Praktica BCC




BCC 50 mm 1.8

BCC 50 mm 1.8

Laetitia Delbreil Plateau de l’Allier

Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Rollei RPX 400

BCC 50 mm 1.8

Laetitia Delbreil Derriere le muret‌

Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Rollei RPX 400

BCC 50 mm 1.8

Laetitia Delbreil Useless dreams passing by

Obiektyw: Pentacon Practical 50 mm 1:1.8

Film: Ilford HP5+

BCC 50 mm 1.8

Laetitia Delbreil Contrastes a maree basse

Obiektyw: Pentacon Practical 50 mm 1:1.8

Film: Ilford HP5+

BCC 50 mm 1.8

Laetitia Delbreil Please, don’t take a picture

Obiektyw: Pentacon Practical 50 mm 1:1.8

Film: Fuji Superia 200

BCC 50 mm 1.8

Laetitia Delbreil Un'aria moscovita via Stalingrado

Obiektyw: Pentacon Practical 50 mm 1:1.8

Film: Kodak Plus Color 200

BCC 50 mm 1.8

Raffaelo Palandri

Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Kodak Film 200

BCC 50 mm 1.8

Laetitia Delbreil Deux roses près de la fenêtre Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Fuji Superia 200

BCC 50 mm 1.8

Laetitia Delbreil Flowers in the sun Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Fuji Superia 200

BCC 50 mm 1.8

Laetitia Delbreil Au bon moment

Obiektyw: Pentacon Practicar 50 mm 1:1.8

Film: Fuji superia 200

BCC 50 mm 1.8

Genevieve Bjargardottir draumalandio kamera: Praktica MTL-3

Obiektyw: 35 mm

Film: Fuji 800

BCC 50 mm 1.8

Posthumanistyczny koniec natury

Posthumanizm nie jest więc ani społecznym konstruktywizmem, ani też esencjalizmem, gdzie każdy element rzeczywistości jest już zastany, a jego pozycja ściśle określona.

Posthumanistów interesuje zatem nie to, czym coś jest, ale raczej jak działa i jake pełni funkcje w relacjach z innymi ludzkimi i nie -ludzkimi sprawcami zdarzeń.

Nauki przyrodnicze i technologie - przez wielu badaczy z kręgu posthumanizmu traktowane łącznie jako technonauka - dostarczają najwięcej powodów, by na nowo przemyśleć relacje między naturą i kulturą. W tym kontekście na szczególną uwagę zasługują tacy badacze, jak amerykańska biolog i filozof Donna Haraway oraz francuski filozof nauki Bruno Latour.

Podkreślając, że pojęcia natury, jakim dysponujemy w kulturze zachodniej, jest obciążone europocentryzmem i antropocentryzmem, Haraway uważa, że obecnie “[m]usimy stworzyć związek z naturą inny niż reifikacja i posiadanie”

Autorka dodaje, że natura w rozmaitych formach, włącznie z jej “naukowymi wcieleniami” jest wytworzona przez ludzi i nie-ludzi, co oznacza, że jeśli chcemy zmienić nasze myślenie o naturze, musimy ponownie przemyśleć zagadnienie sprawstwa tak, by wreszcie dostrzec, że “nie wszyscy aktorzy są nami”, ponieważ “nie wszyscy są ludzcy, nie wszyscy są organiczni, nie wszyscy są technologiczni”D. Haraway, The Promises of Monsters.

Monika Bakke Posthumanizm: człowiek w świecie większym niż ludzki.

Człowiek wobec natury - humanizm wobec nauk przyrodniczych

BCC 50 mm 1.8

1.

2.

3.

4.

5.

6.

7.

8.

9.

Film speed and compensation dial

Rewind button with crank

Window for aperture indication

Cocking lever

Frame counter

Self-timer cocking lever (hihi)

Self-timer release button

Lens unlocking key

Filter thread

BCC 50 mm 1.8

10. Aperture setting ring

11. Unlocking key

12. Film speed/compensation index

13. Hot shoe with center contact

14. Contact for dedicated computerized flash unit

15. Mode selector automatic, B, s, battery check

16. Shutter release

17. Cable release connection

18. Release lock

19. Lug for carrying strap

20. Lens positioning mark

21. Depth-of-field scale

22. Focusing ring

BCC 50 mm 1.8

23. Eyepiece with accessory holder

24. Shutter

25. Film cartridge compartment

26. Film sprocket

27. Film take-up spool

28. Camera back

BCC 50 mm 1.8

29. Battery compartment lid with locking screw

30. Contacts for motor winder

31. Catch for motor winder

32. Coupling for motor winder

33. Rewind release

34. Thread for tripod

35. Film information holder

BCC 50 mm 1.8

A 6 V source is required to power the whole electronic system. It may be an alkali-manganese, silver oxide or lithium battery. Four button cells (e. g. LR 44) kept in a battery sleeve (identification no. 961 363) may also be used.

Under normal conditions, a fresh battery lasts for about 2 years. To insert the battery, turn the locking screw of the battery compartment lid (29) counterclockwise until the lid can be opened.

Wipe the contacts in the battery compartment and those of the fresh battery with a dry cloth.

Press the plus pole of the battery against the spring contact (polarity marks are provided on the lid) and tip the battery in. Close and lock the lid.4www.butkus.org

BCC 50 mm 1.8

Preparing to shoot

The cocking lever (4) can be swung out a little way without starting film winding. This "ready" position increases handling reliability when taking rapid picture sequences. Swing the cocking lever as far as it will go, return and press the shutter release (16). Repeat this procedure until the automatic frame counter (5) indicates frame 1. When the film is properly advanced, the rewind button (2) is seen to rotate when the cocking lever (4) is operated.

BCC 50 mm 1.8

Setting the film speed Press the unlocking key (11) and turn the dial until the ISO/ASA film speed as indicated on the film pack matches the index (12).

The LEDs on one side of the viewfinder image indicate the controlled shutter speed (when the shutter is cocked). The speeds between 1/1000 s and 1/60 s are indicated by a green LED and those between s and 1/30 and 1s by a yellow one. A red LED at symbol indicates that the mode selector has been set to "B". Overexposure causes a red LED to light up at symbol , underexposure results in one lighting up at symbol .

BCC 50 mm 1.8

LED for over-exposition bullet green

LED for 1/1000 to 1/60 bullet yellow

LED for 1/30 to 1 sec bullet red LED for under-exposition bullet green

LED - flash ready signal

BCC 50 mm 1.8

Focusing

Focusing is possible using the triple wedge system, the microprism ring or the ground glass ring.

I. Triple wedge This wedge system allows highly accurate focusing. Optimum sharpness Is achieved when the contours and lines flow naturally. Incorrectly aligned edges indicate that the image is out of focus. 2. Microprism ring The image is correctly focused when the Image inside the grid Is clear and flicker-free.

BCC 50 mm 1.8

Aperture pre-selection Turn the aperture setting ring (10) to set the desired aperture against the mark on the lens mount. The set aperture is displayed at the bottom of the viewfinder image.

Głębia ostrości

f/1.8

f/5.6

f/16

0.5 m

1 cm (depth of filed)

3 cm (depth of filed)

9 cm (depth of filed)

1.5 m

9 cm (depth of filed)

30 cm (depth of filed)

91 cm (depth of filed)

5m

1.07 m (depth of filed)

3.79 m (depth of filed)

98.2 m (depth of filed)

10 m

4.46 m (depth of filed)

od 5.97 m do 30.8 m (24 metry otrości)

Punkt ostrosci od 3.44 m -> nieskonczonosc

BCC 50 mm 1.8

Changing the film

The frame counter (5) indicates the number of frames which have already been exposed on a film when the shutter cycle is completed. If all the frames on a film have been exposed (red marks at 20 and 36), change the film. Press in the rewind release (33) until it locks, fold out the rewind crank and turn moderately quickly in the direction of the arrow (clockwise) till increased resistance followed by easy movement indicate that the film has been fully rewound. Pull the rewind knob all the way up to unlock the back. The film cartridge can now be removed. Do not change the film in bright sunlight. If more frames have been exposed than are indicated on the film pack, it is possible that the cocking lever cannot be swung all the way. Do not use force but wind the film back and then swing the cocking lever fully out.

BCC 50 mm 1.8

Warnings:

Remove fingerprints from the lens and eyepiece surfaces with lens cleaning paper.

BCC 50 mm 1.8