGBI (Artists’ General Benevolent Institution), a charity that supports artists who are suffering temporary hardship.

I am optimistic that the Pastel Society can stimulate more interest in dry media and garner the talent it needs to keep it strong in the future as a showcase for what pastel and dry media can do.

I would like to thank our tireless Council, who put so much work into our Annual Exhibitions and promoting the Society as well as the FBA staff at the Mall Galleries. We welcome our guest speaker this year, Michael Spender, who is preparing a biography on the late Tom Coates, one of our past presidents who is celebrated in the exhibition.

I hope you enjoy the richness and uniqueness of our exhibition and will come back again and again in future years to see how we develop. Also, make sure you look out on our new website, www.thepastelsociety.org.uk from June onwards for full details of our next Heatherley’s School of Art Workshops on 18 and 19 September which proved so popular in 2023.

Richard Rees President, the Pastel Society

Guest Speaker Michael Spender FSA Hon RWS Michael Spender is a writer and art historian and presently Head of Culture for Bournemouth, Christchurch and Poole Council. He has been Director of the Bankside Gallery and Secretary of the Royal Watercolour Society and Royal Society of Painter-Printmakers, Director of the Embroiderers’ Guild and Manager of Poole Museum.

Michael has curated and written catalogues of many exhibitions of 19th and 20th century art and artists, and his published books include studies of the work of Ken Howard and Leslie Worth, The Glory of Watercolour, and Visions of Venice, a collaboration with 25 members of the RWS. Michael is currently working on a book about the art of Tom Coates.

Simon Hodges A Moment; A Wet Evening in Trafalgar Square

I am optimistic that the Pastel Society can stimulate more interest in dry media and garner the talent it needs to keep it strong in the future as a showcase for what pastel and dry media can do.

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Invited Artist: Tyga Helme

Born in 1990, Tyga lives and works in the UK. She is a painter and printmaker with drawing lying at the heart of her practice. She uses the directness and urgency of drawing from life as a springboard for all her work, finding her subjects in nature’s edgelands; where trees and mountains meet the sky, where sea meets rock or tangled in undergrowth.

In working from life she celebrates the spontaneity of the moment whilst also building on memory and feeling by returning to places over and over again.

Trained at Edinburgh College of Art and The Royal Drawing School in London, where she won the Machin Foundation Prize, Tyga uses nature as a metaphor for feelings of being overwhelmed. She couples minute observation of the teeming forest floor – where the emerald green of a bramble leaf sits in stark juxtaposition to an array of cold blue silver leaves – with the flux and movement of unceasing growth. She switches from the micro to macro and a particularly favourite subject is a clump of Douglas firs near where she lives which she views from underneath, highlighting their dark and jagged canopy against the azure sky.

‘The untidy areas are the exciting bits,’ says Tyga who lives on the Wiltshire Downs where she seeks out the uncultivated corners of fields or patches of woodland floor to paint. ‘Things really do spring up

in one day and everything constantly shifts around,’ she says. ‘Grasses and brambles make way for animals; a shoot is there one day and gone the next because an animal has eaten it.

A mushroom suddenly appears from nowhere. Everything is in a relationship with everything else.’

A rising star in the new British Landscape movement her work embodies an awakening to the importance of the ground beneath our feet.

Although Tyga lives and works in the UK she won an Erasmus scholarship to study at the L’Ecole Nationale Superieue des Arts Decoratifs in Strasbourg and for more than a year taught at the International Institute for Arts, Modinagar in India.

Her work is held in a number of important collections including the Royal Collection.

Tyga has shown with the Pastel Society previously, including ‘Spangled Sky’ in 2019 (opposite) 7

Tom Coates Sir Henry Rushbury 8

Tom Coates PPPS PPNEAC PPRBA RP Hon RWA PPSEA OAS APF Patron MAS An Appreciation

The art world was saddened by the death on 20 July 2023 of one of its great artists and characters. Tom Coates was not only talented, he was also generous with that talent, sharing it with a host of younger artists along the way. He was dazzling in his facility with all artistic media, not just pastels, and this meant that he fitted into a range of art societies, eventually leading many of them.

Not only was he a President of the Pastel Society but was also President of the Royal Society of British Artists and the New English Art Club. All of us felt privileged to be the focus from time to time of his witty, gregarious, and energetic personality without ever feeling that he was spreading himself too thinly. The art historian and writer Michael Spender has said that ‘if the world was a street of restaurants, Tom Coates would be the gourmet trying the tasting menu in each one’.

Tom always had his sketchbooks available and worked in pastel, chalk, oil, and watercolour in a huge variety of scales, but always coming back to the discipline of drawing. His intuitive talent was recognised worldwide, and he can be ranked amongst the outstanding British draughtsmen of the past century. His subject matter was catholic: from portraits to landscapes, animals - particularly horses - towns, cities, and sporting arenas. Whether working from life or with his formidable

visual memory he worked at his art all over the world from England to North Africa, Kentucky to Venice.

Born in Aston, Birmingham in 1941, from a difficult start, when his parents emigrated to Australia and did not support him, he had to work hard to keep his artistic ambitions alive. This included a stint in a local Birmingham coal mine where he treated the mining community to traditional songs in his excellent tenor voice in pubs as a means of making ends meet. From studying at the Bournville and Birmingham Schools of Art he moved on to the Royal Academy Schools where he had to get a cleaning job in the schools to survive (this did have the advantage that he could scavenge for unwanted materials left by fellow students and led to some very odd material mixtures).

Despite a misunderstanding with the cantankerous RA principal Sir Henry Rushbury, he won the Leverhulme Scholarship at the RA which enabled him to travel abroad for the first time. This was the first of many awards and recognition of his talent developed quickly. He recorded Queen Elizabeth The Queen Mother’s 90th Birthday celebrations, he painted the late Queen at Royal Ascot, was artist in residence with the England cricket team and with his brilliance at portraiture amassed a string of distinguished sitters, including many military figures.

It was not all plain sailing in later life.

There was a potentially life-changing scare when his eyesight deteriorated to the extent there was the threat of blindness from a tumour in his pituitary gland. It took three years to sort this out successfully and Tom was immensely grateful to the medical profession. He was supported by the AGBI and made sure that he repaid them in full when he was back on his feet.

He was generous in all sorts of other ways, not only to charities but with his time with other artists.

For the last forty years Tom and his wife Mary Jackson (HRWS NEAC) and family occupied the Bladon Studios in Hurstbourne Tarrant near Andover. These were lovingly restored from a state of dereliction by Tom and had a connection to another great twentieth century draughtsman as Augustus John once exhibited there.

Tom’s many painting sessions with fellow artists were legendary. There would be ample supplies of red Burgundy on tap and Tom would regale his fellow artists with anecdotes and the occasional song.

The epithet ‘Larger than Life’ applied to Tom in so many ways and he will be sorely missed by the wide artistic community he contributed so much to for so long.

A monograph by Michael Spender, who kindly provided material for this appreciation, will be published in due course.

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Prizes & Awards The Pastel Society would like to thank the individuals and companies who generously award the following prizes: The Anthony J. Lester Art Critic Award A certificate and cheque for £50 The Artist Magazine Award A feature article in The Artist magazine The Bob Last Prize A prize for a work that celebrates the spirit of the late Bob Last (1932-2020), a long-standing member of the Pastel Society who was known for his imaginative use of dry media, excellent drawing skills, attention to detail, and passion to always present work that was different and innovative. With thanks to his daughters, Joanne Last and Jackie Jones, who will select the prize winner. Value £400.

Caran d’Ache Award Product prize Frank Herring Award Product prize Henri Roche Award Product prize Mamut Award Product prize The Pastel Society Catalogue Awards The winning works featured in the exhibition catalogue First Prize: Barry Lowenhoff Second Prize: Alex Ayliffe

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The Pastel Society Visitors’ Choice Award The winning artist will receive a set of Caran d’Ache pastel pencils The President’s Prize £500 for the best work by an artist aged 35 or under Schmincke Award Product prize The Tom Coates Memorial Prize £2,000 for the best non-member work in the exhibition, selected and presented by Tom’s wife, the artist Mary Jackson NEAC RWS UART Award Product prize Unison Member Award Set of 72 pastels Unison Non-member Award Set of 72 pastels Unison Young Artist Award Pastels up to £500 for the year, plus mentorship for 1 year by an Associate Artist of Unison Colour West Design Award Product prize The Yoshimoto Prize A prize of £1,000 for an outstanding work, in any dry medium, by a non-member

Thomas Gale Crystal Back Alley Winner of The President’s Prize 2024

The Pastel Society Catalogue Awards

First Prize

Second Prize

Barry Lowenhoff was born at Durham in June 1956. He works across different mediums but using slabs of flat colour with dry pastel or gouache. Barry has exhibited at the Pastel Society’s annual exhibitions and has sat on the committee of the Suffolk Art Society and does private commissions using painting and drawing.

Alex Ayliffe is a contemporary abstract artist living and working near Woodbridge, Suffolk. Since 2017 she has painted full time and is establishing herself as a significant abstract artist. Her work explores boundaries, borders and edges, questioning how we interact with them.

Barry Lowenhoff Waterfall III, Inagh Valley Charcoal, pastel and watercolour 49 x 70 cm

Alex Ayliffe Coastal I Soft pastel on paper 30 x 51 cm

Alex says, “My work references landscape, but not in the traditional sense. Rather, I explore a landscape as a metaphor, infusing emotion within the geography of a personal ‘scape’ – in effect, an inner landscape infused with the outer landscape.”

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Exhibiting Members

Tony Allain New Dawn Pastel 70 x 102 cm £3,500

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Angela A’Court Red Jug Soft pastel 33 x 31 cm £1,200

Michele Ashby Go Figure Pastel 36 x 30 cm £1,200

Glenys Ambrus School’s Out! Pastel 61 x 74 cm £1,750 13

Liz Balkwill Lobster Lunch Pastel 22 x 28 cm £950

Janine Baldwin Evergreen III Pastel, charcoal and graphite 41 x 34 cm £650

Sarah Bee Corner of the Field Soft pastel with acrylic 40 x 40 cm £900 14

Andrew Barrowman Forgotten Gate Charcoal on paper 39 x 57 cm £1,045

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Keith Bennett Adjusting her Hair Pastel 45 x 29 cm £790

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David Brammeld Standing Tall Pastel 84 x 60 cm £1,250

Caroline Bays Rachel Charcoal 68 x 48 cm £950

Melodie Cook Fiona Pastel 110 x 75 cm £4,250 17

James Crittenden Afternoon Axarquia Pastel 66 x 87 cm £4,950

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Cheryl Culver If you ever go across the sea...

Pastel 68 x 68 cm £1,950

Susan Dakakni Forest Rainpool Charcoal 45 x 53 cm £720

Louise Diggle Snow - Hyde Park, Early Morning Light Soft pastel on card 22 x 32 cm £540 19

Jaana Fowler Still Life with Red Stripes Oil pastel and pencil 30 x 40 cm £600

Roger Dellar Portuguese Bar Pastel 40 x 40 cm £1,200

Margaret Glass The Bottom of the Garden Pastel 41 x 51 cm £1,200 20

Sheila Goodman Riverside Pastel 29 x 33 cm £725

Martin Goold Moon Forest Oil pastel and wax-based pencil on paper 54 x 39 cm £750

Jenny Halstead Across the Solent Pastel 45 x 45 cm £850 21

Jeannette Hayes Winter Sun Pastel 70 x 100 cm £2,000

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Valeriy Gridnev First Steps in Ballet Pastel on board 60 x 90 cm £6,500 23

Simon Hodges A Moment; Sundown in Norfolk Soft pastel on paper 24 x 31 cm £495

Benjamin Hope Four Seashells, One Broken Oil pastel 17 x 27 cm £800

Felicity House Topiary at Anderson Manor Pastel and watercolour 17 x 31 cm £850 24

Jill Jeffrey Sycamore Gap 2 Pastel 40 x 74 cm £850

Henry Jabbour Just Us Two Oil pastel on board 36 x 28 cm £975

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Kevin Line The Blockley Cobbler Charcoal on paper 84 x 59 cm £2,800 26

Susie Prangnell Star Catcher Soft pastel 48 x 48 cm £675

Richard Rees Westminster Cathedral Pastel on acrylic ink 39 x 30 cm £780 Ian Rawling Red Kettle Pastel and pastel pencil 50 x 50 cm £1,100 27

Susan Relph Multiple Studies from Life at White Waltham Soft pastel and graphite 84 x 59 cm £3,900 28

Norman Smith Late Evening Tuscany Pastel on paper 61 x 51 cm £2,300 29

Halla Shafey Still Life with Flowers Pastel 27 x 39 cm £950

Norma Stephenson Farms & Barns, Yorkshire Dales Pastel 52 x 52 cm £1,600

John Tookey Storm over Harwich Pastel 24 x 49 cm £700

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Peter Vincent Green Water Pastel on card 63 x 63 cm £850

Malcolm Taylor Sea Pool Pastel 40 x 36 cm £1,350

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Katrina Wallis-King The Beach House Charcoal, pastel and acrylic 46 x 31 cm £635

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Christine Watson Trikeri Steps II Pastel on paper 59 x 42 cm £650

Roy Wright At the Edge of Silver Birch Forest Charcoal 84 x 108 cm £5,600

The works for sale in the exhibition are available to buy through the Own Art scheme.

Own Art interest free loans make it easy and affordable to buy original, high quality contemporary art and craft. Representative 0% APR. Subject to status. Terms and conditions apply. Applicants must be at least 18 years old.

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Non-exhibiting Members

Peter Brown George Street, Bath

Matthew Draper The Sound at Twilight (2018) 34

Moira Huntly Towards Berea Pembrokeshire

Alexander Prowse Holy Chitravathi River

Mark Rowbotham Girl Reading in Hammock

Keith Roper Barlings Eau 35

Name

Title

Medium

Size (cm)

Framed

£

1

Angela A’Court PS

Indian Borage

Soft pastel

2

Angela A’Court PS

Red Jug

Soft pastel

55 x 71

75 x 91

2,300

33 x 31

53 x 51

1,200

3

Lydia Adams

Yellow Toad

Oil pastel and coloured pencil

16 x 16

24 x 24

400

4

Zahra Akbari Baseri

Restive

Mechanical pencil on paper

30 x 30

34 x 34

1,200

5

Tony Allain PS RSMA

Frost Evening, Tibbermore Scotland

Pastel

50 x 66

70 x 90

2,500

6

Tony Allain PS RSMA

Ice Puddles, Comrie

Pastel

50 x 66

70 x 90

2,500

7

Tony Allain PS RSMA

New Dawn

Pastel

70 x 102

90 x 120

3,500

8

Tony Allain PS RSMA

Wild Scotland

Pastel

70 x 102

90 x 120

3,500

9

Setenay Alpsoy

Defective Beauty

Pencil on paper

81 x 88

1,900

10

Setenay Alpsoy

Shipyard

Pencil, soft pastel and willow

50 x 97

1,900

charcoal on paper

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Glenys Ambrus PS

Amita

Pastel

42 x 53

50 x 61

1,200

12

Glenys Ambrus PS

Natalie

Pastel

42 x 59

50 x 67

1,600

13

Glenys Ambrus PS

Natalie with Oranges

Pastel

61 x 71

69 x 82

1,650

14

Glenys Ambrus PS

School’s Out!

Pastel

61 x 74

68 x 92

1,750

15

Laura Arenson

Give Yourself a Chance

Charcoal and chalk on

56 x 31

61 x 36

1,500

45 x 30

50 x 55

950 750

hand toned paper

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Laura Arenson

On the Way to the Scrap Heap

Graphite on hand toned paper

17

Rachel Arif

Landscape Study/Baked Moorland

Oil pastel

20 x 20

30 x 30

18

Rachel Arif

Southwold Harbour Sketch

Oil pastel on paper

28 x 28

35 x 35

795

19

Anna Artemenko

Still Life with a Red Wooden Clog

Oil pastel and soft

119 x 65

136 x 82

1,100

pastel on paper

20

Michele Ashby PS

A Head for Figures

Pastel

36 x 30

46 x 40

1,200

21

Michele Ashby PS

Figure Head

Pastel

36 x 30

46 x 40

1,200

22

Michele Ashby PS

Gaining Acceptance

Pastel

36 x 30

46 x 40

1,200

23

Michele Ashby PS

Go Figure

Pastel

36 x 30

46 x 40

1,200

24

Michele Ashby PS

Statistics Count

Pastel

36 x 30

46 x 40

1,200

25

Michele Ashby PS

Tied

Pastel

36 x 30

46 x 40

1,200

26

Tanya Avchinnikova

Across the Irish Sea, Silver Wings

Soft pastel

50 x 50

58 x 58

980

27

Tanya Avchinnikova

Arnside

Soft pastel

50 x 40

60 x 50

670

28

Tanya Avchinnikova

Tender Pink

Soft pastel

50 x 40

60 x 50

670

29

Alex Ayliffe

Boatyard

Soft pastel on paper

37 x 37

49 x 49

850

30

Alex Ayliffe

Coastal I

Soft pastel on paper

30 x 51

42 x 63

900

31

Alex Ayliffe

Iken

Soft pastel

30 x 33

42 x 45

850

32

Alex Ayliffe

Off Shore

Soft pastel

47 x 51

59 x 63

850

33

Katy Bailey

Lode Mill

Pastel

30 x 106

32 x 108

690

34

Katy Bailey

Lost

Pastel

60 x 40

62 x 42

490

35

Katy Bailey

Sunset at Byrons Pool

Pastel

116 x 61

118 x 63

780

36

Patrick Will Baker

Covehithe: Beach Path

Soft pastel on paper

42 x 59

50 x 70

550

37

Janine Baldwin PS

Evergreen III

Pastel, charcoal and graphite

41 x 34

57 x 50

650

Name

Title

Medium

Size (cm)

Framed

£

38

Janine Baldwin PS

Forest Dreams

Charcoal and graphite

77 x 53

93 x 69

1,295

39

Janine Baldwin PS

Forest Dreams II

Charcoal and graphite

67 x 48

83 x 64

1,100

40

Janine Baldwin PS

Moors at Dawn

Pastel, charcoal and graphite

34 x 42

50 x 58

650

41

Janine Baldwin PS

Pine

Pastel and graphite

67 x 48

83 x 64

1,100

42

Liz Balkwill PS

Apple Tea with Orchids and Ginger Pot

Pastel

32 x 34

51 x 53

1,150

43

Liz Balkwill PS

Coffee Pot with Narcissi

Pastel

27 x 23

45 x 39

895

44

Liz Balkwill PS

King Prawns

Pastel

20 x 23

40 x 40

695

45

Liz Balkwill PS

Lobster Lunch

Pastel

22 x 28

43 x 49

950

46

Liz Balkwill PS

Ranunculas

Pastel

26 x 23

45 x 40

775

47

Liz Balkwill PS

White Tea, Honey and Citrus

Pastel

20 x 30

40 x 49

895

48

David Barrow

Start of a Summer’s Day

Pastel

20 x 30

35 x 45

400

49

Andrew Barrowman PS

Forgotten Gate

Charcoal on paper

39 x 57

52 x 70

1,045

50

Andrew Barrowman PS

Godrevy Sunset

Soft pastel

28 x 38

37 x 47

875

51

Andrew Barrowman PS

Morning Snow, Nine Maidens, Cornwall

Soft pastel

28 x 38

37 x 47

875

52

Andrew Barrowman PS

Trenwheal Hedgerow

Silverpoint

15 x 20

35 x 40

475

53

Caroline Bays PS

Francoise with Birds

Pastel

70 x 50

85 x 65

950

54

Caroline Bays PS

Kavin

Pastel

68 x 48

101 x 80

950

55

Caroline Bays PS

Nude Profile

Pastel

70 x 50

85 x 65

950

56

Caroline Bays PS

Rachel

Charcoal

68 x 48

101 x 80

950

57

Sarah Bee PS

Cool Coombe Lane

Soft pastel with acrylic

81 x 121

97 x 135

4,990

58

Sarah Bee PS

Corner of the Field

Soft pastel with acrylic

40 x 40

48 x 48

900

59

Sarah Bee PS

Hot Day, Dartington Gardens

Soft pastel with acrylic

81 x 121

97 x 135

4,990

60

Sarah Bee PS

Spring Sunlight in the Woods

Soft pastel with acrylic

59 x 59

68 x 68

1,600

61

Keith Bennett PS

Adjusting her Hair

Pastel

45 x 29

61 x 43

790

62

Keith Bennett PS

Twisting Model

Pastel

56 x 23

74 x 36

790

63

Bob Bernard

Padley Gorge Woods

Pastel on paper

18 x 28

30 x 40

480

64

Christine Berrington

Figure in the Room

Charcoal

55 x 39

70 x 53

520

65

Christine Berrington

On the Southbank

Pastel and watercolour

28 x 42

42 x 56

550

66

Patricia Bevan

Ebb & Flow I

Pastel on card

24 x 28

39 x 44

550

67

Natalie Bird

Dusk, Scottish Pines

Pastel

24 x 30

34 x 40

450

68

Christian Birmingham

Rialto Market, Venice

Chalk pastel on paper

30 x 44

50 x 64

1,250

69

Christian Birmingham

Trinity House Lightship 93 and SS Robin at

Chalk pastel on paper

30 x 44

50 x 64

1,250 1,500

Millennium Mills, Royal Victoria Docks, London

70

Marc Bodie

Misread Misplaced & Misunderstood

Oil pastel on Yupo paper

46 x 32

62 x 47

71

Linda Bonner

Fern Glance

Ink, acrylic and pastel

30 x 30

45 x 45

420

72

Gavin Bowyer

Covent Garden Fatigue

Pencil

26 x 21

46 x 41

400

73

David Brammeld PS RBA

Coming Through

Graphite

30 x 40

32 x 43

450

74

David Brammeld PS RBA

Long Cold Walk

Graphite

32 x 24

43 x 32

425

75

David Brammeld PS RBA

On the Hill

Pastel

42 x 60

60 x 74

1,050

76

David Brammeld PS RBA

Slow Dance

Pastel

60 x 84

80 x 104

1,250

Name

Title

Medium

Size (cm)

Framed

£

77

David Brammeld PS RBA

Standing Tall

Pastel

84 x 60

104 x 80

1,250

78

David Brammeld PS RBA

Strong Heart

Pastel

84 x 60

104 x 80

1,250

79

Bob Brown

The German Bride

Pastel

42 x 38

75 x 58

450

80

Bob Brown

Washing Line

Pastel

48 x 36

78 x 65

450

81

Emma Brown

Roma

Soft pastel

33 x 27

42 x 30

450

82

Michelle Buhl-Nielsen

The Poetry of Clouds I

Charcoal

30 x 40

40 x 50

83

Annam Butt

Aspen

Russian sauce and

40 x 35

500 650

625

charcoal pencil

84

Ryan Cardiff

Dragon Flower

Pastel

30 x 40

85

Fiona Carvell

Glory

Soft pastel

32 x 32

43 x 43

625

86

Fiona Carvell

Promise

Soft pastel

47 x 47

59 x 59

845

87

Cristina Celestini

The Dream (after Veronese)

Colour pencils on paper

55 x 75

56 x 76

1,600

88

Jack Clare

After Tea

Graphite

40 x 77

40 x 77

600

89

Jack Clare

Simple Things

Graphite and coloured pencil

56 x 49

56 x 49

575

90

Jonathan Clarke

Mallorcan Mountains - Sketch

Charcoal

30 x 42

35 x 47

400

91

Sam Clayden

Effie

Charcoal

70 x 40

85 x 55

2,250

92

Patricia Clements

Still Life with Crab and Christmas Poinsettia Pastel

74 x 54

102 x 81

1,000

93

Sophie Coe

Slaters Bridge

Charcoal on paper

50 x 68

63 x 83

1,350

94

Melodie Cook PS

Ester

Pastel

110 x 74

117 x 82

4,250

95

Melodie Cook PS

Fiona

Pastel

110 x 75

117 x 82

4,250

96

Melodie Cook PS

The Orange Ball

Pastel

84 x 59

91 x 66

2,850

97

Melodie Cook PS

The Pigeon and the Toad

Pastel

84 x 59

91 x 66

2,850

98

James Cowan

Ulitsa Pastel

Pastel on paper

65 x 42

62 x 88

700

99

James Crittenden PS

Afternoon Axarquia

Pastel

66 x 87

78 x 99

4,950

100

James Crittenden PS

Olive and Orange Grove

Pastel

71 x 87

83 x 98

4,950

101

Julie Cross

Klimtesque, Autumn

Pastel, pastel pencil and

21 x 17

33 x 29

400

charcoal pencil on collage paper

102

Patrick Cullen PNEAC

Vineyards in Spring, Tuscany

Pastel

58 x 74

70 x 90

3,750

103

Cheryl Culver PPPS RBA

After the Rain II

Pastel

38 x 38

49 x 49

695

104

Cheryl Culver PPPS RBA

All will turn to Silver Glass

Pastel

55 x 55

65 x 65

1,450

105

Cheryl Culver PPPS RBA

Distant Pines all in a Row

Pastel

38 x 38

49 x 49

695

106

Cheryl Culver PPPS RBA

Golden Harvest

Pastel

55 x 55

65 x 65

1,450

107

Cheryl Culver PPPS RBA

If you ever go across the sea.....

Pastel

68 x 68

80 x 80

1,950

108

Cheryl Culver PPPS RBA

Very Low Tide

Pastel

58 x 58

68 x 68

1,550

109

Susan Dakakni PS

Forest Rainpool

Charcoal

45 x 53

110

Ann Dangerfield

Late in the Day

Oil pastel

54 x 56

65 x 67

595

111

Ann Dangerfield

View from the Bridge

Oil pastel

54 x 56

65 x 67

595

112

Rebecca de Mendonca

Sunlight and Steam

Pastel and pastel pencil

36 x 49

49 x 62

995

30 x 21

34 x 25

895

on primer

113

Oil pastel and charcoal

Adam De Ville

Goodbye Mr Tuesday

on board

720

114

Name

Title

Medium

Adam De Ville

John’s Series of Beautiful Disappointments

Oil pastel and charcoal

Size (cm)

Framed

£

30 x 21

34 x 25

895

on board

115

Roger Dellar PS RI ROI ARSMA

Colbert Sloane Sq

Pastel

25 x 30

44 x 49

695

116

Roger Dellar PS RI ROI ARSMA

Four Seasons Kitchen

Pastel

30 x 40

49 x 59

950

117

Roger Dellar PS RI ROI ARSMA

French Waiter

Pastel

30 x 40

49 x 59

950

118

Roger Dellar PS RI ROI ARSMA

Parisian Bar

Pastel

40 x 30

59 x 49

950

119

Roger Dellar PS RI ROI ARSMA

Portuguese Bar

Pastel

40 x 40

57 x 57

1,200

120

Roger Dellar PS RI ROI ARSMA

The Ivy

Pastel

30 x 40

49 x 59

950

121

Louise Diggle PS

Blossom, Chelsea Manor Street

Soft pastel on card

21 x 21

36 x 35

460

122

Louise Diggle PS

Olive Grove, Andalucia

Soft pastel on card

21 x 27

35 x 41

470

123

Louise Diggle PS

Snow - Hyde Park, Early Morning Light

Soft pastel on card

22 x 32

36 x 46

540

124

Louise Diggle PS

Spring - Pembrokeshire Hedgerow

Soft pastel on card

31 x 24

45 x 38

540

125

Louise Diggle PS

Towards Forio, Ischia - Morning Light

Soft pastel on card

22 x 14

29 x 36

430

126

Louise Diggle PS

Trooping the Colour Procession, Mall

Soft pastel on card

13 x 30

28 x 45

470

127

Sonia Dobbs Orr

Crossing the Stream

Pastel

28 x 38

45 x 55

450

128

Sonia Dobbs Orr

Winter’s Golden Hour

Pastel

28 x 38

45 x 55

129

Stella Downing

Bromyard Apple Tree

Mixed media with pastels

42 x 42

130

Stella Downing

Pershore Water Meadows

Mixed media with pastels

42 x 42

131

Lindy Dunbar

Master of Ceremonies

Soft pastel and charcoal on

42 x 30

52 x 40

410

18 x 15

21 x 18

950 600

450 400 400

orange Murano paper

132

Dan Des Eynon

Jason

Colour pencil

133

Sandy Fisher

Plainsong

Oil pastel

23 x 32

41 x 50

134

Gwendolyn Fleming

Autumn Hillside

Pastel on pastel card

30 x 30

32 x 32

450

135

Donna Fleming

Dogs

Pencil

120 x 175

150 x 200

25,000

136

Mary Fountain

To Mailhac

Soft pastel on paper

38 x 54

58 x 74

550

137

Jaana Fowler PS

Kitchen Pattern

Oil pastel and pencil on collage 30 x 40

42 x 52

685

138

Jaana Fowler PS

Still Life in a Heap

Oil pastel and pencil on collage 30 x 40

42 x 52

685

139

Jaana Fowler PS

Still Life with Blue Stripes

Oil pastel and pencil on collage 40 x 30

52 x 42

685

140

Jaana Fowler PS

Still Life with Red Stripes

Oil pastel and pencil

30 x 40

42 x 52

600

141

Barry Freeman

July Corfu

Crayon

30 x 30

41 x 41

500

142

Barry Freeman

Morning Shadows

Oil pastel

30 x 30

41 x 41

500

143

Penelope Fulljames

Cliff Walk

Soft pastel

24 x 30

34 x 40

450

144

Penelope Fulljames

Mediterranean Garden

Soft pastel

24 x 30

34 x 40

450

145

Lucy Gable

Pastel de Nata

Pastel

20 x 28

30 x 38

600

146

Thomas Gale

Crystal Back Alley

Coloured pencil, ink and

60 x 42

73 x 53

1,400 400

soft pastel on paper

147

Louise Gillard

Studio Corner

Soft pastel

26 x 24

46 x 44

148

Margaret Glass PS

Evening

Pastel

33 x 41

49 x 57

800

149

Margaret Glass PS

The Bottom of the Garden

Pastel

41 x 51

57 x 67

1,200

150

Margaret Glass PS

The Fountain

Pastel

41 x 51

57 x 67

1,200

Name

Title

Medium

Size (cm)

Framed

£

151

Margaret Glass PS

The Sound of the Sea

Pastel

41 x 51

57 x 67

1,200

152

Alice Gompels

One Room

Pastel on paper

50 x 70

60 x 70

950

153

Sheila Goodman PS

Autumn, River Soane

Pastel

33 x 37

57 x 59

795

154

Sheila Goodman PS

Beach Shack

Pastel

30 x 46

55 x 69

825

155

Sheila Goodman PS

Forest Flood

Pastel

27 x 27

47 x 46

500

156

Sheila Goodman PS

High Water

Pastel

24 x 30

49 x 51

600

157

Sheila Goodman PS

Riverside

Pastel

29 x 33

49 x 52

725

158

Sheila Goodman PS

Winter Light

Pastel

18 x 18

38 x 38

400

159

Martin Goold PS

Moon Forest

Oil pastel and wax-based

54 x 39

77 x 62

750

53 x 40

76 x 63

950

53 x 40

76 x 63

950

54 x 42

67 x 65

950

25 x 18

43 x 36

600

pencil on paper

160

Oil pastel and wax-based

Martin Goold PS

Moonlit

pencil on paper

161

Oil pastel and wax-based

Martin Goold PS

River

pencil on paper

162

Oil pastel and wax-based

Martin Goold PS

The Journeying II

pencil on paper

163

Nadiia Gorbatova

A Lonely House

Pastel on paper

164

Nadiia Gorbatova

Anxiety - Air Raid Alarm

Pastel on paper

18 x 24

45 x 40

600

165

Lyn Gray

Catherine C

Conte and pastel on collage

55 x 41

72 x 58

650

166

Lyn Gray

Summer Holidays

Pastel

19 x 26

35 x 42

425

167

Valeriy Gridnev PS ROI RP

First Steps in Ballet

Pastel on board

60 x 90

80 x 110

6,500

168

Carla Groppi

After Missione, Paysage

Charcoal and soft pastel

65 x 85

69 x 89

1,900

169

Lixia Guan

Lights Waning Place

Pastel on paper

140 x 110

170

Jenny Halstead PS

Across the Solent

Pastel

45 x 45

75 x 75

850

171

Jenny Halstead PS

Habitat

Pastel

33 x 39

58 x 62

750

172

Jenny Halstead PS

May Storm

Pastel

25 x 25

45 x 45

500

173

Jenny Halstead PS

Saturday Morning

Pastel

40 x 40

68 x 68

800

174

Jenny Halstead PS

Sweet Pea

Pastel

25 x 25

45 x 45

500

175

Jenny Halstead PS

Weeds & Water

Pastel

40 x 40

68 x 68

800

176

Brian Halton

Hoops

Pastel

18 x 30

38 x 50

600

177

Anthony Hannaford

Autumn in the Park

Pastel and acrylic

58 x 77

73 x 98

645

178

Jeannette Hayes PPPS

Garden Greens II

Pastel

100 x 70

110 x 85

2,000

179

Jeannette Hayes PPPS

Pink Cacti

Pastel

100 x 70

110 x 85

2,000

180

Jeannette Hayes PPPS

The River Will Bend

Pastel

100 x 70

110 x 85

2,000

181

Jeannette Hayes PPPS

Winter Sun

Pastel

70 x 100

85 x 110

2,000

182

Eileen Healy

Beetroots

Pastel on paper

25 x 30

33 x 35

690

183

Thea Herzig

113 Currants

Dry pastel

140 x 90

146 x 96

8,500

184

Caitlin Heslop

We Found Your Name Here

Pastel on paper

30 x 24

42 x 36

520

185

Aylal Heydarova

Paris

Pastel on canvas

65 x 45

65 x 45

5,500

186

Les Heywood

View to Sams

Pastel

38 x 47

53 x 63

795

1,000

187

Name

Title

Medium

Size (cm)

Nigel Hills

Dawn Patrol

Mixed media

22 x 34

Framed

£ 750

188

Simon Hodges VPPS

A Moment; A Wet Evening in Trafalgar Square Soft pastel on paper

44 x 74

64 x 86

189

Simon Hodges VPPS

A Moment; Hazy Ullswater, The Lake District

Soft pastel on paper

25 x 25

43 x 41

495

190

Simon Hodges VPPS

A Moment; Last Light on The Thames

Soft pastel on canvas

74 x 98

84 x 108

2,500

191

Simon Hodges VPPS

A Moment; Late Afternoon in Norfolk

Soft pastel on paper

27 x 24

45 x 40

495

192

Simon Hodges VPPS

A Moment; Sundown in Norfolk

Soft pastel on paper

24 x 31

50 x 56

495

193

Simon Hodges VPPS

A Moment; Witnessing a Norwegian Glacier Soft pastel on paper

56 x 81

66 x 91

1,950

194

Jane Hodgson

Mending Nets I

Soft pastel on collage

30 x 40

46 x 56

865

195

Jane Hodgson

Umbrellas

Soft pastel

41 x 50

57 x 66

975

196

Jaci Hogan

Tuileries Garden, Paris

Soft pastels and pastel pencils

18 x 18

35 x 35

575

197

Curtis Holder

The Costume-Prop Maker

Coloured pencil and acrylic

120 x 150

128 x 158

5,000

150 x 120

158 x 128

5,000 700

gouache on paper

198

Coloured pencil and acrylic

Curtis Holder

The Puppet Maker

1,200

gouache on paper

199

Rick Holmes

Rotherhithe Foreshore

Pastel

39 x 39

54 x 54

200

Rick Holmes

Towards Noss Mayo Church

Pastel

39 x 39

54 x 54

700

201

Benjamin Hope PS NEAC ROI RP RSMA Four Seashells, One Broken

Oil pastel

17 x 27

29 x 39

800

202

Felicity House PS NEAC

Monday Morning Faces

Charcoal and pastel

55 x 102

63 x 110

850

203

Felicity House PS NEAC

On the Terrace

Pastel and watercolour

25 x 32

43 x 50

950

204

Felicity House PS NEAC

Portrait

Pastel

32 x 24

50 x 42

850

205

Felicity House PS NEAC

Rempstone Heath

Watercolour and pastel

31 x 40

45 x 53

850

206

Felicity House PS NEAC

The Blue Pool

Pastel and watercolour

40 x 47

57 x 64

850

207

Felicity House PS NEAC

Topiary at Anderson Manor

Pastel and watercolour

17 x 31

37 x 51

850

208

Lynn Howarth

Steps to Heaven 4

Pastel

40 x 30

60 x 50

995

209

Ciaran Hughes

A Bin Liner with my Wet Head Inside

Pencil

80 x 80

100 x 100

8,700 500

(Self Portrait as a Death Mask)

210

Belinda Ireland

Dressing Room Crossover

Chalk pastel

27 x 40

41 x 54

211

Henry Jabbour PS RBA

Just Us Two

Oil pastel on board

36 x 28

46 x 38

975

212

Arnaud Jaillet

Portrait of Red Cross Nurse During WWI

Silverpoint on wood panel

24 x 19

40 x 32

800

213

Jude James

Scottish Rocks

Pastel

23 x 23

25 x 25

650

214

Jude James

Split Rock at Chlactoll in Assynt

Pastel

29 x 25

31 x 27

650

215

Stuart Jarvis

Suffolk Cement

Charcoal on paper

42 x 61

56 x 75

1,700

216

Stuart Jarvis

Towpath

Charcoal on paper

78 x 77

88 x 87

2,000

217

Jill Jeffrey PS

Hadrian’s Wall

Pastel

53 x 70

75 x 91

800

218

Jill Jeffrey PS

Land Rage

Pastel

25 x 74

45 x 94

850

219

Jill Jeffrey PS

Sycamore Gap 1

Pastel

25 x 74

47 x 95

850

220

Jill Jeffrey PS

Sycamore Gap 2

Pastel

40 x 74

62 x 95

850

221

Maria Kaleta

Lunch at Leadenhall Market

Oil pastel on acid-free paper

59 x 84

81 x 106

1,800

222

Maria Kaleta

Sunday Afternoon at St. Paul’s Cathedral

Oil pastel on acid-free paper

59 x 84

81 x 106

1,800

223

Nellie Katchinska

But it’s Raining

Pastel and pastel pencils

27 x 39

39 x 40

450

on pastel paper

Name

Title

Medium

224

Simon Klein

Dreamer

Oil pastel on paper

225

Simon Klein

With his Hat

Oil pastel on paper

226

Michael Lang

Head Study - Andrew in Profile

Charcoal and pastel

227

Michael Lang

Head Study - Self with Wool Hat

Charcoal and pastel

228

Julie Lawrence

Traveller

229

Carol Lawson

230 231 232

Size (cm)

Framed

£

44 x 32

54 x 42

970

55 x 45

65 x 55

970

52 x 38

65 x 52

425

41 x 33

57 x 50

425

Pastel

24 x 18

43 x 37

450

‘...and Rooks in Families Homeward Go...’

Pastel pencils

32 x 32

50 x 50

1,300

Pat Le Mare

Charter Fair, Stevenage

Pastel on black paper

49 x 49

70 x 70

1,050

Pat Le Mare

Tuscan Hillside

Pastel on black paper

22 x 43

41 x 62

830

Amanda Lebus

Bear Turning

Sanguine, charcoal and

76 x 56

84 x 64

900

100 x 120

1,450

cretacolour on paper

233

Natalia Libman

Summer

Soft pastel and pastel pencil

62 x 50

234

Dawn Limbert

Morning Glow

Soft pastel

80 x 100

235

Dawn Limbert

The Olive Grove

Soft pastel

30 x 40

42 x 52

750

236

Kevin Line PS

A Georgian Gentleman

Charcoal on paper

42 x 30

66 x 53

695

237

Kevin Line PS

Taking a Pipe

Charcoal on paper

30 x 42

53 x 66

695

238

Kevin Line PS

The Blockley Cobbler

Charcoal on paper

84 x 59

113 x 87

2,800

239

Kevin Line PS

The Shadow of Spent Time

Charcoal on paper

84 x 59

113 x 87

2,800

240

Kevin Line PS

Winter of Days - Desolation

Charcoal and ink on paper

30 x 42

40 x 50

695

241

Kevin Line PS

Winter of Days 4

Charcoal and ink on paper

30 x 42

40 x 50

242

Barry Lowenhoff

Derrycunninhy Falls

Charcoal, pastel and

33 x 50

2,500

33 x 50

2,500

49 x 70

3,500

watercolour

243

Charcoal, pastel and

Barry Lowenhoff

Waterfall II, Inagh Valley

watercolour

244

Charcoal, pastel and

Barry Lowenhoff

Waterfall III, Inagh Valley

500

695

watercolour

245

Amanda Mann

November View, Elgin Crescent

Oil pastel on paper

28 x 28

52 x 52

246

Brenda Martin

Lilac Hills through the Trees on Loch Sunart

Oil pastel

60 x 80

63 x 83

700

247

Caroline Matthews

Bright and Bold Autumn, Trent Park

Soft pastel

42 x 70

52 x 80

650

248

Anna Mazzotta

All he Wanted was a Beer, Poor Cod

Charcoal on paper

130 x 130

135 x 135

7,000

249

Amelia McComb

Sleeping Cat

Conte and charcoal

30 x 42

42 x 54

450

250

Mick McNicholas

Gary

Charcoal on paper

40 x 40

50 x 50

450

251

Tom Mole

Malachite

Colour pencil on paper

42 x 60

54 x 70

695

252

Gabrielle Moore

Fishes

Oil pastel and soft pastel

15 x 12

27 x 24

1,250

253

Thomas Moore

Tower of Song, Edifice and Aperture

Oil pastels and watercolour

31 x 50

45 x 64

1,200

400

- Impressions from Lesvos

254

Paul Murray RGI RSW

Sunflowers and Vines

Pastel and collage

56 x 56

89 x 88

1,750

255

Linda Nevill

Wildlife Corridor

Charcoal, charcoal dust

21 x 26

38 x 43

420

40 x 40

62 x 62

400

and wax

256

Pastel with acrylic

Lynn Norton

Bearded with Moss, in Garments Green

underpainting

257

Name

Title

Medium

Size (cm)

Framed

£

Lynn Norton

The Lone Tree Perched on the Granite Tor

Pastel with acrylic

40 x 40

62 x 62

400

underpainting

258

Kate O’Neill

More London Reflections

Charcoal and pastel

130 x 80

145 x 95

930

259

Sheila Ottley

Carcassonne

Pastel

36 x 28

40 x 32

495

260

John Packard

St Alban

Charcoal

23 x 16

33 x 26

700

261

Sheila Page

Out of the Water

Pastel and acrylic

59 x 42

74 x 57

650 5,500

262

Patricia Paolozzi Cain NEAC RGI ARWS The Lost Engineer

Pastel on Fabriano

92 x 122

100 x 130

263

Stephen Parkinson

Aldeburgh

Oil pastel

36 x 51

41 x 56

420

264

Cathy Pearce

Hawthorn and Ivy, Salisbury Plain

Soft pastel

23 x 33

36 x 46

400

265

Jayne Perkins

Devil’s Frying Pan, Cornwall

Pastel

50 x 60

76 x 86

600

266

Jayne Perkins

Early Mist Rising, Cumbria

Pastel

46 x 70

72 x 96

800

267

Christopher Perry

Old Boots

Soft pastel

30 x 42

38 x 49

900

268

Susie Prangnell PS

All About Now

Soft pastel

48 x 67

71 x 91

825

269

Susie Prangnell PS

Another Dilemma

Soft pastel

48 x 48

71 x 71

675

270

Susie Prangnell PS

Deckchairs and Dodgems

Soft pastel

23 x 23

44 x 44

445

271

Susie Prangnell PS

In and Out of Bounds

Soft pastel

48 x 48

71 x 71

675

272

Susie Prangnell PS

Only Today

Soft pastel

23 x 23

44 x 44

445

273

Susie Prangnell PS

Star Catcher

Soft pastel

48 x 48

71 x 71

675

274

Ryk Pryke

Ashley

Pastel

69 x 54

84 x 69

540

275

William Pullen

Pine above Rethymnon

Pastel and watercolour on paper 21 x 32

34 x 45

880

276

Ian Rawling PS

Balancing Act Red and Yellow

Pastel and pastel pencil

90 x 65

98 x 73

1,600

277

Ian Rawling PS

Milk Jug and Roses

Pastel and pastel pencil

50 x 50

58 x 58

1,100

278

Ian Rawling PS

Red Kettle

Pastel and pastel pencil

50 x 50

58 x 58

1,100

279

Ian Rawling PS

Teapot and Macaroons

Pastel and pastel pencil

50 x 50

58 x 58

1,100

280

Ian Rawling PS

Two Egg Cups

Pastel and pastel pencil

50 x 50

58 x 58

1,100

281

Richard Rees PPS

St Pancras Renaissance Hotel

Pastel on acrylic ink

27 x 32

39 x 42

760

282

Richard Rees PPS

The Albert Memorial

Pastel on acrylic

46 x 28

60 x 42

700

283

Richard Rees PPS

The National Gallery and

Oil pastel on acrylic ink

32 x 26

44 x 38

720

34 x 25

41 x 32

750

St. Martin’s in the Fields

284

Richard Rees PPS

The Royal Courts of Justice

Oil pastel on acrylic ink

285

Richard Rees PPS

The Thames Barrier at Low Tide

Oil pastel on acrylic ink

30 x 29

42 x 41

720

286

Richard Rees PPS

Westminster Cathedral

Pastel on acrylic ink

39 x 30

51 x 42

780

287

Susan Relph PS

Helen - 19/11/2016

Pencil and graphite

30 x 25

48 x 43

1,300

288

Susan Relph PS

Helen - 3/12/2016

Pencil and graphite

30 x 25

48 x 43

1,300

289

Susan Relph PS

Marc Fleming-Hubertz

Oil pastel and graphite

84 x 59

105 x 85

6,800

290

Susan Relph PS

Multiple Studies from Life at White Waltham Soft pastel and graphite

84 x 59

105 x 85

3,900

291

Susan Relph PS

Russell James Parmenter

Soft pastel

84 x 59

105 x 85

7,800

292

Susan Relph PS

Sophie

Soft pastel

59 x 84

85 x 105

4,500

293

Georgina Rey

Mill Pond Bottom, South Downs

Pastel

30 x 40

48 x 58

550

294

Coleen Rilloraza

Dear -----: Forget Not Your Eight

Coloured pencils

22 x 30

34 x 42

800

Glasses of Wellness

Name

Title

Medium

Size (cm)

Framed

£

295

Dave Roberts

Mawreddog

Soft pastel

60 x 84

84 x 105

1,925

296

Dave Roberts

Pen Llithrig y Wrach

Soft pastel

30 x 42

50 x 62

695

297

Marsha Roddy

Red Bond

Pastel, Chinese paper, wire,

60 x 40 x 10 60 x 40 x 10

1,800

thread and wood

298

Joss Rossiter

Glamour Girls

Oil pastels, ink and acrylic

80 x 30

780

299

Arwen Sadler

Trawler, Palnackie

Conte crayon

25 x 18

800

300

Andrea Scattolini

Portrait Old G

Soft pastels and pencil pastels

70 x 50

79 x 59

2,500

301

Andrea Seguraz

Ophelia under a Full Moon Night

Botanical dyeing on cotton

154 x 56

158 x 60

1,150 550

paper, charcoal and graphite

302

Skye Seipp

Rokuyo

Coloured pencil

30 x 21

30 x 21

303

Aileen Semple

Wild Out There!

Pastel

30 x 24

56 x 50

700

304

Halla Shafey PS

Gardens of England 1

Pastel

27 x 39

36 x 48

950

305

Halla Shafey PS

Gardens of England 2

Pastel

27 x 39

36 x 48

950

306

Halla Shafey PS

Gardens of England 3

Pastel

29 x 39

36 x 48

950

307

Halla Shafey PS

Gardens of England 4

Pastel

27 x 39

36 x 48

950

308

Halla Shafey PS

Gardens of England 5

Pastel

27 x 39

36 x 48

950

309

Halla Shafey PS

Still Life with Flowers

Pastel

27 x 39

36 x 48

950

310

Greg Shapiro

Anticipation

Pastel on paper

37 x 27

53 x 45

1,500

311

Anastasiia Shlyakova

Remains of Winter

Pastel

312

Janine Shute

GR Butter Knife

Pastel, charcoal, pastel pencil

38 x 105

42 x 109

925

313

Janine Shute

Teaspoon on Tea Chest No. 9

Pastel, charcoal, pastel pencil

39 x 30

45 x 36

625

314

Mike Skinner

Skiveralls to Pangolin

Pastel, charcoal and pencil

28 x 60

45 x 78

720

acrylic on paper

315

Ian Smart

Selective Sunlight, Madeira

Soft pastel

18 x 29

35 x 44

400

316

Norman Smith PS

Late Evening Tuscany

Pastel on paper

61 x 51

97 x 86

2,300

317

Norman Smith PS

Village at Dusk

Pastel on paper

24 x 22

60 x 55

750

318

Bruno Sousa

Fragments

Graphite on paper

40 x 55

63 x 79

700

319

Marc Southey

Winter’s Day on the Parkland Walk

Coloured pencil

41 x 28

52 x 40

320

Jake Spicer

Urte

Soft pastel, charcoal &

50 x 35

750 850

pastel pencil

321

Jan Stephens

In the Woods

Soft pastel

39 x 28

53 x 42

740

322

Norma Stephenson PS

Baile Mor, Iona, Awaiting the Ferry

Pastel

49 x 49

60 x 60

1,600

323

Norma Stephenson PS

Farms & Barns, Yorkshire Dales

Pastel

52 x 52

71 x 71

1,600

324

Norma Stephenson PS

Living in the Dales

Pastel

49 x 49

60 x 60

1,600

325

Norma Stephenson PS

Moorland Barns

Pastel

34 x 34

50 x 50

800

326

Norma Stephenson PS

Sound of Iona

Pastel

59 x 59

79 x 79

1,600

327

Lucy Stopford

Joe

Charcoal

85 x 60

70 x 60

1,500

328

Yulia Sukhanova

Autumn Fireworks

Pastel

48 x 30

58 x 40

850

329

Felicity Talman

Weathered Whispers

Soft pastel on paper

32 x 32

51 x 51

550

330

Judy Tate

Edges

Soft pastel

28 x 58

48 x 78

650

Name

Title

Medium

Size (cm)

Framed

£

331

Malcolm Taylor PS RBA

Blue Bight

Soft pastel

332

Malcolm Taylor PS RBA

Grounded

Soft pastel

33 x 31

52 x 50

1,180

22 x 30

39 x 49

950

333

Malcolm Taylor PS RBA

Homestead

Pastel

334

Malcolm Taylor PS RBA

Sea Pool

Pastel

34 x 34

60 x 60

1,450

40 x 36

59 x 54

335

Malcolm Taylor PS RBA

Sea Shapes

Pastel

1,350

35 x 37

43 x 46

336

John Threlfall SWLA

Headland 2 - Sandwood Bay

Pastel

1,250

36 x 41

59 x 63

540

337

Rubens Tiezzi

Artocarpus Heterophyllus

Soft pastel on paper

111 x 76

338

Bernadett Timko

Orisa

Colour pencil

32 x 23

48 x 38

650

339

John Tookey PS

Catching Up, Tate Britain

Pastel

35 x 25

54 x 43

550

340

John Tookey PS

Dog Walkers, Barnes

Pastel

25 x 35

43 x 54

550

341

John Tookey PS

Storm over Harwich

Pastel

24 x 49

44 x 69

700

342

Victoria Udovikina

Atlas

Charcoal

35 x 27

61 x 51

800

343

Peter Vincent PS

Downs View

Pastel on card

64 x 64

65 x 65

850

344

Peter Vincent PS

Green Water

Pastel on card

63 x 63

65 x 65

850

345

Peter Vincent PS

Hidden Mansion - Wakehurst

Pastel on card

63 x 63

65 x 65

850

346

Peter Vincent PS

Old Shoes/New Shoes

Pastel on paper

29 x 39

30 x 40

400

347

Peter Vincent PS

Well Shaded

Pastel on card

63 x 63

65 x 65

850

348

Katrina Wallis-King PS

Black Down Hill

Charcoal and pastel

27 x 36

41 x 50

520

349

Katrina Wallis-King PS

Penwith Gorse

Pastel and charcoal

31 x 31

45 x 45

485

350

Katrina Wallis-King PS

The Beach House

Charcoal, pastel and acrylic

46 x 31

60 x 45

635

351

Katrina Wallis-King PS

Winter Birches

Charcoal and pastel

24 x 31

38 x 45

435

352

Katrina Wallis-King PS

Winter Ravens

Charcoal, pastel and acrylic

27 x 34

40 x 47

485

353

Sarah Warley-Cummings

River Reflections

Soft pastel

45 x 45

70 x 70

1,200

354

Sarah Warley-Cummings

Way Beyond

Soft pastel

30 x 30

52 x 54

900

355

Christine Watson PS

Alvaro Siza Steps I

Pastel on paper

59 x 42

75 x 57

650

356

Christine Watson PS

Scaffolding and Shadows, Fez

Pastel on paper

59 x 42

75 x 57

650

357

Christine Watson PS

Trikeri Steps II

Pastel on paper

59 x 42

75 x 57

650

358

Christine Watson PS

Trikeri View

Pastel on paper

59 x 42

75 x 57

650

359

Julie Wright

Istvan

Soft pastel and charcoal sketch 42 x 32

52 x 42

500

360

Roy Wright PS

At the Edge of Silver Birch Forest

Charcoal

84 x 108

97 x 122

5,600

361

Roy Wright PS

Path through the Forest

Charcoal

32 x 42

53 x 62

950

362

Roy Wright PS

Sweet Chestnut Fruit

Charcoal

27 x 37

46 x 56

900

363

Yiwei Xu

Overwhelmed Excitement

Soft pastel, Chinese pigment

60 x 43

1,020

900

on canvas, mounted on panel

364

Yuval Yossifov

Portrait of a Woman

Pastel on sand paper

24 x 32

1,700

365

Tom Zaw

Italian Street

Pencils

60 x 40

2,311

366

Tom Zaw

Smoking (Profile)

Pencils

31 x 20

911

Members of the Pastel Society Members A’COURT, Angela ALLAIN, Tony, RSMA AMBRUS, Glenys ASHBY, Michele BALDWIN, Janine BALKWILL, Liz BARROWMAN, Andrew BAYS, Caroline BEE, Sarah BENNETT, Keith BRAMMELD, David, RBA BROWN, Peter, PPNEAC RBA ROI COOK, Melodie CULVER, Cheryl, RBA DAKAKNI, Susan DELLAR, Roger, RI ROI ARSMA DIGGLE, Louise DRAPER, Matthew FOWLER, Jaana GLASS, Margaret GOODMAN, Sheila GOOLD, Martin GRIDNEV, Valeriy, ROI RP HALSTEAD, Jenny HAYES, Jeannette HODGES, Simon HOPE, Benjamin, NEAC ROI RP RSMA HOUSE, Felicity, NEAC HUNTLY, Moira, RI RSMA RWA JABBOUR, Henry, RBA JEFFREY, Jill LINE, Kevin PRANGNELL, Susie PROWSE, Alexander RAWLING, Ian REES, Richard

Past Presidents of the Pastel Society RELPH, Susan ROPER, Keith ROWBOTHAM, Mark SHAFEY, Halla SMITH, Norman STEPHENSON, Norma TAYLOR, Malcolm, RBA TOOKEY, John VINCENT, Peter WALLIS-KING, Katrina WATSON, Christine WRIGHT, Roy

Senior Members CRITTENDEN, James DUNCE, Brian MARSHALL, Richard SPENCER, Claire YOSHIMOTO, Eiko

Honorary Retired Members ARNOLD, June CLOUGH, Pauline LONGUEVILLE, James NORMAN, Michael RICHARDSON, Robert STEWART, Barbara

Honorary Members ARMFIELD, Diana, RA HNEAC DRAPER, Kenneth, RA EYTON, Anthony, RA Hon ROI HEMINGWAY, Andrew PACKER, William, NEAC Hon RBA

The Pastel Society is a registered charity number 296479

www.thepastelsociety.org.uk 46

1898-1899 G F Watts OM RA 1899-1939 Melton Fisher RA 1940-1955 H Davis Richter VPROI RI RSW RBC 1955-1965 James A Grant RP 1965-1981 Aubrey Sykes RI 1981-1983 John Blockley NEAC RI RWA 1983-1988 Leigh Parry MA RBA 1988-1993 John Blockley NEAC RI RWA 1993-2003 Thomas Coates NEAC PPRBA RP RWA 2003-2009 Moira Huntly RI RSMA RWA 2009-2012 John Ivor Stewart ADAE FSBA 2012-2016 Cheryl Culver RBA 2016–2021 Jeannette Hayes

President: Nicola Hicks MBE For over 200 years the Artists’ General Benevolent Institution has provided assistance to professional artists and their dependants in times of need. Funds are urgently needed for the continuation of this work.

Office of the Institution: 15 Churton Street, Pimlico, London, SW1V 2LY www.agbi.co.uk Telephone 020 7734 1193 Registered Charity No. 212667

Become a Friend of the Pastel Society As a Friend you help support the Society in its remit to encourage and promote the pastel medium within the contemporary art world, and receive the following benefits: • Twice-yearly newsletter, with interviews and features • Early bird information e.g. PS Members’ exhibitions, workshops and open studios • Discounted rates for all workshops • A token of £100 to be awarded to a Friend towards the purchase of a painting in the Annual Exhibition • Free workshops for Life Members • Social events with Friends and Members • Occasional studio & exhibition visits and Private Views • Free admission and catalogue to the Annual Exhibition • Friends Tour of the exhibition Annual Subscription £35

If joining after 30 June in the current year £17.50 Life Friend Subscription £1,000

Enrolment Form Payment can be made by cheque or BACs. To pay by BACs, visit www.thepastelsociety.org.uk To pay by cheque, complete this form and return it to: Norma Stephenson PS, Friends Secretary Jack Beck House, Keasden, Clapham via Lancaster LA2 8EY Please enrol me as a Friend of the PS. I enclose my subscription of £35 / £17.50 / £1,000 (circle) (Cheques should be made payable to the Pastel Society) Name.................................................................................................................................................. ................................................................................................................................................................

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