Luxe Magazine - May/June 2023 Arizona

ARIZONA

09 23 20 23

With the start of the fall equinox A time of perfect cosmic balance

We are happy to unveil What is next.

In the age of machines, chatbots, Deep fakes, hyper-real, haunted by FOMO… We choose to focus our attention on Connectedness in its truest sense.

The journey of discovery is best when shared, Where simple curiosity peels away Layers of obfuscation and reveals Genuine, sincere authenticity.

A connectedness with self and others, At its best, as it was from the beginning of time. A balance to a synthetic, self-centered present Replacing FOMO with J(oy)OMO.

One + Five Object + Senses

Simple experience awakens our desire For that which we deem priceless.

RM

CIRCA LIGHTING IS NOW

THE DESTINATION FOR DESIGNER LIGHTING

SHOP NOW: VISUALCOMFORT.COM

CRISTOL SMALL DOUBLE SCONCE

HAND-RUBBED ANTIQUE BRASS WITH WHITE GLASS

Iroise, Dining table, designed by Studio Roche Bobois. *$7,990 instead of $10,490 until 05/21/23 for a table as shown, 86.6” L. x 29.5” H. x 39.3” D. (2 integrated extension leaves of 15.7”). Price includes one semi-elliptical dining table with a colored bubble glass top on a lacquered aluminum crossbar. Base in anthracite lacquered steel. Fixed version also available. Identities chairs, designed by Raphaël Navot. Flow floor lamp, designed by Sophie Larger. Made in Europe.

In-store interior design & 3D modeling services. (1) Quick Ship program available.(2)

French Art de Vivre

Photos

©2022 Hunter Douglas All trademarks used herein are the property of Hunter Douglas

LIVE BEAUTIFULLY

What does it mean to live well? To be perfectly at ease, in comfort and style?

Innovative product designs pair with gorgeous fabrics and control systems so advanced, shades can be scheduled to automatically adjust to their optimal position throughout the day. Creating a new world of beauty, convenience and energy efficiency — morning, noon, and night.

Pirouette® Window Shadings with PowerView® Automation

HORIZONTE SEATING SYSTEM | MARCIO KOGAN / STUDIO MK27 DESIGN DAIKI SWIVEL ARMCHAIRS | MARCIO KOGAN / STUDIO MK27 DESIGN

100% MADE IN EUROPE

Designers, Craftsmen, and Caretakers of Distinctive Gardens

berghoffdesign.com

Paxton by La-Z-Boy

AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

IRONIES

Modern Forms offers effortless, uncomplicated lighting and fan designs created from the finest upscale materials and innovative technology. Our designer collections refresh and redefine luxe spaces.

MAY JUNE

Scene

52 DESIGN DISPATCH

The little black book of all things new and fabulous in the local community.

Radar

66 FIRST PERSON

Stephanie Stokes’ new book is an ode to collected tabletop treasures from near and far.

68 INSPIRATION

Luxe traverses the globe to nd modern makers putting their spin on traditional craft.

76 LEGACY

At a bustling French mill, the centuries-old method of weaving horsehair still produces some of the nest textiles.

Market

90 MATERIAL

Four companies tapping talents around the world—from Ireland and Colombia to India and Massachusetts—to fashion exceptional rugs.

100 TREND

Meet three oral designers creating beautiful arrangements in unconventional ways.

108 SPOTLIGHT

The newly reimagined Hispanic Society Museum & Library opens its doors to talented Latin American furniture and lighting makers.

Living

126 KITCHEN + BATH

Elevated European in uences are the impetus for these charming kitchens, baths and debut tiles.

The Cactus Stone Gallery

Deep Roots

One To Remember

Seek and Find

New Tradition

Using an earthy palette and lots of texture, a design team creates a cozy home for a young family.

Written by Tate Gunnerson

Photography by Isaac Bailey

Written by Jennie Nunn

Photography by Kevin Brost

Written by Monique McIntosh

Photography by Brandon Sullivan

Written by Liz Arnold

Photography by Eric Kruk

DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

PAMELA LERNER JACCARINO

VICE PRESIDENT, EDITOR IN CHIEF

EXECUTIVE EDITOR

Brittany Chevalier McIntyre

SENIOR MANAGING EDITOR

Colleen McTiernan

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Krystal Racaniello, Clémence Sfadj

HOMES EDITORS

SOUTHEAST

Kate Abney

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

Kelly Phillips Badal

PACIFIC NORTHWEST, SAN FRANCISCO

Mary Jo Bowling

ART

ART DIRECTOR

Maria Pluta

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

GRAPHIC DESIGNER

Ellen Antworth

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

SENIOR RETOUCHER

Christian Ablan

GREATER NEW YORK

Grace Beuley Hunt

STYLE DIRECTOR

Kathryn Given

ASSOCIATE EDITOR

Khadejah Khan

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith

MARKET

SENIOR MARKET EDITOR

Sarah Shelton

DIGITAL

SENIOR DIRECTOR, CONTENT DISTRIBUTION

Amanda Kahan

SENIOR MANAGER, DIGITAL CONTENT

Ileana Llorens

WEB EDITOR

Michelle Yee

ADAM I. SANDOW CHAIRMAN

ERICA HOLBORN

CHIEF EXECUTIVE OFFICER

CHIEF OPERATING OFFICER

Michael Shavalier

CHIEF DESIGN OFFICER

Cindy Allen

CHIEF SALES OFFICER

Kate Kelly Smith

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron

EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett

VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber

VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele

VICE PRESIDENT, STRATEGIC PARTNERSHIPS

Katie Brockman

DIRECTOR, VIDEO

Steven Wilsey

SANDOW DESIGN GROUP OPERATIONS

SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements

CONTROLLER

Emily Kaitz

DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

This magazine is recyclable. Please recycle when you’re done with it. We’re all in this together.

www.PaulFerrante.com

NEW YORK CHICAGO DALLAS NASHVILLE BOSTON SAN FRANCISCO GREENWICH PALM BEACH SHORT HILLS CANNES JAKARTA

KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR

SENIOR VICE PRESIDENT, OPERATIONS

Tanya Suber

GENERAL MANAGER

Scott MacClements

NATIONAL SALES DIRECTORS REGIONAL SALES DIRECTORS

NATIONAL PUBLISHER Michelle Blair

HOME FURNISHINGS DIRECTOR

Blaire Rzempoluch

WEST COAST DIRECTORS

Lisa Lovely, Carolyn Homestead

MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner

SALES OPERATIONS DIRECTOR John Baum

EXECUTIVE ASSISTANT Bianca Buffamonte

SALES ASSISTANT Janice Hyatt

INTEGRATED MARKETING

SENIOR DIRECTOR, MARKETING + DIGITAL STRATEGY Samantha Westmoreland

DIGITAL STRATEGY MANAGER Kasey Campbell

INTEGRATED MARKETING MANAGERS Verity Lister, Frank G. Prescia

INTEGRATED GRAPHIC DESIGNER Antoinette Childs

EVENTS MANAGER Gabriella Laimer

EVENTS COORDINATOR Rachele Daszkal

PAR TNER + PROGRAM SUCCESS

DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling

PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson

SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo

LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht

LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz

NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

ARIZONA PUBLISHER Adrienne B. Honig

SALES ASSOCIATE Catherine McGlynn

AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson

SALES ASSOCIATE Addie Szews

CHICAGO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene

COLORADO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Travis Gainsley, Katie Martin

DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES ASSOCIATE Addie Szews

GREATER NEW YORK PUBLISHER Trish Kirsch

ASSOCIATE PUBLISHER, NEW YORK Donna Herman

DIRECTOR, NEW YORK Maritza Smith

HOUSTON PUBLISHER Amy McAnally

SALES ASSOCIATE Addie Szews

LOS ANGELES PUBLISHER Tiffany O’Hare

ASSOCIATE PUBLISHER Virginia Williams

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

REGIONAL PUBLISHER Stacey Callahan

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez

PACIFIC NORTHWEST PUBLISHER Debby Steiner

DIRECTOR Cathy Cruse

SAN FRANCISCO PUBLISHER Lisa Lovely

DIRECTOR Sara McGovern

SOUTHEAST PUBLISHER Sibyl de St. Aubin

SOUTHERN CALIFORNIA PUBLISHER Alisa Tate

ASSOCIATE PUBLISHER Kali Smith

Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 3, May/June, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

Culture of Design

Analyze the most enduring and interesting spaces, and you’ll discover that they are often composed of a layering of cultural influences and ideas...design that preserves heritage while also pushing it to be experimental and fresh. In this issue, we report on, and praise, the people, objects and spaces that revere craft and cultural artisanship as something to be respected and lived with; rooms that offer a conversation about what came before and where things are headed. May they have everlasting appeal.

Pamela Jaccarino VP, Editor in Chief @pamelajaccarino

Juliana Lima Vasconcellos’ Giraffe chairs sit beneath a terra-cotta archway at the newly renovated Hispanic Society Museum & Library.

SCENE

OPEN HOUSE SAVIOR

Savior, Tuscon's latest concept shop in MSA Annex, is a godsend for lovers of all aspects of design. The three co-owners, Tes Hash, Erica Clum and Sydney Ballesteros, come from different backgrounds and the result is a fusion of their talents: Hash brings her eye for vintage furniture and design, Clum her

MEET THE MAKER CAM DECAUSSIN

Speak with Cam DeCaussin and you’re as likely to hear poetic introspection as you are phrases that evoke the heartland. That’s because he occupies a liminal space between his practical Midwest upbringing and his artistic sensibilities, which find beauty and meaning in nearly everything. Case in point are his oil-on-wood paintings that reflect neighborhood moments, but also reveal the sensual undertones of what happens behind closed doors. This subject matter fascinates DeCaussin, who learned early on how to channel his emotions into art. “I found the best way of dealing with grief was to project it onto spaces or other people’s lives, so I could understand it better,” he explains. As a result, his art (which will be on view later this year at Royse Contemporary in Scottsdale) feels like an evening stroll. You get a peek at what the neighbors are up to—and see yourself in the process. camdecaussin.com

custom jewelry, and Ballesteros curates fashion and exclusive pieces from Mexico. The result is an aesthetic experience as customized to the visitor as the definition of “savior.” @shop.savior

How is Savior different from anything else in Tucson? Tes Hash: Our styles brought together in this store have really created something fresh and new in the local retail market.

Best part about working together?

Sydney Ballesteros: Owning a shop is a huge commitment of time, creative energy and responsibilities. At the end of the day, it’s really nice to share those things with a group of dedicated and visionary partners, especially because we all juggle many other endeavors and projects.

What are you most excited about for Savior? T.H.: Opening this shop together was a big risk. But now that we have proven to ourselves that Tucson wants this and will support it, I’m excited for us to bring in more specialty products and rare, sought-after vintage pieces.

WRITTEN BY ELIZABETH EXLINE | PRODUCED BY CLÉMENCE SFADJ

architect: charles stinson architects

builder: manship builders

DON’T MISS RELÉVANT

GALLERIES

Old Town Scottsdale’s Relévant Galleries is the new kid on the block—and it’s ready to shake things up. “This neighborhood is known for its galleries,” observes Justin Montgomery, Relévant Galleries’ regional director. “Relévant brings a fresh perspective to an already established art market.” The 3,000-square-foot Scottsdale location is actually the second Relévant to open (the first was in Denver), and it kicked things off with an exhibition by Scottish photographer David Yarrow. The artist takes a storytelling approach to his craft, which tends to result in captivating images of big cats and even bigger celebrities posed against Old West backdrops. “Providing collectors access to David’s incredible work was our grand opening gesture, and we were so honored to be welcomed to the area with so much support,” Montgomery says. The gallery has much more planned, too: Western sculpture, contemporary pop art and prints are all on offer at this increasingly, ahem, relevant destination. relevantgalleries.com

TABLE FOR

TWO THE GREEN WOODPECKER

If you think Phoenix’s Park Central Mall followed the downward turn of brick-and-mortar shopping centers across the country, think again. Heralding the mall’s resurrection is The Green Woodpecker, an expansive new beer garden named for one of Park Central’s previous denizens. Where the original Green Woodpecker was a florist, however, this 4,500-square-foot destination combines food, flowers and, yes, beer in one indoor-outdoor space. The interiors are spare and modern, with dark ceilings and low, circular light fixtures whose gravity is offset by an abundance of sun flowing in from the generous patio. Other accents— gleaming emerald ceramic tiles on the island-style kitchen, whitewashed finishes, accents in oxblood and mustard—create an ambiance that is both casual and sophisticated. Come for the beer, stay for the vibe and, before you go, pick up a bouquet of fresh flowers, offered as an homage to the original Green Woodpecker. Style, it seems, has come home to roost. thegreenwoodpecker.com

POST MASTER @NN_ZZO

WHO: Artist, muralist, fashion collaborator and outdoor biking enthusiast Nicole “Nnuzzo” Poppell.

WHAT: Time-lapse reels that distill mural painting down to seconds, art installations that make you rethink those blank walls at home, pattern inspiration for postcards and prints (as well as the occasional fashion collab) and plenty of Poppell’s infectiously joyful creativity.

WHY: Because Poppell has a knack for eyeing up inspiration in her hometown of Phoenix. Because her IG feed is part creative outlet, part visual diary. Because having fun is always in style.

IN HER WORDS: “I fell in love with design and the way it covers every scale of human interaction, from architecture to the products we use every day. And I believe that translates to art.”

TRANSFORMATION

JW MARRIOTT PHOENIX DESERT RIDGE RESORT & SPA

What can $80 million buy you? If you’re the JW Marriott Phoenix Desert Ridge Resort & Spa, quite a lot. The property unveiled 869 fully renovated guest rooms, 81 updated suites, a refreshed lobby and its new restaurant last fall to coincide with its 20 th anniversary. This summer, the resort will roll out the final stages of this transformation with one more dining location and an expanded pool complex. But, for now, there’s plenty to delight the eye: In the lobby, sculptural light fixtures nod to the city’s grid-like roadways, while guest rooms invite you in with copper accents and neutral shades of agave and gray—organic hues that are underscored by na tural wood finishes. Sweeping, moody murals help draw the outside in, or at least encourage a glance out the floor-to-ceiling glass doors. And new wellness suites enhance the cool aesthetic with a spaciousness that accommodates yoga, meditation or a session on the Peloton. jwdesertridge.com

“The experience of a home should always be dynamic. The dynamism should come from a felt flow, a pouring of nature through the home….Moving through the house should always result in measures of awe, gratitude, and humility, as well as surprise.”

-Homeowner describing their Kendle Design Collaborative home

RADAR

Go global with tabletop treasures from far-flung locales, artisans to watch from around the world and the last textile mill of its kind.

Visual Feast

IN HER SUMPTUOUS NEW BOOK, DECORATOR AND PHOTOJOURNALIST STEPHANIE STOKES MAKES THE CASE FOR SOUVENIRS.

I am a self-confessed tabletop junkie and consummate hostess. On my travels through 86 countries, I have assembled a collection of things that have caught my eye so long as they’re useful for entertaining. These “toys for my table” are for special occasions, special friends or simply because it’s Saturday, and why not have a party.

In the words of Carl Jung, “The creation of something new is not accomplished by the intellect, but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” And I love each of my treasures. My parties usually start with a verbal table tour instead of grace. I describe how the dishes are from Bali, the wine coasters are from Istanbul’s Grand Bazaar, the tagine salt cellars are from Marrakesh, and so on.

Many of my favorite pieces come from Japan: contemporary sake cups, sonorous Bizen bowls and Oribe kitchenware, all of which are versatile. In France, I fell for Aptware pottery, simple cotton tablecloths from Provence’s outdoor markets and gray porcelain partridges from Nîmes. While exploring Budapest’s antiques district, I couldn’t resist traditional bright-red flowered plates and cross-stitched tablecloths. When I use them at home in New York City, they evoke the folk art quality of Hungarian craft in the same way the pink Fortuny tablecloth I bought in Venice recalls light reflecting off the city’s brick walls, turning its canals the soft-edged pink of Paolo Veronese’s murals.

My book, The World at Your Table, is a call to action. When something inspires you, whether across the globe or at a local consignment store, buy it. Then, set the table with your finds to transport guests into a magical atmosphere. rizzoliusa.com

photo: mark roskams, courtesy rizzoli.

A tablescape mélange by Stephanie Stokes features a tablecloth by Zsuzsanna Nyul with bamboo flatware and a folk art ceramic plate purchased in Hungary.

Imagination Unbound

LUXE CHATS WITH CREATIVES FROM AROUND THE GLOBE WHO ARE BREATHING NEW LIFE INTO TRADITIONAL CRAFT.

PRODUCED BY KATHRYN GIVEN

Klove Studio

Prateek Jain and Gautam Seth, co-founders of New Delhi’s Klove Studio, are upending the way modern lighting is produced in India with their larger than life pieces. While the dynamic duo are experimenting with size, scale and materials, their designs continue to pay homage to the artistic customs and practices that surround them at home.

What was the vision for your latest collection? Our Totems Over Time series celebrates an older way of living and, specifically, how civilizations have left their mark on society with references to ancient symbols and motifs. We wanted to achieve a harmonious balance between geometry and symmetry with bright totems devoted to abundance, vision, beauty and protection. Talk to us about the materials. These nearly 10-foot-tall pieces incorporate metal and handblown glass, a centuries-old technique that supports local artisans in India. We believe in slow design, conscious craftsmanship and dreaming up fantastical ideas that take shape by working with dedicated makers. Where do you find inspiration? From different cultures around the world, but especially in New Delhi where there is such a rich craft legacy. Good design makes life better on every level. klovestudio.com

Hamza Kadiri

Casablanca-based master woodworker Hamza Kadiri hails from a long line of makers who share a deep reverence for their materials, and he is no exception. Each piece of wood sourced for his new sculptural furniture collection was chosen for its singularity, essence and inherent beauty. Kadiri’s expertise of rare, precious varietals of wood honors natural grains and unique patterns for a one-of-a-kind result.

When did you begin working with wood? I’ll never forget the moment I entered my uncle’s workshop at the age of seven. He was one of the most respected woodworkers in the Medina of Fez. I still remember the smell, the dry air and watching each artisans’ slow movements. It was love at fir st sight. Tell us about your latest collection. As an artist, I listen to the wood—sometimes for months at a stretch. The unique forms of a plank and veins in the wood give o a particular emotion. These inspire me with original ideas, although some may be a little crazy. My six new pieces—side tables, credenzas, a bench and an armoire— are a testament to this, including the Royal Ebony credenza (shown). What’s next? Adding exciting new lighting designs to my collection with Les Ateliers Courbet. ateliercourbet.com

LagunaB

The iconic Venetian glassware company founded by the late Marie Brandolini is heralding in a second chapter under the leadership of her son, Marcantonio Brandolini d’Adda. As ceo and creative director, his vision includes investing in projects that support a range of initiatives, like the design community at large, the environment and the city of Venice.

community at large, the environment and the city of Venice.

How are you di at from Paris to was a way of her

Today, we are releasing more limited-edition pieces but still honoring her vision. is also top of mind for us with a new production that allows for more energy e cient in addition to a longstanding with Green Future to o set our emissions.

with the Pilchuck Glass School in to establish Autonoma, an international artist program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. recently introduced Vital, which aims to enhance the natural capital of the Venetian Without this our company and

How are you thinking di erently at LagunaB? When my mother moved from Paris to Venice, glassmaking was a way of expressing her creativity. Today, we are releasing more limited-edition pieces but still honoring her vision. Sustainability is also top of mind for us with a new high-energy production facility that allows for more energy e cient manufacturing, in addition to a longstanding partnership w ith Green Future Project to o set our CO2 emissions. What about the next generation? We have teamed up with the Pilchuck Glass School in Washington to establish Autonoma, an international glass artist exchange program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. Anything else? Alongside We Are Venice, we recently introduced Vital, which aims to enhance the natural capital of the Venetian Lagoon. Without this important waterway, our company and city would not exist. lagunab.com

MARCANTONIO BRANDOLINI D’ADDA PORTRAIT: ALESSANDRO TREVISAN, CONSOLE PHOTO: JOSEPH KRAMM / JARR STUDIOS FOR LES ATELIERS COURBET, ALL OTHER PHOTOS: COURTESY RESPECTIVE COMPANIES.

Inset: a few of the profiles in Vent Walnut, Earl Walnut and Rokko Cedar.

Featured: Louvers in Earl Walnut M Exterior Finish

Toast

Established in a Wales farmhouse more than 25 years ago, the clothing company Toast has grown its o ering to include exquisite homewares produced by artisans, weavers and mills around the world. Despite its evolution, the brand’s values remain steadfast: champion a slower pace and more thoughtful way of life. CEO Suzie de Rohan Willner elaborates on the brand’s mission.

What makers do you work with? We search around the world for artisans who demonstrate specialist skills and techniques. Our hope is to provide a platform for their work to be celebrated and their story to be told in an authentic way. We want to help preserve traditional techniques that otherwise may be in danger of dying out, like this glazed terra-cotta waterpot handmade in Bristol (shown) that is based on a 16th century design. Why does craft have an enduring appeal? There is a growing audience who wants a more emotional connection to the objects in their home and to the person behind their creation. An increased awareness of our environment and a rejection of “mass” has meant we are choosing to buy less and selecting long lasting and meaningful objects. The recently launched Toast Renewed provides an iteration of this idea. It’s a unique collection of creatively repaired, one-of-a-kind pieces that have been given a new lease on life, increasing their longevity and progressing our circular approach to reducing waste. Where do you find inspiration? In stillness. It’s abou t being with people and things that bring joy and make you slow down. us.toa.st

Ecru

Founded by three childhood friends raised in Kuwait, lifestyle brand Ecru draws upon the ethos and cultures of Arab and Indian hospitality for inspiration. With a dazzling shopfront in Jaipur, Ecru collaborates with craftspeople in India, Syria, Lebanon and Sri Lanka who specialize in textiles, woodworking, glass, ceramics and metalwork. Creative Director Nur Kaouji discusses the company’s roots.

How did Ecru start? Growing up (with co-founders

Noor Al-Sabah and Hussah Al Tamimi) in Kuwait, we were surrounded by expats, particularly Arab and South Asian families. We were raised with an emphasis on the importance of hospitality and tradition, including sharing meals with loved ones. Our desire to carry on these rituals led us to launch Ecru, a br and that comprises beautiful handmade objects that elevate these interactions. Talk to us about your homewares. What excites us is the incredible legacy of craft around the world. We get to work with artists who keep traditions like block printing and metalwork alive. At Ecru, we are always looking to expand our artisan directory and I’m constantly on the hunt for inspiring people. How can design make a positive impact on our lives? Life has a way of throwing things at you, sometimes turning things upside down. One of our greatest salvages is nature and through nature, design. ecruonline.in

Sanayi313

Brothers Enis and Amir Karavil helm the interdisciplinary design brand Sanayi313 in Istanbul, where they have their hands in a number of exciting initiatives: a retail store, design studio, canteen, bi-annual magazine, atelier for unique projects and a newly launched furniture line that promotes their mantra, “move forward to the future with respect to the past.”

Why is it important to champion craft today? I prefer working with local craftsmen because what they create is always unique, and in the era of non-stop production this is a di erentiator. That human touch is essential because it gives a soul and special language to the work. Talk to us about your new furniture pieces. The Oblong Collection consists of so lid

maple burl and burned oak wood designs defi ned by massive, bulky forms and rounded corners, which echoes our “maximalist expressions in minimalist details” approach. Comprising stools, consoles, low co ee tables, side tables, and a dining table, the collection is made by hand in Istanbul, adhering to the city’s artisanal traditions where woodworking dates back thousands of years. It must be inspiring to be surrounded by so much history. Turkey’s location is at the crossroads of East and West, the vast lands once dominated by the Ottomans and home to many di erent civilizations with a rich legacy of craft since ancient times. These age-old traditions and techniques are still being practiced and lauded in many areas, but I believe new ideas come from studying the past. The solutions are there, you just need to reinvent them to create something inspiring. sanayi313.com

Jomo Tariku

Jomo Tariku, African culture has

for and the contemporary of American craft.

For Virginia-based, Ethiopian American industrial designer Jomo Tariku, African culture has always played a role in what he creates. As an advocate for change, Tariku co-founded BADG (Black Artists and Designers Guild) and continues to help move the needle forward for global design and the contemporary interpretation of American craft. The trailblazing talent’s work has even landed in major institutions including the Metropolitan Museum of Art.

Where did you learn to love design? Our home in Ethiopia was fi lled with beautiful objects. My dad was an avid collector of interesting pieces from Africa and around the world. During summer break, I would sketch these objects not knowing it would eventually lead to a career in design. How do African traditions play into your work? I did my undergraduate thesis on creating a modern line of African furniture and I have never wavered from that even though it has not been easy. Design is supposed to be a global language but until recently you would be hard pressed to fi nd a contemporary African design by a Black designer. I am always referencing my heritage. Even the inspiration for my Nyala chair (shown) are the horns of shy, an elusive mountain antelope from the Bale Mountains in Ethiopia. jomofurniture.com

The Last Craft

AT THE LE CRIN WORKSHOP IN THE FRENCH COUNTRYSIDE, MÉTAPHORES IS KEEPING THE SACRED ART OF HANDWEAVING HORSEHAIR ALIVE.

WRITTEN BY MARY JO BOWLING

It seems as if a heartbeat courses through the Le Crin workshop in Challes, a village in Northwestern France. The rhythmic whooshing sound filling the space comes from the movement of looms that have been weaving horsehair into lustrous fabrics since 1814. Although this is the last outfit of its kind, the pulse isn’t slowing.

Inside, artisans sit at the looms creating textiles. Wearing earplugs to muffle the sound, their focus is total as their hands thread hairs one by one into a shuttle with seeming superhuman rapidity, turning out roughly eight feet of fabric per loom each day. After the raw material arrives from Mongolia, it undergoes a series of meticulous steps including brushing, dying and pressing. The job calls for fast-moving minds as well as dexterous fingers, since

counting and tracking the number and color of strands is essential to creating such complex patterns.

The result is a product with glossy texture and depth— qualities Le Crin executives say attracts designers worldwide. “Horsehair is as soft as silk, but extremely resistant, showing little wear after decades of use,” explains workshop manager Nicolas Pioger.

Métaphores, the fabric company producing Le Crin under Hermès’ textile division, sees new horizons for this traditional craft. “We are working with designers to create modern furniture and accessories—anything is possible,” Pioger notes. “What doesn’t change is the expertise and unique savoir faire that goes into producing the material.” metaphores.com

Make space for me time.

Page-turners are even better when read in inspired corners filled with natural light. At Marvin, we help make space for moments like these with thoughtfully designed windows and doors. Each is custom crafted with an eye toward beauty and performance for all of life’s chapters.

Explore the many ways we can help make space for what matters most to you.

marvin.com

NOTABLES

BULTHAUP

Superlative craftsmanship defines the bulthaup kitchen. Contoured to the grasp, customizable to one’s preferences and open to shifting possibilities, bulthaup prisms are a stunning and practical storage solution that embodies great design.

bulthaupaz.com

FERGUSON BATH, KITCHEN & LIGHTING GALLERY

Renovating a room or building the perfect dream home? Ferguson Bath, Kitchen & Lighting Gallery has the best selection for every space. Their showrooms offer the finest brands showcased in stunning displays while dedicated consultants working one-on-one help clients find the perfect products for their homes.

build.com/ferguson

EGGERSMANN STUDIO SCOTTSDALE

AZADI FINE RUGS/ BELLA FINE GOODS

With a goal to surprise and delight, Azadi Fine Rugs and Bella Fine Goods offer an upscale collection of contemporary and antique rugs, rare jewelry, luxury home furnishings and fine art inspired by Arizona’s exquisite environment.

azadifinerugs.com

THE COLLECTOR’S HOUSE

Understanding the soulfulness of desert living and the need to experience quality of life through our outdoor oasis. The Collector’s House Gallery and Garden Studio is open to the public and trade.

thecollectorshouse.biz

Using glance glass doors mounted to the top and bottom of the casework with invisible, concealed air hinges, Eggersmann is able to create an uninterrupted view and thoroughly modern aesthetic that is available in five highlystylized metal colors. eggersmannusa.com

Milgard® AX550 Moving Glass Walls & Ultra™

Series C650

Fiberglass Windows Are The Perfect Combination.

AX550 Moving Glass Walls are an innovative solution that blurs the line between where your indoor space ends, and outdoor living begins. Pair with Ultra™ Series, our contemporary premium fiberglass windows and you’ve got a combination that is visually stunning and built to last.

Available from Lasting Impressions 4454 East Thomas Road, Phoenix, AZ 85018

CHANGE IS THE TREND

Join the industry pros on Las Vegas Market’s Ahead of the Curve panel as they share a peek into their trending revelations: color is back, new shapes are favored and dedicated rooms must function like never before.

WFH WORLD

Homes are now primary work spaces, not secondary. Therefore, we need to adjust for the increased use. They also require individual work spaces for all members of the household, so no longer is it one formal home study. As its use is more frequent, the office is also getting oriented to main views.

Erik Peterson | PHX Architecture Scottsdale, Arizona | phxarch.com

Hubbardton Forge Ume Collection Pendant Lights

Global Views Oslo Etagere

Charleston Forge Kennedy Desk

THE NEW NUDE

We are finally getting away from nude living spaces that are limited to a sea of shades of gray. Now, we’re introducing pops of color in blush, peach, mint, gold, black and white that are much more interesting and less monochromatic. While this trend was popular living through the pandemic, clients are embracing color again, which I believe serves as a gentle reminder that life is precious so we should live it out loud.

BRILLIANT HUES

We always love a good neutral environment, but are embracing more color this year in rich and subtle tones. Wallpaper, fabrics, cabinetry and paint are going deeper than we have been using in the past. Committing to color is exciting and pairs well with mixing and matching patterns and textures.

VEGAS MARKET AT WORLD MARKET CENTER IS OPEN TO THE TRADE ONLY, JULY 30 – AUGUST 3, 2023. REGISTER ONLINE AT LVMKT.COM/LUXE.

Diann Valentine | Exhilarate Experiential | Studio City, California | exhilaratexp.com

LAS

Global Views Bubbles for Brains in Brass ins

Sagebrook Home Modern Sofa in Blush

Platin Pavilion Custom Wall and Mural Painting Vanguard Beckett Desk

Sean Lavin for Visual Comfort Collier 48 Pendant ollier

Alder & Tweed Audrey Occasional Chair Occasional Chair

Sarah Latham | Latham Interiors Ketchum, Idaho | lathaminteriors.com

Walls

MARKET

Luxe explores innovative rug makers, unique floral designs and the next wave of Latin American creatives.

Completely Floored

FOUR AU COURANT BRANDS CHAMPION AN ARTISANAL APPROACH TO MODERN-DAY RUG MAKING.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

WRITTEN BY GRACE BEULEY HUNT AND SARAH SHELTON

LIVING HISTORY RHYME STUDIO

“The driving force was to tell a story of authentic Irish craftsmanship with an international, contemporary twist,” shares Claire McGovern of her studio. For the New Yorker by way of Dublin, the spark that led to her foray into the rug industry was hiding in plain sight: wool—a material indelibly linked with her home country—was a dying trade, accounting for just two percent of fibers sold or traded in the synthetics-dominated market. “Wool is extraordinary. It’s nature’s miracle fiber,” McGovern says. “Here is a material t hat you can bring into your home and it will literally purify the air and last you a lifetime.” With heritage and sustainability as founding principles, Rhyme Studio was born. Today, the atelier collaborates with historic Irish mills

to process native wool before it’s tufted by hand at their farmhouse workshop near Avoca in Wicklow. Ireland’s rich cultural tapestry imbues the brand in motif as well as material, with most designs offering modern riffs on tradition. Om, a collection defined by linear patterns, was inspired by a 1,600-year-old tree alphabet found on standing stones in the countryside. Works from the Báinín line feature pure Galway wool bedecked with motifs that evoke the stitching of an Aran sweater. And in M odernity, a series of minimalist geometrics in primary colors pays tribute to artist Kazimir Malevich and prolific Irish designer Eileen Gray. “I’ve always bemoaned the idea that a rug must be beige,” McGovern says. “Art should not be limited to any one media.” rhymestudio.com

HEIRLOOM QUALITY VERDI

Tomás Vera grew up idolizing his father Carlos Vera Dieppa, who wore his hair long, rode a motorcycle, enjoyed recreational aerobatics and didn’t start a traditional nineto-five until the age of 42 when inspiration struck to create a Japanese tatami-style mat from fibers found in his native Colombia. In time, the designs progressed to include latex backing, a leather border and later, pigments, patterns and ribbon-thin strands of metal. “It was the first rug of its kind and a revolutionary concept at the time,” shares Vera, who moved home to launch Verdi, a new business built upon his father’s vision after his passing. Verdi now employs an in-house team of 75 in addition to 30 families who harvest their marquee material, fique: a soft yet resilient vegetable fiber from

the Andean region. “We have a huge natural fiber catalogue because of the Amazon,” Vera says. “We’re always discovering new materials and exploring how to weave them for a contemporary ambiance.” Recent experiments at the Bogotá headquarters have seen Colombian fibers like plantain, cumare and worm silk woven with copper, stainless steel and silver-plated metals to mesmeric effect. “We consider our rugs to be art in their uniqueness and in the way they reflect light,” he adds. That the fastexpanding studio’s moniker pays homage to Vera Dieppa’s nickname underscores the next generation’s commitment to celebrating cultural and familial le gacies alike. “Verdi is not a brand, it is a story,” Vera says. “And this is just the beginning.” intl.verdi.com.co

photo: courtesy verdi.

CULTURE OF CRAFT STARK

No rug brand has its tentacles so deeply spread, linking master craftspeople all over the world with top designers and consumers alike. From artisans in Nepal trained in Tibetan knots to weavers in India working on looms, rug seekers have access to products made by mills specializing in authentic techniques unique to their region. “We have a handful of key vendors who each have their own flavor and aesthetic,” says Stephanie Muller, Stark’s vice president of product development and strategy. “They’re artists in their own right.” Not married to one look, Stark rather does it all: from their material inventory (silk, sisal, wool, and a new proprietary performance fiber, among others) to techniques both hand-crafted and mac hine-woven, to endless styles, like striking geometrics, painterly pastels, stripes, animal prints and traditional motifs.

“It’s always exciting to see their new technical developments and creativity,” Muller says. While the third-generation family-run operation recently marked 85 years in business, their commitment to artisanship remains at its core. Take the rug shown here: a recent collaboration with German company Rug Star is inspired by desert and urban landscapes and crafted in India using hand-knotted techniques. Think of them like a great connector—a connector of craftsman to consumer, a connector of inspiration to trends, and a connector of the past to the present. starkcarpet.com

AMERICANA ETHOS MERIDA RUGS

In the mid-19 th century, Fall River, Massachusetts, was the Silicon Valley of America’s textile manufacturing industry. Fastforward through decades of shifting global economies, and few active mills remain today. But one self-described counterculture company decided to put down roots in the storied area as some of the last big mills were shuttering. “We’re not going to survive in the United States unless we’re doing something extraordinary,” admits Merida Rugs CEO Catherine Connolly. That something extraordinary, for starters, is that each of the company’s rugs is made of all-natural materials sans chemicals. Another revolutionary idea? Empower local craftsmen by creating a workplace where weavers find joy and pride in their craft. Merida R ugs HQ is part production lab and part innovation hub, where skills are honed and techniques tested. The goal is to create an environment where weavers push the bounds of their creativity in hopes it carries through to the finished product. Leading the charge is artistic director Sylvie Johnson who approaches design with the curiosity of an art student (she has been known to study out-of-print books on pigments to find fresh hues). The brand releases one new collection a year, each marking a new chapter in the Merida Rugs’ story. Their latest collection, Arte Povera, is inspired by the Postwar 1960s Italian arts movement, the story of which is as rich as the rugs themselves. “They have presence,” says Connolly. “The rugs contribute to the conversation in a sophisticated way.” meridastudio.com

photo: rug, angel tucker; spools, richard powers courtesy merida rugs.

Boulder, CO | $15,000,000

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Hampton’s farmhouse-inspired architectural jewel with 261+ ft direct Intracoastal.

Premier Estate Properties, Inc.

D’Angelo/Liguori — +1 866 281 2158

Search QENA on luxuryportfolio.com

Austin, TX | Price upon request

This luxurious estate merges modern art with contemporary architecture on +1.2 acre lot.

Moreland Properties

Eric Moreland — +1 512 480 0844

Search PASK on luxuryportfolio.com

Redding, CT | $8,500,000

Sun-filled 6-bedroom home with pool, tennis, and luxury apartment. Close to town amenities and train.

William Raveis Real Estate, Mortgage & Insurance

Stacy Young — +1 917 816 6733

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Lake Toxaway, NC | $3,750,000

Luxury mountain home with panoramic views, European design, and modern amenities.

Silver Creek Real Estate Group

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Search CIKX on luxuryportfolio.com

©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

FANCY FLEURS

Unrestricted the bounds of a vase, three oral

Unrestricted by the bounds of a vase, three oral designers conceive artful compositions.

WRITTEN AND PRODUCED SARAH SHELTON

Sweet Spot

Name: Anastasia Kolesnichenko @vaasialis.

Home base: Cyprus. Origin story: I always wanted to work with flowers and objects. I practiced everyday and posted to Instagram. Overtime, I got my first orders. Style notes: Dreamy, fun and playful. Known for: Creating something new and turning flowers into my own unique species. Ethos: Flowers are emotions. They are alive, agile and have the ability to be reborn. Pick a favorite: Poppies. In the works: A commission for a jewelry brand.

A commission for a brand.

Clockwise from top right: Akoya Pendant in Vermilion / From $781 / rbw.com Belmondo Fabric in Corallo / Price upon request / dedar.com Bardi’s Bowl Chair in Orange / Price upon request / arper.com

Nama Sneaker in Green-Orange / $795 / chloe.com California Table by Elyse Graham / Price upon request / cultureobject.com Memphis Raku Mosaic Tile / Price upon request / newravenna.com

Small Hooks Coat Rack by Nathalie du Pasquier / $375 / store.moma.org

Natural Progression

ID: Aiste Kuchta @aikufloral. Coordinates: Global nomad. Approach: Floral arranging inspired by the seasons. Something to reconsider: Dying flowers are beautiful; imperfect blooms are unique. Tip to try: Let flowers move in their natural direction. Memorable experience: Foraging for icicles and arranging them alongside flowers. Manifesting: The film industry is something I’d be happy to be a part of! In the works: Events and floral subscriptions. Remember to…Enjoy the process.

Clockwise from top right: Arc Handle in Travertine by Bjorn x Lo & Co Interiors / $218 a pair / sandiegohardware.com Small Teak Opal Bookcase

Panel

Shelter Cove / Price upon

Dinner Plate in Green by Pottery & Pottery / $240 set of four / abask.com

PHOTO: DENIS KUCHTA.

The Oceana Collection by Bannenberg & Rowell Design Oceana Dining Arm and Side Chairs. Cushions in Perennials

Romantic Revival

Moniker: Natasja Sadi @cakeatelieramsterdam.

Sadi @cakeatelieramsterdam. and

HQ: Amsterdam. Specialty: Arranging and photographing real flowers with sugar flowers in the Dutch still life tradition. Modus operandi: Romantic, lavish and classic with a twist—more is more. Currently inspired by: The Vermeer Exhibition in Amsterdam. I’m obsessed with his use of light. Rule to break: Let go of color charts. When it is created by nature, it’s always complementary. Proud moment: Writing my new book A Sweet Floral Life

Clockwise from top right: Paloma 2-Light Sconce / $148 / maximlighting.com Roses Pompadour Wallpaper in Blue / $140 a roll / antoinettepoisson.com Blue Fluted Full Lace Cream Jug / $340 / royalcopenhagen.com Issima Velvet Fringe Cushion in Ladakh Ceder / $90 / theitihaascompany.com Priya Table / Price upon request / butlerspecialty.net Floral Jacquard Armchair in Pink Moire / $7,500 / gucci.com Scalloped Ceramic Fluted Door Lever in Le Jardin Blue / Price upon request / sherlewagner.com 14 kt Gold Black Velvet Pearl Chocker / $780 / mateonewyork.com PHOTO:

DISCOVERIES

CHRISTOPHER PEACOCK

VISUAL COMFORT & CO.

The Cristol small double sconce by Aerin is shown here in hand-rubbed antique brass with white glass. Priced at $579. visualcomfort.com

COSENTINO USA

Cosentino’s newest collaboration with designer and architect Daniel Germani decodes three timeless Italian stones: Vicenza, Travertine and Ceppo di Gré. The collection recasts them into versatile Dekton surfaces for today—indoors or out. cosentino.com

Christopher Peacock introduces The Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware finishes available. peacockhome.com

STARK

The Koa ivory rug features lush texture matched with performance. Made of 100percent STARK performance acrylic, this beautiful rug can withstand any lifestyle. Braided soumak weaving combines with high-pile shag for coziness and character alike. starkcarpet.com

PAUL FERRANTE ERRANTE

Paul Ferrante introduces a polished uces a twist on an old classic. With copper c. With copper banding, the timeless Eternity meless chandelier is elevated to a new height. to a new Item 2099-C, it can be customized. be customized. Price available upon request. e upon request. paulferrante.com ulferrante.com

WEATHEREND ESTATE FURNITURE

As durable as it is beautiful, the Westport swivel chair by Weatherend is constructed for the outdoors and finished with Weatherend’s Yacht finish. Generouslyproportioned and topped with plush cushions for extra comfort, it is available in any color or natural woods.

weatherend.com

LEGNO BASTONE WIDE PLANK FLOORING

St. Moritz-G1 is a handcrafted, select-grade finish from the European Elegance collection. This is more than just a product; it is a passion that becomes “custom-designed furniture for your floor.”

legnobastone.com

BOKARA RUG

This rug showcases a contemporary pattern of blue, ivory and black tones. Hand-knotted from the highest quality wool and silk, it provides an elegant foundation for any space. bokara.com

Sacred Storytelling

AT THE RENOVATED HISPANIC SOCIETY MUSEUM & LIBRARY, LATIN AMERICAN MAKERS SHOWCASE WORKS HONORING THEIR HERITAGES AND INSPIRATIONS.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

HALLOWED HALLS

Founded in 1904, the Hispanic Society Museum & Library has emerged from a yearslong renovation at the hands of Selldorf Architects. The storied institution houses an extensive collection of art and artifacts from Spanish- and Portuguese-speaking countries. The museum aims to amplify and uplift Hispanic heritage and creativity, including Latin American artists forging their own multicultural identities.

Nestled under an ornate terra-cotta archway in the Main Court, Juliana Lima Vasconcellos’ eucalyptus wood Giraffe chairs flaunt their angular silhouettes. The Brazilian architect and designer cites her home country’s rich cultural mix— specifically African and Portuguese colonial influences—as sources of inspiration. hispanicsociety.org, theinvisiblecollection.com

WRITTEN BY KHADEJAH KHAN PHOTOGRAPHED BY THE INGALLS

GEOLOGICAL GEMS

José Miguel Schnaider considers himself part designer and part explorer of the mineral world. As the founder of Mexico City’s Sten Studio, he leans into local lapidary traditions when conceiving his designs. “I am proud to be Mexican and Latino, but I do not necessarily need to follow a specific aesthetic,” Schnaider remarks. Rather, he offers

fresh interpretations of cultural heritage. His VSII.I and VSV.III stools—placed on a stairway adorned with 3rd-century Roman mosaics from Spain—are composed of dark lava stone and red travertine and blue calcite, respectively, acting as a visual metaphor for volcanos and a tribute to Mexico’s volcanic belt region. stenstudio.com

STITCHED TOGETHER

Rhode Island School of Design alumna Alexis Tingey spent her childhood summers in Mexico where she learned embroidery from her grandmother. Tingey’s Don’t Remind Me hammock—showcased in front of Spanish artist Joaquín Sorolla’s Vision of Spain (1912-1919) in the Sorolla Gallery—speaks to the physicality of memory. The hand-welded

patinated steel base supports a hand-pleated linen fabric collage depicting “personal items intended to be forgotten.” Tingey, whose first studio collection launches this year, is eager to see more women of Latin American origin represented in design to usher in rich storytelling, new ideas and unheard voices. alexistingeydesign.com

ORGANIC STATE

Since founding Studio Galeón in 2017, Lula Galeano has watched the design landscape evolve to include more awareness around non-Eurocentric craft. A multidisciplinary designer who splits time between New York, London and her home country of Argentina, Galeano frequently collaborates with skilled artisans to enhance the beauty of natural materials used in her work. For Lampara 1 and Lampara 2, shown

here, Galeano joined forces with millworker Christopher Gatton to achieve the lamps’ perfectly unrefined shape. The bases are remnants of stone boulders sourced from Mexico which retain their jagged forms, save for polished edges. Each one-of-a-kind piece is outfitted with sleek brass hardware and a smooth blown glass opal bulb. studiogaleon.com

We understand the importance of a statement. Our extensive collection of marble, quartzite, granite, soapstone, and quartz are sourced through our trusted partners across the globe. Every material’s path to your project ensures more than a statement piece – it’s an entire story in itself.

BOTANICAL BEAUTY

Artist Lufti Janania’s childhood growing up on a rural bioreserve between the mountains and rainforests in Honduras continues to inform his eye today. Working out of a Brooklyn studio, he creates fantastical objects, sculptures and installations from botanicals and flora. His latest collection, a series of mirrors fitted on custom wood frames draped in woven

palm fiber, like the Tela, seen here, features hand-sewn, delicately pleated curled rosettes. Janania counts Latin America’s indigenous heritage and colonial history—specifically in Honduras where Mayan ruins and Baroque architecture meet—as additional sources of inspiration, taking in the visual romance and ornate decoration to inform his work. rosalila.co

CURVY CHARACTER

“I adapt and take from wherever I go,” explains artist Giovanni Valdeavellano of where he pulls inspiration. For the New York–based talent, and founder of Studio Poa, that includes fashion street style, his childhood in Guatemala and the ways in which information is readily shared and consumed. The Santiago Chair 1 and Santiago Chair 2, shown here,

are made of solid ash, stained and then finished in hard wax oil. The design explores how a seat can make one feel transformed into a different character—like how a king feels on a throne or a defendant feels in a courtroom. This particular pair are shaped like guitars, intended to make the sitter feel like a rockstar. lovehouseny.com

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

SMITH DEVELOPMENT & CONSTRUCTION COMPANY I PHOTOGRAPHY MILES MINNO

LIVING

From Texas to the East Coast, revel in welcoming kitchens and baths that channel a sought-after joie de vivre spirit.

Worldly Appeal

BEHOLD KITCHENS AND BATHS WHERE OLD-WORLD ELEGANCE IS ON FULL DISPLAY.

WRITTEN BY ALYSSA BIRD | PRODUCED BY SARAH SHELTON

For a Georgian-style home in Maryland, Winsome Interior Design outfitted the kitchen with cabinetry from their line with Unique Kitchens & Baths and a custom cherrywood island. The pendant light is by Il Fanale.

CHARM CITY

WINSOME INTERIOR DESIGN

The homeowners of this Churchville, Maryland, residence couldn’t resist its Georgian-style architecture, but the dated 1980s kitchen was in need of a refresh. They called on Arianna Pannoni and Kasey Bedford of Baltimore-based firm Winsome Interior Design to reimagine the space. The result is strikingly elegant and in harmony with the structure’s traditional bones.

What were the project mandates?

Our clients wanted the kitchen to feel lived in, cozy and historic. They are casual people, but they also like a bit of formality.

Tell us about the major design elements. We kept the existing brick range niche but limewashed it and added more grout to give an ol der appearance. The cabinets are a simple, elevated shaker style that has been around for hundreds of years. We designed the island to look like a piece of furniture since kitchen islands weren’t a thing back in the day, and we also incorporated hand-distressed ceiling beams. The open shelving acts as a display area for the client’s collection of vintage china.

What other details lend to the charming feel? Hanging wood and copper pots adds warmth, while a new milk-glass fixture exudes a vintage ambiance. We also used finishes that will only get more beautiful with time: the unlacquered brass will develop a patina and the marble will gain character as it stains.

Arabescato Corchia marble countertops make a dramatic statement. The faucet is from Newport Brass and the sconces are from Visual Comfort & Co. photo: stacy zarin goldberg.

In keeping with the revamped kitchen, Pannoni and Bedford also turned their attention to the home’s mudroom and powder room, replacing dated elements to highlight the abode’s historic feel. “We wanted to have some fun in these spaces and bring out the drama,” Bedford says. They enveloped the mudroom—

including the walls, trim and ceiling—in a deep oxblood shade from Farrow & Ball and carried it through to the adjacent powder room trim. Meanwhile, a whimsical wallpaper from Osborne & Little featuring birds and lush foliage enhance the striking red tone. “The vintage-inspired console sink harkens back to

Georgian style, the classic floret penny tile is also a nod to old-world design, and the antiqued brass touches tie to the kitchen finishes,” Pannoni notes. “Our client allowed us the creativity to think outside the box,” Bedford adds. “Every space is dramatic in its own way.” winsomeinteriordesign.com

photo: stacy zarin goldberg.

A Rejuvenation sconce illuminates the powder room, which is swathed in Osborne & Little’s Netherfield wallpaper and accented with Farrow & Ball’s Preference Red. The Vintage Tub & Bath sink console is fitted with a House of Rohl faucet.

TILE TALK

A CROP OF NEW COLLECTIONS MELDS AGE-OLD STYLE WITH MODERN-DAY FUNCTION.

FLUTES OF FANCY

Part Art Deco and part 1970s Milanese glam, the Lapidary collection from clé incorporates three di erent styles: rough-cut mosaics, smooth-cut ovals and sculpted curves (shown). Perfect for wall treatments, these concave and convex designs come in two sizes and a variety of stones, including travertine, Carrara, Calacatta and Verde marbles. cletile.com

IN BLOOM

House of Hackney teamed up with British tile manufacturer Craven Dunnill Jackfield to introduce a line of handmade ceramic tiles that evoke Victorian-era drama. The collection features 19 th -century reproductions of two Jacobeaninspired fl orals—in both monochromatic relief and vivid screen-printed versions—as well as an a rray of solid-colored square and brick tiles in addition to flat and raised dados. houseo ackney.com

GOING WITH THE GRAIN

The Helene porcelain tile collection from Ann Sacks—o ered in three oak-inspired shades and both three-inch-wide planks and 24-inch-square parquetry forms—can be used everywhere from floors and fireplace surrounds to walls and backsplashes (and even outdoors in certain climates). Better yet, this revival style synonymous with European allure is made of 40 percent recycled material. annsacks.com

ENGLISH LE SSON

MAESTRI STUDIO | GALLERY

When Dallas clients tapped local firm Maestri Studio | Gallery to rework the kitchen in their Tudor-style home, the design team kept the structure’s existing architecture top of mind. “The residence was built during the 1970s to look older than it is,” notes architect Eddie Maestri. “It’s inspired by old English estates, and there were already some nice details including arches, moldings and leaded-glass windows.” In addition to relocating the space from the back of the house to the front, Maestri’s team also added a dining nook that separates the main kitchen from a pantry and storage area. “The nook serves as a statement at that end of the room,” continues Maestri, whose team designed a custom banquette with a dramatic arch that mimics the nearby doorways. “We wanted to play up the original architecture and make the space feel cohesive. It’s like it has always been there.” maestristudio.com

For the breakfast nook, interior designer Katie Paulsen of Maestri Studio | Gallery selected a custom oak banquette stained in walnut and topped with an upholstered cushion of performance velvet and vinyl by Wolf-Gordon. The light fixture overhead is Visual Comfort & Co.

New Design & Recipe Book

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TRENDS IN BUILDING, DESIGN + RENOVATION

It takes a special expertise and vision to understand the wants, needs and desires of today’s homeowners and their families, and then make them reality. Whether it’s a “from-the-ground-up” custom build, a blank-slate renovation or the simple redesign of a space or environment in an existing home, the keys to success are the talented architects, interior designers, builders, artisans, craftspeople and innovators who bring beauty, form and function to the work they do and projects they inspire. Luxe Interiors + Design is pleased to unveil Trends in Building, Design + Renovation, a unique special section that introduces the most gifted minds and creative spirits in design, construction and renewal to those looking to reinvigorate their homes, elevate their daily lives and enhance their lifestyles.

Sub-Zero, Wolf, and Cove

TRENDS IN BUILDING, DESIGN + RENOVATION | ARIZONA

“Our

DISTINCTIVE CUSTOM CABINETRY

623.414.4722 | distinctivecc.com | distinctivecustomcabinetry

Exceptional quality, outstanding craftsmanship and a custom approach to design and construction are the keys to delivering great products that stand the test of time. For more than 16 years, Marc Poortinga and Mike Cook, owners of Distinctive Custom Cabinetry, have worked in close collaboration with their team of expert finishers, engineers, carpenters and installers to build a state-of-the-art factory and respected firm that has become Arizona’s premier custom cabinet shop. Specializing in bespoke cabinetry, closets, millwork and more, each and every one of their products is made locally at their innovative workshop. With over 1,000 door styles and finishes to choose from at their impressive showroom, Distinctive Custom Cabinetry is able to customize anything that a client may want, need or imagine for their new home or remodel projects.

DISTINCTIVE DESIGN INSIGHTS

What is trending with designsavvy Arizonans? Distinctive’s Marc Poortinga and Mike Cook have the answers.

• Organic design, light-stained and naturally-finished wood.

• Rift and plain-sliced oak and walnut.

• Jewel-toned paint colors.

• “Less is more” kitchen and bath designs.

• Unlacquered brass and gold tones.

• Catering kitchens, secondary kitchens and butler’s pantries.

Top Designed by Kristin Hazen Design, this kitchen’s warm neutral tones and rich organic textures create the perfect showcase for the rift-cut, white oak cabinetry with its natural stain and light glaze and a handsome island with painted Shaker doors.

Photography Dan Ryan

team will work in close collaboration with you to assure that your custom home is uniquely you.”

TRENDS IN BUILDING, DESIGN + RENOVATION | ARIZONA

ARIZONA MUSTS

Mark Baraghimian shares two of First Impression Ironworks’ most in-demand designs.

• Most Popular:

Our elegant steel and glass iron entry doors customized with kick plates, sidelights, transoms, stylish iron hardware, artisan glass and an array of powder coat and faux finish options.

• Most Environmentally Sound: First Impression iron entry doors and security screen doors with hinged or fixed-glass panels optimize the beautiful desert light and control airflow without undermining security.

TRENDS WITH BIG IMPACT

FIRST IMPRESSION IRONWORKS

480.320.4983 | firstimpressionironworks.com | firstimpressionironworks

Quality, craftsmanship and collaboration forge great design. Since 1995, the awardwinning team at First Impression Ironworks has been creating exceptional custom iron doors, gates, railings, staircases and more. “All of our handcrafted iron pieces are custom designed and built to our clients’ exact specifications,” says Mark Baraghimian, CEO. “That means that no two of our designs are the same.” Whether contemporary or traditional, each FII product is handcrafted right here in Arizona. “We take great pride in our superior-grade, 100-percent American-made steel, as well as our welds and powder coat finishes,” Baraghimian adds. “The entire process—from design to fabrication to delivery and installation—is handled by First Impression and not passed off to other business entities. Because of this approach, our clients are guaranteed the high level of quality and consistency they expect.”

• Automating property gates, including driveway, entryway and side gates.

• Adding smart, digital keyless door locks with numeric codes or fingerprint technology.

• Using a pivot door instead of one with hinges to emphasize clean lines and simple shapes.

• Designing an iron courtyard gate to match the iron front door for a stunning combination.

Above An interior view of a French Night Groove double iron entry door with satin-etched hinged glass panels, raven texture powder coat and black pearl rubbed faux finish. Top An elegant contemporary iron entry door design with fixed sidelights and transoms is finished in a stylish raven texture. Left This French Night Groove double iron entry door is complemented by a Night Groove courtyard gate with fixed side panels and steel mesh inserts in a raven texture powder coat and black pearl rubbed faux finish.

“We’ve designed, built and installed over 300,000 custom iron doors, gates and products for Arizona’s most luxurious homes.”

INNOVATIVE POOL SYSTEMS

480.717.1424 | innovativepoolsystems.com | innovativepoolsystems

Creating exceptional outdoor spaces for working, playing and entertaining is a trend that just won’t quit. At the forefront of this is David Covarrubias and his expert team at Innovative Pool Systems in Scottsdale. “We first began offering luxury pool design and installation in 1991,” Covarrubias says. “Since then, we’ve expanded to provide a wide range of design and construction services, including custom masonry, landscaping, custom lighting and more.” A major factor in Innovative Pool Systems’ success is their collaborative spirit and client-first approach. “We work hand-in-hand with each client to gain a true understanding of their needs and desires,” Covarrubias shares. “We then translate those ideas into fully-realized designs that become the oasis of their dreams. Throughout the design-build process and beyond, we deliver reliable work and friendly service that exceeds expectations.”

DIVING INTO DESIGN

David Covarrubias shares some of his clients’ top requests.

• Negative-edge pools

• Shade structures

• Spas

• Baja shelves

• Linear pools

• Swim-up bars

• Recessed outdoor kitchen areas

SIGNATURE SERVICE

“Our Innovative Pool Systems ‘difference’ is a comprehensive design-build program where, first, our five-star design team works in close collaboration with each client to develop the design that best meets their wants and needs using 3D software,” Covarrubias explains. “Then, our expert construction crews bring that design to reality with high-quality work and excellent materials. By keeping design and construction in-house, we maintain full quality control, provide timely and accurate construction updates and deliver pools and landscapes that are affordable and luxurious.”

Top This gorgeous custom-built 50-linear-foot-long pool provides state-of-the-art automation that controls the in-floor cleaning system, spa heater and fireplaces. Bottom A true oasis, this property features a negativeedge pool and spillover water feature, a life-size limestone and turf chessboard, lush landscaping and an outdoor fireplace. Designed by Carly Schroeder.

Photography Ethan Cooper Photography

“As a family-owned and operated business, we are committed to delivering outstanding customer service and quality results.”

SUB-ZERO, WOLF, AND COVE

480.921.0900 | subzero-wolf.com/scottsdale | subzerogroupsw

Whether it’s a luxurious custom new-build, the restoration of a landmark property or the renovation of a much-loved family home, the kitchen is the soul of any project. Known around the world for superlative quality, style and innovation, Sub-Zero, Wolf, and Cove appliances bring design dreams to life from their state-of-the-art Scottsdale showroom. “Ideal kitchens begin here,” the team says. “Both in-person and virtually, our expert consultants and dedicated trade representatives work closely with homeowners and design professionals so that they can see, feel and experience our complete product lines firsthand. From gathering initial inspiration to encouraging clients to turn knobs, open drawers and ignite flames in our kitchen vignettes to delicious cooking demonstrations to the installation of the perfect pieces and beyond, we are committed to exceptional service every step of the way.”

BRAND AWARENESS

Icons of design and paragons of performance, Sub-Zero, Wolf, and Cove are the refrigeration, cooking and dishwashing specialists of choice in the world’s most luxurious homes.

• Su b-Zero Refrigeration: More than just a refrigerator, Sub-Zero is the preservation authority that keeps food fresher longer and guards the finest wine collections.

• Wolf Cooking: With a proven professional pedigree, Wolf equips the family chef with the confidence to create the meals that memories are made of.

• Cove D ishwashing: From completely flexible interiors to near-silent operation, Cove ensures spotlessly clean and dry dishes with every load.

Top A visit to Sub-Zero, Wolf, and Cove’s newly renovated Scottsdale showroom reveals more than 16 local designers and cabinet companies whose collaborations will inspire any kitchen project.

Right From planning with product experts to making delicious memories at home, the Scottsdale showroom is the place to bring visions to life. Far right With nearly every product on display, Sub-Zero, Wolf, and Cove’s Scottsdale showroom fits any need, taste or style, perfectly.

“We are dedicated to helping our clients create the most functional, flexible and beautiful kitchens they can dream up.”

YOUR FUTURE KITCHEN STARTS HERE.

THE SUB-ZERO, WOLF, AND COVE SHOWROOM IS DEDICATED TO HELPING YOU CREATE THE FUNCTIONAL, FLEXIBLE AND BEAUTIFUL KITCHEN OF YOUR DREAMS.

TRENDS IN BUILDING, DESIGN + RENOVATION | ARIZONA

VENETIAN OUTDOORS

480.322.4451 | venetianoutdoors.com | venetianoutdoors

Enduring know-how, comprehensive skills and a collaborative spirit turn design visions into breathtaking realities. So it is with Matt Coyle and his award-winning team at Venetian Outdoors. Since 2011, they have been designing and building beautiful, innovative and inviting swimming pools and outdoor spaces. “I grew up working for my father’s swimming pool business right here in the Phoenix area,” Coyle says. “Armed with that knowledge and experience, I started Venetian Outdoors with the idea of not only building pools but working hand-in-hand with homeowners to create luxury backyards.” A true design-build firm, the Venetian Outdoors team includes licensed pool experts, in-house design professionals, a landscape architect, a full-scale drafting department and a savvy construction group. Coyle adds: “We specialize in complex designs that enhance our clients’ lives and lifestyles.”

OUTDOOR INSIGHTS

• Describe your signature service. Most homeowners hire a design firm, then a pool builder, then a landscaper and so on, with the hope that they all mesh. We offer all of these elements in-house, which creates a more fluid experience.

• What is your top client request right now?

To create outdoor spaces that connect seamlessly with the interior design.

• Share the latest design trends. Right now, we’re seeing a more modern aesthetic with straight lines and clean angles. We are also using fire in a lot of different ways, from unique fire pits to fireplaces, fire bars and even floating fire features.

• What are some of the smaller renovation projects you’re taking on?

There are thousands of pools in need of renovation throughout the Valley. Big or small, we can replace deck materials, add water or fire features, change pool depths, add bars, pergolas, barbeques and much more.

Top & Bottom A Paradise Valley collaboration with home builder DRRL Construction resulted in an elegant and enticing outdoor environment.

Photography Ethan Cooper Photography

“Our full-scale construction team has the expertise to implement every fine detail of our unique highquality designs.”

art

Deep Roots

Architecture: Mark Candelaria, Candelaria Design Associates

Interior Design: Anita Lang, IMI Design Studio

Home Builder: Brett Brimley, Brimley Development

WRITTEN BY TATE GUNNERSON

PHOTOGRAPHY BY ISAAC BAILEY

Iwanted this house to feel like it was pulled from the ground,” a Paradise Valley homeowner muses. “It was designed to be a dwelling.” What he means by this term, he explains, is that he and his wife wanted the abode to be much more than simply a place to live. “This is a place to plant roots,” he says.

Knowing they needed a visionary team to achieve this goal, the couple turned to residential construction advisor Keith Galbut to assemble a group of renowned design pros: designers Anita Lang and Gil Pinto, architect Mark Candelaria and residential designer Damon Wake, and builder Brett Brimley. Their directive? To create a generational home that would reflect both the desert and the husband and wife’s respective histories in Guatemala and Michigan. “They wanted it to be very family oriented and livable,” Candelaria explains. “They didn’t want a sterile home.”

Five years later, the result is a contemporary stucco abode with expansive floor-to-ceiling and clerestory windows that frame mountain peaks and flood the interior with light. Natural materials inspired by the surroundings add a sense of warmth and timelessness to the linear architecture. “We wanted to connect to the vernacular of the Sonoran Desert,” Lang says. “What that meant to us was pulling materials that would be representative of that topography and terrain.”

A prime example being the massive floating fireplace made of rammed earth in the great room. Resembling the strata of Arizona mountains, it creates a powerful focal point. “It’s like a magnet that holds the energy of the house, you cannot help but be drawn to it,” Candelaria comments. Although smaller in scale, another double-sided, rammed-earth fireplace likewise energizes the primary bedroom suite, creating a sense of separation between the living and sleeping areas.

The careful selection of materials didn’t end with the fireplace, Lang notes. Large-scale, leathered-limestone flooring, rift-sawn oak cabinetry and oak-plank ceilings were all chosen for their “natural tones, texture and authenticity,” she notes. “The overall feel is nurturing.”

And to an extent, she means that literally, as the health-focused wife grows vegetables and

herbs in the house’s center solarium, which showcases a verdant living wall—a purposeful nod to the greenery in her home state. References to the husband’s South American roots are likewise sprinkled throughout the property. To wit, carved Mayan masks adorn the walls in the flex room, a cozy gathering spot for the family to curl up and watch TV. And the oak bar in the great room is accented by a raffia paper with a basket-weave texture that resembles the Zacapa rum label.

The organic nature of the home drove the furnishings. “In a space like this where I’m downplaying color, texture and form are especially important,” Lang explains. In the great room, a tailored Italian sectional and a pair of sculptural 1970s-era chairs with cognac-leather cushions by Brazilian designer Sergio Rodrigues surround a custom oak coffee table with interlocking layers—a piece that was inspired by the area’s eroded canyon walls.

In another vernacular nod, this time to Arizona’s copper-mining industry, see the tiered copper chandelier in the dining area that illuminates a round table with a petal-like base. Both the light and the table’s shape reinforce the owners’ concept of bringing people together. “A circle is all about community,” the husband says, noting that such connections can also be made in the hot tub or around the fire pit. “Everyone can look each other in the eyes and have conversations.”

To enhance this entertaining vibe and facilitate an indoor-outdoor lifestyle, Candelaria placed the bar near the sliding doors off the great room. “When the doors are open, the living room, in essence, becomes your patio,” he comments. “It energizes the whole space.”

After the years-long project wrapped up, the couple didn’t wait long to use the home as they’d always intended. Shortly after moving in, they hosted a birthday party for the husband, hiring a DJ and providing guests with headphones to ensure the festivities could continue well into the evening without violating local noise ordinances. It’s just the first of many jovial gatherings they plan to hold. “This is a place to build memories and deeper relationships with people we value, hopefully for many generations,” the husband says. “This is where our family has planted its roots.”

A custom screen with an integrated bench devised by designer Anita Lang and crafted by Rysso Peters provides both a sense of separation from the built-in dining banquette and a place to display earthenware by Nicholas Bernard from Larsen Gallery.

Above: Playing off the hues in the rammed-earth fireplace, a custom rug anchors a sectional sofa by Kravet in the primary suite’s seating area. A vintage chair by David Stary-Sheets from Red Modern Furniture nods to the organic palette.

Opposite: A lush contrast to the desert landscape, a verdant living wall by Plant Solutions in the center of the home defines a light-filled solarium. Rysso Peters encompassed the space in teak wood.

A chandelier by Catellani & Smith illuminates an oak table by Randolph & Hein in the open dining area, which includes a bespoke buffet by Rysso Peters. The wallcovering is by Phillip Jeffries from John Brooks.

Opposite: Concrete countertops from SlabHaus and a textural wallcovering by Keleen Leathers accent the cerused-oak cabinetry in a chic bar that serves both the interior and exterior living areas. Vondom stools make for stylish seating.

Above: In the powder room, a split-face golden onyx stone from Solstice Stone creates a textural backdrop for a bespoke walnut sink by Peter Thomas Designs. The showstopping ceiling-mounted faucet is by Jaclo.

Opposite: The breakfast nook is a cozy spot thanks to a built-in banquette by Rysso Peters upholstered by National Contract Furnishings. It perfectly pairs with a Pfeifer Studio table customized by Peter Thomas Designs and Stone Craft Unlimited.

Above: A colorful contemporary nightstand flanks an upholstered headboard in the guest bedroom, which is appointed with a wallcovering from Élitis and bedding from Delilah Home. The art is by R.C. Gorman.

Opposite: Concrete countertops from SlabHaus complement white oak wall paneling and handsome cabinetry by Lang and Rysso Peters in the primary bathroom. An Ash NYC brass arc bench from 1stdibs completes the scene.

One To Remember

Taking

WRITTEN BY JENNIE NUNN PHOTOGRAPHY BY KEVIN BROST

Interior Design and Home Builder: Kaitlyn Wolfe, Iconic by Kaitlyn Wolfe

or this Paradise Valley family, the journey to finding their dream home began with a single property tour accompanied by designer and general contractor Kaitlyn Wolfe. The clients—a real estate broker, his wife and their two teenage daughters—had not yet purchased the house, but they were already confident that Wolfe could conceptualize and plot the transformation of the dated Tuscan residence into a light and crisp space.

“There was purple Venetian plaster in the dining room,” recounts Wolfe of the 6,300-square-foot home with dark and heavy features spanning brown-and-white mosaic bathroom tile, squiggly wrought-iron sconces and dusty-yellow Venetian plaster walls. “Clients usually come to us right after closing, but since the home was far off from their style—which is white, clean and minimal—they were thinking, ‘This has good bones, but we need to be sure we can revamp it.’ ”

One month later, Wolfe jumped into the reimagining of the early-aughts interiors. The key, she explains, was to make the original architecture work with the new design. “It was about lightening everything up,” the designer says, “but keeping some of those existing details.”

Three features became the impetus for the overall scheme: the hallways and bedrooms’ many arches (the spaces have more than 40), an elaborate coffered ceiling in the living room and intricately carved wooden interior doors. “Because the ceilings and doors were dark wood, they weren’t necessarily something the clients would’ve chosen if they had started with a blank canvas,” Wolfe notes, “but these details brought so much character to the home. Since we wouldn’t typically design a ceiling like this, it was exciting to start with it as our inspiration.”

The wood is not the only material Wolfe chose to preserve. “We basically gutted the entire home,” she recalls, “but we kept the Cantera stone and distressed limestone.” And simple changes such as removing iron figurines from the doors and painting the trims on arched windows black made a big impact.

But, while working with existing elements was central to the design, so was incorporating new ones to reflect the clients’ sophisticated, contemporary leanings. Calacatta Viola marble serves as a focal point in both the breakfast nook, where it’s used as flooring, and in the primary bathroom as a surround. And agglomerate marble on the kitchen’s perimeter countertops and hood adds depth to the white space.

It was important to continue the modern vibe with the furnishings, but also to make sure there would be a feeling of warmth. “They didn’t bring a single piece of furniture from their old place, we filled their entire house top to bottom so they could move right in,” notes Wolfe, who gravitated toward neutral pieces in a range of materials that established a layered coziness. Leather and fabric seating, a cement coffee table and travertine cocktail tables all add interest in the black-and-white living room. Light wood and nubby seats make for a laid-back dining room. And wood, rattan and velvet provide texture in the subdued primary bedroom.

To suit nearly every family need, the designer carefully incorporated custom touches such as a kitchen with a coffee bar and a built-in pet depot equipped with motion-sensing LED lights that illuminate the water and food bowls for the family menagerie (two dogs, Chako and Boi, and a cat, Sphynx). An existing wine closet became a walk-in library and she created a Jack-and-Jill bathroom with a convertible chair-within-thevanity design. “The girls’ bathroom gets me every time because it’s just so unique,” says Wolfe of the space where, with a cabinetmaker, she designed two pull-out chairs that neatly tuck away and appear as part of a 10-foot-long floating vanity when not in use. It allows both girls to have a seated area to get ready together, yet still looks clean and minimal when the chairs are pushed in.

Wolfe, along with the entire family, could not be more pleased with the final result. “It came out even better than we could have imagined,” she enthuses, pointing to the many custom details that still keep with the original architecture. “We took several design risks and tried new things, and it’s one of the most innovative projects we’ve ever done. We still talk about this house, and it’s one that we will never forget.”

“We

new life

fresh

incorporated the existing interior doors and stone, but gave them

with

flooring, lighting and paint,” designer and general contractor Kaitlyn Wolfe says. European oak from D&M Flooring runs underfoot in the hallway beneath a pendant from Hudson Valley Lighting Group.

A seating area in the living room features a Global Views leather daybed, Four Hands sofa, CB2 travertine coffee tables and tobacco-leather chair from the same brand. “We love the mix of materials,” Wolfe notes. “It brings a curated feel.”

Left: “We decided to go for a micro art moment with three different media of work,” the designer says of the entry niche. The scalloped bench is antique.

Opposite: For the breakfast nook, a built-in banquette is paired with Noir dining chairs around a table by Josh Makes. Above hangs a chandelier from Visual Comfort & Co. Calacatta Viola marble flooring anchors the space.

Above: Pegasus quartz on the kitchen island complements the aggregate stone of the perimeter counters and hood, both from Arizona Tile. The white oak counter stools from 1stdibs mingle with the matte-black Brizo faucet and Syfte Collective sconces.

Opposite: Playing off the home’s existing round shapes, Wolfe appointed the dining room with a cylindrical-leg table and curvaceous chairs, all from Maiden Home. A chandelier with circular orbs from Currey & Company crowns the scene.

Above: The Jack-and-Jill bathroom is outfitted with white oak custom cabinetry, quartz countertops from Bedrosians Tile & Stone and Akdo wall tile from Craftsman Court Ceramics laid out in a plaid pattern. The sconces are Visual Comfort & Co.

Left: For a gallery wall in the older daughter’s bedroom, Wolfe procured prints from Etsy and installed them over the lacquered CB2 dresser. On the floor lies a Nordic Knots rug.

The primary bath is framed by cross-reeded doors. Calacatta Viola marble tile from Bedrosians Tile & Stone encircles the freestanding Signature Hardware tub and completely fills the shower interior.

“We took several design risks and tried new things, and it’s one of the most innovative projects we’ve ever done.”

–KAITLYN WOLFE

Seek and Find

In his collage paintings, a Phoenix-based artist builds an intricate visual language layer by layer.

WRITTEN BY MONIQUE MCINTOSH | PHOTOGRAPHY BY BRANDON SULLIVAN

Artist Fausto Fernandez incorporates motifs of mathematics and machinery as a metaphor for human behavior, such as in Quetzalcoatl (below), The

The prismatic collage paintings of Fausto

Fernandez never feel merely two-dimensional. The Phoenix-based artist excavates meaning by merging photography, found media and abstract explosions of color. And his subject matters follow suit. Working in series, his poignant inspiration ranges from math equations to Navajo rugs, and from outer space to the U.S.Mexico border culture he experienced growing up in Juárez. “I’m always trying to push myself into an uncomfortable zone,” Fernandez says of his richly layered style. “Because if it becomes a formula, there’s no challenge.”

His approach stems from a background studying painting and graphic design at The University of Texas at El Paso. Before the world’s digital evolution, graphic art was still primarily a tactile experience, with compositions drawn and cut by hand. Even as Fernandez pivoted more toward painting after graduation, he still enjoyed “the old-school process of cutting and assembling things,” he recalls. Weaving these cut layers into his work became inevitable. His techniques have grown more dynamic with time, each series inviting new applications. Fernandez employs different painting styles to convey movement, whether using brushes to create free-form acrylic drips or textured spray paint to add grit and diffusion. For the collage elements, he incorporates both archival images and his own photography, highlighting and obscuring the subjects under swaths of paint. Fernandez then hunts for paper ephemera with interesting motifs and histories. Think old maps, sewing patterns, architectural blueprints and vintage wallpapers. And for his series exploring the material fragility of Navajo rugs, he incorporated gunpowder burns, kintsugi-like gold leaf and thick black paint to convey the imperfect beauty of repairing broken things.

The artist’s new work, Burden Narratives While Stuck In Traffic In Pursuit Of An Obligation At The Port Of Entry, will be on view at an exhibition at the Mesa Arts Center opening this month. The piece features the slow creep of laser-cut cars, painted in a sensuous blur of hot pink and concrete hues. Graphic in form, it seems at first like pure abstraction. But another story emerges through keener eyes: an examination of the communal and tedious experience of crossing the border. Like all his work, the layers always beckon you to look again, and look closely.

Essence of Resilience (opposite, top left), Quantum Entanglement (opposite, top right) and Attraction, Love, and Communication (opposite, bottom right).

NEW TRADITION

An earthy palette and classic lines make for a timeless home fit for a young family to grow into.

WRITTEN BY LIZ ARNOLD PHOTOGRAPHY BY ERIC KRUK

Architecture: Steve Simpson, Simpson Design Associates

Interior Design: Lexi Lundberg, Lexi Grace Design

Home Builder: Thomas D.L. Carlson, TDLC Development

Landscape Architecture: Dustin Walker, Visionary Landscapes & Design Studio

or many homes, the jumping off point for the design is a showstopping piece of furniture or a masterful artwork. Not at this residence. For designer Lexi Lundberg it was the breathtaking views of Camelback Mountain, visible from all along the rear of the house. “Our goal was to bring the outside in,” she says. “We played with natural texture and neutrals, so the interiors really complement the views.” An earthy palette sets the tone, while wood ceiling beams lend warmth, and leather, linen and textured upholstery mixes with tactile accessories. “Nothing competes with the exterior,” Lundberg says.

Her clients, Jeff and Marie Seaman, a newly married couple with a baby living in Arcadia, needed more space for their growing family— ideally in their current neighborhood. When they found a rare, nearly 2-acre property at the base of Camelback on the market for just one day, they snapped it up. “I immediately cried when I stepped in the backyard, because the lot is really special,” says Marie, who grew up in a Tucson abode with Santa Catalina Mountains views. “Mountains have always been calming for me.”

Jeff’s work in commercial real estate led them to general contractor Thomas D.L. Carlson and residential designer Steve Simpson. Meanwhile, Marie, who describes the design style she shares with her husband as favoring “clean lines but traditional,” found Lundberg on Instagram. “I was blown away,” Marie says of Lexi’s work, and when they met, they “just clicked.”

The main objective, of course, was to maximize views, but the Seamans also sought a smart layout with distinct areas where they could entertain friends and give the kids space—they welcomed a second child during this project. Simpson’s split floor plan organized the children’s rooms and a playroom to the west, the primary suite to the east and the great room and open kitchen at the center. Upstairs features an indoor-outdoor bar with a spacious covered deck, plus a game area. “It was really about designing the house to be more functional,” Simpson says, “so when the residents are with their friends in the great room, it’s a divided space without a lot of commotion.”

Lundberg chose an abundance of natural and neutral materials for the interior finishes to emphasize the connection between indoors and outdoors: three limestone fireplaces, engineered wire-brushed oak floors, rustic wood ceiling beams, tongue-and-groove ceiling paneling in the primary bedroom and a warm palette of putty, greige and white. “Materials feel elevated throughout, but they’re family friendly and low-maintenance, except in spaces that could handle them,” says the designer, pointing to the primary bath, where Carrara marble is plentiful, and the pantry, which features a custom oak-and-glass door and handpainted terra-cotta tile on the backsplash.

“Traditional is their default design,” Lundberg says of the owners. “They wanted something timeless that they wouldn’t want to change after a little while, and where they could just continue to grow their family.” As such, Lundberg opted for classic elements with simpler, cleaner lines, as seen in the kitchen’s white Shaker inset cabinetry, chandeliers and lighting, and the higher, detailed baseboards. Furnishings feel contemporary with their inviting scale and simple lines, such as in the great room, where an L-shaped sectional in a performance fabric pairs with the rectilinear shapes of leather armchairs and a wood coffee table. A sleek system of sliding glass-door panels centers on mountain views and opens onto the covered patio and pool. Pottery, ceramic and woven planters balance any modern elements, as do the kitchen’s bar stools and the breakfast nook’s dining chairs, which feature cozy woven seats.

Settled into their new house, Jeff and Marie say everyone has a favorite spot: Their little ones make a beeline for their playroom, while the two of them often gravitate to the kitchen island or the big white sofa on the patio off the great room, where they can enjoy the outdoor oasis created by landscape designer Dustin Walker. “Having those sliding doors open is one of my favorite things about the house,” Marie says. “I knew that we could create something really special with this lot, because to get a Camelback view is so rare on two acres—it’s just unheard of.” On top of that, from their backyard, they can see the ficus tree under which they got married, in a garden at the nearby Royal Palms Resort and Spa. A rare find, indeed, but for this family, meant to be.

In the living room, natural textures soften the scale of the 18-feet-tall, vaulted ceilings. Quinn Kielman’s Serene is displayed above the limestone fireplace surround from Contessa Stone Design. The side table from Palecek features a hand-cut, inlaid, white-agate top.

The living room’s warmth is thanks to wood beams from Telluride Natural Stone & Reclaimed Wood, engineered oak floors from Oasis Wood Flooring, an RH rug and Arhaus sofa. Visual Comfort & Co. chandeliers hang above.

Left: The charming pantry features Dwell Custom Cabinetry cupboards and a bespoke oak-and-glass door that allows a glimpse of the expertly arranged storage by Carle Sargent of Sort It Professional Organizing. The pendant light is by Serena & Lily. Opposite: The kitchen dons traditional elements, such as white Shaker-style cabinets from Dwell Custom Cabinetry and a quartzite backsplash and countertops from The Stone Collection. The clé zellige tile is from J.R. McDade and the stools are RH.

Above: The breakfast room’s gorgeous views can be taken in from TheLifestyledCo chairs at the RH table. The drum pendant with pleated shade is by Visual Comfort &Co.

Opposite: The laundry room’s white apron-front sink pairs with a polished stainless faucet, both Kohler from Expressions Home Gallery. The matte-gray porcelain hexagon tile by Bedrosians Tile & Stone is from J.R. McDade.

Right: The primary bathroom indulges in Carrara marble with countertops by The Stone Collection and tilework and flooring by Bedrosians Tile & Stone from J.R. McDade. The freestanding tub is by MTI from Expressions Home Gallery.

Opposite: An earthy palette grounds a guest bedroom, where luxurious neutrals by Jolie Marche dress the bed. The custom window seat is lit by a Visual Comfort & Co. sconce and the window treatments are from The Shade Store.

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URBAN DESIGN ASSOCIATES LTD

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TSONTAKIS ARCHITECTURE CHRISTY & COMPANY CRAIG WICKERSHAM

JONES STUDIO