Los Angeles Blade, Volume 09, Issue 07, April 04, 2025

Abbey owner says his mission is more important now than ever, PAGE 02

Tristan Schukraft keeps queer spaces

thriving

APRIL 04, 2025 • VOLUME 09 • ISSUE 07 • AMERICA’S LGBTQ NEWS SOURCE • LOSANGELESBLADE.COM

LOCAL

Tristan Schukraft working to keep queer spaces thriving Abbey owner expands holdings to Mexico, Puerto Rico

By ALEXANDER RODRIGUEZ

Like the chatter about Willy Wonka and his Chocolate Factory, the WeHo community started to whisper about the man who was going to be taking over the world-famous Abbey, a landmark and part of history in Los Angeles’ queer nightlife. Rumors were put to rest when it was announced that entrepreneur Tristan Schukraft would be taking over the legacy created

by Abbey founder David Cooley. All eyes are on him.

For those of us who were there for the re-opening of The Abbey, when the torch was officially passed, all qualms about the new regime went away as it was clear the club was in good hands and that the spirit behind the Abbey would forge on. Cher, Ricky Martin, Bianca del Rio, Jean Smart, and many other celebrities rubbed shoulders with veteran patrons, and the evening was magical and a throwback to the nightclub atmosphere pre-COVID. The much-talked-about purchase of the Abbey was just the beginning for Schukraft. It was also announced that this business impresario was set to purchase the commercial district of Fire Island, as well as projects launching in Mexico and Puerto Rico. What was he up to?

Tristan sat down with us to chat about it all.

“We’re at a time right now when the last generation of LGBT entrepreneurs and founders are all in their sixties and they’re retiring. And if somebody doesn’t come in and buy these places, we’re going to lose our queer spaces.”

Tristan wasn’t looking for more projects, but he recounts what happened in Puerto Rico.

The Atlantic Beach Hotel was the gay destination spot and the place to party on Sundays, facing the gay beach. A new owner came in and made it a straight hotel, effectively taking away a place of fellowship and history for the queer community. Thankfully, the property is gay again, now branded as the Tryst and part of Schukraft’s portfolio with locations in Puerto Vallarta and Fire Island.

“If that happens with the Abbey and West Hollywood, it’s like Bloomingdale’s in a mall. It’s kind of like a domino effect. So that’s really what it is all about for me at this point. It has become a passion project, and I think now more than ever, it’s really important.”

Tristan is fortifying spaces for the queer community at a time when the current administration is trying to silence the LGBTQ+ community. The timing is not lost on him.

“I thought my mission was important before, and in the last couple of months, it’s become even more important. I don’t know why there’s this effort to erase us from public life, but we’ve always been here. We’re going to continue to be here, and it brings even more energy and motivation for me to make sure the spaces that I have now and even additional venues are protected going in the future.”

The gay community is not always welcoming to fresh faces and new ideas. Schukraft’s take02 • APRIL 04, 2025 • LOSANGELESBLADE.COM

over of the Abbey and Fire Island has not come without criticism. Who is this man, and how dare he create a monopoly? As Schukraft knows, there will always be mean girls ready to talk.

In his eyes, if someone can come in and preserve and advance spaces for the queer community, why would we oppose that?

“I think the community should be really appreciative. We, as a community, now, more than ever, should stand together in solidarity and not pick each other apart.”

As far as the Abbey is concerned, Schukraft is excited about the changes to come. Being a perfectionist, he wants everything to be aligned, clean, and streamlined. There will be changes made to the DJ and dance booth, making way for a long list of celebrity pop-ups and performances. But his promise to the community is that it will continue to be the place to be, a place for the community to come together, for at least another 33 years.

“We’re going to build on the Abbey’s rich heritage as not only a place to go at night and party but a place to go in the afternoon and have lunch. That’s what David Cooley did that no others did before, is he brought the gay bar outside, and I love that.”

Even with talk of a possible decline in West Hollywood’s nightlife, Schukraft maintains that though the industry may have its challenges, especially since COVID, the Abbey and nightlife will continue to thrive and grow.

“I’m really encouraged by all the new ownership in [nightlife] because we need another generation to continue on. I’d be more concerned if everybody was still in their sixties and not letting go.”

In his opinion, apps like Grindr have not killed nightlife.

“Sometimes you like to order out, and sometimes you like to go out, and sometimes you like to order in, right? There’s nothing that really replaces that real human interaction, and more importantly, as we know, a lot of times our family is our friends, they’re our adopted family.

Sometimes you meet them online, but you really meet them going out to bars and meeting like-minded people. At the Abbey, every now and then, there’s that person who’s kind of building up that courage to go inside and has no wingman, doesn’t have any gay friends. So it’s really important that these spaces are fun, to eat, drink, and party. But they’re really important for the next generation to find their true identity and their new family.”

There has also been criticism that West Hollywood has become elitist and not accessible to everyone in the community. Schukraft believes otherwise. West Hollywood is a varied part of queer nightlife as a whole.

“West Hollywood used to be the only gay neighborhood, and now you’ve got Silver Lake and you’ve got parts of Downtown, which is really good because L.A., is a huge place. It’s nice to have different neighborhoods, and each offers its own flavor and personality.”

Staunch in his belief in his many projects, he is not afraid to talk about hot topics in the community, especially as they pertain to the Abbey. As anyone who goes to the Abbey on a busy night can attest to, the crowd is very diverse and inclusive. Some in the community have started to complain that gay bars are no longer for the gay community, but are succumbing to our straight visitors.

Schukraft explains: “We’re a victim of our own success. I think it’s great that we don’t need to hide in the dark shadows or in a hole-in-the-wall gay bar. I’m happy about the acceptance. I started Tryst Hotels, which is the first gay hotel. We’re not hetero-friendly, we’re not gay-friendly. We’re a gay hotel and everyone is welcome. I think as long as we don’t change our behavior or the environment in general at the Abbey, and if you want to party with us, the more than merrier.”

Schukraft’s message to the community?

“These are kind of dangerous times, right? The rights that we fought for are being taken away and are being challenged. We’re trying to be erased from public life. There could be mean girls, but we, as a community, need to stick together and unite, and make sure those protections and our identity aren’t erased. And even though you’re having a drink at a gay bar, and it seems insignificant, you’re supporting gay businesses and places for the next generation.”

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LOCAL

Los Angeles Blade celebrates 8 years!

SoCal’s LGBTQ+ news source celebrates 8 years of news catered to the LGBTQ+ community in print and online

By ALEXANDER RODRIGUEZ and GISSELLE PALOMERA

March 24th marks the 8th anniversary of our newspaper. Even as the political attack on the queer community wages on, we continue the legacy that Los Angeles Blade founder Troy Master began. Our promise to the LGBTQ community is to continue to bring you the latest in political, social, entertainment, nightlife, and activist news, for and by the community. Our voice will stay steady and strong and remain the leading news source for and by the queer community.

In addition to bringing you the latest in news, we will continue to highlight leaders from the community from the social and political world.

Our initiative to build bridges with the Latinx community continues through our close relationship with CALÓ NEWS with weekly reporting on issues that affect both groups.

This year we will be kicking off Pride season with the return of our Best in LA Awards show, coming back bigger and better than ever.

Among our new initiatives this year, we are returning to the community with a series of free panels and discussions, covering important issues that are affecting the community, queer and beyond. We will be working with our power partners from the non-profit world, government offices, and social organizations to remain active and visible in an effective way.

We are also growing our local writing team to better reflect the diversity that exists around us.

We continue to be Los Angeles’ only LGBTQ bi-weekly newspaper and the City’s largest, most frequently distributed media in print and online. Our sister newspaper, The Washington Blade, is the nation’s longest-running LGBTQ newspaper founded in 1969.

It is also the only LGBT media member of the White House Press Corps.

As the new publisher of the Los Angeles Blade, I will work hard to honor the brand of The Blade and the work that Troy, our previous journalists and editors, and our community partners did to make us who we are today. A very heartfelt thank you to our readers and advertisers who continue to support our efforts.

Despite what is going on socially and politically towards the queer community, we will continue to thrive.

Alexander Rodriguez, Publisher Please consider supporting the continuing efforts of the Los Angeles Blade with your financial contribution. For just dollars a month, your support makes vital LGBTQ journalism possible at a time when clear, concise news is needed more than ever.

04 • APRIL 04, 2025 • LOSANGELESBLADE.COM

For advertising opportunities, please contact Alexander Rodriguez at alexander@losangelesblade.com

A note from the Editor: Today marks our 8th anniversary as SoCal’s LGBTQ+ news source and we want to thank you all for the support through the years. The Blade was founded in 2017 by Troy Masters, two years after he moved to Los Angeles in search of community and a fresh start for the next stage in his journalism journey.

He founded the Los Angeles Blade, because he saw the overwhelming need for accurate and unbiased news reporting for the LGBTQ+ community during a time where many other mainstream news outlets were overlooking the stories that affected our communities, such as the AIDS crisis.

In our everyday work since then, we aim to cover the issues that not only affect us, but that also inform us and spotlight our amazing talents, skills and ability to unite. We always aim to be a beacon of light, education and information for our communities because under this current administration, Trump has seemingly vowed to take us back into the dark ages and erase any and all progress we have painstakingly made throughout time.

My goal as editor is to include voices that make up our community and continue building trust with those voices, so that our work can serve you and everyone else under the LGBTQ+ and QTBIPOC umbrellas.

It’s true, Democracy dies in darkness and as members of the media, we must double-down in our efforts to provide accurate, informative and relevant news to our communities now more than ever.

The Blade has seen leadership shifts within the last six months, including myself, and we hope that these changes encourage you to support us and see how we continue growing.

Please reach out to us to discuss how we can better serve you or our communities.

Don’t forget to subscribe to our weekly newsletter and donate to the Blade Foundation if possible.

Thank you all so much for your trust and support during these particularly difficult times.

Gisselle Palomera, Editor Contact me at gpalomera@losangelesblade.com.

NATIONAL

Mass HHS layoffs include HIV/AIDS prevention, policy teams Democratic states sue over cuts

By CHRISTOPHER KANE | ckane@washblade.com

Tuesday began a series of mass layoffs targeting staff, departments, and whole agencies within the U.S. Department of Health and Human Services under Secretary Robert F. Kennedy Jr., who reportedly plans to cut a total of 10,000 jobs.

On the chopping block, according to reports this week, is the Office of Infectious Disease and HIV/AIDS Policy. A fact sheet explaining the restructuring says “a new Administration for a Healthy America (AHA) will consolidate the OASH, HRSA, SAMHSA, ATSDR, and NIOSH, so as to more efficiently coordinate chronic care and disease prevention programs and harmonize health resources to low-income Americans.”

The document indicates that “Divisions of AHA include Primary Care, Maternal and Child Health, Mental Health, Environmental Health, HIV/AIDS, and Workforce, with support of the U.S. Surgeon General and Policy team.”

“Today, the Trump administration eliminated the staff of several CDC HIV prevention offices, including entire offices conducting public health communication campaigns, modeling and behavioral surveillance, capacity building, and nonlab research,” according to a press release Tuesday by the HIV + Hepatitis Policy Institute.

The organization also noted the “reassignments” of Jonathan Mermin, director of the National Center for HIV, Viral

Pappas planning run for U.S. Senate: report Gay U.S. Rep. Chris Pappas (D-N.H.) has told colleagues he plans to run for New Hampshire’s open U.S. Senate seat, to succeed retiring Democratic U.S. Sen. Jeanne Shaheen, according to a report in Axios.

“I haven’t come to a decision yet,” he said during a town hall over the weekend. “But I know these times are incredibly perilous, and this is a time where we need the kind of leadership that Sen. Shaheen has demonstrated, which is about putting the needs of New Hampshire first.”

Axios also reported that fellow Democratic U.S. Rep. Maggie Goodlander, who represents the Granite State’s 2nd Congressional District and previously served as deputy assistant attorney general in the Justice Department’s Antitrust Division, is considering a run.

Hundreds of constituents attended recent town halls hosted by Pappas and Goodlander.

While Pappas’s voting record positions him as among the most centrist and bipartisan of the House Democrats, the National Republican Senatorial Committee has sought to portray the lawmaker as a far-left ideologue in a new oppo website.

If he runs and is elected to succeed Shaheen, Pappas would be one of two openly LGBTQ U.S. senators, alongside Tammy Baldwin (D-Wis.).

CHRISTOPHER KANE

HHS Secretary ROBERT F. KENNEDY JR. (Blade photo by Michael Key)

Hepatitis, STD, and TB Prevention, and Jeanne Marrazzo, director of the National Institutes of Health’s National Institute of Allergy and Infectious Diseases. Both were moved to the Indian Health Service.

“In a matter of just a couple days, we are losing our nation’s ability to prevent HIV,” said HIV + Hepatitis Policy Institute Executive Director Carl Schmid. “The expertise of the staff, along with their decades of leadership, has now been destroyed and cannot be replaced. We will feel the impacts of these decisions for years to come and it will certainly, sadly, translate into an increase in new HIV infections and higher medical costs.”

The group added, “We are still learning the full extent of the staff cuts and do not know how the administration’s announced reorganization of HHS will impact all HIV treatment, prevention, and research programs, including President Trump’s Ending the HIV Epidemic initiative,” but “At the moment, it seems that we are in the middle of a hurricane and just waiting for the next shoe to drop.”

A group of 500 HIV advocates announced a rally planned for Wednesday morning at 8 a.m., at the U.S. Capitol lawn across from the Cannon House Office Building, which aims to urge Congress to help stop the cuts at HHS. “Over 500 advocates will rally on Capitol Hill and meet with members of Congress and Hill staff to advocate for maintaining a strong HIV response and detail the potential impact of cuts to and reorganization of HIV prevention and treatment programs,” the groups wrote.

The press release continued, “HHS has stated that it is seeking to cut 10,000 employees, among them 2,400 CDC employees, many doing critical HIV work. It also seeks to merge HIV treatment programming into a new agency raising concerns about maintaining resources for and achieving the outstanding outcomes of the Ryan White HIV/AIDS Program.”

On Tuesday a group of Democratic governors and attorneys general from 23 states and D.C. filed a lawsuit against HHS and Kennedy seeking a temporary restraining order and injunctive relief to halt the funding cuts.

U.S. Centers for Disease Control and Prevention withdrew approximately $11.4 billion in funding for state and community health departments during the COVID-19 pandemic response, along with $1 billion to the Substance Abuse and Mental Health Services Administration.

“Slashing this funding now will reverse our progress on the opioid crisis, throw our mental health systems into chaos, and leave hospitals struggling to care for patients,” New York Attorney General Letitia James said.

Erivo, Doechii steal show at GLAAD awards GLAAD celebrated its 40th anniversary with a star-studded gala in Beverly Hills, honoring achievements in LGBTQ media and entertainment, while pushing back at efforts nationwide to turn back civil rights protections, restrict and erase transgender identities.

Doechii accepted a GLAAD Media Award for outstanding music artist, Harper Steele won for outstanding documentary for Will & Harper and Nava Mau was honored with the outstanding series – limited anthology award for Baby Reindeer.

Those in attendance rose for a long and enthusiastic standing ovation as the prestigious Stephen F. Kolzak Award was presented to Cynthia Erivo.

“It isn’t easy. None of it is, waking up and choosing to be yourself, proclaiming a space belongs to you when you don’t feel welcomed,” said Erivo.

The 38-year-old queer Oscar nominee and Emmy, Tony and Grammy winner delivered a moving acceptance speech, in which she thanked GLAAD but also called on the audience to do more to help those in the community who have not yet come out. Video of her remarks has gone viral on Instagram.

“Here in this room, we have all been the recipients of the gift that is the opportunity to be more. I doubt that it has come easy to any of us, but more, for some, the road has not

been one paved with yellow bricks, but instead paved with bumps and potholes. Whichever road you have traveled, how beautiful it is that you’ve had a road to travel on at all.”

Broadway legend Patti LuPone offered guidance from queer icons, past and present, when she took the stage to recite inspiring quotes that brought the house down.

“I can no longer accept the things I cannot change. I am changing the things I cannot accept,” LuPone quoted lesbian, feminist, activist Angela Davis. “Coming out is the most political thing you can do,” she said, quoting Harvey Milk.

When Doechii accepted the trophy for outstanding music artist at the ceremony, the “Denial Is a River” rapper commented on this politically charged moment for the LGBTQ community, as she praised GLAAD for its principles of “acceptance, inclusiveness and empowerment.”

“Those are the same things I strongly believe in and advocate for and that continue to propel me forward, especially now that hard-won cultural change and rights for transgender people and the LGBTQ community have been threatened,” said Doechii. “And I am disgusted. Disgusted.

But I want to say that we are here and we are not going anywhere.”

DAWN ENNIS

LOSANGELESBLADE.COM • APRIL 04, 2025 • 05

INTERNATIONAL

Former U.S. envoy for global LGBTQ rights slams Trump New administration has ‘imported worst ideas from around the world’

By MICHAEL K. LAVERS | mlavers@washblade.com

Jessica Stern, the former special U.S. envoy for the promotion of LGBTQ and intersex rights, says the work that she and her colleagues did under the Biden-Harris administration is “being systematically dismantled.”

“As the person who was responsible for leading U.S. foreign policy on LGBTQI+ issues, it’s been very difficult for the past two months to see that work being systematically dismantled,” she told the Washington Blade on March 19 during a telephone interview.

Stern was the executive director of Outright International, a global LGBTQ and intersex advocacy group, when then-President Joe Biden appointed her in June 2021.

The promotion of LGBTQ and intersex rights was a cornerstone of the Biden-Harris administration’s overall foreign policy. These efforts specifically included the decriminalization of consensual same-sex sexual relations and marriage equality efforts in countries where activists said they were possible through the legislative or judicial processes.

The Trump-Vance administration’s decision to freeze most U.S. foreign aid spending for at least 90 days has had a devastating impact on the global LGBTQ and intersex rights movement. President Donald Trump’s executive order that bans the State Department from issuing passports with “X” gender markers has prompted Germany and several other European countries to issue travel advisories for transgender and nonbinary people who are planning to visit the U.S. Stern said the Trump-Vance administration “has studied the anti-LGBTQI strategies of other countries and basically imported the worst ideas from around the world: The most violent, the most dehumanizing, the most targeting strategies.” Stern added these policies have emboldened Hungarian Prime Minister Viktor Orbán, Russian President Vladimir Putin, Argentine President Javier Milei and other anti-LGBTQ heads of state.

“It’s one thing when a small country that has limited global reach implements anti-LGBTQI laws and policies. It’s another thing when one of the world’s superpowers does so,” Stern told the Blade. “There’s no question that the U.S.’s regression on LGBTQI rights is actually going to accelerate backlash against LGBTQI people around the world.”

“We provide political legitimacy to those ideas, but also

we’re forging new alliances and coalitions, and we’re pushing these ideas on other countries,” she added. “So, it’s not a passive action. The U.S. government currently is actively funding and disseminating anti-LGBTQI hatred around the world.”

The Trump-Vance administration in a Feb. 3 statement that defended its efforts to dismantle the U.S. Agency for International Development noted examples of the organization’s “waste and abuse” included $2 million for “sex changes and ‘LGBT activism’” in Guatemala and $1.5 million to “advance diversity, equity and inclusion in Serbia’s workplaces and business communities.” Secretary of State Marco Rubio last month said 83 percent of USAID contracts have JESSICA STERN, former special U.S. envoy for the promotion of LGBTQ and been cancelled, intersex rights abroad, center, speaks and the remaining outside the U.N. Security Council on March 20, 2023. (Blade photo by Michael K. Lavers) will “now be administered more effectively under the State Department.”

Rubio after the Trump-Vance administration froze nearly all U.S. foreign aid spending issued a waiver that allowed the President’s Emergency Plan for AIDS Relief and other “life-saving humanitarian assistance” programs to continue to operate.

The Blade has previously reported PEPFAR-funded programs in Kenya, South Africa, and elsewhere have suspended services and even shut down because of a lack of U.S. funding. UNAIDS Executive Director Winnie Byanyima on March 24 said 6.3 million more people around the world will die of AIDS-related complications over the next four years if the U.S. does not fully restore its foreign assistance.

Stern said her former State Department colleagues are “afraid every day.”

“They never know, ‘Am I going to be fired today?’ “Am I going to be put on administrative leave?’,” she said. “I cannot

even imagine what it’s like to go to work every day.”

Stern told the Blade her former colleagues tell her that “there’s not a lot of foreign policy work happening because there’s so much disruption being caused by DOGE (the Department of Government Efficiency).”

“Entire departments have been decimated,” she said, noting one of them has lost 60 people. “It’s almost inconceivable to figure out how to restructure your work when your resources have been decimated.”

Stern described herself as “an eternal optimist” when the Blade asked whether she thinks the U.S. can ever stand for LGBTQ and intersex rights abroad.

“You have to believe in human rights,” she said.

Stern said former Secretary of State Antony Blinken as “an ally on LGBTQI issues.” Stern also said many of her now former State Department colleagues thanked her and her team for their work before they left government.

“There’s so much compassion from straight and cisgendered allies, from career officials, people that are not human rights experts or specialists, people that don’t focus on the well-being of LGBTQI people, but people that care very much about the United States standing for its values, the rule of law, equality for all, and this notion that it is in our national interest to ensure that there is safety, prosperity, and well-being for people around the world,” she said.

“The situation we find ourselves in will not last forever,” added Stern. “What we have to do is figure out how to hold the line right now, and how to organize for the future.”

She stressed ways to “hold the line” include litigation, protests, letters-to-the-editor, demanding accountability from lawmakers.

“There’s so much to do,” said Stern.

Stern is currently teaching at Columbia University’s School of International and Public Affairs, and is writing about her experience as the “first-ever human rights expert to be the special U.S. envoy for LGBTQI rights.” Stern also told the Blade that she is working to launch a new organization.

“I love being an activist again,” she said. “If there was ever a time when activists are needed, it’s now.”

“I am really proud to have rejoined the resistance,” added Stern.

Trinidad and Tobago re-criminalizes homosexuality An appeals court in Trinidad and Tobago has re-criminalized consensual same-sex sexual relations in the country.

Jason Jones, an LGBTQ activist from Trinidad and Tobago who currently lives in the U.K., in 2017 challenged Sections 13 and 16 of the country’s Sexual Offenses Act. High Court Justice Devindra Rampersad the following year found them unconstitutional.

The country’s government appealed Rampersad’s ruling.

Court of Appeal Justices Nolan Bereaux and Charmaine Pemberton overturned it on March 25. The Daily Express newspaper reported Justice Vasheist Kokaram dissented.

“As an LGBTQ+ citizen of Trinidad and Tobago, this re-

gressive judgement has ripped up my contract as a citizen of T&T and again makes me an unapprehended criminal in the eyes of the law,” said Jones in a statement he posted to social media. “The TT Court of Appeal has effectively put a target on the back of LGBTQIA+ people and made us lower class citizens in our own country.”

Antigua and Barbuda, St. Kitts and Nevis, Barbados, and Dominica are among the countries that have decriminalized consensual same-sex sexual relations in recent years.

The Inter-American Commission on Human Rights in 2021 issued a decision that said Jamaica must repeal its colonial-era sodomy law. The Jamaican Supreme Court in 2023 ruled against a gay man who challenged it.

06 • APRIL 04, 2025 • LOSANGELESBLADE.COM

A judge on St. Vincent and the Grenadines’s top court last year dismissed two cases that challenged the country’s sodomy laws.

Jones in his statement said he “will be exercising my right of appeal and taking this matter to the” Privy Council, an appellate court for British territories that can also consider cases from Commonwealth countries.

King Charles III is not Trinidad and Tobago’s head of the state, but the country remains part of the Commonwealth.

“I hope justice will be done and these heinous discriminatory laws, a legacy of British colonialism, will be removed by the British courts,” said Jones.

MICHAEL K. LAVERS

VIEWPOINT

AJ SLOAN

is a writer, retired adult performer, and clinical counseling graduate student. His work has been featured in Huffington Post and The Advocate and led his own weekly column for Fleshbot.

Have our gay gyms gotten a little too steamy?

As gyms shift their focus to serve a broader, younger, more mainstream clientele, the future remains unclear

One undeniable truth still stands: public sex acts of any kind are illegal, as in, against the law.

Another day, another endorphin-boosting pump at the gym.

Next stop: the steam room.

My circulation and lactic acid levels will thank me later. After a quick shower, I approach the steam room door and, to my surprise, I see a notice taped to it: STEAM ROOM RULES Guests entering must be dressed appropriately.

Workout shorts, swim attire, or towel ARE REQUIRED at all times.

Camera use is allowed ONLY within the STEAM ROOM AREA. Initially, I was taken aback.

In an environment meant to offer a moment of relaxation before diving back into the chaos of the city, the last thing anyone needs is a dose of CCTV surveillance. My shock was brief, though, as I quickly realized why the gym had taken such a drastic step.

This issue isn’t unique to New York City or David Barton’s Gym U. After several closures and re-openings of their steam room, Crunch WeHo — another predominantly gay gym — has indefinitely closed its men’s steam room. I also learned that a Crunch location in Brooklyn has followed suit. I imagine both gyms now display similar notices warning that ‘inappropriate behavior will not be tolerated.’

As anyone who’s frequented a gym’s steam room in any major city knows, these spaces are no strangers to cruising. This isn’t a new phenomenon. For decades, gyms - and their locker rooms and amenities — have served as ground zero for gay cruising.

If this surprises you, pick your jaw up off the floor and Google the meaning behind the village people’s Young Men’s Christian Association. You might feel a little awkward the next time it’s sung en masse at a sports game or (eye roll) an inauguration.

Many see cruising as part of a shared gay culture at these unofficially gay fitness clubs. However, the growing number of complaints to gym staff about these post-pump antics suggests otherwise. This raises the question: has the ‘inappropriate’ behavior in these spaces become so prevalent that closures and Orwellian surveillance are now the only solutions?

Years ago, same-sex sex was a criminal act and treated as such. Back then, sex became a form of protest for many gay men and others in the LGBTQ+ community. It was a way of saying, ‘We exist, we have the right to exist and we have the same right to get off as anyone else.’

Since then, both the LGBTQ+ community and the politics 08 • APRIL 04, 2025 • LOSANGELESBLADE.COM

surrounding it have evolved. With more queer people adopting what many consider a heteronormative or family-oriented lifestyle, and with the rise of sex positivity, can we still view sex as a form of protest? On the other side of the three dollar bill, are those who are getting down in the dank dark of our steam rooms seeing this action as a way of preserving a tradition that they hold near, dear and queer?

This situation is a bit more layered than a simple ‘then and now’ generational shift.

Over the decades, certain fitness centers in cities like New York, Los Angeles and Chicago have been recognized as gay spaces, with a loyal, predominantly gay clientele.

However, now these gyms are distancing themselves from their LGBTQ+ identity — sometimes quite literally shedding their pride flags.

Now, they’re offering student discounts not to the City Universities of New York, but exclusively to NYU and PACE — targeting a younger, straighter and more affluent clientele. So, when ‘23-year-old finance bro Bobby’ walks into the steam room to find two men in the middle of a vigorous forearm workout… Sorry Bobby.

It’s the ultimate risk that comes with sneaking in that last “spot” off the gym floor. Many folks who don’t partake turn a blind eye - or even offer a blasé wink when they walk into the steam room. Then there are those who would prefer a steam room where people’s hands remain in sight while their other bits do not. In today’s tense political climate, is it ending up on a list forbidding you to be within 500 feet of schools?

Ultimately, the steam room - a once cherished space with a sense of freedom and unspoken connection as palpable as its wafting clouds of moisture - has found itself to be a microcosm of the broader tensions both within the LGBTQ+ community and society. As gyms shift their focus to serve a broader, younger, more mainstream clientele, the future of steam rooms remains, well, unclear.

V O L U M E 09 I S S U E 07 PHONE 310-230-5266 E-MAIL arodriguez@losangelesblade.com INTERNET losangelesblade.com PUBLISHED BY Los Angeles Blade, LLC PUBLISHER ALEXANDER RODRIGUEZ arodriguez@losangelesblade.com, 310-230-2077 x 8080 EDITORIAL EDITOR GISSELLE PALOMERA gpalomera@losangelesblade.com, 310-230-5266 x 9460 NATIONAL EDITOR KEVIN NAFF knaff@washblade.com, 202-747-2077 x 8088 CONTRIBUTING WRITER KAREN OCAMB karenocamb@losangelesblade.com CONTRIBUTORS

MICHAEL K. LAVERS, TINASHE CHINGARANDE, CHRISTOPHER KANE, JOHN PAUL KING, LOU CHIBBARO JR., SUSAN HORNIK, JOE REBERKENNY, DANIEL ITAI, ISAAC AMEND, PETER ROSENSTEIN, TERRI SCHLICHENMEYER, JOE PHILLIPS, ANKUSH KUMAR, ESTEBAN RIOSECO, SAM KISIKA, ELVIS KAWEDO, HENRY CARNELL, DAWN ENNIS

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VIEWPOINT

PETER ROSENSTEIN is a longtime LGBTQ rights and Democratic Party activist.

He writes regularly for the Blade.

Trump nat’l security team auditions to be next Marx Brothers Signal scandal is just the beginning

We know Trump’s Cabinet members have no real experience in the jobs for which they have been confirmed. But we couldn’t have anticipated the royal fuck-up that occurred when the national security team put our national security, and our troops, in danger with their very casual chat, basically public, about classified plans to bomb Yemen. They could be the new Marx Brothers. For those who don’t know, the Marx Brothers, were a slapstick comedy act of Chico, Harpo, and Groucho. Their most famous movies are Duck Soup and Night at the Opera.

Instead of using a sanctioned high-level email for classified material, they used Signal, a public messaging app. While known for its security and privacy, it has also been known to have been hacked. To top that off, National Security Adviser Mike Waltz inadvertently added a journalist to the chat. To make things more bizarre, it now appears one of the people on the chat, Steve Witkoff, a Trump negotiator, was in the Kremlin when he took the call, and Tulsi Gabbard, the DNI, was also out of the country, and apparently took the call on her private phone. Again, the Marx Brothers on steroids.

I can imagine Trump’s bosom buddy, Vladimir Putin, calling him and saying; “Donald, my good friend, спаси́бо (thank you), for making my job so easy. I can now just listen in on your national security calls without any problem at all, again thanks!”

Our idiot Secretary of Defense Pete Hegseth talked about the classified plans giving dates, times, aircraft, etc. These clowns are guilty of a massive breach of national security. Even if they didn’t do it on purpose, to help Putin, they are guilty of being morons of the first degree. All of them once castigated Hillary saying, “but her emails!”

Unless Trump and Musk are stopped, this will happen again, until we totally lose our democracy, unless the courts step in, and Republicans in the Senate take their lips off of Trump’s ass long enough to stand up for the Constitution. Knowing some, like Lindsey Graham (R-S.C.), who is permanently on his knees before Trump, I won’t hold my breath for the Senate as a whole, but in reality, we only need four of them to join with Democrats to stop some of what Trump and his Nazi sympathizing co-pres-

ident are doing.

Now Trump wants to take over the post office to control mailing of ballots, and has signed an Executive Order to make voting harder for millions of Americans. One bill in Congress, introduced by Rep. Chip Roy (R-Texas), the Safeguard American Voter Eligibility Act, or SAVE Act, could disenfranchise millions of women who have taken their husband’s name after marriage and their birth certificates won’t match the name they are using to vote.

This is unconstitutional, but we will see if the courts, all the way to the Supreme Court, will stop this outrage. Then, Speaker of the House Mike Johnson (R-La.), says he can eliminate the federal courts he doesn’t like, by simply defunding them. We are truly in uncharted territory.

While this is both crazy and frightening, I still have some faith things in the long run will work out. That our democracy, which survived a civil war, will survive. Clearly it will take time to rebuild our credibility around the world, and our allies may never again have the same trust in us. I haven’t been to Europe since Trump began his rampage and created havoc in the world, but will be going in June. I may just wear a T-shirt saying “Don’t blame me, I hate him as much as you do.” I will tell people half of our population thinks as they do, Trump has to go. It isn’t like he has the support of a majority of Americans, but had just enough support, from people who believed his bluster and lies, to get elected. The rest of us will continue to try to stop him, and try to reclaim our country.

Even if we do, it will take time to rebuild the government, the trust of our allies, and even longer to rebuild our culture. To reclaim our belief in equality. Back to a time when white nationalists couldn’t stand in the town square proclaiming their hate, and a Nazi sympathizer couldn’t stand openly at the arm of our president. A time when racism, homophobia, and misogyny couldn’t be spouted openly in the public square. They have always existed, but once again we will not let people speak hate, without recrimination. Some think this is a pipe dream. But we have to try. I still believe if those of us who care act together, we will prevail.

LOSANGELESBLADE.COM • APRIL 04, 2025 • 09

Creator Max Mutchnick on inspirations for ‘Mid-Century Modern’ Real-life friendships and loss inform plot of new Hulu show

By GREGG SHAPIRO It’s been a long time – maybe 25 years when “Will & Grace” debuted – since there’s been so much excitement about a new, queer sitcom premiering. “Mid-Century Modern,” which debuted on Hulu last week, is the creation of Max Mutchnick and David Kohan, the gay men who were also behind “Will & Grace.”

Set in Palm Springs, Calif., following the death of the one of their closest friends, three gay men gather to mourn. Swept up in the emotions of the moment, Bunny (Nathan Lane) suggests that Atlanta-based flight attendant Jerry (Matt Bomer) and New Yorkbased fashion editor Arthur (Nathan Lee Graham) move into the mid-century modern home he shares with his mother Sybil (the late Linda Lavin). Over the course of the first season’s 10 episodes, hilarity ensues. That is, except for the episode in which they address Sybil’s passing. The three male leads are all fabulous, and the ensemble cast, including Pamela Adlon as Bunny’s sister Mindy, and the stellar line-up of guest stars, such as Jesse Tyler Ferguson, Vanessa Bayer, Richard Kind, and Cheri Oteri, keep humor buzzing. Shortly before the premiere of “Mid-Century Modern,” Mutchnick made time for an interview with the Blade.

BLADE: I’d like to begin by saying it’s always a delight to speak to a fellow Emerson College alum. In ways would you say that Emerson impacted your professional and creative life?

MAX MUTCHNICK: I think Emerson was the first place that reflected back to me that my voice, my thoughts were good, and they were worth listening to. I developed a confidence at Emerson that did not exist in my body and soul. It was a collection of a lot of things that took place in Boston, but I mean we can just put it all under the Emerson umbrella.

BLADE: Before “Will & Grace,” you co-created the NBC sitcom “Boston Common,” which starred fellow Emerson alum Anthony Clark. Is it important for you to maintain those kinds of alumni relationships?

MUTCHNICK: Because Emersonians are such scrappy little monkeys and they end up being everywhere in the world, you can’t help but work with someone from Emerson at some point in your career. I’m certainly

more inclined to engage with someone from Emerson once I learn that they went to my alma mater. For me, it has much more to do with history and loyalty. I don’t think of myself as one of those guys that says, “Loyalty means a lot to me. I’m someone that really leans into history.” It’s just what my life and career turned out to be. The longer I worked with people and the more often I worked with them, the safer that I felt, which means that I was more creative and that’s the name of the game. I’ve got to be as comfortable as possible so I can be as creative as possible.

If that means that a person from Emerson is in the room, so be it. (Costume designer) Lori Eskowitz would be the Emerson version.

And then (writer and actor) Dan Bucatinsky would be another version. When I’m around them for a long time, that’s when the best stuff comes.

BLADE: Relationships are important. On that subject, your new Hulu sitcom “Mid-Century Modern” is about the longstanding friendship among three friends, Bunny (Nathan Lane), Jerry (Matt Bomer), and Arthur (Nathan Lee Graham). Do you have a friendship like the one shared by these three men?

MUTCHNICK: I’m absolutely engaged in a real version of what we’re projecting on the show. I have that in my life. I cannot say that I’m Jerry in any way, but the one thing that we do have in common is that in my group, I’m the young one. But I think that that’s very common in these families that we create.

There’s usually a young one. Our culture is built on learning from our elders. I didn’t have a father growing up, so maybe that made me that much more inclined to seek out older, wiser, funnier, meaner friends. I mean the reason why you’re looking at a mouthful of straight, white teeth is because one of those old bitches sat across from me about 25 years ago at a diner and said, “Girl, your teeth are a disaster, and you need to get that fixed immediately.” What did I know? I was just a kid from Chicago with two nickels in my pocket. But I found three nickels and I went and had new teeth put in my head. But that came from one of my dearest in the group.

BLADE: Do you think that calling “Mid-Century Modern” a gay “Golden Girls” is a fair description?

MUTCHNICK: No. I think the gay “Golden

10 • LOSANGELESBLADE.COM • APRIL 04, 2025

Girls” was really just used as a tool to pitch the show quickly. We have an expression in town, which is “give me the elevator pitch,” because nobody has an attention span. The fastest way you can tell someone what David (Kohan) and I wanted to write, was to say, “It’s gay Golden Girls.” When you say that to somebody, then they say, “OK, sit down now, tell me more.” We did that and then we started to dive into the show and realized pretty quickly that it’s not the gay “Golden Girls.” No disrespect to the “Golden Girls.” It’s a masterpiece.

BLADE: “Mid-Century Modern” is set in Palm Springs. I’m based in Fort Lauderdale, a few blocks south of Wilton Manors, and I was wondering if that gay enclave was ever in consideration for the setting, or was it always going to be in Palm Springs?

MUTCHNICK: You just asked a really incredible question! Because, during COVID, Matt Bomer and I used to walk, because we live close by. We had a little walking group of a few gay gentlemen. On one of those walks, Matt proposed a comedy set in Wilton Manors. He said it would be great to title the show “Wilton Manors.” I will tell you that in the building blocks of what got us to “Mid-Century Modern,” Wilton Manors, and that suggestion from Matt Bomer on our COVID walks, was part of it.

BLADE: Is Sybil, played by the late Linda Lavin, modeled after a mother you know?

MUTCHNICK: Rhea Kohan (mother of David and Jenji). When we met with Linda for the first time over Zoom, when she was abroad, David and I explained to her that this was all based on Rhea Kohan. In fact, some of the lines that she (Sybil) speaks in the pilot are the words that Jenji Kohan spoke about her mother in her eulogy at the funeral because it really summed up what the character was all about. Yes, it’s very much based on someone.

BLADE: The Donny Osmond jokes in the second episode of “Mid-Century Modern” reminded me of the Barry Manilow “fanilows” on “Will & Grace.” Do you know if Donny is aware that he’s featured in the show?

MUTCHNICK: I don’t. To tell you the truth, the “fanilow” episode was written when I was not on the show. I was on a forced hiatus,

MAX MUTCHNICK, one of the creators of ‘Will & Grace’ is back with his new show ‘Mid-Century Modern.’ (Photo credit: Luke Fontana)

thanks to Jeff Zucker. That was a show that I was not part of. We don’t really work that way. The Donny Osmond thing came more from Matt’s character being a Mormon, and also one of the writers. It’s very important to mention that the writing room at “Mid-Century Modern,” is (made up of) wonderful and diverse and colorful incredible humans – one of them is an old, white, Irish guy named Don Roos who’s brilliant…

BLADE: …he’s Dan Bucatinsky’s husband.

MUTCHNICK: Right! Dan is also part of the writing room. But I believe it was Don who had a thing for Donny, and that’s where it comes from. I don’t know if Donny has any awareness. The only thing I care about when we turn in an episode like that is I just want to hear from legal that we’re approved.

BLADE: “Mid-Century Modern” also includes opportunities for the singers in the cast. Linda Lavin sang the Jerome Kern/Ira Gershwin tune “Long Ago (And Far Away)” and Nathan Lane and the guys sang “He Had It Coming” from “Chicago.” Was it important to give them the chance to exercise those muscles?

MUTCHNICK: I don’t think it was. I think it really is just the managers’ choice. David Kohan and I like that kind of stuff, so we write that kind of stuff. But by no means was there an edict to write that. We know what our cast is capable of, and we will absolutely exploit that if we’re lucky enough to have a second season. I have a funky relationship with the song “Long Ago (And Far Away).” It doesn’t float my boat, but everybody else loved it.

We run a meritocracy, and the best idea will out. That’s how that song ended up being in

the show. I far prefer the recording of Linda singing “I’ll Be Seeing You” over her montage in episode eight, “Here’s To You, Mrs. Schneiderman.” We were just lucky that Linda had recorded that. That recording was something that she had done and sent to somebody during COVID because she was held up in her apartment. That’s what motivated her to make that video and send it. That’s how we were able to use that audio.

BLADE: Being on a streaming service like Hulu allows for characters to say things they might not get away with on network TV, including a foreskin joke, as well as Sybil’s propensity for cursing.

MUTCHNICK: And the third line in the show is about him looking like a “reluctant bottom.” I don’t think that’s something you’re going to see on ABC anytime soon. David and I liked the opportunity to open up the language of this show because it might possibly open the door to bringing people…I’m going to mix metaphors…into the tent that have never been there before. A generation that writes off a sitcom because that language and that type of comedy isn’t the way that they sound. One of the gifts of doing this show on Hulu is that we get to write dialogue that sounds a little bit more like you and I sound. As always, we don’t want to do any-

thing just to do it.

BLADE: It didn’t feel that way.

MUTCHNICK: It’s there when it’s right.

[Laughs] I want to have a shirt made with Linda’s line, as her mother always used to say, “Time is a cunt.”

BLADE: “Mid-Century Modern” also utilizes a lot of Jewish humor. How important is it for you to include that at this time when there is a measurable rise in anti-Semitism?

MUTCHNICK: I think it’s important, but I don’t think it’s the reason why we did it. We tried very hard to not write from a place of teaching or preaching. We really are just writing about the stuff that makes us laugh.

One of the things that makes something better and something that you can invest in is if it’s more specific. We’re creating a character whose name is Bunny Schneiderman and his mother’s name is Sybil and they made their money in a family-run business, it gets Jewy, and we’re not going to shy away from it. But we’re definitely not going to address what’s going on in the world. That doesn’t mean I don’t find it very upsetting, but I’m writing always from the point of view of entertaining the largest number of people that I can every week.

BLADE: “Mid-Century Modern” has a fantastic roster of guest stars including Jesse Tyler Ferguson, Vanessa Bayer, Billie Lourd, Cheri Oteri, Richard Kind, Rhea Perlman, and Judd Hirsch. Are there plans to continue that in future seasons?

MUTCHNICK: Yes. As I keep saying, if we’re so lucky that we get to continue, I don’t want to do “The Love Boat.” Those are fine comic actors, so I don’t think it feels like that. But if we get to keep going, what I want to do is broaden the world because that gives us more to write about. I want to start to introduce characters that are auxiliary to the individuals. I want to start to meet Arthur’s family, so we can return to people. I want to introduce other neighbors, and different types of gay men because we come in so many different flavors. I think that we should do that only because I’m sure it’s what your life is and it’s what my life is. I’ve got a lot of different types. So, yes, we will be doing more.

BLADE: Finally, Linda Lavin passed away in December 2024, and in a later episode, the subject of her character Sybil’s passing is handled sensitively, including the humorous parts.

MUTCHNICK: We knew we had a tall order. We suffered an incredible loss in the middle of making this comedy. One of the

reasons why I think this show works is because we are surrounded by a lot of really talented people. Jim Burrows and Ryan Murphy, to name two. Ryan played a very big role in telling us that it was important that we address this, that we address it immediately.

That we show the world and the show goes on. That wasn’t my instinct because I was so inside the grief of losing a friend, because she really was. It wasn’t like one of those showbizzy-type relationships. And this is who she was, by the way, to everybody at the show.

It was the way that we decided to go. Let’s write this now. Let’s not put this at the end of the season. Let’s not satellite her in. Let’s not “Darren Stevens” the character, which is something we would never do. The other thing that Jim Burrows made very clear to us was the import of the comedy. You have to write something that starts exactly in the place that these shows start. A set comedy piece that takes place in the kitchen. Because for David and me, as writers, we said we just want to tell the truth. That’s what we want to do with this episode and that’s the way that this will probably go best for us. The way that we’ve dealt with grief in our lives is with humor. That is the way that we framed writing this episode. We wanted it to be a chapter from our lives, and how we experience this loss and how we recover and move on.

LOSANGELESBLADE.COM • APRIL 04, 2025 • 11

FILM

A visitor stirs up secret passions in ‘Misericordia.’

(Image courtesy Janus Films)

Sexy small town secrets surface in twisty French ‘Misericordia’ A deliciously depraved story with finely orchestrated tension

By JOHN PAUL KING The name Alain Guiraudie might not be familiar to most Americans, but if you mention “Stranger by the Lake,” fans of great cinema (and especially great queer cinema) are sure to recognize it immediately as the title of the French filmmaker’s most successful work to date.

The 2013 thriller, which earned a place in that year’s “Un Certain Regard” section of the Cannes Film Festival and went on to become an international success, mesmerized audiences with its tense and erotically charged tale of dangerous attraction between two cruisers at a gay beach, one of whom may or may not be a murderer. Taut, mysterious, and transgressively explicit, its Hitchcockian blend of suspense, romance, and provocative psychological exploration made for a dark but irresistibly sexy thrill ride that was a hit with both critics and audiences alike.

In the decade since, he’s continued to create masterful films in Europe, becoming a favorite not only at Cannes but other prestigious international festivals. His movies, each in their own way, have continued to elaborate on similar themes about the intertwined impulses of desire, fear, and violence, and his most recent work – “Misericordia,” which began a national rollout in U.S. theaters last weekend – is no exception; in fact, it draws all the familiar threads together to create something that feels like an answer to the questions he’s been raising throughout his career. To reach it, however, he concocts a story of small town secrets and hidden connections so twisted that it leaves a whole array of other questions in its wake.

It centers on Jérémie (Félix Kysyl), an unemployed baker who returns to the woodsy rustic village where he spent his youth for the funeral of his former boss and mentor. Welcomed into the dead man’s home by his widow, Martine (Catherine Frot), the visitor decides to extend his stay as he revisits his old home town and his memories. His lingering presence, however, triggers jealousy and suspicion from her son – and his own former school chum – Vincent (Jean-Baptiste Durand), who fears he has ulterior motives, while his sudden interest in another old acquaintance, Walter (David Ayala), only seems to make matters worse. It doesn’t take long before circumstances erupt into a violent confrontation, enmeshing Jérémie

in a convoluted web of danger and deception that somehow seems rooted in the unspoken feelings and hidden relationships of his past.

The hard thing in writing about a movie like “Misericordia” is that there’s really not much one can reveal without spoiling some of its mysteries. To discuss its plot in detail, or even address some of the deeper issues that drive it, is nearly impossible without giving away too much. That’s because it’s a movie that, like “Stranger by the Lake” and much of Guiraudie’s other work, hinges as much on what we don’t know as what we do. Indeed, in its earlier scenes, we are unsure even of the relationships between its characters. We have a sense that Jérémie is perhaps a returning prodigal son, that Vincent might be his brother, or a former lover, or both, and that’s just stating the most obvious ambiguities. Some of these cloudy details are made clear, while others are not, though several implied probabilities emerge with a little skill at reading between the lines; it hardly matters, really, because as the story proceeds, new shocks and surprises come our way which create new mysteries to replace the others – and it’s all on shaky ground to begin with, because despite his status as the film’s de facto protagonist, we are never really sure what Jérémie’s real intentions are, let alone whether they are good or bad.

That’s not sloppy writing, though – it’s carefully crafted design. By keeping so much of the movie’s “backstory” shrouded in loaded silence, Guiraudie – who also wrote the screenplay – reminds us that we can never truly know what is in someone else’s head (or our own, for that matter), underscoring the inevitable risk that comes with any relationship – especially when our passions overcome our better judgment. It’s the same grim theme that was at the dark heart of “Stranger,” given less macabre treatment, perhaps, but nevertheless there to make us ponder just how far we are willing to place ourselves in danger for the sake of getting what – or who – we desire.

As for who desires what in “Misericordia,” that’s often as much of a mystery as everything else in this seemingly sleepy little village. Throughout the film, the sparks that fly between its people often carry mixed signals. Sex and hostility seem locked in an uncertain dance, and it’s as hard for the audience

12 • LOSANGELESBLADE.COM • APRIL 04, 2025

to know which will take the lead as it is for the characters – and if the conflicting tone of the subtext isn’t enough to make one wonder just how sexually adventurous (and fluid) these randy villagers really are beneath their polite and provincial exteriors, the unexpected liaisons that occur along the way should leave no doubt.

Yet for all its murky morality and guilty secrets, and despite its ominous motif of evil lurking behind a wholesome smalltown surface, Guiraudie’s pastoral film noir goes beyond all that to find a surprisingly humane layer rising above it all, for which the town’s seemingly omnipresent priest (Jacques Develay) emerges to assert in the film’s third act – though to reveal more about that (or about him) would be one of those spoilers we like to avoid.

There’s a clue to be found, however, in the film’s very title, which in Catholic tradition refers to the merciful compassion of God for the suffering of humanity, but can be literally translated simply as “mercy.” Though it spends much of its time illuminating the sordid details of private human behavior, and though the journey it takes is often quite harrowing, “Misericordia” has an open heart for all of its broken, stunted, and even toxic characters; Guiraudie treats them not as heroes or villains, but as flawed, confused, and entirely relatable human beings. In the end, we may not know all of their dirty secrets, we feel like we know them – and in knowing them can find a share of that all-forgiving mercy for even the worst of them.

It’s worth mentioning that it’s also a movie with a lot of humor, brimming with comically absurd character moments that somehow remind us of our own foibles even as we laugh at theirs. The cast, led by the opaquely sincere Kysyl and the delicately provocative Frot, forge a perfect ensemble to create the playful-yet-gripping tone of ambiguity – moral, sexual, and otherwise – that’s essential in making Guiraudie’s sly and ultimately wise observations about humanity come across.

And come across they do – but what makes “Misericordia” truly resonate is that they never overshadow its deliciously depraved story, nor dilute the finely orchestrated tension his film maintains to keep your heart pounding as you take it all in.

To tell the truth, we already want to watch it again.

BOOKS

New book helps vulnerable people to stay safe Tips for overcoming crippling effects of fear

By TERRI SCHLICHENMEYER The footsteps fell behind you, keeping pace.

They were loud as an airplane, a few decibels below the beat of your heart.

Yes, someone was following you, and you shouldn’t have let it happen. You’re no dummy. You’re no wimp. Read the new book, “The Cost of Fear” by Meg Stone, and you’re no statistic. Ask around.

Query young women, older women, grandmothers, and teenagers. Ask gay men, lesbians, and trans individuals, and chances are that every one of them has a story of being scared of another person in a public place. Scared – or worse.

Says author Meg Stone, nearly half of the women in a recent survey reported having “experienced... unwanted sexual contact” of some sort. Almost a quarter of the men surveyed said the same. Nearly 30 percent of men in another survey admitted to having “perpetrated some form of sexual assault.”

We focus on these statistics, says Stone, but we advise ineffectual safety measures.

“Victim blame is rampant,” she says, and women and LGBTQ individuals are taught avoidance methods that may not work. If someone’s in the “early stages of their careers,” perpetrators may still hold all the cards through threats and career blackmail. Stone cites cases in which someone who was assaulted reported the crime, but police dropped the ball. Old tropes still exist and repeating or relying on them may be downright dangerous.

As a result of such ineffectiveness, fear keeps frightened individuals from normal activities, leaving the house, shopping, going out with friends for an evening.

So how can you stay safe?

Says Stone, learn how to fight back by using your whole body, not just your hands. Be willing to record what’s happening. Don’t abandon your activism, she says; in fact, join a group that helps give people tools to protect themselves. Learn the right way to stand up for someone who’s uncomfortable or endangered. Remember that you can’t be blamed for another person’s bad behavior, and it shouldn’t mean you can’t react.

If you pick up “The Cost of Fear,” hoping

to learn ways to protect yourself, there are two things to keep in mind.

First, though most of this book is written for women, it doesn’t take much of a leap to see how its advice could translate to any other world. Author Stone, in fact, includes people of all ages, genders, and all races in her case studies and lessons, and she clearly explains a bit of what she teaches in her classes. That width is helpful, and welcome.

Secondly, she asks readers to do something potentially controversial: she requests changes in sentencing laws for certain former and rehabilitated abusers, particularly for offenders who were teens when sentenced. Stone lays out her reasoning and begs for understanding; still, some readers may be resistant and some may be triggered.

Keep that in mind, and “The Cost of Fear” is a great book for a young adult or anyone who needs to increase alertness, adopt careful practices, and stay safe.

Take steps to have it soon.

‘The Cost of Fear’

By Meg Stone

c.2025, Beacon Press | $26.95 | 232 pages

LOSANGELESBLADE.COM • APRIL 04, 2025 • 13

NIGHTLIFE As part of Los Angeles Blade’s mission to get to know our community, we continue to do a deep dive into personalities who represent the queer culture of entertainment, nightlife, activism and politics.

In this “Meet Your Local” column, we celebrate club culture.

For those of us who frequent the queer nightlife, we have come to know dancer Jake Mathews, SoCal’s go-to go-go boy.

Jake’s dance card is full as you can find him at any of the popular nightclubs throughout the week, sometimes dancing in multiple locations in one day.

He’s keeping busy, raising money to continue his education. He has been instrumental in adding some positive energy to the nightlife space and his personality makes any patron feel welcomed and comfortable. His trademark dance moves reflect his extensive training in dancing with the pole, it is an art form unto itself.

We sat down with Jake in between his dance sets to get to know the person beyond the persona.

Hometown: Morgan City, Louisiana How did you get into go-go dancing?

I got into go-go dancing at 19 on the reboot of the show Queer as Folk. Since then, I haven’t turned back and have danced in numerous cities and bars!

What do you love most about dancing in the queer LA nightlife?

I love the community that I’ve found. When people make an effort to come support me it means a lot.

What do you love most about life in LA? The resources that are available for our community.

What are some of the misconceptions people have about a go-go dancer in LA? They often sexualize us and believe they have easy access to us. Some of us live a completely different life outside of dancing and put on a persona while on stage.

You are also a pole artist. How does that differ from your go-go dancing?

Pole dancing feels more like an art, rather than entertaining a crowd on energy.

How does being queer add to your dance artistry?

I like to freely express myself while dancing and am not limited to any societal standards.

How do you balance your personal life with the nightlife?

I don’t get much sleep. Go-Go dancing allows me to live my daytime life, which consists of being busy. I’m starting my master’s program this summer thanks to Go-Go dancing!

What is your biggest pet peeve while go-go dancing?

I don’t like when people touch my private areas. As I previously said, the audience does not have that access or permission to do so.

What are some of your favorite venues to dance at and why?

I love dancing at the Abbey because of the co-workers! It feels like I’m part of something greater than me – especially with Chappell’s “Pink Pony Club.”

What do you want most out of your career?

I want to inspire others to give it a try.

Any advice to give a new Go-Go dancer?

Don’t worry too much about those negative thoughts in your head. In other words, if you’re thinking about how the crowd is perceiving you, find a way to redirect that thinking.

People love you for you! You shouldn’t be like everyone else.

Favorite hobbies when you aren’t dancing:

Meet Your Local: Go-Go dancer Jake Mathews Dancing is an art

By ALEXANDER RODRIGUEZ

(Photo Courtesy of Jak)

I like to read & write, travel and listen to live music.

Is dating hard while being such a big part of the nightlife?

No. Nightlife is just another job! A partner should be able to accept the work one enjoys. Scheduling together time may be difficult, but this is common with many careers.

What is your signature dance move?

It used to be shoulder stands until I damaged my ear. I usually just freestyle and hope for the best!

14 • LOSANGELESBLADE.COM • APRIL 04, 2025

Favorite song to dance to: I like to dance to EDM because I feel so free!!

And your message to the queer community?

We need everyone in our community to come together and support each other in the daytime and the nighttime.

This means coming out to nightlife, supporting queer artists, volunteering for our community, and acting as a safe space for each other.

Follow Jake on IG: @jakemtws

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