Throughout this essay, a discussion occurs around the ideas in which the MAGOLIDE Collective have come to define, perceive, and understand regarding concepts of decolonial or decolonisation as a critical practice. In doing so, they elaborate on the thinking of Fred Moten, Mignolo, Panchia, Hennessy Youngman, Valerie Cassel Oliver, and Laura Mulvey as their writings, and lectures lend themselves to the notions of decolonial thought, and critical practice as a form of decolonisation. Reference to a body of work produced under the title, ‘The Counter-Space of Pop Culture in Zaire’- is used as a way of drawing a conceptual and comparative analysis of the manner in which they think they are dismantling histories of modernism- and bringing forward a mode of practice that is decolonial in theory. The manner in which their work was conceived, produced, curated, and the concepts surrounding it disseminated is noted. Secondly, the conception of their motifs, references, and symbols are discussed in detail- as many of t