LABEL Magazine Fusion Edition

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The defnition of fusion is “the process or result of joining two or more things together to form a single entity.” But this is quite a broad defnition. At Label, we want to delve deeper into the meanings of fusion. It’s the blending of diverse perspectives, the intersection of cultures, and the synthesis of art forms that give the concept its true signifcance today.

Fusion sparks inclusivity and creativity, opening doors to explore current ideas and narratives. With this edition of Label, it was essential to maintain a broad and diverse range of topics, so I encouraged our writers to push boundaries and deepen their storytelling. I wanted each contributor to consider; how can their work refect a fusion of infuences? How can they weave a wider narrative into their piece?

I hope you keep this in mind whilst you fip through our magazine, which encompasses the mixture of ideas to create fusion. From articles to photography, Label is a celebration of creativity born from collaboration and the blending of distinct elements. I hope you enjoy experiencing this edition as much as we enjoyed creating it.

LABEL FUSION EDITION

Fusion in Film: Where Freaky got Fabulous

A Christmas Fusion

Best Genre Crossovers

Neurodiversity In Writing

Bait: Evading Capture in the Age of Online Entrapment

Supernova and a Subversion: Chappell Roan’s Meteoric Rise to Fame

Diferences to Unity: The Power of Intercultural Friendships

The universe is so much bigger than you realise

Roll back the flm

The start of the Endgame

Into the Spider-Verse

Fabulous fusions

Christmas 2023 was a joyful yet hectic time for me and my girlfriend, Salome. We attempted to fuse our plans to create a Christmas that included both German and English traditions. For context, Salome and I met a couple of years ago in Cyprus, where our families still live. Sal is German, I am English, and it was not until our frst Christmas together that I realised how diferent our Christmas traditions were. We stayed with Salome’s parents in the run-up before driving to my mum’s house on Christmas morning. It was my frst experience of a German Christmas and Salome’s frst experience of an English Christmas. Going into the festive period I was expecting to enjoy an overall similar Christmas with perhaps a couple of nuanced changes. Yet what I found was that our cultures had some surprisingly stark diferences...

First of, the run-up to Christmas in a typical German household is characterised by the Adventskranz, which translates to advent wreath. Similar to the wreaths we in

England hang on doors, the Adventskranz is a symbol of the advent towards Christmas. A candle is lit on the Sunday four weeks before Christmas, and then every

Sunday until Christmas day. This tradition made its way to Britain in the 19th century and has become a popular adoption. Where I personally felt the largest diference was on the days the festivities were mostly celebrated on. As you may know, Christmas Day is the 25th in both Germany and the UK. However, Christmas in Germany festivities take place on Christmas Eve, the 24th. My mum puts our Christmas tree up at least a few weeks before. However, with a German family, the morning of Christmas Eve is the traditional time to put up the Christmas tree. Later in the day, a German family would leave for a Christmas concert, similar to Christmas caroling. For a family with younger children, the Christkind will visit and bring gifts. This is a Southern German, Austrian, and Swiss tradition. Whereas. Father Christmas brings gifts overnight in the UK. So, although the Christkind did not come whilst I was there (as we had no younger children) we participated in the

tradition of gift-giving on the evening of Christmas Eve.

Traditional Christmas dinner for Germans represents the way Jesus grew up. With little to his name. Wurst (sausage) and warm potato salad is the tradition. However, Salome’s father roasted some gorgeous duck with some thin gravy. On the side, her mother made some fantastic homemade Knödel. (Potatoes with a dumpling-like texture). I highly recommend it!

It was important to me that Salome tried an English Christmas dinner on the 25th. So, when we drove to see my mum and her partner it was wonderful to see all the trimmings.

I was proud of how we managed to create a Christmas which incorporated the best parts of both our traditions. It was hugely important for us to be able to enjoy each other’s Christmas quirks and spend as much time together as we could. At the centre of all our plans though, was spending time with the people closest to us. So, this winter break from university, whether you celebrate Christmas or not, I hope you got to spend some time with friends and family.

BEST GENRE CROSSOVER

2024 has been a hell of a year for the music industry. Artists across the board have used their vision to produce some truly epic albums, reaching out to a huge array of sounds to add to their musical arsenal. From space jazz to punk rap to Indian indie, take your pick from these fve distinct LPs which released this year to get your next hit of genre madness.

I LAY DOWN MY LIFE FOR YOU – JPEGMAFIA

Genres: Rap, Rock, Punk

About: JPEGMAFIA’s a creative visionary. Taking samples from a Fortnite emote, an AI-generated jazz track and Brazilian ‘phonk’, Peggy captures the zeitgeist of leftist Gen-Z angst in response to rising political tensions. On the fip side, Peggy refects on his career thus far by scattering thoughtful moments throughout the creative chaos.

Nu-metal, MF DOOM and Kanye West fans: this one’s for you.

Best Tracks: don’t rely on other men, either on or of the drugs, I’ll Be Right There

The Pilgrim, Their God and The King of my Decrepit Mountain – Tapir!

Genres: Folktronica, Alt-rock, The atre

About: Tapir! emerged from the UK post-punk scene to recount a simple three-part story about a pilgrim on a journey to meet their god. The band cross unlikely instruments to create a unique ‘Folk-tronic’ sound, using this to build their fantasy setting, illuminating the deeply visceral experience of abandoning religion.

A great listen for Bon Iver and Phoebe Bridgers lovers looking for artsy folk.

Best Tracks: Broken Ark, Gymnopedie, My GodBest tracks: Death and Romance, Tunnel Vision, Angel on a Satellite

Imaginal Disk – Magdalena Bay

Genres: Psychedelic Pop, Progressive Rock, Disco

About: Mica and Matt delve into themes of self-discovery and self-worth on this 15-track epic. Centred around a young woman’s mind-bending experience following the ‘True Blue’ procedure, MagBay capture the essence of disco with the most danceable music this decade yet leave ample room for their slightly disturbing ‘nostalgiadelic’ aesthetic.

Best tracks: Death and Romance, Tunnel Vision, Angel on a Satellite

Beta

– Peter Cat Recording Co.

Genres: Pop, Jazz, Indietronica, Ghazal

Endlessness – Nala Sinephro

Genres: Jazz, Electronic, Ambient

About: Brussels-born jazz talent Nala Sinephro will whisk you away on a lush tour across the universe. Driven by a powerful electronic beat and steered by horns, strings and synths which melt through each other, this LP executes nothing less than excellent musicianship across its 10-track continuum where seldom have been before.

This vivid astral escapade is a must-listen for jazz beginners and veterans.

Best tracks: Continuum 1, Continuum 3, Continuum 6, Continuum 10

About: Beta, meaning ‘Son’ in Hindi, spans three continents’ worth of recording studios in its journey to album form. The bands’ Indian roots sit within its sophistipop style, incorporating Ghazal grooves and traditional instruments throughout. Some songs break into fullforce chamber pop, soaking up the melancholy through ‘indietronic’ fourishes.

Recommended for those looking for their next international music obsession.

Best Tracks: People Never Change, 21C, I Deny Me, A Beautiful Life

Written by Lewis Jenkins, Designed by Derin Gunal

Cognitive diversity, such as autism, dyslexia, ADHD or dyspraxia, can infuence how writers perceive and organise stories. For example, nonlinear thinking or heightened attention to detail may lead to a more fragmented or layered storytelling technique.

To develop this, a writer with ADHD may experience difculties in focusing, therefore mirroring this experience through disjointed chapter structures or experimental forms as seen in Hyperbole and a Half by Allie Brosh. Brosh combines a mixture of unique comics and written personal stories to portray her thoughts and challenges faced throughout her life as a neurodivergent person.

Alternatively, an autistic writer might focus on one aspect of a story with obsessive precision. This may be in relation to the character as is the case with Haddon’s The Curious Incident of the Dog in the Night-Time, a text written through the eyes of Christopher, an autistic boy. The novel shifts its pace and structure rapidly, whilst maintaining a literal, direct chapter structure labelled with prime numbers. Through these structural diferences, neurodivergent authors can blend classical narrative structures or traditional genres with more experimental forms.

We must also consider the blurry boundaries between the labels of ‘neurodivergent’ and ‘neurotypical’. The ‘traditional’ structures mentioned may also have been pioneered by undiagnosed

autistic people. Virginia Woolf, one of the most notable fction writers, took longer than average to learn to speak, struggled to make eye contact, was intensely shy and isolated and was obsessed with pens. These traits could easily be interpreted as autistic or neurodiverse.

Contemporary authors like Temple Grandin have written extensively on the efect of autism on communication, both verbal and written. Penny Kiley states that her teachers would tell her she was “good at saying a lot in a few words”, which she believes allowed her to approach all communication in that way. Her ability to get words out “as succinctly as possible before people stopped listening” drew her to alternative structures like poetry. Some scholars have begun to examine how autism infuences writing and storytelling, suggesting that autistic writers may often use language in a more direct, literal or intensely detailed manner. Other research has determined that ADHD children wrote a similar length to neurotypical writers but with “poorer structure, coherence and ideation”.

Does viewing ADHD structures of writing as “poorer” perhaps hinder publishing opportunities for neurodiverse

writers? What does this mean for the high-art-focused world of publishing? Do they favour conventional, traditional storytelling? Or, do fewer uniform approaches to creativity stand just as much of a chance at success? There may be challenges in the publishing world for a variety of reasons including misunderstandings about neurodiversity. However, with technology increasing the accessibility of writing, neurodiverse writing will undoubtedly continue to be amplifed in the future. Tools like Grammarly and Focusmate, as well as further research into the neurodivergent creative process, may support neurodiverse writers in entering the professional world of writing.

‘Single women in your area.’ ‘Doctors just can’t believe these simple tricks.’ ‘You won’t believe what these 5 former child stars look like now!’ If you’ve been online, these phrases may seem familiar. They represent a small part of the online engagement bait or click bait industry.

Engagement bait’s rise traces back to the classic pop-up ad, arguably the frst click-bait. Invented by Ethan Zuckerman (who now reportedly regrets his creation), they were designed to grab attention and encourage users to click away from their original point of focus.

Click-bait has evolved from popup ads to tabloid articles and YouTube thumbnails, always vying for our attention. With the rise of platforms and the everincreasing amount of time we all spend on our devices, the digital landscape is now overfowing with an abundance of content at our fngertips. Sadly, most of this content aims to grab and endlessly hold our attention.

How our digital landscape has

According to Psychology Today click-bait takes advantage of our natural curiosity, our tendencies toward impulsivity and our openness to new experiences. A few elements, driven by online advertising, have shaped the digital landscape. In ‘Subprime Attention Crisis’ author Tim Hwang outlines how in the early 2000s once large organisations such as Google were able to automate the

buying and selling of advertising space it opened the foodgates for companies and advertisers to make real money online.

Digital marketing is a hundredbillion-dollar industry. With Meta becoming an industry leader generating $118.96 billion in 2023 according to Statista. Platforms have increasingly become hubs for overt and covert advertising.

The ‘Attention Economy’ as coined by Herbert A Simon, has enabled online spaces to be commercialised and user attention to be commodifed.

The lure of platform profts drives creators and organizations to produce content. Unfortunately, this has led to the rise of rage bait, as drawing out anger is one of the easiest ways to farm engagement. On X (formerly Twitter), Elon Musk’s X Premium lets users monetize posts through ad revenue sharing and afliate marketing. This however has prompted an infux of accounts who use rage bait to farm engagement for monetization purposes. Unlike YouTube and TikTok, X has a lower barrier to entry for monetized accounts. The ability for bots and AI to run X accounts means that often verifed and monetized accounts on X can easily take advantage of the system by posting constantly.

Charity and scam bait content are among the most damaging forms of engagement bait. They involve scammers using tragic events and people’s willingness to help those in need as an easy way to earn money. These accounts use fake charity names and stolen photos to appear legitimate while asking

for money via PayPal or fake GoFundMe pages. This type of bait is illegal but can be difcult to police and even harder for users to recognise and stay away from.

Can we escape?

After spending much of my life online, I’ve developed a sixth sense for attention-baiting content. Whilst I am not an expert, I am invested in trying to make my personal online experience as enjoyable and bait free as possible. Here are some of my tips for avoiding bait online.

1. Use an Ad blocker

2. Mute, block or report suspicious accounts

3. Remember to take breaks from the internet

Ultimately, there is only so much we as individuals can do when it comes to engagement bait. The real issues lay with platforms and how they choose to manage or mismanage the content on their sites. Some may argue that engagement bait is a natural part of the online ecosystem and market trends confrm the monetary value to be gleaned from increased user engagement with good and bad content. However, with the rise of AI and concern from governments worldwide about the farming and sharing of user data, it is becoming clear that things may have to change if we want to evade capture online.

A Supernova and a Subversion:

Chappell Roan’s Meteoric Rise to fame

Singer-songwriter Chappell Roan has been dubbed a ‘pop supernova’ by Rollingstone, and she is nothing short of the luminous explosion the title invokes.

Bursting onto the music scene in just September 2023 with the release of her debut album The Rise & Fall of a Midwest Princess, Chappell Roan has brought queer joy back to pop, with all the frills, ferocity and feeling that the genre needs in the modern world.

She is for many an icon of what the future of pop should look like –vulnerable, experimental, and above all, viciously fun!

From a small-town girl from Missouri going onto releasing her debut album, to releasing the instant-hit single ‘Good Luck, Babe!’ in early 2024, the singer sky-rocketed to a striking sensation, hitting Top 10 billboards across countries and performing at the VMA’s.

Chappell is a reformation for the industry, a modern pop-witch dominating 2024’s music scene with her vibrant experimental vocals, candid personality, and ICONIC looks.

With bursting locks of crimson curly hair, bold culture-inspired drag looks and costumes to boot, Chappell Roan does not plan on toning it down for anybody.

Roan’s larger-than-life personality is a defining part of the singer-songwriter’s pop personality – who else would decline an o!er to perform at the White House

during Pride month in their first year of fame. However, it has also landed her very quickly in an impressive roster of controversies for such a new celebrity.

Some argue her meteoric rise to the top of the pop scene has also meant that Chappell hasn’t had su!icient time to be media trained. The artist’s refusal to back down on what she believes has led to issues, from yelling back at pushy paparazzi to cancelling shows last minute.

One sticking point of controversy for the artist has been fans’ overstepping of boundaries concerning using her real name, fusing together her pop persona with the real person behind the character.

It’s easy to forget that not only is Chappell Roan’s appearance inspired by drag, but ‘Chappell Roan’ is a stage persona. In the age of parasocial relationships, Chappell wanted to maintain a distance from her musical persona.

In fact, the singer calls Chappell Roan a ‘project’, which she doesn’t want to become fused with her real name, Kayleigh Rose Amstutz, or her regular life. Chappell has reacted back at fans who approach her in public and call her by this name, stating at the start of some shows “Don’t call me baby, don’t call me Kayleigh”.

Fusing identity and music is easy, especially when you have access to so much social presence of an artist, and it’s so important to understand in the age of parasocial relationships just where the line of ‘too far’ lies.

Chappell has become more than a stage persona for many. She is an icon of progression, authenticity and extravagance. Most importantly, she is a figure who unabashedly represents queer stories.

There has been nothing casual about the way Chappell Roan has lit a wildfire through the music industry, lighting the beacon for a future where music continues to subvert expectations, represent the voices that need to be heard, and obliterate boundaries.

Let’s be honest, this diva has only just begun.

Designed by Maya Norman

A Placement In Paradise

Not all placements look like cofee runs and tiny ofces, some look like swimming in waterfalls and trying mealworms. Teaching in Thailand surprisingly wasn’t my frst choice of placement, mainly because I thought I’d get better work experience in some kind of communications or HR role. However, I realised that forcing myself through a placement that doesn’t especially link to my course, doesn’t even compare to the experience I’ll gain teaching in a foreign country for a year.

I’ve been living in Thailand for a month now and don’t get me wrong, it hasn’t all been Instagram worthy beaches and becoming best friends with elephants. For my frst month I was mainly sat in a stufy classroom completing my TESOL course so that I could become a teacher here. But like any good student, I balanced my

studying with a healthy amount of drinking cheap beer! After fnishing my course, I moved to Bangkok, where I started teaching. In some ways this placement is no diferent to one I could have found in the UK; it’s going to be long days for little pay with sometimes infuriating colleagues (expect those colleagues will be teenage girls). However, I get to have my dinner in night markets, whilst making friends with locals and, on weekends I’ll get to spend my time exploring this incredible country.

In the little time that I’ve been here, I believe I’ve learnt so much and have already fallen in love with the country, the people and of course the food. The Thai culture is very collectivist, they look out for each other and think of themselves last, a concept us westerners are not all that familiar with. They’re so willing to share their stories and culture

with you; it’s very refreshing! On the other hand, it can be really hard moving somewhere new, and adapting to a completely diferent way of life. Despite the mosquito bites, the blisters, and constantly being sweaty, it’s so worth it.

Rolling with the punches, is another concept you have to get used to out here. Things can change in an instant, one minute you’ve got a job at a primary school in the south of Thailand, the next you’re putting down a deposit for a fat in Bangkok and going to teach high school students! As strange as it seems, I’ve learnt to manage my expectations and be grateful for whatever comes my way. We’ve gotten too used to getting exactly what we want and it’s stopping us from experiencing the challenges that truly allows us to grow. Thailand is beautiful, and I know you’ve all seen the two minute

TikTok’s of the beautiful beaches of Phuket, and the crazy full moon parties. Yes, they’re stunning, and yes, it’s everyone’s dream to see that part of Thailand, but if you close yourself o! to being just a tourist then, you’re missing out.

If you get the chance to visit this crazy place that I’m so lucky to call home for a year, then I would highly suggest the following things:

The food is probably being cooked on unsanitary pans right in front of you, but nevertheless, it is incredible!

Hike on incredibly dodgy paths in the beating sun to waterfalls. You should still definitely take Instagram photos in your bikini with a cocktail in your hand (you have to make everyone at home a little bit jealous), but don’t limit yourself to a picturesque getaway; open your heart and mind up to the whole of Thailand.

So the point of this article, I suppose, is that placements are stressful, no matter where you are in the world, but they can also be the bridge to something more. You don’t have to commit to some disinteresting placement because you’re scared of not finding anything or being le behind with some gaping hole in your CV. However, I am not saying that everyone should pack up everything and move to Thailand. What I am saying, is that everyone’s journey looks di!erent and there are more options available than you might think. So don’t worry, you’re doing great!

Photography by Harriet Cross
Designed by Maya Norman

THE IMPACT OF the campus ART SHOP CLOSURE

On the 17th of June 2024, students from the School of Design and Creative Arts at Loughborough University’s received an email announcing a decision that has left the majority reeling; an ofcial announcement stating the closure of the campus’ Art Shop. The email was distributed only 4 days prior to its ofcial closure on 21st June 2024, stating that the shop is ‘no longer viable to run’ despite having ‘explored all the possible options to keep the shop open, or ofer its services in another manner’.

The Art Shop was an accessible and afordable hub for art materials and advice, a resource that no longer exists in or around Loughborough town. This resource allowed students to experiment and explore versatile and new materials, a key assessable criterion for the course.

Within the Art Department, students have already shared concerns regarding the absence of fnancial support for Fine Art students. Over 10 students stated to spend an average of £100 on

materials per module in the 202324 academic year in frst year. Some students who exhibited work in the 2024-degree show turned to selling of materials to increase funding for the exhibition. The prices of materials can only increase following the loss of access to the Art Shop that once ofered better afordability and accessibility.

To consolidate outraged and disappointed SDCA students, the university ofered to explore the possibility of supplying a selection of popular materials online instead. At the start of the 2024-25 academic year, this was introduced as promised. However, with the importance of material physicality, this has not been well received.

One art student said, ‘this action has made me reconsider my choice to continue my studies at Loughborough University. There is evident bias for the Design School over the Fine Art departmentmy annual £9,250 tuition fees are equivalent to those studying Design Courses, yet my fnances are not reciprocated equally in facilities nor upkeep of the area. It is so incredibly disappointing to see the suggestion for art shop materials to move online.’

A second-year student studying BA (Hons) Industrial Design said, ‘the Art Shop ofered subsidised prices on pro-

LIFELINE DURING BUSY PROJECT WEEKS.

markers for design students. These are materials I purchase fortnightly due to the demands of the course. How can the university expect to be number one in the UK for Design and not have a supply shop that supports the demands of its Art & Design department? We no longer have access to facilities we signed up to have access to.’

A frst-year student from Loughborough’s BA (Hons) Design course said, ‘it is shocking. It was so accessible and the fact that we must leave campus, which takes away from studio time and disrupts our schedule, is ridiculous. The shop in the design school isn’t great either. This decision is so disrespectful towards students and demonstrates a lack of care.’

A petition disputing closure of the Art Shop obtained 976 signatures (September 2024).

The impact of this closure extends beyond the immediate loss of facilities. Students have expressed concern over how they will meet their project deadlines and prepare for upcoming exhibitions.

IT WAS AFFORDABLE AND ACCESSIBLE

ALWAYS HAD EVERYTHING I NEEDED

As the year draws to a close, we begin to brainstorm gift ideas, which can sometimes feel like an impossible task. To help, here is a list of the best gift baskets, to make for your loved ones. From ftness and self-care related presents, to treats for foodies and book lovers, there’s something for everyone.

Have a ftness enthusiast in your life? This Christmas, you can create a gift basket flled with an array of their favourite ftnessrelated items. Include quality gym wear from brands such as Gym Shark, as well as equipment, like free weights or resistance bands. These can be found on Amazon.

Alternatively, you include a gift voucher from brands such as Nike, giving them freedom to pick their own gym wear. For runners, consider adding a new running rest or glasses to their basket. Fitness fanatics know the importance of staying hydrated. Brands, such as Hydro Flask, are known for their high quality water bottles, which you could include too.

Self-care has becoming increasingly popular, with people implementing mindfulness into their everyday lives. For someone who values self-care, a gift basket may be the perfect option. Include

a relaxing candle or difuser set to their gift basket. Brands, such as NEOM, ofer long-lasting scents such as ‘de-stress’ and ‘sleep’, to create a calming surrounding.

Journalling, too, has soared in popularity. Treat your loved one to a new journal, perhaps focused on mindfulness, sleep, or gratitude. Brands such as Papier, sell beautifully crafted and customisable journals, as well as gift cards. Furthermore, you could include a self-help book. Sarah Knight, for example, is a proclaimed author, with an array of award winning self-help books, available at Waterstones.

For the foodie in your life, a gift basket is perfect for fuelling their passion. Why not include a selection of recipe books? Waterstones hold a great collection to choose from. Additionally, you can incorporate kitchen accessories, such as a new apron or mixing bowl. These can be found on John Lewis.

Furthermore, a spice or sauce set is a great treat for food lovers. Explore brands, like DELLI, which ofer food bundles, to spice up their cupboard this December!

Creating a tailored gift basket, for a booker lover, is a great way to

make them feel special this Christmas. Include books based on their reading preference, such as horror, romance or fantasy. Nowadays, many readers use Kindles. Why not consider adding accessories like cases, holder and decorative stickers? All of which can be found on Amazon.

Also, treat your loved one to a new mug, or a fufy blanket, to ensure that they are surrounded by a cosy atmosphere whilst diving into a new novel.

In conclusion, a gift basket is both a thoughtful and timeless way to show someone you care. It’s a wonderful way to celebrate the season with your loved one.

2024, was comprised of music, trends, fashion and more, as the year draws to a close, let’s take a look back on some of the key pop culture moments.

January:

January welcomes new goals, and TikTok’s ‘Ins’ and ‘Outs, trend created a new take on New Year’s resolutions. Users listed their 2024 ‘Ins’, such as, staying hydrated, working out, and their ‘Outs’ which removed unhealthy habits, like doom-scrolling’ and procrastination. The trend allowed users to start the year right.

On the 12th January, Ariana Grande sparked controversy with the release of her single ‘Yes, and?’. Grande received heavy backlash when she revealed her relationship with Ethan Slater, with many airing their concerns as to whether Slater had ended his marriage before getting involved with Grande. Despite the criticism, ‘Yes, and?’ was a great success, topping the Billboard Global 200 list.

February:

Released in December 2023, the rom-com Anyone But You, soared on TikTok throughout February, with many stating that it revived 21st century rom-coms. The popularity of the flm, also reignited fans love for Nastha Bedingfeld’s ‘Unwritten’ (2004), which the flm heavily featured.

Later this month, the disastrous Willy Wonka exhibit in Glasgow, Scotland caused havoc. The unlicenced

event was falsely advertised as a ‘Wonka Experience’, with parents paying up to £35. Families arrived to fnd broken promises, which featured a character called “The Unknown”, unrelated to Willy Wonka and terrifying to children. The ‘experience’ abruptly ended when police showed, and cancelled the event.

March

In March, the ‘Chick-fl-A- Sauce Girl’ arose after user @lav3ndr posted a TikTok, whereby Chickfl-A employee, Lynn, reacted in disbelief after a customer refused the popular Chick-fl-A sauce, she exclaimed ‘No Chick-fl-A sauce!’. The video went viral, with over 35 million views.

On the 17th March, Taylor Swift’s much anticipated Eras Tour began, it runs from March until December 2024, and so far, has been a huge success. It has already become the largest tour gross ever, exceeding $1 billion in revenue. The tour has created a sense of community, where fans have formed friendships, and famously swapped bracelets.

March was a prominent month for music with releases from both Ariana Grande and Beyoncé. Grande’s album, Eternal Sunshine, released on the 8th March, earnt her a spot on the UK Number 1 album list, for the ffth time. Meanwhile, Beyoncé’s album Cowboy Carter, released on the 29th March, ventured into the

realm of country music. Despite its great success, the album faced criticism, with some calling it her worst album.

April:

Music lovers were spoilt for choice in 2024, with the release of several eagerly awaited albums. For instance, Taylor Swift released The Tortured Poets Department: The Anthology on the 19th April. Two hours after its release, the album expanded into a double feature, made up of 31 tracks in total.

May:

Fashion enthusiasts awaited the beloved Met Gala, which was held on the 6th May.

This year’s theme was Sleeping Beauties: Reawakening Fashion, whilst the red carpet theme was “The Garden of Time”. Celebrities such as Zendaya, in Maison Margiela Artisanal and Taylor Russell in Loewe,

beautifully executed the themes in the eyes of fans, other celebrities missed the mark!

Music fanatics were in for a treat this May, with the release of Sabrina Carpenter’s Espresso, which soared to the charts and became, for many, the song of the summer. Espresso also went viral on TikTok, where it was featured in an array of dances. Moreover, fans were blessed with the release of Billie Eilish’s album HIT ME HARD AND SOFT on the 17th May, with fans calling it her best album yet. Both singers have since received nominations for the 2025 Grammy Awards, Carpenter with four, and Eilish with seven nominations.

June:

June saw a new TikTok trend, called Underconsumption Core, where users revealed their ‘normal’ amount of everyday belongings. The trend came to light, in response to the extensive amount of overconsumption

infuencers appear to have ‘a product for everything’. The trend aimed to remind users that it is ok to not have a tool for everything.

Charlie XCX took over June, with the release of her new album, BRAT, on the 7th June. The album was a hit and redefned the theme of summer 2024, Brat Summer. The use of ‘brat’ had positive affliations, symbolising both confdence and independence. Additionally, one of the album’s standout tracks, Apple, became a popular TikTok dance, The viral Apple Dance.

July:

July, was heavily made up of TikTok trends. For instance, TikTok users began to introduce a relation between themselves and aura points, which were a basis of judging the greatness of an individual. The posts explored how many of these aura points an individual lost, usually in a typically embarrassing moment.

In August, TikTok members were introduced to user, John Lebron, and their famous quote ‘Very Demure, Very Mindful’. Lebron’s video has over 54 million views, with many users defning everyday moments in their lives as ‘demure’, meaning calm and cutesy.

September:

A new TikTok dance took over in September, it was based on choreography performed in a scene of Step Up 3, which saw users attempting to breakdance to Chromeo’s famous track, Fancy Footwork. The sound blew up, receiving over 13,000 posts over TikTok.

October:

October witnessed the rise of TikTok’s Hear Me Out Cake trend, where users print out photos of their most peculiar, and sometimes controversial crushes, and use them as cake decorations.

Crushes varied from cartoon characters, to inanimate objects, such as the number eight…

November:

Gracie Abrams album, The Secret of Us (Deluxe) was released in October 2024, and was hugely successful, with over 15.9 million streams on Spotify. The track, ‘That’s So True’, has since gone viral on TikTok, users add the song to signify growth they have made, following a tough time.

December:

Now December is upon us, we can only image what’s to come.

Thank you 2024!

Written by Sophia Tilbury

Designed by Elena Inch and Maya Norman

For many students in the UK, university is associated with freedom, new experiences, and drinking. A recent survey from Students Organising for Sustainability found that 81% of respondents believe that drinking alcohol and getting drunk is an integral part of university culture. From Freshers Week, to house parties and end-ofexam celebrations, it is often the centrepiece of social life on and of campus. However, to thrive in many other aspects of university whilst engaging in this culture, certainly requires the ability to balance social drinking with physical and mental wellness.

University Drinking Culture and its Effects

It’s no secret that drinking plays a signifcant role for many in student

life, usually it is understood as a way to bond, make friends, and unwind after a stressful day. Club nights, pre-drinks, and university socials (with some exceptions of ‘sober events’) are therefore often framed around alcohol. The sense of community that comes from a hazy shared night out, can be a strong appeal for students seeking to ft in or simply have fun.

However, with these positives of social drinking in mind, the downside of UK drinking culture at university is clear. Heavy drinking can take a toll on both physical and mental health. For example, the famous “hangxiety” (hangoveranxiety) is a well-known concept, leaving students feeling fatigued and anxious after a big night out. The cycle of drinking, poor sleep and subsequent drained energy can cause a ripple efect, negatively infuencing academic performance, general health, and particularly mental wellbeing. Moreover, as a result poor mental health can perpetuate unhealthy habits such as drinking. This can further be reinforced through the social drinking culture at university. For this reason, it is vital to acknowledge the harmful efects and strained relationship

with alcohol, that engaging in social drinking can lead to. That is, if students’ wellbeing and health is neglected.

The Wellbeing Dilemma

With the growing awareness of mental and physical health issues at university, many students are reconsidering their relationship with alcohol. As awareness around wellness and the push for Universities to increase their focus on mental health support grows, there is a call for the social drinking-wellbeing dilemma to be addressed. That is, how can we fnd a way to enjoy drinking at university, without sacrifcing physical health or mental clarity?

Finding the Fusion Point

Well, it starts with making conscious choices…sounds a bit boring right? However, this doesn’t mean missing out on long shifts of drinking with mates, or quitting alcohol completely. It simply mweans understanding whether we solely drink to have a good time and if so, acting in ways which enable us to enjoy a vibrant social life at university, whilst improving our general wellbeing and wider university experience.

Firstly, as it’s widely known, bodily health is essential for not only maintaining physical but also mental wellbeing. Therefore, incorporating frequent exercise, particularly through the sports societies and clubs that Loughborough ofers, is a way of alleviating stress, managing hangovers and participating in social activity, absent of drinking. Overall, this can contribute to a healthy mindset and body whilst still enjoying university drinking culture.

Additionally, social pressure can be a heavy factor in drinking behaviour, therefore it’s important to recognise boundaries. This includes your limits (which you may or may not keep to each time…we can’t all be angels) and how to practice saying no under pressure. Both tools will help in being frm within social situations, when you’re don’t feel like having another, or any drink at all. And it’s certain, doing so will not only save your liver, but also lead to signifcantly greater confdence and self-assurance.

Finally, on a more serious note recognising whether alcohol is being used as a crutch for you in social situations is crucial. Be mindful of how you feel – and if drinking becomes the main thing you look forward to in the week, it may be worth seeking support potentially through friends, family, or the university services. Ultimately, taking time to refect on your mental health will signifcantly help you build a balanced university

life, really enabling you to enjoy all the aspects that it has to ofer.

In conclusion, while drinking is deeply embedded within university culture, maintaining a balance between social life and personal wellbeing is crucial. Overall, it is benefcial and completely possible through conscious choices and a focus on overall wellness. Engaging in regular exercise and other hobbies outside of drinking, as well as checking in on your mental health and seeking support if needed, ensures that you can make great memories, whilst still enjoying life and the opportunities university has to ofer.

Designed by Anna Polanowski

THE ART OF CULINARY FASHION

Culinary Fusion refects the multicultural world we live in. Denoting the blend of food culture and cultural culinary heritage; merging ingredients, cooking techniques, festivals and celebrations and culinary storytelling.

Fusion food has been a major trend in contemporary cuisines since the 1970s, involving a rich tapestry of favours from all cultures. A product of globalisation. There are multinational restaurants which incorporate fusion cuisine into their food, including fast-food chains. Mcdonalds caters to cultures and religions. In each country menus difer, in France they sell macarons whereas in India their menu features Paneer and Butter Chicken which are native to those countries. Mcdonalds also caters to cultures, religion and law, using Halal-certifed food to reach dietary restrictions.

Culinary fusion involves a tantalising mix of favours, and is

heritage, a way of civilisation where traditions and customs are passed down generations. But also connected to diverse traditions and practices, for example: religious practices such as Muslims only eat meat that has been slaughtered in accordance with Halal method, one of the most humane methods in the meat industry. Furthermore, Hindu’s do not eat beef because the Cow is a sacred animal to them. Additionally, family and community traditions indicate how recipes are passed down generations, how members of families and communities gather round food preparation creating a sense of identity, community and continuity. In particular, for the dishes Mexican Tamales and Italian Pasta.

Moreover, these diverse traditions and practices can also shape cuisine. Cultural Exchange refers to interchanging history, trade, ingredients and migration from people of diferent backgrounds. Cuisine is infuenced as this is a way of connecting people to their cultural identities and unite everyone by building bridges of communication; sharing knowledge about food through cross-cultural conversations. Silk Road, also known as the frst ancient trade route in history, the plethora of

interconnected routes served for an exchange in crops and spices from all across the world to create new dishes. Some of the results for fusion foods have stimulated major successes. Tex-Mex, a blend of Mexican and Southern American ingredients such as Chile Con Carne. Or even Ramen Burgers, a unique dish using ramen noodles as the bun flled with a burger patty highlighting how diverse culinary traditions fuse together creating a new take on gastronomy.

Gen Z has a modern take on fusion cuisine through platforms such as Tiktok. Innovative approaches to cuisine occur where content creators share recipes which infuence popularity. Feta Pasta is an example of a viral recipe that was recreated globally. Combining ingredients like Feta from Greece and Pasta from Italy. Therefore, social media played a big role in popularising fusion cuisine. The word fusion and cuisine often spark controversy in gastronomy. However, it happens more often than we think in our own homes such as blending cuisines through myriads of sauces such as mayonnaise to every Sandwich which is of French-origin.

The Power of Intercultural Friendships

When it comes to friends, many are hyper-focused on clicking with people from similar cultural or ethnic backgrounds due to beliefs that it’s easier to be friends with someone who can already relate to your traditions and background. To those of this thinking, perhaps it’s time to open the eyes of your heart. Imagine being able to travel the world, indulging in its rich, diverse customs and identities all through the comfort of your social relations. Powerful, no? Why hesitate, letting fear of misunderstanding or judgment stop you from discovering what could be the most meaningful bonds of your life? Let’s step out of our cultural comfort zones. After all, the most enriching friendships often begin where our diferences meet, and curiosity takes the lead…

Diversity varies by location, but at university, it thrives. On campus, you’ll hear diferent languages and see cultural society posters for countries you may not have considered visiting. “Diverse” barely captures the multicultural melting pot of university, making it an ideal place to form friendships. University provides countless opportunities to meet people with diferent perspectives and experiences. You might enjoy an international food festival, trying unfamiliar dishes, or attending a cultural celebration and learning new dances. These experiences aren’t just fun; they pave the way for lifelong friendships. Many say the best

lessons at university come from the people you meet, not just lectures.

Misunderstandings are inevitable, but they often become opportunities for humour and learning. I often use typically British phrases and sarcasm, which can be bafing to those unfamiliar with them. Once, on a freezing day, I casually remarked to an international friend, “It’s a tad bit chilly, innit?” She paused, visibly shocked, and asked, “Chilly? This is freezing, Anu! How is this just chilly?” Her incredulous tone made us chuckle. I explained the understated British humour behind the phrase and how we tend to downplay extreme conditions with casual remarks. Now, it’s a running joke. On bitterly cold days, she mimics me, saying, “It’s just a tad bit chilly!” even as she is wrapped in layers. Over time, she started using the phrase, often with a knowing grin. Misunderstandings don’t have to be about ofending but can teach us about each other’s cultures and lead to shared jokes.

Every type of friendship holds value, so maybe don’t take this as a sign to go out actively seeking specifc potential candidates like a recruiter. Relationships can’t be forced. However, when the

opportunity presents itself – and it will, given the diversity around us –don’t shy away from unknown situations. Instead, embrace your authentic curiosity. We live in a divided world, with conficts looming everywhere. By breaking down barriers, we can build even stronger bridges. Remember, true relationships fourish not in uniformity but in the celebration of our diferences. So go on, get travelling!

Running of the success of last year, 2024 has been a monumental year for Loughborough Snowsports. With a record breaking 493 members, we’ve ofcially become the largest Loughborough AU sports club.

Our club brings together a dynamic blend of skiers and snowboarders, from absolute beginners to seasoned shredders. The diversity in abilities and styles has created a vibrant environment where everyone can grow, learn and have fun. Whether you’re tackling your frst turn or launching of freestyle jumps, Loughborough Sno has a place for you.

Weekly training sessions at Tamworth Snowdome and Stoke-onTrent dry slope keep our skills sharp, which has been refected in the huge success at BUDS 2024 where there were incredible performances in Freestyle and Race, and we brought home 3 individual medals and won 1st place in Ski Race Duals.

Beyond training and competitions, we have a buzzing social calendar packed full of events ranging from themed nights out and après events

to more relaxed socials, ensuring there’s never a dull moment. Loughborough Sno is not just about shredding the slopes; it’s about building friendships and memories that last a lifetime!

This year’s growth shows the appeal of our welcoming and vibrant community, and we’re only just getting started.

bigger events, expanded training opportunities and the partnership with Nottingham Snowsports,

to get involved. Our explosive growth to nearly 500 members this year speaks volumes about the incredible experience we ofer. Whether you’re here for the adrenaline, the social buzz, or simply the love of the mountains, Loughborough Sno ofers something truly special.

Ski trip @snotour:

This year’s ski trip promises to be the most epic yet, as we team up with Nottingham University Snowsports to bring you the 2nd largest university ski trip in the UK!

Taking place in Val Thorens, the 2025 Easter trip is expected to bring together nearly 2000 students in the French Alps for the most unforgettable week packed with skiing, snowboarding and après ski mayhem.

Val Thorens has over 600 km of interconnected pistes spread across Les 3 Vallees which caters to all ski abilities ranging from complete beginner to advanced riders. Freestyle enthusiasts will be spoiled in one of Europe’s top rated snow parks. Thanks to the high-altitude Val Thorens will be guaranteed snow, ensuring a week of ski trip madness!

Alongside skiing Val Thorens is famous for its Après, after a long day of skiing, the resort comes alive with a vibrant atmosphere. Expect unforgettable Après, dancing into the night on top of tables and other evening events with DJs and Headliners for the ultimate university ski trip experience.

Val Thorens 2025 is a great opportunity to grow as a skiers and snowboarders. The connections and friendships you’ll make on this ski trip will last a lifetime.

For updates and information about the 2025 ski trip follow @snotour on Instagram.

Dance, Art and Mental Health

When we imagine art, often, we associate the word to paintings or sculptures. However, the concept of art touches various others surfaces of self – expression and creativity, beyond a canvas or stones. As its very own dictionary defnitions states:

“The expression or application of human creative skill and imagination…” and “the various branches of creative activity, such as painting, music literature and dance.”

Therefore, we can consensually agree that dance, is one of, or the only sport in which people harmoniously appreciate as an art form. As said, dance is a

form of self-expression, through movement, people can connect with their physical and mental selves. From ballet to hip - hop, dance, serve as a powerful channel for enhancing mental well – being, build self – esteem.

As reported in a study published by Sports Medicine, any style of dance can be as or more efective than other types of physical activity in improving “a range of physiological and cognitive outcomes.” For many, dance provides a non –verbal avenue to communicate and explore their feelings and emotions.

For Erin, the chair of Loughborough Students Dance Club, dance is “the most special art form and

sport” which has given her “a place to belong” and release unwanted or unpleasant emotions:

“For me, it allows me to express any emotion I need to. It gives me a space to release sadness or frustrations if I am having a bad day, but it also allows me to be the happiest”

Isabelle, who has recently joined the Loughborough Dance Club, danced her way through the trials, to being selected for the Contemporary style team. She tells a little about her personal experience and explores her connection with the sport:

“When I dance, I feel like I

don’t have to think about anything else. I listen and connect to the music and movements in a deeper level. It’s very rewarding when the dance comes together. I feel accomplished. I feel good.”

The contemporary dancer, explains the importance of team spirit and camaraderie in building her confdence:

“It was scary at the start. But you build your confdence as you go. Especially being with other people who share the same passion and interest, as they understand what you are going through as they are experience similar feelings and emotions. Everybody cheers everybody up, which creates a comforting and calm environment”.

On the upcoming and long waited annual Winter Showcase scheduled for December 7th, Loughborough Dance will partner with Young Minds, a charity focused on supporting young individuals’ mental health, to emphasize the signifcance of mental well-being and to raise funds in support of their cause. Erin strongly reiterates the importance of using the sport to raise awareness about it, “as the prevalence of mental health is growing in both dance and wider society”:

“Personally, I think raising awareness for mental health and using any platform we can is super important. For me, I have had ups and downs throughout my dance journey, and so being able to support Young Minds and work with them is highly rewarding and relevant. Dance can be an intense and daunting place, so being able to promote Young Minds to our club, other dancers, and communities is something we take very seriously. We hope to raise a high amount this year to further support Young Minds and their work.”

At the Winter Showcase, non – competing dancers, from various styles, including Jazz, Contemporary, Hip – Hop and Lyrical will take the stage and perform their pieces, “which all look incredible so far”, “and have the opportunity to showcase any extra dances they have been working on”, as Erin excitingly shares.

Loughborough Student Dance Club celebrates the fusion of sport, art and mental health. As admires of art and/or sports, we embrace and encourage their beautiful, powerful and meaningful initiative.

IT TAKES A VILLAGE

The Pakistani men’s hockey team successfully brought home the bronze medal for their country during the Barcelona Olympic Games. However, this was achieved in 1992 and with no success from that point on, it has been a tiresome 32 years in which Pakistan couldn’t reach the podium, at the world’s most prestigious sporting event .This was until August 8th 2024 during the Paris Olympics, where Arshad Nadeem triumphantly won gold in the men’s javelin. Nadeem surpassed the highest throw of the Olympics, stood for 16 years, with both his attempts. The furthest being 92.97 metres. With considerable achievements on previous competitions, like the gold in the Commonwealth games, and silver at the World Athletic Championships, he emphasises his incredible success, with his most recent accolade.

Nadeem was born January 2nd 1992 in Khanewal, Pakistan. He took up javelin in 2015, and received a scholarship for training from the International Association of Athletics Federations for eight months at the High-Performance Training Centre in Mauritius in 2016. Later in life, he was granted funding from the Olympic Solidarity Scholarship Programme in

preparation for the 2024 games. Unfortunately, the level of support has been minimal across his career. Despite that, he overcame the lack of funding and misfortunes that he has been burdened with and deservedly achieved esteemed awards.

Nadeem, for a long time lacked access to professional grounds or training facilities unlike many of his competitors. Rasheed Saqi, Nadeem’s childhood coach recalled how ‘in his village, Arshad would get a bamboo stick ftted with bent iron pieces at the front, made from a local iron smith’ to practice with in the wheat felds, in unbearable temperatures up to 45°C. His ambition and creativity from a young age is incredibly admirable, fnding ways to challenge the odds that were out of his control and set against him. However, it was not only Nadeem’s drive that pushed him closer to his goal. His father, Muhammad Ashraf, remembered how their entire village united their money to gift him his original training and to attend diferent competitions. A community that had so little materially saw and trusted in Nadeem’s potential, ofering what they could. An act of support that propelled him to the athlete he is today.

Only fve months prior to the Paris Olympics, it was revealed Nadeem had been using the same javelin for the past seven to eight years. He expressed how ‘It has now got to a stage where the javelin is damaged, and I have asked the national federation and my coach to do something about it before the Paris Olympics’. This injustice prompted his competitor Neeraj Chopra, to support Nadeem’s appeal via social media. The signifcance of this act should not be overlooked as Chopra, who ended in second place, represented India in the games. The historical/political confict between the two countries dates back to partition (1947) and has been carried through multiple sectors including sports Therefore, Chopra realised a surprising act of comradery, refecting a shared respect that transcends cultural margins. An inspiring moment of putting aside diferences in the demand for equity.

National pride and joy followed Nadeem’s, with Pakistan rejoicing at his unprecedented achievement. Villagers gathered in anticipation

around Nadeem’s house, the event displayed via a digital projector on a screen set up in the back of a truck near Mian Channu in Punjab province. As they helped to support him the best they could up to this moment, at the news of his remarkable success, the community cheered in dancing and clapping celebrations, and chanted slogans, showing their delight without any restraints, as Nadeem declared ‘today I won the gold for my country’. But it meant a lot more. With the games not being designed to favour athletes from developing countries, Nadeem transcended expectations and demonstrated how his determination and arduous pursuit, had fnally given him the highest sport victory. We fnd in him an inspiration to what can be achieved when starting with so little.

However, as admirable as Nadeem’s story is, the lack of opportunity in underfunded countries is a discrimination often ignored in the Olympic Games. His sibling, Shahid Nadeem said all four brothers are sportsmen but ‘my two younger brothers and me abandoned our passion and started jobs to support the family’. With some having privileged lifestyles, they cannot begin to comprehend sporting accomplishments are simply not a priority and consequently a bias is formed. If it weren’t for the support of Nadeem’s

family and local community, he may never have reached the position he climbed to. Thus, we imagine the amount of untouched potential that exists in our world, questioning how many like Arshad Nadeem are out there, whom we will never know.

Skate society was founded in 2023, with a focus on bringing a community of skateboarders together in Loughborough. With many beginners in the society, skate welcomes all levels of ability. I went down to one of their “skate jam” sessions, speaking with the chair, Tom, about his experience running the society this year.

Viera: I’m here with Tom from Skate Society. Tom, what’s the worst injury you’ve had skateboarding?

Tom: Honestly, nothing major— just sprains, cuts, and bruises. I broke a bone snowboarding, but that’s diferent.

Viera: When did you start skating?

Tom: About six years ago. Compared to others, I’m pretty new.

Viera: Skate Society seems to have a mix of beginners and experienced skaters. Is that intentional?

Tom: Defnitely. About 90% of our members are complete beginners. Most join with no experience, and we run Saturday sessions teaching them. It’s amazing to see how quickly they improve—faster than I did!

Viera: What’s the stereotype of skaters?

Tom: Just chill people. We’re easygoing, open, and inclusive. Age, gender, race—it doesn’t matter.

Viera: What’s the best thing about Skate Society?

Tom: How open and diverse it is. Everyone gets along, whether they’re beginners or lifelong skaters. It’s all about the shared passion.

Viera: What kind of music do you listen to while skating?

Tom: Mostly 90s hip hop, some experimental hip hop, shoegaze, grunge, and rock. Kate Bush is a classic—I even have her tattooed on me.

Viera: Do you think there are diferences between male and female skaters?

Tom: Not really. At the elite level, the only diference is age—with most female skaters being younger. But that’s changing. In a few years, I think female skaters will be just as dominant.

Viera: Skating is often seen as male-dominated, but is that true in Skate Society?

Tom: It’s not true here. The society is 50/50 male and female. I didn’t want it to be just guys when the society started because skate parks tend to be male-dominated.

Viera: If skating were a degree, what would it be?

Tom: Defnitely something designrelated. Most of us are in Art and Design courses—like Product Design or Graphics.

What would you say to someone nervous about joining?

Tom: Don’t be nervous. Everyone

starts out not knowing what they’re doing. Skate Society is perfect because most members are beginners, and experienced skaters are there to help. It’s the community I wish I had when I started. If you’re interested, just come down or message us. You won’t regret it!

Skate Society welcomes all groups, ofering training and support to every beginner. Skate also gives out boards to members, allowing individuals to borrow boards whilst they are training. Skate loves to invest in their members, even holding interesting socials like ‘Battle of the Boards’ to combine themselves with Surf and Snow Society.

Furthermore, As Southfeld skate park is usually taken over on weekends by members, Skate Society pays homage to the community through monthly events for locals, inviting the Loughborough locals to come down and win prizes in friendly competitions.

If you’re thinking about joining Skate, go along to one of their events to learn more, or reach out to them on social media. The dedication and friendliness of the Society truly showcases a genuine passion for their members and events.

LENS

Our purpose is to inspire a new generation of photographers, show of our talent and get better together

lsu media lsu media lsu media lsu media lsu media

GIVING YOU THE POWER TO CREATE

The opportunities that we ofer within LSU Media are limitless, allowing you to express your creativity in an infnite number of ways. We encourage individual expression and we want all members of LSU Media to share their voice in the best ways possible.

With LSUTV you can create your own flms, shows, music videos, documentaries and skits. You can be in front of the camera acting or presenting, behind the camera as a cinematographer or behind the scenes as an editor, director or writer. We also host live-shows and broadcasts, where you can try out roles such as vision mixer and sound operator with no prior experience necessary!

LENS is all about photography and allowing you to hone your skills with the camera. Whether you want to cover sports, events or experiment more creatively, we provide the equipment for you to capture that perfect shot!

LCR is Loughborough’s Campus Radio and allows you to hold your own live radio shows and podcasts about absolutely anything you like. You can choose to hold a regularly scheduled show or record whenever suits you. Feel free to invite guests onto the show and get a feel of what it is like to run your own radio studio!

I have no doubt that you know what LABEL is as you are holding one of our magazines right now. If you like what you see, we provide the opportunity for you to write about any of your interests, whether in the magazine or online,

Want to see what I’m talking about? Check out our Instagram @lsumedia and our LSUTV YouTube channel

My story lsu media lsu media lsu media lsu media lsu media

My frst year of LSU Media was one full of curiosity. I began as one of the camera operators for the Big Match and, aside from the frostbite, it was one of the most exhilarating experiences. From there, I was everywhere in Media – it became the highlight of my frst year and helped me get through the hardest period of my life in 2022.

Come second year, and I was so enthralled by Media that I applied to be the Vice Chair on the committee. I made a short flm called ‘The Last Time I Saw You’ (watch it on LSUTV YouTube, please) which we submitted to the National Student Television Awards (NaSTAS). The whole process – from writing, acting, editing – reminded me of what drew me into the whole media thing in the frst place. I was utilising all the skills I had built up through my life to create something that was personal to me, and I was immensely proud of it.

During my second year, I was looking for work placements within the media industry. Surprisingly, I was successful in acquiring a placement at Disney. It seemed all my eforts not just through my course and years in acting, but mostly as a member and committee member of LSU Media, gave me so many experiences to draw upon that I was able to really impress the interviewers at Disney. I won’t go on about what I did at my placement, but I would like to mention, in a lovely full-circle tale, that as much as I owe my experiences in LSU Media to getting my placement, I owe my experience working for Disney to becoming Media Chair for this year. I have incorporated as much as I can from the learnings from Disney – both good and bad – to leading this section and making it the best it can be. I owe so much to LSU Media, and this year is my opportunity to give as much as I can back.

I know it sounds hyperbolic when I say that LSU Media has been the making of me, but it really has helped me become the person I am today. It’s opened my eyes to an entirely new industry and way of life that before 2020 I barely even knew existed. It’s brought to me some of my closest friends, biggest achievements (and challenges) but, most of all, it’s allowed me to express myself in an environment that is free from judgement or harm and inspires creativity and openness.

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