Master in Motion Graphics - Final Thesis

JURASICO PFM LUIS GARCÍA GRECH

“ G O D C R E AT E S D I N O S A U R S , GOD DESTROYS DINOSAURS. G O D C R E AT E S M A N , MAN DESTROYS GOD. M A N C R E AT E S D I N O S A U R S . . . ”

DR. IAN MALCOLM

INDEX 1.- Synopsis

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2.- References

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3.- StoryBoard

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4.- Animatics

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5.- Creative Process

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6.- Final Stills

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7.- Jurásico

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SYNOPSIS

Dawn breaks on Isla Nublar. On the top of its highest m o u n t a i n r e s t s a l a r g e p i e c e o f a m b e r, a m o s q u i t o hidden inside.

Due to the action of the sun, which rises over the island, the amber begins to melt, going down the side of the mountain. On its descent, the amber invades the entire park, passing through different scenarios (excavation areas, laboratories, cages...) which “come to life” when they come into contact with the melted amber (the eggs hatch, the cages open...).

When the amber runs out, the mosquito inside is released, flying towards the main entrance of the park, w h e r e t h e s k e l e t o n o f t h e T- R e x , n o w f u l l y c o v e r e d i n amber skin, has come to life. The mosquito arrives to land on the park’s logo, made of amber and bones, fulfilling the principle of the park as declared by Dr. Ian Malcolm: “If there’s one thing the history of evolution has taught us, it’s that life will not be contained. Life breaks free, it expands to new territories, and crashes t h r o u g h b a r r i e r s p a i n f u l l y, m a y b e e v e n d a n g e r o u s l y. . .

L i f e f i n d s a w a y. ”

REFERENCES

A . C O L O R PA L E T T E

Dialogue between two colors/textures: the white of the bone, c o r r e s p o n d i n g t o t h e d i n o s a u r s f o s s i l s , a n d t h e a m b e r, w h i c h a c t s as a common thread for the different scenes.

Black is used as background, to generate contrast with the whites and amber and help settle the general concept of the credits.

5

REFER

B. AESTHETIC

The opening credits of the third season of Westworld are used as the main aesthetic reference, due to its use of white over black to generate atmosphere and contrast, and the inclusion of a specific color (red) to dialogue with the rest.

ENCES

C . A N I M AT I O N

h t t p s : / / w w w. y o u t u b e . c o m / w a t c h ?v=6PU74AObMfE

https://vimeo.com/7809605

Slow-paced animation and blunt use of Slow Motion.

Concept of visual narrative.

Camera shots.

Lighting.

Camera movement.

Lenses, use of blur to focus attention, lighting.

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S TO RY

BOARD

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ANIMA

A N I M AT I C 0 1 https://vimeo.com/413328789 P a s s w o r d : A N I M AT I C 0 1

ANIMA

https://vimeo.c

Password: A

AT I C S

TIC 02

com/415698826

A N I M AT I C 0 2

A N I M AT I C 0 3 https://vimeo.com/421086689 P a s s w o r d : A N I M AT I C 0 3

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C R E AT I V E

FIRST MODELING

SECOND MODELING

Animation tests and Storyboard.

Animation works and increased m o d e l i n g c o m p l e x i t y.

PROCESS

RENDERING

POSTPRODUCTION

Te x t u r i n g a n d l i g h t i n g b a s e d o n references.

Settings and effects in After to achieve the final result.

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FINAL S

STILLS

15

JURÁ

PFM_Fina

https://vimeo.c

Ă SICO

al Result

com/447433221

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