Étoile: LA SYLPHIDE with Balanchine's Scotch Symphony

Louisville Ballet Company and Studio Company Artists La Sylphide

Photo by Shelby Shenkman 2023

ÉTOILE

NATALIE HARRIS Editor

HALLIE BEARD

Assistant Editor

ANDY PEREZ Designer

SAM ENGLISH

Resident Photographer

SHELBY SHENKMAN

Contributing Photographer + Writer

KATERYNA SELLERS

Contributing Photographer

VIVID IMPACT

Printer

A LETTER FROM THE DIRECTOR

Dear Louisville Ballet Friends,

Welcome to the final production of our 2022/2023 Season of Transcendence! I am so grateful that you are here as we celebrate its beautiful conclusion – LA SYLPHIDE with Balanchine’s Scotch Symphony. How magical it is that we are here – in this theater – sharing one final transcendent experience together

First staged almost 200 years ago, “La Sylphide” is not a new story. But its elements – forbidden desire, obligation to family, and the tragic consequences of both – are still timelessly human. We’ve preserved August Bournonville’s choreography, created for the Royal Danish Ballet in 1836, but this production’s scenery and costumes are new. My designs were inspired by St. Peter’s Seminary, built in 1966 Scotland in the Brutalist architectural style. Abandoned soon after it opened, this massive, concrete structure was overtaken by the forest surrounding it. Recent images – of moss growing between cracks, of trees soaring against and through exterior walls, of interior spaces filled with ponding water and graffiti – all sparked my imagination.

What a clear visual representation of the contrast and conflict between human constructs and the natural world – hallmark themes of Romantic period origins that still resonate today. My hope is that by offering a fresh vision of our own “La Sylphide,” we open a window to this ballet for 21st century audiences.

It’s important to note that this vision was only made real through the incredible work of our costume shop, production team, and contributing artists. Their artistry and skill is evident in every detail you see on stage. Special thanks to Eric Allgeier and to Teresa Greer for their support and expertise.

Opening this production with George Balanchine’s “Scotch Symphony,’’ an invigorating tribute to ballets like “La Sylphide,” feels like the perfect pairing. First choreographed and performed in 1952, this Modernist work stylishly invokes the spirit of the Scottish Highlands. I know our dancers loved the technical challenge, the gorgeous costumes, and having Philip Neal here from The George Balanchine Trust to stage this work in our studios.

And now for a welcome – and welcome home of sorts. I am thrilled to announce that Leslie Smart has joined Louisville Ballet as our new Executive Director. Her experience, passion, and connection to this organization runs deep, and I know that we are all so pleased to have her by our side.

I invite you, for the last time this season, to enjoy the incredible art and artistry of your Louisville Ballet. Thank you for being part of it all. You are the why of what we do. Here’s to celebrating 71 years of making moving art, and to the promise of even more to come!

Robert Curran

Artistic Director

STAFF

APRIL 13-15, 2023

THE BROWN THEATRE

SCOTCH SYMPHONY

Choreography by George Balanchine

© The George Balanchine Trust

Staging by Philip Neal

Rehearsal Assistant- Mikelle Bruzina

Music by Felix Mendelssohn

Costume Design by Karinska and David Ffolkes

Scenic Design by Arnold Abramson

Original Lighting Design by Ronald Bates, Lighting by Jesse AlFord

Costumes and Scenery courtesy of Miami City Ballet

INTERMISSION

LA SYLPHIDE

Choreography by August Bournonville

Staging by Helen Daigle, Harald Uwe Kern

Music by Hermann Løvenskjold

Costume and Scenic Designs by Robert Curran

Lighting Design by Jesse AlFord

Guest Artist - Bruce Simpson

With Scenic Design Support by Eric Allgeier

Company Artist David Senti as James La Sylphide

Photo by Andrew Kung 2023

SYNOPSIS: LA SYLPHIDE

ACT I: A castle in Scotland

It is James’s wedding day. A magical air spirit, a Sylph, kneels at his feet and gazes at him lovingly as he sleeps in a chair. James awakens and sees the Sylph. He tries to catch her, but she vanishes.

Effie, James’s fiancée, enters with her aunt, a rich widow, Anna. Effie surprises James, who embraces her with unexpected intensity, believing her to be the Sylph. Effie declares that James was not thinking of her, but he reassures her of his love.

Effie’s girlfriends arrive with wedding gifts. Just as James hands her the family tartan, he notices Madge, a mysterious figure, sitting by the fire. He violently insists that her presence is a bad omen and goes to throw her out, but Effie intercedes and James reluctantly agrees to let Madge stay. Madge tells the girls’ fortunes and when it is Effie’s turn, she predicts that Effie will not marry James but will marry Gurn. In a fury, James throws Madge out, but not before she curses him and swears vengeance.

After Effie leaves to prepare for the wedding, James is left thinking of the Sylph. Suddenly, she appears at the window, declares her love for James, and despairs that he must marry Effie. She dances for him until he is at the point of yielding to her love. Gurn enters and sees this exchange, and calls for Effie and Anna. But by the time they arrive, the Sylph has disappeared, and no one believes Gurn’s story.

The wedding guests arrive. As James prepares to give Effie her wedding ring, the Sylph snatches it away, placing the ring on her own finger. Unable to resist, James follows her into the wilderness. Family and friends rush to find them while Effie recalls Madge’s prophecy and collapses in tears.

ACT II: The Wilderness

Madge conjures a magical scarf with dark power and ill intent. James tries to capture the Sylph, who continually eludes him. Gurn continues his search for James and discovers his hat, but is stopped by Madge, who makes him promise not to reveal what he has found. In return, she will help Gurn persuade Effie to marry him.

Tormented by his unfulfilled passion for his beloved Sylph, James begs Madge to help him. She consents on the condition that he follows her instructions without question. He agrees and Madge gives him the scarf to drape around the Sylph. Madge promises that if he does what she says, the Sylph will be his forever.

When the Sylph returns, James does as Madge instructed, unaware of the dark power of the scarf. Trembling with pain, the Sylph sheds her wings and sinks to the ground. Giving back the wedding ring, she dies. Madge confronts James and reveals that she is avenged. Overcome with grief, James falls to the ground hearing nothing but the cruel sound of Madge’s laughter.

Louisville

The performance of Scotch Symphony, a Balanchine ® Ballet, is presented by arrangement with The George Balanchine Trust and has been produced in accordance with the Balanchine Style ® and Balanchine Technique ® . Service standards established and provided by the Trust.

Ballet’s presentation of “La Sylphide” and Balanchine’s “Scotch Symphony” is generously made possible by Jim + Marianne Welch and James + Elizabeth Voyles.

La Sylphide Scenic Carpentry and Painting by Shop 5 Scenic

Company Artists Ashley Thursby and Brandon Ragland

Scotch Symphony

Photo by Shelby Shenkman 2023

Company Artist Brienne Wiltsie La Sylphide

Photo by Shleby Shenkman 2023

Company Artists Leigh Anne Albrechta and Ryo Suzuki La Sylphide

Photo by Shelby Shenkman 2023

Company Artists and Studio Company Dancers

La Sylphide

Photo by Shelby Shenkman 2023

Company Artists and Studio Company Dancers

La Sylphide

Photo by Shelby Shenkman 2023

Choreographer’s Rehearsal

Scotch Symphony Stager Philip Neal with Company Artists Ashley Thursby and Brandon Ragalnd

Photo by Shelby Shenkman 2023

Scotch Symphony costume fitting

Photo by Kateryna Sellers 2023

BRUTAL BEAUTY

Artistic Director Robert Curran discusses his inspiration for creating a brand new La Sylphide for Louisville audiences. Contrasting grounded Scottish Brutalist architecture and the light, ethereal nature of Sylphs reinforces the tension between love and envy in this one-of-a-kind world premiere.

Why did you want to create new sets and costumes for La Sylphide?

Robert Curran: This production of La Sylphide is following in what’s becoming the Louisville Ballet tradition of setting the classics in a new context that’s a little bit more relevant for today’s audience. It’s really important to keep reimagining what these stories mean, what they say, and how we say them, so that they can continue to live on for centuries longer.

Can you describe the new sets? What was the inspiration behind them?

RC: When you consider the story of James and the Sylph, these two characters couldn’t be more opposite. There’s James – with all of his masculinity, his sense of obligation, his duty to marry Effie, his sense of leadership in the family. It’s very heavy and grounded and masculine. And then you have the Sylph –who’s mythical, airy. They are air sprites, Sylphs are. And she’s mischievous. She’s free.

And to contrast those two extremes – the masculine and the feminine, the kind of sense of obligation and the sense of freedom – to echo that in the scenery was my inspiration. So the scenic designs for Act I are just that: very heavy, concrete, inspired by Scottish Brutalist architecture from the middle of the 20th Century. Lots of concrete, quite gray, simple, large,

big set pieces to create this sense of groundedness, permanence and weight. And then in Act II, it’s much more colorful, free, transparent, glowing, and light to echo the two main characters. And then, of course, we have the character of Madge, who is some kind of force of gravity who pulls these two opposites together to collide in a catastrophic way.

What was the inspiration behind the new costumes?

RC: The costumes for this production take similar inspiration as the scenery. There is a sense of somberness, of weight, of heaviness in the costumes in Act I, bordering on a little bit of a sense of military, too, to keep pushing that sense of duty, that sense of obligation, that sense of responsibility.

And then actually for Act II, we have gone in a different direction than what traditional productions bring to the stage with their Sylphs. We’re really stripping it back away from that romantic tutu, the long tutu, and the bodice, and really making it much more light, much more revealing. We’re also steering away from the pink tights this year. But, of course, they still have wings!

What do you hope audiences take away from La Sylphide?

RC: Louisville should be so proud of this company: the dancers, the artists, the collaborators, the administrators, the educators. And a ballet like La Sylphide really shows what we’re capable of doing. These scenic designs, these costume designs didn’t exist before a couple of months ago, and we’ve created them from scratch to bring this production that nobody else has to our Louisville community – to you all. I hope that you [walk away from this show inspired to be creative in your own worlds because if we can do it, so can you.

La Sylphide Act I Scenic Rendering by Eric Allgeier

La Sylphide Act II Scenic Rendering by Eric Allgeier

LOUISVILLE BALLET WELCOMES

LESLIE SMART

EXECUTIVE DIRECTOR

Scotch Symphony costume details

Photo by Kateryna Sellers 2023

LOUISVILLE BALLET STUDIOS

ROBERT CURRAN

Artistic Director

Scenic and Costume Designer, La Sylphide

Trained at The Australian Ballet School and having enjoyed a thrilling and fulfilling career with The Australian Ballet as a Principal Artist, Robert Curran took the passion and discipline he developed as a dancer and set his sights on diversifying his knowledge, skills and abilities. Education and experience continually expanded his ability to move his own body on stage and through this, move an audience through a wide range of emotions. Beyond his dancing career he strives to continue to move people towards a satisfying encounter with dance. Mr. Curran is motivated by the form that a dancer gains from training in the traditions of classical ballet, where respect and discipline can facilitate breathtaking strength and freedom. He is also inspired by the innovation that forms the function of any artist, that being to bravely and boldly express oneself through art for the greater good of a community. As Artistic Director of Louisville Ballet, Mr. Curran continues to contribute to the global arts community, enriching his knowledge of the art form to which he has devoted his life. He is excited by, and committed to, the Louisville community with its abundant respect for the arts and its exciting perspective on the future.

TARA SIMONCIC

Music Director

Tara Simoncic served as music director of Ballet West from 2015–2018 and is a frequent guest conductor with Louisville Ballet, Atlanta Ballet, and New York City Ballet. She recently made her conducting debut with the ballet at Teatro Colón in Buenos Aires. Ms. Simoncic is principal conductor of the Flexible Orchestra in New York City as well as music director of the Greenwich Symphony’s Young People’s Concerts. She holds a BM in Trumpet Performance from the New England Conservatory, an MM in Orchestral Conducting from Northwestern University, and a Professional Studies Diploma in Conducting from Manhattan School of Music. Ms. Simoncic is Louisville Ballet’s Music Director.

AUGUST BOURNONVILLE

Choreographer, La Sylphide

August Bournonville (1805-1879) was a Danish ballet master and choreographer, who created a ballet style called the Bournonville School. He trained under his father, acclaimed dancer Antoine Bournonville, as well as the Italian Choreographer Vincenzo Galeoletti, and French Dancer Auguste Vestris. After his career as a solo dancer with the Royal Danish Ballet, Bournonville became a choreographer for the company, creating over 50 ballets. He is most known for La Sylphide (1836), Napoli (1842), Le Conservatoire (1849), The Kermesse in Bruges (1851) and A Folk Tale (1854). His work only became known in the United States after World War II, when the Royal Danish Ballet began touring and performing his ballets abroad.

GEORGE BALANCHINE

Choreographer, Scotch Symphony

George Balanchine transformed the world of ballet. He is widely regarded as the most influential choreographer of the 20th century, and he cofounded two of ballet’s most important institutions: New York City Ballet and the School of American Ballet. Balanchine was born in St. Petersburg, Russia, in 1904, studied at the Imperial Ballet School in St. Petersburg, and danced with the Maryinsky Theatre Ballet Company, where he began choreographing short works. He choreographed 425 works over the course of 60plus years, and his musical choices ranged from Tchaikovsky to Stravinsky to Gershwin. Many of Balanchine’s works are considered masterpieces and are performed by ballet companies all over the world.

PHILIP NEAL

BRUCE SIMPSON

JESSE ALFORD

After a 23-year tenure with New York City Ballet, 17 years as a Principal Dancer, Philip Neal was invited by The George Balanchine Trust and The Jerome Robbins Rights Trust to become a repetiteur. He stages the legendary choreographers’ works throughout the world. Neal has embarked on choreographic ventures, having crafted five original commissions for Richmond Ballet. From 2010-2013, Neal directed development, fundraising, board trustee recruitment and special events in Palm Beach for Miami City Ballet. In 2015, Neal was appointed the Artistic Director of Next Generation Ballet (NGB) & Dance Dean of the Patel Conservatory at the Straz Center in Tampa FL, one the largest performing arts centers in the United States. The pre-professional training division touts graduates in prestigious academies and companies such as The Royal Ballet School, School of American Ballet, Boston Ballet, Stuttgart Ballet, and The Royal Danish Ballet.

Bruce Simpson joined Louisville Ballet in 2002, bringing with him over 30 years of experience in the international ballet world. Born in Glasgow, Scotland, Mr. Simpson studied at the Scottish Ballet School, making his professional debut with Scottish Opera. In 1970, he joined South Africa’s State Theatre Ballet, which became his home for the next 30 years. He was promoted to principal dancer in 1975, Ballet Master in 1983, Senior Ballet Master in 1985, and continued to perform until his retirement from the stage in 1998. Mr. Simpson served for 12 years as Artistic Director of Louisville Ballet. During his tenure, Louisville Ballet brought in 33 new works and commissioned 15 world premieres. Shortly after retiring, Bruce joined the faculty of The Louisville Ballet School.

Jesse is a Freelance Lighting Designer, proudly based here in Louisville. Recent designs with Louisville Ballet include Sleeping Beauty, Vibes, Swan Lake, Rite of Spring, and more. He also regularly designs with Kentucky Shakespeare, Kentucky Opera, Louisville Orchestra, The Va Va Vixens, Circus Flora, and Pandora Productions. Other past collaborators include The Big Apple Circus, The Tennessee Williams Festival St. Louis, The Mary Shelley Electric Co., and others across the country. Working primarily in dance, circus, and theatre, Jesse specializes in the moments and productions that happen in between those disciplines.

Guest Artist, La Sylphide

Resident Lighting Designer

Stager, Scotch Symphony

BARON LØVENSKJOLD

Composer, La Sylphide

Baron Løvenskjold (1815-1870) was a Norwegian composer best known for his score of La Sylphide. He trained in Denmark under composer Peter Casper Krossing, as well as Vienna, Leipzig, and St. Petersburg. In addition to composing several works for the Royal Danish Theatre and the Royal Danish Ballet, he was also the organist for Christiansborg Castle Church, which was often attended by the Royal Danish Family.

FELIX MENDELSSOHN

Composer, Scotch Symphony

Felix Mendelssohn (1809 - 1847) was a German composer, pianist, and conductor of the Romantic era. He was praised for his technical skill and was sometimes criticized for his conservative, traditional style, but gained respect and admiration with original compositions such as the Overture and incidental music for A Midsummer Night’s Dream (1826, 1842). The Midsummer score, which includes the infamous “Wedding March,” mimics the playful, comedic nature of Shakespeare’s play. Other notable works include his violin and piano concertos and Symphony No. 3, the score used for Balanchine’s Scotch Symphony (1952).

BARBARA KARINSKA

Costume Designer, Scotch Symphony

Karinska (1886-1983) was a legendary, Oscar-winning costume designer for ballet and the arts, designing costumes for more than 70 Balanchine ballets. Born in what is now Kharkiv, Ukraine, Karinska lived across Europe and was an enthusiast of theatre, ballet, painting, and other arts. After coming to the US, she joined New York City Ballet’s costume shop in 1949 after a personal invitation from Balanchine, and produced most of the company’s costumes. Karinska invented the “powder puff tutu,” setting a new standard for design. Notable designs include those for Scotch Symphony, Symphony in C, Jewels, Chaconne, and Vienna Waltzes. She was the only costume designer to receive the Capezio Award, an annual award for outstanding contributors to the world of dance. Balanchine once said, “There is Shakespeare for literature, Karinska for costumes!”

ARNOLD ABRAMSON

David Ffolkes (1912-1966) was a costume and set designer from West Hagley, England. He designed sets and costumes for a number of theatre productions of films and received a Tony Award for his set design of King Henry VIII in 1947. Ffolkes first came to the United States as a set designer with Maurice Evans’ Shakespeare company prior to World War II. He was a lieutenant with the British Army during World War II, and was a prisoner of war for over 3 years in a Japanese prison camp in Burma. When he was released, he returned to the United States and taught scene and costume design at Boston College.

Baron Løvenskjold (1815-1870) was a Norwegian composer best known for his score of La Sylphide. He trained in Denmark under composer Peter Casper Krossing, as well as Vienna, Leipzig, and St. Petersburg. In addition to composing several works for the Royal Danish Theatre and the Royal Danish Ballet, he was also the organist for Christiansborg Castle Church, which was often attended by the Royal Danish Family.

Costume Designer, Scotch Symphony

DAVID FFOLKES

Scenic Designer, Scotch Symphony

ADAM HOUGLAND

Resident Choreographer

Adam Hougland grew up in Dallas, Texas, and trained at the Dallas Conservatory of Ballet, the Booker T. Washington High School for the Performing and Visual Arts, and The Juilliard School. Mr. Hougland has created works for American Ballet Theatre Studio Company, Introdans in Holland, The Limon Dance Company, Cincinnati Ballet, Tulsa Ballet, and Ballet X.

He has won the Hector Zaraspe Prize for Choreography, the Princess Grace Award for Choreography, the Choo-San Goh Award for Choreography, and was one of Pointe Magazine’s VIPs of 2006 and one of Dance Magazine’s 25 To Watch For 2011.

As Louisville Ballet Resident Choreographer, Adam has created ten original works including Romeo+Juliet, Petrouchka, Cold Virtues, Rite of Spring, and Sleeping Beauty Adam lives in Bristol, England with his husband Ashley.

ANDREA SCHERMOLY

Resident Choreographer

Born in South Africa, Andrea Schermoly trained at the National School of the Arts, on full scholarship at both Rambert Ballet and Contemporary School and The Royal Ballet School, London. She competed internationally as a member of The South African National Rhythmic Gymnastics Team and danced professionally for Boston Ballet and Nederlands Dans Theater (NDT).

She has choreographed nationally and internationally for companies such as Royal New Zealand Ballet and Kansas City Ballet, among others, and has choreographed for movies, music videos, and commercials in Los Angeles.

Andrea choreographed an all-new Rite of Spring dance film for the Company’s 2020–2021 all-digital season. She most recently premiered VIBES for the Spring 2022 Spotlight Series.

HARALD UWE KERN

MIKELLE BRUZINA HELEN DAIGLE

Harald Uwe Kern joined Louisville Ballet in 2005. His awards include the Rudolf Nureyev Scholarship Award, the Paris International Dance Competition — prix d’interpretation, and an Award for Artistic Achievement from the New York International Ballet Competition

Mr. Kern has performed as a soloist and principal dancer with the Vienna State Opera Ballet, Basel Ballet, the Joffrey Ballet, Ballet Internationale, and Charleston Ballet Theater. He has danced leading roles in most major classical ballets and won critical acclaim for his roles in ballets by Sir Frederick Ashton, Cranko, Massine, Nureyev, Neumeier, Spörli, Balanchine, Kilian, and more. Under the guidance of Irina Kolpakova and Vladilen Semyonov, he became a teacher and coach. He has been the associate artistic director of the Channel Islands Ballet (California) and a guest instructor around the world.

Born in Lexington, Kentucky, Mikelle Bruzina is a graduate of The Royal Winnipeg Ballet. In her 15 years as a Louisville Ballet Company Artist, she performed soloist and principal roles and was recognized for her diversity in classical, modern, and contemporary ballets. As a dancer, stager, and rehearsal assistant, she has worked with choreographers such as Val Caniparoli, Adam Hougland, Lucas Jervies, Andre Prokovsky, Andrea Schermoly, and many others. Ms. Bruzina has choreographed works for Louisville Ballet including: Gloria, Harmony of Contrasts, Life Rhythms, continuum, and Sansei. She has also created ballets for Memphis Ballet, Boca Ballet Theatre, Lexington’s Ballet Under the Stars, and The Louisville Ballet School.

Ms. Bruzina began teaching in Japan in 1991 under the guidance of Emi Okajima. Her teaching experience includes ballet and pointe technique as well as rehearsing/coaching young dancers. This is her thirteenth season as Ballet Mistress. She is also Co-Associate Artistic Director for the Louisville Ballet Studio Company.

Originally from Baton Rouge, Helen Daigle received her training at Decatur School of Ballet, Decatur Georgia, Dancer’s Workshop, Baton Rouge, Louisiana, Joffrey Ballet School, and School of American Ballet, New York. She started performing with Baton Rouge Ballet Theatre and danced professionally with Feld Ballets / New York, Ballet Hispanico, and Miami City Ballet. Mrs. Daigle joined Louisville Ballet in 1998 and performed principal and soloist roles throughout her 20-year career She is also Shoe Manager for the Company, Children’s Cast Manager for The Brown-Forman Nutcracker, and a member of Louisville Ballet School’s Faculty. She is thrilled to start her fifth season as Ballet Mistress for Louisville Ballet.

Senior Ballet Master

Senior Ballet Mistress Ballet Mistress

Headshots by Andrew Kung 2022

ROGER CREEL

Resident Director of Shakespeare in Dance

Roger Creel, a Massachusetts native, is Resident Director of Louisville Ballet’s Shakespeare in Dance series. Roger has created eight works for the Company, including evening-length versions of Tempest, King Lear, Cleopatra, and As You Like It. Roger danced with Louisville Ballet from 2013 to 2018 after graduating summa cum laude from Amherst College with degrees in Geology and English. With Louisville Ballet, Roger performed leading roles in works by Balanchine, Caniparoli, Hoagland, Jervies, Stevenson, and Tharp, in addition to classics such as Giselle, La Sylphide, Coppélia, Swan Lake, Nutcracker, and Firebird. He has also guested with numerous companies including The Mark Morris Dance Group, The Australian Ballet, Jose Mateo Ballet Theater, and Boston Dance Theater. Roger is currently a PhD candidate in geophysics at Columbia University, New York. His research explores what sea level rise during past warm periods can tell us about Earth’s hot future.

Company Artist Natalia Ashikhmina as The Sylph La Sylphide

Photo by Andrew Kung 2023

The Alfa Romeo Tonale

FAREWELL

We invite you to help us celebrate the incredible careers, artistry, and creative contributions of the following Company Artists who are taking their final bows with Louisville Ballet this season:

EMMAROSE ATWOOD

Joined 2018

JUSTIN MICHAEL HOGAN

Joined 2012

BRANDON RAGLAND

Joined 2010

SANJAY SAVERIMUTTU

Joined 2012

KATERYNA SELLERS

Joined 2005

RYO SUZUKI

Joined 2018

THANK YOU to these artists for the impact they have made on our organization. We can’t wait to see what their next act reveals.

Emmarose Atwood

Sanjay Saverimuttu

Justin Michael Hogan

Kateryna Sellers

Ryo Suzuki

Brandon Ragland

ELIZABETH ABBICK

Joined Company: 2022

Hometown: Overland Park, KS

LEXA DANIELS

Joined Company: 2016

Hometown: Stoneham, MA

LEIGH ANNE ALBRECHTA

Joined Company: 2009

Hometown: Fremont, OH

JUSTIN MICHAEL HOGAN

Joined Company: 2012

Hometown: Cincinnati, OH

NATALIA ASHIKHMINA

Joined Company: 2006

Hometown: Bratsk, Russia

CAITLIN KOWALSKI

Joined Company: 2021

Hometown: Radcliff, KY

EMMAROSE ATWOOD

Joined Company: 2018

Hometown: Carlisle, PA

MARK KRIEGER

Joined Company: 2012

Hometown: Alexandria, VA

SARAH BRADLEY

Joined Company: 2022

Hometown: Cincinnati, OH

MINH-TUAN NGUYEN

Joined Company: 2018

Hometown: Cupertino, CA

Headshots by Andrew Kung 2022

BRANDON RAGLAND

Joined Company: 2010

Hometown: Birmingham, AL

DAVID SENTI

Joined Company: 2021

Hometown: Holland, MI

SANJAY SAVERIMUTTU

Joined Company: 2012

Hometown: Boca Raton, FL

SHELBY SHENKMAN

Joined Company: 2016

Hometown: Boca Raton, FL

ALEKSANDR SCHROEDER

Joined Company: 2019

Hometown: Anderson, IN

RYO SUZUKI

Joined Company: 2018

Hometown: Saitama, Japan

DANIEL SCOFIELD

Joined Company: 2022

Hometown: Louisville, KY

ASHLEY THURSBY

Joined Company: 2008

Hometown: Richmond, MO

KATERYNA SELLERS

Joined Company: 2005

Hometown: Toronto, Canada

AMBER WICKEY

Joined Company: 2022

Hometown: Tenafly, NJ

THE 2023 DEFENDER 130

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BRIENNE WILTSIE

Joined Company: 2018

Hometown: Pittsburgh, PA

RESIDENT CHARACTER ARTIST

PHILLIP VELINOV

Joined Company: 2006

Hometown: Sofia, Bulgaria

CHRISTIAN CHESTER

Hometown: Sunbury, OH

Level 10

KELSEY CORDER

Hometown: Alma, AR Level 10

CHARLOTTE VAN ERMEN

Hometown: Oak Park, IL Level 10

ALEXIS BREEN

Hometown: Danvers, MA Level 9

ANNA FORD

Hometown: Lilburn, GA Level 10

CLAIRE CHURCHILL

Hometown: San Francisco, CA Level 9

JONMARIE JOHNSON

Hometown: Louisville, KY Level 10

MCKENNA HOEK

Hometown: Grand Rapids, MI Level 9

TARIQUE LOGAN

Hometown: Richmond, VA

Level 10

JORDAN NOBLETT

Hometown: Gastonia, NC Level 10

ADDISON MATHES

Hometown: Corydon, IN Level 9

GABRIELLE SAVKA

Hometown: Mansfield, Ohio Level 9

CLAIRE SCHOELLERMAN

Hometown: Chino Hills, CA Level 9

DANIKA MCNEES

Hometown: Houston, TX Level 8

ELIZABETH HINES

Hometown: Annapolis, Maryland Level 8

AVA OWNBY

Hometown: Chandler, AZ Level 8

CHLOE PUFFER

Hometown: Louisville, KY Level 8

SAMEER RHODES

Hometown: Louisville, KY Level 7

PAIGE RIFFER

Hometown: Springfield, VA Level 8

IDA SORANNO

Hometown: Nashville, TN Level 7

ADRAH LEIGH COOK

Hometown: La Grange, KY Level 7

GAVEN STEVENS

Hometown: Hutto, TX Level 7

CALEB EMORY

Hometown: Corpus Christi, TX Level 8

FIND OUT MORE ABOUT OUR STUDIO COMPANY: LOUISVILLEBALLET.ORG/ STUDIO-COMPANY

Every Tuesday afternoon around 4:30 pm at Louisville Ballet’s Downtown Studios, young dancers in the Ballet Bound Community Program begin to arrive for their weekly class. They run in the door full of stories about their day at school and wait in the hall until class begins.

On the other side of the wall, Louisville Ballet Company Artists are busy rehearsing for their next production as the Ballet Bound students watch intently through small windows with millions of questions and comments about what they see: “How does she do that?” “I’m going to be dancing in there one day!” “Oh, look, there’s Sanjay!”

Students have the opportunity to learn from many instructors throughout their year of study. This includes all of the Community Engagement team members, several dancers from the company, and Mr. Robert Curran. This joint effort of teaching exposes the

Photo by Austin Desjardins 2022

students to a great deal of material through a wide range of teaching styles by professional educators, ensuring that students are receiving the highest quality of training.

Students also get to know and interact with the Company dancers as their guest teachers, which has a huge impact on them, making their dream of being a professional dancer seem a little more achievable. They always get to ask their guest teachers questions – and sometimes the questions are about dance – but most times, the students just enjoy getting to know the dancers. “What is your favorite color?” is almost always asked by someone!

Now celebrating its third year in operation, Ballet Bound is a tuition free program that aims to build diversity in the world of ballet, recognizing that ballet – its practitioners, makers, and audiences – do not yet reflect the full diversity of our community. In the first year of Ballet Bound, 20 students attend a free weekly class at our downtown studios.Students and their families are invited to attend Louisville Ballet productions at no cost, encouraging the families to be a part of their child’s dance education and help nurture a love and appreciation for live art. Students also have their own performance opportunities, like The Louisville Ballet School’s Spring Dance Festival.

At the end of the school year, 5 of the students in the first-year program are invited to enter LBS on a full scholarship until the student graduates from high school. This includes approximately 10 years of training, averaging around $45,000 per student. Currently, several students have come through the program at LBS, including 7 on a full scholarship and 4 who receive partial tuition assistance through the General Scholarship Fund.

We will host our annual Ballet Bound Summer Audition Tour in partnership with Olmsted Parks in June and July. Learn more at louisvilleballet.org/balletbound and help us spread the word throughout the community!

Scan here to learn more about Ballet Bound or visit https://www.louisvilleballet.org/balletbound

NOT ONLY IS MY SON LEARNING, MAKING FRIENDS, AND EXPERIENCING AN OPPORTUNITY OF A LIFETIME, BUT HE’S ALSO LEARNING TO BE CONFIDENT IN HIMSELF. IT’S TAUGHT TO HIM THAT IF HE APPLIES HIMSELF AND GIVES IT HIS ALL, ANYTHING IS POSSIBLE!

RALPH DE CHABERT President

PAMELA THOMPSON Vice President

JAMES E. HAYNES Treasurer

MATTHEW E. HAMEL Secretary

ERICA BACHELOR

LISA BIDDLE-PUFFER

EDEN BRIDGEMAN-SKLENAR

TIFFANY BRIDGEWATER

CAROLLE JONES CLAY

JANET M. DENUYL

LAURA DOUGLAS

SHERRY M. FELDPAUSCH

CHRIS HARTMAN

JOHANNA G. HOWARD

KATHERINE P. LANGAN

REGAN NICHOLS

ALLISON O’GRADY

STEVE POE

SHARON POTTER

ELLEN HIRSCH SHAPIRA

TED SMITH

JOHN A. STOUGH, JR.

WILLIAM STRENCH

CARL THOMAS

JAMES WELCH JR.

MARTHA WERTZ

DONALD WHITFIELD

W.P. WISEMAN

LEE PURCELL BEST

SHRILEY DUMESNIL

PEGGY FOWLER

ALEXANDRA GERASSIMIDES, MD

PAULA GRISANTI

MARLENE GRISSOM

SUSAN GRUBBS

BETH KLEIN

NANCY MARTIN

PHIL PAYNE

D. PATTON PELFREY

BARBARA SEXTON SMITH

K. SHAVER

LARRY J. STEINBERG

MARGY THOMAS

TANYA BOWMAN

LINDY CASEBIER

THE HONORABLE

MAYOR CRAIG GREENBERG

KAREN KOSHEWA

TERESA REED

LEADERSHIP

LESLIE SMART

Executive Director

ROBERT CURRAN

Artistic Director

STACEY BLAKEMAN

Director of Community Engagement

LATARA APPLEBY

Director of Development

NATALIE HARRIS

Director of Content + Creative

KRISTINE ORMS

Director of Education

PRODUCTION

BRIAN R. SHERMAN

Technical Director

JESSE ALFORD

Lighting Designer

KIMBERLY AYCOCK

Stage Manager

MOIRA CASSIDAY

Company Manager +

Production Assistant

MOLLY DUKE

Costume Shop Director

JOEI BALDWIN

Costume Shop Assistant

TERESA GREER

Cutter

MICAH LAPE

Costume Shop Intern

CHARLOTTE VAN ERMEN

Stitcher

CLAIRE CHURCHIL L

Stitcher

ADMINISTRATION

JUDY HAERE

Finance Manager

ELIZABETH MATTHEWS

Manager of Sales + Patron Services

ERIK NELSON

Executive Assistant + Board Liaison

JAVAN ROY-BACHMAN

Facilities Manager

AUSTIN DESJARDINS

Institutional Giving Manager

AMY HALEY

Community Engagement Manager

EMILY VERGASON

Ticketing Operations Manager

HALLIE BEARD

Advancement Coordinator

MOLLY KAYS

Community Engagement Coordinator

KATERYNA SELLERS

Advancement Team

JOHN AURELIUS

Box Office Representative

SETH HINKLE

Box Office Representative

ERIN MILLER

Box Office Representative

COMPANY PHYSICIANS + MASSAGE THERAPY

ALAN ROTH, MD

THOMAS LOEB, MD

EDWIN HOPSON, DC, CSCS

KORT BALLET

PHYSICAL THERAPISTS

KEVIN BROWN, ATC

REGINA DURBIN, PT

LEAH MATTINGLY, PT

HANNAH NELMS, PT

TIM NICHOL, PT

KELSEY PENNINGTON, PT

JENNIFER POHLMAN, ATC

LILY SIMMONS, PT

TERESA SMITH, PT

ELLEN WARD, PT

ESTHER WINN, PT

THE LOUISVILLE BALLET SCHOOL ADMINISTRATION

CHRISTY CORBITT KRIEGER

School Principal + Co-Associate Artistic Director, Louisville Ballet Studio Company

TARA GARDNER

Registration + Enrollment Manager

AMANDA ROLLINS

Administration Coordinator +

Classical Ballet Program Manager

MOLLY KAYS

Children’s + Complementary Program Manager

BRANDON RAGLAND

Pre-Professional Program Manager

BRIENNE WILTSIE KEEHNER

Louisville Ballet Youth Ensemble Manager

ADDISON MATHES, NATALIE ORMS

Administration Assistants

AMY HALEY

Uniform Coordinator

ASHLEY THURSBY

mind. body. balance. Program Manager

ACCOMPANISTS

JAVIER CENDEJAS

ETHAN MCCOLLUM

DOUGLAS SCHULTZ

FACULTY INSTRUCTORS

THERESA BAUTISTA

TAMARA BEGLEY

GAIL BENEDICT

SOPHIE BROADWATER

CHRISTY CORBITT KRIEGER

LEXA DANIELS

AMY DELANEY

EMMA DELANEY

OLIVIA ECKERT

LAUREN FREDERICK

JENNIFER HADDY

MOLLY KAYS

CAITLIN KOWALSKI

MARK KRIEGER

BRANDON RAGLAND

AMANDA ROLLINS

SANJAY SAVERIMUTTU

DANIEL SCOFIELD

ROBIN SCHULMAN

BRUCE SIMPSON

HELEN STARR-JONES

TAWNEE THOMPSON

DAVID THURMOND

ASHLEY THURSBY

BRIENNE WILTSIE KEEHNER

AMBER WICKEY

SHEILA ZENG

CONTENT RESTOROLOGY FRONTIER ENTERPRISES KENTUCKY SHAKESPEARE

MILDRED V HORN FOUNDATION POE COMPANIES SAMUEL LYON CHARITABLE FOUNDATION

ROTH FAMILY FOUNDATION UNBRIDLED CHARITABLE FOUNDATION VIVID IMPACT

FAMILY FOUNDATION

ARTHUR K. SMITH FAMILY FOUNDATION

HARRY L. SWAIM & JUNE M. SWAIM FOUNDATION

WILLIAM E. BARTH FOUNDATION

Starr Society

The Starr Society was created to honor and celebrate the achievements of Helen Starr, who is a true gift to the dance world and a legend to Louisville Ballet. Membership is reserved for donors who contribute at least $10,000*. We are grateful to the following benefactors who pay tribute to the tradition of excellence she helped establish within our Company. For more information, please contact Latara Appleby at lappleby@lousivilleballet.org.

ANONYMOUS (2)

BROOKE BROWN BARZUN & MATTHEW BARZUN

EDITH A. BINGHAM

NINA BONNIE

CHRISTINA LEE BROWN

TAMMY & RALPH DE CHABERT

JANET DEN UYL

LENA & MATTHEW HAMEL

SARA & JIM HAYNES

AUGUSTA BROWN HOLLAND & GILL HOLLAND

JODY GEIER & PETER ASHBY HOWARD

BETTY J. & DAVID MILLS

PATTI PUGH-MOORE & JOHN MOORE

WARWICK MUSSON

ALLISON & TOM O’GRADY

SHARON & HENRY POTTER

ELLEN & MAX SHAPIRA

LESLIE & JOHN SMART

LEE & JOHN STOUGH

MARY & WILLIAM STRENCH

ELLEN & CARL THOMAS

PAMELA & PAUL THOMPSON

MARY ROSE TOEBBE

AMY & STEVE TRAGER

JAMES & ELIZABETH VOYLES

MARIANNE & JIM WELCH

MARTHA & KEN WERTZ

JOSIE & W.P. WISEMAN

GRACE WOODING

*DONORS FROM JANUARY 1, 2022 TO MARCH 15, 2023.

DONOR RECOGNITION

We would like to thank the many individuals, corporations, foundations, and government agencies who, through their generous contributions, help advance the tradition of dance in Louisville and the state of Kentucky. Those listed have contributed between January 1, 2022 to March 15, 2023 and have agreed to be recognized. Efforts have been made to ensure that those recognized in all categories are accurate. To request a correction, please email lappleby@louisivlleballet.org.

ARABESQUE SOCIETY

The Arabesque Society is a group of dedicated benefactors who have made arrangements in their estate plans to support Louisville Ballet in the future. For more information on how to include Louisville Ballet in your estate plans, please contact lappleby@louisivlleballet.org.

ANONYMOUS (5)

LEE PURCELL BEST

WALTER B. CLARE

JAMIE JARBOE & DOUG BUTLER

MRS. HELEN K. LONGLEY

BETTY J. MILLS

LESLIE & JOHN SMART

THE LATE MARY ROSE TOEBBE

JAMES & ELIZABETH VOYLES

THE BRUCE SIMPSON FUND

The Bruce Simpson Fund or the Fund for Louisville Ballet Artists provides annual income to support dancer salaries. For more information, please contact 502.583.3150 ext. 222 or lappleby@louisvilleballet.org.

DANCER $5,000 +

EDEN BRIDGEMAN

SHERRY M. & JOSEPH FELDPAUSCH

PAULA & FRANK HARSHAW

MERRY-KAY & STEVE POE

RICHARD RINEHART

DR. ALAN ROTH

JANE WELCH

SOLOIST

$2,500–$4,999

LAURIE ALLEN

TIFFANY BRIDGEWATER

WALTER CLARE

SHIRLEY DUMESNIL

REV. JOHN G. EIFLER

LINDA & WILLIAM ELLISON

CAROL HARPER

DR. THOMAS LOEB

ELEANOR & W. B. LUNSFORD

GREG MEIMAN

SALLY & R. CHARLES MOYER

REGAN & MATTHEW NICHOLS

HELEN STARR

POINTE $1,500–$2,499

LISA BIDDLE-PUFFER

CAROLLE JONES CLAY & KENNETH CLAY

PATRICK GRIFFIN

SUSAN & BILL GRUBBS

DR. MARY L. HARTY

ANNE & ALFRED JOSEPH

KATIE & CLAYTON LANGAN

LISA & BYRON LEET

PENELOPE PEAVLER

ALI & TYLER SHARPE

ELLEN K. VENHOFF

CHERI & JIM WHELAN

CORPS DE BALLET $1,000–$1,499

ANONYMOUS

SUE AND JOE ALBRECHTA

RICHARD BASHAM

MACHIKO BRUZINA

ROBERT COX

DR. JANE DONOVAN

SUSAN E. ELLISON

FARRAH FERRIELL

MELISSA HINCHA-OWNBY

DEBRA & RONALD MURPHY

MARY & TED NIXON

KATHERINE & KENT OYLER

JANET RINK

ZENET SCHISSLER

JANE & TED SMITH

JAMES W. STITES, JR.

MARGARET & B. THOMAS

KATE TUCKER

ARTIST $500–$999

ANN ALLEN

MICHAEL ALT

JAMES ARCHER

PATRICIA & RICHARD ARRINGTON

MIRIAM BALLERT

KATHLEEN BERGER

MELVIN BERNHARD

CHRISTEN BOONE

ALAN & SANDI BRYANT

SONYA COOK

LINDA & FREDRIC COWAN

ROBERT DANIELS

TRACI & JOHN EIKENBERRY

MOIRA C. FIELDER

JULIE & JOHN GRAGG

KAREN & ROGER HALE

RICHARD JOHNSON

BRECKINRIDGE JONES

DAVID KNIGHT

PHILIP KOESTER

KATE & ALLAN LATTS

MICHAEL LASAVIO

JAMES LUDWIG

ABBY & FAIRLEIGH LUSSKY

RACHEL MAHONEY

JENNIFER MOORE

SHARON P. PFISTER

CAROL & CHARLES PYE

KATY RAHLA

MEGAN SULLIVAN & CORY

SKOLNICK

KAREN & FARRELL SMITH

COURTNEY SMOCK

DAVID TUCKER

LINDA & CHRISTOPHER VALENTINE

ELIZABETH & ROBERT VAUGHN

SUZANNE WARNER

MARILYN & JOHN WERST

JOAN WHITTENBERG

KENNETH YEARGEN

PATRON UP TO $499

SARAH ACLAND

ANN ADAMS

KARA ADAMS

KRISTIE ADAMS

MEG ADAMS

JULIEN AGNEW

STARR PETERS & JESSE ALFORD

GWEN ANDERSON

PATRICIA ANDERSON

LATARA APPLEBY

KELLI ARCHER

NIKKI ARMSTRONG

KIMBERLY AYCOCK

PATTY BAILEY

ALTA BURNETT & CRUMP BAKER

HALLIE BEARD & SEAN WELCH

KARYL & JAMES BELZA

GAIL BENEDICT

GREGORY BENTLEY

MARISSA BEST-HENDERSON

BETH BISHOP

RINA BLOCK

ADA & KEN BOATRIGHT

ERIN BOJORQUES

KATE DOBBINS BONNER

CELIA BOURGETEL

JUNE & THOMAS BRADY

DORIS BRIDGEMAN

JACQUELINE BRILL

DEBHRA BROCK

KEVIN BROWN

LAURA BRYANT

KRISINY & JOHN BUCHER

RACHEL BUCIO-GROTE

RHONDA BURKS

ELAINE CADY

JANET & JAMES CALVERT

MICHAEL CAMPBELL

CHRISTINE CARRIGAN

SHARON CATES

JULIE CHURCHILL

DENISE CLAYTON

FRANCINE CLAYTON

DR. JESSICA CLEVENGER

JOHN COOK

RACHEL COOK

MARTHA NEAL COOKE

ALLEN CORBIN

MEGAN & GRED CRABB

BRIAN CREECH

LAURA CROMER

ROBERT CURRAN

ALICE & JOHN DANT

LYDIA DEEGAN

JOANNA DEJEAN

AMY DELANY

PHILIP DELANEY

AUSTIN DESJARDINS

LUCAS DIXON

MARCIA & DAVID DORMAN

REV. KATHERINE DOYLE

LAURIE DUESING

ROGER DUTSCHKE

TAWANA EDWARDS

DR. QUINN SILVERLEAF

KAYLEE EVERLY

BETH EWEN

MARY FARMER

ANN FAUREST

DANIEL FEDIE

JOHN FELTON

MIKELLE FILLEBROWN

MATHEW FOLZ

MAILE & DOUG FOWLER

LESLIE & GREGG FOWLER

ROSANNA GABRIELE

SUSAN & TERRY GARDNER

TARA GARDNER

STEVE GIACOBBE

MATT GILLUM

STUART & LINDA GOLDBERG

JANE GOLDSTEIN

MAGGIE GRIESBECK

CLAUDIA GRILLO

CLAUDIA L. GRISANTI

YVONNE GROVES

JUDY & BILL HALIDAY

MARY C. & C. THOMAS HARDIN

BARBARA HARDY

SARAH & DONALD HARLAN

KATHERINE HARNEY

CHRIS HARTMAN

CARA KICKS

SCOTT HICKS

JAMES HIGGINS

CASEY HINKLE

JILL HOSKINS

KIMBERLY HUTCHISON

JILL JELSMA

ALEXANDRIA JOHNSON

KIM JOHNSON

SHERIDAN JOHNSON

LUCY JONES

DR. TRACY K’MEYER

JULIA KENDRICK

ASHLEY KING TINSLEY

JEAN & ANTHONY KOESTER

DAWN KOONTZ

MARK KRIEGER SR.

CINDY SILLETTO & DWIGHT KYLE

LINDA LABBADIA

NANCY LAMPTON

AMY & GARY LANGSTON

MICHAEL LASAVIO

HEATHER LATHAN

THERESA & JOHN LEIST

BRUCE LOWE

KENNETH LOWERY

JO PARKER LYNCH & DAVID W. LYNCH

JOSEPH LYONS

JAMA MACKIN

DODI MASON

JENNIFER MASON

ELIZABETH & ANDREW MATTHEWS

MAUREEN MCCALL

BRIAN MCDONALD

CARRIE MCGRAW

MARY BETH A. MEAGHER

RANDY METZGER

SCOTT MEYER

LESLIE MIGUEL

ANGIE MILBURN

TERESA MILLS

DR. BEVERLY MOORE

MURIEL P. MOORE

KRISTA & JEFF MORAN

JESSICA NANTZ

EMILY NEAT

KAREN & RAY NETHERY

ANGELA KOSHEWA & J. DAVID NIEHAUS

ASHLEY & ANDREW NOLAND

DONALD NORMAN

BRAD NUSS

ERIN OBENAUF

KRISTINE ORMS

KIMBERLY OSBORNE

LUE PEABODY

DANIEL PATTON PELFREY

HANS PFAFFENBERGER

MARIAN PIKE

JUNE ANN RAMSEY

MANRAJ S. RANGI

AUDRA RANKIN

ANTHONY RAPPA

CATHERINE & RT. REV. DAVID REED

MICHELE REILLY

NICHOLAS RENN

SANDRA RICHARDSON & DON KEELING

VERONICA RIFE

VERONICA RIGGS

ANN ROBERTS

LYNDA ROBERTSON

BETTY ROTHWELL

MARY & ROBERT

ROUNSAVALL III

JAVAN ROY-BACHMAN

RONALD RUBIN

ELLEN RUDD

COLLEEN RYAN

LOUISE SACHS

VERNON SANDELL

DEANN SANFORD

LISA SCHAFTLEIN

ROBIN SCHALDA

FRANCES SCHNUERLE

TINA SCHNUERLE

DONNA SCHUSTER

LAURA SENTI

KIMBERLY SHAW

SARILEE SHENKMAN

SHELBY & ZACH SHENKMAN

MEL SIMON

JOHN SISTARENIK

MARK SLAUGHTER

HELEN COHEN & LARRY SLOAN

ASHLEY & NATHAN SMITH

DEBBIE SMITH

MARY SNYDER

EDWARD SORENSEN

COLLEEN & SEAN STAFFORD

TERRY STANTON

JESSICA LAUREN STONE

JANE STOSBERG

DR. CATHERINE NEWTON & DR. GORDON STRAUSS

RICHARD SWETT

ANN & JOSEPH THOMPSON

TAWNEE THOMPSON

MARY THURMAN

ASHLEY THURSBY KERN

GRETCHEN

TREITZ-MARTIN

GRETCHEN TROMP

GWATHMEY & GINNY TYLER

VICKY TYREE

CHRISTA VAN ERMEN

BEN VAN METER

DENISHA VAUGHN

NATALIA ASHIKMINA & PHILIP VELINOV

TYLER VITTITOE

INTA VOIGHT

CAMILLE & GEORGE

WAGNER JR.

JANET WALTHER

SHANNA WARD

DAVID S. WEAVER

MARY JO WETZEL

INEZ & JOHN WHITE

MARY & ORME WILSON

STEPHENI WILSON

KIMBERLY WOLFORD

JUDITH & JOHN YOUNGBLOOD

DAVID YOUNT

JULIE ZOELLER

IN KIND

ANDY PEREZ

ART + DESIGN

FIELDTRIP

GEOGHEGAN ROOFING

IMAGE ENGINEERING

KORT

KERTIS

PARC

FOUNDATION

SAM ENGLISH

WDRB

WUOL