ANNUAL EXHIBITION 2024
There’s more to
than just the Annual Exhibition
Keep up with the latest news all year round on the NEAC website and social media.
You’ll find details of exhibitions, classes and workshops, member artist profiles, interviews and articles along with a selection of original paintings, drawings and prints for sale. You can also sign up for our monthly email newsletter.
WE NEED YOUR HELP!
As a registered charity, we rely on the generosity of our supporters to be able to help aspiring, emerging and established figurative artists through teaching, scholarships and exhibiting.
Visit www.neac.co.uk/friends to become a Friend of the NEAC, make a donation, or find out about sponsorship and advertising opportunities. You might also consider leaving a gift or donation to the NEAC in your will.
WHY SUPPORT THE NEAC?
“Because artists should be greatly encouraged and supported, without condition. Without them, the world would descend into an inhuman and terrifying greyness. To draw and paint figurative art is to be utterly present, to notice and to see, and to notice again, and appreciate and then record this light, this figure, this landscape; object; person; feeling; thought; dream as it is now in this moment, and then this one. After all, ‘now’ is the only moment we can be sure of.”
Richard&AlisonChenevix-Trench
www.neac.co.uk
Michael Kirkbride NEAC BambooDrawingClass
Works are available to browse & buy at www.mallgalleries.org.uk
020 7968 0966 | artsales@mallgalleries.com
PRESIDENT’S FOREWORD
This is my first annual exhibition as President, and before I get on to anything else, I have to say how delighted I am, after twenty-five years as a member, to have been elected President of the remarkable society that is the New English Art Club.
The NEAC does many things throughout the year – from a busy education programme of workshops run by our members to a number of regional exhibitions, but this annual show is the highlight. It’s the thing that, in a way, everything else has been leading up to. There is a huge amount of pride that we all feel, members and nonmembers alike, exhibiting with this Society, aware as we are of its rich history and famous past members.
To emphasise the sense of importance that this exhibition represents for us, we have revived a tradition of inviting major artists whose work we admire to show alongside us. In the early days of the NEAC, the Club regularly invited the likes of Monet and Degas to contribute works to its annual shows. The idea then was to pay tribute to such important figures working with a radically new approach which got dubbed, initially pejoratively, Impressionism. But labels apart, the thing that was so exciting for our founding members about these developments across the Channel, was the freshness of vision derived from an intense process of looking.
And this is what the NEAC continues to celebrate and promote to this day. Schools and movements may come and go, but artists always return to the business of looking and observing the world around them for new inspiration. This in turn leads to a multitude of different styles and ways of painting of which the school of Impressionism was but one.
The two artists we have invited this year could not be more different in how they paint, but both share that crucial starting point: they look, and they sketch, and out of this process come extraordinary paintings, both surprising and unique. Please take time to look at these special works from Anthony Eyton OBE RA (now 101 years of age and still painting) and Leon Morrocco RSA. Each of them said how honoured they were to be asked to exhibit with us. We are equally honoured that they accepted.
Alongside our invited artists, we also pay tribute to two exceptional members who sadly passed away last year: Tom Coates and Bob Brown. Please read about them on the following pages and be sure to view the wonderful paintings of theirs which we are privileged to be able to show in this exhibition.
Patrick Cullen President of the New English Art Club
In the early days of the NEAC, the Club regularly invited the likes of Monet and Degas to contribute works to its annual shows
Patrick Cullen, Self Portrait
PRIZES & AWARDS
The Ken and Dora Howard Prize
£1,000 for a painting that best captures a sense of light
The Doreen McIntosh Prize
For an artist whose work fulfils the New English Art Club’s ideals of rigour, immediate engagement with the visual and a searching attitude. Value £3,000.
The Hermione Hammond Drawing Award
£2,000 for a drawing by an emerging artist aged 35 or under
The Val Harris Prize
Two week residency in The Atelier in Hay-on-Wye followed by a one week exhibition at The Chair, the art gallery owned by Val Harris, for a non-member
The Bowyer Drawing Prize
Selected by the Bowyer family, £500
The Michael Harding Award
£500 worth of art materials
The Milner Prize for an Emerging Artist
£500
The Winsor & Newton Award
Art materials to the value of £500
The NEAC Critics’ Prize
£250
The Anthony J. Lester Art Critic Award
A certificate and cheque for £100
Habib Hajallie RBA, SirFrankBowling
The Hermione Hammond Drawing Award Winner 2023
The Dry Red Press Award
The winning work will be published as a greetings card in the Dry Red Press ‘Prize Winners’ range, with royalties from the sale of the cards going to the artist
Mall Galleries / FBA Award
Ten free submissions to exhibitions by the Federation of British Artists at Mall Galleries (worth up to £200) for a first time exhibitor with the New English Art Club.
PATRON
HM King Charles III
OFFICERS
President
Patrick Cullen
Hon Treasurer
David Elliott
Education Programme Team
Julie Jackson
Victoria Jinivizian
Patricia Paolozzi Cain
Michael Weller
Membership Secretary
Louise Balaam
Archivist
Neil Pittaway
COMMITTEE
Tom Benjamin
Clare Haward
Benjamin Hope
Andrew James
Jason Line
Toby Ward
Jenny Wheatley
Jacqueline Williams
INVITED ARTISTS
ANTHONY EYTON
OBE RA RWA RWS
“I was a student of Anthony Eyton’s at Camberwell and exhibited with him in 2003, so I am excited to see him exhibit again as a guest with the NEAC.
“As a pupil, Eyton’s response to his teacher John Dodgson’s question, “Do you see, do you see?” was profound. Dodgson pointed to a chair and forced Eyton to look at it, to see it in isolation, as a simple wooden framework, but also as a complex of spaces and volumes. Eyton learned to touch it through sight, feel its weight, air displacement, structure, and ultimately existence.
“His unwavering curiosity and boundless energy are truly admirable, and he believes that painting should be “a cry of surprise” which Tony never fails to deliver. Seeing how his creativity has become even more playful as he’s grown older is impressive. He’s a genuine painter – a rare breed in the 21st century.
“Eyton’s inspiration comes from his mother, herself a talented artist who died in a tragic accident when he was age six. Initially influenced by the Euston Road ethos, his late works are looser and figurative, yet have become more abstract. They are dependent on the perceptual vision of things seen through construction, light, colour and the thereness of the subject.
“It is a pleasure to exhibit with such a good artist who has devoted his life to enlightening the existence of others, and who – as a centenarian –continues to explore his creative journey through life with vigour.”
PeterClossickNEACPPLG
MantelpieceandChair
Oil on canvas
100 x 109 cm
£23,500
LEON MORROCCO RSA
“I had admired Leon Morrocco’s work from afar for some time, so when I found myself in Edinburgh in 2022, I immediately took the opportunity to see his major retrospective at the Royal Scottish Academy. I had always known his vibrant use of colour but on encountering his work at first hand it was the strength and decision of his drawing that struck me.
“You see no hedging or flinching from the difficulties in making the work which is often complex in subject matter, detail and design. He meets the challenges this presents and deals with them head-on, bringing clarity to what are often large and demanding paintings. Using careful drawings to understand his subjects, he is able to move onto larger canvases and paint with his particular range of intense colours.
“Leon was born in Edinburgh where he also attended the College of Art. Since then, he has been a lecturer at the Glasgow School of Art and in Melbourne, Australia, where he lived and worked for twelve years and where his exhibiting career started to develop.
“Since returning to the UK in 1992, he has travelled widely in Europe, North Africa and India, often finding inspiration on the coastlines of the Mediterranean and in the mountains of southern France. During this time he has produced a large body of work for regular exhibitions with the John Martin Gallery in London and we are delighted to welcome Leon as our guest and to be able to see his work in the 2024 NEAC Annual Exhibition.”
TobyWardNEAC
HillsNearSaint-Remy
Oil on canvas
107 x 92 cm
POA
ANNUAL EXHIBITION EVENTS
TALKS, TOURS AND DEMOS
Join us at Mall Galleries for a series of events led by NEAC member artists including Louise Balaam, Julia Hawkins, Julie Held, Clare Haward, Daniel Shadbolt, Neil Pittaway, Michael Weller and Robert E Wells.
All events are free with admission.
For full details of what’s happening when, visit mallgalleries.org.uk
NEAC ANNUAL LECTURE 2024
This year’s lecture will be given by Alicia Foster on the subject of Gwen John who exhibited with the NEAC between 1900 and 1911.
Alicia will delve into the fascinating story of this talented Welsh painter, exploring her unique style, influences and her life and career in London and Paris.
Dr Alicia Foster is an art historian, curator, and novelist. Her book ‘Gwen John: Art and Life in London and Paris’ is available now.
Tuesday 18 June
6pm: Doors
6.30pm: Lecture start
Free with admission
Reserve your space at mallgalleries.org.uk
THE NEAC’S YEAR-ROUND
EDUCATION PROGRAMME
As well as the events at our Annual Exhibition, the NEAC runs a programme of classes and workshops throughout the year. They are led by NEAC members, including Michael Weller who tells us more about the activities and opportunities on offer . . .
“The NEAC’s artist-led classes and workshops are for everyone. We see a mix of beginners and regulars attending including some who are coming back to drawing and painting later in life.
“We run five or six one-day workshops per term, taking place in artists’ studios, at museums and galleries, or outside en plein air. Our last term included events at the Wallace Collection, the British Museum, the Embankment (painting life on the river Thames) as well as a workshop in Shalbourne village in Wiltshire.
“We are also doing more online events to reach a wider, less London-centric audience. Earlier this year, Andrew James and NEAC Scholar Polly Smedley led our free-to-join Drawing Club on Instagram Live with a focus on self-portraits. Viewers were encouraged to draw along and share their works with the hashtag #neacdrawingclub and we received lots of great feedback. Clare Haward also ran a still-life drawing workshop on Zoom that was well-received by the students, many of whom would struggle to make it to a London event.”
To find out what we have coming up, visit neac.co.uk/classes or sign up for our regular email newsletters via neac.co.uk/mailing-list. Full-time students (with an appropriate student number) and NEAC Friends get a 10% discount. Find out more at neac.co.uk/friends
HOW TO BUY
• See more of the exhibition online where you can browse & buy the works at www.mallgalleries.org.uk
• To purchase a work, please contact Mall Galleries at artsales@mallgalleries.com or on 020 7968 0966
• Every sale helps support not just the artist, but also Mall Galleries / Federation of British Artists (Registered Charity No. 200048).
• Many of the artists are available to commission.For details, please contact: commissions@mallgalleries.com
• The works in the NEAC Annual Exhibition are available to buy through the Own Art scheme whose interest free loans make it easy and affordable to buy original, high quality contemporary art. Representative 0% APR. Subject to status. Terms and conditions apply.
NEAC SCHOLARSHIP 2023–24
Recent Presidents, Peter Brown and Sarah Spencer’s vision for a £5,000 NEAC Artist Scholarship culminated last June when the inaugural award was given to Rae Birch Carter who was carefully selected from an impressive shortlist after interviews and presentation of portfolios.
The £5,000 scheme is a huge springboard to reimagining the winner’s artistic practice and Rae has fully embraced the ideals of this new award throughout her tenure. Two additional Scholars, Polly Smedley and Owain Hunt, each received a £250 award.
All three Scholars are entitled to freely join classes and workshops offered by the NEAC Education Programme and to seek mentoring from NEAC members. The Scholarship embodies the educational component of the NEAC, fundamental to our charitable status, and our commitment to equality and diversity, in aiming to support those who face financial barriers in pursuing the arts in a professional capacity.
Sarah Spencer described the aims of the award as follows:
“The NEAC has a wealth of talent within its membership in professional practice, mentoring and teaching. Allying this with a £5,000 award we hope to encourage the practice of figurative art at grass-roots level to as diverse a group as we can and perhaps make the pursuit of art a possible option for those who would not normally have considered it. The award, although given for one year, should actively engage successful applicants to begin a lasting and involved relationship of support and mentorship with the NEAC.”
The renewed NEAC Education Programme is now curated by Julie Jackson, Michael Weller, Patricia Paolozzi Cain and Victoria Jinivizian. With our experience as artists, educators and mentors, we have over recent months provided the Scholars with critiques and discussion about their creative development and shared insights from our own practice, generating flourishing conversations for us all.
Polly Smedley collaborated with Andrew James in three online NEAC Drawing Club sessions reaching a wide audience. In the past, Scholars have gone on to become professional artists, maintained connections with the NEAC and their mentors, and some have become member artists.
NEAC SCHOLARSHIP 2024–25 AND BEYOND . . .
Our 2024–25 Scholars will be announced at the opening of our 2024 Annual Exhibition. We are grateful to Sir David and Lady Sally Clementi who have generously agreed to sponsor the award for the next two years. If you are interested in applying for the 2025–26 Scholarship, the application window will be around April–May 2025. The best way to ensure you don’t forget is to sign up for our email newsletter via neac.co.uk/mailing-list.
by
Victoria Jinivizian and Julie Jackson
RAE BIRCH CARTER
“It was a great confidence boost to be awarded such a special opportunity, and it’s been a real privilege to visit NEAC painters in their studios and to receive advice and support from them. I’ve had lots of conversations about painting along the way, and those discussions have opened up ideas and influenced my practice.
“The award enabled me to have a studio space and allowed me precious time there. Previously I had only been able to make my drawings and paintings in the evenings after work, but the Scholarship allowed me to have some full days of studio time; time to dedicate to experimentation and exploration. To be able to dive in, immerse myself completely, lose track of time . . . Those precious days were so valuable in helping me move forward in my practice and I feel extremely lucky to have had them.
“I’ve learnt so much, and made connections and friendships that will hopefully continue long after the Scholarship year ends. Thank you NEAC. It’s been a really wonderful experience.”
OWAIN HUNT
“The NEAC Artist Scholarship has been an excellent opportunity to develop areas of my practice that had felt less refined and rawer prior. From one-to-one studio visits, workshops and being part of an artistic community more broadly, the experience has granted me invaluable space for shifting my perspectives; all the artists I have met have helped me approach my work in a novel way, pulling the thread on nascent ideas and developing diverse ways of thinking.
“Yet they have done so in a way that fits within my own practice and how I wish to work. It is this – the sensitivity with which you are encouraged to experiment, to self-reflect and self-direct the Scholarship, while being shown respect and interest in your own studio practice – that has made the year tremendously helpful. It is certainly the case that you get back what you put in and I would encourage anyone who is working seriously (or wants to) to consider applying.”
POLLY SMEDLEY
“I’m a self-taught artist, starting my painting life in 2020. I’m delighted to have been introduced to the NEAC, an art society that feels something like a creative home for me. As a result of this, being awarded the NEAC Scholarship has not only been an incredible privilege and catalyst to my artistic life, but an accolade that I could only have dreamed of receiving.
“Over the past year, I’ve found the most valuable experiences have been the occasions spent with members of the NEAC who have all welcomed me into their studios and generously shared their thoughts, discussing the realities of life as an artist. This has given me a much deeper and more vivid awareness of the artistic life, as well as practical insights on how to progress my own work.
“Now, having come to the end of the year’s Scholarship, I am leaving with more confidence in my work, and in myself. I have also found enormous support from fellow Scholars. I am immensely thankful to the NEAC for the belief and support you have shown in me.”
REMEMBERING ROBERT BROWN (1936–2023)
Robert (Bob) Brown was elected a member of the NEAC in 1964 and for many years, along with Charlotte Halliday, was its ‘engine room’. He was not only a wonderful, dedicated painter but also, as you will read in the tributes below, a kind and generous man who was greatly loved . . .
“The word ‘delicious’ describes his handling of the paint as he placed one colour against another to create visual music. It describes the way he saw, felt and created – and the man himself. His enthusiasm always shone through when he was teaching. Such an inspiration.”
Salliann Putman
“His enthusiasm was infectious, but Bob was so modest – happy to work in the engine room with Charlotte Halliday for all those years – what a team! I wonder if the NEAC would still be here if it was not for them.”
Peter Brown
“Painting with Bob was fun but exhausting. He did not waste painting time, and while I was laying out a few tubes of paint and looking at a blank canvas, Bob had completed a painting and numbered it. He was so proud to be part of the New English family.”
Michael Whittlesea
Col de L’Iseran, France
“We certainly put in many, many hours together – dawn raids and midnight oil –but I couldn’t possibly have done what I did without him. We made a good team, with his infectious enthusiasm and energy, and my obsessions.
“For example, I insisted for years that the annual exhibition should be hung in numerical order which meant that the pictures’ original numbers were changed once they were on the wall. This involved waiting until the end of the hang and then Bob driving through the night to the printers and collecting the first batch of catalogues the next morning!
“I think Bob is the kindest person I have ever known.”
Charlotte Halliday
“How he devoted himself to painting! He worked with huge energy and application. He was forever on the move – all those journeys abroad with his painting equipment. He went to China, Australia, Italy, France, Iran and Russia. Then he would return laden with sketches, that he worked up into large, finished paintings.”
Richard Sorrell
“Driving up from deepest Dorset, I would often break my journey, staying with Bob and Sue overnight and enjoying their wonderful hospitality. Then up before 5am for a ‘dawn raid’ into London before the traffic, a huge fry-up breakfast at the local greasy spoon, with many cups of tea and lots of laughter before dashing back to help hang the exhibition . . . What memories!”
Richard Pikesley
REMEMBERING TOM COATES (1941–2023)
Tom Coates was one of the ‘titans’ of the NEAC – a Past President and ‘Chief Hanger’ at our Annual Exhibitions.
He was a real character and a showman who was loved and admired by his fellow members, some of whom share their memories below
“Tom was my mentor and a wonderful friend. He had the remarkable ability to work in oils, pastels and watercolours with equal fluency regardless of subject, be it horses or portraits, townscapes or coast.”
Felicity House
“When we go to a Coates exhibition, we look for those revealing moments in paint – his wife, Mary, sitting on some terrace, painting in wonderful continental light . . . or Mary’s daughter, Julie, looking intensely at a distant landscape from some sheltered spot. Tom’s subject matter was truly embracing in its content, as was the man himself.”
Maurice Sheppard
“A wonderful artist and brilliant draughtsman. Tom could work in any medium and his skill as a portrait painter, capturing the essence of his sitter with an expressive fluency, was a marvel to witness.”
Patrick Cullen
“An inspiration ever since I watched him work at ‘Art in Action’ when I was a child. He was brilliant, so very assured, a superb tonalist but also a first-rate draughtsman.”
Benjamin Hope
Afternoon Sun, Port de Soller
“A wonderful person, as well as a great artist. I became a member of the NEAC during his presidency and witnessed his incredible skills in hanging exhibitions.”
Melissa Scott-Miller
“His energy, generosity, and unwavering support for the NEAC are legendary. His wonderful paintings enhanced all the exhibitions, and the time and effort he put in as chief hanger over the years made all the difference.”
Diana Calvert
“Tom was the first living artist whose paintings I fell in love with. He invited me to join the NEAC when I was just setting out as a full-time artist.”
Andrew Macara
“A lively, warm-hearted man who was an important part of the figurative art world with his beautiful paintings over the many years.”
Francis Bowyer & the Bowyer family
“Such a fine painter and one of the kindest and most caring people I’ve ever met. I also remember him being a fine carver of the ham at many NEAC Christmas parties.”
June Berry
“Modest, self-deprecating and always helping and encouraging others, I don’t know how he found time to paint for himself! He was also such fun and great company. Thank you, Tom. Your memory will live forever in your paintings.”
Susan Ryder
GoldenLightontheSheepandtheBranches
Pastel
14 x 20 cm
£2,000
LastLight(KentMarshes)
Oil on canvas
50 x 50 cm
£3,750
RockpoolsatHopeGap
Oil on canvas
76 x 122 cm
£5,000
LOUISE BALAAM
TOM BENJAMIN
DIANA ARMFIELD
PickingApples
Linocut
40 x 34 cm
£360
Portrait of a Man
Oil on board
41 x 30 cm
£1,200
RICHARD BAWDEN
TIM BENSON
JUNE BERRY
A Walk in the Park Oil
50 x 47 cm
£2,000
FRANCIS BOWYER
TheYoungGardeners
Oil on canvas
60 x 60 cm
£3,000
TheIceFactory
Oil on panel
23 x 30 cm
£700
JAMES BLAND
Michelin House
Oil on canvas
41 x 51 cm
£5,850
Sedum and other Autumn Flowers
Oil
35 x 28 cm
£1,100
The Golden Hour in SmugglersCove
Acrylic
28 x 35 cm
£1,450
PETER BROWN
DIANA CALVERT
DAVID CARPANINI
PaperOver
Oil on canvas
70 x 115 cm
£850
Treasures from the East
Oil
36 x 36 cm
£1,850
Frank’s Model Oil on board
76 x 56 cm
£2,000
DIANA CHARNLEY
JANE CORSELLIS
PETER CLOSSICK
PAUL CURTIS
Studio, Porthmeor Beach, St Ives
Acrylic
60 x 60 cm
£1,350
Abstract Oil
76 x 50 cm
£2,500
Red Room Windowsill I Oil on gesso panel
120 x 70 cm
£4,900
TESSA COLEMAN
MICHAEL COOPER
Earth Has No Reset Button
Watercolour
134 x 168 cm
£12,000
PATRICK CULLEN
DaffodilswithBoyandCar1955
60 x 60 cm
£9,250
35 x 25 cm
£800
SAIED DAI
Towers
Oil on linen
JOHN DOBBS
Oil
BoywithNecklace Oil on canvas
37 x 37 cm
£2,200
After Poussin’s Adoration of The Golden Calf Oil on canvas
60 x 86 cm
£4,500
SnowscapeLateAfternoon Oil
61 x 61 cm
£1,600
ALEX FOWLER
JUDITH GARDNER
PAUL GILDEA
CHARLOTTE HALLIDAY
MagpiesinTownshendRoad
Pencil and watercolour
27 x 19 cm
£750
CLARE HAWARD
The Artist, Sarah Oil on linen on board
50 x 40 cm
£1,600
50 x 40 cm
£900
Urban Dreams - The Florist
Acrylic
122 x 91 cm
£6,000
JULIA HAWKINS
AliceinAfghanHat Oil
JULIE HELD
BENJAMIN HOPE
MorningPaper
Oil on panel
51 x 51 cm
£2,700
Tom’s Chinese Vase
Oil on canvas
36 x 46 cm
£1,950
FELICITY HOUSE
Cashel Blue & Pears
Pastel drawing
37 x 52 cm
£850
MARY JACKSON
Billabong,OldGympieRoadQLD
101 x 75 cm
£2,495
Derly
59 x 41 cm
£1,200
ANDREW JAMES
Charcoal on paper
JULIE JACKSON
Oil on canvas
I Am Here And You Are Where You Are Oil on gesso panel
30 x 33 cm
£1,350
StudioView(CentralAvenue) Oil
80 x 61 cm
£3,500
CRAIG JEFFERSON
VICTORIA JINIVIZIAN
Three Lemons on a Dish Oil on board
25 x 28 cm
£1,750
Pigment on linen
122 x 91 cm
£6,850
PAMELA KAY
MICHAEL KIRKBRIDE
Vinyl
ANDREW MACARA
SpringSnow,Wirksworth
Oil on linen canvas
66 x 102 cm
£4,850
JASON LINE
OpenWindow
Oil
40 x 35 cm
£2,000
BRIDGET MOORE
Golden Line
Gouache
17 x 26 cm
£875
ANTHONY MORRIS
WalkingintheSnow,Magdalen,Oxford
Oil
46 x 56 cm
£2,600
ARTHUR NEAL
StudyforPearlI
Oil on paper
39 x 37 cm
£1,850
PAUL NEWLAND
Kingston:TheStreet
Oil on board
18 x 28 cm
£800
The Kiss Mixed media
93 x 122
£4,800
Summer at Nettleton Oil on board
35 x 44 cm
£1,750
Posy Oil on linen
46 x 38 cm
£2,500
PATRICIA PAOLOZZI CAIN
MELVYN PETTERSON
WILLIAM PACKER
AttheHeightsofMachuPicchu,Peru
Acrylic on board
60 x 112 cm
£2,150
Green Hills Oil
30 x 30 cm
£850
RICHARD PIKESLEY
BigSky,NorthfromtheHillfort,Abbotsbury Oil on board
38 x 41 cm
£1,950
NEIL PITTAWAY
SALLIANN PUTMAN
SIMON QUADRAT
The Crowded Pool Oil on canvas
46 x 61 cm
£3,600
92 x 72 cm
£1,200
GirlReadingbyaWindow
Oil on canvas
51 x 71 cm
£2,950
CHARLES RAKE
DANIEL SHADBOLT
Catherine Oil
51 x 66 cm
£4,800
SUSAN RYDER
TheMantelpiece Oil on canvas
MELISSA SCOTT-MILLER
Avery’sSpringtimeNap
Oil on canvas
120 x 100 cm
£9,500
ANN SHRAGER
ElephantandMahout Oil on board
30 x 30 cm
£2,500
Still,AfterSwinging Oil on linen
46 x 41 cm
£1,500
LAURA SMITH
CHARLOTTE SORAPURE
TheLepidopterist’sDream Oil on gesso panel
51 x 38 cm
£9,500
OpeningDoor Oil
61 x 49 cm
£1,900
RICHARD SORRELL
Egg tempera
45 x 60 cm
£1,900
RUTH STAGE
Summer Peonies
84 x 90 cm
£6,000
SARAH SPENCER
Hazelwood Marshes Oil
The Bar at The Bull Oil on canvas
75 x 75 cm
£6,500
TheFamily Oil
61 x 46 cm
£1,100
TOBY WARD
LORNA VAHEY
Weymouth,October1
Oil
21 x 63 cm
£950
CatPainting
Oil on canvas
76 x 36 cm
£2,700
HighlandHutinStormyWeather
Watercolour and collage on paper
56 x 79 cm
£4,200
GRANT WATSON
MICHAEL WELLER
JENNY WHEATLEY
The Three Graces
Oil on panel
60 x 60 cm
£3,995
MICHAEL WHITTLESEA
Self Oil
27 x 22 cm
£1,800
CHARLES WILLIAMS
Selection Panel V7
Watercolour
19 x 28 cm
£550
ROBERT E WELLS
ANTONY WILLIAMS
StudyofMargaret
Pencil
38 x 29 cm
£2,800
Studio Dusk Oil on board
87 x 58 cm
£4,500
JACQUELINE WILLIAMS
NEALE WORLEY
Oil on canvas
30 x 50 cm
£4,600
Sunset 4 Oil on board
33 x 39 cm
£3,800
GreyVenice
DUNCAN WOOD
Candlestick No.4
Leon Morrocco RSA Row of Houses beneath Mountainside, Charcoal pencil, gouache
Near Gourdon and oil pastel on paper
NEAC MEMBERS
HONORARY LIFE MEMBERS
Diana Armfield
Charlotte Halliday
Richard Pikesley
Jacqueline Rizvi
HONORARY RETIRED MEMBERS
Michael Fairclough
James Rushton
Maurice Sheppard
MEMBERS
Julian Bailey
Louise Balaam
Richard Bawden
Tom Benjamin
Tim Benson
June Berry
James Bland
Jane Bond
Francis Bowyer
Peter Brown
Diana Calvert
David Carpanini
Diana Charnley
Peter Clossick
David Cobley
Tessa Coleman
Michael Cooper
Jane Corsellis
Patrick Cullen
Paul Curtis
Saied Dai
Stuart Denyer
John Dobbs
Alex Fowler
Caroline Frood
Judith Gardner
Dennis Gilbert
Paul Gildea
Paul Handley
Charles Hardaker
Clare Haward
Julia Hawkins
Julie Held
Benjamin Hope
Felicity House
Julie Jackson
Mary Jackson
Andrew James
Craig Jefferson
Victoria Jinivizian
Pamela Kay
Michael Kirkbride
Peter Kuhfeld
Jason Line
Andrew Macara
Bridget Moore
Anthony Morris
Arthur Neal
Paul Newland
William Packer
Patricia Paolozzi Cain
David Parfitt
Melvyn Petterson
Neil Pittaway
Salliann Putman
Simon Quadrat
Charles Rake
Susan Ryder
Melissa Scott-Miller
William Selby
Daniel Shadbolt
Ann Shrager
Laura Smith
Charlotte Sorapure
Richard Sorrell
Sarah Spencer
Ruth Stage
Benjamin Sullivan
Nick Tidnam
Lorna Vahey
Toby Ward
Grant Watson
Michael Weller
Robert E Wells
Jenny Wheatley
Michael Whittlesea
Antony Williams
Charles Williams
Jacqueline Williams
Duncan Wood
Neale Worley
Martin Yeoman
COMPANIONS
Jon Armitage
Graham Barclay
Richard and Alison Chenevix-Trench
David Corsellis
Kerrie Cunningham
John Deston
Lord Hindlip
Greg Ladd
Jans Ondaatje Rolls
Peyton Skipworth
Marc Winer
Susan Wolff
Artists’ General Benevolent Institution
For over 200 years the AGBI has provided assistance to professional artists and their dependants in times of need. Funds are urgently needed for the continuation of this work.
Office of the Institution: 15 Churton Street, Pimlico, London SW1V 2LY
www.agbi.org.uk Telephone 020 7734 1193
Registered Charity No. 212667
