https://ebookgrade.com/product/global-marketingmanagement-7th/
More products digital (pdf, epub, mobi) instant download maybe you interests ...
Global Marketing Management 5th Edition
https://ebookgrade.com/product/global-marketing-management-5thedition/
Global Marketing Management Masaaki Kotabe
https://ebookgrade.com/product/global-marketing-managementmasaaki-kotabe/
Global Marketing Foreign Entry Local Marketing and Global Management 5th Edition
https://ebookgrade.com/product/global-marketing-foreign-entrylocal-marketing-and-global-management-5th-edition/
Global Marketing Management 8th International Edition
https://ebookgrade.com/product/global-marketing-management-8thinternational-edition/
(Solution Manual) Global Marketing Management 6th Edition
https://ebookgrade.com/product/solution-manual-global-marketingmanagement-6th-edition/
(Instruction Manual) Marketing Management Global Edition 14th
https://ebookgrade.com/product/instruction-manual-marketingmanagement-global-edition-14th/
(Test Bank) Marketing Management Global Edition 14th
https://ebookgrade.com/product/test-bank-marketing-managementglobal-edition-14th/
(Test Bank) Global Marketing Management 6th Edition
https://ebookgrade.com/product/test-bank-global-marketingmanagement-6th-edition/
Another random document with no related content on Scribd:
Cleveland p106 D ’20 50w
N Y Evening Post p17 D 4 ’20 100w
“The story, as a story, is closely interesting, and as a sermon on thrift it ought to be read by 100 per cent of the newlyweds in America and by an equal ratio of people above and below that date line in their careers. ”
Springf’d Republican p7a D 26 ’20 190w
DOWST, HENRY PAYSON.
[2] Man from Ashaluna. *$1.75 (2c) Small
20–18763
Judson Dunlap comes home from France with the desire to paint pictures. As a doughboy in Paris he had seen real pictures and a latent interest in art had awakened. He buys a painting kit and starts in by himself alone in the Ashaluna hills, his home. But the results are queer and he knows it. So he takes the patents on the churn he has invented to New York, hoping to sell them and get money to learn painting. He also hopes to meet Mary Beverly, the girl he had rescued from the snowdrifts the winter before. He is immediately plunged into a game of high finance, for two rival concerns are after him for his water rights on the Ashaluna and are willing to juggle with his churn patents as part of the price. Jud plays them off one against the other, meets Mary again, learns to wear the right clothes and use the right forks and, altogether, doesn’t find time to learn painting.
“A cleverly conceived, well told novel. While there is nothing particularly striking in this book in any one place, it is a well made piece of fiction.”
N Y Times p20 D 5 ’20 320w
DOYLE, SIR ARTHUR CONAN.
Guards came through, and other poems. *$1.25 Doran
821
20–2926
No vers libre for Sir Arthur. It is the old style meter with the old style rhyme and the old style powerful lilt to the old style ballad most suitable for recitations. They are all war poems and are: Victrix; Those others; The guards came through; Haig is moving; The guns in Sussex; Ypres; Grousing; The volunteer; The night patrol; The wreck on Loch McGarry; The bigot; The Athabasca trail; Ragtime! Christmas in wartime; Lindisfaire; A parable; Fate.
“The title-piece and others show Sir Arthur Conan Doyle to be a master of evening-paper balladry.”
Ath p558 Ap 23 ’20 70w
“It is good British song one finds in this slim little volume of Sir Arthur’s. And it is British all the way through, this little book; British militarily, British presumptuously satisfied with her destiny.” W. S. B.
Boston Transcript p4 Ap 21 ’20 400w
“Nothing so good for Friday afternoon readings in public schools has been written since ‘The charge of the light brigade.’”
Dial 69:323 S ’20 110w
“While the military expert may pass over many episodes as being non-essential, it is these very episodes which lure the general reader on from page to page. ” Walter Littlefield
N Y Times p6 D 19 ’20 380w
“Sir Arthur Conan Doyle is a real benefactor to the organizers of town or village entertainments who want pieces of good quality for recitation. His poems, mainly patriotic, are irreproachable in sentiment, simple in expression, and always have a brave lilt. One longish piece, ‘The wreck on Loch McGarry,’ is in a vein of Gilbertian humour.”
The Times [London] Lit Sup p783 D 25 ’19 80w
DOYLE, SIR ARTHUR CONAN. History
of the great war. v 5–6 il ea *$3 (3c) Doran 940.3
v 5–6 The British campaign in France and Flanders, 1918. Volume 5, covering the first half of the year 1918, “carries the story of the German attack to its close.” The battle of the Somme is given
seven chapters, with the battle of the Lys and the battles of the Chemin des Dames and of the Ardres treated in the concluding chapters. Volume 6 “describes the enormous counter attack of the Allies leading up to their final victory.” Both volumes are indexed and are illustrated with maps and plans.
“It is written in the author’s usual clear style, and sticks, for the most part, to the business in hand, although the occasional illinformed references to the Russian revolution are hardly in keeping with the rest of the narrative.”
Ath p932 S 19 ’19 60w (Review of v 5)
Ath p195 F 6 ’20 90w (Review of v 6)
Booklist 16:273 My ’20 (Review of v 5–6)
Cath World 111:694 Ag ’20 190w (Review of v 6)
“While the military expert may pass over many episodes as being non-essential, it is these very episodes which lure the general reader on from page to page. ” Walter Littlefield
N Y Times p6 D 19 ’20 380w
Outlook 124:657 Ap 14 ’20 30w (Review of v 6)
“Within certain limits, Sir Arthur’s account will be found useful; his maps, so-called, are execrable.”
Review 3:422 N 3 ’20 1050w (Review of v 5–6)
Spec 123:373 S ’20 ’19 1850w (Review of v 5)
Spec 124:316 Mr 6 ’20 150w (Review of v 6)
“Perhaps the only possible criticism of Sir Arthur’s work is its official tinge. Considering his difficulties, Sir Arthur is to be congratulated upon his work.”
Springf’d Republican p13a My 2 ’20 850w (Review of v 5–6)
“Sir Arthur Doyle lacks the knowledge, for which he cannot be blamed, since official material is denied to him; and it is quite impossible that such a history as his should not be more or less hastily produced, so that he lacks also time. We fear that we must add, lastly that he fails in literary skill. One bright spot, indeed, there is in the shape of a few pages of actual experience which Sir Arthur has modestly relegated to the appendix of his final volume.”
The Times [London] Lit Sup p164 Mr 11 ’20 1250w (Review of v 5–6)
SIR WARREN HASTINGS, bart. Tales retailed of celebrities and others. il *$2 (4½c)
“They are simple tales mostly such as are told in ordinary after dinner chit-chats round the fire, over a good cigar and a glass of good wine, when young men tell tales of presentday happenings to be capped by older men ’ s tales of the ‘good old times.’” (Preface) With a few exceptions they all relate to incidents which have come under the author’s own observation during a lifetime of over fourscore years. The contents are in two parts. Book I contains: A hundred years ago: Dorsetshire, Haileybury and Scotland; India; Tirhut, Bhaugulpore, and Arrah; Indian celebrities and others. Book II, Legends, contains: Family legends and tales taken from “The house of D’Oyly” by William D’Oyly Bayley. F. S. A.
Ath p528 Ap 16 ’20 40w
“His jottings may entertain readers who know something of the circle in which he moved, or who may like a few anecdotes about the hunting of Indian big game. But the book as a whole can hardly claim to have much general interest.”
The Times [London] Lit Sup p141 F 26 ’20 110w
DOZIER, HOWARD DOUGLAS. History of the Atlantic coast line railroad. *$2 Houghton 385
20–7433
The book is one of the Hart, Schaffner and Marx series of prize essays in economics. It is the history of the consolidation of a number of short railroads along the South Atlantic seaboard into the Atlantic coast line system and illustrates the growth of the holding company period and its decline. It includes much of the economic history and the economic conditions of the section involved and shows what a marked influence the consolidation had on the latter. Contents: Early trade and transportation conditions of the Atlantic seaboard states: Economic background of the north and south railroads of Virginia; The Petersburg and the Richmond and Petersburg railroads before 1860: North Carolina and the Wilmington and Weldon railroad before 1860; The South CarolinaGeorgia territory and its railroads before the Civil war; Summary of railroad conditions along the Atlantic seaboard to 1860; Growth from the Civil war to 1902; Integrations and consolidations; Summary and conclusion; Appendix; Bibliographical note; Index; and insert maps and table.
“The student will find in this volume an important contribution to the economic literature of the country, not only because it adds to our knowledge of railway history but because it contains as a background a good discussion of the industrial development of the country through which the lines were built.” I: Lippincott
Am Econ R 10:593 S ’20 720w
“The later chapters, in fact, are notably lacking in the mention of personnel. Other faults lie in the construction of sentences and paragraphs, in the omission of dates of publication from the bibliography, and in occasional errors of statement. The book,
+ nevertheless, is in general a substantial and well-considered contribution.” U. B. Phillips
Am Hist R 26:148 O ’20 320w
R of Rs 61:672 Je ’20 30w
DRACHSLER, JULIUS.[2]
Democracy and assimilation; the blending of immigrant heritages in America. *$3 Macmillan 325.7
20–18678
“Prof. Drachsler gives us an interpretation of a careful statistical study of the facts of intermarriage in New York city among immigrant groups. In view of our heterogeneous population, he states, the national ideal must be redefined and our life consciously directed toward it. Approaching the problem merely from an economic or cultural point of view is not enough. The fusion of races in America, in short, must be cultural as well as biological, and it must take place under an adequate economic environment if an American ideal is to be achieved. The most specific proposal which Prof. Drachsler makes to accomplish this is to develop in our schools a conscious attempt to study the comparative literature, politics and history of the races represented therein in order that their heritages may continue to be an inspiration and force.” Springf’d Republican
“Prof. Drachsler’s approach is a stimulating and suggestive appeal to facts.” J: M. Gaus
Springf’d Republican p5a Ja 2 ’21 570w
“Each reader will interpret these facts in accordance with his own point of view. It is a merit of the book that the facts have been divided from interpretation of the facts. The book will no doubt be recognized as one of the few valuable discussions on the problem of assimilation.” J. B. Berkson
Survey 45:578 Ja 15 ’21 940w
DREIER, KATHERINE SOPHIE.[2]
Five months in the Argentine from a woman ’ s point of view, 1918 to 1919. *$3.50 Sherman, F. F. 918.2
20–12791
“Miss Katherine S. Dreier, author of ‘Five months in the Argentine: from a woman ’ s point of view,’ faced the discomforts of her journey from Valparaiso to Buenos Aires and her sojourn there with an invincible sense of humor. She visited a great estancia (ranch) at Gualeguay and the Museum of natural history at La Plata, and writes about the general strike of January, 1919, but her principal concern was to study the status and training of women, the care of children, the organization of charity, and the control of prostitution.” Nation
“If one would have a faithful picture of Buenos Aires, going into considerable detail as to living conditions, charities, business and pleasure, Miss Dreier’s book is to be recommended.”
“These essays concern Change, Some aspects of our national character, The American financier, Personality, The toil of the laborer, The reformer, Marriage and divorce, Life, art, and America, Neurotic America and the sex impulse there are twenty of them, written in the authentic Dreiserian manner. Phantasmagoria splits the book in twain. It is a little cosmic drama in three scenes—The house of birth, The house of life, The house of death. It is the via dolorosa of the ‘Lord of the universe,’ his agglomeration, effulgence in life, and his ingression. The court of progress purports to be the record of the doings of the Federated chairman of the post federated period of world republics (2,760–3,923). This phantasmagoria is a celebration of the triumph of humanity over poets, cigarette fiends, saloon keepers, madams, socialists, Holy rollers, artists, and the like.” N Y Times
“They are interesting in showing the philosophy which has been back of the vigorous, often shocking fiction of the author.”
Booklist 16:270 My ’20
“He states so many things that are not so, and he states them so arrogantly and cocksuredly, that the intelligent reader asks himself in amazement: ‘How can such an inane book—poorly written, full of repetitions, blatant in its irreligion, shameless in its immorality find enough readers to warrant publication?’ Mr Dreiser has no saving sense of humor hence this awful book.” Cath World 111:260 My ’20 320w
“Dreiser sets down his findings with all a greengrocer ’ s assiduity, and not a little of a greengrocer ’ s unimaginative painstaking. Here is a surprising absence of the creative instinct in a creative writer.”
Dial 69:320 S ’20 160w
“In his novels Mr Dreiser seems very much the thinker. One is astonished, consequently, to find how unsublimated a product he is of the benighted environment he describes in his last essay when he has no characters through whom to express himself. Very simple and almost purely emotional is the reaction upon life cloaked in the scientific verbiage of this book. One asks oneself whether the soul of Jennie Gerhardt is not really the soul of Mr Dreiser himself. One thing is certain; he is far more interesting as the painter of Jennie’s life than as the recorder of Jennie’s views.” Van Wyck Brooks
Nation 110:595 My 1 ’20 700w
“Heavy and turgid and monotonous and sensuously obtuse as he seems to be, he makes his discussion interesting. He is himself sincerely interested, and he is writing because he has something to communicate. The truth seems to be that Theodore Dreiser’s mind is formless, chaotic, bewildered. In short, our leading novelist is intellectually in serious confusion, and needs a deeper philosophy than—hey rub-a-dub-dub.” F. H.
New Repub 22:423 My 26 ’20 850w
“Mr Dreiser’s style always reminds us of a college professor who has been ‘fired’ for trying to make his pupils think. He emits endless common-places with the air of having discovered something new. He is pedantic before the threadbare. In ‘The court of progress ’ Mr
Dreiser has written one of the most drastic satires ever written in this country. This ought to be printed separately and distributed by the million.”
N Y Times 25:167 Ap 11 ’20 850w
Springf’d Republican p13a My 2 ’20 750w
DRESSER, HORATIO WILLIS. Open vision; a study of psychic phenomena. *$2 (2½c) Crowell 130 20–6883
The author asserts that he is not a spiritualist, that he has never received any communications through a medium, and that he has never investigated spiritism after the manner of psychical researchers. He classes all these investigations with those of other sciences that arrive at conclusions through external sources. What the book emphasizes is the psychical experience by direct impression, the inner vision and certainty that is independent of outward signs. That the spiritual world is, that we are of it and in it now, in life as well as in death, and that we can develop our awareness of it and our participation in it through the cultivation of an open vision seems to be the teaching of the book. A partial list of the contents is: The new awakening; Psychical experience; The awakening of psychical power; Principles of interpretation; The human spirit; Direct impressions; Inner perception; The future life; The book of life; The inward light; Positive values.
Booklist 16:296 Je ’20
N Y Times p18 Jl 4 ’20 160w
“Dr Dresser’s reasoning is systematic, but not powerful, his piety refined but not robust; his style expands discreetly in the calm of a featureless level.”
Review 2:631 Je 16 ’20 300w
The Times [London] Lit Sup p762 N 18 ’20 40w
DREW, MRS MARY (GLADSTONE). Mrs
Gladstone. il *$4 (6c) Putnam
20–6736
This loving tribute by her daughter reveals Mrs Gladstone as a personality of distinction in her own right, her happy family life, her sympathy for and her influence on her husband’s work. It has been the author’s privilege to share intimately her parents’ life from her birth to their death. Contents: Childhood and youth; Girlhood and marriage; Diaries in early married life; Letters from her; Letters to her; Characteristics; Good works; Reminiscences; “Via crucis via lucis”; Genealogical table; Index and numerous illustrations.
Booklist 16:310 Je ’20
“Her book is more a series of impressions and reminiscences than a biography. It is none the less interesting and authoritative on that account, however, and will serve very well in the place of a more extended and formal biographical record.” E. F. E.
Boston Transcript p6 Ap 28 ’20 1850w
“It is a little difficult for the outsider to know why three hundred pages were necessary to paint what must at best be a purely negative picture.” H. J. L.
New Repub 23:233 Jl 21 ’20 280w
“This volume should be heralded equally as a new chapter in the social and political history of the Victorian period and as a rare and beautifully filial tribute to a devoted mother, a highly accomplished and perennially charming woman. ” F: T. Cooper
Pub W 97:1294 Ap 17 ’20 450w
“It is trivial and unutterably dull.”
Review 3:95 Jl 28 ’20 320w
R Of Rs 61:670 Je ’20 80w
“So far as we can discover from this and other contemporary records, Mrs Gladstone was a good but stupid woman. There are a number of letters to Mrs Gladstone which show what exceedingly dull and commonplace letters are written by very distinguished people.”
+ − + Sat R 128:587 D 20 ’19 850w
Spec 124:49 Ja 10 ’20 1300w
The Times [London] Lit Sup p716 D 4 ’19 30w
The Times [London] Lit Sup p761 D 18 ’19 1600w
DRINKWATER, JOHN. Lincoln:
the world emancipator. *$1.50 (10c) Houghton
20–20308
The object of this book, written by an Englishman, is not to retell the life-story of Lincoln to Americans, but to use him as a symbol of the community of spirit and of the differences of national character between the two peoples and to show how he can serve as a reconciler in bringing about an intellectual and spiritual alliance between them. Contents: ‘Liberty’; ‘E pluribus unum ’ ; AngloAmerican union; Lincoln as symbol; Anglo-American differences; Lincoln as reconciler; History and art; Lincoln and the artists; An epilogue.
Ind 104:383 D 11 ’20 20w
“The whole essay is a work of art. In form it is not in the least polemical, and if it is polemical in intent, then Drinkwater has
brought polemics into the region of the fine arts.”
N Y Times p1 D 5 ’20 850w
R of Rs 53:222 F ’21 80w
DRINKWATER,
JOHN. Pawns; four poetic plays. *$1.50 Houghton 822
20–21989
The book is a collection of four one-act plays and has an introduction by Jack R. Crawford who says the plays are characteristic of the author’s point of view, namely, that peace and quiet are the natural concomitants of a mind loving beauty. “They are dramas expressed in poetry the utterance of simple truths which we know beforehand, for of such are the materials of poetry and drama.” The plays are: The storm; The god of quiet; X = O; a night of the Trojan war; Cophetua.
“There is justice in the title. But the true figures of the stage— Falstaff or Iago or Œdipus are not pawns. They are living beings.” J: G. Fletcher
Freeman 2:405 Ja 5 ’21 750w
“One quality in these ‘Pawns’ is clear: their artistic sincerity. The best play of the three, the largest in conception, the richest and simplest in emotion, and the soundest in workmanship, is the last in the book. [“X = O” in English edition]”
DRUMMOND, HAMILTON. Maker of saints. *$2.50 Dutton
20–10731
“In this tale of Italy in the days of Dante (who appears in person on the stage) the maker of saints is the sculptor Fieravanti, a peasant risen to fame and power by his wonderful statues of saints which to the simple countrymen are the real persons they represent. It is the visit of Fieravanti at the Court of Arzano to the proud old Count Ascanio of the house of Faldora, who has no son, but a beautiful, proud and unawakened granddaughter, that introduces a romance of the changing fortunes of noble houses amid the turbulence of medieval Italy.”—The Times [London] Lit Sup
“It is by no means easy to infuse much vitality into an imaginative tale of so long ago, but the author has undoubtedly achieved a measure of success in his undertaking.”
“The story is well told, with abundance of incident.”
“A capital romance but at the end the curtain drops too abruptly on the tragic climax of the story and leaves us a little doubtful as to the real issue.”
The Times [London] Lit Sup p769 D 18 ’19 130w
DU
BOIS, JOHN HAROLD. Christian task. (New generation ser.) *90c (4c) Assn. press 261
20–13993
“A discussion of the supreme need of the age: how Christianity can satisfy it.” (Subtitle) In the author’s opinion the supreme need of the age “is the need of something to do, the need of some gigantic undertaking in a word, the need of a task, or in still simpler AngloSaxon, the need of a job.” Contents: The need stated: the need of a task; The need analyzed: the need and the age; The need emphasized: the need and the war; The need satisfied: the need and the Christian task of establishing the kingdom of God on earth; The need summarized: Christianity and other related needs.
Bib World 54:646 N ’20 130w
DUBOIS, WILLIAM EDWARD BURGHARDT. Darkwater: voices from within the veil. *$2 (3c) Harcourt 326
“I have been in the world, but not of it. I have seen the human drama from a veiled corner, where all the outer tragedy and comedy have reproduced themselves in microcosm within. From this inner torment of souls the human scene without has interpreted itself to me in unusual and even illuminating ways. ” (Postscript) And it is an unusual collection of essays, stories and parables alternating with “little alightings of what may be poetry.” Beginning with a “credo” and an autobiographical sketch, The shadow of years, the contents are: The souls of white folk; The hands of Ethiopia; Of work and wealth; “The servant in the house”; Of the ruling of men; The damnation of women; The immortal child; Of beauty and death; The comet. The interposed poetry is: A litany at Atlanta; The riddle of the sphinx; The princess of the Hither isles; The second coming; Jesus Christ in Texas; The call; Children of the moon; Almighty death; The prayers of God; A hymn to the peoples. Mr DuBois is author of “The souls of black folk,” “The negro, ” etc., and is editor of the Crisis.
“We can admit the whole of Dr DuBois’ plea for the negro, although we cannot admit his argument, and we can do so because his argument is irrelevant. His picture of the majority of mankind, the ‘coloured’ races, being kept in subjugation by the, on the whole, inferior white races is, we feel, rather more poetic than scientific.”
“Written with tense feeling and a clean bitterness.”
16:233 Ap ’20
“It is a stern indictment and one to which we cannot close our ears. It is a lesson, however, that cannot be driven home by storming, no matter how righteous be the anger. The significance of ‘Darkwater’ thus lies in the spiritual history of the author and in the passages of lyrical poetic beauty where he has expressed the extremity of racial pride.” M. E. Bailey
Bookm 52:304 Ja ’21 620w
“Dr DuBois is undoubtedly the foremost spokesman of today for the negro, and as such his utterances command attention. It is doubtful whether Dr DuBois is as powerful or as convincing in his latest work as in its predecessor, ‘The souls of black folk.’” W.
E. W.
Boston Transcript p4 O 6 ’20 670w
“Whether in prose or verse, DuBois is always master of the instrument of expression. At times, as in the Litany at Atlanta, reprinted from the Independent, he rises to supreme eloquence. But his thought is not always on the same high level as his style.”
102:235 My 15 ’20 200w Lit D p86 My 1 ’20 1350w
“It is a fact that his own ability to suffer and to feel the wrongs of his race so deeply is at once his strength, the reason for his leadership, and also his chief weakness. For it carries with it a note of bitterness, tinctured with hate, and the teaching of violence which often defeats his own purpose. Doubtless, few of us with sympathies so keen, with nerves so rasped, with wounds as raw, would do better. But still, some suppression of the ego, a lesser self-consciousness,
and the omission of personal bitterness at all times would carry Mr DuBois and his cause much further.” O. G. V.
Nation 110:726 My 29 ’20 1150w
“It is sometimes said that Dr DuBois is bitter. If this new book of his is bitter, I do not know what bitter means. It is to me one of the sweetest books I have ever read. Dr DuBois is an artist, and his book must be reckoned among those that add not only to the wisdom but to the exaltation and glory of man. Because he is an artist, because he tells this story of his own people so simply and so charmingly, he establishes that kinship which is the essence of everything human.”
F. H.
New Repub 22:189 Ap 7 ’20 1300w
“There is a certain weakness in Professor DuBois’s reasoning, which is that his intense concentration on one subject leads him to turn general, universal wrongs into special negro wrongs. The error runs all through his book and disfigures it. If we disagree with much in this beautiful book, it is not possible to withhold the heartiest praise for the power of its statement, the force and passion that inspire it, and the entrancing style in which it is written.”
N Y Times p19 Ag 8 ’20 2000w
“Dr DuBois is too close to the struggle to see clearly the problems involved. His work is a creation of passion rather than intelligence. It is, on the whole, a volume which will convince only those already convinced of the justice and soundness of his position.”
Outlook 126:690 D 15 ’20 150w
“‘Darkwater’ is not merely the story of the negro. The success of Dr DuBois’ writing lies in the fact that it describes something universal. Every other persecuted race quickens with tragic memories at his words. Here is the story of the circumscribed Jew, of the Hindu, of the dark peoples whom imperialism holds in subjection. It is the old story of the undeserved human suffering, doled out by the world’s victors who enjoy the cruel display of their power. ” M. W. Ovington
Socialist R 8:381 My ’20 700w
“Very able and pathetic book.”
Spec 124:245 Ag 21 ’20 280w
“I believe that Dr DuBois has overstressed in his book the point of identity, not only of the colored races as such, but of the white and black races especially; yet I am equally sure that white men have overstressed the points of divergence. The signal service of this book is that it quite magnificently points out the white man ’ s error and makes clear as day the fact that the ‘ race question’ is, at least to a great extent, a question of social environment.” R. F. Foerster
Survey 44:384 Je 12 ’20 600w
“His book affords a remarkable example of that elemental racehatred which he himself so fiercely denounces. He ignores altogether the paramount importance of the economic basis of the problem, the fact that, given equal opportunity, the negro and the Asiatic would inevitably eat up the white man. ”
The Times [London] Lit Sup p712 N 4 ’20 520w
“If one lays down the book with a sense of disappointment that in spite of its excellence it somehow misses greatness, at least he cannot easily silence in his ears ‘the voices from within the veil’ who speak through its pages. And if bitterness seems to be the quality which mars the power of Dr DuBois’ appeal, the white man has lost his right to complain.” N. T.
World Tomorrow 3:286 S ’20 160w
DUCLAUX, EMILE. Pasteur: the history of a mind; tr. and ed. by Erwin F. Smith and Florence Hedges. il *$5 Saunders
20–6556
“This is an American translation of a French book published in 1896. The pupil, friend and successor of Pasteur describes the successful quest of knowledge and the growth of the ardent mind which pursued it. He follows the same method in describing the successive triumphs of Pasteur from the studies in crystallography to the final attainment of the conception of immunity. He gives a brief account of the state of knowledge preceding the work of Pasteur, and is thus able to describe the problems in the form in which they presented themselves when the great investigator turned his attention to them.” (The Times [London] Lit Sup) “The translators, who are pathologists in the United States Department of agriculture, have appended an annotated list of persons mentioned in the book.” (R of Rs)
Booklist 17:68 N ’20
“Invaluable for the light it sheds on the dynamics of scientific research, this volume is not less suggestive for its portraiture of what Ostwald has called the classicist mind in science.” R. H. Lowie
Freeman 2:259 N 24 ’20 900w
“The book must always remain a classic in the history of science. The translation has been faithfully done.” A. S. M.
Nature 106:303 N 4 ’20 980w
R of Rs 61:671 Je ’20 80w
“The book has a permanent value independent of the progress that has been made since it was written.”
The Times [London] Lit Sup p545 Ag 26 ’20 1350w
DUCLAUX, MARY. Twentieth century French writers (reviews and reminiscences). il *$2.50 Scribner 840.9 (Eng ed 20–11400)
“This volume was in the printer’s hands in August, 1914. For its publication today Madame Duclaux has added a post-war preface and interpolated a passage here and there.” (Nation) “She writes chiefly of the last fourteen years, and in studies all too brief characterizes the personalities and the work of Maurice Barrès, Romain Rolland, Edmond Rostand, Claudel, Jammes, René
Boylesve. André Gide, Péguy, Barbusse, Duhamel, the Comtesse de Noailles and others.” (Ath)
Ath p225 F 13 ’20 60w
“For readers unacquainted with contemporary French literature this volume should be a useful literary guide-book.”
Ath p475 Ap 9 ’20 600w
Booklist 17:21 O ’20
“Many thanks should be given her by the English-speaking world for her brilliant and scholarly volume, arriving as it does when we need the stimulus and example of these French modernists.” C. K. H.
Boston Transcript p6 Jl 21 ’20 980w
“The book has its insufficiencies of judgment, of course, apart from those created by an encroaching patriotism. But her defects are obvious; they spring readily from her qualities. She is interested in her chosen writers as complex individuals. As highly differentiated individuals she presents them; and in reaching for the core of personality she accomplishes something which is vital to criticism.” C. M. Rourke
Freeman 2:140 O 20 ’20 900w
“Substantially it is now what it was then, [August, 1914,] and therein lies its extraordinary value. The war turned everything into legend and made of every face an angel’s or an ogre ’ s mask. Now that the world is mildly and tentatively beginning to use its mind again, a book like this serves to mend the broken continuity of truth and to restore the normal temper of one ’ s studies.” Ludwig Lewisohn
Nation 111:105 Jl 24 ’20 1250w
“Mme Duclaux not only possesses the comprehensive vision that makes possible a synoptic view of surface phenomena, but she is gifted with that rarer sight which pierces, embraces and understands.” B. R. Redman
+ |N Y Times p15 Ag 22 ’20 2500w
“Gives a better account of the most modern French literature than has yet been published in English.”
+ |Spec 124:587 My 1 ’20 530w
“One’s first impulse, on reading Mme Duclaux’s book, is to cry, Here is a book by some one who knows what she is talking about! The impulse is too strong to be restrained, because the event is so rare in this field of literary criticism.”
The Times [London] Lit Sup p137 F 26 ’20 1850w