In this assignment, as a group of three we dwelved deeper into three different cultural artifacts. The Russian Matryoshka doll, the Imperial Fabrege Egg which are again from the Russian Imperial reign and the Chinese porcelain’s techniques and material are the cultural artefacts that are analysed, studied to create an amalga mation that would serve a need in a futuristic world.
The Matryoshka Doll:
Matryoshka is the best known and most popular Russian souvenir. It is a set of painted wooden dolls of decreasing sizes one hidden inside another. The number of nested figures usually varies from three to ten, but in some rare cases can reach 50 and even more. The traditional matryoshka doll represents a woman dressed in a Russian peasant dress wearing a scarf on her head. [1]
Fabergé Eggs:
The famous Fabergé eggs were first created in 1885 when Emper or Alexander III commissioned Peter Carl Fabergé to create a spec tacularly extravagant Easter gift to cheer up his young, homesick wife, Empress Maria Feodorovna. Fabergé’s original idea was to create an egg containing a diamond ring in the centre; however, the Emperor had other ideas and gave strict instructions that the final finished egg must contain a ruby pendant. [2]
Chinese Porcelain:
Porcelain is a material made from well-chosen porcelain clay or pottery stone through technological processes like proportion ing, molding, drying and firing. Although porcelain developed from pottery, the two are different in raw material, glaze and firing tem perature; compared with pottery, porcelain has tougher texture, more transparent body and finer luster. It is called china in English because it was first made in China, which fully explains that the delicate porcelain can be the representative of China. [3]
In the context of this document and this particular phase of the design process, our primary objective for the project is to craft an artifact that seamlessly integrates three chosen elements. We aim to do so while respecting the cultural sensitivities and avoiding any instances of cultural appropriation. An additional goal for this artifact is to evoke a range of emotions, whether they lean towards positivity or negativity, which will ultimately depend on the perception and utilization of the product by the public in the future.
Through the application of AI-driven generative processes and based on extensive research, we intend to establish a robust foundation for the development of this artifact. The comprehensive desk research, spanning a period of three weeks, has thoughtfully taken into account various design considerations encompassing functionality, aesthetics, and suitability within its intended environment.
Fig 1 . Shows the three artefacts, composed by Arshad.L, 2023A critical aspect of studying artifacts involves gaining a profound understanding of their design anthropology. Consequently, we have initiated our exploration by focusing on the Fleming’s 1974 model.
Fleming’s model is applicable across the range of material culture. In scheme, it adopts a cross-referencing approach in which a series of properties and analyses are applied to each other, and this can be cumbersome when an individual artefact is being studied. More fundamentally, the properties distinguished are open to criticism. [4]
The construction and design of an artefact are too closely related to stand separately and may be regarded as aspects of its material body. The practical function is concerned with how the piece has been used and is therefore better regarded as a part of its history. [4]
The spatial relationships of the artefact are omitted as an integral attribute, to emerge only during the process of cultural analysis. The significance property of the object is obscured by the word ‘function’ used in the paper to cover both uses and roles, described as including delight and communication as ‘unintended functions’, an adjective which begs a great many questions. [4]
The cultural analysis operation will indicate how objects convey status, ideas and so on, as Fleming rightly says, and he suggests some ways in which this may carry artefact study beyond description towards explanation, but this endeavour is capable of considerable expansion and difficult although it undoubtedly is, it must be our prime concern. [4]
significance
Material -
construction and ornament
Environment-context
1-micro
2-macro
Material -
design of itself, of ornament
Environment-location
1-in the landscape
2-in relation to patterning
Material -
characterization
1-provenance
2-industrial techniques
Significance
History
1-own history
2-its subsequent history
3-practical function
Interpretationrole of artefact in social organisation
Artefact has material, history,environment,Fig.2 The proposed model for artefact Studies framed around E.McClung Fleming 1974’s model
Wood-Linden, Birch and Alder, lacquer for finish-oil-based,tempera and glossy paint finish
Precious metals and stones like diamonds, emeralds,enamel and other metals like Ivory and rock crystal
Kaolin (white clay for smoothness), cobalt oxide for the blue patterns and a clear glaze
Nesting, sequential discovery and tacticle experience witha smoothed curved surface
Nesting qualaties, mechanical elements and hinged assemblies
Functional utility-used for cultery items and decorative items and symbol of status
Traditonal and Symbolic, have various themes that can vary from folk tale to politics, used large floral patterns and nature with bold colors. Meant for everyday peo ple,describes pesant life
Traditonal and one of a kind. Meant for the imperials of the Russian Empire. Heavily ornamental with russian architectural elements and royal portraits
Blue and white appearance with patterns that are symbolic to chinese culture. Symbols and motifs of the dragon, phoenix and lotus. Also can imagery of scenic landscapes or narratives
What are signals?
“Signals are new ideas or innovations that could change the game for sustainability in the future. They can be positive, negative, both or neither.” (Futures Centre, 2022)
Applying Fleming’s model and initiating our initial artifact analysis, we have structured our research into distinct stages. Our journey commenced with an examination of shared features and cultural elements among the three artifacts. While the Matryoshka Doll and the Faberge Egg, both rooted in Russian culture, lent themselves easily to this cultural perspective, integrating Chinese porcelain presented a noteworthy yet challenging aspect of our project.
Subsequently, we delved deeper to identify nuanced signals that would serve as a sturdy foundation for our future and speculative design endeavors. We crafted a narrative framework and employed this narrative as a guiding force to envision the final appearance and attributes of our artifact. At each step, our aim is to construct a viable artifact with strong ties to the selected cultures. Furthermore, we have endeavored to meld the physical characteristics of these artifacts with cutting-edge technology to elicit emotional responses from the user.
Emotions envoked through the blended artefact
Overlapping features in these cultures:
-Social Bonds
-Hospitality and Warmth
-Respect for Elders
-Historical Cooperation
-Trade and Economic Relations
-Authoritarian Governance Styles
-Geopolitical Alliances
During this phase, it was imperative for us to avoid the imposition of forced commonalities among the artifacts. As previously mentioned, identifying shared elements between the two Russian artifacts, such as craftsmanship and symbolism, was a relatively straightforward task. However, our investigation revealed overarching themes that transcended cultural boundaries and were prevalent in all three artifacts.
The significance of symbolism within both cultures emerged as a prominent thread, alongside the enduring values of tradition and heritage associated with these artifacts. Despite their primarily decorative nature, these artifacts also fulfilled other roles. In sum, we discovered robust commonalities between the three artifacts, particularly in the realms of symbolism through motifs, the pursuit of craftsmanship excellence, and the resilience of materials.
Fabergé eggs chinese porcelain matryoshka doll
High craftsmanship
Precision and Expertise Intricate Designs
Symbolism and Heritage
Cultural and Historical Themes Representational Themes
Function
Dual Roles
Aesthetic and Decorative Items
Material Excellence
Durable High Quality
Trade and Collectability
High Trade Collector Value
Our initial use of a simple prompt was intended as a starting point to provide us with a preliminary sense of direction for our subsequent desk research. It is crucial to emphasize that the results generated were fallible, and given that our project pertains to a future scenario, Chat GPT was unable to provide real-time data. Understanding these limitations, we leveraged Chat GPT primarily as a tool to kickstart our desk research efforts, recognizing the need for further in-depth investigation.
What would these signals mean for the arts and crafts sector in both these countries?
Economic Collaboration: China and Russia have been working on various economic initiatives, including trade agreements, investment projects, and joint ventures. Look for announcements of new trade deals, infrastructure projects, and economic partnerships between the two countries.
Energy Cooperation : Both China and Russia are major players in the energy sector. Keep an eye out for agreements related to oil, natural gas, and renewable energy projects, as well as joint efforts in research and technology related to energy production and distribution.
Space Collaboration: Both China and Russia have space exploration programs. Future signs of collaboration could include joint missions, technology sharing, or cooperative efforts in space research and exploration.
Cultural and Educational Exchanges: Increased cultural events, student exchanges, and academic collaborations can indicate efforts to strengthen people-to-people ties and mutual understanding between the two nations.
Infrastructure Projects: Joint infrastructure projects, such as transportation networks (like railways and pipelines), could signify deepening cooperation between China and Russia. These projects often have significant geopolitical and economic implications.
Military Exercises and Defense Cooperation: If there’s an increase in joint military exercises, technology sharing, or defense agreements between China and Russia, it could indicate a closer strategic partnership between the two countries.
Technological Collaboration: Look for joint research initiatives, technology partnerships, and innovation agreements between Chinese and Russian companies or research institutions.
Trade Agreements and Economic Alliances: If China and Russia deepen their economic ties through new trade agreements, economic alliances, or joint economic development zones, it could indicate closer economic cooperation.
Cultural Exchange and Fusion
Exhibition and Showcasing Opportunities Artistic Inspiration
Collaborative Art Projects
Preservation and Revival of Traditional Crafts
Innovation and Technology Integration
Market Access and Trade Educational Exchange
Artistic Diplomacy Cross-Pollination of Ideas
O ur utilization of Chat GPT to generate ideas and results led us to identify three promising themes with potential scope. Notably, the friendly political ties between China and Russia, which have garnered media attention, became a focal point for our exploration.
Building upon this foundation, our desk research efforts were rooted in this theme. Through meticulous desk research, we successfully substantiated and fortified the groundwork for the remainder of our project.
The Chinese and Russian political systems have some similarities: Both are considered authoritarian regimes with power concentrated in the hands of a single, long-serving leader. China is a one-party state led by the Chinese Communist Party, while Russia is a multiparty system dominated by Putin’s United Russia party. Both governments have increasingly cracked down on domestic dissent and undermined the rule of law to preserve their authority. [5]
China’s exports to Russia have reached $42.96 billion since January 2023, a 75.6% increase compared to 2022. The numbers of total trade values and total exports have seen their biggest jumps since the start of Russia’s invasion of Ukraine, with Russia becoming China’s fastest-growing trade partner in the world. Russia has been hit by unprecedented Western sanctions since it invaded Ukraine and has been shut out of much of the global economy. [6]
China and Russia are not formal treaty allies, meaning they aren’t bound to come to the other’s defense, and they are otherwise unlikely to do so in the case of Ukraine or Taiwan. But they call each other strategic partners and have grown closer in recent years. At a meeting in February 2022, days before Russia invaded Ukraine, Chinese President Xi Jinping and Russian President Vladimir Putin said their partnership has “no limits” and vowed to deepen cooperation on various fronts. Xi and Putin are believed to have a close personal relationship, having met with each other more than forty times since 2012. [7]
“Change is coming that hasn’t happened in 100 years and we are driving this change together.” These were the words of Xi Jinping, China’s leader and the general secretary of the Chinese Communist Party, when bidding farewell to his Russian counterpart, Vladimir Putin, in Moscow in March 2023. Putin was the first foreign leader Xi met after the latter had secured his precedent-breaking third term in power. Xi was also the first to shake hands with the Russian president following the International Criminal Court’s issue of an arrest warrant accusing him of war crimes.
Fig.6 Arshad,L. 2023
• Experts say the partnership is one mostly of convenience, where the main force pushing them together is their shared perception that the United States threatens their interests. For their part, U.S. leaders have in recent years characterized China and Russia as the country’s great-power rivals.
• China and Russia’s joint military exercises have increased, and they’ve held dozens of drills since their first in 2003. The exercises have also grown larger and more complex, and some experts say they’ve helped boost the militaries’ interoperability and mutual trust.
• China and Russia sent another high-profile signal of their strategic partnership in May 2022, flying bombers near Japan while U.S. President Joe Biden and other leaders of Quad countries were visiting Tokyo. It was their first joint military drill since the start of the war in Ukraine.
[8]
Both Russia and China exhibited cultural nuances in their responses to wartime challenges. Russia’s focus on collective effort, heroism, and artistic expression aligned with its history of socialist ideals. In contrast, China’s emphasis on resourcefulness, ancient traditions, and adaptive strategies reflected its rich cultural heritage and agrarian society.
World War I and Russian Revolution (1914-1917)
The upheaval caused by World War I and the subsequent Russian Revolution led to social and political instability. Many artisan communities were disrupted, affecting the production of cultural artifacts like Matryoshka Dolls. The economic difficulties and scarcity of resources during this time could have led to a decline in both production and the quality of these dolls.
Matryoshka Doll
World War II (1941-1945)
Soviet Era (Post-WWII)
The impact of World War II on Matryoshka Doll production varied based on the region. Some areas, especially those directly affected by the war and occupation, likely saw a decline in production due to disruptions in daily life and economic hardship.
During the Soviet era, cultural artifacts like Matryoshka Dolls were sometimes repurposed for propagandist purposes. Traditional folk art was sometimes used to convey state-approved messages, impacting the original meaning and aesthetic of these objects.
Fabergé Eggs
Chinese Porcelain
Russian Revolution (1917) Post-Revolution Period
The Russian Revolution marked a turning point for Fabergé Eggs. The imperial regime that had commissioned these intricate creations was overthrown, and many of the eggs were confiscated or lost. The jewelry workshops were also nationalized, affecting the continuity of production.
The revolutionary regime viewed the luxury and opulence associated with Fabergé Eggs as incompatible with the new ideology. As a result, the production of these eggs virtually ceased. Some of the eggs were sold or dispersed, leading to their separation from their historical context.
During the Opium Wars and the colonial period, many Chinese artifacts, including Blue and White Porcelain, were looted and taken to other countries by foreign powers. These artifacts became part of private and public collections outside of China.
The Chinese porcelain industry was affected by the disruptions caused by World War II, particularly during the Sino-Japanese War. Artisan communities and production centers were often in areas affected by conflict, leading to a decline in output and quality.
Artifacts like the Matryoshka Doll, Fabergé Eggs, and Blue and White Chinese Porcelain faced challenges during times of war, revolution, and social upheaval. These challenges ranged from disruptions in production to confiscation, dispersal, and even changes in the cultural perception of luxury goods. Despite these difficulties, efforts have been made to preserve and protect these artifacts, highlighting their enduring cultural significance.
Can you give me objects that were used specifically in Russia and China during times of war and conflict?
Soviet Propaganda Posters (Cultural Context): The use of propaganda posters in Russia was deeply rooted in the country’s history of socialist and communist ideology. These posters often depicted heroic workers, soldiers, and symbols of the Soviet state. They drew inspiration from the ideals of collective effort, sacrifice, and loyalty to the government.
Samovars (Cultural Context): The samovar is a quintessential Russian cultural symbol. It reflects the tradition of communal gatherings around tea, emphasizing hospitality and the warmth of human connections. During wartime, the samovar’s practicality in conserving fuel and providing sustenance aligned with the Russian emphasis on shared resources.
Trench Art (Cultural Context): Trench art in Russia emerged from the resilience of soldiers and civilians amid hardship. This form of artistic expression demonstrated the Russian people’s ability to find beauty even in the midst of destruction, echoing a cultural inclination towards creativity and endurance.
Bread Lines (Cultural Context): Bread has been a staple in Russian cuisine and culture for centuries. Bread lines symbolized the scarcity and hardships faced by the population during times of conflict, drawing attention to the basic need for sustenance and the shared experience of adversity.
Nightingale Floors (Cultural Context): The concept of nightingale floors reflects the Russian commitment to care and nurturing. In a medical context, the use of these floors to ensure prompt care aligns with the cultural value of looking after one another’s well-being.
China
Chopsticks as Cooking Tools (Cultural Context): Chopsticks are an integral part of Chinese dining culture. Their adaptation for cooking during wartime illustrates the Chinese value of frugality and resourcefulness, as well as the importance of making the most of what is available.
Bamboo and Grass Shoes (Cultural Context): China’s rural population historically relied on locally available materials, including bamboo and grass. The use of these materials for shoes reflects the practicality of resource use and the country’s agricultural heritage.
Paper Kites (Cultural Context): Kite flying is deeply ingrained in Chinese culture and dates back thousands of years. The use of kites for communication during wartime aligns with China’s history of inventive uses of technology and its reverence for ancient traditions.
Underground Tunnels (Cultural Context): China’s history is marked by various periods of conflict, leading to the development of underground tunnel systems. These systems resonate with the Chinese emphasis on adaptation and strategic thinking, as well as the tradition of guerrilla warfare.
Rice as a Symbol of Survival (Cultural Context): Rice holds immense cultural and symbolic importance in China. Its careful preservation during times of scarcity reflects the deep-rooted value of sustenance and the Chinese philosophy of balance and harmony.
The alliance leverages Russia’s legacy in espionage and China’s technological prowess to create Matryoshka-inspired digital reconnaissance units. These units, resembling traditional Matryoshka Dolls, are equipped with state-ofthe-art surveillance technology, blending seamlessly into urban landscapes. They monitor sensitive areas, providing crucial real-time data to joint military command centers, reflecting the fusion of tradition, innovation, and surveillance expertise.
Can you create a short story with this in as a POV with respect to the object: Matryoshka-inspired digital reconnaissance units with Chinese blue and white porcelain and with the intricacies of the Fabergé egg?
In the future, in 2053, the world is at war and Russia and China have formed an alliance. In this case, what would a food tool made of blue and white porcelain, matryoshka dolls and Faberge eggs look like? and based on this those information, write a narrative.
Now imagining in 2045, there is rising tension globally, China and Russia become allies, come out with a shelter solution that has some the features of faberge egg, Matryoshka doll and Chinese blue and white porcelain and also adopt to China and Russia living habits. What could be it looks like?
Now imagine in 2045, there is rising tension globally, China and Russia become allies, global environment has become severe, come out with clothing that has some of the features of Faberge egg, Matryoshka doll and Chinese blue and white porcelain and also adopt China and Russia situations. What could be it looks like?
In the year 2045, as the world braced itself for escalating tensions, an expected alliance emerged between Russia and China. Along with their trade and military alliances an unprecedented alliance has occurred in their cultures, intertwined with a shared vision for a communist future, led to the creation of extraordinary objects that played a pivotal role in their collaborative efforts.
Nina, a young Russian engineer, found herself standing in a bustling workshop on the outskirts of Moscow, facing a workbench brimming with activity. With a remarkable display of precision, she delicately pieced together the components of a unique communication device. This particular device has two distinct variants. One which drew its inspiration from the iconic Russian Matryoshka Doll, concealing advanced surveillance technology within its nested layers. Its porcelain exterior, reminiscent of Chinese pottery, served as a potent symbol of the alliance between the two nations.
The two variants of this communication device diverged not only in their styles but also in their intended users. The first variant, as previously mentioned, ingeniously blended the essence of the Matryoshka Doll and Chinese white porcelain. Designed with civilians in mind, it catered to the communication needs of individuals during times of turmoil and conflict, allowing them to maintain contact with their loved ones.
On the other hand, the second variant exuded a more opulent and ornate aesthetic, drawing inspiration from the renowned Russian Faberge Eggs. Like its counterpart, it featured an exterior crafted from white porcelain inspired by Chinese pottery. However, its purpose was distinct, serving as a conduit for transmitting messages between military officials and government agencies. Taking cues from the Faberge eggs, which had historically been associated with royalty, this device was reserved for use by high-ranking officials, politicians, and military personnel within and between the nations, particularly within the joint military command center of the alliance.
As Nina meticulously integrated the surveillance module with the porcelain casing, she couldn’t help but contemplate the depth of collaboration between the two nations. The patterns adorning the casing were far from mere decoration; they encoded encrypted messages, guaranteeing secure and confidential communication between the device and its intended recipient. Much like the traditional mail of the past, this communication unit would be sent, but it possessed a built-in lock and security mechanism to prevent unauthorized access—an invaluable feature in these turbulent times of conflict and uncertainty. The unit’s exterior was not only elegant but remarkably durable, designed to withstand the rigors of travel between users. Moreover, the porcelain’s combination of grace and strength symbolized the unbreakable bond between Russia and China, a fusion of cultures united by a shared purpose.
As Nina carefully assembled the final component of the device, it sprang to life. Its sensors activated, and the unit’s intricate design radiated with a soft, inviting glow, a visual testament to its readiness. In that poignant moment, Nina was engulfed by a profound sense of pride. She realized that the porcelain-clad exterior of the unit didn’t just conceal its true purpose; it magnified its very essence. This remarkable creation stood as a tribute to the artistic finesse and technological prowess of both nations, particularly during these trying and tumultuous times.
This ingenious communication device served a dual purpose, offering solace to the citizens of its respective nations by facilitating connections among families in times of crisis. Simultaneously, it played a crucial role in enhancing national safety efforts during times of war. It was a symbol of resilience and unity, an embodiment of the enduring partnership between Russia and China, where artistry and technology converged to provide both comfort and security to their people.
Fig.11 Fabrege Egg Inspired communication device with a white porcelain finish [MidJourney Output,2023] Fig.12 Matryoshka Doll inspired communcation devices with a porcelain exterior/finish [MidJourney Output,2023]In this section, we outline the key characteristics and features we aim to imbue in the final blended artifact—a communication device designed to transmit messages in a futuristic and symbolic nod to traditional mail, all within the context of war or turmoil. These characteristics and features collectively aim to create an artifact that not only bridges the gap between tradition and technology but also serves as a tangible symbol of the enduring collaboration between Russia and China. It’s a communication device that embodies resilience, culture, and security, while also catering to the emotional needs of its diverse user base.
The artifact will serve as a reliable and secure means of communication, allowing users to send messages across distances, akin to traditional mail’s emotional connection, but with the advantage of real-time transmission.
We plan to incorporate advanced security measures, such as biometric technology like fingerprint sensors and touch-sensitive controls. These features will ensure that the device can only be accessed by authorized individuals, enhancing privacy and confidentiality.
The exterior of the artifact will be highly durable, capable of withstanding the rigors of wartime conditions and travel between users. This durability not only serves a practical purpose but also symbolizes the resilience of the alliance between Russia and China.
The design will be inspired by cultural symbols, such as the Matryoshka Doll and Chinese porcelain, to evoke a sense of tradition and heritage, reinforcing the bond between the two nations.
A crucial aspect of the artifact is its ability to evoke emotions in two distinct user groups. For civilians, it should offer a sense of solace and connection during times of turmoil. For officials and high-ranking individuals, it should exude an aura of importance and gravitas, akin to the historical use of Faberge Eggs among royals.
The artifact will be available in two variants, each catering to a specific user group. One, inspired by the Matryoshka Doll, designed for civilians, and the other, influenced by the Faberge Egg, intended for government officials and military personnel.
Besides biometric security, we will explore the incorporation of cutting-edge technologies like AI-driven encryption for message security, real-time translation capabilities, and adaptive user interfaces to enhance the user experience.
Prompt 1
Mix mode,radio, Chinese ceramics, faberge egg inspiration, LED, like a Russian doll, rugged texture, fingerprint scanner in the middle, facial recognition, high-tech, futuristic technology-- s 250
Prompt 2 Mix mode,vary strong-- s 250
Prompt 3
Mix mode,high tech-- s 250
Prompt 4
Russian doll texture, rugged texture,
gerprint scanner in the middle, facial recognition, high-tech, futuristic technology-- s 250
fin Fig.13 Li,S. 2023 A Russian doll inspired Fabrege egg made of Chinese ceramics with futuristic technology [MidJourney Output] Fig.14 Li,S. 2023 A Russian doll inspired Fabrege egg made of Chinese ceramics with futuristic technology [MidJourney Output] Fig.15 Li,S. 2023 A Russian doll inspired Fabrege egg made of Chinese ceramics with futuristic technology and surveillance technology [MidJourney Output] Fig.16 Li,S. 2023 A Russian doll inspired Fabrege egg made of Chinese ceramics with futuristic technology with a sleek design like a phone [MidJourney Output]KeywordsRugged, Folk inspired, Matryoshka Patterns,Traditional
Matryoshka Inspired
Fabrege Inspired
KeywordsHeavily embellished and ornamental, Luxurious
Prompt 5
Egg-inspired, folksy, shabby, rugged in texture, fingerprint scan in the middle, copper, combination locks, facial recognition, low tech, s 250
Prompt 6
Russian doll shape, open, like plastic ceramic, folklore style, shabby style, rough texture, copper, combination lock, fingerprint unlock, low tech, -- s 300
Fig.17 Li,S. 2023 A Fabrege egg fingerprint scan in the middle, copper, combination locks, facial recognition, low tech [MidJourney Output] Fig.18 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech [MidJourney Output]
Fig.19 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended [MidJourney Output]
Fig.20 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended [MidJourney Output]
Prompt 7
Rough ceramic material, openable, hightech, commuication device, Fingerprint un-
Prompt 8 Blend and Variation from previous generations https://s.mj.run/mlztAXDdIxY https://s. mj.run/Lac7-e_ShDo
lock
Fig.21 Li,S. 2023 High technology communication device with a fingerprint lock [MidJourney Output]
Fig.22 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended [MidJourney Output]
Fig.23 Li,S. 2023 Matryoshka Inspired communicationdevice with high tech rugged features and folklore motifs [MidJourney Output]
Fig.24 Li,S. 2023 Matryoshka Inspired communicationdevice with high tech rugged features and folklore motifs variations [MidJourney Output]
Prompt 9
Egg-shaped, openable, high-tech, communication device, fingerprint unlock, rough,
Prompt 10
Blend and Variation from previous generations https://s.mj.run/mlztAXDdIxY https://s. mj.run/Lac7-e_ShDo
Fig.25 Li,S. 2023 Matryoshka Inspired communication device with high tech smooth ceramic finish [MidJourney Output] Fig.26 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended MidJourney Output] Fig.27 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended with high tech [MidJourney Output] Fig.28 Li,S. 2023 A Russian Doll inspired lock with folklore motifs and lock that is low tech blended with high tech [MidJourney Output]Prompt 11
Device, porcelain exterior, Chinese, Fabergé-inspired, LED, like a Matryoshka doll, device, with a fingerprint scanner in the middle, high-tech
Prompt 12 A high tech hand phone
decoration
Fig.29 Chen,Y. 2023 A Fabrege Egg inspired highly ornated device with a fingerprint scanner [MidJourney Output]
Fig.30 Chen,Y. 2023 A high tech hand phone [MidJourney Output]
Fig.31 Chen,Y. 2023 A Fabrege Egg inspired highly ornated communication device with a fingerprint scanner [MidJourney Output]
Fig.32 Chen,Y. 2023 A Fabrege Egg inspired highly ornated communication device with a fingerprint scanner [MidJourney Output]
Prompt 13
Prompt 14
high-tech, communication device, bio scanner Device, porcelain exterior, Chinese, Fabergé-inspired, LED, like a Matryoshka doll, device, with a fingerprint scanner in the middle, high-tech decoration Fig.33 Chen,Y. 2023 A high-tech, communication device, bio scanner [MidJourney Output] Fig.34 Chen,Y. 2023 A Fabrege Egg inspired highly ornated device with a fingerprint scanner [MidJourney Output] Fig.35 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device [MidJourney Output] Fig.36 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device with ornamentals [MidJourney Output]Prompt 15
Blended Image
Prompt 16 remix mode --s 200
Prompt 17 remix mode: gold decoration, gem setting --s 200
Prompt 18 remix mode: gold decoration, gem setting --s 200 variation
Fig.37 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device [MidJourney Output]
Fig.38 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device [MidJourney Output]
Fig.39 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device with heavy embelishments [MidJourney Output]
Fig.40 Chen,Y. 2023 A Fabrege Egg inspired high tech communication device with heavy embelishments [MidJourney Output]
Prototyping the communication unit presents a critical phase in the design process, enabling us to transform conceptual ideas into tangible, testable forms. Several prototyping methods offer distinct advantages for refining our blended artifact. A 3D printed model, for instance, provides a visual representation of the device’s form and aesthetics, aiding in the assessment of its physical dimensions. Conversely, interactive digital simulations or virtual reality experiences offer an immersive understanding of its functionality and user interface.
Functional prototypes, focusing on core features like message transmission, allow us to evaluate the practical aspects of the device. Additionally, mixed reality prototypes blend physical components with augmented reality, offering an innovative approach to showcase the fusion of tradition and modernity in our design. User testing with different prototypes will be essential to assess the emotional impact on the two user groups, civilians, and officials, providing invaluable insights for further refinement. By strategically employing these diverse prototyping methods, we aim to create a communication unit that seamlessly merges culture, technology, and emotion while meeting the unique needs of its users in times of conflict and uncertainty.
To achieve a porcelain-like finish on your 3D printed artifact, consider post-processing techniques like sanding and painting. These methods can help smooth the surface and add gloss, making it visually reminiscent of porcelain.
Use SLA printer to fabricate the shell and finish up with paint
Use FDM printer to fabricate, a rough sanding to produce the texture and cover with rust paint
Use SLA printer to produce the parts and finish with paint.
Laser cut copper sheet / HP printer to create the ornamental elements Matryoshka Inspired Fabrege Inspired
The introduction of our design concept to the audience is achieved through a central poster that acts as a focal point. Simultaneously, we display the components featured on the poster on a tabletop, providing people with the opportunity to see and experience them firsthand. This interactive display is intended to enhance the audience’s understanding of the various materials incorporated into the artifact.
In addition to highlighting the materiality of the artifact, our exhibit aims to engage the emotions of the viewers. We seek to create a narrative that vividly portrays the assembly process of the communication unit and its utilization in the specific context it was designed for—conveying the emotional depth and significance of this artifact.
To provide further context and clarity, we intend to incorporate complementary artifacts, tools, and technology into the exhibit. These additional elements will serve to better explain the intricacies and functionalities of our artifact, enriching the overall visitor experience and understanding of our project.
Fig.41 Li,S. 2023 Concept Sketch for Exhibit
A small exhibition (until October 31, 2020) of Ashanti gold weights and gold regalia is now on at the Victoria & Albert Museum
Egyptian exhibit at the Boston Museum of Fine Art
Image composition by Helen Koker
Fabio Revetria, Lara Sappa, 2012 for Spinning Wheel of Caraglio
Our research and design project embark on an inspiring journey to create a communication artifact that harmoniously blends the cultural essences of Russia and China, offering a symbol of resilience and innovation. Our primary objective is to craft an artifact that symbolizes the enduring partnership between these two nations, bridging the gap between tradition and technology, and meeting the emotional needs of its diverse user base.
At its core, the artifact will serve as a communication device, transmitting messages with a nod to traditional mail, all within the challenging context of war or turmoil. To achieve this, we intend to seamlessly integrate three chosen elements: the Matryoshka Doll, the Faberge Egg, and Chinese porcelain. This integration is done with utmost respect for cultural sensitivities and a commitment to avoiding any instances of cultural appropriation.
A critical aspect of this artifact is its potential to evoke a range of emotions, which can vary from positivity to negativity based on the user’s perception and the circumstances in which it is employed. The emotional dimension plays a significant role in shaping the user experience and impact.
To embark on this ambitious journey, we harness the power of AI-driven generative processes. Through the application of artificial intelligence, we intend to establish a robust foundation for the development of this artifact, ensuring that it marries the past with the future seamlessly.
Our research journey began with an extensive desk research phase spanning three weeks, during which we conscientiously considered various design factors. These factors encompassed functionality, form, and environmental suitability. We navigated the complexities of the geopolitical context while meticulously charting our course, understanding the nuances of each culture’s symbolism, craftsmanship, and heritage values.
As we delved into the heart of our project, we conceptualized a central poster that would serve as an anchor point for introducing our design concept to our audience. Simultaneously, we envisioned the components highlighted on the poster being physically displayed on a tabletop, creating an interactive and tactile experience for viewers. This approach aimed to provide a deeper understanding of the materials integrated into our artifact and foster a meaningful connection with its essence.
Beyond the visual and tactile elements, our exhibit design also delves into the emotional resonance of the artifact. We endeavor to paint a vivid picture of the assembly process of the communication unit and its utilization within the challenging context for which it was designed. By incorporating storytelling and immersive experiences, we aim to elicit empathy and understanding from our audience.
Moreover, our exhibit design incorporates complementary artifacts, tools, and technology to provide context and clarity. These additional elements serve as educational tools, enhancing the visitor experience and offering insights into the intricacies of our artifact’s functionality.
In conclusion, our research and design project aim to create a communication artifact that transcends time and culture, blending tradition and technology in a harmonious symphony. Through meticulous research, innovative design, and a deep understanding of cultural sensitivities, we endeavor to create a tangible symbol of collaboration and resilience between Russia and China, capable of evoking powerful emotions in its users. This artifact stands as a bridge between the past and the future, celebrating the rich heritage of both nations while ushering in a new era of communication in the face of adversity.
[1] Bridge to Moscow. (n.d.). Matryoshka Doll. Retrieved from https://bridgetomoscow.com/matryoshka-doll
[2] Jewellery Discovery. (n.d.). Nine Facts About Fabergé Eggs. Retrieved from https://jewellerydiscovery.co.uk/knowledge/nine-facts-about-faberge-eggs/
[3] UNESCO. (n.d.). Chinese Porcelain. Retrieved from https://en.unesco.org/silkroad/content/ chinese-porcelain
[4] Pearce, S. (Ed.). (1994). Interpreting Objects and Collections Taylor & Francis Group. Source: http://ebookcentral.proquest.com/lib/rmit/detail.action?docID=169958
[5] Council on Foreign Relations. (n.d.). The China-Russia Relationship: Xi and Putin. Retrieved from https://www.cfr.org/backgrounder/china-russia-relationship-xi-putin-taiwan-ukraine
[6]CNN. (2023, June 7). China and Russia Announce Plans to Increase Trade Ties. Retrieved from https://edition.cnn.com/2023/06/07/business/china-russia-trade-increase-intl/ index.html
[7] Council on Foreign Relations. (n.d.). China-Russia Relationship: Xi, Putin, Taiwan, and Ukraine. Retrieved from https://www.cfr.org/backgrounder/china-russia-relationship-xi-putin-taiwan-ukraine
[8] Council on Foreign Relations. (n.d.). China-Russia Relationship: Xi, Putin, Taiwan, and Ukraine. Retrieved from https://www.cfr.org/backgrounder/china-russia-relationship-xi-putin-taiwan-ukraine
