The Picture Sale - 5th July 2017 (Mallams Oxford)

Mallams 1788

TH E PICTURE SALE - 5TH JULY 2017 - OXFOR D

The Picture Sale Wednesday 5th July 2017 OXFORD www.mallams.co.uk

Jewellery & Silver

Entries Invited

The Art & Music Sale October 2017

Wednesday 23 August Oxford Entries invited Closing date: Friday 28 July

For more information or to arrange a free valuation please contact: Louise Dennis FGA DGA E: louise.dennis@mallams.co.uk or T: 01865 241358 Mallams Auctioneers Bocardo House St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

A late 19th/early 20th century sapphire and diamond brooch Sold for £23,000 (hammer price) in March 2017

Illustrated: Pito (French 20th century) Orchestre a St Jean de Luz (detail) £200-300

Mallams 1788

For more information or to arrange a free verbal valuation please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk Mallams Auctioneers / Bocardo House / St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Connect with us Oxford Saleroom Bocardo House 24a St. Michael’s Street Oxford OX1 2EB Opening hours Monday to Friday 9am - 5.30pm T: 01865 241358 F: 01865 725483 E: oxford@mallams.co.uk www.mallams.co.uk www.the-saleroom.com Follow us on Twitter @Mallams1788

For image requests/ condition reports E: oxford2@mallams.co.uk Viewing Saturday 1st July 9am to 1pm Monday 3rd July 9am to 5pm Tuesday 4th July 9am to 5pm And the morning of the sale from 8.30am

Welcome Welcome aboard the Mallams Summer Picture Sale.

As luck would have it, with the recent record-breaking temperatures, there is plenty on offer in the marine section to remind us all of the joy of the cool sea and coastal breezes.

Lot 103 is particularly fascinating as it depicts a sailing craft in full sail close to two lighthouses off the notoriously dangerous Eddystone rocks, thirteen miles south west of Plymouth. So why two lighthouses? Well, since the 17th Century no less than four lighthouses have been built on this site. This view depicts the transition between John Smeaton’s red and white tower and the fourth and current lighthouse designed by James Douglass which was in operation by 1882. Smeaton’s lighthouse was so well respected and loved that the upper section was then dismantled and re-erected on Plymouth Hoe. Sporting art is also well represented (see lots 250268). Lot 255 depicts the Heythrop Hounds in 1921

by Henry Frederick Lucas-Lucas. Of fair size the work is full of vibrancy and with the added bonus that the names of the hounds are each beautifully inscribed verso.

Sale commences at 11am

An interesting selection of ten watercolours depicting traditional agriculture and British country craft by the enigmatic Second World War artist Thomas Hennell are also included in the sale (Lots 187-196). Collected over the last twenty years and consigned by a private collector these works serve as a pleasant reminder of the British countryside of days gone by.

Front Cover Image Lot 104 Back cover Lot 186

Whatever your taste we hope that with the volume and diversity on offer something of interest will be found.

Rupert Fogden IMPORTANT NOTICE REGARDING FRAMES As a general rule works are sold as framed unless the term ‘unframed’ appears in the catalogue description. Some pictures have been photographed to show the frame, but the majority are not. The absence of a frame in the photograph does not necessarily indicate that the work is unframed. To avoid any possible confusion prospective buyers are respectfully requested to check and satisfy themselves with regards to this matter prior to bidding.

Mallams 1788

Order of Sale The Picture Sale 5th July 2017 at 11am

Prints, Miniatures, Maps and Frames

1-69

Marine Art and Scale Models

70-150

The Property of A Lady

151-175

Oils and Watercolours

176-465

Condition Reports and Images: oxford2@mallams.co.uk Important notice: Buyer’s premium 24% inclusive of VAT on each lot.

Lots purchased via saleroom.com will incur an additional charge of 3% plus VAT. Credit card fees where applicable are 2.28% inclusive of VAT Please note that condition reports are not printed in the catalogue or on our website however, we are happy to provide them when requested subject to our terms and conditions of sale.

The absence of any reference to condition in any description does not imply the lot is without fault.

Droite de Suite Important Notices: Changes to the Droite de Suite or Artist’s Resale Rights Pictures produced by European Artists can be subject to the Droite de Suite or Artist’s Resale Right which took effect in the United Kingdom on the 14th February 2006. Under this legislation Mallams is required to collect a royalty payment for works by living artists which sell for more than 1000 Euros. This now also applies to works by artists who have died within the last seventy years. It is calculated on the Rate of Exchange at the European Central Bank on the date of sale. It is charged to the buyer as a percentage of the hammer price

Explanation of Picture Cataloguing Terms A work catalogued with the full name of the artist in our opinion, is or is probably a work by that artist, however intending buyers are respectfully reminded to fully satisfy themselves prior to bidding as the catalogue description does NOT represent a certificate of authenticity.

Other wise the following terms are used: ‘Attributed to’ … in our opinion the work is probably by the artist named in whole or in part.

‘Circle of ’ … in our opinion the work is by an artist influenced by the named artist and of the period.

and in addition to the buyer’s premium. The Artist’s Resale right is not subject to VAT. The charge for Works of Art sold at or above 1000 Euros and below 50,000 Euros is 4%.

For items selling above this figure the fee is calculated on a sliding scale. These charges are paid to the Design and Artist’s Copyright Society (DACS). No additional fees or handling costs are retained by Mallams.

For more information visit www.dacs.org.uk.

Please be aware of this extra charge and especially the recent changes if you intend to bid for any works which might fall into the above category.

‘Follower of ’ … in our opinion the work is executed in the named artist’s style.

‘Manner of ’ … in our opinion the work is executed in the named artist’s style but is of a considerably later date.

‘School (together with place or country and date)’ … in our opinion the work was executed in that location at that time.

‘After’ … in our opinion the work is a copy of a known painting by the named artist.

‘Signed’ … in our opinion the signature is by the hand of the artist stated.

‘Bears signature’ … in our opinion there is an element of doubt over the signature or it has been added by another hand.

Prints, Miniatures, Maps and Frames Lots 1-69

THERE IS A PREMIUM OF 20% OF THE HAMMER PRICE ON ALL SALES THIS IS SUBJECT TO V.A.T.

1. NORMAN THOMAS JANES (1892-1980) ‘Liverpool Street’, wood engraving, pencil signed in the margin and numbered 19/40, 18 x 22.5cm £100-150

2. AFTER ALBERT TAYLER Lord Hawke batting in cricket attire, chromo-lithograph printed by the Fine Art Society, 36 x 23cm; and five further similar (6) £50-80

3. SIR DAVID MUIRHEAD BONE (1876-1953) Building ships: a shipyard seen from a big crane, lithograph from the Great War: Britain’s efforts and ideals, pencil signed in the margin, 46 x 36cm £200-300

4. AFTER MARY FEDDEN ‘Chiswick’, lithograph in colours, 50 x 34cm £40-60

5. S & J FULLER (pubs) ‘Chairs to Mend’, engraving, hand-coloured, 14 x 13cm; and five further similar; together with 20th Century English School - ‘Loweswater and Hudson Place’, etching in colours, indistinctly signed, dated ‘98, titled and numbered 36/100, 14.5 x 19cm (7) £30-50

6. BLAIR HUGHES-STANTON (1902-1981) Helen, signed and dated ‘32 in pencil to the margin, artist’s proof woodcut, 19.5 x 12cm; and Priapus, no.

12/12, signed and dated ‘33 in pencil to the margin, 23.5 x 14cm (2) £100-150

7. HENRY EVANS (1918-1990) Fritillary, signed, dated 1967 and numbered 41/50 in pencil, lino cut, 45.5 x 30.5cm; Columbine, signed and dated 1966, numbered 7/104; and one other botanical lino cut by the same hand (3) £30-50

8. CAREL WEIGHT (1907-1997) The Day of Doom, signed in pencil and numbered 146/250 to the margin, 99 x 69cm £50-100

9. CHARLES HOLROYD (1861-1917) ‘Monte Oliveto Maggiore - 13 etchings by Charles Holroyd’, each pencil signed in the margin, varying sizes, all mounted but unframed in cloth bound green folio £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

10. STEPHEN BARTLETT (b.1942) Untitled abstract III, signed in pencil and numbered 11/75, screenprint, 58 x 48cm £50-80

11. CHRISTOPHER PENNY (1947-2001) Castle Riggs, signed, inscribed and numbered 118/150 in pencil to the margin, etching, 30 x 44cm (pl) £30-50

12. BOB SANDERS (b.1945) Clumber Park, Nottinghamshire; Ullswater, Cumbria, a pair of screenprints, each signed and numbered 184/350 in pencil, 51 x 61cm; and a small artists proof print ‘Lonely Cedar’, by the same hand (3) £30-50

14. JOHN SLEZER Prospectus Oppidi Hamiltaniae - the Prospect of the town of Hamilton, hand-coloured engraving, 27.5 x 44.5cm £30-50

16. SIR WILLIAM RUSSELL FLINT (1880-1969) A small collection of books and catalogues relating to the artist, to include a Limited Edition book by Ralph Lewis and Keith Gardner, in slip case, numbered 150/500, and various others £40-60

17. A PAIR OF LATE 19TH CENTURY HAND-COLOURED PRINTS depicting the Pantheon, and the Forum, Rome, 12 x 17.5cm (2) £30-40

18. JAMES P. POWER (b.1946) ‘Imitswater’, signed, inscribed and numbered 1/50 in pencil to the margin, etching, 15.5 x 10cm (pl); together with three late Victorian coloured prints of birds (4) £30-40

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13. PHILIP SHEFFIELD (b.1950) ‘Hyca and Diadem’, signed in pencil, artist’s proof print, 61.5 x 51cm; a watercolour by Lindsay Bartholomew, of Braemar Forest, Aberdeenshire, and one other print, musicien Francais, indistinctly signed (3) £40-60

15. AFTER SIR WILLIAM RUSSELL FLINT (1880-1969) Madame du Barry the Reigning Beauty; Madame du Barry as a Bacchante, inscribed in pencil to the margin, a pair of coloured reproductions, 41 x 23.5cm; two further Russell Flint reproductions; Madame du Barry en Terue de Soir, numbered 627/850, and Madame du Barry in Retirement, numbered 683/850, another, Mademoiselle L’Ange, numbered 828/850; and one other similar, numbered 554/850 (6) £150-200

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For details of fees that apply to successful bids, please see pages 2 and 3

19. CHARLES OLIVER MURRAY (1842-1924) A view of Ely, with Cathedral to the background, signed in pencil to the margin, engraving, 47 x 66cm; and a further engraving of Ely Cathedral by John Coney (2) £40-50

20. VERRALL KING (act.1910-1930) Medieval Gateway, signed in pencil and numbered 57/75 to the margin, etching, 22.5 x 15cm (pl); Mabel Oliver-Parkes: King’s School, Ely, signed and inscribed in pencil, etching; four further prints, to include a hand-coloured view of Cobham Hall, a print after Hanslip Fletcher and a pair of lithographs of Paris (8) £50-80

21. GEORGE CRUICKSHANK ‘Exhibition Extraordinary in the Horticultural Room’, etching, published by G. Humphrey, hand-coloured, 26 x 37cm £60-80

22. J. SKELTON AFTER C. WILD ‘Wadham College from the Garden’, engraving, hand-coloured, 36 x 48cm, unframed £80-120

23. FREDERICK ARTHUR FARRELL (1882-1935) ‘The Old Lady of Threadneedle Street’, signed in pencil to the margin, etching, 23 x 36.5cm (pl) £40-60

24. CYRIL HENRY BARRAUD (1877-1965) Landscape with ruined castle, signed in pencil to the margin, etching, 18 x 33cm (pl) £100-150

25. STANLEY ANDERSON Ightham Mote, Kent, inscribed in pencil to the backing sheet, etching, trimmed, 25 x 23.5cm £30-50

26. OLIVER HALL (1869-1957) A Peat Bog, signed in pencil to the margin, etching, 10.5 x 20cm (pl); another etching by the same hand, two etchings by George Percival Gaskell (1868-1934), both signed in pencil, another etching by Kenneth Steel, and two further prints (all unframed) (7) £50-80

27. ANDREW FAIRBAIRN AFFLECK (1874-1936) Doorway, signed in pencil to the margin, etching, 31 x 21.5cm (pl); another etching by the same hand, Cathedral View; three etchings by Primrose Vera Pitman Cathedral Views, signed in pencil, and four further various etchings (9) £100-200

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For details of fees that apply to successful bids, please see pages 2 and 3

29. A COLLECTION OF EIGHT 19TH CENTURY HAND-COLOURED ANIMAL AND BIRD ENGRAVINGS, to include Milne Galeo Pithecus Flying Cats, Macacos monkeys, Cynnyris Soui-Mangas and others, 33.5 x 22cm and similar (8) £50-100

30. P GEREMIA AFTER FRANCIS WHEATLEY ‘Rural Repose’, stipple engraving, hand-coloured, 38.5 x 48.5cm; and one further after Morland in an early 19th Century gilt frame, 51 x 61cm (2) £80-120

31. ENGLISH SCHOOL (EARLY 19TH CENTURY) A courting couple in a landscape, stipple engraving, hand-coloured, 30cm tondo; and one further similar (2) £40-60

32. 19TH CENTURY ENGLISH SCHOOL ‘The 17th Regiment of Foot, an Officer Standing at Ease on the Left of his Division’, hand-coloured engraving, 24 x 19cm with verre eglomise surround and maple frame £30-50

33. GODFREY AFTER CHAUDEL ‘L’education de Carlin’, stipple engraving, hand-coloured, 41 x 29cm £30-50

34. AFTER ALFRED FRANK DE PRADES F Archer on Iroquois, Winner of the Derby 1881, lithograph, 36 x 50.5cm £40-60

35. ANDRÉ BICÂT (1909-1996) Still life - a jug of flowers, lithograph, pencil signed in the margin and numbered 6/75, 55 x 41cm (im); and one further by the same hand, both unframed (2) £30-50

36. ALAN NUTTALL (b.1929) ‘Northern Landscape’, artist’s proof screenprint, inscribed in pencil to mount, 36 x 48.5cm; and further works artists including: Norman Galley; Raymond Lowry; L * Fotherby; and two other items, all unframed (6) £40-60

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28. EUGENE JAMES TILY (b.1870) AFTER FRANS HALS The laughing cavalier, mezzotint, signed in pencil to the margin, 38 x 30cm; and four further similar (5) £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

37. HILLARY PAYNTER (b. 1943) ‘Durham’, wood engraving, pencil signed, dated ‘81, inscribed with title and numbered 34/100 in the margin, 11.5 x 15cm; and one further by the same hand ‘Gentleman’s Row Enfield’, 10 x 16cm (2) £40-60

38. AFTER DENNIS FLANDERS “Somerville College, Oxford”, print in colours, pencil signed in the margin and numbered 64/500, 30cm x 48cm £20-30

40. HIROSHIGE ‘Takashi No Hama in Idzumi’, woodblock print in colours, 26.5cm x 18cm £20-30

41. JAMES GILLRAY ‘The Rake’s Progress’, plates I - V, etchings, hand coloured, 23cm x 34cm (5) £200-300

39. A FOLIO OF MIXED PRINTS AND LITHOGRAPHS mainly 20th century to include: Julian Bond, “Garden Door”; Laura Hsap, “Reclining Nude” etc together with a quantity of reproduction posters and exhibition posters £50-100

42. PIERRE AUGUSTE RENOIR (1841-1919) ‘Baigneuse Assise’, soft ground etching, stamped with signature to the margin, 21cm x 13cm Prov. with The Clyffe Hangings Gallery January 2002 where purchased, The work is sold together with the purchase invoice £800-1200

44. ALFRED HUGH FISHER (1867-1945) ‘The High, Oxford’, etching, pencil signed and titled in the margin, 21cm x 27cm £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

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43. WILFRED C APPLEBY (1889-c.1954) ‘The Woodman’s House’, etching, pencil signed and titled in the margin, 16cm x 19cm; and one further etching by Conrad Hope Lomax, ‘The Fallen Willow’, pencil signed and numbered 3/50 in the margin, 26cm x 39cm (2) £40-60

46. ROBERT T BLAYNEY (1929-2016) Trafalgar Square, etching with aquatint, pencil signed in the margin and dated ‘58, 21cm x 30cm £50-80

47. CAROLINE BING LUCAS (1886-1967) Figures in garden, Lewes, signed with initials in pencil and dated 1944, monoprint, 25cm x 35cm £70-90

48. HERBET RAINE (1875-1951) ‘The Ramparts, Quebec’, etching, pencil signed in the margin and titled, 20cm x 26cm; and one further by the same hand ‘The Wayside Cross St Joachim P.Q.’, also pencil signed and titled in the margin, 18cm x 25cm (2) £100-150

49. JOSEPH KIRKPATRICK (1872-1936) ‘Devon River’, and ‘The Horse Pond’, a pair, etchings, pencil signed in the margins, 12.5cm x 17cm (2)

50. FOLLOWER OF THOMAS ROWLANDSON ‘Married’ and ‘Unmarried’, a pair, engravings, hand coloured, 24cm x 18cm; and three further etchings by Eugene Bejot and Alfred R. Kemplen (x2) (5) £40-60

51. AFTER ROBERT WALKER ‘Oliver Cromwell’, on ivory, the gilt metal frame engraved ‘Oliver Cromwell’ verso, 6.5cm x 5cm oval £80-120

52. ENGLISH SCHOOL, EARLY 19TH CENTURY Head and shoulders portrait of a young lady, her curly brown hair tied by a ribbon and wearing white frock, signed ‘A. Well.....’, on ivory, 6cm x 4.5cm oval £100-150

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45. REMBRANDT VAN RIJN ‘Jan Lutma Goldsmith (New Hollstein 293)’, etching and dry point, 1656, fourth state of five, later rework, 19.5cm x 15cm £400-600

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Prov. with Frost and Reed £40-60

53. 19TH CENTURY ENGLISH SCHOOL Portrait of a young child, her white frock with purple sashes, on ivory, inscribed “Queen Victoria”, verso, 12cm x 10cm; and one further painted with a young lady, 10.5cm x 8.5cm £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

54. A GEORGE III MINIATURE painted with Officer wearing grey wig, white stock and red top coat, 4.5cm x 4cm oval £300-400

55. AN EARLY 19TH CENTURY MINIATURE painted with lady wearing a bonnet tied by a blue ribbon, 3cm x 2.5cm oval £100-150

57. WILLIAM HOLE AFTER CHRISTOPHER SAXON ‘Buckingham Comitatus...’, double-page engraving, hand-coloured, 30 x 32cm; and William Kip after Christopher Saxon - ‘Bedford’, double-page engraving, hand-coloured, 29 x 36cm (2) £60-100

58. AFTER GEORGE HOEFNAGLE ‘Brightstowe’, double-page engraving, hand-coloured, 32 x 42cm; together with Jacobus Millerd ‘An Exact Delineation of the Famous Cittie of Bristoll and Suburbs...’, 22 x 24cm; and three further maps (5) £50-100

59. JOHN SPEED ‘Pembrokeshire Described’, double-page engraving, hand-coloured, Sudbury & Humbell, 38 x 50cm £80-120

60. ROBERT MORDEN ‘Dorset Shire’, double page engraving, hand-coloured, 36 x 42cm; and two further - ‘Durham’ and ‘Nottingham Shire’ (3) £50-70

61. WILLIAM KIP AFTER CHRISTOPHER SAXTON ‘Huntingdon’, double page engraving, hand-coloured, 28 x 34cm; and one further - ‘Radnor’ (2) £30-50

62. GERARD MERCATOR ‘Eboracum, Lincolnia, Derbia, Staffordia, Noting: Hamia, Lecestria, Rutlandia, et Norfolcia’, double-page engraving, hand-coloured, 37 x 43cm £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

63. JAN JANSSON ‘Insularum Britannicarum Acurata Delineatio’, double-page engraving, 39 x 51cm £100-150

64. JONES & SMITH (ENGRAVERS) ‘A new map of the county of Oxford divided into hundreds’, printed for C Smith no. 172 Strand, January 6th 1804, second edition corrected to 1808, twelve sectional map, hand coloured, 50cm x 45cm; and three further maps to include Suffolk, Lancashire and Southwold (4) £40-60

65. MARCO DI DIETRO ‘Asia’, engraving, hand coloured, 19.5cm x 24cm; two further similar - Central America and South America; three further smaller maps - America and Europe; ;two engravings ‘Parte Preso.....’ and one further (9) £30-50

67. A 19TH CENTURY LARGE GILT FRAME, the border moulded with acorn and leafy foliage, rebate size 135.5 x 94cm £200-400

68. A 19TH CENTURY GILT GESSO FRAME of swept Rococo form, currently incorporating a print after George Morland, rebate size 45cm x 56.5cm £20-40

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66. A REGENCY GILT CLUSTER FRAME with ribbon mouldings, rebate size 42 x 36cm; and a 19th Century French frame with lambs tongue border, rebate size 33.5 x 25cm (2) £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

Marine Art and Scale Models Lots 70-150

71. ROWLAND LANGMAID (1897-1956) ‘Hawes Pin and Forth Bridge’, signed with initials, charcoal drawing, 16.5cm x 22cm, mounted but unframed £40-60 70. PIETER CORNELIS DOMMERSON (1834-1908) ‘Egmond on Sea, Holland’, signed and dated 1889, inscribed with title verso and with artist’s wax seal, oil on panel, 28cm x 38cm £400-600

73. ROWLAND LANGMAID (1897-1956) ‘The Entrance to Portsmouth Harbour’, etching, pencil signed in the margin, 17cm x 35cm £80-120

75. SYDNEY MACKENZIE LITTEN (1887-1934) ‘The Lower Pool, Thames’, etching, pencil signed in the margin, mounted but unframed £40-60

76. 19TH CENTURY ENGLISH SCHOOL Portrait of the three masted steam ship ‘Spa...’, watercolour, 29cm x 48cm £50-150

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72. ROWLAND LANGMAID (1897-1956) ‘Edinburgh from Burnt Island’, etching, pencil signed in the margin, 14.5cm x 30cm; three further to include; harbour scene; The Pool of London; and Shipping in a Calm; and a poster - supplement to the graphic ‘The Queen’s Navy in 1887’, after W.L. Wyllie, all unframed (5) £100-200

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74. THOMAS MILES RICHARDSON JNR (1813-1890) A continental lake with moored boat, probably Lake Lugano, signed with initials and dated ‘77, watercolour, 6.5cm x 10.5cm Prov. with the Fine Art Society, August 1947 £80-120

77. STYTS? A yacht moored in a Mediterranean harbour, indistinctly signed, oil on canvas, 38cm x 28cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

78. W* RICHARDS (19TH / 20TH CENTURY) Portrait of a sailing vessel in full sail, signed and dated ‘95, watercolour en grisaille, 26.5cm x 36cm £100-150

79. B*B* BINGLEY (19TH CENTURY) A coastal town with figures resting on a harbour wall, signed and dated 1899, watercolour, 25cm x 34.5cm; and one further by the same hand, signed and dated ‘90, 24cm x 33.5cm (2) £150-250

80. W* G* S*?

Nocturne: Barges at dusk, in the manner of Whistler, signed with initials, oil on canvas, 32 x 45cm £300-500

81. 19TH CENTURY ENGLISH SCHOOL East coast fishing boats sailing into the Dawn, watercolour, 31 x 51cm £80-120

82. AFTER EDUARDO DE MARTINO A beached fishing boat with figures, chromo-lithograph published by W.A.M. & Co., 12 x 8cm; and three further similar (4) £30-50

83. BARRY MASON (b. 1947) ‘Winter Light - An Impression of the Thames c. 1900’, signed, oil on panel, 29 x 45cm £500-700

84. NEAPOLITAN SCHOOL The Schooner ‘Elizabeth’ off the coast, a pair, gouache, 31 x 45cm (2) £600-800

85. E * BURNETT (20TH CENTURY) A tranquil moonlit harbour side with shipping, signed, oil on canvas, 48 x 75cm £80-120

86. GEORGE HAYES (Act. c.1855-c.1875) Shipping off a rocky head land, signed and dated ‘79, oil on canvas, 44 x 80cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

87. J * MAYFIELD (19TH CENTURY) Fisher folk with sailing vessels off the coast, signed and dated 1888, 19.5 x 31cm; and companion, a pair (2) £50-80

88. HENRY BARLOW CARTER (1795-1867) The Blocking of the canal at Pasajes (Passages), Spain, during the Peninsula War c.1810 with British soldiers by fortifications on the left, watercolour, 16 x 21cm

89. ATTRIBUTED TO HENRY BARLOW CARTER (1795-1867) Shipping off a jetty in a swell, watercolour, 17 x 23cm £100-150

Prov. With Leger Galleries, Old Bond Street, February 1971 and sold together with photocopy of original purchase invoice £150-250

90. R * LOWRY LOMAX (19TH CENTURY) Yachting in full sail, signed and dated 1885, watercolour, 15 x 21cm £40-60

91. IAN HARRISON (b.1935) ‘Passing Heybridge Basin’, signed and dated 9/73, oil on canvas board, 24 x 34cm Exh. Guild Hall Art Gallery £150-200

92. A LATE 19TH CENTURY WOODEN SCALE MODEL of a three masted square rigged trading vessel in full sail with black and gilt painted decking and green painted hull, approximately 102cm overall on pine stand £200-300

93. WILLIAM ADOLPHUS KNELL (1805-1875) ‘Ships in an Estuary at Day Break’ and ‘Ships at an Estuary at Sunset’, a pair, signed, oil on board, 14.5 x 26.5cm (2)

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Prov. With the Abercorn Gallery, Kensington Mall, London £1000-1500

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For details of fees that apply to successful bids, please see pages 2 and 3

94. FOLLOWER OF WILLIAM CALCOTT KNELL Fishing smacks in rough seas, oil on canvas, 34 x 43.5cm £200-300

95. 19TH CENTURY ENGLISH SCHOOL Shipping off a harbour side town, oil on canvas, 49 x 59cm £400-600

96. TRISTRAM JAMES ELLIS (1844-1922) Sailing vessel and steam tug at sea, signed and dated 1879, watercolour, 16.5 x 34.5cm £100-150

97. J * COOKE (19TH CENTURY) Shipping off the coast in rough seas, a pair, signed and dated 1879, oil on canvas, 23.5 x 44cm (2) £300-500

98. EDWARD HENRY EUGENE FLETCHER (1857-1945) Fisher folk with boats off a pier, signed, oil on canvas, 29 x 39cm £100-150

99. CLAUDE MUNCASTER (1903-1974) Convoy duty, signed, pen, ink and watercolour, 34 x 26cm £150-250

100. F * MCALLISTER (act. 1910-1946) Ships moored at a jetty, signed and dated 1910, watercolour, 36 x 52cm £200-300

101. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a naval officer seated in a chair, his left elbow resting upon a table with books, oil on panel, 27 x 22.5cm £250-300

102. SYDNEY GOODWIN (1867-1944) Shipping on the Thames, signed and dated 1914, watercolour and body-colour, 14 x 24cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

103. RICHARD BRYDGES BEECHEY (1808-1895) ‘The Old and The New, The Eddystone Lighthouse, Plymouth’, signed and dated ‘88, oil on canvas, 60 x 90cm Inscribed with title to label verso and with label for Frederick Hall Picture Dealer, 14 George Street, Plymouth £3000-4000

104. JOHANNES HOLST (1880-1965) Training ship in full sail, signed and dated 1946, oil on canvas, 68 x 98cm £3000-4000

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105. EDWARD DUNCAN (1803-1882) ‘Hastings Boat’, stamped with monogram, titled and dated 1879, pencil and watercolour, 11.5 x 20cm £40-60

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106. ENGLISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY) Shipping in a calm, indistinctly signed, oil on canvas, 49 x 74cm £50-100

107. SIR JAMES BRAITHWAITE PEILE (1833-1906) ‘Port Dinorwic’, inscribed with title and dated 1891, grey wash drawing, 34 x 52cm Exh. The Lower Nupend Gallery ‘The Paintings of Sir James Peile October 1975 No. 34’ £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

108. CIRCLE OF WILLIAM THORNLEY (1857-1935) Shipping at moonlight, indistinctly signed ‘.... Senr’, oil on canvas, 29 x 24cm £100-200

109. JOHN J. CHALLIS (20TH CENTURY) Sailing vessels in full sail, signed, watercolour, 25 x 35cm £20-30

110. RICHMOND W. MARKES (act. 1890-1920) A twin master in full sail, signed, watercolour, 14 x 33cm; and companion, a pair (2) £50-80

111. 19TH CENTURY ENGLISH SCHOOL Figures unloading a beached sailing vessel, signed ‘W. Shayer’, oil on panel, 22 x 31cm £150-200

112. GEORGE STANFIELD WALTERS (1838-1924) Sailing vessels off the coast, possibly Channel Islands, a pair, signed, watercolours, 32.5 x 49cm (2) £80-120

113. ALBERT ERNEST MARKES (1865-1901) Sailing vessels in full sail, a pair, signed, watercolours en grisaille, 13 x 18cm (2) £80-120

114. ARTHUR BRISCOE (1873-1943) Overhauling the nets, etching, signed in pen to the margin and numbered ?53/75, 27 x 18cm £100-150

115. J * MAURICE HOSKING (19TH/20TH CENTURY) ‘Early Morning Mist’, signed, inscribed with title, gouache, 24 x 47cm £50-80

116. HENRY SHIELDS (19TH CENTURY) A fishing vessel in rough seas, signed, watercolour, 24 x 32cm £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

117. NORMAN THELWELL (1923-2004) The Pierhead, Liverpool, signed and dated 1983, watercolour, 36 x 53cm Prov. Exhibited Chris Beetles Thelwell 8-24th March 1989 No. 129 Illus: ‘Wrestling with a pencil’ published by Methuen, London 1986 Page 59 £1500-1800

118. ATTRIBUTED TO EDWARD JOHN POYNTER (1836-1919) ‘Malaga’, signed with initials and titled, pencil drawing heightened in white, 24 x 34cm £100-150

119. HENRY BURDON RICHARDSON (c.1811-1874) Unloading a schooner or wind jammer, probably in Newcastle, signed with initials, watercolour, 33 x 52cm £150-250

120. JOHN HAMILTON GLASS (act.1890-1925) A Scottish fishing village, signed, watercolour heightened in white, 34 x 50cm £80-120

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121. MANNER OF SAMUEL ATKINS Lord Howe’s Actions off Gibraltar, a pair, watercolour, 15.5 x 27cm (2) £400-500

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For details of fees that apply to successful bids, please see pages 2 and 3

122. R. ABRAHAMS (pubs) ‘HMS Diana’, chromo-lithograph, 36 x 56cm £80-120

123. CIRCLE OF ALFRED HERBERT (c.1820-1861) Harbour scene, Dordrecht, with figures on rowing boats and barges, watercolour, 32.5 x 66cm £300-500

125. ARTHUR JOSEPH MEADOWS (1843-1907) Getting in the nets off Beachy Head, signed and dated 1872, oil on canvas, 57.5 x 104cm

124. GEOFF SHAW (20TH CENTURY) The Battle of Trafalgar, signed, oil on board, 49 x 106cm £40-60

126. J * COX (19TH CENTURY) A fishing vessel at sea at sunset, signed, oil on canvas, 49 x 75cm £100-150

Exh. Royal Academy 1872 £1000-1500

128. A 20TH CENTURY WOODEN MODEL of HMS Victory fully rigged and with painted details and wooden stand, 76cm high, approximately 80cm long £150-250

129. ALAN S. GOURLEY (1909-1991) A sailing barge at low tide, signed, gouache, 25 x 34cm; and one further similar, 25 x 34.5cm (2) £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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127. CIRCLE OF EDWARD WILLIAM COOKE (1811-1880) Shipping probably the Thames off Greenwich, watercolour, 14 x 21cm £80-120

130. ATTRIBUTED TO LAI FONG (act.1870-1910) A three master in rough seas, oil on canvas, 62 x 85cm £500-700

131. KENNETH DENTON (b. 1932) Boats at Chatham’, signed, oil on canvas board, 29 x 49cm £100-150

132. THOMAS JOHN COATES (b. 1941) ‘Cornish Fisherman’, signed with initials, oil on canvas board, 24 x 29cm £150-250

133. DAVID GHILCHIK (1892-1974) ‘Low Tide, Leigh-on-Sea’, signed, oil on canvas, 29 x 59.5cm Exh. The Wapping Group of Artists £150-250

134. ALAN FURNEAUX (b. 1953) ‘Newlyn Fishermen’, signed, oil on board, 77 x 90.5cm £300-500

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135. 19TH CENTURY ENGLISH SCHOOL ‘Landing Wharf near Kew Bridge’, watercolour, inscribed in pencil to mount verso, 12 x 16cm £80-120

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136. EDWIN ELLIS (1841-1895) Fishermen with their catch on a quayside, signed, oil on canvas, 44.5 x 83.5cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

137. WILLIAM ANDERSON (1757-1837) Dutch sailing vessels in a calm off the coast, oil on canvas, 81 x 108cm With label verso inscribed ‘From the collection of Sir Charles Tower Bart 1851’ £6000-8000

139. HERBERT WOODIER (19TH / 20TH CENTURY) Fishing vessels in full sail in a calm at sunset, signed, watercolour, 26cm x 48cm; and another further similar scene by the same hand, 35cm x 25cm (2) £100-200

140. HUBERT COOP (1872-1953) A fisherman attending to beached sailing vessels at dusk, signed and dated 1898, watercolour, 22cm x 34cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

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138. 20TH CENTURY ENGLISH SCHOOL Fishing boats in a harbour with rainbow overhead, oil on canvas, 52 x 75cm £80-120

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141. FRANK ARCHER (1912-1995) Crowded Shipping, Aegean’, signed and dated ‘87, watercolour, 26cm x 29cm £150-250

142. WILLIAM RAINEY (1852-1936) Fisherfolk with sailing vessels on the beach, signed, watercolour, 22cm x 30cm £80-120

143. THOMAS BUSH HARDY (1842-1897) Boats on a rough sea, pencil sketch, 9 x 14.5cm; and another - View of Lancaster Castle, 7 x 12.5cm, both pencil on buff paper (2) £40-60

144. WILLIAM HARRY WILLIAMSON (1820-1883) A fishing vessel in choppy seas off the coast with distant ship and lighthouse, signed, oils on canvas, 75 x 126cm £300-500

145. AN ADMIRALTY ORDER dated 3 Nov 1779 to Captain Hawkes of the Iris to ‘Convoy the York Store Ship and Duke of Kingston East India Ship so far as his way and theirs may lay together’, on watermarked laid paper, 32 x 20cms; together with a marine scene etching published by R Pollard c.1787 (both unframed) (2) £30-50

146. REUBEN CHAPPELL OF POOLE (1870-1940) ‘Girl of the period’, signed and titled, watercolour and gouache, 35cm x 52cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

147. WILLIAM THORNLEY (1857-1935) ‘Fisherfolk at sea off the coast’ and ‘Fisherfolk unloading the catch’, a pair, signed, oil on canvas, 19cm x 39cm (2) £600-800

148. EDWIN ELLIS (1841-1895) Two figures admiring a sailing vessel docked at a quay, signed, oil on panel, 24 x 19cm £100-150

149. M*C* (19TH CENTURY) ‘Portrait of a steam ship at sea’ and ‘Portrait of a three master at sea’, a pair, one signed with initials and dated 1892, oil on canvas, 34cm x 44cm (2) £400-600

150. HENRY KING TAYLOR (1799-1869) Fisherfolk in a boat and further shipping off the coast, signed with initials, oil on canvas, 29cm x 52.5cm £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

Property of a Lady Lots 151-175

151. FREDERICK GOLDEN SHORT (1863-1936) A wooded landscape, indistinctly signed, oil on canvas, 48 x 60cm £100-150

152. FOLLOWER OF THOMAS BARKER OF BATH A moonlit woodland with huntsman and dog, oil on canvas, 34 x 26cm £100-200

153. LANCELOT ROBERTS (1883-1950) Head study of a young lady, pastels, 32 x 22cm Apparently signed beneath mount according to label verso (but unchecked) £40-60

154. MRS GRAHAM BROWN? Ullapool, Loch Broom, August 1886, watercolour, 23 x 43cm, Ex Frost & Reed; J * E * Park Rain on the Downs, from Pagham, near Chichester, signed and dated ‘22, watercolour, 25 x 35cm; and one further watercolour painted with boats in an estuary, 28 x 26cm (3) £50-80

155. * INGOLSTADT ‘Boigrischer Wodd, Arbergebiel’, signed and dated ‘47, oil on panel, 32.5 x 41cm; and one further oil painting (2) £40-60

156. J * T * G * A rocky coastal bay, signed with initials and dated 1909, watercolour, 22 x 30cm; and two further watercolours to include: I * Cooke: landscape with windmill, signed, 25 x 34cm; and G. H. Macarthy: mountain river landscape, signed and dated 1947, 27 x 37cm (3) £40-60

157. FOLLOWER OF HENRY ALKEN Over the brook, indistinctly signed with initials and dated ‘59, watercolour, 26 x 39cm £60-80

158. GEORGE CATTERMOLE (1800-1868) Tomb in Arundel Church with figures, watercolour, 34 x 24cm

159. ROBERT ANDERSON (1842-1885) ‘Winter Time Duddington Loch’, signed and dated 1879, watercolour heightened in white, 33 x 48cm £60-80

Exh. Appleby Bros. Ltd Autumn Exhibition 1966 £60-80

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For details of fees that apply to successful bids, please see pages 2 and 3

160. FOLLOWER OF WALTER SICKERT By the fireside, indistinctly signed, oil on canvas, 36 x 29cm £80-120

161. ALBERT GEORGE PETHERBRIDGE (1882-C. 1934) Figures on an arched stone bridge in a landscape, signed, watercolour, 24 x 34cm £40-60

162. WILLIAM TATTON WINTER (1855-1928) A coastal landscape, signed with monogram, watercolour, 25 x 35cm; and one further watercolour - a country roadway with houses, mounted but unframed, 35 x 51cm (2) £40-60

163. DAVID HEWITT (C.1878-1939) Returning Home, signed and dated 1903, watercolour, 24 x 38cm; and two further watercolours to include: F.A. Wilkinson - a continental cathedral, signed, 35 x 26cm; and ‘The Conway, Betts-y-Coed’, attributed to John E Aitken, 24 x 34cm (3) £50-100

164. 20TH CENTURY VENETIAN SCHOOL A courting couple in period costume on a river bridge with basilica in the distance, oil on board, 52 x 37cm £50-100

165. * SHELTON Flower piece, signed, oil on canvas, 34 x 44cm

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166. 19TH CENTURY ENGLISH SCHOOL An extensive mountain landscape with figures, watercolour, 34 x 50cm £50-80

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167. EDWARD VILLIERS RIPPINGILLE (1798-1859) AND HARRIS A welcome rest, signed and dated 1839, oil on canvas, 51 x 42cm £200-300

* With Rowley Gallery label verso £40-60

168. 19TH CENTURY ENGLISH SCHOOL A young girl in blue dress with posy of flowers in a landscape, oil on canvas, 55 x 43cm £50-100

For details of fees that apply to successful bids, please see pages 2 and 3

169. 19TH CENTURY CONTINENTAL SCHOOL A courting couple in a landscape, oil on canvas, 44 x 92cm £80-120

170. JANE LEWIS (20TH CENTURY) ‘Flowers from a French Meadow’, signed and dated ‘90, gouache, 46 x 59cm £100-200

171. EDWARD VAN GOETHEM (1857-1924) ‘Sixpence an Hour’, signed, watercolour, 34 x 49cm £80-120

172. JOHN H OSWALD (exh. 1880-99) Cattle grazing by a barn, inscribed on artist’s label verso and also indistinctly titled, oil on canvas, 34 x 54cm £200-300

173. A DECORATIVE OVER PAINTED PHOTOGRAPH depicting a Victorian cavalryman upon a horse in a landscape, 59 x 49cm £40-60

174. FOLLOWER OF BERNARD BUFFET A built up street scene with figures and motor vehicles, possibly signed lower right, oil on canvas, 72 x 54cm £80-120

175. WILLIAM HUNTER (C. 1890-1967) Still life - a stoneware vase of bellflowers, signed, oil on canvas, 66 x 52cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

Oils and Watercolours Lots 176-465

176. PHILIP OSMENT ( 1861-1947) A mountainous lakeside landscape, partially shrouded in mist, signed, oil on canvas, 74cm x 122cm; and a watercolour by the same hand, similarly framed, 74cm x 124cm (2) £200-400

177. HERBERT WOODIER (19TH / 20TH CENTURY) Figures in the grounds of a lakeside castle, signed, watercolour, 28cm x 38cm £100-150

178. HERBERT WOODIER (19TH / 20TH CENTURY) A Shepherd driving his flock in a snow covered winter landscape, signed, watercolour, 37cm x 55cm £80-120

179. JASON RICHARD BOWYER (b. 1957) A glass vase with single rose, signed with initials, oil on board, 32cm x 27cm £100-150

180. CHRISTOPHER MIERS (b.1941) ‘The Bay’, signed, gouache, 25cm x 35cm £200-300

181. GWILYM JOHN BLOCKLEY (b. 1921) ‘At the corner of Quiet Street, Bath’, signed, pastels, 29cm x 22cm £100-150

182. ENGLISH SCHOOL (MID 19TH CENTURY) View of Kenilworth Castle, signed indistinctly and dated 1853 verso, oil on board, 19.5 x 26.5cm £80-120

183. CONTINENTAL SCHOOL (19TH CENTURY) Harbour view, possibly Valetta, gouache, 6 x 9.5cm; and a 19th Century view of the Bay of Naples, gouache, 14 x 20.5cm (2) £80-120

184. JOSEF MANSFELD (1819-1894) A welcome break, signed and dated 1882, oil on panel, 31 x 24cm £200-300

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For details of fees that apply to successful bids, please see pages 2 and 3

186. JOHN NASH (1893-1977) ‘The Braes’ (Isle of Skye), signed and dated 1971, watercolour, 50cm x 38cm The Colchester Art Society exhibition label verso £2000-3000 185. 19TH CENTURY ENGLISH SCHOOL An interior with figures drinking, oil on canvas, 22.5 x 30cm £100-150

The following ten lots by Thomas Hennell (1903-45) Born in Kent, the second son of a clergyman, Hennell was something of a rural visionary, specialising in illustrations of British country crafts and craftsmen at work in and beyond the Home Counties. His friends Edward Bawden and Eric Ravilious, who he first met in 1931, regarded his expressive ‘alla prima’ watercolours of a vanishing agricultural society, as ‘works of genius’.

However, at the outbreak of war in 1939, Hennell wrote to the War Artists’ Advisory Committee, offering his services as an artist. Sent to Iceland to replace Ravilious (missing in action) in 1943, in 1944 he sketched German prisoners of war and the launch sites of V-1 flying bombs as he moved through the north of France with the Canadian First Army.

Later based in the Far East with an RAF unit as the Japanese retreated, in November 1945 he was captured by Indonesian nationalist fighters in Surabaya, Java. He was presumed to have been killed shortly thereafter.

A number of Hennell’s works are held by the Imperial War Museum.

187. THOMAS HENNELL (1903-1945) ‘The Seven Acre Field’, signed, inscribed with title verso, watercolour, 31cm x 47.5cm

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Exh. The Victoria Art Gallery, Bath 1995 no. 41 as “Cornfield” £500-800

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188. THOMAS HENNELL (1903-1945) ‘The coast near Folkestone’, pen, ink and watercolour, 29.5cm x 45cm Exh. Victoria Art Gallery 1995, Bath no. 39 £600-800

For details of fees that apply to successful bids, please see pages 2 and 3

189. THOMAS HENNELL (1903-1945) ‘Ploughing’, signed and dated 1943, pen, ink and watercolour, 30cm x 45cm

190. THOMAS HENNELL (1903-1945) ‘Working in the fields’, pen, ink and watercolour, 30cm x 47cm

Prov. with The Chris Beetles Gallery £500-800

Prov. Chris Beetles summer show 2012 no. 36 £500-800

191. THOMAS HENNELL (1903-1945) ‘Gypsys at the roadside’, pen, ink and watercolour, 30cm x 48cm

192. THOMAS HENNELL (1903-1945) ‘Setting cabbage plants, Ridley’, inscribed verso with title and dated 14th July 1942, pen, ink and watercolour, 31cm x 47cm

Prov. Chris Beetles summer show 2012 no. 30 £600-800

Prov. Chris Beetles summer show 2012 no. 34 £500-800

194. THOMAS HENNELL (1903-1945) ‘Baling’, pencil, pen, ink and watercolour, 32cm x 47cm

Prov. Chris Beetles summer show 1998 no. 228 £800-1000

Prov. with the Chris Beetles gallery £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

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193. THOMAS HENNELL (1903-1945) ‘The wooded lane’, watercolour, 46cm x 61cm

195. THOMAS HENNELL (1903-1945) ‘Threshing’, pen, ink and watercolour, 30cm x 45cm

196. THOMAS HENNELL (1903-1945) ‘The Green Cornfield’, signed, watercolour, 31cm x 47.5cm

Prov. Hammond Smith / John Darlington, Brightwells 19th June 2013 no. 73 £700-900

Exhibited: Royal West of England Academy, 3rd - 31st January 1981 Glastonbury / Taunton Exhibition 1999 University Centre Folkestone, April 2012 no. 42 Illus, Michael Macleod “Thomas Hennell”, OUP 1988 plate 51 £600-800

197. RICHARD EURICH (1903-1992) ‘Low Tide, Beaulieu River’, signed and dated ‘79, also inscribed with title and dated 1979 verso, oil on board, 36cm x 56cm Prov: With The Ash Barn, Petersfield £1500-2500

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198. EDWARD WESSON (1910-1983) ‘Low tide at Maldon, Essex’, faintly signed, watercolour, 31cm x 48cm £200-300

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199. JOHN YARDLEY (b.1933) ‘Venice, Grand Canal from the Rialto’, signed and dated 1980, watercolour, 40cm x 56cm

200. MARY BIRD (1900-1978) ‘South Morar Hills’, signed with monogram, watercolour, 24cm x 34.5cm

According to a note verso, the work was number 50 in the Exhibition of Yardley’s work at Gallery 33, Billingshurst October 1980 £200-300

Prov. With The Fine Art Society, 1928 £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

201. LILLIAN YEEND KING (act. c.1882-1905) ‘June Roses’, signed, oil on canvas, 24cm x 52cm Exh. The Institute of Oil Painters, Picadilly London The work was apparently painted for Sprengel chocolate makers according to a label verso £100-200 202. No Lot

203. WILLIAM PETERS (19TH CENTURY) ‘Portrait of Mary Foy aged 3 years 1824’, oil on canvas, 41cm x 34cm

204. CHARLES LEAVER (1824-1888) A village with church in winter time, signed and dated 1870, oil on board, 19cm tondo £100-200

With label verso, inscribed “Mary Foy married James Atkinson” £80-120

205. GEORGE VICAT COLE (1833-1893) A continental mountainous lakeside with figures, signed and dated 1856, oil on canvas, 59cm x 90cm

206. CHARLES COLLINS (d.1921) ‘The Thrush’s Nest’, signed, oil on canvas, 24cm x 34cm £200-300

Prov. With Frost & Reed 1976 £600-800

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For details of fees that apply to successful bids, please see pages 2 and 3

207. KEN MESSER (b.1931) A river landscape with fence, signed, watercolour, 14cm x 34cm; and Nigel Price, ‘Trees in sunlight’, signed, watercolour, 31cm x 24cm (2) £50-70

209. JOHN STRICKLAND GOODALL (1908-1996) ‘The Tennis Match’, signed, watercolour, 16cm x 19cm £500-700

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211. JOHN STRICKLAND GOODALL (1908-1996) ‘The Country Road’, signed, watercolour, 15.5cm x 19cm £150-250

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208. JOSEPH AUFRAY (1836-c.1885) Two young girls in an interior, signed, watercolour, 25cm x 20cm £200-300

210. JOHN STRICKLAND GOODALL (1908-1996) ‘A stroll on the promenade’, signed, pencil and watercolour, 15cm x 23cm £300-400

212. JOHN STRICKLAND GOODALL (1908-1996) ‘A game of croquet’, signed, watercolour, 13.5cm x 18cm £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

214. JOHN STRICKLAND GOODALL (1908-1996) ‘Sunday afternoon’, signed, watercolour, 14cm x 18cm; and three further to include ‘A cliff walk’; ‘The Governess’; and ‘On the Pier’, all approximately 14cm x 18cm (4) £500-700

215. W* I* FISTON Landscape with windmill, signed, watercolour, 34cm x 25cm £30-50

216. ULA PAINE (1909-2001) ‘Snow in Battersea Park’, signed, watercolour, 24 x 37cm £40-60

217. 19TH CENTURY SCOTTISH SCHOOL Half length portrait of a bearded gentleman wearing a beret and tartan shawl, oil on canvas, 24 x 19cm £30-50

218. HERBERT DAVIS RICHTER (1874-1955) Still life - a jug of flowers and upturned bowl upon a ledge, signed, oil on canvas, 39 x 50cm £100-150

219. ALEXIS DE LEEUW (act 1848-1896) A frozen river landscape with brick tower and figures, signed, oil on canvas, 29 x 45cm £300-400

220. THOMAS CRESWICK (1811-1869) The Overshot Mill, signed, oil on canvas, 60 x 45cm £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

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213. JOHN STRICKLAND GOODALL (1908-1996) ‘A game of catch’, signed, pencil and watercolour, 13.5cm x 18cm; and three further to include ‘A windy day on the coast’, ‘A courting couple on the coast’ and ‘A stroll on the promenade’, each 14cm x 18cm (4) £600-800

221. GWEN JOHN (1876-1939) Figure study, signed, pencil drawing, 24 x 18cm £200-300

222. ARTHUR DOUGLAS PEPPERCORN (1847-1926) Landscape with trees, oil on canvas, 29 x 44cm

223. JAPANESE SCHOOL (EARLY 20TH CENTURY) A doorway with forecourt, oil on canvas, 64 x 34cm £80-120

Prov. With Abbot & Holder Spring 2010 £60-80

224. AFTER HENRY JOHN HUDSON Neaera reading a letter from Catullus, oil on canvas, 55 x 34cm £200-300

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227. AFTER JOSEPH MALLORD WILLIAM TURNER A boat near Santa Marta, inscribed ‘Turner A ... 1899’, watercolour, 20 x 30cm £60-80

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225. ATTRIBUTED TO ALEXANDER JAMES MAVROGORDATO (1869-1947) Woodland study, watercolour and gouache, 52 x 34cm

226. 19TH CENTURY BRITISH SCHOOL Portrait of The Infant Princess Elizabeth (1820-1821), pencil and watercolour, 6.5 x 9.5cm

Prov. With Jeremy Woods Fine Arts Cranley & Godalming, Purchased Nov ‘81 Coll. J.A. Crabtree (according to a note verso) £80-120

Princess Elizabeth, daughter of William Duke of Clarence (later King William IV) and his wife Princess Adelaide £60-80

228. GERALD CHOWNE (1875-1917) The Magna (Great Tower) at Nimes, pencil and watercolour, 31 x 24cm; Ronald Gray (1868-1951): ‘St Ives’, signed, inscribed ‘To Heather’, titled and dated 1941, watercolour, 21 x 29cm; and Alfred Dawson (fl.

1860-1893) ‘Upnor’, watercolour, 11 x 16cm (3) £80-120

229. WILLIAM TATTON WINTER (1855-1928) ‘The Wharfe Near Bolton Abbey’, signed, watercolour, 32.5 x 46cm £60-80

For details of fees that apply to successful bids, please see pages 2 and 3

230. CHARLES EDWARD JOHNSON (1832-1913) ‘Corfe Castle’, signed and dated 1889, watercolour, 25 x 38cm, Exh. Royal Institute of Painters in Watercolour 1900 No. 4; Follower of John Varley: Gates to a park with an Anglo-Norman lodge, watercolour, 26 x 38cm; and Beatrice M.A. Lee: Walberswick, signed, watercolour, 23 x 33cm (3) £50-100

233. 18TH CENTURY BRITISH SCHOOL Portrait of Mary Walmesley (née Gerard) of Ince and Westwood (d. 1795), oil on canvas, 12 x 10cm oval

231. CLEMENTINA M. HULL (exh. 1881-1908) Whitby, signed and dated ‘81, watercolour, 17.5 x 31cm £60-80

232. ATTRIBUTED TO WILLIAM BENNETT (1811-1871) Mountain landscape with country dwelling, watercolour, 25 x 33cm £50-100

234. EDWARD HENRY NIEMANN (act.1863-1887) ‘The Thames Below Windsor’, signed and dated ‘75, oil on canvas, 39 x 65cm £400-600

Prov. With Thos Agnew & Sons, Manchester £100-150

Prov. With the Horner Galleries Sheffield £80-120

236. 19TH CENTURY ENGLISH SCHOOL Magdalen College, Old Grammar Hall, Oxford, indistinctly signed ?Johnson and dated 1881, oil on canvas, 51 x 42cm £100-200

237. ENGLISH SCHOOL (EARLY 20TH CENTURY) Canal scene with gasometer, possibly Birmingham, oil on canvas, 60 x 50cm £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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235. ARTHUR TUCKER (1864-1929) A coastal side street, signed, watercolour, 43 x 28cm

239. CIRCLE OF MARY BEALE (1633-1699) Bust length portrait of a lady with long curly hair and brown dress within a cartouche, oil on canvas, 75 x 62cm £500-800

238. VICTOR H. VOYSEY (20TH CENTURY) Portrait of a reclining female nude, signed to canvas verso and dated 1973, oil on canvas, 85 x 137cm, unframed £200-300

240. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a lady seated in a chair, her left arm resting upon the elbow and wearing a pleated silk frock, oil on canvas, 74.5 x 62.5cm £100-200

241. AFTER SIR HENRY RAEBURN ‘Mrs Lawson’, oil on canvas, 74 x 61cm £200-300

242. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of an elegant young lady, her hair tied in a bun and wearing a pink lace trimmed dress, pastels, 62 x 49.5cm £200-300

243. JAMES PETER QUINN (AUSTRALIAN 1869-1951) Three quarter length portrait of a young lady wearing a check pattern khaki coat and with dog alongside, signed, oil on canvas, 131 x 90cm £800-1200

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244. 19TH CENTURY CONTINENTAL SCHOOL Figures at a tavern in an extensive mountain landscape, oil on canvas, 44cm x 59.5cm £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

245. CIRCLE OF ALFRED EDWARD CHALON (1780-1860) Portrait of the young Queen Victoria, watercolour, 20cm x 18cm, in gilt gesso frame surmounted by coronet £500-700

246. PHINEAS LOWTHER (1780-1856) Bust length portrait of a lady wearing a beige cap, inscribed verso ‘Phineas Lowther Pinxt 1804’, oil on canvas, 59 x 48cm £150-250

247. 17TH CENTURY MALTESE SCHOOL Portrait of a Knight wearing a ruff, his tunic emblazoned with the cross associated with the Knights of St John, 77 x 54cm in carved oak tabernacle frame £800-1200

248. 19TH CENTURY ENGLISH SCHOOL Half length portrait of Sarah Kate Clapham of Hoo Hall, Essex, oil on canvas, 74 x 60cm oval Sarah Kate Clapham married William Dalrymple Maclagan (later Archbishop of York 1891) £300-500

Inscribed to label verso ‘Lady Jane Wentworth /86’ £300-500

250. NATHANIEL EVERETT GREEN (c.1833-1899) The fisherman, watercolour, 46.5 x 22cm Prov. With the Wykeham Galleries Stockbridge, Hampshire £80-120

251. HENRY FLOWER (1799-1871) A dark brown racehorse in a stable interior, signed and dated 1862, oil on board, 24.5 x 34.5cm £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

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249. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a lady wearing a buttoned red coat and silk neck scarf seated upon a chair against curtain with landscape beyond, oil on canvas, 90 x 70cm

252. FOLLOWER OF JOHN FREDERICK TAYLER A panoramic landscape with hawking party in 17th Century style, oil on canvas, 42 x 245cm £500-800

253. CIRCLE OF HENRY ALKEN (1785-1851) A Pointer with huntsman in a landscape, oil on canvas, 36 x 45cm, unframed £200-300

254. THOMAS COX A Foxhound in a landscape, signed and dated 1911, oil on canvas laid on to board, 16 x 21cm £200-300

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255. HENRY FREDERICK LUCAS-LUCAS (1848-1943) ‘A Group - Heythrop Hounds 1921’, the hounds depicted in a stable interior, signed and dated 1921, further signed, inscribed with the hounds’ names and dated May and June 1921 verso, oil on canvas, 98 x 136.5cm £3000-5000

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For details of fees that apply to successful bids, please see pages 2 and 3

257. ENGLISH SCHOOL (19TH CENTURY) Two racehorses with jockeys up, signed with initials ‘W.H.M.’, oil on canvas, 19 x 34.5cm £80-120 256. EDWARD ALGERNON S. DOUGLAS (c.1850-c.1920) Foxhounds on the scent, with the hunt in the distance, signed and dated 1877, oil on canvas, 54 x 66.5cm £800-1200

260. CIRCLE OF BENJAMIN MARSHALL (1767-1835) Portrait of a grey racehorse with trainer, oil on canvas, 85 x 101cm £800-1200

259. ENGLISH SCHOOL (20TH CENTURY) ‘Daneen’, portrait of a bay hunter, oil on canvas board, 45 x 34.5cm £30-50

261. CIRCLE OF BENJAMIN MARSHALL (1767-1835) Portrait of a Bay racehorse in a paddock with trainer, oil on canvas, 49 x 60cm £300-500

For details of fees that apply to successful bids, please see pages 2 and 3

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258. ENGLISH SCHOOL (LATE 19TH CENTURY) The logging team, ink and sepia wash on paper, 31 x 21cm £50-80

262. ENGLISH SCHOOL (EARLY 19TH CENTURY) Portrait of a Bay racehorse in a landscape and portrait of a Bay racehorse with jockey up, a pair, oil on canvas, 51 x 61cm, unframed; and Josh Lawrence (19th Century) Portrait of a Bay horse in a stable, signed and dated 1845, oil on board, 34 x 44cm (all for restoration) (3) £200-300

263. VALENTINE THOMAS GARLAND (1840-1914) ‘Three Collie Puppies’, signed and dated ‘87, watercolour, 24 x 17cm Exh. Royal Institute of Painters in Watercolour £200-300

264. JOHN EMMS (1843-1912) Saddled grey pony and a seated collie by a gate, signed and dated ‘85, oil on canvas, 41.5 x 57cm £3000-4000

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265. GILBERT HOLIDAY (1879-1937) A police patrol with grandstand in the distance, signed, gouache, 22.5 x 17cm £200-300

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266. 19TH CENTURY BRITISH SCHOOL Sheep shearing, oil on canvas, 50 x 60cm £200-300

267. FOLLOWER OF RICHARD ANSDELL Portrait of a fox hound, oil on canvas, 52 x 65.5cm £300-400

For details of fees that apply to successful bids, please see pages 2 and 3

268. CIRCLE OF FREDRICH WILHELM KEYL (1823-1871) Wm Pierce Hayward Senr and his daughter Jane Pierce Hayward, each mounted upon a dark bay horse in a parkland setting, oil on canvas, 46 x 59.5cm £400-600

269. ATTRIBUTED TO CHARLES COOPER HENDERSON (1803-1877) ‘The Brighton to London’ mail coach and ‘The Bath’ mail coach, a pair, oil on board, 16 x 31cm (2) £200-400

271. JOHN SKEAPING (1901-1980) Horse with jockey, signed and dated ‘66, pastels, 43cm x 49.5cm £400-600

270. MANNER OF FRANS HALS Half length portrait of a man wearing a cap and holding a pipe, watercolour, 17.5cm x 13cm oval £80-120

272. CIRCLE OF DAVID TENIERS (1610-1690) Figures feasting and merry making outside an inn in a village setting, oil on canvas, 70cm x 90cm £300-500

273. EDWARD BURRA (1905-1976) A lady seated upon a low stool, signed, pen and ink drawing, 31.5cm x 20cm Prov. Sothebys sale 3rd July 2002, works from the estate of Edward Burra - Lady Ritchie of Dundee and associated owners £800-1000

274. MARY POTTER (1900-1981) ‘Venetian Palazzo’, pencil and watercolour, 20cm x 18cm Prov. with The New Arts Centre, 1991 Sothebys 4th July 2002, lot 519 £300-500

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For details of fees that apply to successful bids, please see pages 2 and 3

275. ATTRIBUTED TO JOHN LAVIERS WHEATLEY (1892-1955) Sunlit coastal waters at low tide, signed and dated 1950, oil on canvas, 39cm x 59cm £100-200

276. MICHAEL PERRY (20TH CENTURY) Horses in a field with hay wagon beneath an elm tree, signed, oil on canvas, 49.5 x 75cm £100-200

277. GARRINGTON SWEETING (19TH CENTURY) ‘Pont-y-Glyn’, signed, inscribed with title verso, oil on panel, 19 x 14.5cm £30-50

278. 20TH CENTURY FRENCH SCHOOL A field with poppies and farm building, indistinctly signed ? Le Feau, oil on canvas, 50 x 60cm £40-60

279. 19TH CENTURY NORWICH SCHOOL Two figures in a wooded setting with church in the distance, oil on canvas, 28 x 22.5cm £100-150

280. FREDERICK JOHN WIDGERY (1861-1942) A heathland with stream, signed, gouache, 28 x 45cm £150-250

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281. HILARY HENNES (née Miller) (b.1919) ‘The Land of Never Endings and Ice Creams All The Time’, signed, gouache, 22 x 16cm £150-250

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282. HILARY HENNES (née Miller) (b.1919) ‘Snow Drops’, signed, gouache, 24.5 x 17cm £80-120

283. HILARY HENNES (née Miller) (b.1919) ‘Wind Tossed in Golden Headed Glory’, signed, gouache, 55 x 38cm £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

284. HILARY HENNES (née Miller) (b.1919) ‘Ammonites’, signed, gouache, 38 x 49cm; another similar - “Dead Tree”, 40 x 59 cms ;and seven various figure studies framed in three (9) £80-120

285. HILARY HENNES (née Miller) (b.1919) ‘Purple Iris or Flag’ and ‘Dandelion’, a pair, gouache, 25 x 18.5cm; and four other works (6) £50-100

286. HUBERT HENNES (b.1907) ‘Cloisters, New College, Oxford’, signed, pen, ink and brown wash drawing, 30 x 42cm; and a further study in pencil heightened with white of the same view, 14 x 21cm (2) £40-60

287. C * TURNER (19TH CENTURY) ‘Milltown Bridge, Ashover, Derbyshire’, signed, inscribed with title verso, oil on canvas, 29 x 45cm; and companion, a pair (2) £80-120

289. ALISTAIR FIDDES WATT (b. 1954) A mountain bay dappled in sunlight, signed with monogram verso and dated ‘80, oil on canvas, 86 x 116cm £50-100

For details of fees that apply to successful bids, please see pages 2 and 3

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288. VERNON WETHERED (1865-1952) ‘Approaching Thunderstorm’, signed, inscribed with title verso, oil on canvas, 74 x 96cm; and one further similar by the same hand, 73 x 109cm, both unframed (2) £50-150

290. JOSÉ ROYO (b.1941) ‘Paseo Matinal’, signed, also inscribed to stretcher verso ‘To Michael Con Amistad Royo Junio 2003’, oil on canvas, 59 x 72cm £4000-6000

291. CLIVE MADGWICK (1934-2005) ‘Harvest Time, Stoke by Nayland, Suffolk, signed, inscribed with title verso, oil on canvas, 60 x 90cm £300-400

292. C * WIEGMAN (20TH CENTURY) The Lugger Hotel, Portloe, Truro, Cornwall, signed, oil on canvas, 60 x 91cm £40-80

294. ATTRIBUTED TO SIR WILLIAM RUSSELL FLINT (1880-1969) A country cottage, pencil and watercolour, 19 x 25cm, unframed

295. FELIKS TOPOLSKI (1907-1989) ‘Serpentine, Hyde Park, Summer 1942’, signed, inscribed with title, pencil drawing, 18 x 24cm £200-300

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Inscribed in pencil verso ‘W.R. Flint’ and also ‘J.T. Sueter’. J.T. Sueter was Sir William Russell Flint’s father-in-law £40-60

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293. * BREEDVELD (20TH CENTURY) A frozen river landscape with skaters, signed, oil on panel, 24 x 19cm; and Peter Webster - ‘On the South Downs’, signed, oil on canvas, 24 x 29cm (2) £80-120

296. AUGUSTUS JOHN (1878-1961) Full length study of a nude, stamped with studio stamp verso, pencil drawing, 32 x 14cm £600-800

For details of fees that apply to successful bids, please see pages 2 and 3

298. SAMUEL JOHN LAMORNA BIRCH (1869-1955) Corfe Castle, Dorset, signed, watercolour, 22 x 33cm

300. JOHN SKINNER PROUT (1806-1876) Women at a well by a church, signed, watercolour heightened in white, 46 x 32cm

301. BERNARD FIEDLER (1816-1904) Figures in a continental town square, signed and dated 1865, watercolour, 24 x 37cm

Prov. With Brian Sinfield April 1984 and sold together with photocopy of purchase invoice £200-300

Prov. With Philip and Anne Merridale Antiques, Stockbridge December 1973 and sold together with photocopy of purchase invoice £100-200

303. J * D * B * A continental river landscape, signed with initials, watercolour, 28 x 45cm £60-80

304. SUNDERLAND ROLLINSON (1872-1950) A coastal town, signed, oil on canvas board, 22 x 26.5cm £60-80

Prov. With R.G. Cave & Sons (Antiques Limited), December ‘98 and sold together with photocopy of purchase invoice £200-300

299. MARIA EATON (c.1860-c.1940) The Thames at sunset, signed and indistinctly dated, watercolour, 8.5 x 11cm £40-60

302. ATTRIBUTED TO EDWARD TUCKER JNR (c.1847-1910) Figures in a mountainous lake land setting, watercolour, 26 x 39cm Prov. With Philip and Anne Merridale Antiques, Stockbridge, October 1978 and sold together with photocopy of purchase invoice £100-150

305. ALFRED POWELL (1837-?1905) ‘Grange, Borrowdale, Cumbria’, inscribed with title and artist verso (according to label), watercolour, 26 x 46cm £100-200

For details of fees that apply to successful bids, please see pages 2 and 3

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297. MICHAEL J. PRAED (b.1941) ‘Mines and Cliff Ledges (Rinsey - Trewarvas)’, signed and inscribed verso, oil on board, 38 x 67cm £80-120

306. 20TH CENTURY CONTINENTAL SCHOOL A hillside town, indistinctly signed, oil on canvas, 34 x 49cm £200-300

307. SAMUEL READ (1815-1883) ‘Hythe’ and ‘Mt St Michel’, two pencil drawings, each inscribed with title, the latter dated ? ‘83, 12.5 x 8.5cm (2) Prov. With Philip & Anne Merridale Antiques, Stockbridge 1981 and sold together with photocopy of purchase invoice £50-80

308. ATTRIBUTED TO MARY LADY LEIGHTON (née Parker) (c.1810-1864) Landscape with drover and cattle after Copley Fielding, watercolour, 17 x 22cm; and three further watercolours by or attributed to E.O. Bowly; Samuel Austin; and Edward Tucker (4) £100-200

310. HENRY CHEADLE (1852-1910) ‘Bettwys Coed’, signed, inscribed on artist label fragment verso, oil on canvas, 22 x 35cm £100-200

311. * HALLER A winter mountain landscape with chalet, signed, oil on board, 7 x 9.5cm, and companion, a pair (2) £50-100

312. FRANCOIS OZENDA (1923-1976) ‘Le Voeux D’Affection’, signed, gouache, 26 x 22cm £30-50

313. P * TRIOUREAU A country landscape with shepherd herding his flock, signed, oil on board, 22 x 29cm £40-60

314. BERTRAM MORRISH (20TH CENTURY) ‘Wallabook Bridge, Dartmoor’, signed, watercolour, 17 x 26cm £40-60

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309. GORDON DAVEY (20TH CENTURY) ‘Oast Houses near Chiddingstone’, signed, gouache, 34 x 46.5cm £80-120

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For details of fees that apply to successful bids, please see pages 2 and 3

315. JOHN DEARMAN (act. 1824-1857) A shepherd with flock of sheep in a landscape with Tintern Abbey, signed and dated 1850, oil on canvas, 29 x 39.5cm £300-500

317. PHILIP WILSON STEER (1860-1942) Study of a reclining female figure, signed and dated 1890, watercolour heightened in white, 80.5 x 25cm £80-120

316. ENGLISH SCHOOL (LATE 19TH/EARLY 20TH CENTURY) Portrait of a young girl with cup of tea seated in a wing armchair, oil on board, 28.5 x 22cm £200-300

318. SIMON GARDEN (CONTEMPORARY) Nude against a striped background, oil on board, 29 x 25.5cm £250-350

320. PATTI TOWNSEND JOHNSON (d.1907) Gypsy family in a hilly landscape, signed, watercolour, 20 x 31.5cm; and five further watercolours by the same hand to including ‘By the Canal, Bingley’; ‘Bingley’; A Coastal Scene; A cottage in a landscape; and Farmhouse near Bingley (6)

319. SIMON GARDEN (CONTEMPORARY) Still life in a window, oil on board, 25 x 29.5cm £300-400

321. IRYNA OSTROMENSKA (CONTEMPORARY) Venetian canal, signed, watercolour, 62 x 48cm £150-250

Prov. Bonhams sale 28 Nov 2012 Lot 194 where sold as ‘From a direct descendant of the artist’ £500-700

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For details of fees that apply to successful bids, please see pages 2 and 3

322. T * R * River landscape with cottages, signed with monogram, oil on board, 27.5 x 37.5cm £100-150

323. THOMAS JOHN COATES (b. 1941) ‘Amalfi’, signed with initials, oil on canvas, 30.5 x 40.5cm, unframed £150-250

325. ATTRIBUTED TO JOHN SKINNER PROUT (1806-1876) ‘Place a Seven, Rouen’, inscribed with title and dated Sept ‘56, pencil heightened in white, 16 x 24cm £80-120

326. SAMUEL JOHN LAMORNA BIRCH (1869-1955) The Leaning Willow, signed, watercolour and body-colour, 34 x 24cm £300-500

327. HENRY E. HOBSON (act. 1857-1870) Bust length portrait of a female beauty wearing a blue dress, signed, watercolour heightened in white, 38 x 30cm oval £200-300

328. FOLLOWER OF HERCULES BRABAZON BRABAZON The Doge’s Palace, St Mark’s Square, Venice, watercolour, 34 x 26cm £100-200

329. ELIZABETH DURACK (1915-2000) Aboriginal family and dogs in grassland, signed, pen, ink and chalks on brown paper, 45 x 57cm £150-250

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324. 19TH CENTURY BRITISH SCHOOL The ruins of Bothwell Castle on the River Clyde by Uddingston near Glasgow, watercolour, 21 x 30cm £80-120

52

For details of fees that apply to successful bids, please see pages 2 and 3

330. VIAZINI (?) (1961) Figures on a street, signed indistinctly and dated 1961, oil on canvas, 53.5 x 34cm £30-40

331. WARREN WILLIAMS (1863-1918) A mountainous river landscape with sheep, signed, watercolour, 32 x 50.5cm £200-300

332. JOHN DOYLE (20TH CENTURY) ‘The Foot Bridge, Teddington Lock’, signed, watercolour, 44 x 59cm £200-300

333. ATTRIBUTED TO EDWARD KENNETH CENTER (b. 1903) Sir Frank Brangwyn in his studio, oil on canvas, 69 x 90cm £300-500

334. PHILIP DAWES (20TH CENTURY) ‘Portrait of Bolivar, the Painter, with his sister’, signed and dated 1987, oil on canvas, 59 x 79cm £100-150

335. WILLIAM LEE HANKEY (1869-1952) Dinan, signed, inscribed with title and dated 1936, watercolour, 21 x 27cm £250-350

336. IAN HUNTER (20TH CENTURY) ‘Autoportrait’, signed and dated ‘71, acrylic on board, 79 x 88.5cm £80-120

337. EDWARD DUNCAN (1803-1882) Boys fishing from a riverbank, watercolour, 12 x 17cm

338. JOHN MANSBRIDGE (20TH CENTURY) A view of Oxford, signed and dated ‘49, pastel, 50 x 37.5cm £80-120

For details of fees that apply to successful bids, please see pages 2 and 3

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Prov. With the Bonfiglioli Gallery £300-500

339. FRED ARIS (1932-1995) Portrait of a woman holding a black cat, signed with initial ‘A’, oil on canvas board, 44.5 x 34.5cm £100-150

342. REGINALD BARRATT (1861-1917) Delhi, signed and dated ‘96, watercolour, 24 x 35cm £300-500

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344. H.F. NEAVE (19TH/20TH CENTURY) Scotch boats leaving harbour, indistinctly inscribed to an old label affixed verso, watercolour, 30 x 53cm £80-120

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340. SYDNEY JOSEPH IREDALE (1896-1967) Boats on the Thames before the Houses of Parliament, signed, oil on board, 45 x 75cm £50-80

341. SAFIYA KURSHASA (20TH CENTURY) ‘Metropolis’, signed, acrylic on canvas, 60.5 x 76cm; Leo Jewell (20th Century) - ‘Females’, signed, oil on canvas, 49.5 x 39cm; and a pastel study by Harriet Karsh (3) £50-80

343. LAWRENCE JAMES ISHERWOOD (1917-1988) Abstract winter wooded landscape, signed, oil on board, 29.5 x 39.5cm; and another by the same hand, street scene, signed, oil on board, 39.5 x 29.5cm (2) £200-300

345. WILLIAM WIDGERY (1822-1893) Moorland landscape, signed, watercolour heightened with body-colour and white, 25 x 74cm £80-100

346. JONNY DE VINS (JONATHAN ARMIGEL WADE) (b.1960) ‘Of Man’s First Disobedience and the Fruit of that Forbidden Tree’, signed J. de Vins, oil on board, 39 x 60cm £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

347. JONNY DE VINS (JONATHAN ARMIGEL WADE) (b.1960) Memories of Summer in the USSR, 1977, signed J de Vins, oil on board, 44.5 x 59.5cm £200-300

348. SIR GEORGE REID (1841-1913) ‘Mrs Rosalie Isaline Dickson, née Faure (b. 1862), signed with initial, also inscribed verso ‘Painted by Sir George Reid PRSA in 1897’ and with title of the sitter, oil on canvas, 66 x 48cm £200-300

349. 20TH CENTURY SCHOOL A French Street scene, indistinctly signed, ink and watercolour, 31.5 x 39cm £30-50

350. RALPH TODD (1856-1932) The Fisherman’s Wife, signed, watercolour, 24.5 x 18cm £200-300

351. FREDERICK JAMES MCNAMARA EVANS (1839-c.1929) Tredarnoc, near Penzance, Cornwall, signed, indistinctly inscribed verso, watercolour, 23.5 x 29cm £100-150

352. JOHN HODGSON LOBLEY (1878-1954) Admiring the view, signed and dated ‘07, oil on canvas, 34 x 30cm £100-150

353. ALEXANDER AUSTEN (19TH/20TH CENTURY) The Watchmaker and The Connoisseur, a pair, both signed, oil on canvas, 44 x 28.5cm (2) £200-400

354. CIRCLE OF FRANCIS TOWNE (1739-1816) ‘Near Rhaidir Wennol from Capel Cerrig’, inscribed verso with title, ink and grey wash drawing, 21 x 29.5cm £50-100

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For details of fees that apply to successful bids, please see pages 2 and 3

355. W * H * DAY A tree lined river landscape with figures, signed, oil on canvas, 75 x 126cm £50-100

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360. SIMEON SOLOMON (1840-1905) ‘Vespertilia’, signed and dated 1896, white chalk on buff paper, 50 x 17cm £1500-2000

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356. 19TH CENTURY ENGLISH SCHOOL The Messiah, indistinctly signed and dated 1853, oil on panel, 32 x 24cm, unframed £40-60

357. * YEATES (EARLY 20TH CENTURY) ‘Near the Quarries, Rydal’, inscribed Yeats verso, oil on canvas, 39 x 46cm, unframed £80-120

358. W * H * ROBINSON (19TH/20TH CENTURY) ‘Lightwoods Park’, inscribed verso and dated 1906, oil on canvas, 21 x 29cm £40-60

359. WILLIAM GUSH (c.1810-c.1880) ‘Mrs Middleton Aged 64’, inscribed verso ‘WM Gush Pinxt London and dated June 1844’, oil on canvas, 75 x 62cm £100-200

361. M * L * Still life - a vase of daffodils, signed with monogram, watercolour, 47 x 26cm £40-60

362. LOUIS FRANCOIS GAUTIER (1855-1947) Portrait of a man wearing a hat and knotted scarf, signed and dated 1913, oil on canvas, 54.5 x 36.5cm £100-200

For details of fees that apply to successful bids, please see pages 2 and 3

364. ENGLISH SCHOOL (LATE 19TH CENTURY) Coastal scene, with boats on the shore, indistinctly signed and dated 1890, oil on canvas, 45.5 x 35.5cm; a still life of a bowl of polyanthus, oil on canvas; and one further small landscape oil, all unframed (3) £50-100

366. THOMAS G. HILL (20TH CENTURY) Still life - a vase of mixed flowers upon a ledge, signed and dated ‘74, oil on canvas, 49 x 60cm; and one further similar by the same hand, 60 x 49cm (2) £50-80

368. MARIA THEREZA NEGREIROS (b.1930) ‘Cromatismo Naranja’, signed and dated 1961, oil on canvas, 60 x 100cm; and another larger abstract work by the same hand (2) £100-200

365. ATTRIBUTED TO LOUIS HAGHE (1806-1885) The Martyr’s Memorial Oxford, pencil drawing heightened in white, 42 x 29.5cm For comparison please refer to the lithograph view of the same published by Day & Haghe £100-150

367. MARIA BELL-SALTER (20TH CENTURY) ‘L’été à Giverny’, signed, oil on board, 55 x 75cm; Sue Hough (20th Century) Woman and child by a fountain, oil on canvas, 80 x 72cm; and Angela Molyneux Floral study, pastel, together with four unframed works by the same hand £80-120

369. N * R * BOWTELL (20TH CENTURY) ‘Llyn Ogwen’, signed, gouache, 35 x 45cm £50-100

370. DENNIS ROTHWELL BAILEY (b. 1933) ‘Wendover, Bucks’ and ‘Coombe Hill, Wendover, Bucks’, a pair, each signed and dated 1977, watercolours, 33 x 50cm; and one further by the same hand ‘St Mary’s Square, Aylesbury, Bucks’, also signed and dated 1977, 36 x 43cm (3) £100-200

For details of fees that apply to successful bids, please see pages 2 and 3

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363. * POPE ‘Burnham’, pen and ink drawing, 18 x 25cm; and one further similar, 14 x 22cm (2) £30-50

371. LEONARD JOHN FULLER (1891-1973) Portrait of Mrs Tom Mostyn seated wearing a blue trimmed white dress, signed, oil on canvas, 99.5 x 74.5cm

372. ATTRIBUTED TO GEORGE HAYTER (1792-1871) Venus being led to Mars by Iris: a study for the ceiling at Chatsworth House, pencil, 22 x 18cm £100-200

Mrs Mostyn was Leonard Fuller’s mother-in-law £300-400

373. ENGLISH SCHOOL A game of cricket, watercolour, 9.5 x 33cm £40-60

374. R * TAVEL (19TH CENTURY) A group of elegant young ladies in a formal garden, signed and dated 1864, oil on canvas, 58 x 87cm, unframed £100-200

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375. JOHN SMART (1838-1899) Mountainous landscape, signed and dated 1877, oil on panel, 15.5 x 24.5cm; and Thomas Collier (1840-1891) Seascape, signed, oil on canvas laid onto board, 12.5 x 16.5cm (2) £100-150

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376. JAMES BAKER PYNE (1800-1870) Haly-Suisse Mountains, signed and dated 18?6 and inscribed, pencil and watercolour heightened with white, 19 x 24cm £100-150

377. EDWARD FRANCIS WELLS (1876-1952) Bellano, Italy, signed and dated 1900, ink and grey wash, 22 x 32cm Winner of the Royal Academy Creswick Award for Landscape painting £70-90

For details of fees that apply to successful bids, please see pages 2 and 3

378. BORIS SMIRNOFF (1895-1976) Female nude study, signed, pencil and pastel on paper, 54 x 42cm £50-80

379. CHARLES THARP (1871-1954) Portrait of a lady, signed, pastel, 35.5 x 28cm; together with two unframed watercolours by J Hall and J Howard (3) £20-40

380. CIRCLE OF FRANCIS E. JAMIESON (1895-1950) A mountain lake with cattle watering, indistinctly signed ? C. Mellor, oil on canvas, 49 x 75cm £70-90

381. JOSEPH HORLOR (1809-1887) Highland scene with thatched cottage by a stone bridge, signed, oil on canvas, 30 x 61cm £100-150

382. KATE E BOOTH (fl.1850-1890) ‘Limpet Pickers’ and ‘On the shore, near Scarbro’, each signed and dated 1899, a pair, watercolours, 34 x 49cm (2) £100-200

383. WALTER GOLDSMITH (fl.1880-1898) A village lane, signed and dated 1880, watercolour, 48 x 71cm £200-300

384. WILLIAM COLLINGWOOD SMITH (1816-1887) Figures in an open landscape, watercolour, 19 x 30cm £40-60

385. OWEN BAXTER MORGAN (act.1905-1932) A shepherd with flock of sheep in a field at spring time, signed, oil on board, 23 x 38cm £80-120

386. THOMAS MORTIMER (fl.1880-1920) Abbeville on the Somme, signed, watercolour heightened with body-colour, 53 x 32cm £60-80

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For details of fees that apply to successful bids, please see pages 2 and 3

388. HENRY BURDON RICHARDSON (c. 1811-1874) View of Grasmere, Westmorland from the South East, pencil and watercolour, 17 x 31cm

390. NATHANIEL EVERETT GREEN (c.1833-1899) Lake scene with fishermen in a boat, signed, watercolour heightened with body-colour, 35.5 x 63cm £250-350

391. CHARLES S. MEACHAM (b.1900) ‘The River Mole Nr Dorking, Surrey’, signed, oil on canvas, 41 x 51cm, unframed £50-80

392. ATTRIBUTED TO JAMES BURRELL SMITH (fl.1850-1881) Northumberland landscape with cattle and drover to the foreground, watercolour with body-colour, 30 x 54cm £80-120

393. GEORGE CLARKSON STANFIELD (1828-1878) Studies of young fishermen, one signed and dated indistinctly, pencil and watercolour, a pair, 41.5 x 25.5cm (2) £150-250

394. SIDNEY WATTS (fl.1890-1910) Girl and dog by a river, with distant cottages and church, signed, watercolour, 25 x 35cm £50-80

395. RIVADORA RONJA (c.1900) An Italian peasant girl with basket, signed, watercolour, 38.5 x 26.5cm; and a companion work by Eudo Vitali of a peasant girl with shepherd, watercolour, 38.5 x 26.5cm (2) £100-150

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387. ATTRIBUTED TO CHARLES FREDERICK ALBON (1856-1926) View of Windsor Castle from the Thames, watercolour heightened with white, 17.5 x 30.5cm £100-150

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389. F.A.C. Dieppe, with figures by a market stall before the cathedral, signed with initials, watercolour, 24.5 x 17cm £60-80

Prov. With the Heather Newman Gallery RES Willison Exh. Walker’s Gallery, August 1961 £60-80

For details of fees that apply to successful bids, please see pages 2 and 3

396. ATTRIBUTED TO HELEN KAPP (b.1901) Figures strolling in a park, watercolour, 37 x 47cm; and Johannes Cornelis van de Heijden (1911-1984) - River landscape, signed, watercolour, 38 x 48cm (2) £50-100

397. ATTRIBUTED TO LORD PETER THORNEYCROFT (1909-1994) A corner view of a classical columned building, signed, watercolour, 54 x 34cm; and one further by the same hand, 32 x 20cm, the former lot mounted but unframed (2) £40-60

399. THOMAS ROWLANDSON (1756-1827) Wigstead and Rowlandson breakfasting at Egham, signed, watercolour, 17 x 26cm

398. CIRCLE OF WILLIAM BROMLEY (act. 1835-1888) A welcome drink, oil on canvas, 74 x 61cm £500-700

400. HUGH BELLINGHAM-SMITH (1866-1922) ‘Lyme Regis’, signed, oil on board, 24 x 34cm £100-150

The work with a typed note verso printed ‘The sketch made on the Tour is reproduced in Wigstead’s Book’ ‘A Tour in a post chaise’ 1784. The sketch in the Henry E. Huntington Library and Art Gallery San Marino California has ‘Please Your Honours Remember Your Post Boy’ £500-700

402. DAVID R. BUCHANAN (20TH CENTURY) Roof tops, possibly Provence, signed, oil on canvas board, 48 x 59cm £100-200

403. ATTRIBUTED TO JOHN LAPORTE (1761-1839) Sunday Church, gouache, 17 x 24cm £100-150

For details of fees that apply to successful bids, please see pages 2 and 3

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401. L * S * (20TH CENTURY) An aerial garden view with buildings reputedly West Hampstead, signed with initials and dated 1946, oil on canvas, 60 x 47cm £100-200

404. 18TH CENTURY ENGLISH SCHOOL Don Quixote at the Inn, pen, ink and grey washes, 24 x 20cm

405. JAMES CHARLES PLAYFAIR (d.1904) ‘Solitude’, signed with initials and dated ‘71, watercolour, 31 x 19cm

With attribution to John Hamilton Mortimer on label verso £100-200

Prov. Walker Art Gallery, Grand Exhibition of Pictures 1886 Southport Centenary Exhibition 1892 With Thomas Agnew & Sons £200-300

407. WILLIAM ROXBY BEVERLEY (1811-1889) A farmhouse with figures, signed, inscribed ‘Presented to Mrs Eldridge’, watercolour heightened in white, 28 x 46cm £100-200

408. ANDREAS DIRKS (1865-1922) Sailing boats moored in a Continental harbour, signed, oil on panel, 12 x 17.5cm £200-300

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410. JOHN WAINWRIGHT II (act. c.1860-c.1869) Still life with vase of flowers and gold fish in a bowl and books upon a partially covered table surface, signed and dated ‘186...’, oil on canvas laid onto panel, 52 x 42cm £300-500

62

406. ATTRIBUTED TO LEOPOLD RIVERS (1852-1905) Cottages with kitchen garden in foreground, watercolour, 31 x 38cm £60-100

409. FOLLOWER OF PHILIPS WOUWERMAN (1619-1668) A continental village, with figures and livestock among the dwellings, and with distant river, oil on canvas, 31 x 40cm £300-500

411. 20TH CENTURY SCHOOL Still life of a vase of summer flowers, oil on panel, 24.5 x 19.5cm £30-50

For details of fees that apply to successful bids, please see pages 2 and 3

414. ENGLISH SCHOOL (18TH CENTURY) Portrait of a young boy, half length, wearing green waistcoat with grey jacket, and holding a whip, oil on panel, 17 x 13.5cm £200-300

416. JOSEPH HORLOR (1809-1887) Taly Lyn, North Wales, and companion, a pair, both signed and inscribed verso, oil on board, 11 x 16.5cm (2) £150-250

413. ENGLISH SCHOOL (19TH CENTURY) Moonlit river scene with distant castle and bridge, watercolour, 17.5 x 25cm £40-60

415. CIRCLE OF THOMAS HICKEY (1741-1824) Portraits of Caleb Talbot and his wife Mrs Talbot, half length, he wearing a red waistcoat with grey coat, and she a green and ochre dress, both inscribed verso, oils on canvas, a pair, framed oval, 29 x 24cm (2) £300-400

417. CONTINENTAL SCHOOL (19TH CENTURY) Travellers on foot and horseback on a wooded path, oil on board, 12 x 12.5cm; and an early 19th Century miniature oval portrait of a young girl holding a tambourine, watercolour on paper, 9.5cm high (2) £50-80

For details of fees that apply to successful bids, please see pages 2 and 3

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412. R PILSBURY (LATE 19TH CENTURY) Bluebell Woods, signed and dated 1890, watercolour, 33 x 24.5cm £50-80

418. ENGLISH SCHOOL (19TH CENTURY) Gilgarain Castle, North Wales, oil on mica, inscribed verso and to the back of the frame ‘Gilgarain Castle, North Wales, Done by the gift of a lady to E.A.Hume, 1846’, 9 x 13cm £40-60

419. S * G * MORLEY Still life with mixed fruit and statue upon a marble ledge, signed, oil on canvas, 44 x 60cm £50-80

421. VAN JAKOB (20TH CENTURY) Still life - a vase of mixed flowers upon a ledge, signed, oil on panel, 25 x 20cm £50-100

422. ELLIOT HENRY MARTEN (19TH/20TH CENTURY) A mountain landscape with grazing sheep, signed, watercolour, 30 x 52cm £80-120

424. 19TH CENTURY ENGLISH SCHOOL River landscape with angler and castle, watercolour, 11 x 20.5cm; and one further with ruined abbey in the manner of Varley, 14 x 18.5cm (2) £60-100

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420. FOLLOWER OF JEAN ANTOINE WATTEAU A group of figures admiring a dancing dog in a landscape, oil on panel, 47 x 58cm £300-500

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423. ENGLISH SCHOOL (19TH CENTURY) Cattle grazing in a field with hilltop castle, watercolour, 16 x 24cm £50-100

For details of fees that apply to successful bids, please see pages 2 and 3

425. BESSIE BAMBER (19TH/20TH CENTURY) A kitten resting upon a low wall, signed with initials, oil on panel £200-300

427. CONTINENTAL SCHOOL (LATE 19TH CENTURY) Boy with a collie in a cottage interior, indistinctly signed, oil on board, 39.5 x 31.5cm £50-100

426. J* G* CORBETT 919TH CENTURY) ‘Innocence’, oil on canvas, 29 x 22cm; and companion, a pair (2) £200-400

428. RICHARD SAMUEL CHATTOCK (1825-1906) Bisham - Abbey and Church, inscribed in pencil to stretcher verso, oil on canvas, 22 x 40cm £150-250

429. ALAN S. GOURLEY (1909-1991) Venice, signed, gouache, 29.5 x 39cm £80-120

431. KEN HOWARD (b. 1932) ‘Summer San Marco, Venice’, signed, oil on canvas board, 29 x 24cm £600-800

430. ALAN S. GOURLEY (1909-1991) Promenade with columned building, signed, oil on board, 25 x 35cm; three further by the same hand; together with an etching by Hubert Freeth - ‘Headrest and Handstand; and a small marine watercolour (6) £50-100

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For details of fees that apply to successful bids, please see pages 2 and 3

433. EDWARD HORACE THOMPSON (1879-1949) A wooded river landscape, signed with initials and dated 1921, watercolour, 23 x 34cm £100-150

434. HENRY ANDREW HARPER (1835-1900) ‘Sinai’ and ‘Sea of Tiberias from Gadara’, a pair, signed and dated ‘93, watercolours, 11 x 20cm (2) £150-250

435. MAX HOFLER (1892-1963) ‘Devon in Winter’, signed, oil on board, 48 x 74cm £100-200

436. ALFRED BENNETT (act. 1861-1916) Summer landscape with harvesting, signed and dated ‘68, oil on canvas, 48 x 75cm £200-300

437. MALCOLM CROUSE (19TH/20TH CENTURY) ‘Up Lake Killarney’ and ‘Crummock Water’, a pair, signed, watercolours, 21 x 33.5cm (2) £100-200

438. GEORGE MELHUISH (1916-1985) St Mary’s College, Oxford, circa 1940, signed, oil on canvas, 58 x 96cm £50-100

439. 19TH CENTURY ENGLISH SCHOOL ‘Winter’, indistinctly signed, inscribed to frame ‘T Danby’, oil on canvas, 29 x 55cm £80-120

440. BERNARD CECIL GOTCH (1876-1964) Oxford from Binsey, signed, watercolour, 25 x 36cm £100-150

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432. KEN HOWARD (b. 1932) ‘In the Cannareggio, Venice’, signed, oil on canvas board, 24 x 29cm £600-800

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For details of fees that apply to successful bids, please see pages 2 and 3

441. PERCIVAL SKELTON (19TH/20TH CENTURY) Figures walking through an avenue of trees, signed, pen, ink, pencil and brown wash drawing, 14 x 36cm, mounted but unframed £60-80

442. ENGLISH SCHOOL (LATE 19TH CENTURY) A wooded river landscape with figures, indistinctly signed ? Ruth Barton, oil on canvas, 29 x 39cm £80-120

443. ALBERT STARLING (19TH/20TH CENTURY) A heather covered hillside, signed, oil on board, 29 x 42cm; and a further coastal view by the same hand, 23 x 34cm (2) £80-120

444. REV. T. NORMAN ROWSELL (exh. 1889-1928) ‘Swanage’, signed and dated 1895, watercolour, 32 x 49cm £50-100

445. JOHN CARTER (20TH CENTURY) ‘Ca’ d’Oro, Grand Canal, Venice’, signed and dated ‘79, watercolour, 30cm x 45cm £100-150

446. R* CLENNELL (19TH CENTURY) A Shepherd mounted on horseback with flock of sheep on a pathway at dusk, signed, oil on canvas, 39cm x 49.5cm £60-80

447. STANLEY MORRIS (1930-2012) ‘Northern Landscape’, signed and dated ‘99, watercolour, 26cm x 25cm; and Chris Chatland, ‘Sweet Indulgence’, signed, gouache and acrylic, 43cm x 26.5cm (2) £50-100

448. ATTRIBUTED TO LUCY HARWOOD (1893-1972) A summer garden, pastel, 26.5cm x 19cm £50-80

449. GEORGE DEAKINS (1911-1982) A river bridge, signed, oil on board, 24cm x 29cm £40-60

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For details of fees that apply to successful bids, please see pages 2 and 3

450. WINIFRED HUMPHERY (1895-1975) ‘Sweetpeas’, signed, inscribed on label verso, oil on canvas, 59cm x 44cm £200-300

451. 20TH CENTURY ENGLISH SCHOOL Head study of a young boy wearing a red cap, oil on board, 30cm x 23cm with another portrait verso, unframed; and Lyons Wilson, ‘A windy morning’, signed and dated 1923, watercolour, 15.5cm x 19.5cm (2) £30-50

452. GEORGE F NICHOLLS (1885-1937) ‘Wendover’, inscribed with title and dated Sept. ‘15, pencil sketch, 24cm x 20cm; together with five further similar sketches mainly Wendover and West Wycombe, all unframed (6) Sold together with photocopy of the artist’s sketch book from where the above come £40-60

453. 19TH CENTURY BRITISH SCHOOL A figure seated in a wooded landscape with waterfall, oil on canvas, 75cm x 61cm £200-300

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454. EDMUND JOHN NIEMANN (1813-1876) An extensive country landscape with loggers, signed and dated ‘51, oil on canvas, 62cm x 113cm £600-800

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455. ENGLISH SCHOOL, 20TH CENTURY Christ Church from the meadow, indistinctly signed with monogram, oil on canvas board, 28.5cm x 50.5cm (unframed) £40-60

For details of fees that apply to successful bids, please see pages 2 and 3

457. EDWARD MATTHEW HALE (BRITISH 1852-1924) ‘A fight on the sand dunes’, signed and dated 1880, oil on canvas, 31cm x 46cm, unframed 456. ALEXANDER P THOMPSON (d.1962) ‘The Farmstead’, signed, watercolour, 44cm x 44cm Prov. with the George Street Gallery, Perth £80-220

Edward Matthew Hale was a military artist and officer. He was appointed as the special artist for the Illustrated London News in the Russo-Turkish War of 1877-78 and later in the 2nd Anglo-Afgan War 1878-80.

In all probability, the painting is the same as exhibited at the Royal Institute of Oil Painters (ROI) in 1891. £150-250

458. MANNER OF WILLIAM SCOTT Abstract, bears signature, gouache, 36cm x 25cm Prov. The Estate of David T Kennedy, Mayor of Miami c.1970’s £400-600

459. WILLIAM HENRY MARGETSON (1861-1940) ‘Jack Calling’, signed, oil on canvas, 74cm x 49.5cm £2000-3000

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For details of fees that apply to successful bids, please see pages 2 and 3

460. FOLLOWER OF PHILIPS WOUVERMAN Cavalry Officers raising a toast at camp in a landscape, oil on canvas, 40cm x 49.5cm £600-800

461. 17TH CENTURY FLEMISH SCHOOL An artisan with companion in a landscape with figures and sheep in the middle distance, oil on panel, 36cm tondo £800-1200

462. 16TH/17TH CENTURY FLEMISH SCHOOL The Vision of St Francis of Paola, the robed hermit with staff inscribed ‘Charitas’ and with Bible alongside opened at I Corinthians 13 v. 4, possibly signed with the initial ‘A....’, pen and ink on parchment, 27cm x 22cm oval Inscribed in ink verso as ‘St Anthony’ and the date 1580 Prov. With the Este Gallery New York £800-1200

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463. ATTRIBUTED TO JOHN VARLEY (1778-1842) Beeston Castle, possibly with faint traces of signature, watercolour, 21cm x 29cm £80-120

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464. MANNER OF JAN WYCK A medieval hunting party, oil on board, 13cm x 21cm £40-60

465. HUBERT JAMES MEDLYCOTT (1841-1920) ‘Belaggio’, signed and dated 1906, watercolour, 24cm x 38cm; and one further by the same hand - ‘Lucerne’, signed and dated 1908, watercolour, 24cm x 39cm (2) £200-300

For details of fees that apply to successful bids, please see pages 2 and 3

Mallams

Absentee Bid Form Sale Date: ..........................................

Name: ............................................................................................

Address: ........................................................................................ ........................................................................................................ ........................................................................................................ ..................................................................

Postcode .....................

Telephone: 1 .................................... 2 .........................................

Email: .............................................................................................

Notices

Lot

Brief Description

Price Limit

I hereby request Mallams to bid for the lots listed herewith up to the hammer price stated.

The auctioneers, on my behalf, will try to purchase lots for the lowest possible price, in accordance with the usual bidding increments and taking into account the reserve and other bids.

I understand that if any bid is successful the total price payable by me is the sum of the final bid and the buyer’s premium (plus VAT).

I agree that the bids are made in accordance with the Conditions of Sale as printed in the catalogue.

I understand that absentee bids should be with the auctioneers at least one hour before the commencement of the auction.

Signed: ................................................ Date: .............................

CONDITIONS OF SALE Mallams carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) “auctioneer” means the firm of Mallams or its authorised auctioneer, as appropriate; (b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) “terms of consignment” means the stipulated terms and rates of commission on which Mallams accepts instructions from sellers or their agents; (e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; (g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals.

(2) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(3)The Auctioneers reserve the right to charge a deposit for certain lots. These will be indicated before the sale.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 20%. This premium is subject to VAT at the rate imposed by law.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. PAYMENT (1) Immediately a Lot is sold you will: (a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in cash or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (1) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(2) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.

(3) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (a) to proceed against you for damages for breach of contract; (b) to rescind the sale of that Lot and/or any other Lots sold by us to you; (c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere; (e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (f) to retain that or any other Lot sold to you until you pay the total amount due; (g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION AND TELEPHONE BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf or by telephone. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot. 14. DESCRIPTIONS AND CONDITION (1) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(2) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17 (1) any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(2). Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

ENDANGERED SPECIES LAWS Due to international laws, any item on the Endangered species list (i.e. Ivory, Rhino horn etc.), whether it dates from the 18th/19th Century or the 1930s, requires re-export permits for bidders outside the EU (CITES). Some countries also require import permits as well and all permits must be in place prior to shipment. Mallams cannot be held liable if a purchaser buys a lot that comes within this field and then import/export licences cannot be arranged.

Certain countries, particularly the USA, have their own Endangered Species Act (USESA) and possession or being involved in a commercial transaction with any item on this list can be an offence for a US resident. Therefore, it is the potential buyers responsibility to check Federal regulations before bidding for a lot, which comes under these or similar regulations.

Please note no license is required to sell or advertise within the EU if items are pre-1947.

ONLINE BIDDING Mallams Fine Art Auctioneers offer an online bidding service via the-saleroom.com for bidders who cannot attend the sale. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Mallams Fine Art Auctioneers, you: 1. authorise Mallams Fine Art auctioneers, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the-saleroom.com, and 2. confirm that you are authorised to provide these credit card details to Mallams Fine Art Auctioneers through www.the-saleroom.com and agree that Mallams Fine art Auctioneers are entitled to ship the goods to the card holder name and card holder address provided in fulfilment of the sale.

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price.

Jewellery & Silver

Entries Invited

The Art & Music Sale October 2017

Wednesday 23 August Oxford Entries invited Closing date: Friday 28 July

For more information or to arrange a free valuation please contact: Louise Dennis FGA DGA E: louise.dennis@mallams.co.uk or T: 01865 241358 Mallams Auctioneers Bocardo House St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

A late 19th/early 20th century sapphire and diamond brooch Sold for £23,000 (hammer price) in March 2017

Illustrated: Pito (French 20th century) Orchestre a St Jean de Luz (detail) £200-300

Mallams 1788

For more information or to arrange a free verbal valuation please contact Rupert Fogden on 01865 241358 or rupert.fogden@mallams.co.uk Mallams Auctioneers / Bocardo House / St Michael’s Street Oxford OX1 2EB www.mallams.co.uk

Mallams 1788

Mallams 1788

TH E PICTURE SALE - 5TH JULY 2017 - OXFOR D

The Picture Sale Wednesday 5th July 2017 OXFORD www.mallams.co.uk