THE TIMES THEY ARE A-CHANGING
Evolving Tastes . . . Changing Meaning Upcoming performances of Bach’s Saint John Passion and the movie Breakfast at Tiffany’s remind us how our understanding of celebrated classics can shift through changing times and evolving attitudes . . . by Eric Sellen E A C H S E A S O N of concerts brings a
range of music from across the centuries. Some works feel timeless, imparting strength and a solid connection to human truths. Yet other pieces remind us that eras change — as do taste, sensitivities, and accepted norms. Two works being performed by The Cleveland Orchestra in February and March raise questions about society, aesthetics, and morals — and whether one can enjoy a piece of art despite flaws now visible in its original meaning or its creator’s beliefs. Is Bach’s Saint John antiSemitic, or was it intended to be? Is the casting and portrayal of a certain character in the movie Breakfast at Tiffany’s racist? How do we balance modern understanding with past perspective? Years ago, I liked Tchaikovsky better; now I prefer Mahler. Did the music change, or did I? Or the way I listen, or what I’m listening for? As a callow youth, I thought life was a clear trajectory from simple to complex, from white wine to red, ketchup to mustard, Tchaikovsky to Mahler. I’ve learned in the years since
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that life is much more . . . interesting — especially regarding the parameters for “good taste” and personal choice. In a more obvious process, the meaning of words change across time, as do the “right” words for public use. What one generation finds offensive, the next may take up in solidarity and defiance. The words your grandmother used to describe people of African American descent, or Chinese, or Native American are most likely not the terms you use today. Times change, and language moves along with us — though some of us, yes, are more willing to embrace new words and let go of older ones. Musical works similarly go in and out of fashion, not just over the style of the notes but because of the meanings embedded within a work, or the words being sung, or even over the way it is presented. True timeless masterpieces are few and far between. Beethoven’s Violin Concerto may be universally beloved today, but it took half a century after the composer’s death to get there — and Evolving Tastes
The Cleveland Orchestra