AUGMENTED REALITY
NATURE MUSEUM
NATURE IN TECHNOLOGY AND ARCHITECTURE
This project embodies the natural forms and elements discovered within Bryce Canyon National Park. It seamlessly integrates the captivating colors, unique hoodoo rock formations that characterize the park, and the repetition found in its canyons and hoodoos, utilizing the concept of “fluid arches.”
The initial project, titled “Lakes and Ramps,” delved into the fluidity within a confined space and explored concepts such as ripples, flow, reflection, and inclines. These concepts resurfaced in the development of the “fluid arches,” which were specifically designed to capture the essence of Bryce’s hoodoos, as well as the elements of water, erosion, rivers, and the repetitive nature of arches reminiscent of the rippling and splashing of water.
The overarching concept behind this design is to bring forth the park’s natural elements, paying homage to the awe-inspiring hoodoos of Bryce, the vibrant colors of the landscape, and the immense grandeur experienced by visitors within the vastness of the park. The “Fluid Arch” serves as a powerful architectural element that effectively communicates these intentions throughout the structure while allowing light to permeate from various angles. The white color of the arches reflects the rammed earth walls and creates a canvas for the orange and pink hues to illuminate the surrounding spaces. Exhibits one and two seamlessly connect with the sky, imparting a profound sensation of being enveloped between two colossal canyons within the park.
Project Description:
In this project, my classmates and I undertook the conversion of a tiny home into a vibrant bike shop. My main objective was to provide shade and security to the shop’s windows, and to achieve this, I employed steel fabrication techniques and utilized my design skills. I designed custom steel covers for the windows, incorporating a unique artistic element. One window cover featured an abstract representation of bike pegs, adding an intriguing visual touch. For the main entrance, I meticulously cut a blueprint image of a bike into steel using a plasma cutter, welding and grinding tools. This intricate design exemplified the seamless fusion of craftsmanship and technology. Through a combination of on-site construction techniques and software planning, I, along with my classmates, successfully transformed the space into an eye-catching and functional bike shop.
Throughout this project, I acquired valuable knowledge and skills in various areas. Firstly, I gained practical insights into material costs, as I had to consider the expenses involved in steel fabrication, plasma cutting, welding, and grinding tools. This understanding enabled me to make informed decisions while staying within the project’s budgetary constraints. Additionally, I learned about the intricacies of city planning and the significance of attending meetings with relevant stakeholders. Navigating zoning regulations, obtaining permits, and participating in city meetings taught me how to comply with local regulations effectively.
Working with a team was an integral part of this project, allowing me to develop collaboration, communication, and project management skills. I honed my ability to delegate tasks, coordinate efforts, and leverage the strengths of each classmate, fostering a cohesive and productive work environment. Furthermore, the project emphasized the importance of adaptability and problem-solving. I encountered unexpected challenges that required on-site adjustments and creative solutions. This experience sharpened my critical thinking skills and equipped me with the ability to make informed decisions in real-time. Overall, this project served as an invaluable learning experience, providing me with a comprehensive skill set and a deeper understanding of the complexities inherent in architectural projects.
ARLINGTON, TX 76011 ARLINGTION, TX 76013 THE HOUSING CHANNEL 4200 SOUTH FREEWAY #307 FORT WORTH, TX 76115 (817) 924-5091 info@housingchannel.org www.housingchannel.org COLLEGE OF ARCHITECTURE, PLANNING AND PUBLIC AFFAIRS CAPPA THE UNIVERSITY OF TEXAS ARLINGTON PROJECT INFO UNCONDITIONED AIR AREA NUMBER OF STORIES TYPE OF CONSTRUCTION FIRE RATING LOT COVERAGE PLAT 540 SF (PER UNIT) 79 SF (PER UNIT) 5A 1HR 15,687 SF 3712.50 LOT 31. BLOCK OAK CREST ADD. 1980 80 ID# CONTRACTOR ACCORDANCE WITH THE PROVISIONS SET FORTH THESE CONTRACT DOCS, SHALL PROVIDE ALL MATERIALS, EQUIPMENT, LABOR AND SUPERVISION REQD. TO COMPLETE ALL WORK DESCRIBED HEREIN AND WHICH CAN BE REASONABLY INFERRED TO BE REQD. ALL WORK SHALL BE PERFORMED PROFESSIONAL STANDARD. WORK TO BE DONE PER THE APPLICABLE CODES. OWNER LIABLE TO OBTAIN AND PAY FOR PERMITS, INSPECTION FEES, AND DEPOSITS REQD. FOR INSTALLATION OF ALL WORK. IT'S THE OWNER'S RESPONSIBILITY TO CALL FOR LOCAL SUBCONTRACTORS ARE REQD. TO CAREFULLY EXAMINE THE DRAWINGS AND SPECS. COVERING ALL TRADES SO THAT ALL THE WORK PROPERLY COORDINATED. CONTRACTOR TO SETTLE ANY DISPUTE FROM NON-COORDINATION AT NO ADDITIONAL COST TO THE OWNER, WITHOUT REGARD TO WHOSE MATERIAL WAS FIRST INSTALLED, BUT AS REQD. BY FUNCTIONING OF CONFLICTING SYSTEMS AS APPROVED BY THE DESIGNER(S). OF THE CONTRACT DOCUMENTS AS SHOP DRAWINGS, OR THE BASIS OF SHOP DRAWINGS, BY CONTRACTORS OR SUBCONTRACTORS, ALLOWED BY THE DESIGNER(S) AND PROJECT LEAD(S), ARE TO BE DONE AT THE SAID CONTRACTOR'S OR SUBCONTRACTOR'S RISK. DESIGNER(S) AND PROJECT LEAD(S) WILL NOT HELD LIABLE FOR SUCH REPRODUCTION. SHALL VERIFY ALL DIMENSIONS, CONDITIONS ETC. PRIOR TO BEGINNING OF CONSTRUCTION AND NOTIFY PROJECT LEAD(S) AND/OR DESIGNER(S) IN WRITING OF DISCREPANCIES. WORK SHALL ONLY PROCEED WHEN ALL ISSUES HAVE BEEN PROPERLY DO NOT SCALE DRAWINGS. SCALES NOTED ON DRAWINGS ARE FOR GENERAL INFORMATION ONLY. NO DIMENSIONAL INFO SHALL BE OBTAINED BY SCALING THE DRAWINGS, AND INQUIRIES ON SUCH INFO SHOULD BE OBTAINED BY CONTRACTOR FROM PROJECT LEAD(S) AND/OR DESIGNER(S). APPLICABLE CODES 2015 ENERGY CODE COMPLIANCE 2017 INTERNATIONAL BUILDING CODE IBC LOCAL AMENDMENTS (IECC) 2017 INTERNATIONAL FIRE CODE IFC w/ LOCAL AMENDMENTS 2017 INTERNATIONAL MECHANICAL CODE IMC LOCAL AMENDMENTS INTERNATIONAL PLUMBING CODE LOCAL AMENDMENTS 2017 NATIONAL ELECTRIC CODE NEC w/ LOCAL AMENDMENTS SHEET INDEX ARCHITECTURAL 0.00 INDEX 2.00 OVERALL FLOOR PLAN 2.30 MECHANICAL PLAN 2.40 PLUMBING PLAN 2.60 FINISH PLAN 2.70 EGRESS PLAN 3.00 EXTERIOR ELEVATIONS 4.00 BUILDING SECTION 5.00 INTERIOR ELEVATIONS PLAN DETAILS 6.20 SECTION DETAILS 7.10 FINISH SCHEDULE 04.30.2021 ELEVATION HEIGHT PITCH VAULTED GENERAL NOTES PROPERTY DESCRIPTION LOT 31, AN ADDITION TO THE ACCORDING TO THE MAP OR PLAT THEREOF RECORDED VOLUME 388-C PAGE 81 OF THE MAP OR PLAT RECORDS OF TARRANT COUNTY, TEXAS. 8'-0" THE NEXUS HOUSE CONSTRUCTION DRAWING SET PROJECT LEAD BRAD MCCORKLE (281) 229-2905 brad.mccorkle@uta.edu JOSHUA M NASON (817) 705-0925 nason@uta.edu JOYCE P. STANTON, PE, RPLS (817) 275-3361 jstanton@dterry.net PROJECT LEAD STUDENT DESIGNERS ADRIANNA JORDAN ALEXANDRA ALEGRIA ANALIESE BOULLION BRENDA COLUNGA DANYAH ALNAJJAR JUAN REGINO KATE HENDRIX MARA TRUONG MASON SCHULTZ RACHEL KIM STRUCTURAL ENGINEER (817) 261-8300 tim@falkosfke.com WINDOWS CONSULTANT (817) 313-1430 matthew.eytcheson@buildwithbmc.com LEGEND
09.02.2022 KELLY POLLARD (817) 504-7830 kelly@mkghomes.net
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CREATIVE MUSEUM OF REMBRANDT
ART & NATURE; A NEW HORIZON IN SUSTAINABILITY AND CREATIVITY
The Creative Museum of Rembrandt, situated in the vibrant city of Amsterdam by the VVAGG, is an architectural project that embodies the essence of the renowned Dutch artist, Rembrandt van Rijn. With a unique fusion of Rembrandt’s ideologies, urban planning principles, and innovative architectural design, this project reimagines the concept of a museum as a dynamic urban space. This project also looks deeply into sustainability and the connection between the natural world and art.
Passersby are welcomed between two elegant glass structures that offer enticing glimpses of the vibrant food garden and sustainable art workshops. The entrance evokes a captivating sense of anticipation as visitors are enveloped by an intimate compression. Stepping into the lobby, the space unfolds into a grand expanse, liberating the senses within a vast volume of white walls, floors adorned with exquisite, handcrafted sustainable tiles. The ceiling, seemingly ordinary at first glance, reveals an enchanting dance of swirling patterns that gracefully guides the eye towards specific areas. It dynamically raises and lowers to mark the central axis of the lobby, leading visitors to the ticket booth and the entrances to the captivating glass exhibits, immersive art workshops, and inspiring classrooms.
PAST + FUTURE ABSTRACT SITE
A STUDY ON CONNECTIVITY AND HOUSING VS VESTILE
The objective of the final project was to examine the surroundings of a specific location and generate intricate layers by analyzing the interrelationships within that site. Our aim was to construct a spatial realm, referred to as a “ship,” which encompassed multiple tiers of connections and relative translations.
The visuals presented in this project consist of frames extracted from an animated film. This film showcases the ship’s launch and its transformational journey as it assumes various shapes to enter the designated housing. Utilizing the site map and grids, we employed Rhinoceros 6, Keyshot 8, and Cinema 4D to create both the ship and the housing.
Through animation we orchestrated the convergence, metamorphosis, and eventual union. Throughout the course of this final project, several valuable insights were gained. By thoroughly studying the site environment and analyzing the intricate relationships within it, we developed a deeper understanding of the significance of context in design.
This process allowed us to create a spatial world that harmoniously integrated with its surroundings through space and over time.
Through the creation of layers and the examination of connections within the site, we learned the importance of considering multiple perspectives and dimensions when designing a complex structure. By exploring the relationships between different elements and their relative translations, we gained a comprehensive view of how various components interact and influence one another.
The animated film aspect of the project provided a unique opportunity to explore the dynamic nature of design. The ship’s launch and its transformational journey highlighted the potential for adaptation and evolution in architectural creations.
MORPHOLOGY OF THE UNIT
DESIGNING A DEVICE FOR THE CREATION OF A TRANSFORMATIVE ARTIFACT
During our midterm assignment, we embarked on an exploration of geometries, depth, and trajectories within a renowned Marcel Duchamp painting. Through meticulous analysis, we dissected these layers and skillfully transformed them into an immersive 3D model. This captivating model not only encompasses the intricate layers of depth but also offers a reimagined perspective, transcending the original painting into a whole new dimension of space.
The primary objective of this assignment was to delve into the study of these elements while adhering to predefined parameters. By creating a module using AutoCAD, we constructed a structural form that artfully conveyed a sense of transition and exhibited a coherent morphology. The module, meticulously designed and precisely measured, was then materialized through laser cutting technology. In addition, AutoCAD facilitated the creation of a detailed plan, providing a visual representation of the design’s intent and layout.
The objective of this assignment was to develop a modular object within specified parameters and utilize it to construct a structural form. The idea was to effectively convey a transition and display a coherent morphology. To accomplish this, I employed AutoCAD to create the module and ensured the precision and form. The module was then fabricated using laser cutting. This assignment provided an opportunity to showcase my ability to work within constraints of the module object while maintaining creative freedom in its form and the way I would develop it into a structural piece. By adhering to the set parameters, I honed my skills in designing a modular object that transitioned and exhibited a logical morphology. This assignment allowed me to enhance my skills in both digital design and translating concepts into tangible architectural elements. Modularity was important in understanding the repetition required to create structure, to hold space, and to convey a message to the architecture’s user.
