THE FINAL ROUND OF THE 2025 BOLZ YOUNG ARTIST COMPETITION
PHOTO: Dynae Allice
Indre Raghavan, violin Lucy Wu, cello
Atticus Coen, piano Vivian Van de Sype Cucu, viola
THANK YOU TO OUR GENEROUS SPONSORS for supporting this performance
THE BOLZ YOUNG ARTIST COMPETITION IS MADE POSSIBLE BY A GENEROUS ENDOWMENT FROM
The Eugenie Mayer Bolz Family Foundation
MAJOR FUNDING PROVIDED BY
ADDITIONAL FUNDING PROVIDED BY
W. Jerome Frautschi
Diane Ballweg
Barbara & Norm Berven
Elizabeth Olson, in memory of Modesta Olson
James Dahlberg & Elsebet Lund
Cyrena & Lee Pondrom
Julie & Larry Midtbo
Kato Perlman
Sonya Beutler Sauer, in memory of Robert Sauer
Sentry Insurance Foundation
Trust Point
Darcy Kind & Marc Vitale
Joan, Carolyn, Julia, Cathy, & John, in honor of their grandparents Eugenie & Adolph Bolz and their parents Marian & Jack Bolz
Dr. A. Beyer-Mears
Nick & Judith Topitzes
Jim & Jessica Yehle
Charles & Anita Williams
Focus Fund for the Arts
Friends of PBS Wisconsin
The Final Round of the 2025 Bolz Young Artist Competition WISCONSIN YOUNG ARTISTS COMPETE: THE FINAL FORTE
Wednesday, March 5, 2025 | 6:45 pm | Overture Center for the Arts
John DeMain, Conductor
Atticus Coen, Piano
Indre Raghavan, Violin
Vivian Van de Sype Cucu, Viola
Lucy Wu, Cello
ANTONÍN DVOŘÁK
Cello Concerto in B minor, Op. 104
III. Finale: Allegro moderato — Andante — Allegro vivo
MS. WU
WILLIAM WALTON
Viola Concerto
I. Andante comodo
MS. VAN DE SYPE CUCU
JEAN SIBELIUS
Violin Concerto in D minor, Op. 47
I. Allegro moderato
MS. RAGHAVAN
GEORGE GERSHWIN
Piano Concerto in F
I. Allegro
MR. COEN
MANUEL DE FALLA
The Three-Cornered Hat Suite No. 2
II. The Miller’s Dance (Farruca)
III. Final Dance (Jota)
JOHN DEMAIN MUSIC DIRECTOR
In his 31 st season as music director of the Madison Symphony Orchestra (MSO), Grammy and Tony Award-winning conductor John DeMain is noted for his dynamic performances on concert and opera stages throughout the world. American composer Jake Heggie assessed the conductor’s broad appeal, saying, “There’s no one like John DeMain. In my opinion, he’s one of the top conductors in the world.” In January 2023 he received a Lifetime Achievement Award from the National Opera Association, the NOA’s highest award.
During more than three decades in Madison as the MSO music director, DeMain has consistently raised the quality of the orchestra by introducing blind auditions and continuously expanding the repertoire to encompass ever more challenging and virtuosic works, including the highly-acclaimed performances of the complete symphonies of Gustav Mahler. DeMain also oversaw the move into the world-class Overture Hall and expanded the subscription season to triple performances.
His active conducting schedule has taken him to the stages of the National Symphony, St. Paul Chamber Orchestra, the symphonies of Seattle, St. Louis, Pittsburgh, Detroit, Columbus, Houston, San Antonio, Long Beach, and Jacksonville, along with the Pacific Symphony, Boston Pops, Aspen Chamber Orchestra, Los Angeles Chamber Orchestra, London Sinfonietta, Orchestra of Seville, the Leipzig MDR Sinfonieorchester, and Mexico’s Orquesta Sinfónica Nacional.
Prior engagements include visiting San Francisco Opera as guest conductor for General Director David Gockley’s farewell gala, Northwestern University to conduct Carlisle Floyd’s Susannah , and the Washington National Opera at the Kennedy Center in D.C. to conduct Kurt Weill’s Lost in the Stars . In 2019, he conducted the world premiere of Tazewell Thompson’s Blue at the Glimmerglass Festival to critical acclaim — he “drew a vibrant performance from an orchestra of nearly 50 players; the cast was superb.” ( The New York
Times ) He was also planning to conduct the premiere of Blue at the Washington National Opera in March 2020.
DeMain also serves as artistic director for Madison Opera and in their 2024-2025 season conducts The Barber of Seville, María de Buenos Aires, and Don Giovanni . He has been a regular guest conductor with Washington National Opera at the Kennedy Center and has made appearances at the Teatre Liceu in Barcelona, New York City Opera, Michigan Opera Theatre, Los Angeles Opera, Seattle Opera, San Francisco Opera, Virginia Opera, Lyric Opera of Chicago, Aspen Music Festival, Portland Opera, and Mexico’s National Opera.
During his distinguished 17-year tenure with Houston Grand Opera, DeMain led a historymaking production of Porgy and Bess , winning a Grammy Award, Tony Award, and France’s Grand Prix du Disque for the RCA recording. In spring 2014, the San Francisco Opera released an HD DVD of their most recent production of Porgy and Bess , conducted by John DeMain.
DeMain began his career as a pianist and conductor in his native Youngstown, Ohio. He earned his bachelor’s and master’s degrees at The Juilliard School and made a highly acclaimed debut with the Pittsburgh Symphony Orchestra. DeMain was the second recipient of the Julius Rudel Award at New York City Opera and one of the first six conductors to receive the Exxon/National Endowment for the Arts Conductor Fellowship for his work with the St. Paul Chamber Orchestra.
DeMain holds honorary degrees from the University of Nebraska and Edgewood College and he is a Fellow of the Wisconsin Academy of Sciences, Arts and Letters. He resides in Madison and his daughter, Jennifer, is a UW–Madison graduate.
LUCY WU
Lucy Wu, 16, is a Richard D. Colburn Scholarship for Artistic Excellence Fellow at the Music Institute of Chicago’s Academy, a training center for advanced pre-college musicians. She studies with Dr. Stefan Kartman. Lucy began cello studies at age 7. She made her solo orchestral debut at age 10 with the Milwaukee Youth Symphony Orchestra as winner of the 2019 MYSO Concerto Competition and has since performed as a soloist with the Milwaukee, Madison, Chippewa Valley, and Oistrakh Symphony Orchestras. She has had the honor of working with professors including David Ying, Clive Greensmith, Hans Jensen, Alan Rafferty, Melissa Kraut, Paul Katz, Stephen Balderston, and Guy Johnston.
Lucy has won top honors in numerous competitions. Most recently, she won 2nd grand prize at the 2024 Chicago International Music Competition, selected out of 100 contestants from 13 countries and across 6 divisions. She was the winner of the 2024 Milwaukee Symphony
Orchestra Audrey G. Baird Stars of Tomorrow Competition with a finalist performance of Dvořák's Cello Concerto with the Milwaukee Symphony. As winner, she performed 4 more times with the MSO in their 2025 Rhythm Rhapsody concert series. She was also the winner of the 2024 Enkor International Music Competition and 2024 DePaul National Concerto Competition. In 2023, she was the winner of the 2023 Chicago International Music Competition (Young Artist 1 division), winner of the 2023 Chippewa Valley Symphony Young Artist Competition, and finalist in the 2023 Madison Symphony Bolz Young Artist Competition, where her performance was broadcasted live on PBS Wisconsin and Wisconsin Public Radio. Additionally, she is a laureate of the Walgreens National Concerto Competition (2024), the Schubert Club Competition (2022/2023/2024), and Civic Music Association of Milwaukee Competition (2024).
Lucy also enjoys playing chamber music. She has attended the Bowdoin International Music Festival, Ascent International Chamber Music Festival, and Saint Paul Chamber Music Institute. Her quartet, Quartet Meraviglia, won the 2024 Junior Division Bronze Medal at the world’s largest chamber music competition—the Fischoff Competition, Silver Medal at the 2024 Saint Paul National String Quartet Competition, and overall open division first prize at the 2024 MYA Chicago National Chamber Music Competition. As cellist of the Luminos Piano Trio, she advanced to semifinals at the 2023 Fischoff Competition. She has been featured on Chicago’s classical music radio network-WFMT Introductions with both ensembles.
Lucy is a junior at Whitefish Bay High School where she is vice president of the Music Society, varsity debate team captain, Coding Club CoPresident, and a Tower Times reporter.
VIVIAN VAN DE SYPE CUCU
Vivian Van de Sype Cucu , 17, is a Scholarship Fellow at the Music Institute of Chicago’s Academy, a training center for advanced precollege musicians. She currently studies viola with Davis King. She began playing viola at age 4 at the Cleveland Institute of Music. This coming fall, Vivian will attend the Bienen School of Music at Northwestern University to study with Helen Callus.
Vivian made her solo debut with the Milwaukee Youth Symphony Orchestra (MYSO) at age eleven as a 2019 Concerto Competition Winner. Vivian was a member of MYSO for 7 years and served as Principal Violist for their Senior Symphony. Additionally, she has taken top honors at the Wisconsin School Music Association’s (WSMA) Solo and Ensemble festivals from 2019-2023 and served as Principal Violist in the WSMA State Orchestra for 3 seasons.
Vivian is also an active chamber musician. In 2024, she was a member of the Elysian Quartet of MIC Academy. The group won the Gold Medal, BIPOC Prize, and Audience Prize in the St. Paul String Quartet Competition and earned an honorable mention in the Rembrandt Chamber Musicians Competition. Additionally, she participated as a quarterfinalist in the Fischoff National Chamber Competition. This year, she is a member of the Caspian Quartet at MIC Academy.
Vivian has attended several summer music programs including the Heifetz International Music Institute (Senior Division), Bowdoin International Music Festival, and Astona International Music Academy in Switzerland. She attended Interlochen Center for the Arts Summer Camp program from 2017-2022 and was Principal Violist of their World Youth Symphony Orchestra.
Vivian is also a co-founder, along with five colleagues, of a non-profit organization called Musicians for Hope (MFH). The group strives to foster a love for music and nurture the academic growth of young students. MFH raises funds and resources to support underfunded music programs in elementary and middle schools through fundraising concerts. Currently, MFH has raised more than $30,000. She has been honored to participate in selective masterclasses with Roberto Diaz, Paul Neubauer, Milan Milisavljević, Eric Nowlin, and James Thompson.
INDRE RAGHAVAN
Indre began her violin studies at age seven with Janse Vincent, and currently studies with Professor Eugene Purdue. Indre has been a member of the Wisconsin Youth Symphony Orchestras (WYSO) for eight years, where she has held concertmaster and principal roles. Indre is the winner of the 2025 Middleton Community Orchestra Young Artist Competition. She was a semifinalist of the 2024 Milwaukee Symphony Orchestra Stars of Tomorrow Competition, and performed as concertmaster at MSO Stars of Tomorrow Side by Side concert. Indre also was a semifinalist in the 2023 Bolz Young Artist Competition and received honorable mentions in the 2024 Bolz Young Artist Competition, 2024 Wisconsin Chamber Orchestra Young Artist Concerto Competition, 2023 and 2024 Middleton Community Orchestra Young Artist Competitions. She was the winner of the 2024 Middleton High School Concerto and Aria Competition.
She spent the summers of 2023 and 2024 at the Meadowmount School of Music, studying with Professor Gerardo Ribeiro and Professor I-Hao Lee. Additionally, in 2024, she attended Sounding Point Academy at The Colburn School. Indre has played in masterclasses for James Ehnes, Paul Kantor, David Halen, Danielle Belen, I-Hao Lee, Blair Milton, Dawn Dongeun Wohn, Julian Rhee, and others. Beyond music, Indre is a member of the National Honor Society and 11th grade representative of the Middleton High School (MHS) Student Senate. She also serves as a volunteer teen teacher for the WYSO Music Makers program, treasurer of the MHS Letters of Love Club, communications lead of the MHS Girl Up Club, and president-elect of the UNICEF MHS Club. Additionally, she trains at CrossFit Madtown. Lastly, Indre would like to thank Mr. Purdue, her violin teacher, for all his guidance and support.
ATTICUS COEN
Atticus Coen is an 18-year-old senior at Sun Prairie East High School. He has been playing and studying piano since age five. He is currently in his eighth year of study with Lana Robotewskyj at her studio, Melodiya Piano Academy, in Sun Prairie.
Atticus was a senior recital winner at the 2024 MAME Honors Festival and a recipient of the UW Summer Music Clinic – UW Tuition Waiver Award.
Atticus has great appreciation for jazz music and plays piano with the Sun Prairie Jazz 1 Ensemble and Sun Prairie Jazz Combo under Matt McVeigh. In January, Jazz 1 opened for the Jazz at Lincoln Center Orchestra with Wynton Marsalis concert at the Marcus Center for the Performing Arts, and they were also one of thirty groups selected nationwide as finalists to perform at the Essentially Ellington Festival in New York City this spring. In June of 2024, Atticus also played with the Madison Jazz Festival High School All-Stars at the Madison Jazz Festival under Dan Wallach.
Atticus has held the position of lead keyboard in musical theater productions at both Sun Prairie East and West High Schools over the past three years. The majority of these were under Steve Sveum.
Through Farley’s House of Pianos in Madison, WI, Atticus has had the privilege of participating in several master classes under the tutelage of some of the performers in their Salon Piano Concert Series, including Professor Michael Mizrahi of Lawrence University, the piano duo of Stanislava Varshavski and Diana Shapiro, and most recently Schaghajegh Nosrati. He also participated in their chamber music program this past fall.
Besides piano, Atticus has played trombone since age 11, and he is currently part of the Sun Prairie Wind Ensemble under Joseph Mesner. Additionally, he enjoys playing duets with and accompanying his sister at home. Atticus is planning to pursue Music Performance in college. He would like to thank his parents, his family, his friends, and his teachers for their constant encouragement and guidance.
MEET THE JUDGES
CATHERINE KAUTSKY
Catherine Kautsky, the George and Marjorie Olsen Chandler Professor of Music and Chair of Keyboard Studies at Lawrence University, has been lauded by the New York Times as a pianist whose “music spoke directly to the listener.” Her recent recording of the complete Debussy Preludes was said to “bring out all the power, majesty, and mystery of Debussy’s conception,“ and her recording of the Brahms Sonatas for Violin and Piano with Wen-Lei Gu was praised as “characterize[ing] these sonatas to a degree that one seldom encounters in the recital hall or on recordings.”
Ms. Kautsky has concertized widely in both the United States and abroad, performing on six continents and in major halls such as Carnegie Recital Hall and Alice Tully Hall of New York, Jordan Hall of Boston, and Powell Hall of St. Louis. She has taught piano, chamber music, and piano literature at Lawrence University since 1987, with a 6 -year interval as a faculty member and Chair of Keyboard at UW-Madison. She is the winner of the 2016 Lawrence University Excellence in Teaching Award and the 2013 Faculty Convocation Award.
While at UW-Madison, Ms. Kautsky was awarded the Arts Institute Creative Arts Award for her work on the intersections of literature, music, and social history. Her book, Debussy’s Paris: Piano Portraits of the Belle Époque, appeared in September, 2017, and her 24- segment lecture-recital series for Great Courses entitled Great Works Piano Works Explained was released in October, 2022.
Website: www.catherinekautsky.com
ORIOL SANS
Oriol Sans, assistant professor and director of orchestral activities, directs the UW–Madison Symphony Orchestra, conducts opera productions, and teaches graduate students in conducting. Before his appointment at the University of Wisconsin, he was associate director of orchestras at the University of Michigan in Ann Arbor. His professional conducting activities include performances with a long list of renowned soloists, collaborations with celebrated composers, and concerts with orchestras and ensembles, including the Detroit Symphony Orchestra, the Santa Fe Symphony, the Michigan Chamber Winds and Strings, the New Mexico Philharmonic, the San Juan Symphony (Colorado), the Orquesta Filarmónica de Jalisco in Guadalajara (Mexico), the Flint Symphony Orchestra, the Ann Arbor Symphony Orchestra, the International Contemporary Ensemble and the Four Corners Ensemble.
Since 2016 Mr. Sans has held the position of music director of the Detroit Symphony Youth Orchestra. His reputation working with young and college musicians has brought him to serve in several occasions on the conducting faculty at the Interlochen Summer Academy, to guest conduct at the Sewanee Summer Music Festival, and to be a conducting clinician and guest conductor for numerous youth ensembles.
As an opera conductor, his eclectic repertoire includes performances of Verdi’s Falstaff, Mozart’s Marriage of Figaro, Tchaikovsky’s Eugene Onegin and David Little’s Dog Days . Most recently, he conducted a production of Menotti’s Amahl and the Night Visitors at the Michigan Opera Theatre and collaborated with the Opera Theatre Saint Louis in a production of Awakenings , a new opera by composer Tobias Picker that will be premiered in 2020.
A native of Catalonia, Spain, Mr. Sans studied orchestral and choral conducting at the Barcelona Conservatory, receiving the school’s Honors Award in both specialties upon graduation. Following his training in Spain, he studied with Kenneth Kiesler at the University of Michigan where he received his master’s degree in orchestral conducting and his doctorate in musical arts. In addition to his degrees in music, Mr. Sans also holds a bachelor’s degree in humanities from the Pompeu Fabra University in Barcelona.
BENJAMIN WHITCOMB
Benjamin Whitcomb is a Professor of Cello and Music Theory at the University of WisconsinWhitewater, where he has received awards for his teaching, research, and service. An active recitalist and chamber musician, he performs frequently throughout the country and abroad. He is a member of the Ancora String Quartet and the UW-Whitewater Piano Trio. His solo CDs are available from MSR Classics.
Benjamin is a prolific author, having published dozens of articles in six different journals and presented over thirty papers at national and international conferences. He has contributed to three books and published ten, including The Advancing String Player’s Handbook
series, Cello Fingerings , and Bass Fingerings , all of which have received rave reviews from Strings magazine plus the journals of ASTA and AUSTA. More recent books include the Compendium of Chords series and the Guide to Practicing the Popper Etudes.
Benjamin’s cello students have won numerous awards locally and nationally and have pursued graduate degrees at leading institutions. Benjamin is very active in the American String Teachers Association, having served as Wisconsin state president, national Secretary, Chair of several committees, and Articles Reviewer for the American String Teacher
At UW-Whitewater, Benjamin initiated and continues to coordinate the Theory/History Colloquium speaker series, the Musical Mosaics Concert Series, and the Summer String Camp. He is a graduate of the University of Texas at Austin and Oklahoma State University, and he has studied with Phyllis Young, George Neikrug, and Evan Tonsing.
Legacy
The lasting impact of two composers, Richard Strauss and Wolfgang Amadeus Mozart, is explored through their final works in this concert. After opening with one of Strauss’ great tone poems Don Juan, soprano Amanda Majeski takes the stage with the orchestra for what Strauss himself called his Four Last Songs. Majeski, mezzo-soprano Kirsten Lippart, tenor Martin Luther Clark, bass Matt Boehler, and the Madison Symphony Chorus come together for Mozart’s Requiem, the work he wrote from his death bed and left unfinished. When he passed, his associate Franz Xaver Süssmayr completed the composition. It lives on as one of the most profoundly beautiful works ever created.
John DeMain, Conductor
Amanda Majeski, Soprano
Kirsten Lippart, Mezzo-Soprano
Martin Luther Clark, Tenor
Matt Boehler, Bass
Madison Symphony Chorus, Beverly Taylor, Director madisonsymphony.org/
Richard Strauss, Don Juan, Op. 20
Richard Strauss, Four Last Songs Wolfgang Amadeus Mozart, Requiem in D minor, K. 626
PRESENTING SPONSOR
Rosemarie and Fred Blancke
MAJOR SPONSORS
The Madison Concourse Hotel & Governor’s Club
Martha and Charles Casey
Skofronick Family Charitable Trust
ADDITIONAL SPONSORS
Rodney Schreiner and Mark Blank von Briesen & Roper, s.c. Wisconsin Arts Board
AMANDA MAJESKI
KIRSTEN LIPPART
MARTIN LUTHER CLARK
MATT BOEHLER
VIOLIN I
Naha Greenholtz
Concertmaster
William and Joyce Wartmann Chair
Huy Luu
Associate Concertmaster
Steinhauer Charitable Trust Chair
Olga Pomolova
Associate Concertmaster
George and Candy Gialamas Chair
Maynie Bradley
Associate Concertmaster
Neil Gopal
Assistant Concertmaster
Endowed by an Anonymous Friend
Tim Kamps
Annetta H. Rosser Chair
Jon Vriesacker
Laura Burns
Paran Amirinazari
Alec Tonno
Naomi Schrank
Wes Luke
Laura Mericle
Jerry Loughney
VIOLIN II
Hillary Hempel
Principal
Dr. Stanley and Shirley Inhorn Chair
Peter Miliczky
Assistant Principal
Elyn L. Williams Chair
Holly Wagner
Rolf Wulfsberg
Olga Draguieva
Geri Nolden
Robin Ryan
Matthew Dahm
Madlen Breckbill
Abigail Schneider
Carolyn Van De Velde
Eric Bate
ROSTER OF MUSICIANS THE FINAL FORTE 2025
VIOLA
Christopher Dozoryst
Principal
James F. Crow Chair
Katrin Talbot
Assistant Principal
Dove Family Chair
Diedre Buckley
Renata Hornik
Elisabeth Deussen
Hanna Pederson
Janse Vincent
Jen Paulson
Melissa Snell
Marie Pauls
CELLO
Karl Lavine
Principal
Reuhl Family Chair
Mark Bridges
Assistant Principal
Patricia Kokotailo & R. Lawrence DeRoo Chair
Karen Cornelius
Knapp Family Chair
Margaret Townsend
Lisa Bressler
Alex Chambers-Ozasky
Becky Pan
Amy Harr
BASS
David Scholl
Principal
Robert Rickman
Assistant Principal
Jeff Takaki
Tom Mohs Chair
August Jirovec
Gregory Heintz
Brett Lewis
FLUTE
Linda Pereksta
Principal
Terry Family Foundation Chair
Dawn Lawler
Danielle Breisach
PICCOLO
Danielle Breisach
OBOE
Izumi Amemiya
Principal
Jim and Cathie Burgess Chair
Andrea Gross Hixon
ENGLISH HORN
Lindsay Flowers
CLARINET
JJ Koh
Principal
Barbara and Norman Berven Chair
Nancy Mackenzie
BASS CLARINET
Gregory Smith
BASSOON
Cynthia Cameron
Principal
Amanda Szczys
HORN
Emma Potter
Principal
Steve and Marianne Schlecht Chair
Dafydd Bevil
Michael Szczys
William Muir
Mary Buscanics-Jones
TRUMPET
John Wagner
Principal
Marilynn G. Thompson Chair
Rob Rohlfing
Dan Cross
TROMBONE
Joyce Messer
Principal
Fred and Mary Mohs Chair
Benjamin Skroch
Benjamin Zisook
TUBA
Joshua Biere
Principal
TIMPANI
Jaime Cardenas
Principal
Eugenie Mayer Bolz Foundation Chair
PERCUSSION
Tony DiSanza
Principal
JoAnn Six Plesko and E.J. Plesko
Chair
Richard Morgan
Nicholas Bonaccio
Greg Hinz
Todd Hammes
HARP
Johanna Wienholts
Principal
Endowed by an Anonymous Friend
PIANO
Daniel Lyons
Principal
Stephen D. Morton Chair
Librarian
Jennifer S. Goldberg
John and Carolyn Peterson Chair
Personnel Manager
Alexis Carreon
Stage Manager
Benjamin Skroch
Orchestra Committee
Mark Bridges, Chair
Joshua Biere, Vice-Chair
Elspeth Stalter-Clouse, Secretary
David Scholl, Treasurer
Lisa Bressler, Member-at-large For
Enjoy an encore broadcast 8 p.m. Friday, March 7 and 2 p.m. Saturday, March 8 on The Wisconsin Channel (PBS Wisconsin-2). Or, watch at pbswisconsin.org/the-final-forte.
Yearnings
Guest conductor Joseph Young gives us an idea of what to anticipate in this exciting concert.
“This program is an aural invitation into the ideals of peace, love, and connection that carries forward long after the final notes.” We begin with Samuel Barber’s concise and dramatic Second Essay for Orchestra. Next, the eclectic and genre-bending string trio Time for Three joins our Symphony performing Kevin Puts’ Contact, a Grammy-winning piece written specifically for the group. Intended to premiere in the summer of 2020, Contact took on new meaning as an expression of yearning for human contact during the peak of the pandemic. Maestro Young’s selection of movements from one of the greatest ballet scores of the 20th century, Prokofiev’s Romeo and Juliet, will leave us longing for more.
Joseph Young, Guest Conductor
Time For Three: Nicolas Kendall, Violin
Charles Yang, Violin
Ranaan Meyer, Double Bass
Samuel Barber, Second Essay for Orchestra, Op. 17
Kevin Puts, Contact*
Sergei Prokofiev, Selections from Romeo and Juliet, Op. 64
*MSO Premiere
MAJOR SPONSORS
WMTV 15 News
Madison Symphony Orchestra League
Nancy Mohs University Research Park
ADDITIONAL SPONSORS TIME FOR THREE
Robert Benjamin and John Fields DeWitt LLP Wisconsin Arts Board
