Louis Roos | Portfolio 2024

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LOUIS ROOS

Ghent university Faculty of Engineering and Architecture

Ghent

Belgium

LOUIS ROOS

louisroos330@gmail.com

+32 491 50 64 68 linkedin.com/in/louisroos

My love for creating began when I was a child building with LEGOs. As I grew older, this interest turned into a fascination with architectural design. I found that the same principles of composition, structure, and aesthetics that I enjoyed in my childhood LEGO projects were equally important in the design of buildings and spaces.

EDucation

2022 – July 2024

2018 – 2022

2012 – 2018

Ghent university, Faculty of Engineering and Architecture | Ghent Master of Science in Engineering: Architecture (Architectural Design and Construction Techniques)

Ghent university, Faculty of Engineering and Architecture | Ghen t Bachelor of Science in Engineering: Architecture

Secondary school: Scheppersinstituut | Wetteren Valedictorian in Industrial Sciences

summer 2023

2016 – 2022

Experience

Naf Architect and Design Co. | Tokyo

International internship

Romi Laundry Solutions | Wetteren

Summer administration intern

Design Fabrication

Skills

AutoCAD, Rhinoceros, Revit, ArchiCAD, Adobe InDesign, Adobe Photoshop, MS office, Dymola, SimaPro Arch, DIALux evo, Trisco2D, Solidworks

3D printing, Laser cutting, Hand drafting/modelling

Contents

01 04 02 05 03

Torta MILANESE

Dynamic tower that can change through time

La cotonnière dynamique

An industrial heritage restoration project

A “condominio” in the city centre of Milano

the complement green tower

The fourth unbuilt tower of Ghent

folding chair

A design for a stowable workplace

Grand palais

A case study to reschearch the structure of Grand Palais using a 3D model

06

TORTA MILANESE

INTELLIGENT RUIN

TYPE: APARTMENT/OFFICE BUILDING

SITE: MILANO, ITALY

PARTNERS: ROBIN GILLET, RUBEN LEROY, PHILIPPE SOUBRIER

Concept

Building upon a previous project, our aim was to create a realistic and buildable design. Structural design, HVAC, solar load, building envelope design and other technical aspects were used as driving factors for the new project. The result has retained the philosophy and aesthetic of the original project. Paired with the known concept of the intelligent ruin, the result is a luxurious contemporary Milanese design that is built for longevity.

Strategy

The concept of the intelligent ruin has been infused into many aspect of our design, from the building plans to the structural details. Our goal was to create a flexible building that could accommodate various functions. We incorporated this into our design by enabling a seamless transition between apartments and office spaces as can be seen on pages 12 and 13. To achieve this, we experimented with different plan configurations and wall placements, resulting in a structure that allows for a free-flowing plan and an enduring wooden envelope.

8 | ABOUT
DETAIL SECTIONS | 9

1. Vegetation layer

Substrate layer

Filter layer

Drainage layer

Mechanical protection

Roof gasket

Insulation

Vapor retarder

Concrete

Thermal break

Solar screen 12. Wooden window profile

Triple glazing

10 | DETAIL
3.
1 2 1 1 5/6 7 8 9
2.
4.
5.
6.
7.
8.
9.
10.
11.
13.
14 15 16 18 17 9
14. Dry floor finish 15. Floor heating
16.
OSB 17. Staenis system 18. Recycled aerated concrete
19.
Steel profile
20.
Tiles
21.
Tile carrier
22.
Drain grid

The intelligent ruin requires a certain degree of flexibility from the building plan. To achieve this, I designed a completely dry-built floor that can be dismantled without destruction. The floor contains a screed grain that could accommodate additional cables and ventilation systems if needed. We also faced the challenge of how to maintain a continuous insulation layer despite the shifting position of the building envelope. To solve this, I engineered a structural detail that allows the concrete to sink in, creating space for the insulation layer. Additionally, thermal breaks were added to ensure that the insulation layer remains uninterrupted.

SECTION | 11
12 | PLANS
Floortype 1: apartment Floortype 2: apartment
PLANS | 13
Floortype 1: office Floortype 2: office

La cotonnière dynamique

RENOVATION

TYPE: WORKSHOP SPACE, KINDERGARTEN, AND CO-WORKING

SITE: GHENT, BELGIUM

PARTNERS: LISA CORNEILLIE, HANNE DEBAVEYE, ELINE DE BONDT, JOLIEN DE KEYZER, PIBBE WILLEMS

Concept

The Vynckier Site is located just outside the city center of Ghent and is currently vacant. Our goal was to renovate the heritage-protected part and bring it back to its former glory. The site has a long history; it started in 1861 as a cotton factory. Over time, it has been taken over a few times, resulting in necessary transformations of the site. In 1996, a part of the industrial buildings became protected heritage: the boiler house with a big chimney, a machine room, and building 13A. Our plan was to renovate these heritages and repurpose them to the needs of the area.

Strategy

Based on research, whereby we investigated the current condition, performed extensive historical analyses, urban and architectural evaluations, and a study to assess the authenticity of the site’s heritage, we formulated our renovation strategy. The projects’ history is characterized by a continuous process of construction and demolition, in which changes in architecture are closely intertwined with the functional nature of the site, predominantly influenced by the Manchester style. Our goal was to highlight the historical roots and pay tribute to the numerous changes that have occurred on the site. By subtly continuing the evolution of architecture, our aim is not only to preserve the story of the industrial buildings but also to carry it forward into the present and future.

16 | ABOUT
INTERIOR IMAGE | 17

My contribution was mostly related to the facades, initially involving their analysis could restore them. Once this was completed, I created images in Photoshop to the previous repairs and allowed traces of previous buildings to remain visible. stood, and preserving holes where supporting beams were still visible. However, new type of brick, that was slightly lighter and extruded, to provide a neater impression.

analysis and mapping with pathologies to gain a better understanding of how we to illustrate how they would appear after restoration. In this process, I retained visible. This was achieved by stabilizing the white paint, where a building previously However, in areas with significant damage to the brickwork, I restored it using a impression. This choice was made to ensure the visibility of our interventions.

FACADE | 19

We aimed to offer numerous options for repurposing the buildings, ensuring adaptability to future scenarios. To achieve this, we conceived the idea of a casco-plan. In this plan, fixed facilities are provided to meet basic comfort needs, including sanitary facilities and kitchens, while the remaining spaces can be arranged freely. Currently, the casco-plan is implemented as a workshop space, a kindergarten, and a co-working space, tailored to the needs of the surrounding environment.

Belbox 0 10m 20 | PLANS
Verwarmingsinstallatie Ground floor
Belbox Belbox 0 10m PLANS | 21 Floor +1

THE COMPLEMENT

LEARNING FROM MILANO

TYPE: APARTMENT BUILDING

SITE: MILANO, ITALY

PARTNER: AMET-ALLAH CHAFAI

Concept

Designing the unbuilt second tower of the via Quadronno by Mangiarotti and Morassutti. Our approach was centered on the unique qualities of the “condominio” and how we can enhance them in the new building. Particular attention was paid to the entrance and staircase, who played an important historical role in the Milanese household. Additionally, we aimed to create a harmonious relationship between the building and the garden.

Strategy

Our objective was to integrate the Via Quadronno into its surroundings by creating a new, complementary building adjacent to it. The two buildings are strategically positioned to give the impression that they are embracing the park situated in front of them, creating a harmonious setting.

The design features three different type of floors, each offering a range of apartment possibilities tailored to different needs and lifestyles. This enables a diverse mix of residents to call the building home.

24 | ABOUT
AXONOMETRY | 25
26 | PLANS
Ground floor
Floor +1 and +5

In our design, we allocated the parkfacing facade for the day living spaces, which feature organic shapes that enhance the connection to the natural surroundings. In contrast, the night living areas feature more angular and orthogonal shapes, which creates a sense of structure and order that enhances the feeling of relaxation and restfulness.

Additionally, we wanted to create a welcoming entrance into the apartment. As such, we designed a small seating area with a couch and closet, providing a peaceful spot to sit and rest upon entering the apartment.

The building’s facade is characterized by alternating types of floors, creating a dynamic visual effect. Additionally, sun shutters have been added as a finishing touch to the facade, providing both functionality and aesthetic appeal.

SECTION | 27
28 | PLANS
Floor +3 and +7 Floor +2 ,+4, +6 and +8
SECTION | 29

GREEN TOWER

THE FOURTH TOWER

TYPE: CHURCH TOWER

SITE: GHENT, BELGIUM

Concept

In 1662 architect Livinus Cruyl was tasked to design a tower for the Sint Michiels Church in Ghent, however this would never be realized. For my very first design exercise, I was also tasked to design this unbuilt tower and was only given one day. My idea for this design was to incorporate more greenery in the heart of Ghent.

Strategy

The goal of my design was to bring more greenery to a city that is dominated by stone. I proposed a tower made primarily out of glass, filled with a variety of plants that would give the impression of a greenhouselike environment. Visitors would be able to explore the tower and ascend a staircase to enjoy panoramic views of the stunning city of Ghent.

32 | ABOUT
Hand drawing | 33

FOLDING CHAIR

THE WORKING PLACE

TYPE: FURNITURE

PARTNER: PHILIPPE SOUBRIER

Concept

During the COVID-19 pandemic, many people suddenly found themselves working from home. This led to a need for more efficient and practical home workspaces. Our task was to design furniture that could help solve this issue and meet the need for privacy and compactness.

Strategy

We aimed to create a design that is both easily stored and assembled, leading us to develop a folding chair with a desk. To ensure easy assembly, we created an as-built plan that can be seen on page 27. For materialization, we have chosen materials commonly found in DIY stores.

Usage

The bench’s backrest can be raised along the ropes, allowing the user to take place on the chair. The inclusion of fabric provides privacy for webcam use and minimizes environmental interruptions.

36 | ABOUT
BUILDING INSTRUCTIONS | 37

Grand Palais

CASE STUDY

TYPE: EXHIBITION HALL

SITE: PARIS, FRANCE

PARTNERS: HANNE DE GROOTE, HANNE DEN BIEZEN, PHILIPPE SOUBRIER

Concept

We were tasked with analyzing the construction of Grand Palais. To achieve this, we created a video that depicted the building’s history and the distribution of forces on the structure. Additionally, we constructed a 3D model, using Fusion360, to gain a better understanding of how the building was assembled.

Realization

We divided the group into two teams, one focused on creating the video and the other on building the 3D model. My role was to draw all the parts of the Grand Palais in 2D. I accomplished this by using numerous pictures and drawing on them using AutoCAD to obtain detailed structures, as seen on the adjacent page. We then transformed these 2D drawings into a 3D model, bringing the model to life.

youtube.com/watch?v=0qMC6VMjisk&t=74s

40 | ABOUT
ELEMENTS | 41

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