CHAPEL&COMMUNITY CENTRE DESIGN IN TAMSUI

PORTFOLIO ARCHITECTURAL PROJECT BY CHUNG,YUNG-JU TKUA 2019

NAME STUDY CONTECT

CHUNG,YUNG-JU TAMKANG UNIVERSITY DEPARTMENT OF ARCHITECTURE EA3 STUDIO +886 928 719 810 SMILEHAPPYLULU@GMAIL.COM (ALL LETTERS ARE LOWER-CASE)

001

TABLE OF CONTENTS

002

ABOUT SITE

004 - 005

SITE ANALYSIS

006 - 009

CONCEPT

010 - 014

PROGRAM

014 - 015

DRAWING,MODEL,DIAGRAM

016 - 023

003

ABOUT SITE LOCATION INTERSECTION OF ZHONGZHENG RD.

& GONGMING ST. TAMSUI DIST.,NEW TAIPEI CITY 251 ,TAIWAN (R.O.C.)

AREA 2570 M2 INTRO. LOCATED AT THE NORTHERN TIP OF

TAIWAN, TAMSUI IS LOCATED ALONG THE NORTH COAST ABOUT 40 MINUTES FROM TAIPEI BY MRT AND VERY ACCESSIBLE AS A DAY TRIP, ESPECIALLY POPULAR WITH LOCALS DURING THE WEEKEND. HOME TO A VARIETY OF WESTERN COLONIAL, JAPANESE, SOUTHERN FUJIANESE, AND NATIVE TAIWANESE CULTURAL AND ARCHITECTURAL ATTRACTIONS, TAMSUI IS A MUST VISIT LOCATION FOR ALL VISITORS TO THE TAIPEI AREA.

004

SITE

TAMSUI RIVER

N

005

AD1932 TAMSUI CHURCH AD1796 FU-YO TEMPLE

AD1937 QINGSHUIYAN TEMPLE AD1991 FU DECI TEMPLE

AD1871 DOUGLAS LAPRAIK & CO.

SITE ANALYSIS ITEM

AD1879 HOBE MACKAY HOSPITAL

1 HISTORY & HUMANITIES TAMSUI HAS A LONG AND DIVERSE HISTORY. A PRELIMINARY UNDERSTANDING OF TAMSUI CULTURE THROUGH ANALYSIS.

1 HISTORY & HUMANITIES ZHENG'S

QING DYNASTY

JAPANESE OCCUPATION

R.O.C

1662-1683

1683-1895

1895-1945

1945-

1937 QINGSHUIYAN TEMPLE WAS ESTABLISHED 1901 TAMSUI GIRLS' SCHOOL 1901 TAMSUI BRANCH RAILWAY OPENED

1997 MRT TAMSUI LINE OPENED

1662 ZHEN'S ATTACKED THE DUTCH

1646 DUTCH REBUILDS SANTO DOMINGO CITY 1642 DUTCH ATTACK SPAIN

006

1628 ESTABLISHED SANTO DOMINGO CITY

TRAFFIC FLOW ANALYSIS TELLS US WHERE TO DESIGN ARVHITECTURE ENTRANCE THE BEST,ALSO FIGURE OUT WHERE THE MAIN CROWD DISTRIBUTED AROUND THE SITE.

NETHERLANDS

1628-1642 1642-1662 1626 SPANISH LANDING

3 TRAFFIC FLOW ANALYSIS

SPAIN

TAMSUI JAPENESE POLICE DORMITORY

1895 TAMSUI RED CASTLE COMPLETED 1887 LIU MINGCHUAN LAYING RAILWAY 1872 MACKAY ARRIVED TO ESTABLISH THE PRESBYTERIAN CHURCH 1868 BRITISH BUILT BRITISH CONSULATE 1860 TIANJIN TREATY TAMSUI PORT 1853 TAMSUI LONGSHAN TEMPLE WAS ESTABLISHED 1822 LUSHAN TEMPLE WAS ESTABLISHED 1796 FU-YO TEMPLE SET UP 1709 NORTH RECLAMATION 1683 SHI LANG ATTACKED ZHENG'S

2 USER ANALYSIS THROUGH USER ANALYSIS, WE CAN LEARN MORE ABOUT THE ACTUAL USE OF LOCAL-RESIDENTS AND TOURISTS AT THE SITE AND HELP DESIGN PROGRAM.

AD1853 TAMSUI LONGSHAN TEMPLE

2

USER ANALYSIS

RESTOCK

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

TOURIST RESIDENT

tourist - foreigner 00:00

BIKING

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

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20:00

22:00

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

tourist - Taiwanese 00:00

MARKET

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

resident - student 00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

SHOP resident - couple STREET PERFORMING

00:00

02:00

04:00

06:00

08:00

10:00

12:00

14:00

16:00

18:00

20:00

22:00

resident - elderly 00:00

FISHING

02:00

04:00

06:00

08:00

10:00

12:00

per

BUDDHISM

MON. TUE. WED. THR. FRI. SAT. SUN.

14:00

16:00

18:00

20:00

22:00

per

per

TAOISM

MON. TUE. WED. THR. FRI. SAT. SUN.

CHRISTIAN

MON. TUE. WED. THR. FRI. SAT. SUN.

per

CATHOLIC

MON. TUE. WED. THR. FRI. SAT. SUN.

007

3

008

TRAFFIC FLOW ANALYSIS

SITE MRT STATION BUS STATION UBIKE STATION MAJOR TRAFFIC FLOW MINOR TRAFFIC FLOW WALKING PATH

IN ADDITION TO THE EAST SIDE OF THE BASE FOR THE QUIET LANES AND THE MASS, THE REST ARE FACING BUSY TRAFFIC FLOW, SO MY DESIGN HAS ENTRANCE ON ALL SIDES OF THE BUILDING, ELEVATED ARCHITECTURE VOLUME ON THE NORTH AND THE SOUTH SIDES, CONVENIENT FOR PEOPLE TO ENTER, EAST SIDE HAS A LARGE ENTRANCE TO MEET THE MAIN CROWDS FROM TAMSUI MRT STATION .

009

CONCEPT PROJECT INTRO.

010

CHAPEL / COMMUNITY CENTRE MY CONCEPT DERIVED FROM THE WORDS OF ST. AUGUSTINE:“ HE WHO SINGS PRAYS TWICE”. IT MEANS SINGING COULD BE DOUBLE PRAY.IT WAS ONCE TOUCHABLE EXPERIENCE AT THE CHURCH OF MINE. THE SINGERS PRAISED JESUS

BY SINGING AND PRAY THAT THE MUSIC BROUGHT PEOPLE CLOSER TO GOD. THEREFORE,MY DESIGN STARTED WITH“MUSIC”AS THE MAIN AXIS.

ST.AUGUSTINE :

SINGS

“HE WHO SINGS PRAYS TWICE.”

011

DAY IN TAMSUI NIGHT IN TAMSUI

major E n i Nº1 e u q s e b a r D eb ussy / A TAMSUI IS LIKE TWO SONGS . “DAY IN TAMSUI” IS ARABESQUE NO.1 FROM DEBUSSY. “NIGHT IN TAMSUI” IS CHOPIN'S NOCTURNE OP.9 NO.2. THE ATMOSPHERE OF ARABESQUE IS LIKE SPARKLING WATER SURFACE WITH A CULTURAL CHARM, AND THE RHYTHM OF THE NOTES AND THE CONTINUATION OF THE SONG CORRESPOND TO THE FEELINGS IN (DAY) TAMSUI.AT NIGHT, THE RIDGELINE DISAPPEARED, THE WATER WAVE BECAME THE BACKGROUND MUSIC, JUST LIKE THE PURENESS OF THE NOCTURNE, THE NIGHT SKY REFLECTED ON THE WATER, THE FAINT YELLOW LIGHT OF THE FRESHWATER RIVER BANK, JUST LIKE THE SERENITY OF NOCTURNE.

012

Chopin / Nocturne in Eb major ,Op.9 No.2

FOREST

GARDEN LIGHT AND SHADOW

LAKE STRATIFIED

GLOOMY

CONCEPT MODEL - MUSIC ( DAY ) ARABESQUE NO.1 - HAZY / FLOW / CONTINUOUS ( NIGHT ) NOCTURNE OP.9 NO.2 - CRISP / SINGLE

IMAGES - MUSIC THE PROLOGUE OF THE MUSIC IS LIKE WALKING IN THE FOREST ,AND THE ATMOSPHERE IS FLICKERING SHADOWS OF TREES.IN THE SECOND PART,THAT COMES ACROSS THE BEAUTIFUL GARDEN IN THIS FOREST.FINALLY,THE IMAGESCOME INTO VIEW IS A LAKE，A GLOMMY LAKE DEEP INSIDE THE FOREST，WE CAN FEEL PEACE AND JOY THERE.

ARABESQUE Nº1

NOCTURNE OP.9 NO.2

013

CONCEPT

TAMSUI MUSIC ARABESQUE Nยบ1

HE WHO SINGS PRAYS TWICE.

NOCTURNE OP.9 NO.2

IMAGE SPACE ARABESQUE Nยบ1

014

PROGRAM

NOCTURNE OP.9 NO.2

RELIGION

MUSIC IMAGE

SPACE TONALITY

COMMUNITY

LE B B U B T EP NC O C

PROGRAM

ACTIVITY (200M2) CLASSROOM*2 (120M2) GALLERY (100M2) LIBRARY (100M2)

ENTRANCE(40M2) CHAPEL(400M2) PRAYER ROOM*3 (60M2) GATHERING

(200M2)

SPACE ATMOSPHERE

MUSIC CLASSROOM *2

W.C

PRAYER ROOM

MUSIC LIBRARY

CHAPEL MUSIC GALLERY

SUNKEN PLAZA

LOBBY GATHERING W.C

LOBBY

COMMUNITY ACTIVITY

ACCOMM

GARDEN

STORAGE

W.C OFFICE

KITCHEN

PROGRAMME 015

DRAWING,MODEL,DIAGRAM FINAL ITEM

016

PLAN / ELEVATION / SECTION / MODEL / PERSPECTIVE / RENDERING / DIAGRAM

DIAGRAM

N

SITE PLAN 0

2

6

12(M)

BUILDING ABOVE THE GROUND DERIVED FROM CONCEPT - DAY SPACE， IN CONTRAST TO IT，NIGHT-SPACE IS LOCATED UNDERGROUND .

017

PERSPECTIVE PLAN DIAGRAM OF PRAYER ROOM (CONCEPT FROM NOCTURNE)

1 2

3 UP

-7

UP

1.PRAYER ROOM A 2.PRAYER ROOM B 3.PRAYER ROOM C

018

N B2 FLOOR PLAN 01 3

6

9

12 (M)

2 3

6

UP UP

+0

1 DN

4

1

UP

-4

5

8 DN

UP

+0

2

-5.5 DN

5

9 DN

UP

-1.2

4

UP

+0 DN

7

DN

+0.4 +0.8 +1.2

+2

DN

DN

DN

+1.6

3

1.LOBBY 2.CHAPEL 3.PARKING SPACE 4.GATHERING SPACE 5.WC 6.BAPTISM SPACE

-4UP

DN

N B1 FLOOR PLAN 01 3

6

12 (M)

9

1.COURTYARD 2.LIBRARY 3.MUSIC CLASSROOM A 4.MUSIC CLASSROOM B 5.CHAPEL ENTRANCE 6.OUTDOOR PICNIC AREA 7.PLAZA 8.OUTDOOR READING AREA 9.PERFORMANCE STAGE

6

GROUND FLOOR PLAN N 01 3

6

12 (M)

9

10

9

1 +4

DN

+3

DN

DN

DN

+4

2

DN

+6

4 8

+6`

7

UP

DN DN

AACOM. UNIT PLAN

6

5

1.GALLERY 2.LADDER CLASSROOM 3.AACOM.A AACOM. 4.AACOM.B UNIT PLAN 5.AACOM.C 6.AACOM.D 7.STORAGE 8.OFFICE 9.BALCONY 10.WC

+10

3

DN

UP

2

4

3

1

2ND FLOOR PLAN N 01 3

6

9

12 (M)

1.AACOM. FOR CLERGYA 2.SHARING SPACE 3.AACOM. FOR CLERGYB 4.GARDEN

3RD FLOOR PLAN N 01 3

6

9

12 (M)

019

ELEVATION SKIN NORTHWEST ELEVATION 0

1

3

6

9

12 (M)

SOUTHEAST ELEVATION

020

0

1

3

6

9

12 (M)

LINEAR COLUMNS CREATE RHYTHMIC SHADOWS.

NORTHEAST ELEVATION 0

1

3

6

9

12 (M)

BENT GLASS CREATES CURVED SHADOW.AND PRODUCE STREAMLINED ON THE ROOF AND ELEVATION.

SOUTHWEST ELEVATION 0

1

3

6

9

12 (M)

021

SECTION SUNKEN PLAZA X PERFORMANCE

A’

DIAGRAM OF CHAPEL (CONCEPT FROM NOCTURNE)

A

A

A’

SECTION A-A’

022

0 1

3

6

9

12 (M)

DIAGRAM OF B1 LOBBY (CONCEPT FROM RESONANCE)

C’

B C

B’

B’ C

B

SECTION B-B’

0 1

3

6

9

12 (M)

C’

SECTION C-C’

0 1

3

6

9

12 (M)

023

2019.NOV.