


SilverLining has increased its footprint with the addition of
Gaggenau, maker of luxury kitchen appliances and the Home Kitchen Appliance Brand Partner of the MICHELIN Guide, prioritizes partnerships with its trade network. Club 1683 was developed to offer a select group of top tier industry trade professionals the opportunity to participate in the exclusive membership program promoting excellence in residential kitchen design. Qualified participants, including luxury designers, residential architects, kitchen studios, and single-family builders, gain access to personalized guidance, professional assistance, rewards and exclusive experiences.
For those who know the extraordinary. Learn how to qualify.
The difference is Gaggenau
From green, beauty blooms.
We
Thoughtfully crafted moving glass walls and windows redefine the boundaries of indoor-outdoor living, offering you the freedom to design, build, and live in spaces that inspire. Scan the QR code to learn more.
Inspired craft in every storied detail.
The little black book of all things new and fabulous in the local community.
The Gracie family re ects on their storied history crafting wallcoverings in their upcoming debut book.
Step outside and into one of these enchanting outdoor oases brimming with inspiration.
Luxe taps four designers to create mood boards in celebration of their newest collections.
A look inside the private homes of famous American artists and writers.
The always evolving, ever-present wooden chair shines at a North Carolina lakeside retreat.
Make your alfresco gathering a stylish affair with these warm-weather nds.
A magical California home inspires indoor-outdoor living year-around.
In Greenwich, Connecticut, a historic home on the Long Island Sound gets a colorful, contemporary overhaul.
Written
by Jennifer
Boles
Photography by Eric Piasecki/OTTO
Styling by Stephen Pappas
RESIDENTIAL EXCELLENCE IN DESIGN AWARDS SPECIAL SECTION
178
A family’s Bay Head, New Jersey, vacation spot reincarnates as a sumptuous year-round abode.
Written
by
Maile Pingel
Photography by Karyn Millet
Nestled in the Catskill mountains, a new-build home celebrates the local vernacular and surrounding forest.
Written by Kathryn O’Shea-Evans
Photography by Read McKendree/JBSA
Styling by Frances Bailey
139 Presenting the 2024 Luxe RED Awards honoring excellence and innovation in residential architecture, interior design and landscape architecture projects and products.
ON THE COVER: A 1920s Greenwich residence designed by Cullman & Kravis and John B. Murray Architect bridges modern flair with a historical spirit. Case in point: the breakfast area’s Art Deco Schwintzer & Gräff chandelier illuminates a table by The Bright Group rimmed with Cliff Young chairs. Page 162
Our showrooms are designed to inspire, with bath, kitchen and lighting choices from top brands curated in beautiful, hands-on displays. From product selection to delivery coordination, an industry expert will be there to support your project every step of the way.
What’s more exciting than a new adventure? For me, it’s a thrill to step into the role of Editor in Chief of Luxe Interiors + Design
Let me introduce myself. I’ve dedicated my career to publishing “coffee table” books for interior designers and architects. My roles have included producer, creative director, agent and storyteller. All these years of advocacy have made me the ultimate cheerleader for a subject that has long fascinated me. I am ready to bring the same joyful, energetic and enthusiastic spirit to Luxe I’m in awe of the breadth and depth of content we produce. With more than 14 regional issues and over 90 magazines published each year, we sit at the center of the design world. Our team has their ngers on the pulse of style-minded homeowners from coastto-coast, which gives us an incredible perspective. I’m eager to share this with you as we showcase the industry’s wide range of talent.
“All these years of advocacy have made me the ultimate cheerleader for a subject that has long fascinated me.”
Anyone who loves design knows that no great residence is static, and new ideas and elements keep things relevant and stimulating. The same is true for good publications and, while Luxe will continue to publish breathtaking spaces, you can also expect a refreshed look, intriguing features and a more robust digital presence in the days to come.
I am forever grateful to Chairman Adam Sandow for entrusting me with the future of Luxe and to founding editor Pam Jaccarino for building this remarkable platform. My team and I are brewing with ideas for the future, and I hope you will join us on this adventure.
Jill Cohen Editor in Chief
Follow me @jilleditsluxe
When a young family began dreaming of building a “Swedish Country Home,” their dreams ran deeper than aesthetics. He grew up in Sweden. She in Minnesota, a state known for its Scandinavian heritage. So, to them, the notion of “Swedishinspired” evoked a feeling of familiarity Of comfort. Of home.
When pulling up the home’s winding drive it all appears so effortless—but it required years of collaboration to complete. The team, including Bill Costello, CCO of Streeter Custom Builder, architect Charlie Simmons, founding principal of Charlie & Co. Design Ltd., and interior designer Linda Engler, founder of Engler Studio Interior Design, as well as the family themselves, trusted each other implicitly. As part of their initial research, this core team poured over old family images to help inform architectural details.
“When you have the ability to create and sculpt environments that take advantage of light, you certainly want to do that… Marvin gives us the tools to create these wonderful spaces.”
Charlie Simmons, Charlie & Co. Design, Ltd.
In general, Scandinavians appreciate natural light, so light was a crucial design element for the home. The staircase, for example, sitting opposite the entryway, runs three stories with floor-toceiling windows as a backdrop, drawing guests inside.
“There are views for days. To have the light come in, it gives the connection that feeds our soul and makes us feel whole.”
Linda Engler, Engler Studio Interior Design
“One of the things that was really important for our client was to feel at one with nature,” Simmons said. From how the home was situated on the property, the landscaping that harkens back to Sweden with its hilly pastures, to the use of expansive glass all throughout the house to easily soak up the surroundings—the team never lost sight of the client’s desire to bring the outdoors in.
So, how did the family feel upon walking into the space for the first time? “They really felt like they were home,” Simmons said.
marvin.com/makespace
In the heart of the Pacific Northwest wilderness lies Marrowstone Island, a haven of rugged beauty that captivated Rick Whitworth, a retired Navy veteran. Nestled on five acres of wooded wetlands encompassed by ocean and mountains views, Whitworth envisioned a home that would seamlessly connect with its surroundings.
“I kept coming back to this place... the mountains, trees that grow taller than homes, the abundance of water… this is where I wanted to be.”
Rick Whitworth, Homeowner
Whitworth’s vision took shape with the expertise of architect Dan Shipley and builder Peter Bates of Good Home Construction. Shipley’s site-responsive design, inspired by the untamed landscape, ensured the island’s true essence was reflected.
“It’s all about this small space in the trees, almost like you’re camping out, and have that sense of just floating amongst the tree trunks.”
Dan Shipley, Shipley Architects
The seamless connection comes to life through the team’s collaboration with Marvin for its Ultimate custom windows and doors—from the meticulously tailored floor-to-ceiling solutions to the Douglas Fir trim that echoes the surrounding forest. Every uncompromising detail perfectly accomplishes the modern architectural vision of clean lines while framing the stunning views and flooding the interior with natural light.
“The Ultimate line is great because of how customizable it is. We have windows that go essentially floor to ceiling... all the window sizes had to be perfect, and they had to be custom.”
Peter Bates, Good Home Construction
At Marvin, we understand windows and doors are more than just architectural elements— they’re portals to our world both inside and out. Let’s get started creating solutions custom crafted for your unique vision.
marvin.com/makespace
DESIGN DIRECTOR
Pam Shavalier
ART DIRECTOR
Candace Cohen
EXECUTIVE EDITOR
Brittany Chevalier McIntyre
SENIOR MANAGING EDITOR
Colleen McTiernan
JILL COHEN
EDITOR IN CHIEF
MANAGING EDITORIAL DIRECTOR
Kelly Velocci Jolliffe
MANAGING EDITORS
Krystal Racaniello, Clémence Sfadj
SOUTHEAST
Kate Abney
COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA
Kelly Phillips Badal
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Mary Jo Bowling
ART
ART DIRECTOR
Maria Pluta
SENIOR GRAPHIC DESIGNER
Jamie Beauparlant
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Kyle Anderson, John Griffin-Santucci
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Christian Ablan
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Kathryn Given
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PAMELA LERNER JACCARINO
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Gerhard de Klerk
Bomikazi Ndabeni
Tracey-Lee February
Tracey-Lee Johnson
Kgosi Tsintsing
SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. With its diverse portfolio of assets, SANDOW has established itself as the largest design media company in the world which includes the following brands: Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials. Other SANDOW brands include definitive authority on all things beauty, NewBeauty; luxury sampling platform, Test Tube by NewBeauty; Leaders Magazine; and exclusive private airport newsstand network, MediaJet.
HIGH PERFORMANCE PREMIUM MINERALS INSIDE MAX. 10% CRYSTALLINE SILICA CONTENT
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TROPEZ RECTANGLE TEAK COFFEE TABLE Shade
Introducing The Santa Monica Umbrella
SANTA MONICA UMBRELLA, ST. TROPEZ TEAK SOFA, ST.
TROPEZ TEAK CLUB CHAIR, ST. TROPEZ TEAK OTTOMAN, ST.
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NATIONAL PUBLISHER
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MIDWEST + SOUTH CENTRAL DIRECTOR Tanya Scribner
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SENIOR MARKETING MANAGER Mery Nikolova
MARKETING PROJECT MANAGER Sadie Lipe
ASSOCIATE MARKETING MANAGER Dana Jensen
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EVENTS + EXPERIENCES
VICE PRESIDENT, EVENTS Theresa Catena
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PARTNER + PROGRAM SUCCESS
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GREATER NEW YORK PUBLISHER Trish Kirsch
ASSOCIATE PUBLISHER, NEW YORK Donna Herman
DIRECTORS, NEW YORK Kara Pfeiffer, Maritza Smith
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LOS ANGELES PUBLISHER Tiffany O’Hare
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DIRECTOR Doris Hobbs
MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA
REGIONAL PUBLISHER Stacey Callahan
DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez
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DIRECTORS Cathy Cruse, Jay Jensky
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DIRECTOR Sara McGovern
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DIRECTOR Mark Warner
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SENIOR DIRECTOR, STRATEGIC SALES Patricia McCleary
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CIRCULATION + DISTRIBUTION
SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney
@luxemagazine @Luxe Interiors + Design
Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 22, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made
DESIGN UNCOMPROMISED
Arcadia Custom stands out for its diversity in materials and styles, offering something to suit every homeowner’s taste—from the sleek durability of Thermal Stainless Steel to the design flexibility of aluminum and the classic warmth of wood.
WRITTEN BY LAURA HINE | PRODUCED BY CLÉMENCE SFADJ
FISHER WEISMAN FOR VISUAL COMFORT & CO.
WRITTEN BY
KRYSTAL RACANIELLO
Designers Andrew Fisher and Jeffry Weisman have partnered with Visual Comfort & Co. on a series of new lighting collections launching this summer. The dynamic collaboration introduces innovative forms and fresh interpretations of classic silhouettes. Here, Fisher and Weisman chat with Luxe about the release. fisherweisman.com; visualcomfort.com
Tell us about the collaboration. We’re unveiling three distinct collections: Sutton, Alana and Catania (above). Sutton features elegant fixtures that reinterpret Art Deco lines with a contemporary twist. Alana presents a modern take on classic bamboo motifs, and Catania showcases handwoven fiber shades that enhance its steel grid.
Describe the influences that shaped the designs. The Sutton collection draws from the fringe details of 1920s flapper dresses, while Alana is inspired by Victorianera bamboo furniture. Andrew’s bangle bracelet designs for Chic AF—conceptualized in San Miguel de Allende, Mexico—influenced Catania with their lightweight and luminous characteristics.
What makes these pieces versatile? Having curated residential interiors for decades, we understand scale and the transformative power light fixtures have in any room. With that, we focused on meticulously crafting pieces that fit naturally into a wide variety of spaces, infusing each setting with panache.
WRITTEN BY LARA
HALLOCK
In their first extension beyond the performance textiles that built their fame, Perennials released a debut line of wall treatments this June. After more than 25 years of supplying high-end soft goods, wallcoverings felt like a natural next step for the company. “Rugs and fabrics speak the same language as wallcoverings,” explains Amy Williams, design director at Perennials and Sutherland LLC. “They’re how you layer your home, how you make it special.” The new collection features 18 versatile designs and materials ranging from grass cloth to performance vinyl. Perennials looked to high-quality mills across the United States to produce the coverings, which come in nearly 100 distinct pattern and color combinations. Some of the motifs are inspired by best-selling fabrics of the same name, such as Arigato, with wabi-sabi lines that resemble hand-stitching, and Bebop, an organic take on polka dots. Others play with natural materials and textures, including handwoven metallics that change with the light throughout the day. perennialsfabrics.com
BUZZWORTHY DESIGNERS SHARE THEIR CREATIVE PROCESS.
WRITTEN BY CLÉMENCE SFADJ
Crystal + Ben Sinclair For LUXE Next In Design 99 talents Crystal and Ben Sinclair of Crystal Sinclair Designs, a Brooklyn brownstone was both a playground and inspiration. See: its living room, ripe with soul. The inspo: A mix of old and new and a good dose of color. Plus, a playlist of the owners’ favorite songs! The stars: The curved sofa is Crate & Barrel and the art is Liza Giles (right) and Natural Curiosities (left). The palette: Our clients wanted warm hues that wouldn’t feel too warm. A riff on primary colors always feels right and balanced. @crystalsinclairdesigns
Sarah Sargeant + Risa Emen Manhattan’s landmarked Belnord building was the perfect backdrop for the comfortable and composed ethos of LUXE Next In Design 99 pros Sarah Sargeant and Risa Emen of Cochineal Design. The homeowner’s bedroom is case in point. The inspo: Our client requested a “grown-up pink bedroom,” and we were thrilled to oblige. The stars: Pierre Frey velvet on the bed, an embroidered Holland & Sherry pillow and Farrow & Ball wallpaper. The palette: Warm tones to foster joy and lightness. Mixing textures, tones and eras adds sophistication and depth. @cochineal_design
Becca Casey With Becca Interiors, Becca Casey tailored a Southampton haven for a family of five. The LUXE Next In Design 99 honoree runs us through the breakfast nook. The inspo: To seek informality. This is a space to gather and create special memories, not one to feel precious around. The stars: A vintage table and chairs under an Authentic Provence pendant light. The palette: Nubby sand textiles drawn from the dunes and indigos inspired by the ocean. @beccainteriors
KATHLEEN PALMERI, “TINY SURFERS”
Waves and sand define summer on New Jersey’s ocean beaches. Artist Kathleen Palmeri perfectly captures this sunny vibe with her “Tiny Surfers” painting series. “My boys surf, so I started bringing along acrylic paints and my brushes, and ended up painting these little surfers.” In her Rumson, New Jersey, studio, she now creates more of the summery figures on linen, which mimics sand, and adds an organic pattern or layers of beachy touches with fabric and raffia. Palmeri also creates commissioned families of surfers, and their popularity has led to requests for additional sports. “Around here, everyone plays tennis or golf,” she says. “I’ve added those, plus tiny skiers and yogis. It’s whimsical and fun, but also meaningful.” While the artist, who signs her work K Palm, also spends time creating oil portraits of the women who inspire her, the tiny athletes are her current passion. Her work is sold in home decor stores in Connecticut and New Jersey, and commissions may also be made through Instagram. kpalm.com
JEAN LIN
Jean Lin isn’t afraid of a challenge. She recently moved Colony, the artist collective and gallery that she founded, to a new location in Tribeca—while celebrating its 10th anniversary, no less— and found time to write a book, What We Keep: Advice from Artists and Designers on Living with the Things You Love (Abrams). Here, she tells us what motivates her and inspires her love of beautiful objects. goodcolony.com
Tell us about Colony. When I decided to start Colony, it was in the spirit of a cooperative. After Hurricane Sandy, I organized a charity exhibit called Reclaim NYC. I then realized that there was this whole group of young designers making amazing work but sharing the challenge of getting their work seen.
How did you choose the new Tribeca location? I looked at a lot of places, but
this space hit the center of the bullseye so perfectly that I couldn’t pass it up. Being at street level gives us a chance to share with passersby outside. It’s a big opportunity for Colony to grow.
What excited you most about writing a book? I wanted to explore the connection and intimacy between the collector, the designer of a space and the makers of the objects that live in that space. The people and the work live together in balance and make each other stronger.
What kinds of interiors can readers expect to find in your monograph? The homes are beautiful, but they’re also filled with meaning and sentimentality—so many things that are beyond just pretty. I want to inspire readers to ask questions about their own lives and what they surround themselves with.
Set on an estate built by J.P. Morgan, The Ranch has expanded its wellness program—complete with hiking, yoga, massages and plant-based meals—from its original location in Malibu to the Hudson Valley. “There has been an incredible demand for us to come to the East Coast,” says co-founder and CEO Alex Glasscock. “The restorative beauty of the region offers the perfect setting to reconnect with nature.” In the summer months, guests can partake in such outdoor activities as hiking the nearby mountains or stand-up paddleboarding on the property’s lake. And, to ensure comfort, The Ranch brought in New York designer Steven Gambrel to reimagine the property’s 25 guest rooms, spa and solarium. He transformed the former ballroom into a stunning gym for stretching and yoga and situated the dining room with views of the lake and woods. Gambrel honored the estate’s original materials including locally quarried stone, wired oak and detailed plasterwork, adding to its charm with earthy, textured furnishings and finishes. theranchlife.com
Dive into the awe-inspiring world of hand-painted wallcoverings with the Gracie family and explore spectacular outdoor spaces around the country.
AFTER 125 YEARS, THE GRACIE FAMILY REMAINS TRAILBLAZERS IN HAND-PAINTED WALLPAPER, ASIAN ANTIQUES AND LACQUER.
WRITTEN BY JUDITH NASATIR
Charles R. Gracie & Sons, launched in 1898, soon became the American decorator’s go-to source for Asian antiques and decorative arts, especially hand-painted Chinese wallpaper. Today, CEO Mike Gracie and Creative Director Jennifer Gracie continue the six-generation firm’s evolution, which has become one of the most prestigious decorative arts brands in the industry.
The Gracie family captures their ongoing romance with design and the creation of beauty in the forthcoming book, The Art of Gracie, (out in September) from which Jenn’s essay, below, is adapted. Here, she shares her personal reflection of growing up in and around the studio and taking this family firm forward.
Some of my earliest memories are of visiting our New York showroom. At that time, our New York art studio was on the twelfth floor of the D&D Building, with the showroom above. The studio was a bustling, creative place, with artists drawing design sketches, restoring antique wallpapers and screens, or inspecting each panel arriving from our China studio. I never tired of walking around the showroom, trying to learn the difference between eighteenth- and nineteenth-century porcelain, appreciating the details on a lacquer table, and losing track of time admiring the tiny brushstrokes on our wallpapers.
DESIGNER LIGHTING SHOP NOW
THOMAS O’BRIEN
PIATTO MEDIUM PENDANT IN ANTIQUE-BURNISHED BRASS WITH PLASTER WHITE SHADE VISUALCOMFORT.COM
My brother Mike and I worked at Gracie during the summers. We kept almost every design in stock then. Mark Hampton, Mario Buatta, or Keith Irvine would visit, for example, needing twenty-five panels for a dining room. Mike and I would climb up a ladder, unclip the three on display, run to get the next twenty-two, wrap them up, and off they would go. We would then collect and hang the next three panels in the sequence. We had thousands of panels—and not a single repeat. As our lead times got faster, we began doing special orders almost exclusively. I design almost all of them these days, but many are also based on styles that have been in our repertoire since the beginning.
My father often reminded me, “We don’t make anything anybody needs.” That is still true, of course, and I never forget that this is why we must make the most exquisite designs, pay the utmost attention to quality, and make it a wonderful experience to visit Gracie. I feel incredibly fortunate to make beautiful things for people who appreciate them. I feel luckier still that Mike and I run the business together, and that six years ago were joined by my son, Zach. My great-great-grandfather would be delighted, I imagine, that we are carrying on what he started in 1898. And I wish that all former Gracie generations could see what we are up to today. graciestudio.com, rizzoliusa.com
FROM COAST TO COAST, LUXE CELEBRATES SUMMER SPLENDOR WITH OUTDOOR SPACES THAT ARE SURE TO INSPIRE.
WRITTEN BY KATHRYN GIVEN AND MARY JO BOWLING
While this Marshall Watson-designed Hacienda-style home (previous page) enjoys picture-perfect weather most days, an outdoor ivy-covered fireplace not only adds to the ambiance but also offers the perfect solution for chilly evenings. The lounge-like area is a picturesque spot for drinks and hors d’oeuvres, beckoning visitors to take a seat while viewing the stunning sunset. marshallwatsoninteriors.com
When their clients purchased a double lot, Workshop/APD saw the opportunity to construct several outbuildings alongside the main house. The pavilion (above) draws inspiration from simple Shaker-style architecture, in keeping with Nantucket’s building vernacular. Featuring a gym, powder room and service bar connecting to a sauna pod, the dwelling “provides a resort-like experience that brings wellness front and center,” explains Founding Principal Andrew Kotchen. workshopapd.com
Located on a spit of land overlooking Cape Cod Bay, this Hutker Architects-designed home (left) was informed by the historic cottage that previously occupied the site as well as nearby Alden House, one of the oldest homes in the country, which provided additional architectural context. Firm Partner Tom McNeill implemented creative solutions to maximize the limited square footage, like a cantilevered screened-in porch that creates a shaded terrace below. hutkerarchitects.com
There’s an age-old adage that Rowland+Broughton Founding Principal John Rowland holds true: Everyone moves to Aspen for the skiing but stays for the summer. It’s during this seductive season when outdoor living is at its peak that captures the hearts of residents. The clients of this home very much inhabit that active Colorado lifestyle, and a place of wellness topped their wish list. As such, the firm crafted a decked-out fitness room, which doubles as a Bikram yoga studio, that opens to the stunning grounds. The structure sits adjacent to a 65-foot lap pool and covered seating area where the family can recharge while taking in the unobstructed mountain views. rowlandbroughton.com
This alluring garden structure was born from a utilitarian requirement—a bioretention area. Founding Principal and CEO Richard Hartlage, and his Land Morphology team, used this to their advantage, transforming the space into an enticing summer spot by erecting a bridge and pergola overtop. Although Seattle is known for rain, its temperate summers are the stuff of legend, and the genesis for this garden destination. “It’s an intimate space for cocktails,” says Hartlage. “I love a dash of red in a garden because red and green are complementary colors.” Varying verdant hues are plentiful thanks to (mostly) native plantings. landmorphology.com
Casual, formal, something in between, no meal goes unnoticed when thoughtfully furnished with remarkable design, including an entrance that is both grand and seamless. Another evening gathering of family and friends, made more poignant by doors and windows that never compromise. Learn more >
At Hunter Douglas, we’re passionate about window shades—and creating an extraordinary experience. We offer unparalleled choices, for any window need. We design thoughtful innovations that can automatically adjust shades for the best lighting or privacy, day and night. And we deliver enduring quality, for products that last.
DOUGLAS. SHADES LIKE NO OTHER™
Greg Miller’s Think-Diptych seamlessly fuses painted and collaged Neo-Pop elements. This combination of techniques illustrates Miller’s innovative approach to art and his ability to create visually striking pieces that actively engage audiences. joanneartmangallery.com
At their best, staircases are functional art where architecture and sculpture come together in one place. Lichten Architects creates livable home designs that are also beautiful. And what’s better than living in a world of beauty?
lichtenarchitects.com
From parquet to plank, Carlisle handcrafts sustainably sourced wood floors that are custommilled, one client at a time, to combine all the elements of luxury and sophistication for each unique design. wideplankflooring.com
Discover the Arclinea Kitchen Collection, curated by Antonio Citterio. Inspiring everyday connections in extraordinary kitchen spaces, their ambition is to ignite culinary passion through design excellence. Visit Arclinea’s newly renovated New York showroom. arclinea-ny.com
Often an overlooked accessory, a mirror can transform a room, magnifying the light and maximizing the glamour. J. Tribble has a wide selection of decorative mirrors or can custom design one to complement any of its signature sink bases. jtribble.com
Take a bit of Bevolo craftsmanship wherever you go with the portable Governor Pool House lantern. Ideal for use outdoors or indoors, it will warmly illuminate any area. Offered in three sizes and handcrafted in stainless steel or antique copper. bevolo.com
This year, Julian Chichester marks its 35th ar, Julian Chichester marks its 35th anniversary. To celebrate, the brand has launched sary. To celebrate, the brand has launched an anniversary capsule collection. The Frick versary collection. The Frick coffee table is one of four special designs that able is one of four that have been reimagined from the archives. een from the archives. julianchichester.com hichester.com
The 24-inch Wine Column. From sun-drenched vineyards to meticulous aging in oak barrels, each bottle of wine encapsulates years of dedication and artistry. With the Signature Kitchen Suite 24-inch Wine Column and every product in our wine portfolio, we take that journey into consideration. You’ll find it in our exclusive Wine Cave Technology,™ providing your collection with the environment it needs to ensure the last step to the glass is as cared for as the first. This is how we stay True to food. Visit our showroom near you:
Royal Green Appliance Center: White Plains | 888-534-4572 New York City | 888-534-4572 Parsippany | 973-494-7810
Mr. Jay Appliances/Elgot Kitchens: Williston Park | 888-675-2988
Royalgreenny.com
Poetica is Scavolini’s new furniture system, designed by Vuesse, distinguished by a charming blend of elements from the past and modern proportions. It combines retro-inspired motifs with contemporary details, highlighted by a unique door processing. scavolini.com
Newport Brass’ Kirsi is a study in strong edges and precise lines, featuring prominent angled handles that perfectly complement its matching spout. The collection is available in more than 20 decorative finishes. newportbrass.com
Pollack’s latest fabric collection, Yarn Story, is meticulously crafted using diverse fibers and techniques, inviting appreciation of every intricate detail. A sophisticated palette— muted tones as well as bright pops—spotlight the studio’s legendary color sense. pollackassociates.com
RYAN SAGHIAN X STUDIO
TREASURE TROVE | Thomas O’Brien x Patterson Flynn
Clockwise from top right: Italian Straw Hat / copperbeechbythesea.com Haiku Hand-Knotted Wool & Silk Rug in Copper by Thomas O’Brien / pattersonflynn.com Double Ply
Leather Coaster Set / aerostudios.com Tibetan Rock Crystal Beads / dokham.com Frances Silk Finge in Gold / pattersonflynn.com Tibetan Lapis Lazuli Ball / dokham.com
Orpheus Hand-Knotted Silk & Wool Rug in Ivory by Thomas O’Brien / pattersonflynn.com Set of Three Rosewood Dishes / aerostudios.com Tibetan Pashmina Scarf in Orange / dokham.com Cardiff Tape Trim in Green and Brown / pattersonflynn.com Antique Brass Magnifying Glasses by Thomas O’Brien / copperbeechbythesea.com Beau Moire Fabric in Olive / pattersonflynn.com Beau Moire Fabric in Oyster / pattersonflynn.com Lalano Linen Velvet Fabric in Natural / pattersonflynn.com Gilded 23kt Yellow Gold Botanical Specimens by Carol Leskanic / aerostudios.com Tibetan Pashmina Scarf in Chocolate / dokham.com Green Onyx Panda and Silk Bag by Thomas O’Brien / copperbeechbythesea.com Orpheus Hand-Knotted Silk & Wool Rug in Chocolate by Thomas O’Brien /pattersonflynn.com
Clockwise from top: Pineapples Wallpaper in Custom Colorway by Sheila Bridges / adelphipaperhangings.com
Teacup and Saucer / wedgwood.com Oasis Wallpaper in Natural/Watermelon / pinturastudio.com
Chintz in Sky / fschumacher.com
/ wedgwood.com Curves Mini Rug in Celadon Reverse / elizabetheakins.com Valencia Fabric in Granny Apple/Chocolate / pinturastudio.com Kobe Fabric in Bottle Green / pinturastudio.com Veranda Crete Trim in Chardon Bleu / samuelandsons.com Carabosse Fabric in Femme Intenso / jamesmalonefabrics.com Polka Dot Pony Tape in Olive / fschumacher.com Postcard of Zora Neale Hurston by Aaron Douglas / store.metmuseum.org Small Ric Rac Tape in Celadon / fschumacher.com Fox & Hound Wallcovering in Covey / interiors.hollandandsherry.com West End Fabric in Her Majesty’s Coral / interiors.hollandandsherry.com Trianon Ombré Border in Marzipan / samuelandsons.com Guinevere Trim in Sprout / interiors.hollandandsherry.com Drag Wallpaper in Bespoke Colorway DR 1254 / farrow-ball.com Veranda Crete Trim in Delphinium / samuelandsons.com
In 1945, prolific modernist painter Georgia O’Keeffe put down roots in Abiquiú, New Mexico, which went on to influence her work for decades to come. Over the years, she lovingly restored her abode—a blend of Native American and Spanish building styles—into the lightfilled Pueblo-style hacienda it is today. okeeffemuseum.org
author Ernest wrote famed novels Have
It was from the island of West that Nobel Prizethe 1930s. His former two-story Spanish Colonial home, surrounded flora and fauna, features wide and treasure-filled interiors from his extensive
from the island of Key West that Nobel Prizewinning author Ernest Hemingway wrote famed like For Whom the Bell Tolls and To Have and Not throughout the 1930s. His former two-story Colonial home, surrounded by tropical flora fauna, features wide wraparound porches and treasure-filled interiors from his extensive travels, become nearly as iconic as the works he penned within. hemingwayhome.com
In the 1960s, minimalism pioneer Donald Judd took up residence in a classic New York City loft with a cast-iron façade. There, the and furniture designer further explored the practice of permanent installation—a defining sentiment of his celebrated legacy. To this day, visitors can explore his one time home and take work, spanning art and objects, along with other notable 20th-century artists. juddfoundation.org -century artists.
SoHo loft with a cast-iron There, the artist and furniture designer further explored the practice of installation—a sentiment of his celebrated To this visitors can his one time home and take in his work, art and with
For 50 years, Thos. Moser has been handcrafting North American-hardwood furniture in Maine. Their Pasadena Rocker, shown here in cherry, looks as if it were made for the porch of High Hampton’s rustic Log Cabin, one of the property’s many private cabins dating back to the early 20th century. The chair’s sleek silhouette stands out from its traditional predecessors, with dramatically svelte legs and a back that takes its shape from a single block of wood. A Cross Stitch Linen Pillow Cover from Toast adds a folklike touch apropos for the setting. thosmoser.com, us.toa.st
X E S O U R C E C O M
Relaxation beckons with Noir Furniture’s Loredo Chair. Chunky and conical tapered teak legs support a thick woven seagrass seat and half-circle back, which is also available in counter or barstool height as well as in a woven synthetic option. Here, a pair is perched on a stone terrace flanking an antique games table from the Inn’s impressive collection of furniture. The property, rich with charming historical features, wraparound porches and rustic interiors, was recently acquired and lovingly restored by Blackberry Farm. noirfurniturela.com For more information on all chairs featured, visit luxesource.com LU X E S O U R C E C O M
WHETHER ENTERTAINING IN THE BACKYARD OR HANGING BY THE POOL, SHOP THESE STYLISH SUMMER MUST-HAVES TO ELEVATE ANY SCHEME.
Fortina is a remarkable architectural system that looks and feels like real wood, but is made with aluminum and a hyper-realistic non-PVC surface. Available in over 100+ wood and metal finishes and 50+ profiles for interior and exterior applications. Now with integral lighting, larger, up to 2" x 12" profiles, and quicker delivery with Quick Ship.
“BLURRING THE LINE BETWEEN FURNITURE AND SCULPTURE, I SEEK TO DESIGN MINIMALIST COMPOSITIONS THAT ARE UNRESTRAINED BY CONVENTION.”
Jason Mizrahi PRINCIPAL
jasonmizrahi.com
818.618.0410
jasonmizrahidesigns
Where craftsmanship, art, vision and function intersect, iconic designs are born. One of the world’s most sought-after and celebrated contemporary furniture makers, Jason Mizrahi’s multi-award-winning designs are in high demand with those who have a passion for furnishings that are sleek, elegant and have an air of uncommon excellence. “Melding sculptural and architectural elements gives my designs a unique fluidity,” Mizrahi says. “Each piece comes from my deep and enduring desire to breathe life into design, so that it becomes less rule-bound and more an expression of the materials.” A lifelong fan of architectural
legends like Frank Gehry, Santiago Calatrava, John Pawson and Marcio Kogan, Mizrahi earned a degree in architecture from Pratt Institute before returning to his native Los Angeles, where he launched his namesake firm in 2014. “That same year, I presented my furniture designs at Salone Satellite,” he shares. “The favorable reviews I received from fairgoers and the international press for the aesthetics and movements expressed by my Belcanto, Alko and A Volare designs reinforced my drive to continue to create minimalist pieces that embody a strong presence in contemporary form. A decade on, I remain just as energized and inspired by those ideals as I was at the start.”
downward, seamlessly enveloping a series of loops that support
wood to its limits and expose its potential to be fluid, dynamic and continuous.”
both circular and linear shapes, the Denali table’s refined and sophisticated surface showcases Mizrahi’s love for unique, abstract forms. Opposite bottom The Sia bench’s strength and structure gives way to sculptural curves, creating an object that is equally functional and artistic, as its minimalistic form intrigues and inspires.
How do you include the client in your creative process?
By understanding their personality, lifestyle and where they intend to place the piece. This allows me to create something truly bespoke that reflects who they are and the spaces they inhabit.
Share how sustainability and community figure in.
Working mainly in wood and metal, I always consider the sustainability and environmental impact of the materials I use. When it comes to community, I work with a large number of artisans in and around LA, and I’m proud to say that all of my furniture is made in California.
What’s on the horizon?
This year, I’ll be launching my first-ever lighting designs. Never wanting to be considered one-dimensional, I will also continue to expand my work so that it brings greater comfort and, through the introduction of more fabrics and textures, a tone of true luxury. I’d also like to explore collaborative projects.
Successful kitchen design and execution requires just the right balance of beauty, utility and innovation. It inspires the family chef’s creative spirit, provides the perfect place for doing homework, playing games, relaxing with a glass of wine or healthy snack, entertaining guests and celebrating important milestones. That’s why we at AjMadison are proud to present the Kitchen Design Collective 2024.
Showcasing the work of some of our most celebrated design partners, the Kitchen Design Collective 2024 combines their unique creative genius and flair for function with our exceptional inventory of world-class brands, unmatched expertise, extensive product knowledge and white-glove service. Turn the page to see what Vanessa DeLeon Associates and AjMadison accomplished in Greater New York.
Innovative engineering and eye-catching style make the True refrigerator a centerpiece of this one-of-a-kind kitchen.
SPECIALIZING IN RESIDENTIAL, COMMERCIAL AND HOSPITALITY ENVIRONMENTS, VANESSA DELEON AND HER AWARD-WINNING DESIGN FIRM BROUGHT A WIDE RANGE OF EXPERTISE TO ONE VERY SPECIAL PROJECT.
When a design professional takes on a truly personal project, the results are sublime. So it is with Vanessa DeLeon. While designing the kitchen for her newly constructed Edgewater, New Jersey, home, the interior design leader applied the expertise she’s amassed over the past two-plus decades to create a space that is beautiful, functional and enduring. “Timelessness was my ultimate goal,” DeLeon says. “Thanks to my amazing team at Vanessa DeLeon Associates and AjMadison, I was able to achieve a kitchen with a decided air of ease and elegance.”
Beginning her design journey with diametrically opposed styles in mind, DeLeon landed on a kitchen aesthetic all her own. “I call it Glamalist,” she shares. “It combines my dual passions for minimalism and French château with my husband’s love of modernism. Think 1920s meets 2030!” How did she achieve this delicate balance? “The right mix of furnishings, fixtures, colors, moldings and details allowed us to create a lush, vintage feel with cutting-edge form and function.”
When it came to choosing appliances, DeLeon reached out to AjMadison to source world-class brands that would allow her to make a dramatic statement. “With so much chrome and gold hardware everywhere, I decided copper was the right choice for me,” DeLeon says. “AjMadison helped me build my stunning copper-accented kitchen around two key pieces: a La Cornue range with a copper hood and a built-in True refrigerator in deep black. The result is pure design perfection!”
When Vanessa DeLeon was imagining her own dream kitchen, she turned to her trusted partners at AjMadison to help make it come true.
Why was AjMadison your go-to for this project? Just like my firm, AjMadison stands the test of time, so when it came to designing my own timeless kitchen, collaborating with their team of appliance experts was my natural first choice.
In your opinion, what sets AjMadison in a class apart? Knowing that I have a partner by my side who’ll share their wisdom, jump in to rectify any challenges or situations and help me achieve my dreams is what I call a perfect marriage. And Vanessa DeLeon Associates and AjMadison working together is just that, a perfect marriage.
Talk about the appliances you chose and what made them stand out. When I decided to go with copper accents in my kitchen, La Cornue immediately came to mind. The fact that copper is such an important part of their aesthetic and that they’re known for enduring quality, design and elegance made choosing La Cornue a no-brainer. Also known for their outstanding quality, design and engineering, True has such a wide variety of color options that I knew I’d find the perfect showcase for the copper hardware, which is exactly what my 42-inch True Residential built-in refrigerator is.
Sum up your relationship with AjMadison. When looking for a partner, it’s most important that you share the same goals and that you are there for one another when it counts. That is precisely why AjMadison has been with me and I’ve been with them from the very start. On a project this important, I can’t imagine working with anyone else!
MAKE WORLD-CLASS KITCHENS.
La Cornue Château 150 60-Inch Range
Handmade in France, La Cornue’s Château Series celebrates culinary tradition and timeless style. This range features a brushed copper body, stainless trim and a polished copper rail and accents.
Price Upon Request; SKU: La Cornue Château 150
Dacor Contemporary 24-Inch Microwave Drawer
This Graphite stainless steel microwave drawer boasts myriad settings including Sensor Cook, Easy Minute and Automatic Start.
$1,899; SKU: Dacor Contemporary DMR24M977WM
True Residential 24-Inch Counter-Depth Built-In Undercounter Refrigerator Drawer
With 5.4 cubic feet of capacity, this ENERGY STAR®-rated unit has LED lighting, a durable stainless-steel interior and exterior and several color and finish options.
Price Upon Request; SKU: True Residential TUR24DSSC
Miele VitroLine 24-Inch Built-In Plumbed Coffee System
Miele’s Whole Bean System delivers espressos, cappuccinos, lattes or regular coffee sure to please any coffee connoisseur.
$6,099; SKU: Miele VitroLine CVA7845OB
APPLIANCES NOT SHOWN: La Cornue Château Series Custom Hood, Price Upon Request; SKU: Vent-A-Hood Designer Series JPH460C1WHAS; Miele 24-Inch Fully Integrated Dishwasher, $1,749; SKU: G7156SCVI; True Residential 24-Inch Undercounter Single-Zone Wine Cooler with Matte Black Finish and Copper Handle, Price Upon Request; SKU: True Residential TWC24RSGC
True Residential 48-Inch Built-In Side-by-Side Refrigerator – Matte Black with Copper Hardware Delivering a professional look, feel and function, this ENERGY STAR® refrigerator has 29.5 cubic feet of capacity, LED lighting, True Precision® Control and a built-in ice maker.
Price Upon Request; SKU: True Residential TR48SBSSSC
When asked what being a part of AjMadison’s Kitchen Design Collective 2024 means to her, DeLeon says, “The fact that of the thousands of designers and architects they partner with, AjMadison chose me shows that they believe in me and respect my work. That is something I’m humbled by and truly grateful for. I also feel that being a part of the Kitchen Design Collective places both my firm and me in a greater position of respect within the industry. It is an acknowledgment of my body of work over the past 24 years and being chosen as one of the first KDC designers is a true honor!”
The epitome of indoor-outdoor California living, plus timeless new upgrades to refresh any space.
IN SANTA BARBARA, A HISTORIC PROPERTY IS REIMAGINED AS AN INDOOR-OUTDOOR HAVEN FOR HEALTHY LIVING—AND HOSTING A CROWD.
WRITTEN AND PRODUCED BY GRACE BEULEY HUNT AND SARAH SHELTON
Sweeping views of the Pacific Ocean enticed one Los Angeles-based family to purchase this 1930s cottage in Santa Barbara, but it wasn’t long before the fairytale setting prompted them to recast their would-be vacation home as a primary residence. In reimagining the period dwelling for everyday life, the owners sought a timeless California aesthetic, modern amenities to support their healthy lifestyle, and, most importantly, “to preserve the feeling of being on v acation,” shares interior designer Jennifer Miller. In collaboration with Two Trees Architects and Leonard Unander Associates, Inc., Miller responded with a charming ramble of indoor-outdoor spaces that accommodate family time and entertaining at scale alike. As we celebrate the height of beach season, Luxe takes the grand tour.
This kitchen is so beautiful! Tell us about the design. Cooking is what brings this family together, so while we wanted the space to feel refined, we didn’t want anything to be precious. The counters are a honed quartzite, which will stand the test of time both in terms of style and durability. All of the hardware has living finishes that will continue to patina with age; nothing is too perfect or shiny. Because of how the room was oriented, it offers a more intimate environment that encourages culinary creativity.
You added a secondary kitchen in the pool cabana (previous page). Why two kitchens? The primary kitchen is their private family space, whereas the new cabana was designed as a place for visiting friends and family. These clients are great connectors; they entertain often by their pool, and with the beach across the street, guests needed a space to gather, step out of the sun, and grab a drink or snack. The secondary kitchen contains a hidden refrigerator, pantry, dishwasher and wine fridge. It even has a home-brewed Kombucha on tap!
How fun to have an entertaining destination. What else makes this property special? These clients are health-oriented, so we built a gym structure with a spa-like bathroom featuring an infrared sauna and walk-in shower that opens to a private garden. Having these destination outbuildings emphasizes the feeling of being on vacation. The clients love having to “travel” when hosting or working out. There’s a sense of detaching a bit from everyday life that’s pretty magical. jennifermillerstudio.com
Exclusively designed at an extraordinary eight-feet for Captiol Lighting, Hubbardton Forge presents the Pulse XL, ideal for designers entrusted with premier projects and soaring ceilings. Like a sculpture pulsing with illumination—elegant and cutting edge, its steel plates offer conductive pathways for electrons to pulse between LED tubes. Sleek shape, ribbed glass casing, a frosted tube, and easy dimming perfect ambiance for any space. Since 1924, Capitol Lighting has helped homeowners, interior designers and custom home builders set the tone for every space. With unsurpassed service, unparalleled selection and our best price guarantee, you can always trust us to put you in your best light.
Proudly on display in the East Hanover location. Orders available through our showrooms and 1-800lighting.com.
Discover elevated design and superior performance with Dacor’s 24-Inch Dishwasher. Features like Kitchen Fit™ Sliding Door and panel-ready finishes ensure your dishwasher will fit perfectly with your kitchen’s design aesthetic. Remove the toughest of stains with StormWash+™ and personalize your dish arrangement with customizable loading to achieve spotless dishes, every time.
DISCOVER NEW PRODUCTS WITH TIMELESS STYLE
The UK’s pub scene was the inspiration behind Armac Martin’s Cocktail Collection. The Barwick Ridged T-bar Handle (below left) borrows from traditional distillery tanks, the Colmore Cabinet follows cheeky shape of a glass. armacmartin.com
traditional tanks, while the Colmore Cabinet Knob follows the of a martini
Look closely and you’ll see nuanced details of beveled edges and balanced arcs in the new Apothecary Collection from House of Rohl. Recalling vintage apothecary bottles, the nostalgic silhouettes are available in a suite of faucet styles and six finishes. houseofrohl.com
Tailor your home’s ambiance with Hunter Douglas’ new Aura Illuminated Shades, lined with programmable LED strips, which allow homeowners to co ntrol natural and artifi cial light to mimic the desired environment for work, sleep or relaxation. Aura is available in most of the brand’s popular styles and fabrics. hunterdouglas.com
Small but mighty, the 30-inch Professional Speed Oven from Signature Kitchen Suite speeds up traditional cooking by eliminating preheating, thanks to its combination of convection heating. Bonus: it doubles as a microwave and air fryer. signaturekitchensuite.com
Where form and function meet in perfect style and harmony, elevated lifestyles are born. For creative visionaries and design enthusiasts alike, that particular place is New York’s A&D Building. From beautiful furnishings and accessories to sumptuous wallcoverings, textiles and materials to elegant hardware and accents to state-of-the-art appliances and sophisticated kitchen accoutrements, the A&D Building is the ultimate resource when conceiving, building or reimagining the ideal home. One design leader who knows this well is Michelle Morgan Harrison. The Owner and Principal Designer at award-winning Morgan Harrison Home—her full-service, New Canaan-based interior design firm—Michelle explores the wonders of the A&D Building with each new project. “As former Senior Fashion Editor at Elle and Fashion Director at Mirabella magazine, I bring a unique editorial sensibility to the interiors my team and I create,” Michelle says. “With a discerning eye for detail and a celebration of great design as our mission, we successfully navigate a wide variety of architectural styles and design aesthetics, while working in close collaboration with our clients to keep the focus on their unique wants, needs, tastes and preferences.”
150 East 58th Street, New York, NY adbuilding.com | adbuilding Open To The Public
A universal design truth that Morgan Harrison Home embraces— with a flair all their own—is that the kitchen is the heart of the home and the focus of modern family life. With that in mind, Michelle recently paid a visit to the A&D Building with the express purpose of creating a very special dream kitchen. “Although we oversee projects up and down the Eastern Seaboard as well as across the country, I decided to design two kitchens: one inspired by the Hamptons using Bakes & Kropp Fine Cabinetry’s Soft Modern collection and another modern home in the Berkshires with chic contemporary flair using Poggenpohl’s stunning +Segmento line in a pine green metallic gloss lacquer,” she shares. “In each, I would use a rich blend of materials including matte and high-gloss paint, natural wood, organic stone and pops of bold and soft color. Add to that a JennAir induction cooktop, a steam convection oven and wall ovens by Wolf, panel-concealed refrigeration, MandiCasa’s smart and stylish drawer inserts and Nolte Küchen integrated LED lighting, and, suddenly, you have two kitchens brimming with ease, éclat and world-class engineering. For the entertainer in me, I also designed an inviting bar area with column wine and beverage refrigeration where the gracious host can welcome friends to gather and celebrate in high style.”
The A&D Building is the ultimate destination for discovering the finest and most imaginative pieces and products for residential and commercial projects. A true microcosm of the world’s best brands, makers and artisans, a visit to the A&D Building is like going on a global shopping spree under one roof.
Michelle Morgan Harrison, INTERIOR DESIGNER
203.594.7875
morganharrisonhome.com morganharrisonhome
MICHELLE MORGAN HARRISON’S HAMPTONS-INSPIRED KITCHEN BLENDS INNOVATION WITH EASYGOING ELEGANCE.
CLOCKWISE FROM TOP LEFT:
• BAKES & KROPP FINE CABINETRY
This sleek Bakes & Kropp Soft Modern kitchen is perfect for anyone who desires a clean contemporary look that’s anything but sterile.
• NOLTE KÜCHEN
In drawers, under cabinets or along vertical handle profiles, Nolte’s integrated LED lighting provides illumination that is practical while adding a wow factor.
• JENNAIR
With a focus on smart technology and connectivity, JennAir’s induction cooktop is a true standout that’s taking the culinary world by storm.
• BAUTEAM
Incorporating rich walnuts and exotic woods into their kitchens, BauTeam strikes a beautiful balance between organic allure and modern awe.
• MANDICASA
All of MandiCasa’s Italian-made kitchen cabinets are finely crafted to deliver organized storage solutions with a truly elegant presentation.
OPPOSITE :
• POGGENPOHL
Blurring the lines between kitchen and living spaces, +Segmento in a pine green metallic gloss matched with green and gray Aquarzo natural stone is pure perfection.
K U R T G I E H L
Kurt Giehl is an abstract artist who resides and works in East Hampton, NY. The inspiration for his Block Series was to infuse movement into completely static objects - blocks. Composed of hundreds of individual pieces, these paintings are in perpetual motion as light, shadows, and the viewer’s perspective change throughout the day. Giehl’s block paintings possess textural and angular qualities with a balance of composition that plays with the concept of chance.
View the full Block Series and inquire about available paintings by visiting
Introducing the 2024 Luxe RED Awards, honoring excellence and innovation for the best in residential projects and product introductions.
Luxe Interiors + Design invited design professionals from across the country to compete in the 2024 RED Awards. After receiving more than 1,600 entries, a panel of industry experts weighed in to select our winners, and the public voted for our Readers’ Choice awards. Read on to learn more about our judges.
PRINCIPAL DESIGNER, APARTMENT 48
Rayman Boozer is the principal designer at Apartment 48, one of the first lived-in, shoppable experiences specializing in the combination of vibrant colors, exotic materials and contemporary furnishings. Over the years, Boozer slowly transitioned the business toward interior design and has become known for his expertise in color consulting. Apartment 48 specializes in crafting spaces that feel optimistic, relaxed and effortless. Boozer’s knowledge of materials, objects and art make each space he creates truly unique and custom to his clients.
PRINCIPAL,
HEIDI CAILLIER DESIGN
Heidi Caillier, renowned for her ability to blend tradition with innovation, crafts timeless and inviting interiors through her studio, Heidi Caillier Design. Her work is characterized by a fluid and evolving aesthetic driven by feeling and intimacy. Embracing nostalgia, cherished heirlooms and handcrafted antiques, Caillier celebrates imperfections and patina rather than masking them. Her signature use of pattern and color adds depth and individuality to spaces, resulting in cozy yet elevated designs. Based in Seattle, her studio oversees high-end residential and hospitality projects nationwide, tailoring each creation to her clients’ personal tastes.
PRINCIPAL AND FOUNDER, PALOMA CONTRERAS DESIGN
Paloma Contreras is an acclaimed interior designer based in Houston. Her modern take on traditional style pairs classic silhouettes and timeless pieces with a touch of glamour and an infusion of color. Contreras has honed her distinct eye for over more than a decade in the industry. She has developed a reputation for designing beautiful interiors in her signature modern-meets-traditional aesthetic that feel polished, refined and effortless. Her curated retail shop, Paloma & Co, is located in Houston and also shoppable online.
CEO & CREATIVE DIRECTOR, HALDEN INTERIORS
Influenced by her experiences in couture fashion, Kesha Franklin’s striking aesthetic is shaped not only by her skill at curating color palettes, balanced textures and distinct furnishings but also her natural ability to connect with people. Defined by a commitment to highly personalized service for bespoke environments that inspire people to live to their truest potential, the designer’s intuitive sense of style, creativity and harmony emulates through the spaces she crafts. Franklin is a founding member of the Black Artists + Designers Guild.
PRINCIPAL, JANICE PARKER LANDSCAPE ARCHITECTS
Born and raised in New York, Janice Parker grew up studying the natural and urban environment. Throughout her career, she has conceptualized and directed innovative landscape architecture for private and public clients globally. In 2017, she authored Designing a Vision, which showcases the firm’s work. Under her guidance, Janice Parker Landscape Architects has been honored with multiple awards, including the Stanford White Award for Garden Design and the Professional Merit Award from the Connecticut Chapter of the American Society of Landscape Architects.
EDITOR IN CHIEF LUXE INTERIORS + DESIGN
Jill Cohen was named Editor in Chief of Luxe Interiors + Design in 2024. Prior to taking the helm, she had an accomplished career in book publishing and direct marketing. She has held numerous positions in the industry, including founder, president and publisher of Conde Nast Books; president of Random House Direct Marketing; vice president of new business development at QVC; and vice president and publisher of Time Warner Book Group, Bulfinch Press. In 2006, Cohen founded her agency, Jill Cohen Associates, which has produced over 150 best-selling architecture and design books. Today, JCA continues as a Sandow Company.
NATIONAL WINNER
Jennifer Robin Interiors
REGIONAL WINNERS
Emmy Couture Designs
ARIZONA
Skelly Build
AUSTIN + SAN ANTONIO
Deep River Partners
CHICAGO
Nest Architectural Design
COLORADO
Urbanology Designs
DALLAS + FORT WORTH
Gloria Black Design
FLORIDA
Austin Patterson Disston Architecture & Design
GREATER NEW YORK
By Design Interiors, Inc.
HOUSTON
Huma Sulaiman Design
LOS ANGELES-SOUTHERN CALIFORNIA
Donna DuFresne Interior Design
PACIFIC NORTHWEST
Jennifer Robin Interiors
SAN FRANCISCO
Williams Papadopoulos Design
SOUTHEAST
NATIONAL WINNER
Field Architecture
REGIONAL WINNERS
Tate Studio Architects
ARIZONA
Align Austin Architects
AUSTIN + SAN ANTONIO
Wheeler Kearns Architects
CHICAGO
Z Group Architecture & Interior Design
COLORADO
smitharc architecture + interiors
DALLAS + FORT WORTH
Z.W. Jarosz Architect, P.A. FLORIDA
Workshop/APD
GREATER NEW YORK
Dillon Kyle Architects
HOUSTON
Studio AR&D Architects
LOS ANGELES-SOUTHERN CALIFORNIA
chadbourne + doss architects
PACIFIC NORTHWEST
Field Architecture
SAN FRANCISCO
McAlpine SOUTHEAST
NATIONAL WINNER
Robert A.M. Stern Architects, LLP
REGIONAL WINNERS
Candelaria Design Associates
ARIZONA
Align Austin Architects
AUSTIN + SAN ANTONIO
Massey Associates Architects
CHICAGO
Rowland+Broughton
COLORADO
Briggs Architecture & Design
DALLAS + FORT WORTH
JMA Interior Design
FLORIDA
Robert A.M. Stern Architects, LLP
GREATER NEW YORK
Nadia Palacios Residential Design
HOUSTON
Laney LA
LOS ANGELES-SOUTHERN CALIFORNIA
Uptic Studios
PACIFIC NORTHWEST
Mark English Architects
SAN FRANCISCO
Tippett Sease Baker
Architecture
SOUTHEAST
NATIONAL WINNER
Bradley Odom Interiors
REGIONAL WINNERS
Katie Bowe Design
ARIZONA
Kristen Nix Interiors
AUSTIN + SAN ANTONIO
Craig & Company
CHICAGO
Cook Design House
COLORADO
Kara Adam Interiors
DALLAS + FORT WORTH
Assure Interiors
FLORIDA
David Frazier
GREATER NEW YORK
M.Naeve
HOUSTON
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ARIZONA
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Melissa Gerstle Design
DALLAS + FORT WORTH
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Hollander Design
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HOUSTON
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LOS ANGELES-SOUTHERN CALIFORNIA
Prentiss Balance Wickline
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A Parallel Architecture
AUSTIN + SAN ANTONIO
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COLORADO
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DALLAS + FORT WORTH
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FLORIDA
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GREATER NEW YORK
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HOUSTON
Blackband Design
LOS ANGELES-SOUTHERN CALIFORNIA
Proform Builds
PACIFIC NORTHWEST
Cook Construction
SAN FRANCISCO
Michael Goorevich Architect, PLLC
SOUTHEAST
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Scheer & Co.
AUSTIN + SAN ANTONIO
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CHICAGO
Cook Design House
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GREATER NEW YORK
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HOUSTON
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LOS ANGELES-SOUTHERN CALIFORNIA
Maison, Inc.
PACIFIC NORTHWEST
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SAN FRANCISCO
Colordrunk Designs
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Studio Heimat
SAN FRANCISCO
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CHICAGO
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GREATER NEW YORK
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Artistic Elements
FLORIDA
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CHICAGO
JEWEL BOX SPACES
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ARIZONA
KITCHEN (SHOWN ABOVE)
Boxleaf Design
SAN FRANCISCO
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Karen White Interior Design
COLORADO
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RESTORATION OR RENOVATION
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CINCINNATI, OH
WOW-FACTOR ROOM
LeBlanc Design
BOSTON, MA
BATHROOM
Hutker Architects
FALMOUTH, MA
EXTERIOR ARCHITECTURE
Woogmaster Studio
LAS VEGAS, NV
INTERIOR ARCHITECTURE (SHOWN ABOVE)
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WASHINGTON, D.C.
INTERIOR DESIGN
Tartan & Toile
SWARTHMORE, PA
JEWEL BOX SPACES
McCroskey Interiors
VILLAGE OF LOCH LLOYD, MO KITCHEN
Campion Hruby
Landscape Architects
ANNAPOLIS, MD
LANDSCAPE ARCHITECTURE
Daniel Joseph Chenin, Ltd. LAS VEGAS, NV
OUTDOOR SPACES
Kimmel Studio Architects
ANNAPOLIS, MD
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Robin Gannon Interiors
LEXINGTON, MA
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Renowned for its uncompromising quality, Franz Viegener produces a curated selection of sculptural bath fittings that synthesize architecture, geometric forms and fluidity.
From architecture to interior design to building, remodeling, manufacturing and beyond, innovators with groundbreaking ideas, concepts and ways of working breathe new life into their projects as they redefine excellence for their clients and industries.
TURN THE PAGE TO MEET THESE EXCEPTIONAL VISIONARIES.
646.481.4581 | beckyshea.com | beckysheadesign
When undertaking a building or renovation project the only thing better than working with a visionary designer is working with two. Led by husband-and-wife team, Becky and Jake Shea, Becky Shea Design (BS/D) is a leading interior design studio celebrated for creating environments that are both elegant and livable. Specializing in organic modernist designs, the highly accomplished pair blends natural materials and mixed medium into functionally beautiful, timeless homes. “At BS/D, Jake and I oversee every aesthetic decision, beginning with the architectural phase of a new home or renovation,” Becky says. “This ensures continuity from the outside in, with holistically crafted designs that carefully consider every single aesthetic detail in concert with each client’s lifestyle and unique needs.” The result? Designs that aren’t just enduringly thoughtful, but functionally effortless.
BECKY SHEA, CREATIVE DIRECTOR
JAKE SHEA, COO
TRANSPARENCY AND HONESTY ARE OUR GUIDING PRINCIPLES AND WHY WE PASS TRADE DISCOUNTS TO OUR CLIENTS. PROFIT ISN’T PART OF OUR CREATIVE PROCESS.”
Becky Shea shares her insights and motivations.
• What drives your creative spark? Nature. Being outside working in my garden surrounded by trees while birds sing and the warmth of the sun hits my skin is what drives everything.
• When is a project a “success?” A happy client FaceTiming from a family gathering with tears of joy in their eyes, those are the memories that matter and why I do what I do.
786.340.5572 | belt.com.co | belt_bespokemetal
Sometimes, the luminaries an industry should keep an eye on are those with a seemingly endless font of inspiration and, by extension, a penchant for innovation. Take BELT and its Maestro, Louis Beltran. This creative and his team should be on everyone’s mind because after decades crafting unique metal artworks that elevate the essence of luxury living, they are still finding new ways to surprise, delight, and innovate. “Since its founding in 1985, BELT has made a distinctive mark upon the industry,” Beltran says. “Through our offices in Miami and New York, we collaborate with architects, interior designers, project owners and builders to envision and breathe life into designs that marry creativity with artisanal skill.” Of course, function has its due, too. From railings to bespoke art commissions, BELT’s metal masterpieces range greatly and often comprise structural elements.
Top This sculptural staircase was made with cold-rolled steel for a Brooklyn, New York, residence, which was designed by Shenton Architects and Kathryn Eisberg of KE Design.
“There is a quote from Paul Klee that encapsulates our ethos: ‘Art does not reproduce the visible; it makes visible,’” Beltran says. “At BELT, our mission is to bring to life the dreams of our clients, transforming the abstract into tangible pieces of beauty and meaning. We find creative freedom in every project, giving voice to imagination and creating works that speak directly to the soul. Each piece we create is an expression of the freedom to explore, innovate and transcend the conventional boundaries of metal art. We are dedicated to capturing the very essence of inspiration and passion in every detail, taking our clients on an exciting journey where the soul finds its true voice through art.”
Central to BELT’s unique offering is the ability to marry two schools of thought. Beltran elaborates, saying, “We have honed our skills in traditional techniques of blacksmithing, bronzing, forging and casting, but we combine this with cutting-edge craftsmanship to create truly unparalleled pieces. The integration of the classical with the innovative adds extraordinary value to each of our exceptional works.” OUR JOURNEY HAS TAUGHT US THE IMPORTANCE OF MAINTAINING A VIBRANT CREATIVE CYCLE, WHERE EVERY ENDEAVOR PRESENTS NEW GROWTH AND EXPANSION.”
631.324.2200 | buildingdetails.com | buildingdetailseh
In the world of home crafting, a revered professional branching out into a new sub-field can be one of the industry’s most exciting moments. Enter, Michael Derrig. More than two decades into a blossoming (pun intended) career with his firm Landscape Details, he dove into the construction side of things with the founding of Building Details in 2018. Since its doors opened, the company has showcased the custom build expertise Derrig was quietly working on—and assembling a talented team for—leading up to it. At the heart of his highly detailed and comprehensive process is a perspective on permanence. “I want to build something unique and timeless for every client,” Derrig says. “These are multigenerational homes we set out to build. You’re leaving them to the kids and grandkids, and how they age is just as important as how they look on day one. This motivates us.”
MICHAEL DERRIG, PRINCIPAL
Among the attributes that make Building Details’ projects a success is the background knowledge Derrig’s first firm provides. “Our understanding of the relationship between the landscape and the home sets us apart,” he says. “Because I’m a landscape architect, I’ve spent decades responding to architecture. Often, as the structure is being built, it becomes clear to me that maybe my design is missing something or we can frame a scene in a more elegant way—add a stone wall, shift a window, create a dramatic moment for which the home seems to be asking. We’re able to create something unique and cohesive, because we can control every aspect of the construction.”
For Derrig and his team, the work encompasses both art and science— and it’s all about the details. “Each build is executed to exacting standards,” he shares. “Water, vapor and air management aren’t exciting things to discuss, but if you have ever seen a house with moisture issues, you know they matter. The details matter when it comes to the bespoke element, too. Each home is unique, and the key is listening to the client. We spend time seeing what moves them and how they live, with vision boards, house visits and in-depth discussions with their design team. Then, we bring the vision to life.”
A 1920s-era house in Greenwich is updated and expanded into a multigenerational retreat.
WRITTEN BY JENNIFER BOLES
PHOTOGRAPHY BY ERIC PIASECKI/OTTO
STYLING BY STEPHEN PAPPAS
From the outside, the 1926 Georgian Revival in Greenwich looked promising to a Manhattan couple who was searching for a country house retreat for themselves, their adult children, and grandchildren. Overlooking a harbor off the Long Island Sound, the property’s waterside setting besotted them, as did the classical exterior and fieldstone cladding. The interior, however, was less appealing. The layout was cramped and congested, with space monopolized by a maze of hallways, while the rooms felt staid, dark and not particularly family-friendly.
Recognizing an immense potential, the couple purchased the property then promptly engaged the trusted firms behind their primary Upper East Side residence—Cullman & Kravis and John B. Murray Architect—to update the house. In contrast to their city home, which boasts a serious mix of antiques and blue-chip art, the couple wished for their Connecticut abode to be casual and comfortable. More specifically, “they wanted open space, clean lines and nothing fussy or cluttered,” says designer Lee Cavanaugh. Before those wishes could be granted, the interior first had to be gutted, affording the opportunity to collaborate with the skillful team of general contractor Mark SanAngelo.
Notable changes to the structure include the addition of both a breakfast room and library, providing the family with more living space without compromising the historical character.
“Each of the additions we did seamlessly matches the original 1926 exterior,” says John B. Murray, who collaborated with fellow architects Tim Middleton and Adam Platt on the project. The interiors are similarly reverential—but with a few twists and turns. Newly introduced architectural details, such as the three-story entry hall’s elliptical staircase and the library’s pilasters and rotunda ceiling, speak to the house’s classical style while updated finishes (see: travertine flooring at the entry and light anigre wood paneling in the library and adjacent scotch bar) impart a more contemporary sensibility. “Everything was done with an eye toward simplicity, airiness and being pared back,” Murray adds.
Merging past with present similarly guided the decoration. Rooms are endowed with clean-lined, modern-leaning furnishings set against elegant flourishes like the living room’s dramatic glass chandelier and Venetian plaster walls, both of which elevate the tone of the house. (“This is not a starter home in any way,” quips designer Ellie Cullman.)
The team also specified numerous bespoke pieces from a stone-and-ebonized-wood console in the living room to a statement circular rug for the library. A healthy dose of antique finds, many of which are Art Deco to play to the age of the home, round out the characterful milieu. “If you go all contemporary, there is no soul,” Cullman surmises.
Views notwithstanding, the joyful-yetsophisticated color palette is a focal point of the house. In the ground-floor rooms, serene neutral hues are enlivened by a range of blues that echo the water, plus coral accents for an element of surprise. In the once-gloomy lower level, the colors are even brighter and more layered as a nod to that level’s recreational program, which encompasses a grandchildren’s playroom, gym and game room. But the most vibrant notes of all come courtesy of the homeowners’ art collection. Exclusively featuring the work of up-and-coming artists, its lighthearted presence matches the relaxed tone of the overall design. “The art really spoke to the whole project. It’s bright, cheery and not too serious,” says Cavanaugh.
Naturally, one such grand transformation extends to the grounds as well, where landscape architect Janice Parker devised a series of graceful terraces with areas for lounging, dining, entertaining and swimming. Echoing the graphic, colorful mood of the interiors, Parker opted for a saturated and structured botanical palette. With dahlias, geraniums and pink-purple Summer Crush hydrangeas, “we created bold color strokes that don’t look hodgepodge,” she notes.
Uplifting in every facet, the home—for which John B. Murray Architect received a McKim, Mead & White Award—will be featured as a chapter in Cullman & Kravis: Interiors (Rizzoli), the designers’ monograph coming out this September. “It was great to get the team back together again,” says Cavanaugh. “The first project worked out so well, and we had the best time with this one.”
The living
seating includes
“Everything was done with an eye toward simplicity, airiness and being pared back.”
–JOHN B. MURRAY
Left: The husband displays his scotch collection in the aptlynamed scotch bar, which features anigre wood cabinets, onyx countertops, a Waterworks tap and Nanz hardware. The Art Decoinspired pendant light is a custom Cullman & Kravis design.
Opposite: A sofa and chairs by Anthony Lawrence-Belfair, a Lorin Marsh coffee table and an Art Deco side table complement the library’s wood-paneled walls and lacquered domed ceiling. The rug is from Crosby Street Studios.
“The art really spoke to the whole project. It’s bright, cheery and not too serious.”
–LEE CAVANAUGH
Embracing local traditions and a historical spirit, a family builds anew on the Jersey Shore.
For a northern New Jerseybased couple with longtime ties to Bay Head—one of the Garden State’s most idyllic beach communities—the time had come to rethink their vacation home. The modest ranch-style house had served as the backdrop to countless happy summers, but as the family’s needs changed, it led them to think about ways to make the property their future full-time residence. While architect Dustin Brown sketched plans, the wife phoned designer Joe Lucas, a New Jersey native and childhood friend. The result is a fittingly friendly, shingled charmer. “This is the ‘Hi, how are you?’ house,” Lucas jokes. “Everyone passes by and shouts, ‘Hello!’ ”
“Having lived in Bay Head, it was important to the owners that the house reflect the style of the older homes in town—and it was such fun to do!” explains Brown. Because the area is prone to flooding, the architect, with general contractor Rick Popovitch and project manager Nikki Garratano, elevated the house above garage level, giving it a grand but welcoming entrance on the front porch. “We wanted to design a home that would be comfortable for just the two of them yet open and accommodating for a full house of guests,” Brown adds, noting that the multiple levels and gabled roofline enabled some particularly cozy nooks. “After living in close quarters, we knew we needed multiple seating areas, and we wanted every bedroom to be an escape with its own television and bathroom,” shares the wife. “I needed to make this house comfortable for our boys so they’d want to come and stay with their friends!” she admits. (It worked. Sixteen of them recently descended for a bachelor party.)
During construction, the family decamped to a nearby 1890s cottage whose period details ended up inspiring many design choices. “We really wanted to make this house look like old Bay Head,” explains Lucas, pointing to paneling, rosettes and stair posts “borrowed” from the cottage. “It was all about getting that character and feeling,” he adds. But because the home was intentionally designed as an all-season retreat, Lucas chose a darker, more 19th century-style
palette and added such cold-weather comforts as two wood-burning fireplaces. “I wanted a forever home and I knew Joe would make it beautiful,” says the wife. Her leading nonnegotiables: durable rugs and fabrics that would withstand their two large labrador retrievers.
“She let me play with color and pattern,” shares Lucas, who immediately reached for decorative wallpapers. “In very old houses, all the rooms were papered,” he explains. “Wallpapered spaces always feel richer, so don’t be afraid of them!” In the dining room, for instance, he hung a scenic mural. It may be the Bosphorus but, here, it reads like the Atlantic. “It’s my favorite room,” Lucas says. “You really feel like you’re on the water.” And in the library, he chose a wallpaper depicting wind-blown cypress trees in shades of blue and rose. “We wanted to keep the summer house feel but make it work year-round, so we needed to create moodier spaces,” he explains. The designer continued his masterful use of color in the family room, melding purples, greens and yellows through a mix of striped and textural fabrics.
For the kitchen, Lucas turned to kitchen designer Heidi Piron, who had previously worked with the homeowners. (“Everything she does is gorgeous!” he says.) A professional range gives the space a chef-like feel while a display of ceramic seashells adds whimsy. The latter are just one of the collections Lucas gathered for the home: 27 pond boats from London adorn a stair wall and a display of vintage tennis rackets hangs artfully in the media room. And, crucial to accommodating a steady stream of visitors, every bedroom offers a plush sanctuary. Each continues the relaxed spirit of the main rooms, but with a slightly softer palette of lighter woods and shoulder-dropping colors that Lucas plucked directly from Bay Head’s many charms: sunshine yellows, leafy greens and the ocean’s prismatic blues and grays.
Whether the family is gathering for highsummer frivolities or cozy winter holidays, the house delivers on elegance and ease. “Joe paid attention to what mattered to us—to what was meaningful,” says the wife. “I knew what this house needed to be, with all of the layers and colors, and it really suits them,” Lucas adds. “It truly is a forever home.”
Opposite: Lucas lined a guest room with Ferrick Mason wallpaper from Harbinger, picking up its colors with a Christopher Spitzmiller, Inc. lamp and Nichola Taylorson drapery fabric. The Chelsea Textiles nightstand is from Mimi London, Inc. and the rug is Stark.
WRITTEN BY KATHRYN
Pulling from the past, a design team builds a new-old vacation home within a private club in the Catskills.
For anyone who has ever wanted to scuttle away from Manhattan and steep themselves in a woodland fairy tale, consider following in the many footsteps that lead to the private Onteora Club, open since 1887 in the Catskills. “The area was developed in the 19th century as a respite for New Yorkers,” shares architect Kevin Lichten, an expert in the region’s vernacular and the mastermind behind many local structures, including the club’s golf and tennis pavilions. “You used to take a steamboat up the Hudson River from the city, and there was a small railroad from there that went into the mountains.”
For this Manhattan-based client’s presentday getaway, the goal was clear. “Even though we were building from scratch, the homeowner didn’t want it to feel like new construction,” says designer Anne Chessin. “She wanted it to have a true old-school Catskill mountain home vibe.” It was an enticing brief for the design team—which included general contractor Shane Kappel—and an order as tall as the pine trees.
How do you construct a newly built home that feels like it’s stood there for generations? Part of the answer, of course, comes from looking to the past. “We’ve been very cognizant of the peculiar vocabulary that these houses have, which is neither Adirondack sticky-twiggy nor Hamptons shingle-style,” Lichten says. “It’s something in between and unique to itself. We were very much conscious of trying to be a good neighbor and understand the local vernacular.”
Among the area’s architectural trademarks: windows banded together into groups, deep overhangs on the eaves and carved brackets under the gable ends. “What you have to recognize is that there’s a certain naïveté of design here,” says Lichten. “We never did anything that a carpenter in the 19th century couldn’t have built with his own tools. For example, all the wainscoting is straightforward, not elaborate. Likewise, the brackets are something you could cut with a jigsaw. Everything is deliberately simple.” The house is filled with knotty pine, which “really captures the essence of a Catskills home,” Chessin
adds. “And in the great hall, the fireplace stones are all rocks found on the property when digging the foundation.” With two-and-a-half-story ceilings and a pair of minstrel galleries, the room was designed as a social space for the erudite client to host parties, concerts and lectures.
In a similar spirit, Chessin worked tirelessly to select furnishings and finishes that are—or at least feel—old-timey. “Many of the lighting fixtures are either antiques or reproductions,” the designer says, noting such additional traditional flourishes as antique rugs, vintage furnishings restored or re-covered, and classic tile and plumbing fixture selections. And, bringing in the flora and fauna of the surrounding forest as well as gardens landscaped by Robert Kerns, Chessin channeled a refreshing palette of greens and warm neutrals accented with vibrant pops. In choice spaces, she brought the woods indoors with a decidedly magical stroke—like in the lower-level guest bedroom where artist Alexandra Reboul was commissioned to hand-paint a mural depicting trees and birdlife. “It was important to incorporate the natural landscape and to bring some of those elements indoors,” the designer notes.
The team looked further afield when it came to the library, however, pulling inspiration from the A.D. White Library at Cornell University, a space that the client loves. “Originally, we had discussed painting the millwork red, and Kevin almost had a heart attack,” Chessin recalls with a laugh.
“We opted for a rich stain instead and were able to accomplish that beautiful, deep color while still showing the beauty of the wood grain.” Outfitted with a grand old desk placed to take in sweeping mountain views, it has become the homeowner’s favorite room in the house.
Now complete, it does feel as though the structure has stood there for generations, sitting in perfect harmony with its woodland setting. “The house is called the Owl’s Nest in homage to my mother, who was an ornithologist, and to the fact that owls are associated with wisdom in ancient Greece and Rome, which I study,” shares the owner. To that end, she has placed sculptures of owls by Paul Jeynes in the great room. Often, she notes, “we’ll hear great horned owls calling, which makes the house feel wonderful—as if nature has snuck indoors.”
“ IT W AS IMPORTANT TO INCORPORATE THE NATURAL LANDSCAPE AND BRING SOME OF THOSE ELEMENTS INDOORS.”
–ANNE CHESSIN
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A cookie-cutter home in Water Mill gets drenched in joie de vivre and dressed for company.
Artisan finishes mingle with a luminous palette in a Southampton abode.
Written by Christine DeOrio
Prepare to fall in love with artist Liadain Warwick Smith’s handcoiled ceramic confections.
In Southampton, a new-build residence merges East Coast style and English countryside chic.
Written by Rachel Gallaher
I’m especially delighted to have our annual Hamptons issue as my rst. I am one of the fortunate to have a brother living in this dreamy part of the world, where I have enjoyed a lifetime of celebrations. And now, it’s especially thrilling to celebrate my new adventure here, as I step into the role of Editor in Chief of Luxe Interiors + Design. Let me introduce myself. I’ve dedicated my career to publishing “coffee table” books for interior designers and architects. My roles have included producer, creative director, agent and storyteller. All these years of advocacy have made me the ultimate cheerleader for a subject that has long fascinated me. I am ready to bring the same joyful, energetic and enthusiastic spirit to Luxe
“All these years of advocacy have made me the ultimate cheerleader for a subject that has long fascinated me.”
I’m in awe of the breadth and depth of content we produce. With more than 14 regional issues and over 90 magazines published each year, we sit at the center of the design world. Our team has their ngers on the pulse of style-minded homeowners from coast-to-coast, which gives us an incredible perspective. I’m eager to share this with you as we showcase the industry’s wide range of talent.
Anyone who loves design knows that no great residence is static, and new ideas and elements keep things relevant and stimulating. The same is true for good publications and, while Luxe will continue to publish breathtaking spaces, you can also expect a refreshed look, intriguing features and a more robust digital presence in the days to come.
I am forever grateful to Chairman Adam Sandow for entrusting me with the future of Luxe and to founding editor Pam Jaccarino for building this remarkable platform. My team and I are brewing with ideas for the future, and I hope you will join us on this adventure.
Jill Cohen Editor in Chief
Follow me @jilleditsluxe
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Luxe Interiors + Design®, (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 22, No. 4, July/August, prints bimonthly and is published by SANDOW, 3651 FAU Boulevard, Suite 200, Boca Raton, FL 33431. Luxe Interiors + Design® (“Luxe”) provides information on luxury homes and lifestyles. Luxe Interiors + Design®, SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made
HIGH-END GALLERIES ARE CHAMPIONING AN ESSENTIAL COMPONENT OF THE HAMPTONS’ DESIGN DNA.
WRITTEN BY CLÉMENCE SFADJ
Sprinkled among the saltboxes, the Hamptons’ midcentury homes declare the area’s modernist roots. Today, the aesthetic of the era is having a spirited revival, with efforts to preserve the region’s architectural heritage growing and an in ux of dealers specializing in ne period antiques setting up shop. For these professional treasure hunters, landing out East was a natural homecoming.
Quinn Pofahl, founder of Southampton gallery Jetsam Studio, is categorical: “Midcentury design has always been part of the Hamptons—homeowners appreciate its marriage of an uncluttered feel and sophistication,” he notes. Analisse Taft-
Gersten, who co-founded Sag Harbor’s 1818 Collective with designer Kristin Fine concurs: “What’s incredible about midcentury design is that it can blend so well with other interior styles. If you nd the right balance, it’s magic.” When sourcing for her eponymous East Hampton shop, Marie-Christine McNally, too, nds the “well-worn woods, rope details and perfectly aged brass” of midcentury furnishings a serendipitous match for the East End’s relaxed ethos.
Merging art and design in the context of a former 19th-century Southampton power station, Collective by Jeff Lincoln is a thrilling environment to experience rare
and important midcentury works. (One of Lincoln’s pieces by Brazilian designer José Zanine Caldas is currently on loan to MoMa.) T he L.A. gallery Merit recently opened a Southampton outpost, where midcentury mascots like Charlotte Perriand furnishings or Mathieu Matégot lighting can be found in conversation with Louis Vuitton leathergoods from the ’40s. And Wyeth, dealer John Birch’s Sagaponack mecca of design nds from the mid-20th century, remains an authority on vintage style.
A perfect summer day in the Hamptons may well be spent lingering in these beautiful galleries, whether seeking out your home’s missing link or an education in design.
TO ELEVATE A COASTAL RETREAT WITH MIDCENTURY FLAIR, ALL IT TAKES IS JUST ONE PIECE.
THE 1818 COLLECTIVE
Analisse Taft-Gersten lifts spaces with vintage lighting, like this 1950s Jacques Biny lamp. the1818collective.com
JETSAM STUDIO
“The most compelling pieces have a story,” muses Quinn Pofahl—like this favorite 1955 Pierre Jeanneret chair. jetsamstudio.square.site
SHOP BY
MARIE-CHRISTINE
This 1950s wood Paul McCobb
This 1950s maple wood Paul McCobb desk illustrates the livable aesthetic of Marie-Christine McNally. @mariechristine.shop
Instagram @nicolecorbett_studio
MAVERICK ARTIST NICOLE CORBETT’S HOLIGRAPHIC, HAND-EMBROIDERED LANDSCAPES ARE MESMERIZING.
www.nicolecorbett.studio
summer at
View her work this summer at Onna House, Hampton’s Fine Art Fair, or visit her studio in Amagansett.
FOR ROMAN AND WILLIAMS’ ROBIN STANDEFER AND STEPHEN ALESCH, SUMMER ENTERTAINING IN MONTAUK FOLLOWS NATURE’S COURSE. AS TOLD TO KELLY VELOCCI
First Impressions: When guests arrive, we pour them a cocktail and walk them out to our circle garden, where we snip herbs to add into their drinks. It’s a sublime little moment of discovery that evokes their curiosity.
Relaxed Ambiance: We believe that beauty comes from imperfection and the unexpected. We would rather our guests arrive when things are still coming together—to be a part of the making, rather than having things perfectly in place beforehand. They wander with us around the garden to pick lettuces and tomatoes. After dinner, we often end up
around the re pit late into the evening. It’s not unusual to nd a champagne glass in the ceramics studio the next morning.
Local Bounty: Produce comes from our garden. And Montauk has the best local sh—lobsters, oysters, tuna—that we get fresh from the docks early in the morning. Stephen takes the lead on cooking and grilling while I set the scene, designing the table and bar. Together, we create the atmosphere.
Garden Delights: Table orals always come from our garden, too. I love combining glass-bottle vases in varying sizes from our Roman and
Williams Guild artisan Yoshihiro Nishiyama and lling them with Queen Anne’s lace, goldenrod, tardiva hydrangea or culinary owers like fennel and cilantro that have gone to seed. The table becomes an imaginary meadow of wild owers. —R.S.
1. Southampton Village Waterfront
$13.75M | 2.8± Gated, Bayfront Acres
Carriage House c. 1900 | Renovated 2001
4 BR | 4.5 BA | 3 FPL | Spacious Entertaining Rooms | Breezeway to 2-Car Garage | Gunite Pool | Dock with Direct Waterfront on Heady Creek, with Shinnecock Bay + Sunset Views 585CaptainsNeckLa.com
John P. Vitello
516.315.6867 | jvitello@bhsusa.com
2. Secluded Compound | Water Mill
$6.695M | 2.5± Acre Flag Lot | 8,650± sf 7 BR | 8.5 BA | Heated Gunite Pool Guest Cottage with 2 BR + Full BA Pool House with Kitchenette + BA 421EdgeofWoods.com
Cristina Matos
631.204.2408 | cmatos@bhsusa.com
3. Waterfront Compound | East Hampton
$9.55M | 0.97± Acre (2 Lots)
132’ Waterfront on Three Mile Harbor
3 BR, 3 BA House on Waterfront 0.60± Acre Finished Lower Level | 2+ Car Garage
2 BR Cottage w/Garage on 0.37± Acre 15and19WillCurl.com
Shannan M. North
631.445.0461 | snorth@bhsusa.com
Peter M. Turino
631.235.9098 | pturino@bhsusa.com
4. Oceanfront with Bay Dock | Quogue
$8.85M | 0.71± Acre | 5 BR | 4 BA
5,118± sf | 20’ x 40’ Heated Gunite Pool Walkway to Ocean Beach Private Dock on the Bay 162DuneRoad.com
Lauren A. Battista 631.288.5534 | lbattista@bhsusa.com
5. Waterfront with Dock | Remsenburg
$5.9M | 1.2± Acres | 6 BR | 3.5 BA
5,000± sf | Renovated + Expanded 2011
195± ft. Bulkhead with Dock + Boat Basin Heated Gunite Pool | Hot Tub | Cabana 58CedarLn.com
Lauren A. Battista
631.288.5534 | lbattista@bhsusa.com
6. Prime Amagansett Luxury
$4.9M | 1.86± Acre | 5 BR | 7 BA
Spacious + Light | Cathedral Ceiling Finished Lower Level | Sauna Heated Gunite Pool | 2-Car Garage Moments to Bay Beach 41DeepWoodLa.com
Jennifer Linick
631.897.3313 | jlinick@bhsusa.com
John Scott Thomas 917.693.0942 | jst@bhsusa.com
ART AND DESIGN DISCOVERIES FOR A HAMPTONS SUMMER IN FULL COLOR.
PRODUCED BY GRACE BEULEY HUNT
WRITTEN BY GRACE
BEULEY HUNT
Michele D’Ermo has carved a niche interpreting the Hamptons’ wild beauty in her immersive oil paintings. Ahead of a solo show at Sag Harbor’s Monika Olko Gallery opening on July 26, Luxe checks in with the artist at her East Hampton studio. micheledermo.com
Describe your work in your own words. I study transitional spaces—where the sky meets the sea; land and water merge; light and shadow intersect. My paintings are more remembered sensations than direct renderings, and tend to hover between representational and abstract.
Tell us about your process. I paint alla prima, meaning, done in one sitting. I’m able to capture imagery in an imprecise, uninhibited way, which then allows for more emotional self-expression. Oil painting is a beautiful thing because you can layer and layer and layer. There are no mistakes.
How does living in the Hamptons inspire your work? There are such extreme contrasts of nature here—vertical water vapors, floating volumes of clouds, aqueous storms. Nature’s atmospheric effects are what move me.
What’s next for you? A trip to the Azores islands off Portugal, where I will start a series called “Volcanic Horizons.” Painting the changing light on black volcanic sand sounds like the perfect adventure!
LIGHTING
CAROL EGAN
WRITTEN BY CLÉMENCE SFADJ
From her 1960s glass house and studio in Amagansett, designer Carol Egan dreams in patterns gleaned from nature. Combining traditional techniques with modern technology and materials, she conceives striking furnishings that range from sculptural consoles, lighting and accents (see the Surf Bench, bottom, right) to hand-painted fiberglass chairs (such as the Robusto model, bottom, left) that surprise with their color and shape.
Egan’s creations exude both delicacy and strength—a balance she observes in her own backyard. “The ever-changing surroundings here o er a dynamic visual experience that frames my daily perspective,” the designer shares. “The intricate veins of a leaf, the textures of tree bark, the rhythmic movement of the surf—seasonal patterns are endlessly fascinating.”
To recreate their depth and complexity, Egan will spend a year, sometimes more, developing prototypes for each design. The resulting pieces, available through Maison Gerard, strike a note as universal as the scenery that inspires their creation. studiocarolegan.com
MAKE A STATEMENT BY THE POOL OR AT THE BEACH WITH THESE GRAPHIC DESIGNS.
WRITTEN BY SARAH
SHELTON
From Main Beach to Coopers, hit the sand with a cheery motif.
Seahorse Beach Towel in Pink Coral by Schumacher / $185 / matouk.com
A day of racket sports at the club calls for no ordinary terry.
Balles Au Bond Beach Towel / $730 / hermes.com
Feeling nautical? The perfect pick for sunset sails around the bay.
Régates Beach Towel / $195 / yvesdelorme.com
I first discovered Shelter Island when my family moved back from London 20 years ago. As soon as I stepped foot on the island, my heart started racing. In time, I purchased a wooded, 13-acre property replete with a shallow pond that supports a herd of deer, opossums, wild turkeys, ducks and geese. All summer long, we hear a deafening chorus of creatures. It is a magical place, and we are fortunate to have found it.
I started the Sheltering Pond mural design (far right) when my family relocated full time during the pandemic, but it took me until winter 2024 to launch because it never felt quite finished. I finally saw an old 1920s picture with trees in the foreground and decided that this was what was missing. When I added my trees, I was satisfied.
For me, this wallpaper reflects the sense of peace and tranquility I have when I am on the island. auxabris.com
When I first came to Shelter Island, it felt like a distant memory; like I had been there before. Ultimately, I was pulled by many things: the land itself, and the outpouring of creativity that I knew building a home here would inspire.
The first outpouring is my Shelter Island Collection (far left), which is a gathering of all the new fabrics and wallpapers that I designed for my house. I wanted a bold floral wallpaper for the powder room that would melt into the beautiful stone vanity. I wanted an undulating wave that would repeat as wallpaper in another bathroom, and a loose, gestural vine painted on grass cloth for a guest bedroom.
In each case, the decorating vision inspired the motif, and all these patterns held together beautifully as a collection— all truly inspired by Shelter Island’s feeling of ease, warmth and beauty. serenadugan.com
$35 for set of four / fermliving.com
/ magnetic-midnight.com
WITH INTERIORS BY WORKSTEAD, CANOE PLACE MARRIES MODERN AESTHETICS WITH THE STORIED HAMPTON BAYS PROPERTY’S HISTORY. ON DECK THIS SUMMER? EVENTS FROM WÖLFFER ESTATELED WINE DINNERS TO LIVE MUSIC. CANOEPLACE.COM
LILY FABRIC IN PEACH Price upon request / rubelli.com
For over40 years, Mojo Stumerhas been leading modern residential architectural design in New York. Serving the most exclusive clientele in the Hamptons, the multi-disciplinary design studio seamlessly integrates architecture and interior design to craft bespoke living environments tailored to each client’s distinctive vision and style. Witha legacy of innovation,MSA continues to define design excellence.
1. New Build on 3 Acres | Bridgehampton
$9.25M | New Architectural Masterpiece
3± Acres | 10,195± sf | 7 BR | 7 Full, 2 Half BA
Infrared Sauna + Cold Plunge Full Theater with Terraced Seating Heated Saltwater Gunite Pool + Spa 662MillstoneRd.com
Christopher J. Burnside
516.521.6007 | cburnside@bhsusa.com
Aubri Peele
631.252.5434 | apeele@bhsusa.com
2. New Construction | Water Mill
$8.75M | 1.03± Acres | 7,372± sf | 7 BR 8 Full, 2 Half BA | Top Finishes 20’ x 50’ Heated Gunite Pool Pergola with Motorized Louver Roof 321NoyackPath.com
John P. Vitello
516.315.6867 | jvitello@bhsusa.com
Iwona Rokosz
631.655.9737 | irokosz@bhsusa.com
3. New Luxury | Southampton Village
$5.85M | 4,000± sf | 6 BR | 7.5 BA
Exceptional Details | Gym Heated Gunite Pool | Poolhouse 30BellowsLane.com
Christopher J. Burnside
516.521.6007 | cburnside@bhsusa.com
Aubri Peele
631.252.5434 | apeele@bhsusa.com
4. Modern Classic Masterpiece | Water Mill
$9.75M | 4.89± Acres | 8 BR | 10.5 BA 9,460± sf Including Finished Lower Level Top-of-the-Line Finishes | Heated Gunite Pool + Spa | Pool House | Tennis Court 357EdgeOfWoods.com
John P. Vitello
516.315.6867 | jvitello@bhsusa.com
Iwona Rokosz
631.655.9737 | irokosz@bhsusa.com
5. Perfection in Southampton
$4.895M | 0.85± Acre | Built 2019 5 BR | 6.5 BA | 4,414± sf | Sophisticated Modern Interiors | Finished Lower Level 3-Car Garage | Heated Gunite Pool 3 ParkAve.com
Michael C. Dougherty
631.905.8927 | mdougherty@bhsusa.com
6. New in Sag Harbor Village
$5.495M | 0.34± Acre | 4,400± sf | 5 BR
5 Full, 2 Half BA | Exquisite Details Heated Gunite Pool | Pool House Separate 2-Car Climate-Controlled Garage 11CarverSt.com
Maria Pashby
917.520.0592 | mfp@bhsusa.com
Kimberly Kakerbeck
917.374.5985 | kkakerbeck@bhsusa.com
EMILIA
WRITTEN BY MAILE PINGEL | PHOTOGRAPHY BY DOUG YOUNG
Establishing a landscape design firm developed as organically for Anna and Emilia deMauro as their gardens do for clients. Daughters of a landscape designer mother, the sisters spent their childhoods on a Pennsylvania farm before moving to the Hamptons after college. They started slowly, designing small plots and containers, but business grew with every season. “Now, it’s full-scale master landscape plans,” Emilia says of deMauro + deMauro, their studio on the cusp of its 10th anniversary.
The sisters’ ethos derives from the natural bounty of the East End: “There’s such magic here, since it’s shaped by the sea,” says Anna. “We focus on native plantings for the habitats they
offer but also for their loose, wild and painterly aesthetic, which feels very ‘old Hamptons.’ ” Recently, the deMauros have become known for their cutting gardens—sometimes rendered as formal beds, other times poetically integrated into a larger landscape. Here, Luxe taps the duo for some summer gardening inspiration. demaurodemauro.com
Tips for starting a cutting garden? Pick a sunny location with good drainage. Plant tight for a fuller look and interplant species so you’re not left with empty spaces after cutting. And don’t limit yourself to just flowers! Consider grasses, hostas and ferns for floral arrangements. Herbs make great cut flowers, too.
Any favorite pairings? Roses, raspberries and rhubarb. White cosmos, green fennel and bachelor buttons. Native baccharis and winterberry, because they bloom late and set brilliant red berries, which are an important food source for native birds.
Go-to local resources? The Green Thumb in Southampton; they do beautiful bouquets and are our go-to for veggies and herbs. And Glover Perennials; they’re wholesale, but you’ll find their plants at most local nurseries.
What are clients requesting of late? To make environmentally conscious choices. We get a lot of asks for pollinating species, and we incorporate native plants into all of our work.
Where do you go to find inspiration? We love the Madoo Conservancy in Bridgehampton and Mulford Farm in East Hampton. And of course, the East End’s many beautiful trails, bays and beaches.
73 MITCHELL STREET, HILLSDALE, NY 12529
This
61 EVARTS HILL, GARRISON, NY 10524
Completed in 1929, this incredible country estate on 87 acres in Garrison features a 6,000 sf hilltop main residence and 4,000 sf stables converted into guest accommodations. The compound was renovated to perfection and includes a gunite pool and formal gardens. $12,250,000 Jason Karadus | Owner, Principal Broker | (m) 917.685.8575 | jason.karadus@corcorancl.com Paula Redmond | Licensed
Lovingly layered and designed for a crowd, a Water Mill home is a feast for the senses.
WRITTEN BY MICHELLE BRUNNER
PHOTOGRAPHY BY THOMAS LOOF
On a grassy acre mere minutes from Water Mill’s namesake windmill stands a tidy, early 2000s abode with a shingled exterior, crisp white trim and freshly renovated interiors. When its owners decided to relocate, they called up their friend, real estate broker Michael Lorber, to engage his services as a listing agent. However, he had something else in mind: Having just proposed to his now-husband, Jeffrey Goldmuntz, Michael was looking to scale up from his home in Sag Harbor. Foreseeing plenty of dinner parties and cocktail hours on the horizon—and needing the requisite space to host—he bought the place for himself.
While gallery-white walls are a selling point in real estate, they simply would not do for Michael, who prefers his surroundings dressed in maximalist layers. Enter designer Nick Olsen, a repeat collaborator whose fondness for rich hues, personality-forward decorating and historical references matches the client’s own and then some. As with their past projects, Olsen was given carte blanche to recast the dwelling with a colorful, more patinated storyline. Letting the location lead the palette, the pair leaned into oceanic hues and leafy greens while carefully avoiding going overboard on coastal motifs and other expected Hamptons tropes.
A passionate and sentimental collector, Michael has amassed a trove of antiques and art which migrate from project to project. “I have things in this home that have been with me for six houses,” he admits. Adds Olsen, “It’s not like he strikes a match every time he moves.” Nor should he, when the pedigreed pieces include a George III console, a beloved Regency mirror and a vintage trunk that once belonged to the reclusive New York heiress Huguette Clark, to name a few. Pop art treasures by Jean Dubuffet and Roy Lichtenstein and a collection of 19th-century maritime woolworks round out the mix.
To orchestrate a lively backdrop for those pieces, Olsen traded oversize neo-Colonial
fireplaces for bolection-style surrounds and employed layers of paint, wallcoverings, window treatments and rugs to lend each space its own distinct narrative. “They love to entertain, and Michael didn’t want it to feel like you’re encountering the same room over and over again,” Olsen offers.
Take the living room, where a panoramic wallpaper depicts a Turkish harbor scene, but, as Olsen points out, “it could be the Hamptons in the 1500s.” Old-timey schooners and brigs sail across the walls, “propelling you around the room in a fun way,” he adds. Multiple conversation areas give the space the feel of a gentleman’s study where friends can retire after dinner to nurse a snifter of something. “It’s sort of a wink-wink to a bygone era,” says Olsen. “That’s what decorating is. It’s creating a little stage set that works for your life.”
Long after the summer crowds wane, the house remains a comfortable year-round haven for the couple, who host Thanksgiving in the showstopping dining room. There, Olsen incorporated two round tables instead of one long one, so they can be styled as library tables when not joined together for a dinner party. His appreciation for design history drives every detail, from the floor-to-ceiling lattice evocative of a French orangerie to the painted floors, which were inspired by Bunny Mellon’s in Antigua and executed with mathematical precision by artisan Rene Escamilla. “That geometric pattern is based on the flooring at the Château de Groussay, which Charlie de Beistegui decorated in the mid-20th century,” shares Olsen. Transportive and pattern-happy, the space is a delightfully ecstatic buffet of blue and white. “It’s a real showpiece,” says Michael. “There’s a lot going on, but Nick made it all work.”
It’s that level of trust that’s solidified their partnership over the years. This was their fifth project together, and they’re currently tackling their sixth—a new apartment in the city. “Anytime I get a text from Nick sharing a new idea, I know it’s going to be great,” says Michael. “And he stays involved afterwards, dropping by to tweak things. A house is a constantly evolving canvas for him.”
Georgian-style lanterns by Ann-Morris Inc. complement the trellis-wrapped dining room. Williams-Sonoma Home pedestal tables are ringed by Bunny Williams for Ballard Designs chairs. A duet of 19th-century
completes the scene.
The classic hallmarks of Hamptons style yield to a more contemporary sensibility in a Southampton weekend retreat.
Those wanting permission to design an outside-the-saltbox Hamptons home needn’t look far to get it. A cruise along the coastline reveals dwellings with curves echoing the contours of the dunes, blackened-wood façades that contrast against white sands, and glass-walled pavilions that reflect the ocean views.
But on quiet Southampton lanes where the family names are often as old as the specimen trees, a classic Hamptons sensibility feels most at home. For designer Phillip Thomas’ longtime clients—a Manhattan-based couple with young children—embracing local tradition was no deterrent to creating a house of a different color. Enlisting vernacular experts Jim McMullan and Steven Sanabria for the architecture, the homeowners set their sights on building an exquisitely crafted, quintessential Hamptons getaway filled with surprises.
“We wanted the interior to feel more organic and contemporary than their city home,” says Thomas, who incorporated unexpected counterpoints to the exterior’s graceful details. Outside, there are sweeping rooflines, stone chimneys, porches framed by rhythmic columns and silvered cedar shingles. Inside, there are ceilings with gutsy coffered crowns, door panels inlaid with strips of polished nickel and, imperatively, subtle, sophisticated splashes of pink giving everything from millwork to cushions a rosy glow. “There must be pink in every room,” Thomas says. “I’ve always loved pink, but I have an even greater affinity for it after my collaborations with these clients. Everybody looks good in a pink space and the light that reflects off a pink surface is gorgeous.”
Creating an abundance of that light was a feat that McMullan and Sanabria accomplished by orienting every living space toward the southern sun—and making magic with that gift was one of Thomas’ primary aims. “I love to use different finishes from matte to high gloss to help the light dance,” he says. When commissioning the living room’s cream-colored carpet, for example, he asked the weavers to employ a variety of tufting techniques. The result, he explains, is that they were able to “get the light to move differently across the carpet, which gave it an energy one wouldn’t think possible.”
These kinds of subtle variations also provide a sense of authenticity that served as Thomas’ North Star. “It was so much fun to work with artisans from around the world to create carpets, embroideries, finishes and fabrics that bring a relaxed richness into each space,” he says. Perfectly imperfect hard surface selects (see: octagonal ceramic tiles for the kitchen backsplash) and choice sculptural accents (like the living room’s spiky ceramic side table, “which could be a giant coral from the sea,” Thomas notes) work together to honor a sense of place while swerving from tradition.
Of course, there’s a sense of familiarity here too, particularly in the fabric selections, including Lee Jofa’s iconic Hollyhock print, which Thomas swathed prominently on a living room slipper chair in a nostalgic wink. “You could find that print in almost every Hamptons home in the 1970s and ’80s,” says the designer. “It was important to pay homage to the past in this forward-thinking interior.”
On the exterior, lush surroundings created in collaboration with landscape architect Ashley Christopher convey classic Hamptons style with equal clarity. A long driveway hemmed in by hedges leads to an auto court where the crunch of gravel under tires says, “We’re not amid the bustle of the city anymore,” McMullan notes. Around back, shaded bluestone terraces offer inviting spots to lounge while children splash in the pool. “The clients love to host games, so we wanted to make sure they had a wonderful outdoor setting to spend an entire afternoon with friends,” Thomas shares. The family room’s adjacent porch—where woven wicker furnishings are often pulled up to a grand hearth to roast s’mores—“was made for enjoying the quiet, cool nights,” he adds.
Indoors or out, the design team endeavored to create spaces tailor-made for laid-back Hamptons living. “Floor plans have changed,” Sanabria says, pointing to the lack of formal entertaining rooms. “Now, things are much more casual to give homeowners a choice of spaces to occupy as the day changes and the family evolves.” Thomas concurs: “No one feels like they’re entering a precious environment when they visit this home,” he says. “I’ll often pop by on a summer afternoon, and you can see on everyone’s faces that they’re at ease. And that’s all I could ever ask for.”
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In her light-filled East Hampton studio, a ceramicist carefully hand-coils dishware and vessels.
WRITTEN BY SHANNON SHARPE
PHOTOGRAPHY BY TRIA GIOVAN
Ceramicist Liadain Warwick Smith believes in taking her time. Her thoughtful red-clay creations can take weeks to make. Often working on several designs simultaneously, the meditative process begins with considering shapes, sketches and themes. “I try to make each piece completely unique and individual while repeating certain details,” the artist shares. “That is a vocabulary that I like to work with.” Starting with a slab of clay, she continues, “I slip, score, pinch and build up, creating the form, feeling and texture that I want.” Then begins the long, slow process of drying, firing and glazing, resulting in heirloom pieces that are simultaneously rustic and sophisticated. Raised in Greenwich Village by a photographer father and writer mother, Warwick Smith can’t recall a time she
wasn’t immersed in art, and eventually pursued it at Bennington College in Vermont. Returning to New York City, fine art degree in hand, “I needed to pay my rent,” she laughs. She turned to graphic design—a compromise between her artistic inclinations and desire for stability—but, as the industry changed and the discipline became computer-centric, Warwick Smith yearned for the tactility of creating physical art. She began attending classes at the legendary Greenwich House Pottery, where she fell in love with the process of hand-coiling. “I’ve explored different methods,” she says, “but they weren’t very satisfying. Using my fingers with the clay is just so therapeutic.”
Warwick Smith’s choice of material is also long held. “I’ve worked in a gray or white clay,” she says, “but red clay is messier.” Which isn’t, she makes clear, a bad thing. Rather, “it feels like I’m working with earth; that has always appealed to me.”
Represented by stores such as Bergdorf Goodman and Sag Harbor’s 1818 Collective, Warwick Smith is known for her white pieces in which deep, red-brown tones peek through perfectly imperfect glazes. More recently, she’s begun experimenting with black finishes. “I felt there were more ways to explore the shapes I work with,” she explains. “The black pieces are slightly different—very regal, very elegant.” But, she emphasizes, there is a through line with her other works. “There’s still the red clay and the maker’s hand,” she says. “There’s still a human quality.”
While her creations are delicate, Warwick Smith sees them as utilitarian; vases to be filled with flowers from the garden and plates on which to enjoy meals surrounded by loved ones—simple experiences elevated by the beauty of each piece. “I want people to see my work as warm, clean and peaceful,” she says. “Because that’s how I feel as I’m making it.”
East Coast classics meet English cottage charm in a Southampton dwelling designed for family time.
WRITTEN BY RACHEL GALLAHER
PHOTOGRAPHY BY JOSHUA MCHUGH
When designer Terri Ricci first met with her clients, a couple with grown children looking to design a beach home out East, the presentation, which usually lasts a few hours, stretched to six. “I’ve never had that happen before,” says Ricci. “We laid out everything on the floor—images, samples, fabrics—and they got really involved.” For years, the design-savvy couple had spent two weeks every summer in the town of Southampton. When the opportunity arose to purchase a property with mature landscaping and an existing tennis court (a hot commodity for an in-town address), they jumped—with visions of a large, comfortable dwelling to serve as summer vacation HQ for their blended family.
Fortunately, they knew the perfect architect for the project: their close friend, Doug Larson. And, after coming across a waterfront Connecticut house designed by Ricci in a favorite magazine, they enlisted her for the interiors. On their wish list? An open, airy feel, a sophisticated palette and charming details inspired by the years they lived overseas in England.
With general contractor Declan Murray and Ricci’s senior designer Margarita Rael, Larson and Ricci conceived a five-bedroom oasis that blends classic elements of beach house style (shingled siding, white trim, shiplap paneling) with Britishinspired details (patterned wallpapers, layered textiles, cozy nooks). “In England, we lived in a home with a lovely staircase and windows facing the front yard, and we specifically asked Doug to recreate this in his design,” adds the wife. “We created curb appeal and charm,” concurs the architect, pointing to the façade’s twin gables with a dormer between, covered porch and pale blue door. “We scaled up many details, including the rafter tails that stick out over the gables, and the oversize windows. If you stand back, you can see that they make the house feel smaller
than it would if you had smaller versions.” While expansive, “the silhouette makes it feel like a cottage,” Larson adds.
Inside, this cosseting sensibility continues, albeit with a fresh, all-American twist. A base of white walls and wide oak flooring, as well as extensive custom millwork including oak ceiling beams, neatly ties the decor together while nodding to an East Coast beach house aesthetic. Instead of packing rooms with frills, florals and other expected cottage elements, Ricci leaned on sumptuous textures and monochrome patterns to imbue an inviting vibe. Take the open-concept living room, where she installed handmade glazed stoneware tiles around the fireplace and deployed a mélange of tailored, wood-framed furnishings upholstered in breezy textiles.
Separated from the living area by a set of steel-and-glass doors, the kitchen is an equally important hub for the family, who loves to cook, bake and hang out around the eat-in island. Here, a combination of painted-cream and natural oak cabinetry provides a warm backdrop and, notes Ricci, “the vertical boards were chosen as another nod to cottage style.”
To flood the room with light and create a direct connection to the landscape, Larson linked two double-hung windows with a set of French doors that open onto a procession of tranquil outdoor spaces—gardens, patios, the tennis court, a pristine pool—all artfully rendered in concert with landscape architect John Beitel.
Moving upstairs, the home’s bedroom suites offer tranquil escapes as well, each boasting a distinct personality (for instance, a medley of blue-and-white textiles wrapped in a birdpatterned wallpaper for a guest room) and embellished with Ricci’s signature finishing touches. “I like to bring in vintage Danish lamps and textured fabrics,” Ricci notes. Summing up the secret sauce of this special project, she continues: “The key here was to layer, but not over-layer. There is a refinement to this house that makes it just glow.”
“There is a refinement to this house that makes it just glow .”
–TERRI RICCI