THE LIPS AND WINE

Subject: “The lips and the wine” Duration: 2 months Espositive location: .

Premise The lips and the wine exhibition is declined in 50 actress photos entered in the collective imaginary, and also 50 photos of their lips in liason of their shapes: “Fleshly lips like roses of May all their quivers around, other, pale and exiles like lilies that have the like languar, other, from the red fire color seem unexpected flame temptations, other still, aristocratic and distant take us to imaginific dreams, and so, we, at the end, for all those lips imagined the infinite ecstasy”.Anunzio’s In “the lips and the wine” exhibition, to every lip is coupled a wine – (example: to the lips of Brigitte Bardot fleshy and voluptuous a full-bodied blood and intoxicating wine, to the exile and aristocratic lips of Grace Kelly, a proud wine almost gold and seductive...ect) The show of a large spectacular and seductive impact for putting in photographic scene the actress faces and lips: Marlen Dietrich, Greta Garbo, Catherina Deneuve, Brigitte Bardot, Sophia Loren, Nicole Kidman and others...to promote in innovative and enchanting manner the wine in all its innumerable flavor and color declinations and so will be, the wine of the Divine.

The show is tecnically articulated in: 1) 2) 3) 4) 5)

Ideation, general coordination and realization of this kind of event including all the relation management n.50 photos cm 180x50 representing actresses faces n.50 photos cm 90x30 representing actresses lips n.50 didactic photos (poetries or other by authors of world’s literature) cm 21x29 on the liason between lips and the wine to couple. n.50 basis in black shining vernish cm 100x50 for the wine to couple support.

Headings in correlation to the keys in hand: 6) 7) 8) 9) 10) 11) 12) 13)

Ideation and realization of n.1000 posters printed in five colors Ideation and realization of n.1000 manifests printed in five colors Ideation and realization of n.5000 cards and bookmarks and of n.1000 invitations with their envelopes and captions exhibit.

Ideation and realization of n.3 show’s banner panel Ideation and realization of n.200 folders for the press.

Ideation and realization of n.3000 copies of a 64 pages glossy catalog of gr.200+inverkote plasticcoated cover of gr.300+shiny silked screen U.V closed photo cm.16,5x29 bounded refe thread broschure with captions refering to the commissionary.

Realization of n.2 Totem in stand up style with painted iron base and waterproof p.v.c Inaugural Buffet with floral decorations with the supervision of the Beauty Ministry Assosiation for n.100 people.

Press service: To be agreed with the commissionary The show unexpected for fashinating scene and unusual for scenografic elegance of the preparation will induce any checking to the sublimation of the senses: “...Ebro like of a liquor too strong, ebro of you, i hear from that day in all of the kisses. I hear in every female blandishment, i hear in every volptuousness more disered, oh lips, you, you sun; you that i have had so kissed!” Gabriele d’Annunzio.

With “the lips and the wine” exhibition we will have the sense of rapid beauty and the mistery of seduction: “A seduction of lips, of wines and of words that runs like charm hung up on the edge”, Baudelaire.

A short film “Wine in seduction” can be included in the show.

It will count thirty scenes of the film that will decline throughout actors and actresses entered in the collective imaginary, in the wine eulogy as seductive acts and will be similar to the moments of kisses cuted by the film operator of “Cinema Paradise” The short film can be presented in different cinematographic festivals in the short section.

At the project approvation is required a deposit of 30% of the amount The cultural assosiation the Beauty Ministry is the franchise holder of the exhibition.

C.F. 92155120287 Once we are sure of the bewitching of the show, we will further present a detailed project with the relative costs.

SHORT FILM The lips and the wine The short film will be displayed without interruption for the whole duration of the exhibition “the lips and the wine”.

The short film (artisitc intuition and for that precious for its uniqueness) may represent the city hall in all the manifestations where will be present.

It will be possible to download and watch the short film from a link that u can find on the city hall’s web site.

There is no doubt that the beauty of the images will make the short movie universal wherever.

One of the greatest fashinating instruments of the xx century is for sure the cinema. In particular the classic hollywood style of 1930/1940. The birth of divism needs to be taken in this contest: A large contest that trascends the display on the screen to involve a complex industrial and cultural system.

A divo for excellence is woman: femme fatale, dominator, dangerous, that knows or not to dominate the seductive power that comes out of her.

This is a talking on passion, seduction and femininity, can not prescind from an immersion in this bath of faces, lips, whispered words, hair, smiles, betrayals, promises, breasts, cigarettes, gloves...

There is a lot to say on woman’s representation in cinema. Just as in real life, the screen follows the evolution of the society, the rights and costumes. It is interesting to think on a story about a seductive diva (character and diva as it is known get mixed to the confusion in cinema). From Marlene Dietrich and Greta Garbo’s excotism of the ’30-s to the “atomic bomb” Rita Hayworth of the ’40-s togather with “the dark ladies” (Jane Greer, Barbara Stanwyck...). The melodramatic torments of the ’50-s. It is not interesting the familiar goodness of the ’60-s with Doris Day at the top.

What about Europe? Anna Magnani? Brigitte Bardot? Anita Ekberg in “Dolce vita” of Fellini?

Long, in fact the way that needs to be made: caring without competence claims on fixing seductive icons to tell about in different ways, original, intrigant.

Some films have the base text where its possible to build up these deep subjectsr passing through some classics like: “L’angelo azzurro”(The blu angel), “Mata Hari”, “Gilda”, “Le catene della colpa”(The chains of fault), “La fiamma del peccato”(The flame of sin), “Piace a troppi”(Liked by too many), “La dolce vita”(The sweet life), “Ritrato di signora”(A Lady portrait), “Orlando”...

A woman/actress/diva/femme fatale of these days has to be awarded for incarnating male’s dreams and fantasy: that’s what Monica Bellucci does in “Maléna” of Giuseppe Tornatore.

Wonderful images, star potraits in unreal moves and just for that extremly beautiful.

In Italy Elio Luxardo introduced us the sensuality of local divas of the ’30-s and ’40-s; his work got to know a interesting rediscovery in these months.

Subject: Project and spendings estimate (indicatives) for the short films realization (audiovisual) “The lips and the wine” Suggestions One of the greatest fashinating instruments of the xx century is for sure the cinema. In particular the classic hollywood style of 1930/1940. The birth of divism needs to be taken in this contest: A large contest that trascends the display on the screen to involve a complex industrial and cultural system.

A divo for excellence is woman: femme fatale, dominator, dangerous, that knows or not to dominate the seductive power that comes out of her.

This is a talking on passion, seduction and femininity, can not prescind from an immersion in this bath of faces, lips, whispered words, hair, smiles, betrayals, promises, breasts, cigarettes, gloves...

There is a lot to say on woman’s representation in cinema. Just as in real life, the screen follows the evolution of the society, the rights and costumes. It is interesting to think on a story about a seductive diva (character and diva as it is known get mixed to the confusion in cinema). From Marlene Dietrich and Greta Garbo’s excotism of the ’30-s to the “atomic bomb” Rita Hayworth of the ’40-s togather with “the dark ladies” (Jane Greer, Barbara Stanwyck...). The melodramatic torments of the ’50-s. It is not interesting the familiar goodness of the ’60-s with Doris Day at the top.

What about Europe? Anna Magnani? Brigitte Bardot? Anita Ekberg?

Project Description It is supposed a short film of the duration of 10’/15’ Transfering all was said before in a short film: a track, hour, could be the outside synchrony between image and sound. Phrases, words, noise, echos that could be of different kinds and in different times and others, gests, items, bodies, spaces that follow one another with different rythms, but still with the goal of comunicating the same significants.

This is the base hypothesy of a montage interlinked by surprizely opened esits, superimpositions, contrasts and prospectives, new hypothesys or simply, new types of comon feelings.

The project is tecnically articulated in phases: 1) 2) 3) 4) 5) 6) 7) 8)

Screenplay: research and pather the material; the view, the archivation, the story board.

Graphic elaboration of image to uniform the material quality.

Pre-image montage Pre-sound montage Base montage Defenitive sound montage Defenitive image montage Mixing and final edition montage and master in betacam.

The material can be distributed through out different supports: Dvd, Quick Time for the web, video tapes in different formats.

The final short film may have a non commercial distribution chain, but only promotional and/or with a cultural purpose in the right of respect of law on the aouthor’s rights.

Comunication Plan Comunication, promotion and advertisment Absolutely strategic is to be considered an adeguated comunication activityto put the emphasis on the global image of the initiative and to its promoters in a national and local level. The preferred objective will be to give the right resonance to the whole initiative and its promoter on media.

The comunication project and the press office activity that will be prearranged, are going to be proposed as functional struments for a continued and widespread event promotion.

Press office An activity developed from the office to hoc that takes care of the start up and the relation with media which they actually need to find and plan in colaboration with refered partners and guide lines of comunication to garantee the best event defusion.

Promotional material Once the graphic design is studied, the charged art director will realize the executives of all materials and with a particular care of the coordinated event image.

So there will be realized and produced the following promotional struments: -Volume/ exhibition catalog Colophon volume and exhibition Invitations Envelopes Paper Press folders Pliable/ posters Complimentary coupon Manifests of different formats Cards and bookmarks of different formats Advertisment A valued comuncation may be quantifiable in a precise way, specially the classic advertising aspects. At the end wil be chosen the medis that will assure the right resonance to the initiative in a national and local level.

Posting It is neccassary to suppose a congruous number of posting turns, at least three in fifteen days – 140x200 of manifests in the city and 35x70 posters to put in shops, cinemas and theatres.

Public transportation I will for sure bring back a campaign on public transport. The valued hypothesis provides the mixed citer that covers all of public transport.

Popular radio campaign It is useful to suppose a 30 days radio spot campaign that during the journalistic information appointments may alternate advertisment information moments on the show.